Guadalupe Cultural Arts Center (GCAC) was founded in 1980 as a nonprofit, multidisciplinary organization. Located in the heart of San Antonio's west side, the GCAC is the largest community-based, multi-disciplinary organization in the United States.
Their mission is to preserve, promote and develop the arts and culture of the Chicano/Latino/Native American peoples for all ages and backgrounds through public and educational programming in six disciplines: Dance, Literature, Media Arts, Theater Arts, Visual Arts and Xicano Music.
Each year the GCAC presents and produces a season of events, exhibitions and festivals, including the San Antonio CineFestival, the Tejano Conjunto Festival en San Antonio, the San Antonio Inter-American Bookfair & Literary Festival, Hecho a Mano/Made by Hand, a season of plays by the resident youth theater company Grupo Animo, the Performing Arts Series, and productions featuring the Guadalupe Dance Company. Each of the six programs offer instructional classes from creative writing to button accordion and ballet folklorico for beginners to master workshops in all the disciplines.
The Guadalupe Cultural Arts Center records are currently unprocessed, but primarily consist of administrative materials, financial documents, articles, clippings, correspondence, programs, press materials, newsletters, scripts, artifacts, photographs, audiovisual and electronic materials and posters. The materials document the organization’s mission is to preserve, promote and develop the arts and culture of the Chicano/Latino/Native American peoples for all ages and backgrounds through public and educational programming.
This collection is open for research except when otherwise noted. Original audiovisual and digital media materials are closed to patron use.
Researchers are required to wear gloves provided by the Archives when reviewing photographic materials.
Permission to publish from the Guadalupe Cultural Arts Center Records must be obtained from the Archives and Special Collections Department, Library, University of Texas at San Antonio.
[Identification of item], Guadalupe Cultural Arts Center Records, 1981-2005,
MS 158, Archives and Special Collections, Library, University of Texas at
San Antonio.
Received from the Guadalupe Cultural Arts Center in March 2005 (Acc.
2005-033).
Unprocessed collection. Inventory was created when collection was first received. Restrictions were applied by Archives for sensitive materials.
Encoded by Nikki Lynn Thomas, Manuscripts Archivist, February 2008.
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Original Deposit of March 2005 (Acc. 2005-33)
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| Box | Folder |
| 1 | 1 | | Opinion surveys – 10 inches loose papers |
| 2 | | RESTRICTED: 5 unlabelled folders re: job search committee |
| 3 | | Ex. Dir. Offer memo |
| 4 | | RESTRICTED: Resumes |
| 5 | | Loose papers ½ inch |
| Box | Folder |
| 2 | | | Literary journals 13 inches; magazines – 2 inches |
| Box | Folder |
| 3 | 1 | | Photocopied book – “Border Visions” |
| 2 | | CineFestival June 10-14, 1998 |
| 3 | | Cinesfest 1998 Call for Entries |
| 4 | | 20th Annual S.A. CineFestival 8/6-10/97 |
| 5 | | San Antonio CineFestival (20th) 8/6-10/97 |
| 6 | | Cinefestival ’96 Call for Entries |
| 7 | | Cinefestival 18th Edition February 1-5, 1995 |
| 8 | | Cinefestival Feb 1-5, 1995 18th Edition Call for Entries |
| 9 | | A Celebration of Dance 1998 May 29-30 and June 5-6 |
| 10 | | 18 lustros de la vida en Mexicoen este siglo |
| 11 | | 1998 Fall Dance Academy Class Schedule |
| 12 | | 1998 Summer Dance Camp |
| 13 | | Dance Company La Pastorela Dec 13, 1997 |
| 14 | | Summer Dance Camp ‘97 |
| 15 | | Rio Bravo Ballet 1995 |
| 16 | | Rio Bravo Ballet 1994 |
| 17 | | Dance Program: Rio Bravo Ballet |
| 18 | | Rio Bravo/Promo Packet |
| 19 | | Rio Bravo Ballet ‘97 |
| 20 | | Loose booklet and news clipping |
| 21 | | Academy of Motion Pictures Art and Sciences—Cinefestival 1988 – Visiting Artist – Katy Jurado |
| 22 | | Unlabelled folder |
| 23 | | 1991 Oscar Hijuelos |
| 24 | | Computer Docs |
| 25 | | Network Printer package |
| 26 | | magazines, catalogs, Guadalupe newsletter – 4 inches loose |
| Box | Folder |
| 4 | 1 | | GCAC Annual Budget FYE 9-30-99 [large white binder] |
| 2 | | Budget FYE 9-30-00 [large white binder] |
| Box | Folder |
| 5 | 1 | | GCAC Annual Budget FYE 9-30-98 [large white binder] |
| 2 | | GCAC Annual Budget FYE 9-30-97 [large white binder] |
| Box | Folder |
| 6 | 1 | | Notes |
| 2 | | Box Office Statement |
| 3 | | David Spencer Phd. Trinity Univ. |
| 4 | | Bosom Buddies |
| 5 | | Aud. Dev. |
| 6 | | Ed’s Press Release |
| 7 | | Petra Sides-Auditions |
| 8 | | Woodridge Elem Sch |
| 9 | | Fall ’98 Volunteers |
| 10 | | Petra’s Audition Forms Blank |
| 11 | | Auditions for young girl |
| 12 | | Petra’s Audition Announcement |
| 13 | | Petra’s Express-News Ad |
| 14 | | Petra ’98 Newsletter |
| 15 | | Ch. Reg. Forms Blanks – Petra’s |
| 16 | | Nov. 19 Ticket Stub |
| 17 | | Marin Communications |
| 18 | | Petra’s Rehearsal Schedule |
| 19 | | Fax # Press Release |
| 20 | | Comm. In Schools – Brenda Pena |
| 21 | | Petra’s tickets |
| 22 | | Petra Palm Cards |
| 23 | | Playbill – [preview and premiere] |
| 24 | | Petra’s Cuento -- Synopsis |
| 25 | | 2nd Draft -- Petra’s Cuento |
| 26 | | Petra’s Cuento, R. Reyes, 1st draft |
| 27 | | Script rewrites -- Petra’s Cuento – 1998 |
| 28 | | Sue Blansett |
| 29 | | RESTRICTED: Petra’s check request |
| 30 | | P.O. Petra’s |
| 31 | | Housing Bill – R. Garza |
| 32 | | Phone Mt. |
| 33 | | RESTRICTED: Check requests |
| 34 | | Petra’s Cuento W.B. |
| 35 | | Petra’s – Earned income – Total Expense |
| 36 | | Photos |
| 37 | | Photo – Rupento Rodney Irene |
| 38 | | Newspaper Clippings |
| 39 | | Petra’s contact sheet |
| 40 | | Petra’s Cuento – press release |
| 41 | | Petra’s Review |
| 42 | | Petra’s article |
| 43 | | Petra’s profit and loss report |
| 44 | | La Chata Noloesca |
| 45 | | Pamela Ann Smith “La Chata” |
| 46 | | Peter C. Haney – Carpa |
| 47 | | Loose material – book, newsletter, newspapers, Ruben Blades poster – 2 inches |
| Box | Folder |
| 7 | | | Magazines, reports, directories, grant information – 15 inch. Loose material |
| Box | Folder |
| 8 | | | Newspapers, magazines 10 inches loose material; |
| | | Books – 6 inches |
| Box | Folder |
| 9 | 1 | | 4 reference books |
| 2 | | Conjunto info for volunteers |
| 3 | | Conjunto Festival 1994 |
| 4 | | I have a dream foundation |
| 5 | | Schedules |
| 6 | | Call for volunteer ‘97 |
| 7 | | Loose papers – 2 inches |
| | | 3 necklaces |
| | | Accordion festival button |
| | | 4 rolls undeveloped film |
| | | eye glasses |
| | | 2 buttons |
| | | DVD |
| Box | Folder |
| 10 | 1 | | 1992 |
| 2 | | 1993 |
| 3 | | 1994 |
| 4 | | 1995 |
| 5 | | 1996 |
| 6 | | 1997 |
| 7 | | 1998 |
| 8 | | 1999 |
| 9 | | 4 loose items |
| 10 | | 1999 |
| 11 | | 2000 |
| 12 | | 6 loose folders |
| 13 | | 2000 |
| 14 | | 2000 |
| 15 | | 2002 |
| Box | Folder |
| 11 | 1 | | Real Women Have Curves |
| 2 | | Real Women Have Curves – card mailer, playbill and ticket |
| 3 | | Real Women Have Curves – auditions, press releases |
| 4 | | Real Women Have Curves – newsletter copy |
| 5 | | News clips |
| 6 | | Real Women Have Curves – newspaper clippings |
| 7 | | Unlabelled folder |
| 8 | | Real Women Have Curves – comp list forms |
| 9 | | Real Women Have Curves – fax edo |
| 10 | | Real Women Have Curves – thank you |
| 11 | | Real Women Have Curves – comp info request |
| 12 | | Real Women Have Curves – set design |
| 13 | | Real Women Have Curves – floor plan |
| 14 | | Real Women Have Curves – props/costumes |
| 15 | | Real Women Have Curves – set design |
| 16 | | Real Women Have Curves – sound ques/tapes |
| 17 | | Real Women Have Curves – flight info |
| 18 | | Jon Mercedez |
| 19 | | Alicia Mena contract |
| 20 | | Real Women Have Curves – contracts need signature |
| 21 | | Real Women Have Curves – box office statement |
| 22 | | Real Women Have Curves – 380 seating chart |
| 23 | | Attendance sheets |
| 24 | | Real Women Have Curves – Reh sched |
| 25 | | Real Women Have Curves – props |
| 26 | | Real Women Have Curves – script |
| 27 | | Real Women Have Curves – script |
| 28 | | RESTRICTED: Real Women Have Curves – check request |
| 29 | | Real Women Have Curves – contracts – staff |
| 30 | | Real Women Have Curves – audition forms |
| 31 | | Real Women Have Curves – audition |
| 32 | | Real Women Have Curves – Jon’s stuff – Mercedez |
| 33 | | Real Women Have Curves – press release |
| 34 | | Real Women Have Curves – thank you TYC |
| 35 | | Real Women Have Curves – review – Theatre Insight |
| 36 | | Reimbursement receipt |
| 37 | | Real Women Have Curves – contact sheet |
| 38 | | Real Women Have Curves – final report |
| 39 | | Real Women Have Curves – Rev and Exp |
| 40 | | Real Women Have Curves – contract (J. Lopez) |
| 41 | | Gateways ’99 – “Surcos de Oro/Watered With Tears |
| 42 | | Cinefest 1999 – call for entries |
| 43 | | Volunteer Appreciation and orientation 1999 |
| 44 | | Share the vision, Share the dream (GCAC brochure) |
| 45 | | Hijas del Quinto Sol conference 1999 |
| 46 | | Spring 1999 membership drive |
| 47 | | The Guadalupe Master Plan: Goals for 2000 and beyond, 1999 |
| 48 | | Guadalupe Theater rental brochure 1999 |
| 49 | | 1999 membership brochure |
| 50 | | 1999 class schedule |
| 51 | | 1998 class schedule |
| 52 | | Loose papers – 1 inch |
| 53 | | Unlabeled folder |
| 54 | | Unlabeled folder |
| 55 | | Unlabeled folder |
| 56 | | 1998 holiday giftshop sale |
| 57 | | GCAC newsletter 1999 |
| 58 | | GCAC newsletter 1998 |
| 59 | | Unlabeled folder |
| 60 | | January – March 1998 newsletter |
| 61 | | 6 items – Bookfair and literary festival |
| Box | Folder |
| 12 | 1 | | SACVB Marketing Committee |
| 2 | | Quad graphics |
| 3 | | Requests from schools |
| 4 | | Riverwalk holiday parade |
| 5 | | Runner services |
| 6 | | San Antonio council for international visitors (SACIV) |
| 7 | | Texas Cultural Trust 1993 |
| 8 | | SA Hispanic Chamber of Commerce |
| 9 | | Southtown Urban Mainstreet Program |
| 10 | | GCAC Summer Dance Camp |
| 11 | | Tichenor Media System |
| 12 | | Via Metropolitan Transit Co. |
| 13 | | VIP list |
| 14 | | Workshops to attend |
| 15 | | Samples of Arts Organizations Promo Flyers/Brochures etc. |
| 16 | | Public Relations Society of America |
| 17 | | Puro San Antonio Brochure unveiling |
| 18 | | Puro San Antonio Brochure committee |
| 19 | | Radisson Hotel |
| 20 | | Receptionist orientation |
| 21 | | RESTRICTED: Resumes |
| 22 | | San Antonio Current |
| 23 | | April 16, 1997 – Program Directors meeting |
| 24 | | National Endowment for the Arts |
| 25 | | NEA American Canvas Forum |
| 26 | | Media Tour – February 28, 1997 |
| 27 | | Message on hold |
| 28 | | Monthly events reports – CAB |
| 29 | | Muzak |
| 30 | | Martha E. Gonzales |
| 31 | | Originals |
| 32 | | Feb 28 media visit |
| 33 | | Marketing/PR services |
| 34 | | HEB |
| 35 | | Hispanic Association of colleges and universities |
| 36 | | Inner city cultural arts program |
| 37 | | La Prensa de San Antonio |
| 38 | | Luce press clippings |
| 39 | | Guadalupe web site |
| 40 | | El Fideicomiso grant |
| 41 | | Guadalupe Cultural Arts Center |
| 42 | | Cultural Arts Initiative |
| 43 | | Cultural Public Relations Group |
| 44 | | Deborah Ortiz -- Photographer |
| 45 | | Brad DiBaggio – design |
| 46 | | Esperanza Peace and Justice Center |
| 47 | | Evaluation forms/samples |
| 48 | | First Quarter 97 Publicity Report |
| 49 | | Gary M. Perkins – Photographer |
| 50 | | Gregory Nava visit |
| 51 | | GCAC staff smoking survey 1997 |
| 52 | | Cultural Public Relations committee |
| 53 | | Alamo Community College District |
| 54 | | Annual Reports |
| 55 | | Bitter Magazine |
| 56 | | Burrelle’s Clipping Services |
| 57 | | City Permits |
| 58 | | 1997 Calendar of Events release |
| 59 | | Yolanda Duarte-White |
| 60 | | GCAC Gateways Rockefeller Fellows 97 |
| 61 | | Advertising Rate Information |
| 62 | | AT and T Summer Fair May 7, 1997 |
| 63 | | San Antonio Express-News advertising guidelines |
| 64 | | GCAC 1997 Marketing and Public Relations Strategic Plan |
| 65 | | 3 loose items |
| Box | Folder |
| 13 | | | Theatre scripts – 15 inches – [possibly submitted for Playwright Competition?] |
| Box | Folder |
| 14 | 1 | | CineFestival – 3 ring binder |
| 2 | | CineFestival – sponsor info |
| 3 | | Unlabeled folder |
| 4 | | Summer Film Fest ’88 Press Clippings |
| 5 | | Press Clippings CineFestival 1988 |
| 6 | | Unlabeled folder |
| 7 | | Mexico Ysu Cine Material |
| 8 | | 1991 San Antonio CineFestival Press Releases/Press Clippings |
| 9 | | Unlabeled folder |
| 10 | | Unlabeled folder |
| 11 | | CineFestival Press Clippings 1987 |
| 12 | | Unlabeled folder |
| 13 | | Unlabeled folder |
| 14 | | Carver Jazz Festival 1987 |
| 15 | | Unlabeled folder |
| 16 | | Marlon Riggs film event |
| 17 | | Performing Arts Series ’89-‘90 |
