University of Texas, Harry Ransom Humanities Research Center

Bill Bridges:

An Inventory of His Papers and Photography Collection at the Harry Ransom Center



Creator: Bridges, Bill, 1925-2003
Title: Bill Bridges Papers and Photography Collection
Dates: 1951-1979
Abstract: The Bill Bridges Collection is comprised of approximately 100 color transparencies, 6,650 prints and contact sheets, and 18,950 negatives. Bill Bridges worked as a photographer for publications including Life, the Saturday Evening Post, and West, and many of the photographs in this collection reflect that occupation. Included in the collection are photographs of film and television stars, political figures and interesting geographic locations, such as the small mining towns of Arizona.
Call Number: Photography Collection PH-00374
Extent: 78 boxes, 2 oversize boxes (36.2 linear feet)
Language: English
Repository: The University of Texas at Austin, Harry Ransom Center

Biographical Sketch

William "Bill" Carpenter Bridges was born May 13, 1925, in Palestine, Texas. Bridges was the only child of Oscar Burnett Bridges and Ruth Carpenter Bridges, two vaudeville veterans. (In 1915 his parents drove Birth of a Nation around the country, his father serving as road manager and his mother playing piano accompaniment to the movie.) Although born in Palestine, Bridges spent most of his youth in Houston where his father owned several movie houses. Every day after school Bridges joined his parents at one of the theaters, where he sat in the office and did his homework until the last movie ended. Once Bridges was tall enough to reach the counters he helped out selling concessions while his mother sold the tickets and his father ran the projectors. When the last show of the night ended the family went out for a big bowl of chili before they headed home to bed.

Following his graduation from Lamar High School in Houston in 1943, Bridges moved to College Station where he enrolled at Texas A&M University. After just several weeks he transferred to the University of Texas at Austin where he enrolled in the Bachelor of Journalism program. However, before completing even one semester of college, Bridges was drafted for World War II.

Bridges began his military training at Keesler Field (now Keesler Air Force Base) in Biloxi, Mississippi and was part of the last graduating class of Army Air Force cadets. Largely due to the success of the Allies' air attacks, Bridges' class of cadets was "given" to an Infantry division to be retrained as riflemen. Bridges was sent to the 86th Infantry Division at Camp Polk, Louisiana. He was then relocated to Camp Howze in Gainesville, Texas, where he joined the 103rd Infantry Division. On the 15th of September, 1944, the 103rd began its journey to the European Theater of Operations, passing through Camp Shanks in New York, and sailing to Marseilles, France. After a couple of weeks in Marseilles, the 103rd moved to Docelles, France, and into the Vosges Mountains where they engaged in battle with the German Army. Following the Vosges Mountain Operations, the 103rd went on to fight in the Battle of the Bulge and a lesser known battle called referred to as Little Bulge, more commonly known as Hitler's Nordwind Operation. It was during Little Bulge on January 19th, 1945, that Bridges was taken prisoner by the Germans in Sessenheim. Hitler's original orders were to execute all prisoners, but miraculously Bridges and his fellow riflemen were spared and instead were marched to Stalag 13. From here he was sent out on "kommando" duty to a work detachment in Marktsteft, Bavaria, where he worked at the local brewery (Privatbrauerei Kesselring). Eventually a rumor spread that Allied troops were approaching, so Bridges and several other POWs hid for several days so as to avoid transfer to another work detachment. The American troops never arrived. Bridges and the others were re-captured but were spared execution by the pleas of the townspeople who feared General George Patton would level their town in retaliation. Bridges and his fellow prisoners were marched for two days until they were rescued near Würzburg by the 29th Infantry Division.

Following his rescue, Bridges was transferred to a hospital in England and treated for his many maladies, including blood poisoning, hepatitis and malnutrition. After a month or so in England he was placed on a hospital ship and sent to Boston. Once States-side, Bridges spent an additional five months in hospitals before being sent to Hot Springs, Arkansas for further recovery. Upon his return to Texas, Bridges was determined to keep himself out of any further infantry affairs, so he joined the Counterintelligence Corps (CIC), an Army Reserve Military Intelligence outfit. He worked for CIC until he was discharged in 1946.

Following his discharge Bridges decided to return to his studies at the University of Texas. But before going back to Austin he enrolled in, and successfully completed, a flight training program at a small airport outside of Houston. Around this same time Bridges met his future wife, Anne Elizabeth Barbour (1923-1985) of Yazoo City, Louisiana. They were married in 1947 and had two children together, Ward Burnett Bridges (1948-1981), and Kate Barbour Bridges (b.1950).

After receiving his pilot's license, Bridges re-enrolled at the University of Texas in the Journalism program. He was halfway through the spring semester of his junior year when he was informed that his G.I. Bill had expired; the flight training had accelerated the remaining time on the G.I. Bill. At that time, in 1950, a person with a Bachelor of Journalism (B.J.) degree was making $34.50 per week, and a person without a B.J. was making $31.50 per week. Given the small difference in pay, and with a wife and son to support, Bridges was forced to forego his final year of school and strike out on his own.

Bridges began his journalism career originally intending to become a magazine art director. While studying at the University he worked for the Texas Ranger, a student-published humor magazine. After leaving school, Bridges moved his family to Houston where he got a job working on Texas Industry, the magazine for the Texas Manufacturers Association. After a couple of years in Houston, Bridges moved the family again, this time to El Paso where he landed a job as associate editor of The Pipeliner, the corporate magazine for El Paso Natural Gas. After a couple of years there he found he was spending more time searching for a new job than working on his current job, so on January 1st, 1955 he resigned.

The year 1955 proved pivotal in Bridges' career. Following a job prospect from Road & Track magazine, once again Bridges packed up, loading his wife, son, daughter, cat and parakeet into their two cars and headed for Los Angeles. Upon arrival in Los Angeles, Bridges learned the job at Road & Track was already filled. Needing immediate employment, Bridges took a job with the Los Angeles Harbor Commission photographing incoming ships. On weekends he supplemented his salary by working at the newly opened Disneyland were he drove a canal boat through Fantasyland. Around this same time Bridges also enrolled at the Los Angeles School of Design, but given his work schedule Bridges found little time for his studies, so again he left school.

Bridges' first big break in the field of photojournalism came in 1957 when he got a job as a freelance "runner" for Life magazine. His first assignment was to cover "Ditch Day" at Cal Tech University. He arrived on location armed only with one camera, a Rolliflex, fitted with a 50mm lens. Nonetheless his resulting images were published in an article titled "Light Turns for Spring Fancy." For the next four years Bridges continued to work as a runner for Life. Although never hired to be a staff photographer, financially this arrangement suited Bridges. In the same year he would have earned $18,000 as a staff photographer, he earned $30,000 working as a runner and doing other freelance work. The quality of his worked grew during this time, and Bridges credits Life with teaching him just about everything he ever learned about photography. In 1958 his talent was recognized by the Art Directors Club of Boston which gave him an award for his photograph, from the same year, of Robert Stack.

In 1961 Bridges left his job as a runner and began working for the Saturday Evening Post, which was in the process of changing its format in an effort to compete with Life. Bridges was hired as a staff photographer, and during his eight years at the Post his photographs illustrated well over 100 published stories. These stories were some of his most memorable and include his the coverage of John F. Kennedy's funeral, the state of mental health care in the United States, the case of Dykes A. Simmons, Jr. (an innocent American held in a Mexican prison), and poverty in America. Bridges was greatly honored when several of his photographs were selected to be part of an exhibition at the Smithsonian Institution titled "Profile of Poverty" (May-June 1965). Bridges remained with the Post until the magazine ceased production in 1969.

After the Post folded, Bridges maintained his workflow by hiring an agent, Franz Furst, and redoubling his freelance efforts. He took on assignments from magazines as well as corporations, including Exxon and General Electric. Unfortunately by the late 1970s failing eyesight forced Bridges to shelve his camera equipment.

After retiring from the field of photography, Bridges turned his talents towards cooking, writing, and helping his wife, Anne, with her antique business. In 1981, after several years of extensive research, his The Great American Chili Book was published. Sadly that same year tragedy struck when his son, Ward, was killed in a motorcycle accident. Then in 1985, just four years later, his wife Anne died of cancer. For the next three years Bridges coped with his losses, but continued to dabble in antiques. Then one weekend while working at an outdoor antique market, Bridges met his future second wife, Charmane Halsey (b. 1936) of Michigan. On Valentine's Day in 1989 the couple was married, and later that year they moved to Bridges' home town of Palestine, Texas. Bridges continued to pursue his writing career, writing articles for Simple Cooking, and had hopes of publishing a book on barbeque.

Bill Bridges died of a stroke at his home in Palestine on December 16, 2003.


Scope and Contents

William "Bill" Carpenter Bridges' career as a free-lance photojournalist based in southern California from 1955 to 1979 is documented through this collection of story suggestions and assignments, narrative reports and captions, negatives, contact sheets, enlargements and transparencies, business records, correspondence, memoranda, notes, research materials, clippings, tear sheets, magazines and other publications (books, calendars, annual reports, etc.), and two scrapbooks. The collection has been divided into the following four series: I. Story Files, 1957-1977; II. Published Materials, 1957-1977; III. Business Files, 1951-1972; and IV. Personal Files, 1958-1979. All subseries have been arranged alphabetically by file title. When possible, Bridges' file titles were retained; additional descriptive text appears in brackets. For preservation reasons, all negatives and transparencies have been separated from the rest of the collection and are not generally available to researchers. Although separated physically from the other collection materials, negatives are linked intellectually to their associated materials through the container list.

The bulk of the collection pertains to Bridges' story files, most of which are represented by text documents, negatives, contact sheets, and enlargements (Series I). Many of Bridges' story files represent his career beginning as a "runner" for Life, through his years as a staff photographer for the Saturday Evening Post, and ending with his freelance work for magazines and corporations alike. Bridges saved tear sheets from, and complete issues of, magazines in which his work was published (Series II). Because Bridges maintained these files separately from his story files references have been placed in the container list to provide links to like materials. Publications represented in the collection include: Life, Time, the Saturday Evening Post, West, the New York Times Magazine, Esquire, and America Illustrated. Story subject matter covers a broad spectrum from the Hollywood celebrities, including Jayne Mansfield and Warren Beatty, to the most social issues, including air and noise pollution and drug abuse. In between are stories concerning advances in science and medicine, from nuclear rockets to health care for premature babies; the political atmosphere, including the 1960 Democratic National Convention; landmark occasions, like John F. Kennedy's funeral; and prominent figures of the worlds of sports and entertainment, including Sandy Kofax and Dean Martin.

In addition to Bridges' story files and published materials, the collection contains his business files (Series III). The bulk of these files reflect the various magazines for which Bridges worked. This series also contains correspondence documenting the sales of Bridges' photographs to individuals and publishers alike. Present too are story suggestions Bridges pitched to various publications in hopes of securing more business.

The smallest portion of the collection is a gathering of documents relating to Bridges' personal Life (Series IV). Included are family snapshots, clippings about Bridges, clippings of personal interest, a portion of his daughter's scrapbook, and her collection of clippings and press releases concerning the Beatles, the Rolling Stones, the Monkees, and the 1960's Youth Quake movement.

Series Outline

  • Series I. Story Files, 1957-1977
  • Series II. Published Materials, 1957-1977
  • Series III. Business Files, 1951-1972
  • Series IV. Personal Files, 1958-1979

Arrangement by Format

  • Contact sheets, enlargements, paper material: Boxes 1-51
  • Negatives: Boxes 52-65.32
  • Transparencies: Boxes 65.33-65.40
  • Business and personal records: Boxes 66-78
  • Scrapbooks: Boxes 79-80

Restrictions

Access:

Open for research. Please note: Transparencies may be accessed but require 24 hours advance notice. Negatives cannot be accessed without curatorial approval. Light sensitive materials must be viewed under low-level lighting. Some materials may be restricted from viewing. To make an appointment or to reserve photography materials, please contact the Center's staff at photography@hrc.utexas.edu.


Index Terms

Organizations
University of California (System).
Subjects
Actors and actresses--20th century.
Celebrities--20th century.
Mental health services.
Mental illness.
Musicians--20th century.
Politics and culture--20th century.
Popular culture--20th century.
Poverty--20th century.
Student movements--20th century.
Places
California.
California, Southern.
Los Angeles (Calif.).
Document Types
Clippings.
Contact sheets.
Film negatives.
Film transparencies.
Photographs.
Tear sheets.

Separated Material

Copies of Art Seidenbaum's Confrontation on Campus: Student Challenge in California (Los Angeles: The Ward Ritchie Press, 1969), and Don Fabun's Dimensions of Change (Beverly Hills: Glencoe Press, 1971) arrived with the collection and have been transferred to the Ransom Center's library.


Administrative Information

Acquisition:

Gift, 1979

Processed by:

Mary Alice Harper with assistance from Jillian Patrick, 2008


Series Descriptions

Series I. Story Files, 1957-1977 (65 boxes, 1 oversize box)

This series, the bulk of the collection, is comprised of Bridges' story files. These files originally arrived housed in envelopes and file folders. Each package contained information which pertained to a given story assignment. The labels on each packet, generally provided by Bridges, but in some cases provided by publishers, reflected the subject(s) of the story materials contained within, be it the name of an individual, a place name, an event, or a generic subject heading. Although contents of each packet varied, they generally included correspondence (frequently with more than one publisher), narrative reports, contact sheets, negatives, notes, and shipping receipts. In keeping with Bridges' original filing scheme, the files have been arranged alphabetically. Titles off-set by single quotation marks indicate Bridges' original file names. When deemed necessary, additional clarifying information has been placed either in brackets within the title or placed after the file title.
The photographic material included in this series consists almost entirely of black-and-white film, contact sheets and enlargements. Most of the film is 35mm format, although there is also some 120mm format film, and even two rolls of 9.5mm film from a Minox spy camera. For most story assignments there is at least one set of contact sheets. Additionally, the collection contains a few color transparencies and color enlargements. Although Bridges' did shoot color film in addition to black-and-white film for a number of stories, only his black-and-white film is held by the Ransom Center. For preservation purposes, and because there are contact sheets available for nearly every roll of film, all negatives have been housed separately and are not generally accessible to the public.
The enlargements originally arrived in several large packing boxes, a couple contained alphabetical dividers and one contained dividers with subject headings. To facilitate retrieval, all enlargements were integrated with corresponding story materials. (An inventory of enlargements filed under subject headings is available upon request.) Although nearly all the enlargements are of Bridges' work, there are several photographs credited to government agencies as well as the following photographers: J. Burke, Mike Duplaix, Allan Grant, George Silk, Phil Stern, and Leigh Wiener.
Being based in Malibu, it is no surprise that a number of story file titles read like a Who's Who of Hollywood during the late 1950s and 1960s. Notable personalities featured include: Fred Astaire, Frankie Avalon, Warren Beatty, Ingrid Bergman, Sarah Churchill, Doris Day, Peter Falk, Jackie Gleason, Goldie Hawn, Alfred Hitchcock, Buster Keaton, Donna Loren, Jayne Mansfield, Pamela Mason, Steve McQueen, Sal Mineo, Sidney Poitier, Otto Preminger, Vincent Price, Donna Reed, Sharon Tate, Lana Turner, Robert Vaughn, John Wayne, and Natalie Wood. Bridges' work in Hollywood occasionally took him behind the scenes of various television shows and movies and is reflected in story files on Bonanza, Maverick, It's a Mad Mad Mad Mad World, A Raisin in the Sun, Sergeant Deadhead, and Skidoo.
Still other story files cover figures from the entertainment world. Prominent individuals from both "high" and "pop" culture include: Ann-Margret, Sam Cooke, Sammy Davis Jr., Al Hirt, Lena Horne, Jefferson Airplane, Dean Martin, Gregor Piatigorsky Andre Previn, Michael Rabin, Don Rickels, Sonny and Cher, and George Solti. Much of this work was done for RCA, some of which were featured as record album artwork.
During the late 1950s and 1960s science was advancing by leaps and bounds both in hospitals and in space, and Bridges' story files span from operating rooms to rocket launch sites. Portraits featured include pioneering scientists and doctors alike such as Richard P. Feynman, Dr. Curtis P. Artz, Herman Kahn, and Charles Francis Richter. Subject matter includes the Mariner Space Probe, a nuclear space rocket, Palomar Observatory, Galveston Shriners Hospital, and the Stanford Medical Center in Palo Alto.
Politically the 1960s were a charged Time. Bridges' photographs capture historic moments like the 1960 Democratic National Convention and the 1964 Republican National Convention. There are portraits of prominent politicians including Barry Goldwater, Hubert H. Humphrey, John F. Kennedy, Richard M. Nixon, Ronald Reagan, and Adlai Stevens. And there are photographs of a variety of groups including members of the John Birch Society, [Ralph] Nadar's Raiders, and the Fund for the Republic.
Bridges' cover a number of social issues of local as well as national interest. The largest story file, commissioned by the Saturday Evening Post, documents poverty across America. Story files are also present on the drug trade, gambling, and the mafia. On a local level are stories on smog, noise pollution from jet airplanes, and the homeless in Los Angeles.
Some of Bridges' more famous images reflect the varied subject matter he was assigned to cover. There is portrait of Jackie Kennedy taken in Washington during the funeral of her husband that ran full page in the Saturday Evening Post. There is the glowing streak of Sputnik as it flew over Los Angeles which Life chose to represent 1957 in a special television event titled "25 Years of Life". There are photographs of crazy national fads from hula-hoops and car-stuffing. And there are photographs which opened the eyes of the nation to the problems like poverty and the state of mental health care.



