TABLE OF CONTENTS
Descriptive Summary
Biographical Note
Scope and Content Note
Arrangement
Restrictions
Index Terms
Administrative Information
Description of Series
1. Correspondence, 1879-1946
2. Programs and Clippings, 1903-1968
3. Scores, 1819-1949 and undated
4. Scrapbooks and Photographs, 1895-1993 and undated
5. Topical Files, 1900-1989
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A Guide to the John M. Steinfeldt Family Papers, 1819-1993
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| Creator: | Steinfeldt, John Mathias |
| Title: | John M. Steinfeldt Family Papers, 1819-1993 |
| Dates: | 1819-1993 |
| Creator Abstract: | John Mathias Steinfeldt, known as the Dean of Texas Pianists, was a composer, pianist and organist and a Master-teacher. In San Antonio, he served as organist at the First Baptist church, San Fernando Cathedral and at Temple Beth-El. Steinfeldt gave lessons and encouraged the study of music throughout his career. He was president of the San Antonio College of Music, which he founded in 1920. He had four children with wife Vivia May Steinfeldt: Cecile, John Jr., Robert and Eric. Cecile and John Jr. were also accomplished musicians and taught for a few years at the San Antonio College of Music. |
| Content Abstract: | Music scores, correspondence and scrapbooks, which contain clippings and other ephemera. The material, most of which dates from 1900-1954, documents events in the career and personal life of John M. Steinfeldt. The collection includes some of his musical compositions, including published works, drafts, sketches and fragments of his work. Some material also concerns the activities of his wife and children, particularly those of his daughter Cecile. |
| Identification: | MS 35 |
| Extent: | 9.5 linear feet (about 7,100 items) |
| Language: | Materials are in English. |
| Repository: | Archives, The University of Texas at San Antonio Library |
John Mathias Steinfeldt, known as the Dean of Texas Pianists, was born in August 1864 near Hanover Germany. His family came to the United States when he was 10 years old and settled in Cincinnati, Ohio. He studied in both the United States and Europe under some of the great musicians of the day including Isidor Philipp and Rafel Joseffy. He moved to San Antonio, Texas in 1887 and called the city home for the rest of his life. He married the former Vivia May Ripley in July 1893.
Mr. Steinfeldt's musical talents were substantial and varied. He was a composer, pianist and organist and a Master-teacher. In San Antonio, he served as organist at the First Baptist church, San Fernando Cathedral and at Temple Beth-El. In 1893, he became the organist at St. Mary's Catholic Church, a position he held for over 50 years. In October 1943, Mr. Steinfeldt received an Apostolic Benediction, a blessing from his Holiness Pope Pius XII for his half century of service as organist of St. Mary's Catholic Church. He also performed as a soloist with the San Antonio Symphony as well as with the Chicago and Cincinnati orchestras.
He composed and arranged a large amount of liturgical and secular music and won many awards for his efforts. Missa Maria Immaculata, a Mass written in 1924 for the dedication of a new building for St. Mary's Catholic Church, and The Fountain were particularly well received pieces. Mr. Steinfeldt gave lessons and encouraged the study of music throughout his career. He was president of the San Antonio College of Music, which he founded in 1920. He taught Piano, Organ, Harmony, Composition and Theory there. In his career, he offered private lessons and was the head of the music department of the Mulholland School.
John M. Steinfeldt and his wife Vivia May had four children Cecile, John Jr., Robert and Eric. Cecile and John Jr. were also accomplished musicians and taught for a few years at the San Antonio College of Music. Mrs. Steinfeldt died on February 9, 1936 in San Antonio. Mr. Steinfeldt died on February 28, 1946 in San Antonio.
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The John M. Steinfeldt Family papers are composed principally of music scores, correspondence and scrapbooks, which contain clippings and other ephemera. Some photographs and record albums are also in the collection. This collection helps to document how music was performed, taught and composed in the first half of the 20th century and how music contributed to the cultural life of San Antonio during this period. The material is divided into five series: Correspondence, Programs and Clippings, Scores, Scrapbooks and Photographs, and Topical Files.