| 18 | | 1989 Indie Cycle The Best of Five Years |
| 19 | | Press Clippings from 1989 San Antonio Premiere Series |
| 20 | | Premiere Film Series 1988 |
| 21 | | “Indie” cycle 1988 |
| 22 | | Films en la Plaza |
| 23 | | 1990 CineFestival special activities promo flyers |
| 24 | | 1991 S.A. CineFestival |
| 25 | | 1992 S.A. CineFestival |
| 26 | | Always Roses |
| 27 | | Guadalupe Theatre Film Series 1989 |
| 28 | | Chicano Media Arts Retrospective |
| 29 | | Almardo Cortinas |
| 30 | | Envelopes and loose papers -- ½ inch |
| Box | Folder |
| 15 | 1 | | Medina, Reyes |
| 2 | | Maximo Mendoza |
| 3 | | Adam Morales |
| 4 | | Estevan Ochoa |
| 5 | | Adan “Flaco” Martinez |
| 6 | | Celestino Nunez |
| 7 | | Ruben Torres |
| 8 | | Jose Vasquez |
| 9 | | Mike Anthony Villanueva |
| 10 | | Francisco Antonio Griego Zapata |
| 11 | | Students’ sign-in and teachers’ sheets |
| 12 | | Jim Haught |
| 13 | | Unlabelled envelope |
| 14 | | DeKing, Marilyn |
| 15 | | Ben Mata |
| 16 | | RESTRICTED: Ben Mata – contracts – copies |
| 17 | | Thomas Castillo |
| 18 | | Olivia De La Zerda |
| 19 | | Students’ Posters |
| 20 | | Unlabelled folder |
| 21 | | Invites/Flyers |
| 22 | | MM Timesheets |
| 23 | | Loose paper ¼ inch |
| 24 | | Student rent receipts |
| 25 | | Charity donations |
| 26 | | Eduardo Zepeda |
| 27 | | Visual arts |
| 28 | | The American Federation of Arts |
| 29 | | Nivia Gonzalez |
| 30 | | Graciela Hernandez |
| 31 | | Laura Lopez Cano |
| 32 | | Inmate art |
| 33 | | Loose paper |
| 34 | | Janette Parris |
| 35 | | Mary A. Rodriguez |
| 36 | | SALA |
| 37 | | Four loose folders |
| 38 | | Joe Baker art show |
| 39 | | Bastienne Schmidt |
| 40 | | Victor Mendiola Galuan |
| 41 | | Catherine Herrera |
| 42 | | Hecho a mano invitation 1998 |
| 43 | | Hecho a mano 2000 |
| 44 | | Hecho a mano 2000 |
| 45 | | Papel de Papel |
| 46 | | Claudio Agillen |
| 47 | | Jesse Amado |
| 48 | | Connie [?] slides in plastic |
| 49 | | Arturo Avila |
| 50 | | Joe Baker |
| 51 | | Maria Elena Botello Buchanan |
| 52 | | Rolando Briseno |
| 53 | | Per diem info |
| 54 | | Sept 16 ck request |
| 55 | | Los Carperos newspaper news clippings |
| 56 | | NEA grant – Los Carperos |
| 57 | | Las Tandas de San Culimas |
| 58 | | 1988 in review – articles |
| 59 | | En El Corazon del Pueblo |
| 60 | | Playbill |
| 61 | | Corazon del Pueblo – photos |
| 62 | | En El Corazon del Barrio |
| 63 | | Sept 16 “Corazon” Budget |
| 64 | | 16-Sep |
| 65 | | Press Release |
| 66 | | RESTRICTED: Contracts Sept 16 |
| 67 | | Loose papers – 4 inches |
| Box | Folder |
| 16 | 1 | | 1981 publicity, newsletters |
| 2 | | 1982 publicity, newsletters |
| 3 | | 1983 publicity, newsletters |
| 4 | | 1983 publicity, newsletters |
| 5 | | 1984 publicity, newsletters |
| 6 | | 1984 publicity, newsletters |
| 7 | | 1985 publicity, newsletters |
| 8 | | 1985 publicity, newsletters |
| 9 | | 1985 publicity, newsletters |
| 10 | | 1986 publicity, newsletters |
| 11 | | 1986 publicity, newsletters |
| 12 | | 1986 publicity, newsletters |
| 13 | | 1987 publicity, newsletters |
| 14 | | 1987 publicity, newsletters |
| 15 | | 1987 publicity, newsletters |
| 16 | | 1988 publicity, newsletters |
| 17 | | 1989 publicity, newsletters |
| 18 | | 1990 publicity, newsletters |
| 19 | | 1991 publicity, newsletters |
| Box | Folder |
| 17 | 1 | | Tonantzin 1996 |
| 2 | | Tonantzin 1992 |
| 3 | | Tonantzin 1988 |
| 4 | | Tonantzin 1986 |
| 5 | | 20th annual SA CineFestival program 1997 |
| 6 | | Tonantzin 1995 vol 11 |
| 7 | | Tonantzin 18th edition |
| 8 | | Tonantzin Tejano Conjunto Festival May 1994 |
| 9 | | Tonantzin vol 8 1993 |
| 10 | | Tonantzin Tejano Conjunto Festival May 1993 |
| 11 | | Tonantzin vol 8 1992 |
| 12 | | Tonantzin vol 12 May 1996 Tejano Conjunto Festiva |
| 13 | | 501 c3 |
| 14 | | SALA 02 |
| 15 | | Monthly report |
| 16 | | Unlabelled folder |
| 17 | | Unlabelled folder |
| 18 | | GCAC newsletter Vol 5 No 4 October November December |
| 19 | | GCAC newsletter Vol 5 No 4 July August September 1997 |
| 20 | | GCAC newsletter Vol 5 No 2 April May June ‘97 |
| 21 | | GCAC newsletter Vol 5 No 1 |
| 22 | | GCAC newsletter Vol 4 No 4 |
| 23 | | GCAC newsletter Vol 4 No 3 |
| 24 | | Guadalupe newsletter Vol 4 No 2 |
| 25 | | Guadalupe newsletter Vol 4 No 1 |
| 26 | | Guadalupe newsletter Vol 3 No 4 |
| 27 | | Unlabelled folder |
| 28 | | GCAC newsletter vol 1 no 2 |
| 29 | | Guadalupe newsletter Vol 2 No 1 |
| 30 | | Guadalupe newsletter Vol 2 No 2 |
| 31 | | Guadalupe newsletter Vol 2 No 3 |
| 32 | | Guadalupe newsletter Vol 2 No 4 |
| 33 | | Fall 2000 schedule |
| 34 | | Rio Bravo 2000 |
| 35 | | Tonantzin Summer 2000 |
| 36 | | September Events 2000 |
| 37 | | El Vez 2000 |
| 38 | | Grupo Animo 2000 |
| 39 | | CineFestival Entry Form 2000 |
| 40 | | Holiday Saxophones 2000 |
| 41 | | Christmas Cards 2000 |
| 42 | | Hecho a Mano Poster 2000 |
| 43 | | Hecho a Mano Call 2000 |
| 44 | | Dia de los Muertos 2000 |
| 45 | | 60’s Soul 2000 |
| 46 | | Nov/Dec Schedule 2000 |
| 47 | | 11/4 Café con Lupe |
| 48 | | Hecho a Mano Invitations 2000 |
| 49 | | Gateways 2000 |
| 50 | | Ruben Blades 2000 |
| 51 | | Gateways 2001 |
| 52 | | May-00 |
| 53 | | Grupo Animo 2000 |
| 54 | | Tonantzine Spring 2000 |
| 55 | | TCF 2000 postcard |
| 56 | | Real Women Have Curves postcard |
| 57 | | Business membership 2000 |
| 58 | | Real Women program 2000 |
| 59 | | March 2000 monthly mailer |
| 60 | | Rolando Briseno gala invite 2000 |
| 61 | | 2000 bookfair bookmark |
| 62 | | 2000 membership brochure |
| 63 | | Uno dos tres 2000 |
| 64 | | Book fair 2000 |
| 65 | | CineFestival 2000 Tonanzine |
| 66 | | Tonantzin 2000 newsletter |
| 67 | | Theater class performance 12-16-99 |
| 57 | | TCF 2000 Poster Contest Entry form |
| 58 | | CineFest 2000 call for entries |
| 59 | | Loose papers – 3 inches – programs, newsletters, flyers |
| Box | Folder |
| 18 | 1 | | Guadalupe Cultural Arts Center semi-monthly timesheets, 1998 to 2002 – 15 inches of material – in folders, by pay period |
| Box | Folder |
| 19 | 1 | | Box contains files re: TENAZ, the International Chicano/Latino Theatre Festival, San Antonio; Binder re: TENAZ XIV |
| 2 | | TENAZ working paper |
| 3 | | TENAZ box office |
| 4 | | TENAZ XIV planning documents and correspondence |
| 5 | | Programa Cultural de las fonteras |
| 6 | | TENAZ registration form |
| 7 | | TENAZ workshops |
| 8 | | TENAZ judges |
| 9 | | TENAZ XIV volunteers |
| 10 | | TENAZ backup |
| 11 | | TCA Narr TENAZ |
| 12 | | Proposal to TENAZ board |
| 13 | | Out-going correspondence |
| 14 | | Out-going correspondence |
| 15 | | TENAZ ’88 registration info |
| 16 | | RESTRICTED: TENAZ contracts |
| 17 | | TENAZ video |
| 18 | | TENAZ card mailers sent – packages |
| 19 | | Org that want to get involve – TENAZ |
| 20 | | TENAZ city of S.A. proposal |
| 21 | | TENAZ board members |
| 22 | | Publicity |
| 23 | | KUAT radio |
| 24 | | Unlabelled |
| 25 | | Our lady of the lake univ |
| 26 | | Workshop sign-up sheet |
| 27 | | Tonantzin |
| 28 | | Spain – Ministerio de Cultura |
| 29 | | Paulina |
| 30 | | KLRN Interviews Jorge Sandoval |
| 31 | | Laura I. Rendon Playwright TENAZ |
| 32 | | IDEPAC/Dominicano |
| 33 | | El Teatro de la Experanza |
| 34 | | Grupo Cultural Zero |
| 35 | | Teatro Espejo |
| 36 | | Culture Clash |
| 37 | | Edgard Guillen |
| 38 | | Maria Lourties/Ecuador |
| 39 | | Teatro Latino de Minnesota |
| 40 | | Pregones |
| 41 | | Teatro El Sol |
| 42 | | La Compania de Teatro de Alburquerque |
| 43 | | Teatro Bilingue de Houston |
| 44 | | No Encontramos Theatre |
| 45 | | Hispanic Theatre companies |
| 46 | | Alternate roots |
| 47 | | Loose papers – ½ inch |
| 48 | | TENAZ XV open remarks |
| 49 | | TENAZ XV |
| 50 | | Unpaid bills TENAZ XV |
| 51 | | Carta from Pregones after Festival |
| 52 | | TENAZ XV info festival |
| 53 | | TENAZ XV schedule |
| 54 | | TENAZ carta from workshop to Rosalda R. |
| 55 | | Flights |
| 56 | | TENAZ XV programs |
| 57 | | TENAZ XV housing |
| 58 | | TENAZ XV application form |
| 59 | | TENAZ XV fax info |
| 60 | | TENAZ ATINT |
| 61 | | TENAZ XV Bronx |
| 62 | | Carta de TENAZ |
| 63 | | TENAZ XV flights |
| 64 | | TENAZ mailing list |
| 65 | | Teatro Latino de Mn. |
| 66 | | Loose material – 4 programs |
| 67 | | TENAZ XII |
| 68 | | TENAZ XIII festival |
| 69 | | TENAZ letterhead |
| 70 | | TENAZ talks teatro 1986? |
| 71 | | TENAZ |
| 72 | | 11th TENAZ festival, San Francisco |
| 73 | | TENAZ articles of incorporation |
| 74 | | Teatros TENAZ |
| 75 | | Loose papers – 1 inch |
| Box | Folder |
| 20 | 1 | | Loose material -- posters, CineFestival mailing cards |
| 2 | | RESTRICTED: Payroll tax reports 1993 |
| 3 | | RESTRICTED: IRS form 941 – 1992 |
| 4 | | RESTRICTED: 1992 – W’2’s |
| 5 | | ‘and the earth did not swallow him’ December 8 |
| 6 | | Theatre Prog ‘Las Nuevas Tamaleras’ |
| 7 | | Theatre Prog: Grupo Animo ‘La Victima’ |
| 8 | | Theatre Prog: ‘Four clowns in seach of a circus’ |
| 9 | | Theatre Prog: ‘El Milagro’ march 23, 1990 |
| 10 | | Te Traigo Estas Flores Y Marshmallow Yellow Peeps |
| 11 | | Theatre arts program – ‘Real women have curves’ |
| 12 | | ‘When El Cucui walks’ |
| 13 | | Lydia Mendoza ‘la Gloria de Tejas’ |
| 14 | | Las Nuevas Tamaleras |
| 15 | | Te Traigo Estas Flores Y Marshmallow Yellow Peeps |
| 16 | | Las Tandas de San Cuilmas |
| 17 | | ‘we won’t pay we won’t pay’ |
| 18 | | Heroes and Saints |
| 19 | | Grupo Animo in Tlaxcalli: Flour or Maiz 1994 |
| 20 | | 1997 Grupo Animo Recruictment pamphlets |
| 21 | | Pedacitos de Nuestra Vida 1998 |
| 22 | | Theatre arts – ‘Petra’s Cuento’ 1998 |
| 23 | | Grupo Animo – ‘Let’s face it’ – 1997 |
| 24 | | Dona Rosita’s Travelin’ Jalapeno Kitchen 1995 |
| 25 | | Press release – Back by popular demand – Petra’s Pecado 1996 |
| 26 | | Guadalupe Dinner theatre gala 1995 |
| 27 | | Grupo Animo – Reality Check – Guadalupe theatre 1997 |
| 28 | | ‘Petra’s Pecado’ 1995 |
| 29 | | Theatre arts – ‘Petra’s Pecado’ 1995 |
| 30 | | Valentines Oldies Dance 2-15-03 |
| 31 | | Febrero Loco 03 |
| 32 | | Beautiful senoritas 2003 |
| 33 | | CineFestival 2003 |
| 34 | | Veladora postcard 2003 |
| 35 | | Tonantzin Spring 2003 |
| 36 | | TCF poster contest 2003 |
| 37 | | Seis de Reyes 2003 |
| 38 | | Latina letters 2003 |
| 39 | | Congreso 2003 |
| 40 | | La Llorona |
| 41 | | Theatre arts – Petra’s Pecado 1996 |
| 42 | | Petra’s Pecado 1996 |
| 43 | | ‘Dance of the Jaguar: Echoes from her children’s shadows’ |
| 44 | | ‘Dance of the Jaguar: Echoes from her children’s shadows’ 1996 |
| Box | Folder |
| 21 | 1 | | Rehearsal sched |
| 2 | | Cucui – music/inst list Isaac Cardenas |
| 3 | | Intl scholars Pub. |
| 4 | | Cucui – ck reg |
| 5 | | AVANCE letter “Cucui” |
| 6 | | “Cucui” box office |
| 7 | | Limon printers |
| 8 | | “Cucui” actors notes |
| 9 | | RESTRICTED: When El Cucui walks – monthly payment breakdown |
| 10 | | “Cucui” – extra perf |
| 11 | | El Cucui |
| 12 | | “Cucui” budget Larry |
| 13 | | Laura Esparza |
| 14 | | RESTRICTED: “Cucui” contracts |
| 15 | | “Cucui” held over budget |
| 16 | | “Cucui” contact sheet |
| 17 | | “Cucui” press clips |
| 18 | | “Cucui” review |
| 19 | | Jesse Borrego |
| 20 | | Roy Conboy |
| 21 | | “Cucui” props list |
| 22 | | “Cucui” Sc. Breakdown |
| 23 | | “Cucui” press release |
| 24 | | “Te Traigo Estas …” playbills |
| 25 | | “Te Traigo Estas …” press releases |
| 26 | | Unlabelled |
| 27 | | RESTRICTED: “Te Traigo Estas …” contracts |
| 28 | | “Te Traigo Estas …” contact sheet |
| 29 | | Resumes |
| 30 | | Emma Ramos – Attentive health systems |
| 31 | | Marin communication |
| 32 | | NEA – Abel Lopez – site visit “Te Traigo Estas …” |
| 33 | | “Te Traigo Estas …” news clippings |
| 34 | | “Te Traigo Estas …” notes |
| 35 | | “Te Traigo Estas …” – script – playwright’s draft |
| 36 | | “Te Traigo Estas …” prop list |
| 37 | | “Te Traigo Estas …” review |
| 38 | | “Te Traigo Estas …” budget |
| 39 | | RESTRICTED: “Te Traigo Estas …” check request to PO |
| 40 | | “Te Traigo Estas …” auditions |
| 41 | | “Te Traigo Estas …” box office |
| 42 | | “Petra’s Pecado” – review |
| 43 | | “Petra’s Pecado” – ’96 – Elda’s article |
| 44 | | “Petra’s Pecado” – ’95 – newsletter |
| 45 | | “Petra’s Pecado” – ’96 card mailer |
| 46 | | “Petra’s Pecado” – ’95 card mailer |
| 47 | | “Petra’s Pecado” – auditions |
| 48 | | “Petra’s Pecado” – ’96 flyers |
| 49 | | “Petra’s Pecado” – ’96 newsletter |
| 50 | | “Petra’s Pecado” – script |
| 51 | | “Petra’s Pecado” – script |
| 52 | | “Petra’s Pecado” – review |
| 53 | | “Petra’s Pecado” – 2nd draft |
| 54 | | “Petra’s Pecado” – script |
| 55 | | “Petra’s Pecado” – 1st draft |
| 56 | | “Petra’s Pecado” – 1st draft |
| 57 | | Unlabelled |
| 58 | | “Petra’s Pecado” – card mailer – camera ready |
| 59 | | “Petra’s Pecado” – 1st draft |
| 60 | | Jewish comm. Center carta |
| 61 | | “Petra’s Pecado” – newsclippings |
| 62 | | Yoland Rodriguez Escobar |
| 63 | | Mary C. Williams [Carta] |
| 64 | | Rodney Garza |
| 65 | | RESTRICTED: P.O. Guad lumber |