Series II. Published Materials, 1957-1977 (10 boxes, 2 oversize boxes)

The majority of Bridges' story files were commissioned by magazine publishers. The bulk of this series includes a large collection of tear sheets from, and complete issues of, magazines in which Bridges' work appeared. Tear sheets for individual stories have been foldered separately, but to facilitate retrieval they have been interfiled with complete issues of the corresponding publications. These materials have been arranged first alphabetically by publication title and second chronologically.
This series also contains two scrapbooks assembled by Bridges both of which contain tear sheets showing his work. Additionally there are clippings of newspaper articles illustrated with his photographs, and a college year book in which one of his photographs appears.
Bridges' photographs were published in at least two books, Art Seidenbaum's Confrontation on Campus: Student Challenge in California (Los Angeles: The Ward Ritchie Press, 1969), and Don Fabun's Dimensions of Change (Beverly Hills: Glencoe Press, 1971). Copies of these two publications arrived with the collection and have been transferred to the Ransom Center's library.



Series III. Business Files, 1951-1972, undated (1.25 boxes)

This series brings together several paper-based files, which were originally interfiled with story files, that pertain largely to the sales of Bridges' photographs. Seven of these files bore the names of magazines in which Bridges' photographs frequently appeared. These files were grouped under a subseries titled Publication Files. Six other subseries were created, most of which bear Bridges' titles. The titles reflect the various stages of story production (i.e., 'Story suggestions,' 'Cooking/Open,' and 'Sales'), and record types (i.e., Correspondence, 'Model releases,' and 'Misc[ellaneous]'). The 'Cooking/Open' subseries is a combination of two files that both contained documents relating to works in progress. The 'Sales' subseries includes documents with a number of magazines publishers not covered by his Publication Files. As a group these documents illustrate the breadth of Bridges' clientele as well as the variety of subject matter he covered.



Series IV. Personal Files, 1958-1979 (.75 boxes)

The materials in this series, consisting of negatives, photographs, clippings, tear sheets, magazines, pamphlets, press releases, scrapbook pages, correspondence, and ephemera, provide a small glimpse into Bridges' family and personal Life during the late 1950s and 1960s. About half the material includes snapshots of Bridges, his wife, their children and their various pets, clippings and tear sheets for articles which mention or are about Bridges, and clippings Bridges saved which are neither about him nor include photographs by him. The other half of the material may have belonged to his daughter Kate during her teen-age years. Included are a few postcards, several scrapbook pages, and various press releases, magazines and clippings about the Beatles, the Rolling Stones, the Monkees, and the Youth Quake movement of the late 1960s.