Correspondence contains both personal and professional correspondence to and from John M. Steinfeldt and members of his family. Most of the Programs and Clippings series material provides information about the musical performances of Mr. Steinfeldt, his family or his pupils. Some of the clippings, however, reveal information about Mr. Steinfeldt's personal rather than professional life.
The musical Scores are the bulk of the collection. This series contains copies of works by John M. Steinfeldt including final copies of finished compositions as well as some drafts, sketches and fragments of his work. Works by other composers that were given to the Steinfeldts or which were used as teaching material. Some of these scores predate Mr. Steinfeldt's birth. There are approximately four linear feet of commercially produced music scores that have not been processed. These scores were owned by the Steinfeldt family but have no distinguishing marks. This material is open to researchers.
The Scrapbooks and Photographs series contains material such as programs, clippings, and other items about the Steinfeldt family. Some of this material was collected during the family's travels abroad. Most of the material concerns John M. Steinfeldt.
The Topical Files contain material which does not fit into the other four series. It contains some biographical material about John M. Steinfeldt. Material relating to his teaching, including material from the San Antonio College of music and recordings of his music can be found here. Some information about the musician Walter Dunham, which was given to the library by the Steinfeldt family is also included. A selection of books from Mr. Steinfeldt's personal library has been separated from the collection, however a list of the titles is available.
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Arrangement
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- Series 1. Correspondence, 1879-1946
- Series 2. Programs and Clippings, 1903-1968
- Series 3. Scores, 1819-1949
- Series 4. Scrapbooks and Photographs, 1895-1993
- Series 5. Topical Files, 1900-1989
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Access Restrictions
Researchers are required to wear gloves provided by the Archives when reviewing photographic materials.
Usage restrictions
Permission to publish from the John M. Steinfeldt Family Papers must be obtained from the UTSA Archives.
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| Personal Names |
| | Steinfeldt Family. |
| | Dunham, Walter. |
| | Steinfeldt Marshall, Cecile. |
| | Steinfeldt, John M., 1864-1946. |
| Organizations |
| | San Antonio College of Music. |
| Subjects |
| | Composers--Texas--San Antonio. |
| | Music--Texas--San Antonio. |
| | Music teachers--Texas--San Antonio. |
| | Musicians--Texas--San Antonio. |
| Locations |
| | San Antonio (Tex.)--History. |
| Genres/Formats |
| | Scores. |
| | Correspondence. |
| | Photographs. |
| | Scrapbooks. |
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[Identification of item], John M. Steinfeldt Family Papers, 1819-1993, MS 35, Archives and Special Collections, University of Texas at San Antonio Library.
The bulk of the materials in this collection were donated in 1980 (Acc. 1980-001); an additional photograph album was transferred from the Daughters of the Republic of Texas Library in 1993.
Eric Hartmann, Processing Archivist, July 1998.