| 66 | | “Petra’s Pecado” – summary |
| 67 | | “Petra’s Pecado” – newsletter |
| 68 | | “Petra’s Pecado” – aud dev ‘95 |
| 69 | | “Petra’s Pecado” – NEA Site Reporter Expense report/reimbursements |
| 70 | | “Petra’s Pecado” – reh sched |
| 71 | | “Petra’s Pecado” – prop list |
| 72 | | Press Release – auditions |
| 73 | | “Petra’s Pecado” – box office |
| 74 | | “Petra’s Pecado” – playbill ‘95 |
| 75 | | “Petra’s Pecado” – ch req |
| 76 | | “Petra’s Pecado” – ‘95 |
| 77 | | RESTRICTED: “Petra’s Pecado” – ’95 – contract -- cast |
| 78 | | “Petra’s Pecado” – set design |
| 79 | | RESTRICTED: “Petra’s Pecado” – ’95 contract – staff |
| 80 | | “Petra’s Pecado” – recipts |
| 81 | | “Petra’s Pecado” – cast/staff list |
| 82 | | “Petra’s Pecado” – ’96 newsclipping |
| 83 | | “Petra’s Pecado” – E and N -- ‘96 |
| 84 | | “Petra’s Pecado” – E and N by E. Silva – Petra Sins Again |
| 85 | | “Petra’s Pecado” – newspaper clippings – ‘96 |
| 86 | | “Petra’s Pecado” – ’96 – carta – comm. – outreach |
| 87 | | “Petra’s Pecado” – card mailer |
| 88 | | “Petra’s Pecado” – script ‘96 |
| 89 | | “Petra’s Pecado” – ’96 – giftshop – Saks – tickets |
| 90 | | “Petra’s Pecado” – ’96 reh. Schedules |
| 91 | | “Petra’s Pecado” – ’96 – box office |
| 92 | | Hispanic Dips comm. |
| 93 | | “Petra’s Pecado” – ’96 – playbill |
| 94 | | RESTRICTED: “Petra’s Pecado” – ’96 – contracts – cast |
| 95 | | RESTRICTED: “Petra’s Pecado” – ’96 contracts – cast – signed |
| 96 | | “Petra’s Pecado” – photos |
| 97 | | George and Sidney Burnette |
| 98 | | RESTRICTED: “Petra’s Pecado” – ’96 Check reg |
| 99 | | “Petra’s Pecado” – ‘96 |
| 100 | | “Petra’s Pecado” – cast/staff list |
| 101 | | Los hijole printers |
| 102 | | “Petra’s Pecado” – ’96 – press rel. |
| 103 | | Rupert Reyes |
| 104 | | Unlabelled folder |
| Box | Folder |
| 22 | 1 | | Tejano conjunto surveys |
| 2 | | Hijas del Qunito Sol surveys |
| 3 | | Loose papers – 1 inch |
| 4 | | CineFestival surveys 1998 |
| 5 | | GCAC arts telethon |
| 6 | | 1 envelope; 3 flders |
| 7 | | GCAC information packet |
| 8 | | 2 unlabelled folders |
| 9 | | CineFest gala |
| 10 | | GCAC music program |
| 11 | | 3 folders |
| 12 | | TCF media forms |
| 13 | | GCAC advertising opportunities |
| 14 | | …from Ray |
| 15 | | GCAC visual arts program |
| 16 | | GCAC literature program |
| 17 | | Program |
| 18 | | Hall of famers |
| 19 | | GCAC theatre arts program |
| 20 | | GCAC grupo animo |
| 21 | | GCAC media arts program |
| 22 | | GCAC graphic design/printing |
| 23 | | Pilar Chapa-Burleson – music program |
| 24 | | GCAC membership |
| 25 | | GCAC newsletter spring summer issue ‘99 |
| 26 | | GCAC calender listing opportunities |
| 27 | | GCAC center-wide pr |
| 28 | | Guadalupe Theatre Quinceanera |
| 29 | | Guadalupe theatre |
| 30 | | GCAC volunteer round-up 1999 |
| 31 | | GCAC PR budgets |
| 32 | | 1999 production schedule |
| 33 | | GCAC 1999 season of events – events calendar |
| 34 | | GCAC Stetson forum |
| 35 | | HBO screening April 14, 1999 |
| 36 | | GCAC audience development grant |
| 37 | | GCAC media luncheon |
| 38 | | Up with people benefit concert |
| 39 | | Latino public broadcasting project |
| 40 | | GCAC dance program |
| 41 | | GCAC dance program |
| 42 | | GCAC class schedule |
| 43 | | Grupo Animo |
| 44 | | Unlabelled |
| 45 | | GCAC Xicano music program |
| 46 | | GCAC membership |
| 47 | | GCAC newsletter |
| Box | Folder |
| 23 | 1 | | 92-93 balance sheet |
| 2 | | ’93 calendar |
| 3 | | Income statement 92-93 |
| 4 | | 92-93 budget – Th. Arts – 2nd draft |
| 5 | | Budget cuts 92-93 |
| 6 | | 92-93 budget, new improve |
| 7 | | GCAC 92-93 budget |
| 8 | | 92-93 budget ‘max’ |
| 9 | | Requistion forms 92-93 blank/copies |
| 10 | | Staff/program Dir. Meetings 92-93 |
| 11 | | 1992 calendar |
| 12 | | John C. Thorpe NCCC |
| 13 | | Girl scouts – Emilio Hinojosa |
| 14 | | Festival International … ‘93 |
| 15 | | Cornell University ‘92 |
| 16 | | Free idea zone |
| 17 | | FIZ |
| 18 | | MAAA/Touring |
| 19 | | Rockefeller foundation report |
| 20 | | “Heroes and Saints” – production report – projected |
| 21 | | “Heroes and Saints” – extras |
| 22 | | “Heroes and Saints” – press clippings |
| 23 | | “Heroes and Saints” – press |
| 24 | | “Heroes and Saints” – extras |
| 25 | | La Frontera – Sterling Houston |
| 26 | | Newsclippings – “La Frontera” “Las Nuevas Tamaleras” |
| 27 | | Three articles – “Las Nuevas Tamaleras” at Dallas theatre |
| 28 | | May perf. – “Las Nuevas Tamaleras” w/guest Ruben Blades |
| 29 | | “La Frontera” “Las Nuevas Tamaleras” – daily box |
| 30 | | “La Frontera” “Las Nuevas Tamaleras” – synopsis |
| 31 | | Check request |
| 32 | | 92-93 prod dates |
| 33 | | “Las Nuevas Tamaleras” – newsletter, cards, etc. |
| 34 | | “Las Nuevas Tamaleras” – by Alicia Mena |
| 35 | | Production Report = ” “Las Nuevas Tamaleras” – at Dallas Theatre |
| 36 | | Plastic binder |
| 37 | | “La Frontera” by Sterling Houston |
| 38 | | “La Frontera” “Las Nuevas Tamaleras” – program |
| 39 | | “La Frontera” by S. Houston |
| 40 | | “La Frontera” “Las Nuevas Tamaleras” – production |
| 41 | | “La Frontera” “Las Nuevas Tamaleras” – contracts |
| 42 | | ‘Acting professionally’ Ch. 4 |
| 43 | | Theatre crafts |
| 44 | | T shirt/sunbelt sportswear |
| 45 | | Tech |
| 46 | | Costumes |
| 47 | | Exercise |
| 48 | | Rogers cable system/camera training |
| 49 | | Building plan |
| 50 | | Notebook |
| 51 | | Cartas |
| 52 | | Artica’s |
| 53 | | Newspaper articles |
| 54 | | Our kids – mag ad – info |
| 55 | | Publicity |
| 56 | | Graphic art work request |
| 57 | | Info on ads |
| 58 | | Ad info from newspapers |
| 59 | | Info TV/radio/newspaper |
| 60 | | Current |
| 61 | | PSA |
| 62 | | KSYM |
| Box | Folder |
| 24 | 1 | | Barrientos, Rene 1992-1993 Endowment Fund |
| 2 | | Barrientos Rene – Foley’s Rivercenter Benefit |
| 3 | | Bank One, Texas, N.A. Dance application 1993-1994 |
| 4 | | Bank One, Texas, N.A. Visual Arts Exhibition program 1990-91 |
| 5 | | Austin Arts Commission |
| 6 | | AT and T – 1993-1994 – Rio Bravo Ballet—Dance |
| 7 | | AT and T – 12th annual Tejano Conjunto festival |
| 8 | | AT and T – May 19th Dinner theatre |
| 9 | | AT and T – the Huipil project ’91-92 |
| 10 | | AT and T – grant information |
| 11 | | AT and T |
| 12 | | Arts Partners Planning |
| 13 | | Art Maters inc. 1990-1991 visual arts |
| 14 | | Archdiocese of San Antonio 1990-91 |
| 15 | | Aquila gas pipeline |
| 16 | | Apple |
| 17 | | Apple inc multicultural program 1992 |
| 18 | | Anheuser-Busch Corp 1993-1994 CineFestival |
| 19 | | Anheuser-Busch Co – grant guidelines |
| 20 | | Anheuser-Busch 1992 grant proposal |
| 21 | | American express – 1992-1993 performing arts series |
| 22 | | American express – performing arts series |
| 23 | | American express – Tito Puente – 1991 |
| 24 | | American dialogue 1992 – bookfair |
| 25 | | American airlines – 1990 |
| 26 | | Alcos Fujikura Ltd – application – 1993-1994 |
| 27 | | Jesus Christ Superstar |
| 28 | | Lloraras |
| 29 | | Yo Quiero saber de ti |
| 30 | | Cuatro Caminos |
| 31 | | Luis Pulida |
| 32 | | Las Gaviotas |
| 33 | | Unlabelled |
| 34 | | Unlabelled |
| 35 | | Unlabelled |
| 36 | | Unlabelled |
| 37 | | Beatriz Aznar |
| 38 | | Unlabelled |
| 39 | | Unlabelled |
| 40 | | Media listings 97 |
| 41 | | Yolanda’s prototype proposal 97 |
| 42 | | TCF ’98 |
| 43 | | Venues – city of SA |
| 44 | | Instructors |
| 45 | | Instructors packet ‘96 |
| 46 | | Funding sources |
| 47 | | BMI music leasing |
| 48 | | When El Cucui walks |
| 49 | | When El Cucui walks ‘93 |
| 50 | | Auditions – Cucui |
| 51 | | Box office – held over |
| 52 | | Cucui photo |
| 53 | | Unlabelled |
| 54 | | Loose material: Envelope, newsletter binder |
| Box | Folder |
| 25 | 1 | | ASCAP 88-89 – Xicano Music |
| 2 | | Articles of incorporation and bylaws |
| 3 | | AT and T Foundation 97 |
| 4 | | Aetna ’98 (TCF proposal) |
| 5 | | Aetna proposal ‘98 |
| 6 | | AT and T proposal ’97-98 |
| 7 | | Budget ’97-’98 Xicano music |
| 8 | | Board reports 96-97 |
| 9 | | Bank of America ’97-98 |
| 10 | | Budget 97-98 – (Xicano music) |
| 11 | | Budweiser proposal ’96-‘97 |
| 12 | | Budweiser proposal ’97-‘98 |
| 13 | | Best of the TCF 97 (CD and cassette project) |
| 14 | | City of S.A. (Arts funding battle papers ’97-’98) |
| 15 | | Conjunto video project – Galan Productions |
| 16 | | Crank la cultura del Safo 97 |
| 17 | | Centro Alameda ’98 |
| 18 | | Development 98 (grant deadlines) |
| 19 | | Express-News 97 (grant proposal) |
| 20 | | Express-News proposal (96 invoice, 95 invoice) 97 |
| 21 | | Form letters Packets ‘86 |
| 22 | | Fidei Comiso grant 97 |
| 23 | | Ford Foundation meetings notes 97 |
| 24 | | Ford Foundation new grant notes ‘98 |
| 25 | | Forms/Xicano music 84-85 |
| 26 | | Loose papers – ½ inch |
| 27 | | Gateways 97 – (Dr. Cuellar/Rockefeller) |
| 28 | | Gateways materials “La Cumbre” 98 |
| 29 | | Grant application forms ‘98 |
| 30 | | Greet America 98 (TCF 98 proposal) |
| 31 | | Gateways – Ford Foundation – 98-99 |
| 32 | | Outstanding payments due GCAC 97-98 |
| 33 | | Hohner (grant proposal) 96-97 |
| 34 | | Hierarchy 97 |
| 35 | | Hohner (grant proposal) ‘98 |
| 36 | | Inroads (arts international) ’98 |
| 37 | | Inst of Tex Cultures (TCF poster contest exhibit) 98 |
| 38 | | Kell, Munoz Wigodsky (facility program nots) 97 |
| 39 | | Lila Wallace – materials from grant 97 |
| 40 | | Latin percussion class ‘98 |
| 41 | | Memos 97-98 |
| 42 | | Memos 97-98 |
| 43 | | Muerte 97-98 |
| 44 | | Nat. Her. Fellowship – Tony de la Rosa – 97 |
| 45 | | NPN 97-98 |
| 46 | | Nathan Cummings (grant) ‘98 |
| 47 | | NPN 97 materials |
| 48 | | Onsite (marketing, packet/proposal) ’97-‘98 |
| 49 | | Other correspondence ’97-‘98 |
| 50 | | Personnel policies GCAC |
| 51 | | Satellite centers |
| 52 | | Six Mexicans Named Gonzalez |
| 53 | | SW Bell Comm. Proposal ‘97 |
| 54 | | Sergio Aran 97 |
| 55 | | STAR ’98 (Support Tejano Advancement in Recording) |
| 56 | | Smithsonian Project ‘98 |
| 57 | | Smithsonian Project ’97 – Latino music |
| 58 | | Tex. Public Radio (promotion) ‘98 |
| 59 | | Video preservation project – Tejano Conjunto Festival ‘91 |
| 60 | | Xicano music assistant |
| 61 | | Loose papers, folders and photos – ½ inch |
| Box | Folder |
| 26 | 1 | | RESTRICTED: Chart of accounts for check requests |
| 2 | | Brent Baltran – Calaca Press |
| 3 | | Hotel |
| 4 | | Setup for vendors |
| 5 | | Francisco Alarcon |
| 6 | | Claribel Alegria |
| 7 | | Kathleen Alcala |
| 8 | | Sharon Bridgforth |
| 9 | | Norma Cantu |
| 10 | | Adrian Castro |
| 11 | | James Cervantes |
| 12 | | Becky Chavarria |
| 13 | | Sandra Cisneros |
| 14 | | Mariposa |
| 15 | | Richard Garcia |
| 16 | | Diane Gonzales Bertrand |
| 17 | | Jim Grimsley |
| 18 | | Kathleen Hudson |
| 19 | | Cynthia Leal Massey |
| 20 | | Orlando Menes |
| 21 | | Jacquie Moody |
| 22 | | Marlon Morales |
| 23 | | Marta Moreno Vega |
| 24 | | Barbara mujica |
| 25 | | Simon Ortiz |
| 26 | | David Rice |
| 27 | | Ito Romo |
| 28 | | Carl Hancock-Rux |
| 29 | | Raul Salinas |
| 30 | | Naomie Shihab Nye |
| 31 | | Irene Lara Silva |
| 32 | | Ilan Stavans |
| 33 | | Susan Straight |
| 34 | | Carmen Tafolla |
| 35 | | 1991 Luci Tapahonso |
| 36 | | Juan Tejeda |
| 37 | | Luis Urrea |
| 38 | | 1991 Victor Villasenor |
| 39 | | Lois Ann Yamanaka |
| 40 | | Daisy Zamora |
| 41 | | Mayra Santos-Febres |
| 42 | | Phil West |
| 43 | | Misc. correspondence – GCAC 501 c3 |
| 44 | | Misc. correspondence |
| 45 | | Book Trust 1995 |
| 46 | | IRS letters |
| 47 | | GCAC organizational history |
| 48 | | Lit director bio. Note |
| 49 | | GCAC board list and phones |
| 50 | | 93-95 GCAC audit |
| 51 | | Various event calendars |
| 52 | | GCAC long range plan |
| 53 | | Foundations lists and notes |
| 54 | | General funding letters |
| 55 | | Unlabelled folder |
| 56 | | Barnes and Noble |
| 57 | | Brackenridge Foundation |
| 58 | | Nathan Cummings Foundation |
| 59 | | Ewing Halsell |
| 60 | | Ford Foundation |
| 61 | | Foundation for a Compassionate Soc. |
| 62 | | Houston Endowment |
| 63 | | Wm. Randolph Hearst |
| 64 | | Heartland fund |
| 65 | | Kinetic Concepts |
| 66 | | Kronkosky 2000 |
| 67 | | Levi-Strauss |
| 68 | | Lannan Foundation |
| 69 | | Lilly Endowment |
| 70 | | Lila Wallace |
| 71 | | John D. and Catherine MacArthur |
| 72 | | Preserva los Cuentos |
| 73 | | Pew Charitable Trusts |
| 74 | | Rockefeller |
| 75 | | Russell Hill Rogers Fund |
| 76 | | Smothers/Bruni |
| 77 | | SW Bell |
| 78 | | Surdna Foundation |
| 79 | | Witter Bymner – didn’t send |
| 80 | | US-Mexico fund for culture |
| 81 | | Zachry Foundation 1996 |
| 82 | | City grant – GCAC lit |
| 83 | | NEA – most current |
| 84 | | NEA – 98-00 |
| 85 | | NEA Ed and Acc 99 |
| 86 | | NEH Regional Humanities Centers |
| Box | Folder |
| 27 | 1 | | Mexico conference |
| 2 | | CF 96 timeline |
| 3 | | CF ’95 call for entries |
| 4 | | La Reunion – Renee Tajima |
| 5 | | Legal Lynching – Adrian DeMichele |
| 6 | | RESTRICTED: Timesheets/Personnel Invoices |
