Sterling Houston was born in San Antonio in 1943. Houston attended Los Angeles City College before dropping out in 1964 to study acting in New York. He worked as an actor Off-Broadway and was involved with the Playhouse of Ridiculous theater. In 1968 Houston moved to San Francisco with Larry Neal, his partner and collaborator. For the next seven years they performed as the rock and roll band, Fleshtones. In 1978, Houston returned to theater and began working at the Magic Theatre as a stage technician, staff technician, actor and advisor on issues of African-American and gay sensitivity. In 1981, panicked by health issues, Houston returned to San Antonio to join the family real estate business.

After returning to San Antonio, Houston became involved with the local community and professional theater companies as an actor, director and producer. In 1983, encouraged by a residency with George C. Wolfe, Houston began to write plays. In 1985 he was commissioned by the San Antonio Museum of Art to create a work about the Harlem Renaissance, which became the musical, . Houston joined Jump-Start Performance Company, a not-for-profit presenting and producing theater company, dedicated to the exploration of alternative viewpoints in performance, in 1988 and worked as performer, writer-in-residence, administrative director and artistic director over the next 18 years, premiering 30 plays in that time. His theatrical works in that time include: , a collaboration with dancer Blondell Cummings, which toured nationally; , about a Latino family moving into San Antonio's historically black East Side; , an all-female musical retelling of the myths of traditional Texas history toured to Austin, after a successful run in San Antonio; , an epic re-telling of the myths of ancient Egypt; , a mixed-media musical around events in the life of 16th century African saint, Martin de Porres; , a collaboration with poet Maya Angelou for a cast of nine speakers and four singers; a domestic farce chosen to open Cleveland Public Theatre’s Festival of New Plays; , a play with music dealing with aliens, alienation, and the coming millennium; , a short play commissioned by the Actor's Theater of Louisville’s Humana Fest; , a musical history of San Antonio's African American community before integration; , a surrealistic tragicomedy. His plays are known for their biting social commentary, burlesque humor, and intensive musical ideas.

Houston did not limit himself to theater and published several works of prose including a semi-autobiographical novella published in 1994 by in San Antonio. His first novel, , was a re-telling of the Frankenstein myth set in ante-bellum New Orleans and published by Pecan Grove Press in 1999. A volume of Houston’s selected plays titled Four Plays by Sterling Houston was published in 1998 by Urban Communications, Inc. and rereleased in 2005 by University of North Texas Press as Houston's was working on , a fictionalized family history based on family stories, and his own experiences in New York, San Francisco and San Antonio, at the time of his death.

Sterling Houston received numerous honors and accolades throughout his theatrical career. He earned the Individual Artist Grant from the Department of Arts and Cultural Affairs, City of San Antonio three times, and was one of only a few Texans to receive a commissioning grant from the Mid-America Arts Alliance. He was chosen “Artist of the Year” in 1991 by the San Antonio Business Committee for the Arts and in 1992 by the . In 1997, Houston was the recipient of the prestigious Arts and Letters Award from the San Antonio Public Library, given for outstanding contributions to the arts and cultural life of San Antonio. was nominated for seven Alamo Theater Arts Council Globe awards in 1993, winning two, for Best Original Score, and Best New Script. Houston was one of two local recipients of a New Forms Regional Initiative Grant (NFRIG) funded by the Rockefeller Foundation, the Andy Warhol Foundation, and the National Endowment for the Arts, for the commissioning of , which also received a grant from Art Matters, Inc., and was selected by The Art Institute of Chicago to be a part of series in spring of 1995. In 1997 the State of Texas Legislature recognized Sterling Houston with a citation for his outstanding contributions to the cultural life of the state. Houston received a Rockefeller MAP (Multi-Arts Production fund) grant for research and development of , which was presented in collaboration with the Carver Community Cultural Center in 2003 and was cited by the as one of the ten best plays of that year.

Houston lectured and presented on his work in theater at colleges and institutions in Chicago, New York, London, Boston, Cleveland, New Orleans, Dallas, Austin and San Antonio. He served as a peer review panelist for the states of Nevada, Georgia and Texas, and presented on panels for the National Endowment for the Arts, Grantmakers in the Arts, Outwrite, College Art Association, and The Art Institute of Chicago, and the Association of Theater in Higher Education. Houston was also involved in community projects, including the clean-up of Ellis Alley in east San Antonio and the Founding Mothers Mural and the McCreless Library Project. He died in November 2006.

Sources: Sterling Houston Biography 1945-2006. Jump-Start Blog, http://jump-start.org/?p=191; Hennessy, Keith. "Jump-Start Performance Co.: Interview with Sterling Houston." Community Arts Network; and Paddie, Dennis. Sterling Houston Walkin’ His Blues. The Gay and Lesbian Review, vol. 14, no. 2.