Item List

Series I. Story Files, 1957-1977

[19]58 elections, #572, Time, 1958
Container
1.1 8 b/w contact sheets for 8 rolls of 35mm film
A
A craggier Roman Gary for text, #663, [Time or Life], 1958
Container
1.2 2 b/w contact sheets
ABA [American Bar Association conference], #T971, [Time?], 1958
Container
52.1 5 rolls of b/w 35mm film
Container
1.3 5 b/w contact sheets
Abdin, Jerry, "Jerry Abdin and His Arabian Bazaar," Al-Hayat, #8, 1960, 1962
Container
52.2 11 rolls of b/w 35mm film
Container
1.4 11 b/w contact sheets; narrative report with captions; receipts; correspondence
Academy Awards, #OA30151, Life, 1958
Container
52.3 3 rolls of b/w 35mm film
Container
1.5 6 b/w contact sheets; 3 b/w enlargements
Academy Awards, undated
Container
1.6 3 b/w enlargements
Acapulco, New York Times Magazine, 1966-1968
Container
52.4 27 rolls of b/w 35mm film
Container
1.7 27 b/w contact sheets
Container
1.8 16 b/w enlargements
Narrative reports; receipt
Actors' strike, [or] Movie strike, #59317, Life, 1960
Container
52.5 13 rolls of b/w 35mm film
Container
1.9 6 b/w contact sheets [lacking contact sheets for Rolls C4-C10]
13 b/w enlargements
Notes; receipts
Ad job [for Tom] Erwin, undated
Container
52.6 8 rolls of b/w 35mm film
Container
1.10 3 b/w contact sheets [contact sheets do not correspond to the negatives]
[Advertisement for] TV / Movie Preview, 5-11 Oct. 1957
Container
1.11 1 b/w enlargement
Aerial tankers: Forest fires, 1960
Container
1.12 Narrative report to America Illustrated; correspondence to and From True; Correspondence from Life; correspondence to and from The Saturday Evening Post
Aerials: [views of crop field patterns], undated
Container
52.7 2 rolls of b/w 35mm film marked 9 and 10
Container
1.13 7 b/w contact sheets
9 b/w elargements
Aerojet [General Company]: Aerogard, Life, 1959
Container
1.14 20 b/w contact sheets
Ahmanson, Howard, #105, [Saturday Evening Post?], undated
Container
52.8 3 rolls of b/w 35mm film
Container
1.15 3 b/w contact sheets
10 b/w enlargements
[Air crashes], Saturday Evening Post, 1964
Container
1.16 Correspondence; clipping
Air disasters, L[os] A[ngeles], #58964, Life, 1960
Container
1.17 5 b/w contact sheets for 5 rolls of 35mm film
Notes
Air Force Academy: [images] used, Saturday Evening Post, 1961
Container
52.9 30 rolls of b/w 35mm film
Container
1.18-2.2 117 b/w contact sheets
Container
2.3 59 b/w enlargements
Container
2.4 Narrative report titled 'Dooley Day' at AF Academy; captions; correspondence
Air Force Academy: [images] not used, Saturday Evening Post, 1961
Container
2.5 20 b/w contact sheets
Air Force Academy, #003, Saturday Evening Post, 1963
Container
52.10 34 rolls of b/w 35mm film
Container
2.6-7 68 b/w contact sheets
Container
2.8 Correspondence from 1962-63, including narrative reports with captions, and a set of 34 contact sheets
Air Force impostor, Saturday Evening Post, 1965
Container
52.11 2 rolls of b/w 35mm film
Container
2.9 4 b/w contact sheets
Receipts; envelopes
Airman Anderson murder case, Saturday Evening Post, 1962
Container
52.12 32 rolls of b/w 35mm film
Container
3.1 54 b/w contact sheets
3 b/w enlargement of Bill Bridges with Lt. Glenn Force, and Bob Lorimer(?)
Container
3.2 Narrative report with captions; reports and press releases from the Office of Information at Mountain Home Air Force Base; model release forms; notes; receipts; clippings
Alcindor, Lew, #493, Saturday Evening Post, 1966
Container
52.13 10 rolls of b/w 35mm film [Lacking 3 frames of film]
Container
3.3 20 b/w contact sheets
Narrative report
[Alcindor, Lew], #491, [Saturday Evening Post], [ca. 1966]
Container
3.4 2 b/w contact sheets
Aldrin, [Buzz], ex-astronaut, #40759, New York Times Magazine, 1972-1973
Container
52.14 6 rolls of b/w 35mm film
Container
3.5 18 b/w contact sheets
2 b/w enlargements
Receipt
Allied Industrial Worker Building, Beverly Hills, ["Labor"], Fortune, 1957
Container
52.15 1 roll of b/w 35mm film
Container
3.6 1 b/w contact sheet
Alsbury, Mel, #T418, Time, May 1958
Container
52.16 2 rolls of b/w 35mm film
Container
3.7 2 b/w contact sheets
[Alsop Poll?] Saturday Evening Post, 1962-1965
Container
52.17 6 rolls of b/w 35mm film
Container
3.8 6 b/w contact sheets
Correspondence; narrative report with captions; notes
Alsop Poll, LA [i.e. Los Angeles] area, #153, Saturday Evening Post, 1965
Container
52.18 6 rolls of b/w 35mm film [Lacking 1 frame of film]
Container
3.9 12 b/w contact sheets
Narrative report
Amateur photog[rapher]s at a Hollywood premiere, #54546, Life, 1958 June 23
Container
3.10 2 b/w enlargement
America story, Saturday Evening Post, 1966
Container
3.11 Narrative report; shipping receipt
[American Airlines planes at unidentified airport], #61957, undated?
Container
3.12 3 b/w enlargements
Amtrack, 1972
Container
65.31 5 color 35mm transparencies
Anderson, Ernestine, Time, 1958
Container
52.19 1 roll of b/w 35mm film
Container
3.13 1 b/w contact sheet
[Ann-Margret at] RCA, 1964
Container
3.14 4 b/w contact sheets
Correspondence
Arizona, #3661, Chevron USA, Spring 1973
Container
52.2 9 rolls of b/w 35mm film
Container
3.15 18 b/w contact sheets
11 b/w enlargements
Correspondence; receipts
Arizona, [and Upland, California], #449-50, Chevron USA, 1970
Container
52.21 8 rolls of b/w 35mm film
Container
3.16 12 b/w contact sheets
Notes
Art Seidenbaum's [annual] Sunset Blvd. walk, 1967, Time, 1968
Container
52.22 12 rolls of b/w 35mm film
Container
3.17 22 b/w contact sheets
13 b/w enlargements
Narrative report
Art Seidenbaum's [annual Sunset Blvd.] walk, West, 1970
Container
65.32 16 color 35mm transparencies [1 transparency is unmounted]
Container
52.23 10 rolls of b/w 35mm film
Container
3.18 20 b/w contact sheets
11 b/w enlargements; notes
Art [Seidenbaum]'s annual [Sunset Blvd.] walk, West, 1971
Container
52.24 12 rolls of b/w 35mm film
Container
4.1 13 b/w enlargements
Story assignment; correspondence; clipping; notes
[Artist colony], undated
Container
4.2 40 b/w contact sheets
Container
4.3 23 b/w enlargementss
Ash, Roy, #T9571, Time, 1959
Container
52.25 2 rolls of b/w 35mm film
Container
4.4 2 b/w contact sheets
Asta, 1957
Container
52.26 1 roll of b/w 35mm film
Container
4.5 1 b/w contact sheet
Astaire, Fred, 1958
#T494, [Time?], 10 May 1958
#OA35062
#35202
Container
52.27 3 rolls of b/w 35mm film
Container
4.6 13 b/w contact sheets
6 b/w enlargements
Atherton Mogge Privett, [Inc.], 1958-1959
Container
53.1 5 rolls of b/w 35mm film
Container
4.7 5 b/w contact sheets
Correspondence; receipt
[Atkins], Felicia, Playboy, 1962
Container
4.8 4 b/w enlargements
Narrative report
Atomic Waste, #OA42104, Life, 1959-1960
Container
53.2 9 rolls of b/w 35mm film
Container
4.9 9 b/w contact sheets
3 b/w enlargements
Correspondence
Atwood, [Lee], & Kindleberger [of] North American, 1960-1961
Container
53.3 3 rolls of b/w 35mm film
Container
4.10 3 b/w contact sheets
Correspondence
Author, 1957
Container
53.4 4 rolls of b/w 120 film
Container
4.11 4 b/w contact sheets
Avery Island, Chevron USA, undated
Container
53.5 2 rolls of b/w 35mm film
Container
4.12 2 b/w contact sheets
B
Babies: Life's 1st, now grown,"George story", Life, 1960
Container
4.13 3 b/w contact sheets for 3 rolls of 35mm film
Bacharach, Burt, New York Daily News, undated
Container
4.14 8 b/w contact sheets
Notes
Baker, Bob, Saturday Evening Post, 1961
Container
4.15 3 b/w contact sheets
Narrative report
Baker, Carol [sic, Carroll], [on the set of Sheila], #727, Saturday Evening Post, 1964-1965
Container
53.6 13 rolls of b/w 35mm film
Container
4.16 28 b/w contact sheets
[Baker, Carroll, on the set of Sylvia], Saturday Evening Post, 1964-1965
Container
53.7 11 rolls of b/w 35mm film
Container
4.17 26 b/w contact sheets
Container
4.18 14 b/w enlargements
Baker, [Carroll, on the set of Sylvia]: nude [scene], 1964-1965
Container
5.1 7 b/w contact sheets
Correspondence
Baker, Carroll, [on the set of Sheila]: rape scene ([with] Aldo Ray), Saturday Evening Post, 1964-1965
Container
53.8 5 rolls of b/w 35mm film
Container
5.2 12 b/w contact sheets
10 b/w enlargements
Bardot, Brigette [sic, Brigitte], contest, [or] Portland Mason et al., #61289, Life, 1960
Container
53.9 10 rolls of b/w 35mm film
Container
5.3 28 b/w contact sheets
1 b/w enlargement
Narrative report
Baseball celebrity game, [late 1950s or early 1960s]
Container
5.4 6 b/w contact sheets
Baseball [Los Angeles Dodgers], [or] Wally Moon, #T831, Time, 1961
Container
53.1 4 rolls of b/w 35mm film
Container
5.5 5 b/w contact sheets
Narrative report
Baseball [New York Yankees], #T548, [Time?], undated
Container
53.11 4 rolls of b/w 35mm film
Container
5.6 4 b/w contact sheets
Basketball / Elgin Baylor (no. 22) of the Los Angeles Lakers, #T051, [Time?], undated
Container
53.12 6 rolls of b/w 35mm film
Container
5.7 12 b/w contact sheets
Batman fad, #341, Saturday Evening Post, 1966
Container
53.13 32 rolls of b/w 35mm film [Lacking 9 frames of film]
Container
5.8 62 b/w contact sheets
Narrative report; receipt
Beach movies, #1155, [Saturday Evening Post?], 1965
Container
53.14 23 rolls of b/w 35mm film
Container
5.9 44 b/w contact sheets
Container
5.10 11 b/w enlargements
Beadle, Dr. G[eorge] W., [Dr.] L[inus] Pauling, Dr. E[dward] B. Lewis, [and] [Dr. Alfred Henry] Sturtevant, #T889-T892, Time, 1957
Container
53.15 4 rolls of b/w 35mm film; 4 rolls of b/w 120 film
Container
5.11 8 b/w contact sheets
Beadle, Dr. [George W.], at Cal Tech, America Illustrated, [1960 or 1961]
Container
5.12 2 b/w contact sheets
Narrative report
Bears & tourists at Yellowstone, #769, Newsweek, 1964-1968
Container
53.16 19 rolls of b/w 35mm film [Lacking 5 frames of film]
Container
5.13 39 b/w contact sheets
Container
6.1 Correspondence; photocopy of typescript titled 'Bearing Down on Bears,' by Howard Bloomfield
Beatniks of Venice West, Calif., #T404, Time, 1959
Container
53.17 8 rolls of b/w 35mm film (NB. No contact sheets available)
Beatty, Jim, Saturday Evening Post, 1962-1963
Container
53.18 12 rolls of b/w 35mm film
Container
6.2 16 b/w contact sheets
Assignment; notes; narrative report with captions; photocopy typescript with annotations titled 'Jim Beatty Story,' by Bill Libby
Beatty, Warren, Saturday Evening Post, 1962
Container
53.19 16 rolls of b/w 35mm film
Container
6.3 28 b/w contact sheets
Container
6.4 9 b/w enlargements
Captions; duplicated copy of essay "Warren Beatty" by Joseph Laitin; assignment; receipt
Bed pushing, Life, 1961
Container
6.5 20 b/w contact sheets
Bell Gardens [High School] football game (Dick Lewis), West, undated
Container
53.20 22 b/w rolls of 35mm film
Container
6.6 40 b/w contact sheets
Container
6.7 28 b/w enlargements
Bensley, Joe, (of Bruin Motors, Westwood, Calif.), #T580, Time, 1961
Container
53.21 2 rolls of b/w 35mm film
Container
6.8 2 b/w contact sheets
Receipt
Berges, Marshall, Time ad., 1960
Container
6.9 3 b/w contact sheets
Bergman, Ingrid, in Beverly Hills, set #56687, Life, 1959
Container
6.10 9 b/w contact sheets
16 b/w enlargements
Beverley Hills barbeque at which stock market rapidly discussed, #913, Life, 1959
Container
6.11 4 b/w contact sheets for 4 rolls of 35mm film
[Beymer, George Richard, Jr.], undated
Container
6.12 Thermofax copy of typescript titled 'All the Pretty Young Men,' by Richard Warren Lewis
Birch, A. Otis, story also on the Birch Society, #469, Saturday Evening Post, 1966
Container
53.22 22 rolls of b/w 35mm film; 2 b/w 4x5" negatives [Lacking 10 frames of 35mm film]
Container
6.13 40 b/w contact sheets
Container
7.1 6 b/w enlargements
Narrative reports with captions; clippings; business cards; notes; correspondence
Birdwell, Russell, [pictured with Diane Hartman], Time, Nov. 1958
Container
53.23 1 roll of b/w 35mm film
Container
7.2 1 b/w contact sheet (see also 19.1-19.2, 35.16, 48.9)
Black, [?], dress designer, 1970
Container
53.24 4 rolls of b/w 35mm film
Container
7.3 4 b/w contact sheets
Notes; model release form
Blythe Border Sta[tion], Time, 1957
Container
53.25 6 rolls of b/w 35mm film
Container
7.4 2 b/w contact sheets
Bonanza, #191, Saturday Evening Post, 1965
Container
54.1 51 rolls of b/w 35mm film
Container
7.5-6 100 b/w contact sheets
Container
7.7 4 b/w enlargements
Narrative report with captions; photocopy typescript with annotations titled 'Bonanza in the Boondocks,' by Richard Warren Lewis (see also 28.1 and 46.20)
Boyd, Rev. Malcolm, #423, Saturday Evening Post, 1966
Container
54.2 10 rolls of b/w 35mm film
Container
7.8 1 b/w contact sheet [Lacking contact sheets for Rolls 1-9]
Story assignment; photocopy typsescript titled 'Prayer is the Cheapest Tranquilizer,' by Malcolm Boyd
Brice, Billy, undated
Container
54.3 2 rolls of b/w 35mm film
Container
7.9 2 b/w contact sheets
Bridge Tourney, [i.e. Tournament], New York Times Magazine, 1966
Container
54.4 12 rolls of b/w 35mm film
Container
7.10 24 b/w contact sheets
Narrative report with captions; correspondence
[Broderson, Morris, (artist)], Time, [1960]
Container
54.5 2 rolls of b/w 35mm film
Container
7.11 2 b/w contact sheets
Brooks, Richard, #T9572, Time, Jan. 1959
Container
54.6 2 rolls of b/w 35mm film
Container
7.12 2 b/w contact sheets
The Brotherhood, 1968-1969
Container
7.13 22 b/w contact sheets for 19 rolls of 35mm film
Narrative reports; postage stamps
Brown, Bundini, #251, Saturday Evening Post, 1965
Container
54.7 34 rolls of b/w 35mm film
Container
7.14 45 b/w contact sheets
Narrative report with captions
Brown, Edmund (Pat), #T203, Time, July 1958
Container
54.8 2 rolls of b/w 35mm film
Container
7.15 2 b/w contact sheets (see also 37.24)
Brown, [Edmund] Pat, camping trip, fishing, Life, 1959
Container
7.16 19 b/w contact sheets [Lacking contact sheets for [Take 1] Rolls 5-6 and [Take 2] Rolls 1-2]
Correspondence
Brown, Gov. [Edmund G.], listens to Wisconsin primaries at Santa Barbara, #59553, Life, 7 Apr. 1960
Container
7.17 2 b/w contact sheets
Brown, Mrs., #53369, undated?
Container
8.1 1 b/w enlargement
Brown, Mrs. Rudd, #53547, Life, 7 Mar. 1958
Container
8.2 4 b/w contact sheets (see also 35.6 '[19]58 Elections')
Bugatti auto/Rare "Bug" enters Port of Los Angeles, #S-851, 1957
Container
54.9 2 rolls of b/w 120 film
Container
8.3 6 b/w contact sheets
Narrative report
Bunker Hill [section of Los Angeles], #T496, Time, [ca. 1962]
Container
54.10 4 rolls of b/w 35mm film
Container
8.4 8 b/w contact sheets
Receipt
Burlesque, West, 1966
Container
8.5 Notes; clippings; typescript titled 'Burlesque Bounces Back,' by Franklin L. Thistle (see also 46.24)
C
Caliente [Race Track, Tijuana, Mexico], undated
Container
8.6 Photocopy typescript of 'The Belmont of Racing's Lower Depths,' by Mike Fessier, Jr.
Cali[fornia] politics, images of William Knowland, Clair Engel, [Adlai E.] Stevenson [and Hubert H.] Humphrey #55242, Life, 2 Oct. 1958
Container
8.7 22 b/w contact sheets (see also 49.29 [Knowland, William F., at a circus])
Container
8.8 23 b/w enlargements
California Poly[technic] air crash, #173, Life, 1960
Container
54.11 4 rolls of b/w 35mm film [Lacking film for Rolls C1-C8, 2C1-2C4, and 5C1-5C2]
Container
8.9 14 b/w contact sheets [Lacking contact sheets for Rolls C8 and C11]
Container
8.10 10 b/w enlargements
California wine country, New York Times, 1961
Container
54.12 1 b/w roll of 35mm film
Container
8.11 13 b/w contact sheets
Narrative report; correspondence
Canberra [cruise ship], #63119, 1962
Container
54.13 8 rolls of b/w 35mm film
Container
8.12 6 b/w contact sheets
Correspondence
Capri pants, #OA3994 and #59210, Life, 1959
Container
54.14 13 rolls of b/w 35mm film
Container
8.13 3 b/w contact sheets
38 b/w enlargements
Correspondence with Pageant
Car stuffing story, #56671, Life, undated
Container
8.14 13 b/w enlargements
Caroll, Diahann, Time, 1959
Container
54.15 4 rolls of b/w 35mm film
Container
8.15 12 b/w contact sheets
5 b/w enlargements
Correspondence
Carr, Darleen, for RCA, undated
Container