| 7 | | Media Arts – Resumes |
| 8 | | CF Press Releases |
| 9 | | CF General Plans |
| 10 | | NALAC |
| 11 | | Student Program |
| 12 | | Images |
| 13 | | CF 96 receipts |
| 14 | | Mailing lists 97 |
| 15 | | CF ’96 budget |
| 16 | | Room schedule |
| 17 | | CF card mailer |
| 18 | | Travel arrangements |
| 19 | | Videoastas A.C. |
| 20 | | F 14 The Tree and the Water |
| 21 | | F 6 Bajo del Perro |
| 22 | | F 7/No Hay Permanencia/Castillo, A. |
| 23 | | F8/Un Vagabond…en Cuba |
| 24 | | F9 La Ciudad |
| 25 | | F10 Distant Relations |
| 26 | | F27/Lucy Goes Shopping |
| 27 | | F2 Mi Pinata |
| 28 | | F3 Portals |
| 29 | | F4 Por Vida |
| 30 | | F5 Alexia |
| 31 | | F11 La Extrana Historia |
| 32 | | F13 Alma Perdida |
| 33 | | F15 The Mother, pt. 10 |
| 34 | | F16 Displaced |
| 35 | | F17 Last train out |
| 36 | | F18 Regador |
| 37 | | F19 Salao |
| 38 | | F22 El Sueno de Simon |
| 39 | | F23 Breaking the silence |
| 40 | | F25 Generation of Lies |
| 41 | | F26 El Secuestro Enredado |
| 42 | | F24 Angeles Immigrantes |
| 43 | | F28 Displaced |
| 44 | | F29 Rosy |
| 45 | | F30 and the earth did not |
| 46 | | F32 Alicia |
| 47 | | F34 Rice, Beans and Salso |
| 48 | | F35 Rolling in dough |
| 49 | | F36 La Llorona |
| 50 | | F37 El Diablo |
| 51 | | F38 The Golem |
| 52 | | F40 Cruel |
| 53 | | A2 Las Aventuras de Pepin |
| 54 | | F40 Border … |
| 55 | | F42 Everything Changes |
| 56 | | Tonantzin (Ideas) |
| 57 | | Eyes of a blue dog |
| 58 | | D1 Aqua eh la villa |
| 59 | | D2 Flight to return |
| 60 | | D3 Una Lucha Por Mi Pueblo |
| 61 | | D4 The Reunion |
| 62 | | D6 If the Mango… |
| 63 | | D7 Mayan Voices |
| 64 | | D8 A Skirt of Butterflies |
| 65 | | D9 Everyday Art |
| 66 | | D11 Todo y Nada |
| 67 | | D12 The Track of the ants |
| 68 | | D13 Maceo |
| 69 | | D14 Two Spirits |
| 70 | | D15 Luisa Capetillo |
| 71 | | D16 Miami-Havana |
| 72 | | D17 The art of resistance |
| 73 | | D19 Hope Street |
| 74 | | D24 The Devil Never Sleeps |
| 75 | | D21 No Hay Vuelta Atras |
| 76 | | D22 Raza |
| 77 | | D23 Revelations: Hispanic Art |
| 78 | | D25 Te di mi amor y mi vida |
| 79 | | D27 Pushing artistic boundaries |
| 80 | | D30 Tecihtzin |
| 81 | | D54 Nuyorican Poets |
| 82 | | D32 Memories of Tata |
| 83 | | D33 Songs of the Homeland |
| 84 | | D34 Oaxacalifornia |
| 85 | | D36 Ballad of Demitrio Rodriguez |
| 86 | | D41 Alphabet People |
| 87 | | D42 Y El Corazon hacia mi raza |
| 88 | | D45 Aztlan, Babylon and R and B |
| 89 | | D46 El Salvador: talking to the enemy |
| 90 | | D47 Lookingfor a space |
| 91 | | D48 The Cuban Excludables |
| 92 | | D49 School of assassins |
| 93 | | D53 No Nos Tientes |
| 94 | | D52 A Kiss to this Land |
| 95 | | D53/D54 Lowrider -- Corn |
| 96 | | D55 Latino Hollywood |
| 97 | | E1 Flashcards / Games |
| 98 | | E2 La Reina |
| 99 | | E3 Spanglish |
| 100 | | E4 A Ride Out |
| 101 | | E6 Think Twice |
| 102 | | E10 Corazon Sangrante |
| 103 | | E11 Peace |
| 104 | | E14 Organized Chaos |
| 105 | | E15 Mosaics |
| 106 | | A1 Reign of the Dog |
| 107 | | E17 Una Limpiada |
| 108 | | F12 Anacleto Morones |
| 109 | | E16 Dos Mexicanas |
| 110 | | D44 Whose song are they singing |
| 111 | | D31 Registro de Una cultura |
| 112 | | D50 Las que viven |
| 113 | | F1 The Basement |
| 114 | | D52 Trendsetters |
| 115 | | D39 Garden Beauty Begins Here |
| 116 | | F39 The Run to Save Sinkhole |
| 117 | | D20 Roots, Thorns |
| 118 | | D5 Futbolito |
| 119 | | F20 It’s in the bag |
| 120 | | E13 Duel |
| 121 | | E12 Keep hope alive |
| 122 | | E9 The weeping woman |
| 123 | | D28 Intermarriage: Latinas’ perspective |
| 124 | | D35 Religion in Mesoamerica |
| 125 | | D18 Artist in exile |
| 126 | | D29 El Charanguero |
| 127 | | D37 Success through education |
| 128 | | D10 PR Fest Silver Ann special |
| 129 | | D5 Down to earth |
| 130 | | F33 Nasotros Tambien |
| 131 | | F21 Rendezvous |
| 132 | | D40 The Least of our brothers |
| 133 | | D43 Children of hope |
| 134 | | D26 Porfirio Salinas |
| 135 | | E7 Blue Wings dark earth |
| 136 | | D51 Latin Time |
| 137 | | E5 Boy |
| 138 | | F1 Save Me/Falcao |
| 139 | | F2 La Pinata |
| 140 | | F3 A Rainy Day/Garcia |
| 141 | | F4 No Parking |
| 142 | | F5 El Corrido |
| 143 | | F6 Hidden Parts |
| 144 | | F7 Interrogacion |
| 145 | | F8 Change |
| 146 | | F9 Sangre |
| 147 | | F10 The Summer of my Dreams |
| 148 | | F11 Vamonos Muchachos |
| 149 | | F12 Carmelita Tropicana |
| 150 | | F13 The Water Carrier |
| 151 | | F14 Pochonovela |
| 152 | | F15 Painflower |
| 153 | | F16 Whacked |
| 154 | | F17 Mohammed’s Radio |
| 155 | | F18 Mi Pollo Loco |
| 156 | | F19 Quetes |
| 157 | | F20 Dulces Companias |
| 158 | | F21 The School |
| 159 | | F22 Staccato Purr |
| 160 | | F23 Perfume |
| 161 | | F24 Unmasked |
| 162 | | F25 Drafted |
| 163 | | D1 Whose art is it |
| 164 | | D2 Papapapa |
| 165 | | D3 Dark Cloud |
| 166 | | D4 A mural is |
| 167 | | D5 Mi Puerto Rico |
| 168 | | D6 Voices of the Orishas |
| 169 | | D7 Triumph of the will |
| 170 | | D8 Staying lost |
| 171 | | D9 Que pasa? |
| 172 | | D10 Social Register |
| 173 | | D11 Realizing Anger |
| 174 | | D12 Last Zapatista |
| 175 | | D13 Gringo in Mananaland |
| 176 | | D14 The Wedding Album |
| 177 | | D15 Flowers for Guadalupe |
| 178 | | D16 Instants |
| 179 | | D17 Corridos Sin Rostro |
| 180 | | D18 Gay Cuba |
| 181 | | D19 Majic Wool |
| 182 | | D20 Displaced in the new South |
| 183 | | D21 Geronimo |
| 184 | | D22 Children of Zapata |
| 185 | | D23 Inside Castro’s Cuba |
| 186 | | D24 Rumblings of the earth |
| 187 | | D25 Fronterlandia |
| 188 | | D26 The desert is no lady |
| 189 | | D27 Sworn to the drum |
| 190 | | D28 Floristas |
| 191 | | D29 El Coco que Habla |
| 192 | | D30 Words of our Ancients |
| 193 | | D31 Brothers |
| 194 | | D32 Stories and songs of Latin America |
| 195 | | D33 Bodega |
| 196 | | D34 Champs |
| 197 | | D35 Viva Zapata |
| 198 | | D36 Spic Out |
| 199 | | D37 Cuba Amor |
| 200 | | D38 Dreams ensnared |
| 201 | | D39 Except farmworkers |
| 202 | | D40 Mi Pueblo Nicaragua |
| 203 | | Juanita Ellis |
| 204 | | E1 Lunada |
| 205 | | E2 Emilio y Carmelita |
| 206 | | E3 Another world of dance |
| 207 | | E4 Evelyn |
| 208 | | E5 Si? ….Yeah! |
| 209 | | E6 L.A. Familia |
| 210 | | E7 Fire Ants for Nothing |
| 211 | | E8 Loner with a gun |
| 212 | | E9 Straight no chaser |
| 213 | | E10 Jump Fence |
| 214 | | E11 The Holy Tree |
| 215 | | E12 What is a line? |
| 216 | | E13 El Naftazeca |
| 217 | | E14 Celebrating… |
| 218 | | ’96 Call for entries |
| 219 | | CineFest graphics |
| 220 | | Loose letter, express mail envelope |
| Box | Folder |
| 28 | 1 | | 16 Sales order books |
| 2 | | Unlabelled folder – membership registration cards |
| 3 | | Transmittals – FY 95 |
| 4 | | Membership transmittals – FY 95 |
| 5 | | Transmittals – FY 96 |
| 6 | | Transmittals – FY 96 cont. |
| 7 | | Loose papers – ½ inch |
| 8 | | Unlabelled file – [memberships] |
| 9 | | Unlabelled file – [memberships] |
| 10 | | Unlabelled file - [memberships] |
| Box | Folder |
| 29 | 1 | | HIJAS Registrations |
| 2 | | HIJAS Campus maps |
| 3 | | HIJAS logo |
| 4 | | HIJAS presenter |
| 5 | | Class registration forms (demographics) |
| 6 | | City reports |
| 7 | | Job description |
| 8 | | In-house reports |
| 9 | | End game |
| 10 | | RESTRICTED: Time sheets |
| 11 | | On-going budgets |
| 12 | | RESTRICTED: Non-resident IRS |
| 13 | | City funding |
| 14 | | GCAC retirement plan |
| 15 | | Theatre request form |
| 16 | | GCAC forms |
| 17 | | Center fliers |
| 18 | | GCAC policy handbook |
| 19 | | RESTRICTED: Personal expenses and leave forms |
| 20 | | Unlabeled folder |
| 21 | | Class subs |
| 22 | | Class lists June 97 |
| 23 | | Unlabeled folder |
| 24 | | Book trust 1990 members |
| 25 | | Book trust – Yes |
| 26 | | The book list |
| 27 | | 1996 tickets |
| 28 | | 96 BF ad rate sheets |
| 29 | | Ad rates for out-of-area |
| 30 | | Blank contracts |
| 31 | | Brochure ads |
| 32 | | Unlabeled folder |
| 33 | | SCMLA tickets |
| 34 | | Bookfair facilities |
| 35 | | Volunteers |
| 36 | | Rare book auction |
| 37 | | Ticket forms |
| 38 | | GCAC Spring 97 teacher workshop |
| 39 | | 1996 book fair receipts |
| 40 | | Publisher correspondence |
| Box | Folder |
| 30 | 1 | | Ford endowment 2000 |
| 2 | | Ford documentary expenses 2000-2001 |
| 3 | | Shipping |
| 4 | | Expenses Tejano Conjunto video |
| 5 | | Approved budget 2000-2001 |
| 6 | | Radio Arte |
| 7 | | 2002 budget |
| 8 | | Crossroads info |
| 9 | | TCA apprentice |
| 10 | | NEA 2002 |
| 11 | | Pedro Infante |
| 12 | | Approved budget 2001 |
| 13 | | LPB panel |
| 14 | | Festival assistant |
| 15 | | Fed exs 2001 |
| 16 | | Total CineFest income 2001 |
| 17 | | Robert Rodriguez |
| 18 | | SA/LA Connection 2000 |
| 19 | | Travel #2 |
| 20 | | Americanos |
| 21 | | Judges |
| 22 | | Bajo California |
| 23 | | Judges 2000 |
| 24 | | Class summary |
| 25 | | Other class papers |
| 26 | | Serial #5 |
| 27 | | YMP 96 Final Evaluation and recommendations for future director |
| 28 | | 97 YMP Preliminary Curriculum Sketch |
| 29 | | 97 YMP tentative schedules and lesson plans |
| 30 | | Slide presentation |
| 31 | | Tejano Conjunto PSA 20th |
| 32 | | Native Amer film |
| 33 | | Theatre rental rates |
| 34 | | Labels |
| 35 | | Future projects |
| 36 | | Logan … |
| 37 | | 1999-2000 budgets |
| 38 | | Theatre request form |
| 39 | | Board reports 2000 |
| 40 | | Correspondence 99 |
| 41 | | 2000 correspondence |
| 42 | | Smithsonian 2000 |
| 43 | | Applications funding |
| 44 | | CineFest 98 – funding proposals |
| 45 | | RESTRICTED: M. Solis’ check requests |
| 46 | | Youth training schedule |
| 47 | | Chicano film list |
| 48 | | 2002 short films Mexico |
| 49 | | Budgets 2000 Youth video |
| 50 | | Surdna Foundation |
| 51 | | Kronkosky |
| 52 | | SA film commission 99 |
| 53 | | Video training 99 |
| 54 | | First evaluation |
| 55 | | Summer session |
| 56 | | RESTRICTED: Instructor paystubs youth video 2000 |
| 57 | | Youth video 2000 |
| 58 | | City of SA reports |
| 59 | | Expense report 6/21/01 |
| 60 | | Fax list |
| 61 | | Future class list youth |
| 62 | | Evaluations |
| 63 | | CF ’95 info packet |
| 64 | | CineFestival free video screening |
| 65 | | RESTRICTED: resumes |
| 66 | | Potential funders |
| 67 | | McArthur foundation 98 |
| 68 | | Mailing list 98 – Volunteers |
| 69 | | International shipping |
| 70 | | Paragon Tejano video |
| 71 | | 1999 exhibition series |
| 72 | | Video short |
| 73 | | 99 Surdna Foundation |
| 74 | | Unlabelled packet – ¼ inch |
| 75 | | EditDV CD-ROM in box |
| Box | Folder |
| 31 | 1 | | Memberships -- Nov 98 |
| 2 | | Memberships – Oct 98 |
| 3 | | Memberships – Sept 98 |
| 4 | | Memberships – Aug 98 |
| 5 | | Memberships – Feb 99 |
| 6 | | Memberships – Jan 99 |
| 7 | | Dec 1998 Mbr entries |
| 8 | | Memberships – Dec 98 |
| 9 | | Memberships – July 99 |
| 10 | | Memberships – June 99 |
| 11 | | Memberships – May 99 |
| 12 | | Memberships – April 99 |
| 13 | | Memberships – March 99 |
| 14 | | Telethon 99 pledges – paid |
| 15 | | Memberships – Sept 99 |
| 16 | | Memberships – Aug 99 |
| 17 | | Memberships – Feb 2000 |
| 18 | | Memberships – Jan 2000 |
| 19 | | Dec-99 |
| 20 | | Unlabeled folder |
| 21 | | Telethon 99 pledges – not paid |
| 22 | | Membership – loose papers – 7 inches |
| Box | Folder |
| 32 | 1 | | Cinefestival 1992 Programming Announcement |
| 2 | | Actors and Films Photos and Cells |
| 3 | | Actors and Performers Photos |
| 4 | | Budget for Media Projects 97-99 |
| 5 | | Grants and Partnerships |
| 6 | | Cinefestival 1997 |
| 7 | | Promos, Photo Receipts, Checks, and Proposals |
| 8 | | Board Reports. Airline Sponsorships, and Monthly Budgets |
| Box | Folder |
| 33 | 1 | | Film Festival Catalogs |
| 2 | | Film Festival Brochures |
| 3 | | Manuals for Electronic Devices |
| Box | Folder |
| 34 | 1 | | Film festival Brochures and Advertisements |
| 2 | | Independent Film Company Registration forms for CineFestival (presented by The Guadalupe Cultural Arts Center) |
| Box | Folder |
| 35 | 1 | | Brochures to Group Animo ( Guadalupe Cultural Center Resident Teen Theater Company) |
| 2 | | Audience Development, Cast Party, and Thank You Letters to Pedro Rodriguez |
| 3 | | Contact Sheets, News Letters, Production meeting and Schedules |
| 4 | | News Paper Clippings, Letters to Editor Review for (Dance of the Jaguar GA.) |
| 5 | | Flyers for GA ( Theatre Pedacitos de Nuestra Vida/ Little Pieces of Our Life |
| 6 | | Various Scripts from GA Productions 93-95, and GA Membership forms 93-95. |
| 7 | | GA Exercises, Monologues, and Topo(Script ideas) |
| 8 | | GA Ticket stubs, Scripts, |
| 9 | | Reviews and Various Productions Reports 80’s-90’s |
| Box | Folder |
| 36 | 1 | | Guadalupe Arts Center Accounts paid |
| 2 | | City of San Antonio Operational Guidelines |
| 3 | | COSA Funded Projects, Arts Culture Affairs, and Blank City Invoices |
| 4 | | COSA Invoices # 15 and 16 |
| 5 | | COSA Invoices #13 and 14 August 1992- April 1993 |