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1. Correspondence, 1879-1946
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| Incoming and outgoing correspondence with the Steinfeldt family. It includes personal as well as professional activities. John M. Steinfeldt is the principal correspondent in this series. A small amount of the correspondence is written in German and French. John M. and Vivia Steinfeldt wrote a long succession of postcards from all over the world to Erma Shulper. |
| Arranged by correspondent and organized chronologically. |
| Box | Folder |
| 1 | | | Steinfeldt, John Mathias |
| 1 | | | Contracts, 1914-1940 |
| 2 | | | Family, 1896-1942 and undated |
| 3 | | | Personal, Undated |
| 4 | | | Personal, 1889-1945 |
| 5 | | | Professional, Undated |
| 6 | | | Professional, 1896-1932 |
| 7 | | | Professional, 1933-1944 |
| Box | Folder |
| 2 | 1 | | Steinfeldt, Vivia, 1902-1932 |
| 2 | | Condolence, 1936-1946 |
| 3 | | Shulper, Erma, undated |
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2. Programs and Clippings, 1903-1968
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| Programs from concerts in which John M. Steinfeldt or his family and pupils played. Newspaper clippings which mention John M. Steinfeldt and his family and friends. Some of these clippings also mention pupils of the Steinfeldts. |
| Box | Folder |
| 2 | | | Programs |
| 4 | | | Family, 1924-1934 |
| 5 | | | John Mathias, 1896-1943 |
| 6 | | | Pupil, 1900-1942 |
| | | Clippings |
| 7 | | | Family, 1910-1968 and undated |
| 8 | | | Friends, 1932-1935 and undated |
| Box | Folder |
| 3 | 1 | | | John Mathias, Undated |
| 2 | | | John Mathias, 1903-1946 |
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3. Scores, 1819-1949 and undated
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| Includes compositions by John M. Steinfeldt, including drafts, sketches and fragments of musical manuscripts, as well as works by other composers. Some of these other works have been autographed by the composers, some have notations made by the Steinfeldts or their pupils. Others have been inscribed by the Steinfeldts, in some cases with personal notes. There are four additional feet of unprocessed scores that were owned by the Steinfeldt family. |
| Arranged by type of score and organized by composer. |
| Box | Folder |
| 3 | | | John Mathias |
| 3 | | | Index and Notes, undated |
| 4 | | | Adagio, undated |
| 5 | | | Appreciation, 1937 |
| 6 | | | At the Old Chateau, 1905 |
| 7 | | | Ave Maria, 1903-1940 and undated |
| 8 | | | Aveu (Confession), 1940 |
| 9 | | | Ballad (dedicated to his wife), undated |
| 10 | | | Barcarolle/Impromtu Minuetto, 1896 and undated |
| 11 | | | Berceuse et Revere (dedicated to his wife), 1900 |
| 12 | | | Brinnerung an Nordwalde, 1903 |
| 13 | | | Chanson D'Amore, 1907 |
| 14 | | | Chasing Butterflies, undated |
| 15 | | | A Cheerful Fancy (Why Worry?), 1930 |
| 16 | | | Dance from Spain (Danza Espanol), 1928 |
| 17 | | | Le Desir (Longing), 1906 |
| 18 | | | Dreaming by the Brooklet, 1928 |
| 19 | | | Echoes from Vienna, 1928 |
| 20 | | | Eight Miniatures, 1928 |
| 21 | | | Ensuenos de San Antonio (Dreams of San Antonio), 1907 |
| 22 | | | Etude Poetique, 1934 |