8.16 11 b/w contact sheets
Carter, Edward W., Time, 1957
Container
54.16 2 rolls of b/w 35mm film
Container
8.17 2 b/w contact sheets
[Cash, Johnny, with guitar and horse], undated
Container
8.18 3 b/w contact sheets
Cassavetes, John, Saturday Evening Post, 1961
Container
8.19 4 b/w contact sheets
2 b/w enlargements
Narrative report
Castle, William, & horror movie props, Time, 1959
Container
54.17 2 rolls of b/w 35mm film
Container
9.1 2 b/w contact sheets
Cave des Rois [winery], undated
Container
54.18 1 roll of b/w 35mm film
Container
9.2 2 b/w contact sheets
Cemetery, Dorchester, Mass., undated
Container
9.3 1 b/w enlargement
[Center for the Study of Democratic Institutions, Santa Barbara / Dr. Robert Maynard Hutchins], 1963
Container
9.4 Correspondence (incomplete)
[Central library, Torrence, Calif.], #54932, Life, 20 Aug. 1958
Container
9.5 1 b/w enlargements
Champion party, [1960 or 1961]
Container
54.19 10 rolls of b/w 35mm film
Container
9.6 10 b/w contact sheets
Notes
Chance, Dean, #1082, Saturday Evening Post, 1965
Container
54.20 21 rolls of b/w 35mm film
Container
9.7 30 b/w contact sheets
2 b/w enlargements
Narrative report with schedule attached; photocopy typescript with annotations titled 'The Magnificent Rube,' by Myron Cope Chandler, Norman, & wife Dana Point, Time, 1957
Container
54.21 3 rolls of b/w 35mm film
Container
9.8 3 b/w contact sheets
2 b.w enlargements
Chandler, Robert, (Gen. mgr., Los Angeles Mirror), #T661, Time, 1961
Container
54.22 2 rolls of b/w 35mm film
Container
9.9 2 b/w contact sheets
Chavez Ravine, #OA38286, Life, undated
Container
54.23 3 rolls of b/w 35mm film
Container
9.10 3 b/w contact sheets
Cheerleaders, UCLA, undated
Container
9.11 2 b/w contact sheets
Chef of the woods, [or] Wild chef [of Idyllwild], West, 1969
Container
54.24 1 roll of b/w 35mm film
Container
9.12 2 b/w contact sheets
Duplicated copy of an article by Nat Freedland titled "The Wild Chef of Idyllwild"
Chessman, [Caryl], protest vigil, #59195, Life, 1960
Container
9.13 6 b/w contact sheets
7 b/w enlargements
Notes
Chevalier, Maurice, Time, July 1958
Container
54.25 5 rolls of b/w 35mm film
Container
9.14 5 b/w contact sheets
Cheyenne Mountain, [or] NORAD, #W1091, West, 1970
Container
54.26 11 rolls of b/w 35mm film
Container
9.15 22 b/w contact sheets
10 b/w enlargements
Narrative report; correspondence
[Child beaters], Saturday Evening Post, 1962
Container
9.16 Correspondence; story assignment; typescripts
Children watching [the] moon, #57981, Life, 1959
Container
9.17 2 b/w enlargements
Christmas pageant, Emmanuel Lutheran church, N. Hollywood, Calif., #T055, Time, undated
Container
54.27 3 rolls of b/w 35mm film
Container
9.18 7 b/w contact sheets
Churchill, Sarah, 1958
Container
9.19 12 b/w contact sheets [Lacking contact sheet(s) for Roll C4]
7 b/w enlargements
Clooneys, for RCA, 1960
Container
9.20 7 b/w contact sheets
Container
9.2 10 b/w enlargements
Coast envir. [or, Killer speedway protest], [West?], undated
Container
54.28 2 rolls of b/w 35mm film
Container
9.21 2 b/w contact sheets
Cobb, Jerrie,' Life, 1960
Container
9.22 11 b/w contact sheets
Coffee house scene in Los Angeles, set #60187, Life, 1960
Container
9.23 6 b/w contact sheets
4 b/w enlargements
Cohelan, Jeff, Congressman,’ 1958
Container
9.24 3 b/w enlargements
Coleman, Prof. James S., (Dir., African Studies, UCLA), & students, Time, 1961
Container
54.29 2 rolls of b/w 35mm film
Container
9.25 2 b/w contact sheets
Coleman, Ronald, funeral, #54251, Life, 22 May 1958
Container
9.26 4 b/w contact sheets
20 b/w enlargements
Columbia [records recording session], undated
Container
10.1 6 b/w contact sheets
Combs, Richard, West, undated
Container
54.30 9 rolls of b/w 35mm film
Container
10.2 14 b/w contact sheets
16 b/w enlargements
Notes
The Committee, [1969?]
Container
54.31 6 rolls of b/w 35mm film
Container
10.3 10 b/w contact sheets
Compulsive gambling, [or] Gamblers Anonymous, Saturday Evening Post, 1962
Container
54.32 9 rolls of b/w 35mm film
Container
10.4 15 b/w contact sheets
Narrative report with captions; correspondence; story assignment; essay titled 'They're licking compulsive gambling' by Homer Grosvenor
Cooke Air Force Base, Calif., with construction ICBM launch pads, Time, 1958
Container
54.33 2 rolls of b/w 35mm film
Cooke, Sam, [at RCA and with family], [between 1960-1964]
Container
10.5 22 b/w contact sheets
Container
10.6 12 b/w enlargements
Cooper, Gary, burial, 1961
Container
10.7 1 b/w enlargement
Copper mine strike story, [or] Ariz[ona] copper strike, #715.59, New York Times, 1968
Container
55.1 12 rolls of b/w 35mm film
Container
10.8 24 b/w contact sheets
16 b/w enlargements
Costa, Mary, America Illustrated and Saturday Evening Post, 1961- 1964
Container
55.2 17 rolls of b/w 35mm film
Container
10.9 28 b/w contact sheets
Correspondence; receipts; notes; narrative report
Costa Rica volcano, [or] Volcano Irazu, #417, Saturday Evening Post, 1964
Container
55.3 8 rolls of b/w 35mm film
Container
10.10 16 b/w contact sheets
2 b/w enlargements
Narrative report with captions; receipt
Couple who wouldn't die, [or] Helen Klaben [and Ralph Flores], Saturday Evening Post, 1963
Container
55.4 15 rolls of b/w 35mm film; 3 b/w 4x5" negatives [Lacking film for [Take 2] Roll 3]
Container
10.11 32 b/w contact sheets [Lacking contact prints for 4 x 5" negs.]
Courville, Dr. Cyril, #T823, Time, 1957
Container
55.5 2 rolls of b/w 35mm film
Container
10.12 2 b/w contact sheets
Cousy, Bob, [or] Final whistle, 1963
Container
55.6 12 rolls of b/w 35mm film
Container
10.13 14 b/w contact sheets
Cranberries, #58499, undated?
Container
10.14 3 b/w enlargements
[Crane], Cheryl hearing, #54009, Life, 1958
Container
10.15 3 b/w contact sheets
1 b/w enlargement (see also 38.6 'Turner, Lana, (Stompanato stabbing)')
Crime Series…, #52086, undated?
Container
11.1 4 b/w enlargements
Crosby boys, #898, Life, 1958
Container
11.2 40 b/w contact sheets
2 b/w enlargements
Crosby, Phil[lip], wedding, #195, Life, 1958
Container
11.3 10 b/w contact sheets
Crossfield X-15, undated
Container
55.7 4 roll of b/w 35mm film
Container
11.4 4 b/w contact sheet
Crowded beaches, [or] Fire Beach & [Route] 101, Time, 1957
Container
55.8 5 rolls of b/w 35mm film
Container
11.5 10 b/w contact sheets
1 b/w enlargement
Crowder, Norman, (psychologist) / Teaching machine (Autotutor Mark II), Time, 1961
Container
55.9 4 rolls of b/w 35mm film
Container
11.6 5 b/w contact sheets
Correspondence
Crowley Lake, [Calif.], #3661, West, undated
Container
55.10 9 rolls of b/w 35mm film
Container
11.7 18 b/w contact sheets
Cruiser – Destroyer force, U.S. Pacific Fleet, #55080, Life, 1958
Container
11.8 3 b/w enlargements
Crystal City, Texas, #956, Saturday Evening Post, 1964
Container
55.11 8 rolls of b/w 35mm film
Container
11.9 16 b/w contact sheets
1 b/w enlargement
Photocopy typescript of 'The Battle of Crystal City,' by Roy Bongartz
Culp, Bob, Time, 1959
Container
55.12 6 rolls of b/w 35mm film
Container
11.10 6 b/w contact sheets
Cutts, Pat[ricia], [or] Malibu nude, #GL62383, Esquire, [1958 or 1959]
Container
55.13 2 rolls of b/w 35mm film
Container
11.11 2 b/w contact sheets
3 b/w enlargements
Correspondence
D
Dahle, Dolly, Life, 1960
Container
11.12 16 b/w contact sheets
Damone, Vic, #069, Saturday Evening Post, undated
Container
55.14 11 rolls of b/w 35mm film
Container
11.13 9 b/w contact sheets
8 b/w enlargements
Narrative report with captions
Day, Doris, 1959-1960
Container
11.13 'Day, Doris, & husband,' #T745, Time, 1959
'Day, Doris,' #OA46098, Life, 1960?
America Illustrated, 1960
Container
55.15 13 rolls of b/w 35mm film
Container
11.14 10 b/w contact sheets
Correspondence; narrative report; notes; receipt
DC-7 wheels-up landing, #52586, Life, 31 Oct. 1957
Container
11.15 1 b/w enlargement
Death of a youth worker, [or] Youth building worker, 1963
Container
55.16 8 rolls of b/w 35mm film; 1 b/w 4x5" negative
Container
11.16 5 b/w contact sheets
[DeMille, Cecil B., birthday party], undated
Container
11.17 3 b/w enlargements
DeMille, [Cecil B.], death, [Life or Time], 1959
Container
11.18 7 b/w contact sheets
Den of Antiquity shop, #57382, Life, 1959
Container
11.19 3 b/w enlargements
[Denham, Bruce], undated
Container
11.20 Photocopy typescript with annotations titled 'Capistrano Valley Airport: Last Stand for the Old Seat-Of-The-Pants Pilots,' by Patrick McNulty
Derby entries at Santa Anita, Time, 1961
Container
11.21 7 b/w contact sheets
Narrative reports; correspondence; notebook; notes; receipts; ephermera
Derr, Edward B., also: J. E. Probyn, #T847, Time, 1957
Container
55.17 2 rolls of b/w 35mm film
Container
12.1 2 b/w contact sheets
Desert nurse, #193, Saturday Evening Post, 1965
Container
55.18 26 rolls of b/w 35mm film
Container
12.2 57 b/w contact sheets
Correspondence; narrative report with captions; 2 photocopy typescripts, titled 'Tecopa Nurse' and 'Tecopa Enterprise Motel,' by an unid. Author
[Destroyer Collett after a collision with another Navy vessel], 1960
Container
12.3 8 b/w enlargements
The Diamonds, 1961
Container
12.3 'Dancing (teen-age): The Diamonds,' set #62133, Life, 1961
Container
55.19 6 rolls of b/w 35mm film
Container
12.4 6 b/w contact sheets
[The Diary of] Anne Frank sneak [preview], #56532, [Life], Feb. 1959
Container
12.5 7 b/w enlargements
Didion, Joan, #340, Saturday Evening Post, 1966
Container
55.20 2 rolls of b/w 35mm film [Lacking 1 frame of film]
Container
12.6 4 b/w contact sheets
Disneyland, for USIA, 1960
Container
55.21 15 rolls of b/w 35mm film
Container
12.7 17 b/w contact sheets
Narrative report with captions; correspondence (see also 48.20)
Disneyland, #CR-40731, New York Times, 1965
Container
55.22 15 rolls of b/w 35mm film
Container
12.8 30 b/w contact sheets
Correspondence; narrative report; shipping receipt
Disneyland prom, #62887, Life, 1961-1962
Container
55.23 12 rolls of b/w 35mm film
Container
12.9 22 b/w contact sheets
Correspondence
Dissident Catholics (Ken LaMott), Horizon, 1969
Container
55.24 8 rolls of b/w 35mm film
Container
12.10 Correspondence; notes; research material; narrative report with captions
Dodd, Dr. Paul A., [Dean, UCLA], Time, 1957
Container
55.25 3 rolls of b/w 35mm film
Container
12.11 3 b/w contact sheets
Dodger Docs/[Sandy] Koufax, New York Times, 1965-1966
Container
55.26 28 rolls of b/w 35mm film
Container
12.12 55 b/w contact sheets
Narrative report with captions; typescript titled 'Dodger medics,' by Jack Murphy; correspondence
Dodger's homecoming celebration, #58116, Life, 10 Oct. 1959
Container
12.13 4 b/w contact sheets
Dogs: basset hound picnic, Life, 1961
Container
12.14 15 b/w contact sheets
Dogs: poodle party, #57536, Life, 1959
Container
12.15 9 b/w contact sheets
7 b/w enlargements
Dogs: Rin-Tin-Tin, Life, 1958
Container
12.16 9 b/w contact sheets
Dolphins at Pt. Mugu, [Calif.], New York Times, 1967
Container
55.27 8 rolls of b/w 35mm film
Container
13.1 8 b/w contact sheets
23 b/w enlargements with captions on versos
Narrative report; correspondence; typescript titled 'The Dolphins of Point Mugu,' by Arnold Hano
Don Juan Carlos [King Juan Carlos and Queen Sophia of Spain], undated
Container
13.2 5 b/w contact sheets
3 b/w enlargements
Dope Raid, [or] Narcotics, [or] Pill addicts, #207, Saturday Evening Post, 1965-1966
Container
55.28 2 strips of b/w 35mm film [Lacking 6 complete and 2 incomplete rolls of film]
Container
13.3 16 b/w contact sheets
16 b/w enlargements
Narrative report (incomplete)
Douglas DC-8, 1958
Container
13.4 4 b/w contact sheets
[Douglas, Kirk, at a birthday party for Eleanor Roosevelt], 1956
Container
13.5 2 b/w enlargements
Douglas Radio Rescue System, #61095, Life, 1960
Container
13.6 6 b/w contact sheets
2 b/w enlargements
DuBridge, Lee Alvin, Time, 1959
Container
55.29 2 rolls of b/w 35mm film
Container
13.7 2 b/w contact sheets
Dumke, [Glenn S.], Chancellor, #4546, West, undated
Container
55.30 3 rolls of b/w 35mm film
Container
13.8 6 b/w contact sheets
9 b/w enlargements
Dune surfing, #79223BKS, 1967
Container
65.33 64 color 35mm transparencies
Container
56.1 7 rolls of b/w 35mm film
Container
13.9 25 b/w contact sheets
16 b/w enlargements
E
Edsel Show: TV-movie preview, 1957
Container
56.2 1 roll of b/w 35mm film
Container
13.10 1 b/w contact sheet
Edwards, Vince, 1962
Container
13.10 "Vince Edwards: TV's Surly Dr. Ben Casey," Saturday Evening Post, 1962
Container
56.3 21 rolls of b/w 35mm film
Container
13.11 42 b/w contact sheets
Container
13.12 6 b/w enlargements
Assignment; narrative report with captions; correspondence; duplicated copy of typescript titled "Vince Edwards: TV's Surly Dr. Ben Casey" by Bill Davidson
Ehricke, Dr. Kraft[t], West, undated
Container
56.4 3 rolls of b/w 35mm film
Container
13.13 4 b/w contact sheets
3 b/w enlargements
Eighteen angry men, [Malmstrom Air Force Base / Col. H. E. Goldsworthy], Saturday Evening Post, 1961-1962
Container
56.5 12 b/w rolls of 35mm film
Container
13.14 12 b/w contact sheets
3 b/w enlargements
Correspondence; captions; notes; photocopy typescript titled 'Eighteen Angry Men,' by Joe Alex Morris
El Paso tramway, Sunset, 1960
Container
56.6 4 rolls of b/w 35mm film
Container
13.15 8 b/w contact sheets
8 b/w enlargements
Correspondence; receipt
Ensenada, #X5923, Sports Illustrated, 1959
Container
14.1 9 b/w contact sheets
Ensenada yacht race, #59828, Life, 1960
Container
56.7 2 rolls of b/w 35mm film
Container
14.2 17 b/w contact sheets
Container
14.3 26 b/w enlargements
Correspondence
Erwin, [?], & Jap[anese] cook, undated
Container
56.8 1 roll of b/w 120 film
3 b/w contact sheets
Erwin, Tom, various unid. people, may include photos of Lawrence Lipton, author of The Holy Barbarians, undated
Container
14.4 5 b/w contact sheets
Evans, Bob, [of] Paramount [Pictures] & Joan Delaney, #9541, West, [1967?]
Container
56.9 10 rolls of b/w 35mm film
Container
14.5 20 b/w contact sheets
1 b/w enlargement
Exhibit prints first picks, 1963
Container
14.6 Correspondence with inventory
F
F-111 Rollout, Ft. Worth, #920, 1964
Container
56.10 4 rolls of b/w 35mm film [Lacking 1 frame of film]
Container
14.7 8 b/w contact sheets
Fabian, Time, 1959
Container
56.11 5 rolls of b/w 35mm film
Container
14.8 5 b/w contact sheets
Notes
Factor, John, (Jake the Barber), #571, Life, 1959
Container
14.9 5 b/w contact sheets
Falk, Dr. Hans,' #T708, Time, 1961
Container
56.12 1 roll of b/w 35mm film
Container
14.10 1 b/w contact sheet
Receipt
Falk, Peter, (actor), Time, 1961
Container
56.13 1 roll of b/w 35mm film
Container
14.11 1 b/w contact sheet
Notes
Fall TV preview, New York Times Magazine, [1961]
Container
56.14 11 rolls of b/w 35mm film
Container
14.12 22 b/w contact sheets
Narrative report with captions
Fallout shelters, #T560, Time, 1961
Container
56.15 2 rolls of b/w 35mm film
Container
14.13 2 b/w contact sheets
Receipt
Fargé, Annie, This Week, 1960
Container
56.16 7 rolls of b/w 35mm film
Container
14.14 7 b/w contact sheets
Story assignment; narrative report; correspondence; receipt; notes
Farm: [Oneto-Gotelli automatic calf feeder], [1962?]
Container
56.17 1 roll of b/w 35mm film
Container
14.15 2 b/w contact sheets
Clipping
Farmers face toughest choice, Saturday Evening Post, 1963
Container
56.18 8 rolls of b/w 35mm film
Container
14.16 16 b/w contact sheets
Narrative report
Farr, Dr. Phillip, [and Dr. Brownwald], Medical World News, undated
Container
14.17 8 b/w contact sheets
Correspondence
Ferry, W. H., #480, Saturday Evening Post, 1966
Container
56.19 2 rolls of b/w 35mm film
Container
14.18 4 b/w contact sheets
Narrative report; typescript titled 'Speaking Out,' by W. H. Ferry
Feynman, Richard, Cal. Tech., New York Times, 1967-1968
Container
56.20 3 rolls of b/w 35mm film
Container
14.19 3 b/w contact sheets
Narrative report; correspondence; untitled typescript, no author cited
Fiat, 1957
Container
56.21 1 roll of b/w 35mm film; 2 rolls of b/w 120 film [Lacking 9 frames pf 120 film]