| 6 | | San Antonio Press Inc. and Communication Briefings |
| 7 | | Cyma Chart of accounts |
| 8 | | Progresso Theatre Project, Budget Mercedes Sosa, and Budget Misc |
| 9 | | RESTRICTED: Forms) 501(c) exceptions, IRS W8 Certificate Foreign Status, IRS W9 Request Tax Payer ID Number, MIP, Bulk Mail 3602-N, Certified Mail, and Pail Roll Check |
| 10 | | RESTRICTED: Artist Con tracts FY 92 |
| 11 | | RESTRICTED: TCF 93 Contract copies (not signed) |
| 12 | | RESTRICTED: Service Contract Agreements |
| 13 | | Tejano Conjunto Festival 1993 |
| 14 | | Parson Cable/ Air, Pitney Bowes, Postage by Phone System, U.S.P.O. Statement of Mailing, Young Men’s Christian Association Policies |
| 15 | | Endowment Funds FY 92, Endowment Work Papers. |
| 16 | | Endowment Funds |
| 17 | | FY 90 Budget |
| 18 | | IN-Kind FY 91 |
| 19 | | IN- Kind Contributors FY 90 |
| Box | Folder |
| 37 | 1 | | RESTRICTED: Latina Letter Contracts |
| 2 | | Latina Letter Ellen McCracken, Denise Chavez, Sarah Cortez, Elena Diaz Bjorquist, Magdelena Gomez, Sheila Ortiz Taylor, Carla Trujillo, Rosemary Cataclos, Carmelita Tropicana, and Norma Cantu |
| 3 | | RESTRICTED: LL 2001 Reimbursed Expenses |
| 4 | | English Dept WWW |
| 5 | | Literature Misc and Mailing lists |
| 6 | | Hijas Del Quinto Sol 98 News Paper Write ups |
| 7 | | Literature Programs |
| 8 | | 02 Book fair Info |
| 9 | | LL Conference 01 |
| 10 | | St Mary Campus Map |
| 11 | | LL Restaurant suggestion guide |
| 12 | | LL Post up signs |
| 13 | | LL 01 Agenda |
| 14 | | LL 01 SA Area Fnd Report |
| 15 | | LL 01 Call for Submission |
| 16 | | LL 01 Flyers |
| 17 | | RESTRICTED: LL Contracts 01 |
| 18 | | LL 02 Programs |
| 19 | | Texas Council for Humanities Application for LL 02 |
| 20 | | LL 02 Schedule |
| 21 | | LL 02 Completed Surveys |
| 22 | | LL 02 Survey Forms |
| 23 | | LL 02 I.D. Tags and Tickets |
| 24 | | Ll 02 Flyers |
| 25 | | LL 02 Gemini Ink |
| 26 | | LL02 Funding |
| 27 | | LL 02 Printing |
| 28 | | LL 02 Notes |
| 29 | | LL 02 Call for Submission |
| 30 | | Registration and Housing Tables |
| 31 | | LL Registration and Housing Tables |
| 32 | | LL 02 Conference Registration Forms |
| 33 | | LL 01 Mailing List |
| 34 | | LL 02 Comp Tickets |
| 35 | | LL 02 Barnes and Nobles |
| 36 | | LL 02 Call for Submission etc website |
| 37 | | LL 02 Correspondence |
| 38 | | LL02 Emails, communications |
| 39 | | LL 02 Reimbursements |
| Box | Folder |
| 38 | 1 | | CineFestival 01 Premio |
| 2 | | CF 01 Feb 19 |
| 3 | | CF 01 Feb 20 |
| 4 | | CF 01 Feb 21 |
| 5 | | CF01 Feb 22 |
| 6 | | CF 01 Feb 23 |
| 7 | | CF 01 Feb 24 |
| 8 | | CF Misc. |
| Box | Folder |
| 39 | 1 | | Literature |
| 2 | | Catalogs |
| 3 | | Manual's |
| 4 | | Newspaper |
| 5 | | Film Festival Programs |
| Box | Folder |
| 40 | 1 | | Literature |
| 2 | | Catalogs |
| 3 | | Manuals |
| 4 | | Newspaper |
| 5 | | Film Festival Programs |
| Box | Folder |
| 41 | 1 | | Cinefest Ads, 1997 |
| 2 | | Volunteers, 1997 |
| 3 | | Film/Radio Returns, 1997 |
| 4 | | Ads Cine Festival |
| 5 | | Flights, 1997 |
| 6 | | Calls to Mark |
| 7 | | Tonantzin Materials, 1997 |
| 8 | | Equipment, Invoices, Etc. |
| 9 | | Catering Bids, 1997 |
| 10 | | Awards, 1997 |
| 11 | | Potential Workshops, 1997 |
| 12 | | Mexican INEA |
| 13 | | Cine Festival, 1997 |
| 14 | | Cinefest |
| 15 | | 1997 Media Arts Budget |
| 16 | | Appalshop "Stranger with a Camera" |
| 17 | | Auditors Report |
| 18 | | The Last Song E-7 |
| 19 | | Guardians of Pride D-37 |
| 20 | | Boston, Wednesday Night D-35 |
| 21 | | Family Stories D-36 |
| 22 | | From Here And There D-38 |
| 23 | | The Bricks D-34 |
| 24 | | The Making of Don Gato D-41 |
| 25 | | The Forbidden Wedding D-11 |
| 26 | | Hispanos en el Valle D-30 |
| 27 | | Latino Jews: Journey to the Americas Part II D-40 |
| 28 | | Latino Jews: Journey to the Americas Part I D-39 |
| 29 | | Entre Amigos: Between Friends FW-12 |
| 30 | | D.A.L.E. D-27 |
| 31 | | Worthy Mothers D-14 |
| 32 | | Disturbing the Peace FW-20 |
| 33 | | Dreams, Desires, and Lunacies D-13 |
| 34 | | The Party Line FW-14 |
| 35 | | Lunching at Teds, F-9 |
| 36 | | Broken Barrier, F-1 |
| 37 | | Omar the Magnificent, D-3 |
| 38 | | Circle of Pain, F-15 |
| 39 | | Zarzuela, D-19 |
| 40 | | Margarita, D-26 |
| 41 | | Horse Dreams and Barbeque Country, D-17 |
| 42 | | Poverty Outlaw, D-42 |
| 43 | | La Culturade San Luis, D-31 |
| 44 | | Vocessitas, FW-16 |
| 45 | | Fotonovelas, F-16 |
| 46 | | Cine Festival Panelist Bios |
| 47 | | 20 Years |
| 48 | | Calaveras, FW-10 |
| 49 | | Concert of the South, FW-19 |
| 50 | | Crime Syndicate, FW-26 |
| 51 | | Darkness Into Light: Semana Santa, San Miguel, FW-7 |
| 52 | | Destination Unknown, F-2 |
| 53 | | Diamonds in the Rough, FW-11 |
| 54 | | El Regreso de un Borreguero, D-2 |
| 55 | | Ex-Voto, FW-2 |
| 56 | | Espejos De Vida, FW-5 |
| 57 | | The Fight in the Fields, D-32 |
| 58 | | Flowers for Guadalupe, D-20 |
| 59 | | From Sleepy Lagoon to Zoot Suit, D-12 |
| 60 | | Games, F-6 |
| 61 | | Geronemo: His Story, D-7 |
| 62 | | Sweat Shop, F-3 |
| 63 | | That old Gang of Mine, D-6 |
| 64 | | Temple of Confession |
| 65 | | The Hungry World FW-24 |
| 66 | | Two Notes, FW-22 |
| 67 | | Video Letter to Grandma, D-15 |
| 68 | | Voices from the Fields, D-33 |
| 69 | | Heat is the Devil, FW-15 |
| 70 | | Homenaje a Tenochtitlan, D-25 |
| 71 | | La Linea |
| 72 | | La Puerta, FW-17 |
| 73 | | Lenas Dreams |
| 74 | | Love Simple and Live Forever, FW-25 |
| 75 | | Machismo: No Mas, FW-6 |
| 76 | | Mala Sangre, F-14 |
| 77 | | Selena |
| 78 | | Mi San Antonio, FW-3 |
| 79 | | Mundo Milagroso (Miraculous World), D-9 |
| 80 | | Husband and Wife, D-21. Our Crazy Lives, D-22. Just a Preview, D-23. Someone Special, D-24. |
| 81 | | Pano Arte, FW-4 |
| 82 | | A Passion Named Clara Lair, FW-9 |
| 83 | | Patagonia, E-1 |
| 84 | | The Pull of the Moon, E-5 |
| 85 | | Planeta Aztlan, E-6 |
| 86 | | ? FW-23 |
| 87 | | Plant, FW-21 |
| 88 | | Retro Genesis, FW-13 |
| 89 | | Semana Santa, D-1 |
| 90 | | Sin Papeles, F-11 |
| Box | Folder |
| 42 | 1 | | The Beal Foundation, 1990-1991 |
| 2 | | Bexar County Courthouse - Sixth Annual Juried Women's Art Exhibition, 1990-1991 |
| 3 | | Big Red - Volunteer Party, Sept, 29 1990 |
| 4 | | Big Red/RC/7-UP Bottling Group - Pre - Conjunto Festival Party and Fundraiser, 1990 |
| 5 | | Bolner's Finest Products - Annual Juried Women's Art Exhibition, 1990-1991 |
| 6 | | Boys and Girls Clubs |
| 7 | | Bristol Myers Squibb Co. |
| 8 | | Bristol Myers Squibb Co. |
| 9 | | Brown Foundation |
| 10 | | Brown Foundation The- Visual Arts Antics/Gallery Renovation, 1993-1994 |
| 11 | | Brown Foundation, The Endowment Request- Denied, 1989 |
| 12 | | Budco San Antonio- Tejano Conjunto Festival, 1992-1993 |
| 13 | | Budco San Antonio Proposal, 1990-1991 |
| 14 | | Budweiser/Crain Distributing Co.- 8th Annual conjunto Festival, 1988-1989 |
| 15 | | Burger King Corp., 1990-1991 |
| 16 | | Bush Foundation |
| 17 | | Cain Effie and Wofford Foundation, 1990-1991- Denied |
| 18 | | Cain, Effie and Wofford Foundation- 1989 Endowment Request (Denied) |
| 19 | | Celebrity Outreach Foundation Inc. |
| 20 | | Choo-San Goh and H. Robert Magee Foundation- Dance Application, 1993-1994 |
| 21 | | Chrysler |
| 22 | | City of Chicago- Artists- In Residence- Joint Grant- NGA, July 1, 1993- Aug. 31, 1992 |
| 23 | | Clayton Foundation- 1989- Endowment Fund- Denied |
| 24 | | Coca-Cola Bottling- "Voices for Grupo Animo"- Dance Appl., 1993-1994 |
| 25 | | Cockrell Foundation- 1989 Endowment Request- Denied |
| 26 | | Colgate Co. - 6th Annual Juried Women's Art Exhibition, 1990-1991 |
| 27 | | Continental Airlines- Dec. 1989, Denied |
| 28 | | Coors |
| 29 | | Culigan Water Conditioning |
| 30 | | Nathan Cummings Foundation |
| 31 | | The Nathan Cummings Foundation- 1990-1991- Denied |
| 32 | | Dagenbela-Ortiz Scholarship Fund, Art Scholarship |
| 33 | | Dance Theater Workshop- Rio Bravo Ballet, 1992-1993 |
| 34 | | Dancing in Streets |
| 35 | | Dayton Hudson, 1994-1995- Cross Referenced |
| 36 | | Dayton Hudson Co., 1990 |
| 37 | | Deluxe Check Printers Inc.- Performing Arts Series, 1990-1991- Denied |
| 38 | | Deluxe Check Printers Inc.- Tito Puente- 1990-1991 |
| 39 | | Delta Airlines Inc. - Music Proposal- 1990-1991 |
| 40 | | Delta Airlines Inc. - Cine Festival, 1990-1991- Denied |
| 41 | | Diamond Shamrock Proposal, 1991-1993 |
| 42 | | Diamond Shamrock- Performing Arts Series- 1990-1991 |
| 43 | | Dillon Fund- Visual Arts Annex Project- 1992 |
| 44 | | Docucon |
| 45 | | Dr. Pepper/ 7 UP Corp. - 8th Annual Tejano Conjunto Festival, 1988-1989 |
| 46 | | Eds |
| 47 | | Edward and Betty Foundation |
| 48 | | Eli Lily Neward and Corp. |
| 49 | | Entrepreneur of the Year |
| 50 | | Escolante Raul DR- 1990 Puppeteering Workshop |
| 51 | | Estrada Ramiro P DR, 1990 Puppeteering Workshop |
| 52 | | Fair R W Foundation- 1989 Endowment Fund- Denied |
| 53 | | Fideicomiso Para La Cultura Mexico/USA- April 1995 |
| 54 | | Fideicomiso/ USA- Rio Bravo Ballet Application, 1994-1995 |
| 55 | | Foley's Rivercenter- 1990 Juried Women's Art Exhibits Ticket Sales |
| 56 | | Foley's Rivercenter- Foley's Rivercenter Benefit |
| 57 | | Ford Foundation - Administration Grant No. : 880- 0169- 1- Oct. 1, 1992- Sept. 30, 1993 |
| 58 | | Ford Foundation - Administration Grant No. : 880- 0169- 1- Oct. 1, 1988- Sept. 30, 1989 |
| 59 | | Ford Foundation- Mexico, D. F. - 1990 |
| 60 | | Ford Foundation Inroads Asia |
| 61 | | Ford Foundation- Tenaz/ Administration- Grant No.: 880-0169 |
| 62 | | Ford Foundation- Grant Information- 1990-1993 |
| 63 | | Ford Foundation- "Solute to Education" Community Fund Appl., 1993-1994 |
| 64 | | Ford Foundation- Arts International- New York, 1994 |
| 65 | | Ford Foundation- Multi- Disciplinary/US and Latin America Appl.- 1994 |
| 66 | | Ford Foundation Gateways Oct. 1, 1994- June 31, 1995 |
| 67 | | Ford Foundation- "SNA JTZ LABJOM"- 1996-1997- Performing Arts |
| 68 | | Guadalupe Tile Speech, 1997 |
| 69 | | Ford Foundation- Planning Grant- Grant No.: 950-0139 Dec. 1, 1994- May 31, 1995 |
| 70 | | Ford Performing Arts Grants |
| 71 | | Ford Foundation- Gateways Program- Budget |
| 72 | | Frito-Lay Conjunto Festival- 1989 |
| Box | Folder |
| 43 | 1 | | Petras Picato Profit Out- April 1996 |
| 2 | | Grupo Animo, 1995-1996 |
| 3 | | 1995-1996 |
| 4 | | 1995-1996 Budget (Roman and 12 Month Breakdown) |
| 5 | | 1995-1996 Budget Program |
| 6 | | Quarterly Report for City, Dec. 1995 |
| 7 | | Bd. Report 1995-1996 |
| 8 | | Program Report 1993 |
| 9 | | 1996 Theater Arts Profit/ Loss Oct.-April |
| 10 | | 1996 May Forecast |
| 11 | | Quarterly Report Year End, Oct. 1995- Sept. 1996 |
| 12 | | 1995-1996 Budget (Working) |
| 13 | | FY 1995-1996 |
| 14 | | 1995-1996 Budget 12 Month Breakdown |
| 15 | | Profit and Loss, Oct. and Nov. 1995 |
| 16 | | 1996-1997 City Budget |
| 17 | | Budget 1996-1997 |
| 18 | | 1996-1997 Oct.- Dec. Report |
| 19 | | Quarterly Report, Oct/Nov/Dec 1996 |
| 20 | | 1996-1997 Budget, Oct -Jan. |
| 21 | | 1996-1997 Budget, Oct. - May |
| 22 | | Quarterly Report, April- June 1997 |
| 23 | | 1997 Grupo Animo Budget |
| 24 | | Theater Arts (Animo) Actual Exp., Oct. 1996-Jun 1997 |
| 25 | | Store Actual Exp., Oct. 1996- June 1997 |
| 26 | | City Report Quarter Oct.- Dec. 1997, April - June 1997 |
| 27 | | Budget Expenses 1996-1997 |
| 28 | | NEA Close Out Report Jarocha |
| 29 | | October 1996- Sept. 1997 Expenses in Theater Arts |
| 30 | | FYE 1998 Budget Variances 1st Six Months |
| 31 | | W.B.F.Y. 1997/1998 Meeting with Larry |
| 32 | | FY 1997-1999 Budget |
| 33 | | Expenses Theater Arts, Oct. 1997- Feb. 1998. Oct. 1997- Nov. 1997. Oct. 1997- Dec. 1997 |
| 34 | | EL Forecasts July, Aug. and Sept. 1997-1998 |
| 35 | | Theater Arts/ Animo, Oct. - April 1998 |
| 36 | | Actual Expenses Grupo Animo, Oct. - May 1997-1998 |
| 37 | | Actual Expenses Gateways, 1997-1998 |
| 38 | | EL Poder de la Comas |
| 39 | | La Pena Newsletter |
| 40 | | Hispanic Art News |
| 41 | | Tenaz Festival XVI, Nov. 21, 1992. Austin American |
| 42 | | Tenaz Festival XVI, Nov. 8, 1992. S.A. Light |
| 43 | | Heroes and Saints. S.A. Light, Nov. 5, 1992 |
| 44 | | Heroes and Saints. S.A. Light, Oct. 23, 1992 |
| 45 | | Heroes and Saints. S.A. Lights, Oct. 21, 1992 |
| 46 | | Heroes and Saints. S.A. Light, Oct. 21, 1992 |
| 47 | | "Strange Interlude" Express News. Sept. 24, 1984 |
| 48 | | GCAC Newsletter |
| 49 | | El Placazo News |
| 50 | | Publication El Placazo San Antonio. |
| 51 | | "Lively Arts" News |
| 52 | | Lifestyle/ Arts News, Express News |
| 53 | | Mexican Cultural Institute, Express New, Dec. 29, 1996 |
| 54 | | Tamaieras Eduardo Diaz, 1993 |
| 55 | | International Cultural Alliance of San Antonio |
| 56 | | City Committee Partnering |
| 57 | | The Shoe String Shakespeare Company |
| 58 | | Tenaz Festival XVI Newsletter, 1992 |
| 59 | | 5th Annual Hispanic Cultural Festival Brochure, April 27, 1993 |
| 60 | | Casimiro Florez, Express News, Nov. 3, 1997 |
| 61 | | Dia de los Muertos, Express News, Oct. 25, 1995 |