| 23 | | | An Evening at the Grand Canal in Venice, 1939 |
| 24 | | | Evening Song, 1929 |
| 25 | | | A Fairy Tale, 1928 |
| 26 | | | Fondayne, 1944 |
| 27 | | | The Fountain, 1905 |
| 28 | | | Four Miniatures, 1904 |
| 29 | | | A Forest Violet, 1909 |
| 30 | | | A Fragment, 1938 |
| 31 | | | Furl Your Sail, My Little Boatie, 1913 |
| 32 | | | Gavottina (dedicated to Bruno Klein) and La Graciosa, undated |
| 33 | | | General Wheaton's March, 1895 |
| 34 | | | Gloria and Go to Sleep, undated |
| 35 | | | Grave, undated |
| 36 | | | Haec est Domus Domini, undated |
| 37 | | | Handel's Largo,
undated |
| 38 | | | Happy Go Lucky, undated |
| 39 | | | A Haunted Place in the Forest, 1928 |
| 40 | | | Hodie Chritus Naturs est (Christmas Anthem), undated |
| 41 | | | Homage to MacDowell, 1929-1969 |
| 42 | | | Hymn to the Incarnate Word, 1939 |
| 43 | | | I Think of Thee and Tubal Cain, undated |
| Box | Folder |
| 4 | 1 | | | In an Old Feudal Garden, undated |
| 2 | | | J.S. Bach: Das WohlTemperiate Klavier |
| 3 | | | Jesu Redemtor Omnium, undated |
| 4 | | | Jesus in the Manager, undated |
| 5 | | | Le jeu de la Fontaine, undated |
| 6 | | | Jli es Sacredos, undated |
| 7 | | | Kyrie, 1924 |
| 8 | | | Leaves are Dancing, 1928 |
| 9 | | | A Legend, undated |
| 10 | | | A Little Reverence to Papa Bach, 1928 |
| 11 | | | Die Lotusblume, undated |
| 12 | | | Lupita, 1905 |
| 13 | | | Madre Hummoreque, undated |
| 14 | | | March (dedicated to Lola Stone-Evans), undated |
| 15 | | | March Armistice, undated |
| 16 | | | Marzurka Caprice, undated |
| 17 | | | Melancolia and Melancolie, 1933 |
| 18 | | | Memorare, 1936 |
| 19 | | | Minuet, undated |
| 20 | | | Missa in Honorum Sti Thomae Apostoli, 1934 |
| 21 | | | Missa Maria Immaculuta, 1924 |
| 22 | | | Minuet, undated |
| 23 | | | Moose Lullaby and Ox |
| 24 | | | Morning Prayer, undated |
| 25 | | | The Nightblooming Cereus, 1933-1938 |
| 26 | | | “Nita” Valse de Salon (dedicated to Anita Schlathey), undated |
| 27 | | | O Saving Victim, undated |
| 28 | | | Panis Angelieus, 1940 |
| 29 | | | Un Pensee Merreilleuse, 1933 |
| 30 | | | Le Petit Moulin, 1929 |
| 31 | | | Petite Champion and a Portrait, undated |
| 32 | | | Porque me abondeste?, 1942 |
| 33 | | | A Prelude (dedicated to Bernhardt Kalthoff), 1938 |
| 34 | | | Recollection of Switzerland, 1929 |
| 35 | | | Recurerdos De San Antonio, |
| 36 | | | Red Roses, 1935 |
| 37 | | | Reverie d' Amour, 1904 |
| 38 | | | Reverie at Twilight, 1928 |
| 39 | | | Romance Triste dedicated to Viva Steinfeldt, 1942 |
| 40 | | | Romantic San Antonio, 1926-1927 |
| 41 | | | Romanza in E flat and Romance Sans Paroles, undated |
| 42 | | | Le Ruisseau, 1905 |
| 43 | | | Salve Pastor Joseph and Salve Regina, undated |
| 44 | | | Sanctus,
undated |
| 45 | | | Scherzetto, 1940 |
| 46 | | | Scherzo Caprice, 1940 |
| 47 | | | The Serenade, undated |
| 48 | | | Sernata Mexicana, 1927 |
| 49 | | | Since we Parted Yestereve, 1928 |
| 50 | | | The Soilders are Coming, undated |
| Box | Folder |
| 5 | 1 | | | Die Sotusblume, undated |
| 2 | | | Song of the Blessed Sacrament, undated |
| 3 | | | Song of the River, 1920 |
| 4 | | | Squirrels at Play, 1928 |
| 5 | | | Studies by A. Henselt and TH. Dohler, 1888 |