Container
14.20 3 b/w contact sheets
Container
14.2 2 b/w enlargements
Finch murder trial, #024, Life, 1960-1961
Container
15.1 27 b/w contact sheets
Container
15.2 33 b/w enlargements
Fire fighting school, Life, 1961
Container
15.3 6 b/w contact sheets
Fires: Angeles Nat[iona]l Forest, #OA45151, Life, 1960
Container
15.4 5 b/w contact sheets [Lacking contact sheet for Roll C4]
[Fires: Los Angeles brush fire], #607, Life, 1961
Container
15.5 3 b/w contact sheets
[Fires: Monrovia, California brush fire], #269, Life, 1958
Container
15.6 10 b/w contact sheets (see also 29.1)
First date [or] Summit Inn, #51997, Life, undated
Container
15.7 1 b/w enlargement
[Fisher, Eddie, and Debbie Reynolds], #089 and #859, Life, 1958
Container
15.8 10 b/w contact sheets (NB. 1 roll of film is credited to Leigh Wiener)
5 b/w enlargements
Football: L[os] A[ngeles] Chargers,' Life, 1960
Container
15.9 26 b/w contact sheets
Football-Pro, #61118, Life, 1960
Container
15.10 11 b/w contact sheets
2 b/w enlargements
[Foreman, Percy and George Parr], 1964
Container
15.11 Photocopy typescript titled 'Boss Parr,' by Thomas Martin correspondence; untitled photocopy typescript by Thomas Martin and Patrick O'Bryan typescripts
Forest Lawn, undated [photographs of The Court of Freedom]
Container
56.22 3 rolls of b/w 35mm film (NB. Film for Rolls 1 and 3 need conservation treatment)
Container
15.12 6 b/w contact sheets
Forest Lawn Cemetery fight / Eton, Hubert, (F. L. founder), #T5624, Time, 1961
Container
56.23 8 rolls of b/w 35mm film
Container
15.13 8 b/w contact sheets
Foss, Lukas, Time, 1959
Container
56.24 3 rolls of b/w 35mm film [Lacking film for Roll C4]
Container
15.14 9 b/w contact sheets [Lacking contact sheet for Roll C1]
1 b/w enlargement
Franchi, [Sergio], #17 (was #546), undated
Container
56.25 13 rolls of b/w 35mm film
Container
15.15 26 b/w contact sheets
Container
15.16 33 b/w enlargements
Franchising, undated
Container
15.17 Photocopy typescript by Bill Davidson
Frank, Gerold, (author), #T969, Time, 1957
Container
56.26 2 rolls of b/w 35mm film; 1 roll of b/w 120 film
Container
15.18 3 b/w contact sheets
Frank, Gerold, pictured with Zsa Zsa Gabor, Time, Mar. 1959
Container
56.27 1 roll of b/w 35mm film
Container
15.19 1 b/w contact sheet
Frankenheimer, John, [and] Playhouse 90, 1958-1961
Container
56.28 14 rolls of b/w 35mm film
Container
16.1 14 b/w contact sheets
19 b/w enlargements
Narrative reports; captions; correspondence; clipping
Freberg, [Stan], 1968
Container
56.29 9 rolls of b/w 35mm film [Lacking film for [Take 1] Rolls 1-13]
Container
16.2 31 b/w contact sheets
Correspondence
Freberg's, [Stan], last show, 1957
Container
56.30 3 rolls of b/w 35mm film [Lacking film for Roll 1]
Container
16.3 1 b/w contact sheet
6 b/w enlargements
Correspondence; typescript with annotations, corrections and inserts for Freberg's "The Old Payola Roll" and "The Old Payola Roll Blues"
Freeway, Time, 1958
Container
16.4 2 b/w contact sheets
Fund for [the] Republic, [or Harry S.] Ashmore, 1960
Container
56.31 2 rolls of b/w 35mm film
Container
16.5 4 b/w contact sheets
5 b/w enlargements
Correspondence; notes
Fund for the Republic, Esquire, [1962?]
Container
16.6 Narrative reports; correspondence; bill; receipt
G
G.O.P. [Republican headquarters], Tonopah, [Nev.], undated
Container
56.32 1 roll of b/w 35mm film
Container
16.7 1 b/w contact sheet
Gage, Leona, Life, 1957
Container
16.8 24 b/w contact sheets for 24 rolls of 35mm film (see also 14.17)
Gage, Leona, at L[os] A[ngeles] Internat[iona]l [Airport], #OA24423, [Life?], 1957
Container
16.9 3 b/w contact sheets, 1 b/w enlargement
Container
56.33 3 rolls of b/w 35mm film (see also 35.15 'Gage, Leona')
[Gallo Wine Snyder GA Group], 1962
Container
16.10 3 b/w contact sheets for 3 rolls of 35mm film
Garden of Allah Hotel, [Time?], undated
Container
56.34 2 rolls of b/w 35mm film
Container
16.11 4 b/w contact sheets
Gardiner, Judge Rob[er]t, ["Too many kids are loafing], Saturday Evening Post, 1963
Container
56.35 2 rolls of b/w 35mm film
Container
16.12 4 b/w contact sheets
Correspondence; receipt
Garner, Old John, [has to do with Cactus Jack Pryor], #050, Saturday Evening Post, 1963
Container
56.36 6 rolls of b/w 35mm film
Container
16.13 10 b/w contact sheets
Narrative report; correspondence; receipt; notes; typescript
Gassaway, Sen., [at] RCA, undated
Container
16.14 4 b/w contact sheets
Gaudnek, Walter, 1958
Container
56.37 2 rolls of b/w 35mm film
Container
16.15 2 b/w contact sheets
Gallery brochure
Gentle souls, Saturday Evening Post, 1966
Container
56.38 3 rolls of b/w 35mm film
Container
16.16 6 b/w contact sheets
Correspondence; receipt
Giles, Sandra, #OA31122, Life, 1958
Container
56.39 54 rolls of b/w 35mm film; 1 roll of b/w 120 film
Container
16.17 56 b/w contact sheets
Container
16.18 2 b/w enlargements
Container
16.19 Narrative reports with captions; correspondence
Gira, Bernard F., [Topp Industries], #T327, Time, 1958
Container
56.40 2 rolls of b/w 35mm film
Container
17.1 2 b/w contact sheets
Glasser, Dr. [William], 1973
Container
17.2 13 b/w contact sheets
Correspondence
Gleason, [Jackie, and Otto] Preminger, #W540, West, [1967 or 1968]
Container
56.41 11 rolls of b/w 35mm film
Container
17.3 22 b/w contact sheets
3 b/w enlargements
Gluhareff, Eugene M., #T787, Time, 1957
Container
56.42 2 rolls of b/w 35mm film
Golden Door [Spa], used in #58860, Life (#58860, 1960) and the London Daily Mirror (1961), 1960-1961
Container
57.1 43 rolls of b/w 35mm film
Container
17.4-6 121 b/w contact sheets
Container
17.7 17 b/w enlargement
Correspondence; notes; receipts
[Goldwater, Barry], #OA747, [Life?], [1960s]
Container
17.8 2 b/w contact sheets for 2 rolls of 35mm film
Goldwyn fire, #OA32544, [Life or Time], 1958
Container
57.2 3 rolls of b/w 35mm film
Container
17.9 1 b/w contact sheet
8 b/w enlargements
Goren, [Charles Henry, and] contract bridge,' Fortune, 1960
Container
57.3 8 rolls of b/w 35mm film
Container
17.10 5 b/w contact sheets [Lacking contact sheets for Rolls 1-3]
Correspondence
Grace, Sweet Daddy, funeral, #OA42109, Life, 1960
Container
57.4 3 rolls of b/w 35mm film
Container
17.11 6 b/w contact sheets
Grammon’s Chinese [Theatre], view of Mann’s Chinese Theatre in Hollywood, #52091, Life, 5 Sept. 1957
Container
17.12 1 b/w enlargement
Gray Line Tours movie stars homes, [New York Times Magazine?], 1970
Container
57.5 4 rolls of b/w 35mm film
Container
17.13 4 b/w contact sheets
Greene, Lorne, for RCA, 1968
Container
17.14 3 b/w contact sheets
Narrative report
Greenwood, Miss.: Dick Gregory, 1963
Container
57.6 19 rolls of b/w 35mm film
Container
17.15 38 b/w contact sheets
Container
18.1 28 b/w enlargements
Captions; research materials; clippings
Griffith Park, undated
Container
57.7 7 rolls of b/w 35mm film
Container
18.2 7 b/w contact sheets
Gross, Robert, Life, 1960
Container
18.3 1 b/w contact sheet
Grossmont High School nominating convention, #533, Life, 1959-1960
Container
57.8 22 rolls of b/w 35mm film
Container
18.4 44 b/w contact sheets
Container
18.5 52 b/w enlargements
Container
18.6 24 b/w enlargements
Narrative report with captions; correspondence; receipt
Group Practice Magazine, undated
Container
18.7 8 b/w contact sheets
Gruber, Frank, Time, Mar. 1959
Container
57.9 4 rolls of b/w 35mm film
Container
18.8 4 b/w contact sheets
H
Haase, John, author-dentist, Saturday Evening Post, 1961-1962
Container
18.9 6 b/w contact sheets [Lacking all negatives and contact sheet for Roll 5]
Narrative report; correspondence
Hagg, John, #12, Saturday Evening Post, 1965
Container
57.10 3 rolls of b/w 35mm film
Container
18.10 2 b/w contact sheets
Hair transplant, #819703, Time, 1971
Container
18.11 11 b/w contact sheets
Note
[Hammer, Armand], Saturday Evening Post, 1964
Container
18.12 4 b/w enlargements
Correspondence; photocopy typescript of 'Armand Hammer Profile,' by Spencer Klaw
Handicapped [in] L[os] A[ngeles], undated
Container
18.12 Photographs of Epi-Hab, an epilepsy rehabilitation center, Culver City, Calif., #T012, [Time?], undated
Container
57.11 5 rolls of b/w 35mm film
Container
18.13 8 b/w contact sheets, some with captions on versos
Hartman, Diane, Life, 1958
Container
18.14 18 b/w contact sheets for 18 rolls of 35mm film (see also 8.3, 19.1-19.2 and 48.9)
Hartman, [Diane], 1958-1959
Container
18.15-19.1 56 b/w contact sheets
Container
19.2 65 b/w enlargements
Container
19.3 Publicity materials; correspondence; clippings; layouts, reproduction proofs (see also: 8.3, 35.16, and 48.9)
Hawaiian statehood publicity gimmick, #OA32888, Time, 1958
Container
57.12 2 rolls of b/w 35mm film
Container
19.4 2 b/w contact sheets
Correspondence
Hawley, Pat, Time, 1961
Container
57.13 2 rolls of b/w 35mm film
Container
19.5 4 b/w contact sheets
Inter-office memo
Hawn, Goldie, (to Globe), Saturday Evening Post, [1968]
Container
19.6 14 b/w contact sheets
Heath, [Ted], and Carmen McRae [in] concert [at the] Pasadena Civic [Center], 1957
Container
19.7 6 b/w contact sheets
Heavyweight challenger Roy Harris, set #54755, Life, 1958
Container
19.8 6 b/w contact sheets
Helicopter pole lift, #52993, Life, 1957
Container
19.9 22 b/w enlargements
Hilton, Barron, undated
Container
19.10 2 b/w contact sheets
Hitchcock, [Alfred, on the set of] "NXNW [i.e., North By Northwest]," 1958
Container
57.14 1 roll of b/w 35mm film
Container
19.11 1 b/w contact sheet
5 b/w enlargements
Hoffman, Paul: Chairman, Fund for Rpeublic [sic, Republic], Time, 1957
Container
19.12 4 b/w contact sheets
Container
57.15 3 rolls of b/w 35mm film; 1 roll of b/w 120 film (see also 5.10 and 20.6, 'Hoffman, Paul [G.],' Time, 1957, 1961 -- 4 contact sheets enclosed with correspondence)
Hollywood agents, New York Times Magazine, 1967
Container
57.16 13 rolls of b/w 35mm film
Container
19.13 13 b/w contact sheets
10 b/w enlargements
Correspondence; receipts; notes; duplicated copy of tear sheet
Hollywood's new breed: soft young men, Saturday Evening Post, 196?
Container
57.17 4 rolls of b/w 35mm film
Container
19.14 6 b/w contact sheets
[Hopper], Hedda, undated
Container
19.15 7 b/w enlargements
[Horne], Lena, for RCA, 1962
Container
57.18 2 rolls of b/w 35mm film [Lacking film for Rolls 1-7]
Container
19.16 9 b/w contact sheets
18 b/w enlargements
Houk, Ralph, [New York] Yankee[s] m[ana]g[e]r, 1962
Container
19.17 "[?] is Tougher," Saturday Evening Post, 11-18 Aug. 1962
Container
57.19 7 rolls of b/w 35mm film
Container
19.17 14 b/w contact sheets
Narrative report
Housing development, West San Fernando Valley, [Calif.], undated
Container
19.18 2 b/w enlargements
Houston, N[orman] O., negro tycoon, New York Times, 1967
Container
57.20 3 rolls of b/w 35mm film
Container
20.1 3 b/w contact sheets
2 b/w enlargement
Narrative report
Howell, Steve, (Howell [Eurich?]), undated
Container
20.2 1 b/w contact sheet
Hughes, Howard: Vegas, [or,] Phelan's Howard Hughes story, Saturday Evening Post, 1967
Container
57.21 1 roll of b/w 35 mm film
Container
20.3 14 contact sheets
Narrative report with captions; receipts; correspondence
Hula-hoop, 1958
Container
20.4 California's Hula-Hoop Craze, #54716, Life, 1958
14 b/w contact sheets [Lacking contact sheet for Roll C1]
Container
20.5 40 b/w enlargements
Humphrey, [Hubert H.], including images of Clair Engle, #55407, Life, 17 Oct. 1958
Container
57.22 1 roll of b/w 35mm film [Lacking 7 rolls of film]
Container
20.6 8 b/w contact sheets
Huntington Library, [Pasadena Art Museum, and Thieves Market], Chevron USA, 1971
Container
57.23 4 rolls of b/w 35mm film
Container
20.7 4 b/w contact sheets
Correspondence
Hurley, Jack, 1966-1967
Container
20.8 "The last campaign of boxing's last angry man," #477, Saturday Evening Post, 1967 Feb. 11
Container
57.24 22 rolls of b/w 35mm film
Container
20.8 42 b/w contact sheets
Narrative report with captions; correspondence
I
IBM computer (Douglas Steen), #888, Life, 1961
Container
20.9 2 b/w contact sheets
Ice Follies anniv[ersary] party, Life, 1960
Container
20.10 10 b/w contact sheets
2 b/w enlargements
Inspection tour of two ballistic missiles installations in Southern California, #52630, Life, 6 Nov. 1957
Container
20.11 1 b/w enlargement
[International Society of Girlwatchers], #564, Life, 1961
Container
20.12 10 b/w contact sheets
The Invaders, New York Times, 1967
Container
20.13 Narrative report; correspondence; receipt
Isla Vista, West, [197?]
Container
57.25 10 rolls of b/w 35mm film
Container
20.14 20 b/w contact sheets
Israel Philharmonic: Zvi Haftel (Concertmaster), Joseph Kaminski (Concertmaster), [and] Carlo Maria Guilini (Conductor), Time, 1960
Container
57.26 5 rolls of b/w 35mm film
Container
20.15 5 b/w contact sheets
[It's a Mad Mad] Mad Mad World, #068, Saturday Evening Post, 1962-1963
Container
57.27 28 rolls of b/w 35mm film
Container
20.16-21.1 74 b/w contact sheets
Container
21.2 34 b/w enlargements
Correspondence
J
Jackpot bowling, #61576, undated
Container
57.28 3 rolls of b/w 35mm film
Container
21.3 3 b/w contact sheets
Jaffa-Nisbet [i.e. Dr. Harry Jaffa and Dr. Robert Nisbet], ["Conservative intellectuals"], New York Times Magazine, 1970-1973
Container
57.29 10 rolls of b/w 35mm film
Container
21.4 3 b/w contact sheets
6 b/w enlargements
Narrative report; correspondence
Japanese-Americans, New York Times, 1965
Container
57.30 12 rolls of b/w 35mm film
Container
21.5 12 b/w contact sheets
Narrative report with captions; essay titled 'America's model minority and how it was formed,' by William Petersen; correspondence; clippings
Japanese artists: [Kenzo] Hanawa & [Yuko] Iga, Life, 1958
Container
21.6 3 b/w contact sheets
Jefferson Airplane, for RCA, 1966
Container
21.7 6 b/w contact sheets
Jenkins, Capt. Harry, returned POW [of the] Vietnam War, New York Times Magazine, 1973-1974
Container
65.34 5 color 35mm transparencies
Container
57.31 13 rolls of b/w 35mm film
Container
21.8 13 b/w contact sheets
8 b/w enlargements
Narrative reports with captions
Jet noise: environmental health hazard, Time, 1960
Container
57.32 2 rolls of b/w 35mm film
Container
21.9 4 b/w contact sheets
Narrative report; captions
Joanson, Bob,: Bev[erly] Hills golf course victim, undated
Container
57.33 6 rolls of b/w 35mm film
Container
21.10 12 b/w contact sheets
1 b/w enlargement
Notes
John Adams High School, Portland, West, [1971?]
Container
57.34 7 rolls of b/w 35mm film
Container
21.11 7 b/w contact sheets
Correspondence; notes
Johnson, [Lyndon Baines], 1961-1963
Container
21.12 "President L. B. Johnson: What to Expect from the New Man in the White House," Saturday Evening Post, 1963 Dec. 16
Story assignment; correspondence; receipt; photocopy typescript titled 'The President's Homeland,' by Bill Porterfield
[Johnson, Paul C.], 17 Dec. 1971
Container
21.13 21 b/w contact sheets from the following stories: 'Palms to Pines,' 'Gladstone Tracking Dish,' 'Nevada Ranch,' and 'Mojave-D[eath] V[alley cave dwellers]
Shipping receipt
Jones, Jack, [at] RCA, undated
Container
22.1 9 b/w contact sheets
"Journey" & "Infidel", 1959
Container
22.2 5 b/w contact sheets
Narrative report; receipt; notes
Juarez-El Paso, #8255 and #8259, Sunset Desert Pictorial, 1972
Container
57.35 7 rolls of b/w 35mm film
Container
22.3 14 b/w contact sheets
8 b/w enlargements
Correspondence
K
Kahn, Herman, (physicist & author), Time, 1960
Container
57.36 2 rolls of b/w 35mm film
Container
22.4 2 b/w contact sheets
Kaiser, Edgar, [and] Dr. George Taylor (of Kaiser Steel), [and] David McDonald (of United Steel Workers Union), Time, 1961
Container
57.37 2 rolls of b/w 35mm film
Container
22.5 2 b/w contact sheets
Kaiser, Edgar: maverick in motion, #075, Saturday Evening Post, 1963
Container
57.38 9 rolls of b/w 35mm film
Container
22.6 16 b/w contact sheets
6 b/w enlargements
Narrative report; receipt
Kapp, Joe, #T292, Time, Dec. 1958
Container
58.1 3 rolls of b/w 35mm film