| 62 | | Hispanic Achievement Award Newsletter, Nov. 1993 |
| 63 | | Tejano Student Weekend TSUW, Nov. 21, 1992 |
| 64 | | Local Theater Commentary, Express News, May 26, 1996 |
| 65 | | Latino Theaters, Call Board, Dec. 1995 |
| 66 | | Morphing Fort Newsletter, American Theater, Jan. 1996 |
| 67 | | Annual Chicano Music, May 28, 1993 |
| 68 | | Tercer Festival Brochure, July 30, 1982 |
| 69 | | Alternate Routes Summer 1992 |
| 70 | | Yo, El Pueblo |
| 71 | | Latino Chicago Theater, 1992-1993 |
| 72 | | "Strange Interlude" S.A. Light, Sept. 21, 1984 |
| 73 | | Tamaleras, 1995 |
| 74 | | Real Auditions |
| 75 | | Production Notes |
| 76 | | Volunteer Requests |
| 77 | | Leslie A. Cordova (Costume Designer) |
| 78 | | Theater Request Form |
| 79 | | Graphic Design Request Form |
| 80 | | Newsletter Copy, Jan-Mar 2000 |
| 81 | | Audition Announcement |
| 82 | | Topo Bio. |
| 83 | | Budget Reports, 1998-1999 |
| 84 | | Guadalupe Theater Seating |
| 85 | | Guadalupe Theater Stage Floor Plan |
| 86 | | Tax Exemption Forms |
| 87 | | Carta to Texaco |
| 88 | | Motiva Enterprises |
| 89 | | Tony Plana |
| 90 | | ICM- Felipe S. International Festival |
| 91 | | Institution Cultural, S.A. International Festival, 1999 |
| 92 | | Globe Awards |
| 93 | | SATCO 1999 |
| 94 | | SATCO 1999 |
| 95 | | Actual Oct. 1998- May 1999 |
| 96 | | FY 1998-1999 Budget |
| 97 | | Production Evaluations, 1999 |
| 98 | | 1998-1999 Annual Budget |
| 99 | | Budget Report 1999/2000 |
| 100 | | Real Dramatic Publishing |
| 101 | | "Real Women" |
| 102 | | Petras Cuento Financial Report 1998 |
| 103 | | Cesar Chavez, 1998-1999 |
| 104 | | Budget Breakdown |
| 105 | | Alamo Community College Check |
| 106 | | SAC Tour, Mar. 6, 1999 |
| 107 | | Animo Tour SAC Contract |
| 108 | | Animo Parent Evaluation, July 13, 1999 |
| 109 | | 1999 Fall Schedule |
| 110 | | Topo |
| 111 | | Cosa July 1999 Report |
| 112 | | City Quarterly Oct. - Dec. 1998 |
| 113 | | Mujer a Mujer |
| 114 | | Animo 1999 "New Eyes" Box Office Statement |
| 115 | | New Eyes P. O. S |
| 116 | | Animo Budget Versus Actual April 2, 1999 |
| 117 | | Grupo Animo Budget Versus Actual, 1998/1999 |
| 118 | | Animo 1998 Member List |
| 119 | | 1998 Fall Calendar |
| 120 | | Just One of Those Days Fliers |
| 121 | | Coming up to Taller Awards |
| 122 | | Support Cartas |
| 123 | | Carta to Communication |
| 124 | | Cartas from Comm. |
| 125 | | Center Health Policy Dev., 1998 |
| 126 | | Nathan Cummings |
| 127 | | Manual Solas |
| 128 | | Lila Wallace- Granting Report and Guidelines |
| 129 | | City Cultural Affairs, 1998-1999 |
| 130 | | Carta- Carl Robin Teague |
| 131 | | Anna de Luna |
| 132 | | Elijah Rios |
| 133 | | Space- The Last Frontier |
| 134 | | Kennedy Center |
| 135 | | Theater Arts Narrative |
| 136 | | 1998-1999 Jump Start Performance Co. Season |
| 137 | | Seven Stages |
| 138 | | Arts International Delbis Cardona |
| 139 | | Art Issues |
| 140 | | UTSA Archives |
| 141 | | M-AAA List |
| 142 | | Volunteer Info. |
| 143 | | GCAC Personal Policies |
| 144 | | Institute on Arts and Civic Dialogue |
| 145 | | Stages- Houston New Place Festival, Lydia Ports |
| 146 | | DCG Dallas |
| 147 | | 1999 Spring Budget |
| 148 | | 1998-1999 Time Table |
| 149 | | The Oaxaca Connection- Arturo Madrid/ Antonio Castaneda |
| 150 | | Virginia Avenue Project |
| 151 | | NEA/ Carta Gigibolt |
| 152 | | SBC Foundation |
| 153 | | Nathan Cummings Final |
| 154 | | 1999 NEA- Per Diem Rates |
| 155 | | NEA Education In Access, 1999 |
| 156 | | NEA 1997-1998 Panelists |
| 157 | | Auditions |
| 158 | | Audition List Mail Out, Sept. 1998 |
| 159 | | Creations 1999 Expenses- Surcos |
| 160 | | Andres Montez de Oca Lear Luz Neon Blues |
| 161 | | Petra's Pecado Reviews. Repento Reyes Photos |
| 162 | | Auditions Sept 19-20 |
| 163 | | Petras Cuinto |
| 164 | | 1995-1996 Season Calendar |
| 165 | | Theater Arts 1996 Profit and Loss, Oct. - May 1996 |
| 166 | | 1996 July Forecast |
| 167 | | Budget 1995-1996 Final Theater Arts |
| 168 | | Non Product Check, 1993-1994 |
| 169 | | Projected Budget, 1993-1994 |
| 170 | | 1993-1994 Budget Theater Arts |
| 171 | | 1993-1994 Profit and Loss Report |
| 172 | | 1993 Calendar |
| 173 | | JP 1994 Calendar |
| 174 | | 1994-1995 Budget, Theater Arts |
| 175 | | 1994-1995 Profit and Loss |
| 176 | | 1994-1995 Budget |
| 177 | | Budget Roman, Jun 23, 1995 |
| 178 | | Profit and Loss Theater Arts, Oct. 1995- Jan. 1996 |
| 179 | | Profit and Loss, Oct. 1995- Mar 1996 |
| 180 | | Petras Pecado, 1995-1996 Budget |
| 181 | | 1995-1996 Budget |
| Box | Folder |
| 44 | 1 | | Mendiola, Jimmy "Pretty Vacant" |
| 2 | | Meneses, Vida Luz, Un Secreto Para Mi Sola |
| 3 | | Mercado, Arnold |
| 4 | | Mijangos, Albert "Pandulce" |
| 5 | | La Mimica del Oprimido |
| 6 | | Ms. Margarita's Way |
| 7 | | Monleon, Jose. Sobre Lauro Olmo |
| 8 | | Montes, Regina S., Crisis in Chulalandia |
| 9 | | Moran, Samuel. One Star For a Soldier |
| 10 | | Morton, Carlos, El Jrdin |
| 11 | | Morton, Carlos, La Aprecion de San Nicolas |
| 12 | | Morton, Carlos. The Many Deaths of Danny Rosales |
| 13 | | Mosaico- Mexicano (Tercer Acto) |
| 14 | | 1985 San Antonio Gridiron Script |
| 15 | | Of Mice and Men |
| 16 | | Of Mice and Men |
| 17 | | Of Mice and Men |
| 18 | | Olmos, Carlos "El Eclipse" |
| 19 | | Orive, Alejandro- Jones, Tom (Libre) |
| 20 | | Oro, Juan Bustillo- Los Que Vuelven |
| 21 | | Oro, Juan Bustillo "Los Que Veulven" |
| 22 | | Orpheus |
| 23 | | Pacheco, Juan- The Pact |
| 24 | | Padilla- Sanchez, Beva La Guadalupe Que Camina |
| 25 | | The Parade |
| 26 | | Perez, Severo- the Kingdom of Gazmomia |
| 27 | | Perez, Judith/ Severo- Soldier Boy |
| 28 | | Perez, Xavier David Primera Escana |
| 29 | | Perez, Ruby en el Viejo Celoso |
| 30 | | Perialta, Jorge- La Fiaca |
| 31 | | El Viejo Celoso |
| 32 | | Portillo, Estella- Black Light |
| 33 | | El Pulpo |
| 34 | | Puig, Manuel- The Kiss of the Spider Woman |
| 35 | | Pena, Ramos- Goes Dancing |
| 36 | | Pena- Ramos, Alfonzo- Manito |
| 37 | | Ramos, Alfonzo Pena "Matachin Dancer" |
| 38 | | Pena- Ramos, Alfonzo- Moments and Eternity |
| 39 | | Ramos, Alfonzo Pena- There it Is |
| 40 | | El Rastro |
| 41 | | Readers Theater |
| 42 | | Requiem for a Sunflower |
| 43 | | Reyes, Richard- Pancho Claus |
| 44 | | Reyes, Richard- Pancho Claus |
| 45 | | Riccardi, Vince- Remember Torres |
| 46 | | Riccardi, Vince- Running Fox |
| 47 | | Robinson, Barbara- The Best Christmas Pageant Ever |
| 48 | | Robinson, Barbara- The Best Christmas Pageant Ever |
| 49 | | Reservation for Two by Gay Lynn Robertson |
| 50 | | Robles, J. Jumberto "Los Desarraaigados" |
| Box | Folder |
| 45 | 1 | | AEA - Carta |
| 2 | | Tla Visual Aids |
| 3 | | Soldier Boy- NEA Final Report |
| 4 | | Equity Guest Artists Soldier Boy- Castillo and de la Paz |
| 5 | | Soldier Boy - Budget Production Report |
| 6 | | Lydia Mendoza |
| 7 | | El Mendoza Production, Nov. 15- Attorney General Cont. |
| 8 | | "Mal Hombre"- Tony Garcia |
| 9 | | RESTRICTED: Tony Garcia- Resume |
| 10 | | Tony Garcia, Su Testro |
| 11 | | RESTRICTED: Tony Garcia- Contracts |
| 12 | | Los Carperos- Newspaper Clippings |
| 13 | | Los Carperos- Production Report, June 1991 |
| 14 | | "Real Women have Curves" Newsclippings |
| 15 | | NEA Grant, 1989-1990 "Mexico, USA" |
| 16 | | NEA- Final Report, 1989-1990- "Milagro" |
| 17 | | Amordehija- Reviews/Newspaper Articles |
| 18 | | Production Report Amor de Hijit, 1990 |
| 19 | | Ms. Santos on Cucui |
| 20 | | 1993-1994 Tetraigo Estes Flores |
| 21 | | We Won't Pay, Production Report |
| 22 | | We Won't Pay- Reviews/Articles |
| 23 | | We Won't Pay- Newspaper Clippings |
| 24 | | Dragon Hammer Production Report |
| 25 | | RESTRICTED: Unsigned contracts |
| 26 | | Festival International de la Raza tour: Lydia Mendoza, May 1-5, 1992 |
| 27 | | "Guadalupe" The Play Production Info. |
| 28 | | Lydia Mendoza La Gloria de Tejas- Newspaper Clippings/Press Package |
| 29 | | Lydia Mendoza- la Gloria de Tejas- Newspaper Clippings |
| 30 | | Lydia Mendoza: La Gloria de Tejas |
| 31 | | 1991-1992 Lydia Mendoza, Nov. 1991- We Won't Pay, March 1992- Dragon Hammer July 1992 |
| 32 | | Lydia Mendoza- la Gloria de Tejas, by Tony Garcia |
| 33 | | Production Report: Lydia Mendoza- la Gloria De Tejas |
| 34 | | Lydia Mendoza- Reviews/Articles |
| 35 | | 4 Clowns in Search of a Circus Tour, Laredo/Corpus Christi |
| 36 | | 4 Clowns in Search of a Circus Report |
| 37 | | Soap Works Appointments "4 clowns in Search of a Circus" |
| 38 | | Reviews and Articles "4 Clowns in Search of a Circus" |
| 39 | | Los Carperros Newspaper Clippings |
| 40 | | Production Report of Los Carperros |
| 41 | | Festival International de la Paza- 1991 |
| 42 | | Contract Newark Symphony Hall "Real Women Have Curves" |
| 43 | | "Real Women Have Curves" Production Report, Fall of 1990 |
| 44 | | "Real Women Have Curves" Review/ News Articles |
| 45 | | Production Report " Real Women Have Curves", Spring 1991 |
| 46 | | American Festivals/ production Report "Encuentro" 1991 |
| 47 | | American Festivals/ "Encuentro", 1991 Newspaper Clippings |
| 48 | | Eclipse |
| 49 | | "Milagro" newspaper Clippings |
| 50 | | "Milagro" March 21, 1990 |
| 51 | | "Milagro" Production Report, 1989-1990 |
| Box | Folder |
| 46 | 1 | | Roberto Guzman |
| 2 | | Luis G. Guerra |
| 3 | | Jacinto Guevana |
| 4 | | Marcelle Gutierrez |
| 5 | | Mercedes Kerr, 1987-1988 |
| 6 | | Louis LeRoy Slides |
| 7 | | Monica Maldanaldo |
| 8 | | May Louise Lopez |
| 9 | | Rowland Mazuca |
| 10 | | Diane Mazur |
| 11 | | Alberto Mijangos |
| 12 | | Delilah Montoya |
| 13 | | Esther Landry |
| 14 | | Floyd Newsome |
| 15 | | Cruz Ortiz |
| 16 | | Rudy Ornelas |
| 17 | | Al Rendon |
| 18 | | Rudy Garcia Jr. |
| 19 | | RESTRICTED: (Texas) Sales Tax Exempt Certification |
| 20 | | Sandra Cisneros |
| 21 | | Scholarship Application form |
| 22 | | Security System - Chamber |
| 23 | | Self- Help Graphics Letter of Commitment |
| 24 | | RESTRICTED: Semi- Monthly Time Sheet |
| 25 | | RESTRICTED: Service Contract Agreement |
| 26 | | RESTRICTED: Service Contract Agreement |
| 27 | | Slides Sleeves |
| 28 | | Slides- Hecho, 1999 |
| 29 | | RESTRICTED: Student Sign In |
| 30 | | RESTRICTED: Student Sign in Sheets Blank |
| 31 | | RESTRICTED: Student Sign in Sheets Processed |
| 32 | | RESTRICTED: Students Registered |
| 33 | | Shipping |
| 34 | | Thurmond, Ray and Anna |
| 35 | | Ham Inventory Form |
| 36 | | Invoices |
| 37 | | Juana Acicia |
| 38 | | Keep it Real |
| 39 | | Kronkowsky Charitable Foundation |
| 40 | | Laura Lopez Cano |
| 41 | | Annex Lease/ Plan Annex |
| 42 | | Leave Request Form |
| 43 | | Letterhead/Envelope |
| 44 | | Letters- Miscellaneous |
| 45 | | Mary Alvarez |
| 46 | | RESTRICTED: Medrano- Work Record |
| 47 | | Memos- Studio Tenants |
| 48 | | Mexican Posters |
| 49 | | Montoya, Malaquias |
| 50 | | Nephtali DeLeon |
| 51 | | Off. Of Cultural Affairs |
| 52 | | 02 Hours |
| 53 | | Paper- Letters |
| 54 | | Press Release |
| 55 | | Press Release |
| 56 | | Primer Paso |
| 57 | | Purchase Order |
| 58 | | Art Classes- Invoices |
| 59 | | Balderas, Mike |
| 60 | | Frank Bantista |
| 61 | | Ricardo, Bantista |
| 62 | | James R. Blakey |
| 63 | | Oscar Campos |
| 64 | | Castillo, LeRoy |
| 65 | | Dominguez, Richard |
| 66 | | Estrella, Joe Mario |
| 67 | | Luis Figuerra |
| 68 | | Jose Flores |
| 69 | | Luis Carlos Garcia |
| 70 | | Jesse Garcia |
| 71 | | Alfred Steve Garza |
| 72 | | Manuel “Coche” Gonzalez |
| 73 | | Huerta, Rafael |
| 74 | | Luis A. Martinez |
| Box | Folder |
| 47 | 1 | | Advisory Committee |
| 2 | | Atkins Agency |
| 3 | | Avenida Guadalupe |
| 4 | | Beetoven Hall |
| 5 | | Berkely Books/ Riverhead |
| 6 | | Bio Materials- Boards |
| 7 | | Briarwood (Bill Thompson) |
| 8 | | Rockefeller Fellows |
| 9 | | Volunteers |
| 10 | | Donations |
| 11 | | Food Donations |
| 12 | | Honored Guests |
| 13 | | Housing |
| 14 | | Bed and Breakfasts |
| 15 | | S.A. Maps and Hotels |
| 16 | | A. C. C. D. |
| 17 | | Carver Cultural Center |
| 18 | | Center For Women in Church and Society, 1990 |
| 19 | | City Corp. |
| 20 | | Club de Dumas |
| 21 | | Crockett Hotel |
| 22 | | Culligan |
| 23 | | Esperanza Peace and Justice |
| 24 | | Express News |
| 25 | | Gemini Ink |
| 26 | | Hartford |
| 27 | | Frank Herrera |
| 28 | | High Schools |
| 29 | | Holt Rinehart and Winston |
| 30 | | Homewood Suites |
| 31 | | Incarnate Word |
| 32 | | Jefferson High School |
| 33 | | Jewish Community Center |
| 34 | | KLRN Rockefeller Grant |
| 35 | | KSTX |
| 36 | | KENS TV |
| 37 | | King William Association |
| 38 | | Menger Hotel |
| 39 | | Mexican Cultural Institution |
| 40 | | Miscellaneous |
| 41 | | MB and A |
| 42 | | Multi Cultural Publishers Exchange |
| 43 | | Mayors Office Contacts |
| 44 | | Mexican Cultural Institutions |
| 45 | | NACCS |
| 46 | | NALAC |
| 47 | | Nations Bank |
| 48 | | P.E.N. |
| 49 | | Public Library |
| 50 | | Psychological Corporation |
| 51 | | Reformer |
| 52 | | Sergios |
| 53 | | Sony |