| 6 | | | Supplication, 1941 |
| 7 | | | Sur le Sac, 1926 |
| 8 | | | The Swallow, undated |
| 9 | | | Tendresse, 1941 |
| 10 | | | Tensamientos, 1933-1935 |
| 11 | | | Texas Liberty, undated |
| 12 | | | Thee I've Ever Loved, 1912 |
| 13 | | | Thinking of you, undated |
| 14 | | | Three Minatures, undated |
| 15 | | | Three Twilight Moods, 1934 |
| 16 | | | Twenty Third Psalm, undated |
| 17 | | | Tristesse, undated |
| 18 | | | Untitled or uncertain, 1881 and undated |
| 19 | | | Valse d'Armor, 1924 |
| 20 | | | Valse Lent on the Musical Name La-Re-Do, 1927 |
| 21 | | | Valse Miniature andVere Domimus est loco isto, undated |
| 22 | | | Water Hyacinths (dedicated to Supita Martinez), 1933 |
| 23 | | | Where the Waters Rush and Sing, 1926 |
| 24 | | | Wind and Stream and A Winter Violet, undated |
| 25 | | | The Word of God and Wehmuth, 1934 and undated |
| 26 | | | Yolanda, 1941 |
| 27 | | | The Young Musicians Waltz, |
| 28 | | | Zwei Klavierstuecke (dedicated to Viginia Gillette) |
| Box | Folder |
| 6 | 1 | | Autographed, 1891-1956 |
| | | Inscribed |
| Folder | Folder |
| 6 | | | | John Mathias or Cecile |
| Box | Folder |
| 6 | 2 | | | | A, 1907-1932 |
| 3 | | | | Bach, 1913-1930 and undated |
| 4 | | | | Beach-Boston, 1914-1931 |
| 5 | | | | Brahms, 1915-1922 and undated |
| 6 | | | | Cademan-Chopin, 1913-1949 |
| 7 | | | | Cole-Cui, 1906-1924 |
| 8 | | | | Diabelli-Dvorak, 1903-1938 |
| 9 | | | | Falla-Gurlitt, 1906-1931 |
| Box | Folder |
| 7 | 1 | | | | Hambourg-Huss, 1902-1931 |
| 2 | | | | Jensen-Lichtner, 1908-1929 |
| 3 | | | | Litz, 1915-1925 and undated |
| 4 | | | | Loomis-Mendelssohn-Bartholdy, 1913-1930 |
| 5 | | | | Modern Russian Piano Music, 1915 |
| Box | Folder |
| 8 | 1 | | | | Moszkowski-Raff, 1913-1926 |
| 2 | | | | Ravel-Scharwenka, 1887-1935 and undated |
| 3 | | | | Schubert-Seeling, 1892-1927 and undated |
| 4 | | | | Siloti-Viril, 1912-1930 |
| 5 | | | | Weber-The Young American Artist, 1907-1935 |
| Box | Folder |
| | | | Others |
| Box | Folder |
| 9 | 1 | | | | B-M, 1854-1936 |
| 2 | | | | N-T, 1819-1965 |
| Box | Folder |
| | | Notated |
| Box | Folder |
| 9 | 3 | | | Arensky-Buck, 1890-1939 |
| 4 | | | Chopin-Dohnanyi, 1881-1917 |
| Box | Folder |
| 10 | 1 | | | Egghard-Joseffy,
1879-1929 and undated |
| 2 | | | Lind-Litz, 1903-1908 and undated |
| 3 | | | Marzials-Mozart, 1898-1943 and undated |
| Box | Folder |
| 11 | 1 | | | Parker-Pierne, 1905-1928 and undated |
| 2 | | | Rimsky-Korsakov- Rubenstein, 1879-1912 and undated |
| 3 | | | Schubert, 1875 |
| 4 | | | Scarletti-Simmons, 1887-1939 and undated |
| Box | Folder |
| 12 | 1 | | | Social-Strauss, 1850-1936 |
| 2 | | | Untitled |
| 3 | | | Thome-Wood, 1925 and undated |
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4. Scrapbooks and Photographs, 1895-1993 and undated
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| Scrapbooks that were put together by the Steinfeldt family. They contain clippings, programs and other ephemera. The photographs include family and tourist pictures as well as photographs given to the Steinfeldts by pupils. One photograph album was transferred from the Daughters of the Republic of Texas Library in 1993 and has been indexed. This series includes oversized material kept at the end of the collection (OVS 1-4). |