Container
22.7 3 b/w contact sheets
Karate, story on Ed Parker, 1963
Container
22.8 "Violent Repose," Time, 3 Mar. 1961
Container
58.2 3 rolls of b/w 35mm film
Container
22.8 3 b/w contact sheets
Kennedy, George, (geophysicist, UCLA) / Diamond making machine, Time, 1961
Container
58.3 4 rolls of b/w 35mm film
Container
22.9 4 b/w contact sheets
Kennedy, John F., Sen., in Los Angeles, #T047, Time, 1959
Container
58.4 9 rolls of b/w 35mm film
Container
22.10 9 b/w contact sheets
Kennedy, [John F., at the National] Demo[cratic] Conv[ention], #OA45097, Life, 1960
Container
58.5 10 rolls of b/w 35mm film
Container
22.11 10 b/w contact sheets
3 b/w enlargements
Kennedy, [John F.], funeral, Saturday Evening Post, 1963
Container
58.6 27 rolls of b/w 35mm film
Container
22.12 66 b/w contact sheets
Container
22.13 8 b/w enlargements
K[ennedy], R[obert] F., #W547, West, 1968
Container
58.7 14 rolls of b/w 35mm film
Container
22.14 29 b/w contact sheets
Notes; receipt
Kenton, [Stan]: New TV show, 1957
Container
58.8 3 rolls of b/w 35mm film
Container
22.15 3 b/w contact sheets
Khrushchev, Nikita, #T583, Time, 1959
Container
58.9 4 rolls of b/w 35mm film
Container
22.16 4 b/w contact sheets
Kirby, Jack, cartoonist, 1971
Container
58.10 2 rolls of b/w 35mm film
Container
23.1 2 b/w contact sheets
5 b/w enlargements
KLAC [radio station], #W484, West, 1968
Container
58.11 15 rolls of b/w 35mm film
Container
23.2 30 b/w contact sheets
Container
23.3 15 b/w enlargements
Receipts
[Knowland, William F., at a circus], 1958
Container
23.4 6 b/w contact sheets (see also 37.25 'Cali[fornia] Politics')
Knudsen, Dr., & Anechor Chamber, Medical World News, 1968-1969
Container
23.5 3 b/w contact sheets
Narrative report; correspondence; model release forms
[Krick, Irving]: Colo. weather prophet, Saturday Evening Post, 1962
Container
58.12 19 rolls of b/w 35mm film
Container
23.6 38 b/w contact sheets
1 b/w enlargement
Container
23.7 Story assignment; narrative report with captions; correspondence; receipts; business card; story assignment; photocopy typescript titled 'Colorado's Battling Weather Prophet,' by John Kobler
KTLA telecopter over [Los Angeles] Civic Center, #T897, [Time or Life?], 1958
Container
58.13 2 rolls of b/w 35mm film
Container
23.8 2 b/w contact sheets
KTLA telecopter, TV Guide, 1960
Container
23.9 3 b/w contact sheets
L
L.A. [i.e., Los Angeles] bra-maker, [Time?], undated
Container
58.14 8 rolls of b/w 35mm film
Container
23.10 12 b/w contact sheets
L.A. [i.e., Los Angeles] bums, 1957
#T978, Time, 1957
Container
58.15 5 rolls of b/w 35mm film
Container
23.11 8 b/w contact sheets
L.A. [i.e. Los Angeles] County Museum sculpture show, New York Times, 1967
Container
58.16 5 rolls of b/w 35mm film
Container
23.12 5 b/w contact sheets
Narrative report
L.A. [i.e., Los Angeles] Free Clinic, 1971
Container
23.12 "The venereal disease pandemic," New York Times Magazine, 7 Nov. 1971
Container
58.17 6 rolls of b/w 35mm film; 1 b/w 4x5" negative
Container
23.13 12 b/w contact sheets with story summary on versos
28 b/w enlargements with story summary on versos
L.A. [i.e. Los Angeles]: new airport, undated
Container
58.18 2 rolls of b/w 35mm film
Container
23.14 2 b/w contact sheets
L.A. [i.e. Los Angeles] Osteopathic Hospital, Life, 1960
Container
23.15 2 b/w contact sheets
L.A. [i.e. Los Angeles] Police Dept., #1173, Saturday Evening Post, 1965
Container
23.16 28 b/w contact sheets
Narrative report
L.A. [i.e. Los Angeles]: wildlife, Nation, 1961
Container
58.19 5 rolls of b/w 35mm film
Container
23.17 10 b/w contact sheets
Correspondence
Ladd boy kite, [or, David Ladd aloft], This Week, 1960-1961
Container
65.35 8 color 35mm transparencies[1 transparency is unmounted]
Container
58.20 3 rolls of b/w 35mm film
Container
24.1 11 b/w enlargements
Correspondence
Lambert trio, undated
Container
58.21 1 roll of b/w 35mm film
Container
24.2 2 b/w contact sheet
2 b/w enlargements
Landerman family, #7, Saturday Evening Post, 1965
Container
58.22 2 rolls of b/w 35mm film; 7 b/w 4x5" copy negatives
Container
24.3 2 b/w contact sheets
Landerman, [Peter], #186, Saturday Evening Post, [1966?]
Container
58.23 4 rolls of b/w 35mm film [Lacking 1 frame of film]
Container
24.4 12 b/w contact sheets
Larrieu, Francie: Miler, Univ. [of] Nevada/Las Vegas, #90852P, People, 1975
Container
24.5 5 b/w contact sheets
4 b/w enlargements
Narrative report; receipt
Laurel Canyon fire, #441, [Time or Life], 1959
Container
24.6 1 b/w contact sheet
Lauren, Rod, 1960
#OA42565, Life, 11 Feb. 1960
Container
24.6 #59232, Life, 26 Feb. 1960
Container
24.7 30 b/w contact sheets
6 b/w enlargements
Lebrun, Rico, (artist), #T875, Time, 1961
Container
58.24 4 rolls of b/w 35mm film
Container
24.8 4 b/w contact sheets
Lehi [raft], Saturday Evening Post, 1963
Container
58.25 2 rolls of b/w 35mm film
Container
24.9 2 b/w contact sheets
2 b/w enlargements
Narrative report; correspondence; research material; clippings
Levant, Oscar, Time, 1958
Container
58.26 4 rolls of b/w 35mm film (NB. Film for Roll C3 is lacking)
Lewis, Fiona, #W760, West, 1968
Container
58.27 5 rolls of b/w 35mm negatives
Container
24.10 2 b/w contact sheets
9 b/w enlargements
Narrative report; notes
Lockhart, Joan, 1960
Container
58.28 2 rolls of b/w 35mm film
Container
24.11 2 b/w contact sheets
Correspondence
Lockheed: Mssrs. [John] Pahl & [Jack S.] Leak, #T742, Life, 1960
Container
24.12 1 b/w contact sheet
[London, Jean], Adam Magazine, 1969
Container
24.13 Press releases; layout sheets
Long, Dallas, shot putter, #T895, 1959
Container
58.29 4 rolls of b/w 35mm film
Container
24.14 7 b/w contact sheets
Long Beach fire (Hancock-Signal Hill), #OA31671, Time, 1958
Container
65.36 1 roll of color 35mm transparencies uncut and unmounted
Container
58.30 1 roll of b/w 35mm film
Container
24.15 1 b/w contact sheet
2 b/w enlargements
Long Beach's "University by the Sea", 1958
Container
24.16 6 b/w contact sheets
Narrative report; captions
[Los Angeles Memorial] Sports Arena dedication, undated
Container
58.31 5 rolls of b/w 35mm film
Container
24.17 8 b/w contact sheets
[Los Angeles satellite airports], [1966 or later]
Container
24.18 Photocopy typescript titled 'Airports,' by Lamar Nelson
Loudon, Dorothy [Saturday Evening Post?], 1963
Container
58.32 4 rolls of b/w 35mm film
Container
24.19 4 b/w contact sheets
Luboff, Norm[an], for RCA, 1961
Container
24.19 #463, [Life?], [1961?]
Container
24.20 6 b/w contact sheets
Container
24.2 1 b/w enlargement
Lunar Probe ([William Hayward] Pickering & Hugh L.] Dryden), Life, 1959
Container
24.21 5 b/w contact sheets (see also 22.06)
M
MacDonald, Ross, [and] Ken Millar, #S-345, New York Times, 1969
Container
58.33 5 rolls of b/w 35mm film
Container
24.22 5 b/w contact sheets
Narrative report
Mafia hearings, #270, Life, 1959
Container
24.23 9 b/w contact sheets
Typescript by Bill Davidson for ‘Los Angeles: No-Man’s- Land for the Mafia
Mafioso, #57080, Life, 23 May 1959
Container
24.24 7 b/w enlargements
Maheu, [Robert], set #89464, People, 1974
Container
24.25 8 b/w contact sheets
18 b/w enlargements
Correspondence
Maja stamp, 1969
Container
24.26 1 b/w contact sheet
Malibu fire, #839, Life, 1958
Container
25.1 21 b/w contact sheets
Container
25.2 27 b/w enlargements
Notes; clipping
Mancini, [Henry], undated
Container
58.34 1 b/w 4x6" copy negative; 1 b/w 8x10" negative
Container
25.3 1 contact print for 8x10" neg.
6 b/w enlargements
Manoulian [sic, Mamoulian], Rouben, Time, Sept. 1958
Container
58.35 2 rolls of b/w 35mm film
Container
25.4 2 b/w contact sheets
Mansfield, Jayne, (house), #179, Life, 1958
Container
25.5 7 b/w contact sheets
14 b/w enlargements
Research material
Mansfield, Jayne, & [her] baby, #952, Life, 1958
Container
25.6 4 b/w contact sheets
Mansfield, Jayne, [and her] baby, Paris Match, 1960
Container
25.7 2 b/w contact sheets
Narrative report; research material
Marineland [of the Pacific], undated
Container
58.36 5 rolls of b/w 35mm film
Container
25.8 5 b/w contact sheets with captions on versos (see also 30.7 [Marineland: shipping a whale])
[Marineland: shipping a whale], undated
Container
25.9 4 b/w contact sheets (see also 22.4 'Marineland [of the Pacific]')
Mariner Space Probe, Saturday Evening Post, 1962
Container
58.37 19 rolls of b/w 35mm film
Container
25.10 31 b/w contact sheets
Container
25.11-12 63 b/w enlargements
Container
25.12 Narrative report with captions; correspondence
Marriage counselors, Saturday Evening Post, 1962
Container
58.38 20 rolls of b/w 35mm film
Container
25.13 38 b/w contact sheets
Narrative report with captions; correspondence; notes
[Marsh, Louis], Saturday Evening Post, 1963
Container
26.1 Correspondence; photocopy typescript with annotations, by Gertrude Samuels, titled 'The Death -- and Legacy -- of Louis Marsh' (see also: 1.10)
Martin, Mary, (in TV "Annie Get Your Gun"), #844, Life, 1957
Container
26.2 8 b/w contact sheets
14 b/w enlargements
Notes
[MARU and unid. virus in Bolivia], [1962 or later]
Container
26.3 Carbon copy typescript of 'Fever, t.a.,' by unid. author
Marx, Dr. Rudolph (surgeon & author), Time, 1961
Container
58.39 1 roll of b/w 35mm film
Container
26.4 1 b/w contact sheet
Labels, notes
Mason, Pamela, Time, Nov. 1958
Container
58.40 3 rolls of b/w 35mm film
Container
26.5 4 b/w contact sheets (NB. The first 2 strips of roll C3 are not printed on the contact sheet for that roll)
Label; correspondence
Mason, Pamela, Time, 1959
Container
58.41 2 rolls of b/w 35mm film
Container
26.6 3 b/w contact sheets
The Match, for RCA, 1969
Container
26.7 7 b/w contact sheets
Narrative report; correspondence
Mattison family, undated
Container
26.8 3 b/w contact sheets
Maverick, Life, 1959
Container
59.1 1 roll of b/w 35mm film [Lacking film for Rolls C1-C10 and C12-C13]
Container
26.9 12 b/w contact sheets
25 b/w enlargements
Mayer, Louis B., #91, Saturday Evening Post, undated
Container
59.2 3 b/w 4x5" negatives
Mayer, Ziv, #468, Life, 1960
Container
26.10 13 b/w contact sheets
MCA [Building], Fortune, 1960
Container
59.3 3 rolls of b/w 35mm film
Container
26.11 6 b/w contact sheets
MCAA Code Staff (Vincent Canby), New York Times, 1968
Container
59.4 4 rolls of b/w 35mm film
Container
26.12 4 b/w contact sheets
Narrative report; memo; receipt
McCone, [John Alex], June 1958
Fortune, 1958
Life, 1958
Container
59.5 2 rolls of b/w 35mm film [Lacking film for Rolls C1-C3 and C6-C19]
Container
26.13 17 b/w contact sheets [Lacking contact sheets for Rolls C1-C2 and C8-C9]
McQueen, [Steve], used in both the Saturday Evening Post, (1965) and the Los Angeles Magazine (undated), 1965
Container
26.14 12 b/w contact sheets [Lacking all film]
Container
26.15 36 b/w enlargements
Correspondence
Meaningless murders, story about Wayne Lee Welch, #410, Saturday Evening Post, 1966-1967
Container
59.6 8 rolls of b/w 35mm film [Lacking 3 frames of film]
Container
26.16 14 b/w contact sheets
Narrative report; correspondence; photocopy typescript titled 'The Case of the Meaningless Murders,' by Bill Davidson
Medicine: Cedars of Lebanon, photos of Dr. Ali Ekmekci, Dr. Myron Prinzmetal, [and] Dr. Rexford Kennamer, Time, 1960 or 1961
Container
59.7 2 rolls of b/w 35mm film
Container
26.17 2 b/w contact sheets
[Memorial Hospital Medical Center, Long Beach, Calif.], 1973
Container
26.18 1 b/w contact sheet
Container
16.18 Correspondence
Mental health deportation train, 1958
Container
26.19 3 b/w contact sheets
Container
16.19 Label
Mental health story, undated?
Container
59.8-59.10 75 rolls of b/w 35mm film
Container
27.1-28.3 121 b/w contact sheets
91 b/w enlargements
Research material; correspondence
Mental health story[?], photo of a group of people lying on a shag carpet
Container
59.11 2 rolls of b/w 35 mm film
Container
28.4 2 b/w contact sheets
5 b/w enlargements
Merriam, Joan, #737, Saturday Evening Post, 1964
Container
59.12 9 rolls of b/w 35mm film; 10 b/w 4x5" negatives
Container
28.5 18 b/w contact sheets
Mexican retirement, #97, Saturday Evening Post, undated
Container
59.13 31 rolls of b/w 35mm film (NB. Film for Rolls 12, 27 and 33 is lacking)
Container
28.6 26 b/w contact sheets (NB. Contact sheets for Rolls 6, 10-11, 13, 22, 26, 29 and 34 are lacking)
[Mexican trip, or The New Mexican Railway], Saturday Evening Post, 1961-1962
Container
28.7 1 b/w contact sheet
Correspondence; story assignment; narrative report; notes
Mexico, Saturday Evening Post, 1963
Container
28.8 3 b/w contact sheets (NB. Contact sheets for Rolls 1-6, 8-16, 18-24 and 26-33 are lacking)
Narrative report with captions
MGM [Metro-Goldwyn-Mayer executives?], n.d
Container
28.9 13 b/w contact sheets
Mili, Gjon, at San Simeon (Hearst castle), Life, 1957
Container
59.14 2 rolls of b/w 9.5mm film
Container
28.10 2 b/w contact sheets
4 b/w enlargements
Mineo, Sal, #W481, West, undated
Container
59.15 5 rolls of b/w 35mm film
Container
28.11 10 b/w contact sheets
Correspondence
Miss Universe [contest], Life, 1958
Container
28.12 7 b/w contact sheets
11 b/w enlargements
Miss Universe contest, Paris Match, 1959
Container
28.13 21 b/w contact sheets
Narrative reports with captions; receipt
Modoc County, [Calif.], #W679, West, 1968
Container
59.16 12 rolls of b/w 35mm film
Container
28.14 22 b/w contact sheets
Narrative report
Monkees [at] RCA, undated
Container
28.15 5 b/w contact sheets
Moon crater (Alphonsus), #T349, Time, Dec. 1958
Container
59.17 2 rolls of b/w 35mm film; 1 roll of b/w 120 film
Container
29.1 5 b/w contact sheets
Moran, George A., #T174, Time, 1959
Container
59.18 2 rolls of b/w 35mm film
Container
29.2 2 b/w contact sheets
Movie boom, New York Times Magazine, 1960-1961
Container
59.19 12 rolls of b/w 35mm film
Container
29.3 19 b/w contact sheets
Narrative report; notes; shipping receipt
Movie [industry:] Russians [in Hollywood], [1959?]
Container
59.2 4 rolls of b/w 35mm film
Container
29.4 8 b/w contact sheets, some with captions on versos
Movies: "[The] Sixth Man", Life, 1960
Container
29.5 28 b/w contact sheets
Notes
Mt. McKinley rescue, #59967, Life, 1960
Container
29.6 24 b/w contact sheets (NB. Contact sheets for Rolls C1, C3 and C9 are lacking)
4 b/w enlargements
Muhammad, Elijah, Life, 1960
Container
29.7 7 b/w contact sheets
Mulholland Drive story, Chevron USA, undated
Container
59.21 4 rolls of b/w 35mm film
Container
29.8 4 b/w contact sheets
Correspondence
Murphy, Audie, undated
Container
59.22 7 rolls of b/w 35mm film
Container
29.9 7 b/w contact sheets
Music, #T400, Time, 1958
Container
59.23 7 rolls of b/w 35mm film
Container
29.10 14 b/w contact sheets
Music center, [Los Angeles], [Zubin Mehta], 1960s
Container
59.24 5 rolls of b/w 35mm film
Container
29.11 11 b/w contact sheets
Partial narrative report (NB. Page 1 is lacking)
Mutiny model used in "Mutiny on the Bounty," #52978, Life, 1957
Container
29.12 1 b/w enlargement
O
O'Rourke, Dr. Paul F., [and] Dr. Warren L. Bostick, #T894, Time, 1961
Container
60.3 3 rolls of b/w 35mm film (NB. Contact sheets are lacking)
Occidental & Redlands Colleges, #T052, Time, undated
Container
60.4 3 rolls of b/w 35mm film
Container
31.12 6 b/w contact sheets
Narrative report with captions; receipt
Occult, New York Times Magazine, 1972
Container
60.5 4 rolls of b/w 35mm film
Container
31.13 4 b/w contact sheets
Narrative report
Offenhauser, undated
Container
60.6 3 rolls of b/w 35mm film
Container
31.14 3 b/w contact sheets
Oil under the Azaleas, Saturday Evening Post, 1962
Container
60.7 9 rolls of b/w 35mm film
Container
31.15 21 b/w contact sheets
Container
31.16 13 b/w enlargements
Narrative report
"Oliver!" take, for RCA Victor Records, 1962
Container
31.17 15 b/w contact sheets
Narrative report
Once-doomed horse, "Tomboy," [1958]
Container
31.17 "Fight for Horse Doomed by Woman’s Will," #54056, Life, 1958
May 19, v.44 #20
Container
31.18 1 b/w enlargement
Oregon cross, #15, Saturday Evening Post, 1965
Container