| 54 | | St. Mary’s |
| 55 | | S.A. Theaters |
| 56 | | St. Mary’s University |
| 57 | | SAACTE Stuff |
| 58 | | SAYL |
| 59 | | Soc. Herencia Puntoniquernia |
| 60 | | SCMLA |
| 61 | | Southwest Airlines |
| 62 | | SWCRAFT CTR |
| 63 | | Southwest Texas State |
| 64 | | TACWT |
| 65 | | TIL |
| 66 | | Trinity University |
| 67 | | UNAN |
| 68 | | UTSA |
| 69 | | Wellesley College Club |
| 70 | | Writers Conferences and Festivals |
| 71 | | Zulu Association |
| 72 | | Recovering Hispanic Heritage |
| 73 | | New Words Poetry |
| 74 | | General Writing Programs |
| 75 | | Guadalajara |
| 76 | | Northern Arizona Book Find |
| 77 | | Current Awards |
| 78 | | Before Columbus foundation |
| 79 | | Monterrey Encuentro |
| 80 | | Funding Info. |
| 81 | | (Laura Bush’s) Texas Book Festival |
| 82 | | Texas Writers Newsletter |
| 83 | | Other Writing Programs |
| | | |
| Box | Folder |
| 48 | 1 | | CCC 1998 |
| 2 | | Other Features |
| 3 | | Paulina – Vicky Farina |
| 4 | | El Ruisenor Y La Rosa |
| 5 | | Violent Times |
| 6 | | Puro Tejano |
| 7 | | Moebius |
| 8 | | Legend of the Chupacabra |
| 9 | | Nueba Yol 3 |
| 10 | | The Wonderful Ice cream Suit |
| 11 | | Single Action |
| 12 | | 17 and Under |
| 13 | | A Escada |
| 14 | | Figuroa 98 |
| 15 | | A Escada (the stairs) |
| 16 | | The Law of Cause and Effect |
| 17 | | A Day Without A Mexican |
| 18 | | Across Wide Fields |
| 19 | | A Su Lada (By Her Side) |
| 20 | | Barbacoa |
| 21 | | Bazaar |
| 22 | | Buried and Unseen Chiaroscuro |
| 23 | | Cantos De Sirena |
| 24 | | Channel Zero |
| 25 | | Chicanismo |
| 26 | | Eat Like a Winner |
| 27 | | Chupacabra Special |
| 28 | | Ethnimage Five Day Identity Plan |
| 29 | | Frida Kahlo in the Casa Azul |
| 30 | | For Better For Worse |
| 31 | | Getting to Heaven |
| 32 | | Holy Tortilla |
| 33 | | Horseplay |
| 34 | | The Housekeeper |
| 35 | | Images of a Dreamt Journey |
| 36 | | In Between No Where |
| 37 | | I Married a Chupacabra |
| 38 | | I Married a Chupacabra |
| 39 | | The Jalisco Way of Loving |
| 40 | | Libertad |
| 41 | | La Visita |
| 42 | | Life |
| 43 | | Lincoln Heights |
| 44 | | Lost Graves |
| 45 | | The Merchants Wife Leaves |
| 46 | | El Toro Sangriento |
| 47 | | Momentum |
| 48 | | Mountains Most and Rex |
| 49 | | The Novice |
| 50 | | Pancho and Frank |
| 51 | | The Partner |
| 52 | | A Refutation of Time |
| 53 | | Road of No Return |
| 54 | | Rules |
| 55 | | Rules of the game |
| 56 | | Say it Loud |
| 57 | | Stand Alone |
| 58 | | Still Life |
| 59 | | Spaztec Y La Sad girl |
| 60 | | Tejano Exile |
| 61 | | Trafico |
| 62 | | Acteal Estrategia |
| 63 | | Alters on the West Side |
| 64 | | A Long Way To Love |
| 65 | | Omayra Amaya, Flamenco sin Limites |
| 66 | | Barriers of Solitude |
| 67 | | Black and White in Exile |
| 68 | | Como Hacemos |
| 69 | | Cuba on its own Terms |
| 70 | | Cuba Sigrid |
| 71 | | Culture, Water and Money |
| 72 | | Dirty Secrets |
| 73 | | El Dia Que Mi Queires |
| 74 | | El Toro Sangrento |
| 75 | | Father Roy; Inside the School of Assasins |
| 76 | | Federico Garcia Larco |
| 77 | | Latinos Jews |
| 78 | | Low Y Cool |
| 79 | | Nada Mas Le Gusto |
| 80 | | Ni Aqui Ni Alla |
| 81 | | No Where Else To Live |
| 82 | | Now I Write This |
| 83 | | Oda Ya Life With Aids |
| 84 | | Palante Siempre Palante |
| 85 | | Pass the Mic and Speak Out |
| 86 | | Raza Aztlan |
| 87 | | Roots in The Sand |
| 88 | | Sacred Earth |
| 89 | | See Me Five Young Latinas |
| 90 | | Semana Santa en San Miquel |
| 91 | | Sergio Moyano |
| 92 | | Skyline Community |
| 93 | | Soothsayers, Cigars and San Simon |
| 94 | | Street Vendors |
| 95 | | Una Vida Mejor: A Better Life |
| 96 | | Someone Who Cares |
| 97 | | Wiila Brown- An American Aviator |
| 98 | | White Dresses |
| 99 | | I Feel Mexican Even Though I Was Born Here |
| 100 | | The Sixth Man |
| 101 | | Single Action |
| 102 | | Yardbird |
| 103 | | Self Portrait |
| 104 | | Si Se Puede |
| 105 | | The Assumption |
| 106 | | Road Dogs |
| 107 | | Betrayal |
| 108 | | The Boxer |
| 109 | | Breath of Life |
| 110 | | Buena Vista |
| 111 | | Buried By Oblivion |
| 112 | | La Calera |
| 113 | | Carmen Lomas Garza |
| 114 | | El Charal |
| 115 | | Clipe Skank |
| 116 | | Chimera |
| 117 | | Crossing the Line |
| 118 | | The Day of the Dead |
| 119 | | Doppleganger |
| 120 | | Un Embrujo |
| 121 | | El Espirito de mi Madre |
| 122 | | Excesos de Ciudad |
| 123 | | Gato Barbieri |
| 124 | | Guapear |
| 125 | | Hip Hop |
| 126 | | Homeland |
| 127 | | Press Release Masters 2000 |
| 128 | | Ignorant Bliss |
| 129 | | In Audito |
| 130 | | The Last Stand of Sal Allende |
| 131 | | Living on the Border in Mid-AME Rica |
| 132 | | A Madness in BKLN |
| 133 | | The Manhattan Chronicles |
| 134 | | Mexican Wrestler Disorder |
| 135 | | Mexican Shorts |
| 136 | | Minnesota Students |
| 137 | | Movette |
| 138 | | Manual O Campo |
| 139 | | Mujeres Adelante |
| 140 | | No Mothers Crying |
| 141 | | Nuestra Vida |
| 142 | | Nurorican Dream |
| 143 | | The Other Land |
| 144 | | Pancho Villa and Other Stories |
| 145 | | Prayer Through Radiation |
| 146 | | ReinzerTado |
| 147 | | Reves |
| 148 | | Rolling Tissues |
| 149 | | La Toma De Zacatecas |
| 150 | | Twist of Fate |
| 151 | | TX Chicano Soul |
| 152 | | The Virgen |
| 153 | | The Worst Documentary |
| 154 | | Zapatista |
| 155 | | Cinefest Committee 2000 |
| 156 | | Print Trafik |
| 157 | | Contacts / Fax |
| 158 | | Travel #1 |
| 159 | | Scores |
| 160 | | Contact Info |
| 161 | | Extras |
| 162 | | Mexican Posters |
| 163 | | Film Info |
| 164 | | TAJ |
| 165 | | 24 Hour Woman |
| 166 | | CCC 2000 |
| 167 | | Email |
| 168 | | Kids Screeming |
| 169 | | Imcine |
| 170 | | M-H |
| 171 | | Ray # 5 |
| 172 | | George #2 |
| 173 | | Shipping |
| 174 | | Jimmy M |
| 175 | | Lucia #4 |
| 176 | | Fax 99 |
| Box | Folder |
| 49 | 1 | | SA Cinefestival Folder (empty) |
| 2 | | Publicity Contacts 1998 |
| 3 | | Hispanic Magazine 1998 |
| 4 | | Cineaccion 1998 |
| 5 | | General CineFest Info |
| 6 | | News clippings 1998 |
| 7 | | Latin Style ad |
| 8 | | Press clips 1998 |
| 9 | | Press releases- other festivals |
| 10 | | Latinos in Media lecture series 1998 |
| 11 | | Independent Feature Project (IFP) |
| 12 | | Austin Film Society |
| 13 | | Film Arts Foundation (FAF) |
| 14 | | San Antonio Youth Literacy |
| 15 | | Mexican Cultural Institute |
| 16 | | Hotels 1999 |
| 17 | | Correspondence Aug 1998 |
| 18 | | El Grito |
| 19 | | Texas Monthly 1998 |
| 20 | | Southwest Alternate Media Project (SWAMP) |
| 21 | | Cineaccion |
| 22 | | KVDA info |
| 23 | | Esperanza/Jump Start |
| 24 | | Austin Chicano/Latino Film Forum |
| 25 | | Carver Center 1998 |
| 26 | | Cinefest 1998 staff |
| 27 | | Children’s Museum |
| 28 | | Ray Santisteban fax 1998 |
| 29 | | Correspondence 2000 |
| 30 | | Correspondence 1999 |
| 31 | | Poster or brochure cover, 1999 |
| 32 | | Awards 1999 |
| 33 | | Jump Start |
| 34 | | Call for entries 1999 |
| 35 | | Gateways, 1999 |
| 36 | | Cinefest mailout- call for entries 1999 |
| 37 | | Telethon master schedule |
| 38 | | ALMA Awards |
| 39 | | Paragon/Telethon 1998 |
| 40 | | ALMA Awards Press Kit 1999 |
| 41 | | NLCC/CPP |
| 42 | | Emails 1998-1999 |
| 43 | | Travel 1999 |
| 44 | | Gala/Luminarias |
| 45 | | Publicity correspondence 1999 |
| 46 | | Encore-Luminarias 1999 |
| 47 | | Cesar Chavez 1999 |
| 48 | | Ads 1998 |
| 49 | | Quinceanera |
| 50 | | Awards 1998 |
| 51 | | Diana Marin correspondence and printed materials 1999 |
| 52 | | KCET |
| 53 | | Passes 1999 |
| 54 | | Children’s Museum 1999 |
| 55 | | Awards 1999 |
| 56 | | Ad trade agreements 1999 |
| 57 | | Library 1999 |
| 58 | | RESTRICTED: Contracts 1999 festival |
| 59 | | Promo text 1999 |
| 60 | | Ad rate sheet 1999 |
| 61 | | Latinas in Film correspondence |
| 62 | | 1999 schedule |
| 63 | | Tickets 1999 |
| 64 | | Executive Director Search |
| 65 | | Cinefest 1999 |
| 66 | | Telethon info 1999 |
| 67 | | New building/media studio plans |
| 68 | | Smithsonian 1998 |
| 69 | | NLCC Audit 1998 |
| 70 | | NACCS Conference contracts 1999 |
| 71 | | NACCS emails and printed materials 1999 |
| 72 | | CPB meeting 1999 |
| 73 | | NAMAC |
| 74 | | TCA travel grant 1998 |
| 75 | | Correspondence 1998 |
| 76 | | Dimando correspondence |
| 77 | | IMCINE 1998 |
| 78 | | El Reflejo de Maria 1997, 1998 |
| Box | Folder |
| 50 | 1 | | Old Town Remembered |
| 2 | | Black and Gold 1999 |
| 3 | | Texas Chicano Soul |
| 4 | | Stan Natchez |
| 1 | | Guatemala Holocaust |
| 2 | | Walk With Me |
| 3 | | Colors |
| 4 | | Recycling the Future |
| 5 | | Go Boys |
| 6 | | Eat Like a Winner |
| 7 | | Border Stasis |
| 8 | | Devil in the Flesh |
| 9 | | La Llorana |
| 10 | | Which Way, Por Favor? |
| 11 | | Buried and Unseen “Severance” |
| 12 | | The Cuban Connection |
| 13 | | The Emerald Cut |
| 14 | | They Come at Night |
| 15 | | Pancho’s Revenge |
| 16 | | Resurrection |
| 17 | | Rum and Coke |
| 18 | | Running for Bogota |
| 19 | | Chile: a History in Exile |
| 20 | | Chiapas: Prayer and the Weavers |
| 21 | | From Here to There |
| 22 | | Maribel |
| 23 | | Identity |
| 24 | | Havana Girl |
| 25 | | Marco’s Message |
| 26 | | Son Afrocaribeno |
| 27 | | Ruins |
| 28 | | Chelsea |
| 29 | | Doctors for Two Worlds |
| 30 | | Como Hacemos |
| 31 | | Learning to Exhale |
| 32 | | Eco-Maniacs |
| 33 | | La Guerra Occulta |
| 34 | | Tragicomedia Neoliberal |
| 35 | | Beca de Gilas |
| 36 | | Casos de Violencia |
| 37 | | Batidania: Power in the Beat |
| 38 | | Corpus |
| 39 | | El Corrido de Cecilia Rios |
| 40 | | Guy Gabaldon, American Hero |
| 41 | | The Making of “Hummingbird on the Left” |
| 42 | | Soap |
| 43 | | El Dia de los Muertos |
| 44 | | Los Folkloricos |
| 45 | | The Drive-By Concert |
| 46 | | Guerras y Imagenes |
| 47 | | Mrs Bynther in Brazil |
| 48 | | Shades of Gray |
| 49 | | The Trap |
| 50 | | Mi Abuela |
| 51 | | Teen Latina |
| 52 | | Los Tres Cielos |
| 53 | | Phase V |
| 54 | | Somos |
| 55 | | Responses |
| 56 | | Maid! Madonna! Whore! |
| 57 | | The Paradise of Her Memory |
| 58 | | Four Winds |
| 59 | | The Mojada Invasion |
| 60 | | Y2K: Y Tu Que? |
| 61 | | Art in Chaos |
| 62 | | Calle Chula |
| 63 | | In a Glade |
| 64 | | Scooter and Jinx |
| 65 | | Cuentos de Jove |
| 66 | | Interview with a Fat Man |
| 67 | | The Abnormality |
| 68 | | The Arrow |
| 69 | | Stagnant Days |
| 70 | | The Double Life of Ernesto Gomez |
| 71 | | Morir por Amor |
| 72 | | Handmade in Mexico: Angels from Stone |
| 73 | | Punk Rock Cereal |
| 74 | | Hummingbird on the Left |
| 75 | | A Priceless Price to Pay |
| 76 | | I Can’t Wait |
| 77 | | Uranus in the Seventh House |
| 78 | | Crazy House |
| 79 | | A la Medida |
| 80 | | Tales of Tijuana |
| 81 | | Sex Drunk |
| 82 | | Algun Dia |
| 83 | | Silence Living in Houses |
| 84 | | Atomic Blue |
| 85 | | Now and Again |
| 86 | | Evangelism, According to San Marcos |
| 87 | | The Life Jacket is Under Your Seat |
| 88 | | Bob’s Video |
| 89 | | Jesus 2000 |
| 90 | | The Devil’s Twilight |
| 91 | | The Devil’s Twilight |
| 92 | | East 182nd Street |
| 93 | | Dos Corazones |
| 94 | | Homeland |
| 95 | | Mi Casa Es Su Casa |
| 96 | | Danza Azteca |
| 97 | | Paletero’s Blues |
| 98 | | Dona Cuca |
| 99 | | La Otra Conquista |
| 100 | | Lite Weight |
| 101 | | The Projects |
| 102 | | Sons of Zapata |
| 103 | | Skyline.com |
| 104 | | La Ciudad |
| 105 | | El Otro Lado/Print Info |
| Box | Folder |
| 51 | 1 | | Dreamlandia (binder) |
| 2 | | Beautiful Senoritas (binder) |
| 3 | | Binder w/ pictures of stage plays |
| 4 | | La Mesa (binder) |
| 5 | | 10 audiocassettes, unidentified |
| Box | Folder |
| 52 | 1 | | Binder w/unidentified photos |
| 2 | | Grupo Animo (binder) |
| 3 | | Binder w/unidentified photos and contact sheets |
| 4 | | Grupo Animo scrapbook |
| 5 | | Grupo Animo plays 2002-1993 (binder) |
| 6 | | Metro 2B |
| 7 | | Grupo Animo/Metro 2B |
| Box | Folder |
| 53 | 1 | | Selena- Pictures 1997 |
| 2 | | Press contact info |
| 3 | | CineFest info |
| 4 | | Call for Entries 2000 |
| 5 | | Press Information 1999 |
| 6 | | Print Ready Icons |
| 7 | | 2000 ad rate sheets |
| 8 | | Articles and article correspondence 2000 |
| 9 | | Diane Powell 1999 |
| 10 | | Austin Film Society 1999 |
| 11 | | IFP 2000 |
| 12 | | Internet clippings, Reves article and cover sheets, statements |
| 13 | | Loose e-mails and NEA 2000 creation and presentation budget |
| 14 | | Panels 2000 |
| 15 | | DOC film project 2000 |
| 16 | | Cinefest attendance and revenue 2000 |
| 17 | | Cinefest general info 2000 |
| 18 | | Mexican Whore poster book 1999 |
| 19 | | Shipping folder 1999 |
| 20 | | Cinefest ads 1999 |
| 21 | | Designed apartment 2000 |
| 22 | | Por Si No Te Vuelvo a Ver 1999 |
| 23 | | Invoices/Bios/Check Requests 1999 |
| 24 | | RESTRICTED: Volunteers |
| 25 | | RESTRICTED: Loose check requests, 1999 |
| 26 | | Photographs, unidentified |
| 27 | | Photographs, unidentified |
| 28 | | Photos 2000 |
| 29 | | Fibra Optica 1999 |
| 30 | | Judges/ING 1999 |
| 31 | | Premio Mesquite 1999 |