| Arranged chronologically. |
| Box | Folder |
| | | Scrapbooks |
| Box | Folder |
| OVS 1 | 1 | | | 1895-1915 |
| Box | Folder |
| 12 | 4 | | | 1900-1920 and undated |
| 5 | | | 1911-1916 |
| 6 | | | 1911-1920 |
| Box | Folder |
| 13 | 1 | | | 1919-1934 |
| 2 | | | 1919-1938 |
| 3 | | | 1920-1925 |
| Box | Folder |
| OVS 1 | 2 | | | 1920-1929 |
| 3 | | | 1922-1938 |
| Box | Folder |
| 13 | 4 | | | 1924-1936 |
| Box | Folder |
| OVS 2 | 1 | | | 1927-1933 |
| Box | Folder |
| 13 | 5 | | | 1934-1935 |
| Box | Folder |
| OVS 2 | 2 | | | 1939-1944 |
| 3 | | | 1946-1947 |
| Box | Folder |
| OVS 3 | 1 | | | 1950 |
| 2 | | | 1951-1952 |
| 3 | | | 1953-1954 |
| Box | Folder |
| 14 | 1 | | | Cecilia, 1925-1936 |
| 2 | | | Cecilia, 1945 |
| 3 | | | Robert H., 1916-1943 and undated |
| | | Photographs |
| | | | Albums |
| 4 | | | | Europe, undated |
| Box | Folder |
| OVS 4 | 1 | | | | Album, [1890-1910] |
| 2 | | | | Index of Album, 1993 |
| Box | Folder |
| 14 | 5 | | | Family |
| 6 | | | Miscellaneous, undated |
| | | | Publis |
| 7 | | | | Identified, 1924-1932 |
| 8 | | | | Unidentified, undated |
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5. Topical Files, 1900-1989
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| This series contains administrative and teaching material from the San Antonio College of Music. It also contains family biographical information as well as other topics of interest to Steinfeldt family members. Recordings of some John M. Steinfeldt's compositions are in this series. Material relating to San Antonio musician Walter Dunham is also here. |
| Arranged alphabetically and organized chronologically. |
| Box | Folder |
| 14 | 9 | | Biographical Material |
| | | Books |
| 10 | | | The Homophonic forms of Musical Composition |
| Box | Folder |
| 15 | 1 | | | Music: An Art and a Language, 1920 |
| 2 | | | Shawmut: or The Settlement of Boston by the Puritan Pilgrims, 1845 |
| | | Dunham, Walter |
| 3 | | | Correspondence, 1930-1942 |
| 4 | | | Miscellaneous, 1941-1989 and undated |
| 5 | | | Photographs, 1923-1928 and undated |
| 6 | | | Programs, 1922 - 1940 and undated |
| 7 | | Honors for John M. Steinfeldt, 1925-1934 |
| 8 | | Music Associations, 1901-1979 |
| 9 | | Notes for Texas Composers and Their Compositions by Cecile Steinfeldt Marshall. |
| | | San Antonio College of Music |
| 10 | | | Programs and Announcements,
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| 11 | | | Teaching Materials, 1896-1942 |
| Box | Folder |
| 16 | 1 | | | Teaching Materials, undated |
| | | Ledgers |
| 2 | | | Ledgers, 1921-1922 |
| 3 | | | Ledgers, 1922-1923 |
| 4 | | | Ledgers, 1925-1927 |
| 5 | | | Ledgers, 1921-1929 |
| 6 | | | Ledgers, 1927-1942 |
| | | Mapping Materials |
| Box | Folder |
| 17 | 1 | | | Maps, 1887-1976 |
| 2 | | | Manuals, 1956-1969 |
| | | Music Recordings of John M. Steinfeldt Compositions |
| 3 | | | Chanson d' Amor Serenata Mejioana |
| 4 | | | The Fountain |
| 5 | | | The Fountain with other pieces |
| 6 | | | The Fountain (played by John Steinfeldt) |
| 7 | | Star Chart, undated |
| | | Notebook, undated |
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