60.8 18 rolls of b/w 35mm film (NB. 2 rolls plus 2 frames of film are lacking)
Container
31.19 47 b/w contact sheets
Container
31.20 12 b/w enlargements
Orion, 13 Nov. 1969
Container
60.9 7 rolls of b/w 35mm film
Container
32.1 8 b/w contact sheets
Overcrowded and substandard schools, Los Angeles, #53623, Life, 17 Mar. 1958
Container
32.2 2 b/w enlargements
Overturned lemon truck, #OA29275, [Life or Time], 1958
Container
60.10 1 roll of b/w 35mm film
Container
32.3 1 b/w contact sheet
2 b/w enlargements
p
Palms to pines, for Gousha [Chevron USA?], 1969-1970
Container
60.11 9 rolls of b/w 35mm film
Container
32.4 Correspondence with purchase order
Palomar [Observatory], New York Times Magazine, 1966
Container
60.12 2 rolls of b/w 35mm film
Container
32.5 4 b/w contact sheets
Correspondence; photocopy typescript titled 'Palomar: Can It Solve the Mysteries of the Universe?,' by C.P. Gilmore
Panama, #342, Saturday Evening Post, 1964
Container
60.13 41 rolls of b/w 35mm film; 1 b/w 4x5" negative
Container
32.6 81 b/w contact sheets; 1 b/w contact print for 4x5" neg.
Container
32.7 Narrative report with captions; correspondence; press pass issued by the USAF Public Affairs Office
Pancake House, [or] Founder: Internat[iona]l House of Pancakes, undated
Container
60.14 2 rolls of b/w 35mm film (NB. Film for Rolls 1-4 is lacking)
Container
32.8 6 b/w contact sheets
1 b/w enlargement
Papermate sales meeting, L[os] A[ngeles], for Daniel J. Edelman & Assoc., Inc., 1960-1961
Container
32.9 12 b/w contact sheets
Narrative report
[Patient Project: unid. doctor performing reflex tests on patient], Medical World News, 1964
Container
32.10 4 b/w contact sheets
Phelan, Jim, #155, Saturday Evening Post, 1965
Container
60.15 2 rolls of b/w 35mm film
Container
32.11 3 b/w contact sheets
Correspondence
Phil[ippine] Sea: [looking for lost Pan Am airliner], #52715, Life, 1957
Container
60.16 37 rolls of b/w 35mm film
Container
32.12 36 b/w contact sheets
Container
32.13-14 60 b/w enlargements
Container
32.14 Receipts
Piatigorsky, [Gregor], pictured at home with his wife and practicing, and in the studio with Jascha Heifetz and Rudolph Firkusny, for RCA, 1960-1965
Container
60.17 4 rolls of b/w 35mm film (NB. 19 rolls of film are lacking)
Container
33.1 31 b/w contact sheets
11 b/w enlargements
Narrative report; correspondence
Piatigorsky, [Gregor, and Rudolph] Firkusny, 1965
Container
33.2 9 b/w contact sheets
3 b/w enlargements
Correspondence; narrative report
Pierce, Dr. Bob, Time, 1957
Container
60.18 2 rolls of b/w 35mm film (NB. Contact sheets are lacking)
Pike, Bishop, LOOK, 1968-1969
Container
33.3 7 b/w contact sheets
Narrative report; correspondence; receipt
Pipeline / R[odeo] clowns / Navajo Dam, undated
Container
60.19 10 rolls of b/w 35mm film
Container
33.4 10 b/w contact sheets
2 b/w enlargements
Playboy bunnies, [or] Funny side of bunny business, Saturday Evening Post, 1963
Container
60.20 8 rolls of b/w 35mm film
Container
33.5 15 b/w contact sheets
Polio, mass shots [at] Calif[ornia] drive-in, #UB10506, Life, 1960-1964
Container
60.21 4 rolls of b/w 35mm film
Container
33.6 8 b/w contact sheets
1 b/w enlargement
Correspondence
Politics: [Barry] Goldwater in Dallas, #723, Saturday Evening Post, [1964]
Container
60.22 6 rolls of b/w 35mm film
Container
33.7 13 b/w contact sheets
Narrative report
Politics: Calif[ornia], #629, Saturday Evening Post, 1964
Container
60.23 53 rolls of b/w 35mm film (NB. 10 frames of film are lacking)
Container
33.8-9 102 b/w contact sheets
Container
33.9 Narrative reports; correspondence; research material
Politics: Calif[ornia]: [Barry] Goldwater, New York Times Magazine, 1965
Container
60.24 11 rolls of b/w 35mm film
Container
33.10 18 b/w contact sheets
Narrative reports; mimeograph typescript of untitled story by Jerry Walker
Politics: J.F.K. [i.e., John F. Kennedy], Life, 1959
Container
33.11 5 b/w contact sheets (NB. Contact sheet for Sunday Dinner Roll 1 is lacking)
3 b/w enlargements
[Politics: Mexican-Americans in California], undated
Container
33.12 Photocopy typescript titled 'The Mexican Socio-Political Revolution in California,' by Jose Antonio Villarreal
Politics: Mexico, #675, Saturday Evening Post, 1964
Container
60.25 48 rolls of b/w 35mm film
Container
34.1 53 b/w contact sheets (NB. Contact sheet for [Take 1]: Roll 28 is lacking)
Notes; photocopy typescript titled 'Mexico,' by "Armstrong"
Politics: Oregon Primary, [or] Lodge Oregon Campaign, #614, Saturday Evening Post, 1964-1965
Container
61.1 20 rolls of b/w 35mm film
Container
34.2 41 b/w contact sheets
Correspondence
Politics: Republican Convention, S[an] F[rancisco], #748, Saturday Evening Post, 1964
Container
61.2 47 rolls of b/w 35mm film (NB. 2 rolls of film are lacking)
Container
34.3-5 102 b/w contact sheets
Politics: Yankelovich poll interviewees, #59315, Life, 5 Mar. 1960
Container
34.6 6 b/w contact sheets
3 b/w enlargements
Pope's Death, 1958
McIntyre, Cardinal, #55343, Life, 11 Oct. 1958
Container
34.7 7 b/w contact sheets
14 b/w enlargements
Portland Zoo etc., [science exhibit at Oregon Museum of Science and Industry], for Gousha, undated
Container
61.3 3 rolls of b/w 35mm film
Container
34.8 3 b/w contact sheets
Portraits: Tom in space helmet, TV movie preview, undated
Container
61.4 1 roll of b/w 35mm film
Postman on roller skates, #OA37364, Life, 1959
Container
61.5 11 rolls of b/w 35mm film
Container
34.9 11 b/w contact sheets
33 b/w enlargements
Post-war millionaires, undated
Container
61.6 1 roll of b/w 35mm film
Poverty, #70, Saturday Evening Post, 1963-1965
Container
61.7 40 rolls of b/w 35mm film; 2 b/w 4x5" negatives (NB. 35 frames of 35mm film are lacking)
Container
35.1-3 99 b/w contact sheets
Container
35.4 18 b/w enlargements
Research material; narrative report with captions; correspondence; notes
Power, Tyronne, funeral, #55713, Life, 22 Nov. 1958
Container
35.5 6 b/w contact sheets
13 b/w enlargements
Premature babies, #16, Saturday Evening Post, 1965-1972
Container
61.8 11 rolls of b/w 35mm film
Container
35.6 22 b/w contact sheets
15 b/w enlargements
Correspondence; model release forms; photocopy typescript titled 'The Newborn's Toughest Battle,' by Steven M. Spencer
Previn, Andre, [and Leontyne] Price, for RCA, 1967
Container
35.7 10 b/w contact sheets (NB. Negatives are lacking)
3 b/w enlargements
Correspondence
Price, Vincent, #2, Saturday Evening Post, 1964-1965
Container
61.9 17 rolls of b/w 35mm film (NB. the last strip of negatives for Roll 4 of the 3rd take needs conservation treatment, negatives are cracked)
Container
35.8 5 b/w contact sheets
Narrative reports; correspondence
Proprietary hospitals, [or] Patients for profit, Saturday Evening Post, 1962
Container
61.10 2 rolls of b/w 35mm film
Container
35.9 2 b/w contact sheets
Narrative report; correspondence
Provine, [Dorothy], [Saturday Evening Post?], undated
Container
61.11 6 rolls of b/w 35mm film
Container
35.10 18 b/w contact sheets
8 b/w enlargements
Provine, Dorothy (actress), Time, 1961
Container
61.12 4 rolls of b/w 35mm film
Container
35.11 4 b/w contact sheets
Prowse, Juliet, #031, Saturday Evening Post, undated
Container
61.13 13 rolls of b/w 35mm film
Container
36.1 26 b/w contact sheets
17 b/w enlargements
Story assignment
Pyne, [Joe, on the set of Showdown], [New York Times Magazine?], 1966
Container
61.14 5 rolls of b/w 35mm film
Container
36.2 5 b/w contact sheets
2 b/w enlargements
Q
Quarterback school, West, 1967
Container
61.15 11 rolls of b/w 35mm film
Container
36.3 11 b/w contact sheets
16 b/w enlargements
Correspondence
Queen Frederika['s] luncheon [with John Alex] McCone, Oct. 1958
Container
61.16 6 rolls of b/w 35mm film
Container
36.4 5 b/w contact sheets
1 b/w enlargement
R
Rafferty, Max, #379, Saturday Evening Post, 1964
Container
61.17 6 rolls of b/w 35mm film
Container
36.5 12 b/w contact sheets
22 b/w enlargements
Ramo, Si[mon], story on Intellectronics, undated
Container
36.6 2 b/w contact sheets
Rand Corp., #45703A, New York Times Magazine, 1966
Container
61.18 7 rolls of b/w 35mm film
Container
36.7 7 b/w contact sheets
Narrative report with captions; photocopy typescript with annotations titled 'The Rand Corporation,' by Sal Stern
Rand-[Wooldridge?], Rand briefing Gen. Irvine, #OA33883, [Life?], 1959
Container
61.19 2 rolls of b/w 35mm film
Container
36.8 1 b/w contact sheet
1 b/w enlargement
Correspondence
RCA: [Ann-Margret with Al Hirt], #558, [Life?], undated
Container
36.9 32 b/w contact sheets
14 b/w enlargements
Receipt
RCA: Ed Ames, shot for RCA, 1969
Container
36.10 Narrative report; notes; receipt
Reading Aloud [sic, Out Loud], Life, [1960]
Container
36.11 16 b/w contact sheets
Reagan, Ronald, (actor), #T706, Time, 1961
Container
61.20 2 rolls of b/w 35mm film
Container
36.12 2 b/w contact sheets
Receipt
Reagan, [Ronald], Gov., New York Times, 1965-1966
Container
61.21 15 rolls of b/w 35mm film
Container
36.13 30 b/w contact sheets (NB. 1 set of contact sheets is from a story orig. shot for the Saturday Evening Post)
Container
37.1 47 b/w enlargements
Container
36.13 Correspondence; clippings; correspondence (a second set of contact sheets was used later by the New York Times, see also 34.11)
Reed, Donna, #461, Saturday Evening Post, 1964
Container
61.22 3 rolls of b/w 35mm film
Container
37.2 8 b/w contact sheets
Narrative report; receipt
Reiner, Carl, undated
Container
37.3 1 b/w enlargement
'Remick, Lee,' West, undated
Container
61.23 1 roll of b/w 35mm film
Container
37.4 2 b/w contact sheets
Renay, Liz, #53506, Life, 1 Mar. 1958
Container
37.5 1 b/w contact sheet
Repertory Company, New York Times, 1966
Container
37.6 7 b/w contact sheets (NB. Negatives are lacking)
Receipts
Retirement, #1747, Saturday Evening Post, 1965
Container
61.24 19 rolls of b/w 35mm film
Container
37.7 25 b/w contact sheets
Retirement housing, #978, Saturday Evening Post, [1965?]
Container
61.25 4 rolls of b/w 35mm film
Container
37.8 3 b/w contact sheets
7 b/w enlargements
Reventlow, [Lance, and his car the] Scarab, 1958
'Sports Cars: Grand Prix Race,' Life, 1958
Container
37.9 37 b/w contact sheets (NB. There is no contact sheet numbered Roll 12 but 2 contact sheets for 2 different rolls of film are both labeled Roll 18)
Rexall Drug, undated
Container
61.26 3 rolls of b/w 35mm film
Container
37.10 2 b/w contact sheets
Correspondence
[Rexall Drug and Chemical Company, 1960]
Rexall Drug and Chemical Company Annual Report, 1960
Container
37.11 8 b/w enlargements
Rhoden, Elmer C., Jr.: Pres. Commonwealth Theaters, Time, 1958
Container
61.27 2 rolls of b/w 35mm film (NB. Contact sheets are lacking)
Richter, Dr. H. L. [sic, C. F. (Charles Francis)], Time, 1959
Container
61.28 3 rolls of b/w 35mm film (NB. Contact sheets are lacking)
Rickles, Don, (at Slate Bros.) for TV-Movie Preview, [Time?], 1957
Container
61.29 5 rolls of b/w 35mm film (NB. Film for Rolls 1-2, 4, and 6 is lacking)
Container
37.12 4 b/w contact sheets (NB. Contact sheets for Rolls 1-5 are lacking)
[The Riverside Press, Inc.], 1963
Container
37.13 correspondence; invoices issued by Bridges
[Road signs: Keep Right, No Left Turn, No Right Turn], undated
Container
61.30 1 roll of b/w 35mm film
Container
37.14 1 b/w contact sheet
1 b/w enlargement
Rockefeller, N[elson], Time, 1959
Container
61.31 3 rolls of b/w 35mm film
Container
37.15 3 b/w contact sheets
Correspondence
Rockefeller, [Nelson A.], HQ [i.e. head-quarters], #792, Life, 1960
Container
37.16 2 b/w contact sheets
[Rodgers, Phil], Saturday Evening Post, 1962
Container
62.1 6 rolls of b/w 35mm film
Container
37.17 10 b/w contact sheets
Rooney, Mickey, #67, Saturday Evening Post, undated
Container
62.2 7 rolls of b/w 35mm film (NB. Film for Rolls 4, 7, 8-10 and 12 are lacking)
Container
37.18 22 b/w contact sheets
Container
37.19 34 b/w enlargements
Rose Bowl, [Life or Sports Illustrated], 1960-1961
Container
37.2 12 b/w contact sheets
Container
37.20 Story assignment; narrative report with captions; correspondence
Rosenberg, Aaron, #X5558, Sports Illustrated, 1958
Container
37.21 1 b/w contact sheet
Roth, S., portraits at home, [Life?], 1957
Container
37.22 1 b/w contact sheet
Rousselot, John, (R. congressman elect, Calif.), Time, 1960
Container
62.3 1 roll of b/w 35mm film (NB. Film for Roll C1 is lacking)
Container
37.23 2 b/w contact sheets
[Rousselot, John], Saturday Evening Post, 1967
Container
37.24 Correspondence
Ruben, F. E., [owner of guano mine, Grand Canyon], Time, 1957
Container
62.4 1 roll of b/w 35mm film (NB. Film for Roll C2 is lacking)
Container
38.1 2 b/w contact sheets
Ruether, Rosemary, #480, Saturday Evening Post, 1964
Container
62.5 2 rolls of b/w 35mm film (NB. Film for Roll 3 is lacking)
Container
38.2 6 b/w contact sheets
Correspondence; notes
Russians [at] Disneyland [at the] Monsanto [House of the Future], 1959
Container
62.6 5 rolls of b/w 35mm film (NB. 12 frames of film are lacking)
Container
38.3 6 b/w contact sheets
2 b/w enlargements
Correspondence
'Russian dancers at [the] H[ollywood] Bowl,' [1961?]
"With an Open Heart," America Illustrated, [1961?]
Container
62.7 11 rolls of b/w 35mm film
Container
38.4 8 b/w contact sheets
Correspondence
Russian Delegates to meeting of the Federation Aeronautique International, 1958
Container
38.5 9 b/w enlargements
S
Sahl, Mort, undated
Container
62.8 5 rolls of b/w 35mm film
Container
38.6 4 b/w contact sheets
12 b/w enlargements
Sajac, undated
Container
62.9 3 rolls of b/w 35mm film (NB. Film for Roll 3 is lacking)
Container
38.7 3 b/w contact sheets (NB. Contact sheet for Roll 3 is lacking)
4 b/w enlargements
[Sales office of a low-cost housing development, La Miranda, Calif.], 1958
Container
38.8 1 b/w enlargement
Salih, George, Al-Hayat fi America, 1960
Container
38.9 5 b/w contact sheets
Narrative report with captions; receipt
San Diego Ballet, New York Times, 1966
Container
62.10 7 rolls of b/w 35mm film
Container
38.10 8 b/w contact sheets
Narrative report; receipt
San Francisco Giants opening at Candlestick Park,' #59602, Life, 1960
Container
38.11 11 b/w enlargements
San Luis Obispo, [Calif.], [Chevron USA?], undated
Container
62.11 4 rolls of b/w 35mm film
Container
38.12 4 b/w contact sheets
Notes
Sanders, Doug, #372, Saturday Evening Post, 1966
Container
62.12 3 rolls of b/w 35mm film
Container
38.13 6 b/w contact sheets
Santa Anita [Park: horse racing], #W1060, West, 1969
Container
62.13 12 rolls of b/w 35mm film
Container
38.14 18 b/w contact sheets
10 b/w enlargments
Research material; correspondence
Santa Barbara moon watchers, #52346, Life, 7 Oct. 1957
Container
38.15 2 b/w contact sheets
4 b/w enlargements
Santa Barbara Spikers, set #94411P, People Weekly, 1977
Container
38.16 17 b/w contact sheets
Santa Monica Symphony Orchestra, Time, 1957
Container
62.14 2 rolls of b/w 35mm film (NB. Contact sheets are lacking)
Santana [boat], undated
Container
62.15 2 rolls of b/w 120 film
Santo Tomas, Wine World, 1971
Container
62.16 2 rolls of b/w 35mm film
Container
38.17 2 b/w contact sheets
Correspondence
Satellite airports (LA [i.e., Los Angeles]), New York Times Magazine, 1971
Container
62.17 6 rolls of b/w 35mm film
Container
38.18 6 b/w contact sheets
18 b/w enlargements
Narrative report
Satellite: US #1, views of a San Diego tracking station, Life, 1 Feb. 1958
Container
38.19 4 b/w contact sheets
1 b/w enlargement
Satellites, Life, 6 Nov. 1957
Container
38.20 4 b/w contact sheets
Saturday Evening Post Exhibition in Los Angeles, #515, Saturday Evening Post, 1967
Container
62.18 4 rolls of b/w 35mm film
Container
38.21 8 b/w contact sheets
Correspondence
Saucer Convention, #51225, [Sports Illustrated or Life], 1957
Container
38.22 4 b/w enlargements
Schmid, [Charles H., Jr.], case, 1965
Container
62.19 3 rolls of b/w 35mm film
Container
38.23 5 b/w contact sheets
Clippings
Schulz, [Charles M.], [creator of] "Peanuts," Saturday Evening Post, undated