| 32 | | Print traffic 1999 |
| 33 | | Diana Marin 1999 |
| 34 | | Print traffic 1999 |
| 35 | | Cine info/facts 1999 |
| 36 | | Max Barilla scores #3 |
| 37 | | Latin Heat |
| 38 | | Judge #3 1998 |
| 39 | | Susan Jasso #2 1998 |
| 40 | | Judge #5 1998 |
| 41 | | Call for entries 1998 |
| 42 | | #4 and #5 judging forms 1998 |
| 43 | | Judge #1 1998 |
| 44 | | San Antonio media list Cinefest 1994-1995 |
| 45 | | Call for entries requests 1998 |
| 46 | | Entered in Cinefest 1998 |
| 47 | | Inputed in database 1998 |
| 48 | | Texas Latino Arts Org |
| 49 | | Mexico publicity contacts 1998 |
| 50 | | Information requests 1998 |
| 51 | | Email on fall festivals 1998 |
| 52 | | Email addresses 1998 |
| 53 | | Awards night 1998 |
| 54 | | Travel and hotel Festival 1998 |
| 55 | | Summer screening series 1997 |
| 56 | | Sneak preview 1998 |
| 57 | | Consortium 1999 |
| 58 | | Ads and rates 1998 |
| 59 | | Children’s Museum 1998 |
| 60 | | Panel discussion 1998 |
| 61 | | Video installation 1998 |
| 62 | | Shipping 1998 |
| 63 | | Call for entries 1998 |
| 64 | | Call for entries ideas and changes |
| 65 | | Call for entries to fax |
| 66 | | Flora Moon 1998 |
| 67 | | Cruzandos Detroit 1998 |
| 68 | | 500 Years/Lakota Women screening1998 |
| 69 | | US/Mexico War 1998 |
| 70 | | Call for entries mailing list 1996 |
| 71 | | Features 1998 |
| 72 | | Program contents 1998 |
| 73 | | Latino Laugh Festival fax 1998 |
| 74 | | Schedules/Parties 1998 |
| 75 | | Master Schedule 1998 |
| 76 | | Expenses 1998 |
| 77 | | Liz Torres 1998 |
| 78 | | Festival Jury 1998 |
| 79 | | Master press release 1998 |
| 80 | | Master press kit 1998 |
| 81 | | Folder Travel/Honorarium 1994 |
| 82 | | Liz Torres photos 1998 |
| 83 | | Tickets/passes 1998 |
| 84 | | US/Mexico War 1998 |
| 85 | | Laugh Festival 1998 |
| 86 | | Other sponsors 1998 |
| 87 | | Invited films 1998 |
| 88 | | Opening night 1997 |
| 89 | | Panels 1998 |
| 90 | | Curated programs 1998 |
| 91 | | UTSA 1998 |
| 92 | | Mexperimental 1998 |
| 93 | | Cinefest Figueroa tribute 1998 |
| Box | Folder |
| 54 | 1 | | Joneskell Architects GCAC report 1987 (7 copies) |
| 2 | | Cultural Equity 1989 |
| 3 | | News clippings 1986 |
| 4 | | Nuestra Senora de Guadalupe prospectus 1985 |
| 5 | | National Hispanic Theater Conference 1986 |
| 6 | | Cine Festival program 1985 |
| 7 | | Loose flyer- Indio-Hispano-Nuevo Mexicano performance series |
| 8 | | Envelope w/press releases, program, schedule and 2 periodicals- Tejano Conjunto Festival 1982-1985 |
| 9 | | Mid-America Arts Alliance annual board meeting 1988 (loose) |
| 10 | | Chicano/Mexican Visual Arts Symposium schedule 1986 (loose) |
| 11 | | Guadalupe Theater program 1986 |
| 12 | | Guadalupe Theater program 1985 (3 copies) |
| 13 | | Newspaper Tonantzin (Chicano Arts in San Antonio) 1986 (2 copies) |
| 14 | | Brochure for GCAC (4 envelopes and 11 loose copies) |
| 15 | | Texas Arts poster 1985 |
| 16 | | Correspondence from Secretary of Exterior Relations (Mexico) |
| 17 | | Impart newsletter (Arts Council of San Antonio) 1984 (3 copies) |
| 18 | | Assorted news clippings |
| 19 | | Sealed envelope addressed to GCAC |
| 20 | | Envelope w/Andy Villareal entry |
| 21 | | Photocopy 4th Festival Estudiantil Chicano de Arte y Literatura, Austin, TX 1979 |
| 22 | | Organizational Chart for GCAC |
| 23 | | Street map of Washington, DC hotels |
| 24 | | Job descriptions 1985 |
| 25 | | Binder, Texas Commission on the Arts 1988 |
| 26 | | Brochure, CARA 1965-1985 exhibit |
| 27 | | CARA newsletter (10 copies) |
| 28 | | Chicano Art Resistance and Affirmation newspaper 1990 (3 copies) |
| 29 | | CARA exhibit program 1990 (4 copies) |
| 30 | | CARA exhibit Film Series program 1990 (2 copies) |
| 31 | | Slides of artworks |
| 32 | | Cultural Heritage Center correspondence 1988 |
| 33 | | Lubbock artists’ entry packet #1 |
| 34 | | Lubbock entry #2 |
| 35 | | Lubbock entry #4 |
| 36 | | Lubbock entry #5 |
| 37 | | Biographical notes and envelope addressed to Luis Fernando Garza |
| 38 | | Artist entry grids |
| 39 | | Envelope w/Artist entry packets, Carolina G. Flores brochure 1988 |
| 40 | | FedEx envelope w/manila envelope and note |
| 41 | | 5 envelopes addressed to GCAC |
| 42 | | National Chicano Art Exhibition envelope |
| 43 | | Envelope w/slides |
| 44 | | Envelope w/selected entry forms |
| 45 | | Envelope w/Esther Morales Landry resume and writing sample |
| 46 | | List of artists and artworks |
| Box | Folder |
| 55 | 1 | | Sony DV- Player with screen |
| 2 | | CPB Consortium Proposal |
| 3 | | Images |
| 4 | | Archives |
| 5 | | Texas Addresses |
| 6 | | Gate Ways Ethnographic |
| 7 | | Dallas Video Festival |
| 8 | | Nuyorican Dream |
| 9 | | Tejano Video |
| 10 | | Latino Conference, 1999 |
| 11 | | Coalition |
| 12 | | Parties/ Receptions, 1998 |
| 13 | | Clippings, 1999 |
| 14 | | D.C. Trip |
| 15 | | RESTRICTED: Sony Contract |
| 16 | | Austin Film Soc., 1999 |
| 17 | | Cinefest Expenses, 1999 |
| 18 | | Cinefest Clippings, 1999 |
| 19 | | Master TCA Cultural Connections |
| 20 | | TCA 1999 Revised, Final Report |
| 21 | | Tejano Release Forms Contracts |
| 22 | | Special Screening- Luminarious |
| 23 | | Luminarious Special Screening |
| 24 | | 2000 Evaluations/ Student Video |
| 25 | | McArthur Final Report |
| 26 | | 2000 Evaluations/ Student Video |
| 27 | | RA Touring Contact Info. |
| 28 | | Texas Touring Expenses |
| 29 | | TCA Texas Touring, 1998 |
| 30 | | TCA Touring Program Contracts |
| 31 | | Cinefest 99 Inquiries |
| 32 | | Fellowships |
| 33 | | Appearance Release Forms |
| 34 | | LPB Reimbursement |
| 35 | | Visiones LA Trip Reciepts |
| 36 | | RESTRICTED: Reimbursement, 12/17/00 |
| 37 | | Artist Rights Foundations |
| 38 | | More Arts Telephone Info. |
| 39 | | Telethon |
| 40 | | Class Papers |
| 41 | | Second Evaluation |
| 42 | | Kronsosky Final Report |
| 43 | | Tele/Rays Script |
| 44 | | Development Correspondence, 1999 |
| 45 | | IFP West |
| 46 | | G3 and Radius |
| 47 | | Equipment Purchases |
| 48 | | Beta Cam SP Recorder |
| 49 | | In House Pro. Expenses |
| 50 | | Camera #3 |
| 51 | | Theater, 1999 |
| 52 | | Digital Camera, Digital Info. |
| 53 | | Digital Camera, LPBP 2000 |
| 54 | | Digital Post, G3 |
| 55 | | Sony DSR-PD 100 |
| 56 | | GCAC Equipment |
| 57 | | Surdna Expenses, 2000 |
| 58 | | Boom Pole |
| 59 | | Camera #1 |
| 60 | | Westcott Box |
| 61 | | Expense Report, 4/13/00 |
| 62 | | Lilia Wallace- Final Big Expenses |
| 63 | | Texas Commission on the Arts |
| 64 | | Panel TCA, 2000 |
| 65 | | LA BODA Screening |
| 66 | | Nuyorican Dream Publishing |
| 67 | | Airline Sponsorship, 1999 |
| 68 | | Report Staff Retreat |
| 69 | | Media Arts Program: Video |
| 70 | | Student Evaluations (Copies) |
| 71 | | Parent Evaluations (Copies) |
| 72 | | Demographics |
| 73 | | Big Bear |
| 74 | | Naturally Native |
| 75 | | Shipping, 2000 |
| 76 | | Fed Ex |
| 77 | | Final Evaluation Form |
| 78 | | Big Bear |
| 79 | | Cultural Tourism |
| 80 | | Grant Celebrando/ San Antonio |
| 81 | | TCA, 2000 |
| 82 | | NACAC/ NEA, 2000 |
| Box | Folder |
| 56 | 1 | | RESTRICTED: Contracts Cinefest 2000 |
| 2 | | Summer Youth Video 98 |
| 3 | | Mexican Theme |
| 4 | | Museo Guad Aztlan |
| 5 | | Tonanitzin visuals |
| 6 | | Release Masters |
| 7 | | Call for entries 2000 |
| 8 | | Fax Description Line 2000 |
| 9 | | Senior Cinema 99 |
| 10 | | Sponsors 99 |
| 11 | | Pr. Email Ads |
| 12 | | Ads 2000 |
| 13 | | Presentation |
| 14 | | Volunteers 99 |
| 15 | | Fundraising info 99 |
| 16 | | RESTRICTED: Contracts 99 |
| 17 | | Outreach 2000 |
| 18 | | Cinefest 2000 Committee |
| 19 | | PSA’s 2000 |
| 20 | | Event Notice |
| 21 | | Award’s 1999 |
| 22 | | Award’s 2000 |
| 23 | | CCC Custom’s 2000 |
| 24 | | Tickets 2000 |
| 25 | | NEA 2000 |
| 26 | | TCA Meeting 1999 |
| 27 | | Creative Capital 1999 |
| 28 | | Youth Video Collage San Antonio |
| 29 | | Arts PSA’s |
| 30 | | TCA Media Meetings |
| 31 | | Snapple 1998 |
| 32 | | Rockefeller Humanities Grant |
| 33 | | Alice K Meyer Foundation 1998 |
| 34 | | Ford 1998 |
| 35 | | Rockefeller 1999 Final Proposal |
| 36 | | Forgotten Americans |
| 37 | | Ray’s Email List |
| 38 | | Senior Cinefest 2000 |
| 39 | | LBB Producers Forum |
| 40 | | Appalshop |
| 41 | | TCA 1999-2000 |
| 42 | | TCA Conflict of Interest |
| 43 | | 2001-2000 TCA Video Production |
| 44 | | McArthur 2001 |
| 45 | | Continental 2001 |
| 46 | | 2001 Juntos En Arte |
| 47 | | Cultural Tourism Proposal |
| 48 | | AK Meyer 1999 |
| 49 | | Ford Documentation Grant Proposal |
| 50 | | Ford Transnational 1999 |
| 51 | | Dina Monte – Scores #5 |
| 52 | | Manuel Sonis – Scores #4 |
| 53 | | Sarah Guerra – Scores #2 |
| 54 | | Victoria Garcia Zapatta – Scores #1 |
| 55 | | Distributors |
| 56 | | How to Press Kit |
| 57 | | Distribution Information |
| 58 | | Check Stubbs |
| 59 | | Film Fest |
| 60 | | Aztlan Journal |
| 61 | | Outside Personnel Income |
| 62 | | Bias on the Internet |
| 63 | | RESTRICTED: Taxes 1998 |
| 64 | | Media Articles 1998 |
| 65 | | Media Articles |
| 66 | | Movement to Defend Immigrants |
| 67 | | Financial Application |
| 68 | | Tonantzin/Rates |
| 69 | | Lila Wallace Reader’s Digest Proposal 1995 |
| 70 | | McArthur Foundation Report |
| 71 | | Texas Commission on the Arts |
| 72 | | US/Mexican Fund for Culture |
| 73 | | Southwest Alternate Media Project |
| 74 | | Alice K. Meyer Foundation |
| 75 | | General Funding Info |
| 76 | | McArthur Foundation |
| 77 | | Youth Media Lab Notes |
| Box | Folder |
| 57 | 1 | | Guadalupe Cultural Arts Center – Grupo Animo |
| 2 | | Dennis Solis |
| 3 | | Grupo Animo Scripts |
| 4 | | Grupo Animo – New Eyes |
| 5 | | Grupo writing, Sprin 2003 |
| 6 | | Discover Animo, 2002 |
| 7 | | Discover Animo, Summer 2003 |
| 8 | | Discover Animo student summary, summer 2003 |
| 9 | | Discover, Fall 2002 |
| 10 | | Discover Animo Assessments, summer 2003 |
| 11 | | Carpa Camp, Summer 2003 |
| 12 | | Grupo Animo |
| 13 | | Fall 2002 Sign-in |
| 14 | | Grupo Animo, Fall 2002 |
| 15 | | Grupo Animo Audition, 2003 |
| 16 | | Grupo Animo Program Evaulations, summer 2003 |
| Box | Folder |
| 58 | 1 | | Facets Video, 1990 |
| 2 | | Facets Movie Video Guide |
| 3 | | Facets Video, May- Jul 1991 |
| 4 | | Facets Video |
| 5 | | Facets Video, March 1991 |
| 6 | | Facets Video, Dec. 1991-Jan. 1992 |
| 7 | | Educational Video Center Catalog |
| 8 | | Movie Catalog, 1989 |
| 9 | | East West Classics |
| 10 | | Boletin del Centro de Estudios Puerriqunos |
| 11 | | Prestige Film Video Catalog |
| 12 | | National Film Board of Canada |
| 13 | | Filmakers Library |
| 14 | | Films and Videos for Arts and Communications |
| 15 | | Pride and Poverty |
| 16 | | Kit Parker Films |
| 17 | | The 18th Annual Seattle International Film Festival, 1992 |
| 18 | | New Yorker Films, 1991 |
| 19 | | Video Out, 1990 |
| 20 | | Zeitgeist |
| 21 | | Misc. Brochures and Letters |
| Box | Folder |
| 59 | 1 | | RESTRICTED: Time Sheets |
| 2 | | Sarah |
| 3 | | RESTRICTED: Solis: Contract Requests |
| 4 | | Line Budget, 2003 |
| 5 | | RESTRICTED: Checks for Entries |
| 6 | | Cine Expenses, 2003 |
| 7 | | Cine Expenses, 2003 |
| 8 | | Time Sheets |
| 9 | | Sign-in Sheets |
| 10 | | Judge Scores |
| 11 | | Chaqueta |
| 12 | | The New Patriot |
| 13 | | Edcoush – Elsa |
| 14 | | The Color of the Heart |
| 15 | | Dia de la Madre: Panchita |
| 16 | | Inside Out, D#3 |
| 17 | | Another World is Possible |
| 18 | | Goodbye Egg Hole |
| 19 | | Santos Diablos |
| 20 | | The Playroom |
| 21 | | Nicaragua |
| 22 | | The Gatekeeper Fia #1 |
| 23 | | Day of the Dead |
| 24 | | Cocteau Cento |
| 25 | | Death on a Friendly Border |
| 26 | | City of Dreams |
| 27 | | Box Car Satan |
| 28 | | Legend of the La Lioroma |
| 29 | | Ilan Stevens |
| 30 | | Las Caras Lindas Day |
| 31 | | Diplomats and Drop-outs |
| 32 | | Far from Cuba |
| 33 | | TIno Villanueva |
| 34 | | Richard Rodriquez |
| 35 | | Back on Track |
| 36 | | Last Chance DNA |
| 37 | | Buscando America |
| 38 | | Fond Memories of Cuba |
| 39 | | Beyond the Border |
| 40 | | Behind the Scenes |
| 41 | | When I dream dreams |
| 42 | | Rancho California |
| 43 | | Desesperacion |
| 44 | | Paco’s Suitcase Bomb |
| 45 | | Obatala |
| 46 | | Serenade |
| 47 | | November 2, Day of the Dead |
| 48 | | Ghost Story Ex. #1 |
| 49 | | Southside Leteria Ex. #2 |
| 50 | | Pachanga Punch Line |
| 51 | | In Hot Pursuit |
| 52 | | Must be Love |
| 53 | | The Cage |
| 54 | | On Our Own |
| 55 | | Roam |
| 56 | | El Hilo Magico |
| 57 | | White Like the Moon #2 |
| 58 | | Kit-Kat |
| 59 | | The Air Hockey Affair |
| 60 | | Taking the West Side |
| 61 | | Youth Screening |
| 62 | | Voices from Texas, #1 |
| 63 | | Puro Mariacy |
| 64 | | Miyed Feelings |
| 65 | | Twenty Ounces |
| 66 | | Crosses |
| 67 | | The Last Zapatistas |
| 68 | | Before Taol |
| 69 | | Washington Heights |
| 70 | | Chiapas…El Deseo no |
| 71 | | Mariachi Film Project |
| 72 | | 2002 Cine Festival |
| 73 | | Cine Fest 2003 |
| 74 | | Miscellaneous Folders/Brochures |