Container
62.20 6 rolls of b/w 35mm film
Container
38.24 13 b/w contact sheets
Schwarz, Fred, (psychologist), Time, 1960
Container
62.21 1 roll of b/w 35mm film
Container
38.25 1 b/w contact sheet
Correspondence
Seagren-Smith, [Bob Seagren and ? Smith], #90779P, People, 1975
Container
38.26 13 b/w contact sheets
[Seagulls], #OA43181 [Life or Time], undated
Container
39.1 4 b/w contact sheets
2 b/w enlargements
Narrative report
Seidenbaum, Art, Saturday Evening Post, 1961
Container
62.22 5 rolls of b/w 35mm film
Container
39.2 5 b/w contact sheets
Story assignment; narrative report
Seidenbaum, [Art], Saturday Evening Post, 1962
Container
62.23 7 rolls of b/w 35mm film
Container
39.3 11 b/w contact sheets
Senator’s California Tour of Denfense [sic, Defense] and Missiles Installations, 1957
Container
39.4 6 b/w enlargements
Senior Citizens Village (Fresno, [Calif.]), New York Times, 1962
Container
62.24 6 rolls of b/w 35mm film
Container
39.5 12 b/w contact sheets
23 b/w enlargements
Narrative report
Serling, Rod,' Time, 1958
Container
62.25 2 rolls of b/w 35mm film
Container
39.6 2 b/w contact sheets
Share Party, Life, 1960
Container
39.7 11 b/w contact sheets
9 b/w enlargements
Share Party rehearsal, Life, 1960
Container
62.26 2 rolls of b/w 35mm film
Container
39.8 4 b/w contact sheets
Shelby, Carroll, undated
Container
62.27 1 roll b/w 35mm film
Container
39.9 1 b/w contact sheet
Notes
Shelton, James, Time, 1959
Container
62.28 2 rolls of b/w 35mm film (NB. Contact sheets are lacking)
Sherman, Allan: spoofmaster, Saturday Evening Post, 1963
Container
62.29 4 rolls of b/w 35mm film
Container
39.10 4 b/w contact sheets
Narrative report; receipt
Shipboard exercise class, undated
Container
39.11 2 b/w enlargements
Shore, Dinah, Time, 1957
Container
62.30 2 rolls of b/w 35mm film
Container
39.12 4 b/w contact sheets
Show -- Bride and Groom, #51728, Life, 1957
Container
39.13 3 b/w enlargements
[Shrine] Burn Center, [Galveston, TX], #955, Saturday Evening Post, 1964
Container
62.31 11 rolls of b/w 35mm film
Container
39.14 22 b/w contact sheets
16 b/w enlargements
Narrative report with captions; correspondence; photocopy typescript of untitled story by Alice Lake
Shurlock, Geoffrey, MPAA, Life, 1960
Container
39.15 2 b/w contact sheets
Sibbald, Laurie, 1959
Paris Match, 1959?
This Week, 1959?
Container
65.36 1 color 35mm transparency
Container
62.32 18 rolls of b/w 35mm film; 1 b/w 4x5" negative
Container
39.16 18 b/w contact sheets; 1 b/w contact print
3 b/w enlargements
Correspondence; narrative reports; notes
Signoret, Simone, LOOK, 1960
Container
39.17 11 b/w contact sheets
Correspondence
Silly Season: Bean Man, #57536, Life, 1959
Container
39.18 5 b/w enlargements
Simmons, [Dykes A., Jr.], 1963-1969
Container
39.19 11 b/w contact sheets
2 b/w enlargements
Container
19.19 Correspondence; model release forms; narrative report with captions
Sims, C. [Hurlin?], Deacon, Bogalusa, La., #122, 1965
Container
62.33 3 rolls of b/w 35mm film
Container
40.1 3 b/w contact sheets
4 b/w enlargements
Simpson, Louis, poet, New York Times, 1965-1966
Container
62.34 5 rolls of b/w 35mm film
Container
40.2 5 b/w contact sheets
Narrative report; correspondence; notes; receipt
Sinatra, Frank, [Jr.], kidnap[ping], #256, Saturday Evening Post, 1963
Container
62.35 6 rolls of b/w 35mm film
Container
40.3 6 b/w contact sheets
Receipt; research materials; clipping
Skelton, [Red], Thanksgiving show, [and funeral of his son Richard], Paris Match, 1958
Container
62.36 3 rolls of b/w 35mm film (NB. 7 rolls of film are lacking)
Container
40.4 15 b/w contact sheets
12 b/w enlargments
Narrative reports; receipt; notes; dried flower
Slip 'n' Slide, #730, Life, 1961
Container
40.5 10 b/w contact sheets
Smog, [or], Tishman, #T950, Time, 1958
Container
62.37 4 rolls of b/w 35mm film
Container
40.6 6 b/w contact sheets
3 b/w enlargements
Smog, Los Angeles, [Calif.], [or, Auto exhaust], Fortune, 1959-1960
Container
62.38 6 rolls of b/w 35mm film
Container
40.7 12 b/w contact sheets
Correspondence
Snakes (Ken Earnest bitten), #046, Life, 1960
Container
40.8 2 b/w contact sheets
Soleri, [Paolo], 1963-19
Container
62.39 25 rolls of b/w 35mm film
Container
40.9 36 b/w contact sheets
Narrative report with captions; correspondence; typescript of 'Solari [sic] would save the world,' by Art Seidenbaum; research material; clippings
Solti, Georg, (conductor), [and] Michael Rabin (violinist), #T779, Time, 1960
Container
62.4 3 rolls of b/w 35mm film
Container
40.10 3 b/w contact sheets
Receipt
Sonny & Cher, 1966
Saturday Evening Post, 1966
Container
40.11 18 b/w contact sheets
1 b/w enlargement
Narrative report; itinerary; receipt; typescript titled 'The Married-Couple Bag,' by Peter Bogdanovich
Sonny & Cher at home, (Encino), Royal Oaks, [Calif.], 1967
New York Times Magazine, 5 May 1967
Container
62.41 3 rolls of b/w 35mm film
Container
40.12 3 b/w contact sheets
Narrative report
Space Fair, Life, 1960
Container
40.13 12 b/w contact sheets
[Spears airline crash], Life, 1960
Container
40.14 4 b/w contact sheets (NB. Contact sheets for Rolls C1-C5 and C8-C9 are lacking)
[Spector, Phil], #OA65006, Life, 1965
Container
62.42 4 rolls of b/w 35mm film
Container
40.15 1 b/w enlargement
Sports Arena, Life, 1960
Container
40.16 7 b/w contact sheets
Sports car races: Jerome, [Arizona], #045, Life, 1960
Container
40.17 11 b/w contact sheets
Sports: "Where Are They Now?," 1960
'Three Ex-Olympic Champs: What Are They Doing Now?,' America Illustrated, 1960
Container
62.43 8 rolls of b/w 35mm film
Container
40.18 12 b/w contact sheets
Story assigment; correspondence; narrative report with captions; invoice; notes
Sputnik, #52643, Life, 8 Nov. 1957
Container
40.19 13 b/w contact sheets
3 b/w enlargements (1 enlargement moved to OV box)
Stack, Robert, n.d
Container
41.1 2 b/w enlargements
Standee [Kenneth E. Porter] (man who can't sit down), #269, Life, 1952
Container
41.2 12 b/w contact sheets (NB. Several are credited to George Silk)
Notes; memo
Stapp, Col. John [P.], Life, 1959
Container
41.3 1 b/w contact sheet
Steel strike, #342, Life, 1959
Container
41.4 19 b/w contact sheets
3 b/w enlargements
Stengel, Casey, & John Bryson, Saturday Evening Post, [1960s?]
Container
41.5 4 b/w contact sheets
Correspondence
Stevens, Inger, #235, Saturday Evening Post, [between 1963-1965]
Container
62.44 5 rolls of b/w 35mm film
Container
41.6 10 b/w contact sheets
Narrative report
Stevens, Kay, Saturday Evening Post, 1965
Container
62.45 17 rolls of b/w 35 mm film
Container
41.7 17 b/w contact sheets
Container
41.8 27 b/w enlargements
Notes; photocopy typescript titled 'Kaye [sic] Stevens,' by Edward Linn
Storms, [Harrison], Saturday Evening Post, 1962
Container
63.1 22 rolls of b/w 35mm film; 6 4x5" b/w negatives
Container
41.9-10 91 b/w contact sheets
Container
41.11 25 b/w and color enlargements
Correspondence; story assignment
Street scenes: 6th looking east just off H[ollywood] Fwy., 1957
Container
63.2 6 rolls of b/w 35mm film (NB. Film for [Take 1] Roll 1 is lacking)
Container
41.12 9 b/w contact sheets (NB. Contact sheet for [Take 1] Roll 1 is lacking)
Strombotne, James, (artist), #T914, Time, 1961
Container
63.3 6 rolls of b/w 35mm film
Container
41.13 9 b/w contact sheets
Captions
Subliminal advertising, undated
Container
42.1 17 b/w enlargements
Supermarket of knowledge, #54932, date?
Container
42.2 1 b/w enlargement
Sunset Blvd., 1957-1959
Container
63.4 20 rolls of b/w 35mm film
Container
42.3-4 40 b/w contact sheets
Container
42.4 5 b/w enlargements
Story suggestions to various editors; notes; research material; correspondence
Sunset Strip banker, undated
Container
42.5 1 b/w enlargement
Supersonic jet, #1007, The Saturday Evening Post, 1965
Container
63.5 3 rolls of b/w 35mm film
Container
42.6 6 b/w contact sheets
Notes
Surf, Calif., evacuation, #56418, Life, 1959
Container
42.7 5 b/w contact sheets
6 b/w enlargement
[Surfing], undated
Container
42.8 1 b/w contact sheet
Surfing, New York Times, 1967
Container
42.9 Correspondence; notes; receipt
Surplus show, Santa Monica Civic [Center], #OA43180, Life, 1960
Container
63.6 14 rolls of b/w 35mm film
Container
42.10 26 b/w contact sheets
4 b/w enlargement
Susskind, [David], & [Sidney] Poitier [on the set of A Raisin in the Sun], #T826, TIME and TV Guide, 1960
Container
63.7 5 rolls of b/w 35 mm film
Container
42.11 10 b/w contact sheets
Narrative report; receipt
Swimming: housewife Amy Hiland, #062, Life, 1958
Container
42.12 4 b/w contact sheets
Synanon, 1963-1964
Container
63.8 8 rolls of b/w 35mm film
Container
42.13 13 b/w contact sheets
Receipt; proof sheet of pages 71-73 from Show, Oct. 1963, v.3 #10 (see also: Synanon stories in 1.7, 15.7, and 30.2)
Photocopy typescript with annotations titled 'Synanon,' by Robert Jennings
Synanon, #849, 1968
Container
63.9 8 rolls of b/w 35mm film
Container
42.14 1 b/w contact sheet (see also 1.7, 26.13, and 30.2)
Synanon / Father Dubay, #345, Saturday Evening Post, 1964-1966
Container
63.10 6 rolls of b/w 35mm film
Container
42.15 12 b/w contact sheets
Captions; clippings; photocopy typescript titled 'The Secular Church,' by Father William H. Dubay (see also 15.7, 26.13, and 30.2)
T
Tarian, Jim, chess [player], #554, [Life or Time], [1974?]
Container
42.16 8 b/w contact sheets
Tarzan, #1032, [1960s]
Container
63.11 7 rolls of b/w 35mm film
Container
42.17 11 b/w contact sheets
7 b/w enlargements
Tarzan - [Sharon] Tate, #643, [Saturday Evening Post?], [1966?]
Container
63.12 5 rolls of b/w 35mm film
Container
42.18 10 b/w contact sheets
Tax assessors, story includes images of Russ Wolden, #371, Saturday Evening Post, 1966-68
Container
63.13 26 rolls of b/w 35mm film (NB. 6 frames of film and film for Rolls 1-3 are lacking)
Container
43.1 49 b/w contact sheets
Container
43.2 26 b/w enlargements
Correspondence
Tax / Lloyd, #436, [Saturday Evening Post?], undated
Container
43.3 4 b/w contact sheets
Teenage enterprise, #416, Life, 1959
Container
43.4 8 b/w contact sheets
Teenage killer, Ariz[ona], The New York Times, 1966
Container
43.5 4 b/w enlargements
Teenaged killer, L.A. [i.e. Los Angeles], [West?], undated
Container
43.6 6 b/w enlargements
Tektite, #972, [Saturday Evening Post?], 1964-1965
Container
63.14 4 rolls of b/w 35mm film
Container
43.7 8 b/w contact sheets
7 b/w enlargements
Tennis, [Life?], 1958-1959
Container
63.15 4 rolls of b/w 35mm film
Container
43.8 8 b/w contact sheets
7 b/w enlargements
Tennis: Kathy Chabot, Life, 1959
Container
43.9 16 b/w contact sheets
Thiemes, Pat, cross country walker, 1957
Container
43.10 15 b/w enlargements
Thomas, Danny, daughter, [Marlo Thomas], TV Guide, [1960 or 1961]
Container
43.11 8 b/w contact sheets
TIC [i.e., Technology Instrument Corp.], 1960
Container
63.16 46 rolls of b/w 35mm film
Container
43.12 60 b/w contact sheets
Container
43.13 7 b/w enlargements
Annual Report for 1960, narrative reports; notes; captions; business card; receipt
Tijuana, undated
Container
43.14 Typescript by Robert Meyer, Jr.
Tijuana - Ensenada, for Gousha and the New York Times Magazine 1968-1971
Container
63.17 21 rolls of b/w 35mm film
Container
44.1 21 b/w contact sheets
11 b/w enlargements
Correspondence, narrative reports
Tijuana gamblers, #56216, Life, 1959
Container
44.2 9 b/w contact sheets
1 b/w enlargement
Tishman, Norman, #T941, Time, 1958
Container
63.18 3 rolls of 35mm
Container
44.3 3 b/w contact sheets
Titan site, Vandenberg [Air Force Base, Calif.], New York Times Magazine, 1960
Container
63.19 3 rolls of b/w 35mm film (NB. 1 frame is lacking, and 2 frames were destroyed by the USAF)
Container
44.4 6 b/w contact sheets
7 b/w enlargements
Narrative report
Todd, Mike, (funeral story), Life, 1958
Container
63.20 4 rolls of b/w 35mm film (NB. 2 rolls of film are lacking)
Container
44.5 10 b/w contact sheets
2 b/w enlargements
Topanga Canyon, West, 1969
Container
44.6 Correspondence; model release forms; research material; receipts; notes; Topanga Business Directory, 1966-1967; annotated photocopy of typescript, 'Topanga,' by Robert Bobrow; business cards
Townsend, Francis: funeral, # 60717, Life, 7 Sept. 7 1960
Container
44.7 3 b/w contact sheets
6 b/w enlargements
[Train, Puerto Rico], [Saturday Evening Post?], undated
Container
44.8 Partial carbon copy typescript
Trampolines, Sports Illustrated, 1960
Container
44.9 14 b/w contact sheets
Narrative report
[Travis AFB, California], #14790, New York Times Magazine, undated
Container
44.10 1 b/w contact sheet
Trouble in the B[irch] S[ociety], Saturday Evening Post, 1967
Container
63.21 18 rolls of b/w 35mm film
Container
44.11 31 b/w contact sheets
Container
44.12 20 b/w enlargements
Container
44.11 Narrative report with captions; correspondence (see also 13.7) story suggestions
Truck driver: [Trafford, Al], New York Times Magazine, 1972
Container
63.22 6 rolls of b/w 35mm film (NB. Film for Roll 3 is lacking)
Container
44.13 15 b/w enlargements
Trujillo, Rafael, (gifts to Zsa Zsa [Gabor and] Kim Novak), #OA32790, Life, 1958
Container
63.23 1 roll of b/w 35mm film (NB. Film for [Take 1]: Rolls C1-C10 is lacking)
Container
44.14 10 b/w contact sheets (NB. Contact sheet for [Take 2: Roll 1] is lacking)
Correspondence
Turkey that swims like [a] duck, 1960
Life, 1960
"What's Going On?," America Illustrated, [1965?] #82
Container
44.15 4 b/w contact sheets
7 b/w enlargements
[Turner, Lana, undated]
Container
44.16 Photocopy typescript with annotations titled 'Now and Mrs. Eaton,’ by John Maynard
[Turner, Lana, at the Academy Awards, 1958]
Container
44.17 1 b/w enlargement
Turner, Lana, (Stompanato stabbing), Life, 1958
Container
44.18 18 b/w contact sheets (see also 49.30 '[Crane], Cheryl, hearing')
20 b/w enlargements
Tuttle, Holmes, (auto dealer), Time, Apr. 1961
Container
63.24 3 rolls of b/w 35mm film
Container
45.1 3 b/w contact sheets
TV, Saturday Evening Post, 1962
Container
63.25 9 rolls of b/w 35mm film
Container
45.2 22 b/w contact sheets
Container
45.3 25 b/w enlargements
Story assignment; narrative report; correspondence
TV boom, New York Times Magazine, 1959
Container
64.1 27 rolls of b/w 35mm film
Container
45.4 56 b/w contact sheets
Container
45.5 Shooting script; narrative reports with captions; correspondence; notes; typescript titled '20th century- fox television,' by Frank Neill; shipping receipts
TV debate, undated
Container
64.2 7 rolls of b/w 35mm film
Container
45.6 12 b/w contact sheets
TV dogs, for Black Star, 1958
Container
64.3 10 rolls of b/w 35mm film
Container
45.7 9 b/w contact sheets
Container
45.9 Invoices; narrative report with captions
TV shows: P[layhouse 90] "Child of Our Times", Life, 1959
Container
45.8 15 b/w contact sheets
TV story, New York Times, 1966
Container
64.4 6 rolls of b/w 35mm film
Container
45.9 11 b/w contact sheets
Narrative reports
TV wasteland, Saturday Evening Post, 1961
Container
64.5 34 rolls of b/w 35mm film
Container
45.10-11 90 b/w contact sheets
Container
45.11 2 b/w enlargements
Story assignment; narrative report
[Tymczyszyn], Joe "Tonguetwister," boy pilot, Saturday Evening Post, 1961
Container
46.1 5 b/w contact sheets
Narrative report; receipt
U
U.S. Supreme Court Justices: [Thomas C.] Clark [and Charles E.] Whittaker [sic, Wittaker],' Life, 1958
Container
46.2 6 b/w contact sheets
1 b/w enlargement
UCLA, undated
Container
64.6 2 rolls of b/w 35mm film
Container
46.3 2 b/w contact sheets
UCLA: auto accident team, New York Times Magazine, 1968
Container
64.7 6 rolls of b/w 35mm film
Container
46.4 6 b/w contact sheets with captions
14 b/w enlargements
Correspondence; photocopy typescript for 'The Scientific Approach to Auto Safety,' by John L. Chapman
UCLA: [campus] construction, Life, 1960
Container
46.5 4 b/w contact sheets
4 b/w enlargements
Narrative report
UCLA co-educational phone-booth stuffing, #56612, Life, 1959
Container
46.6 15 b/w enlargements
UCLA Jazz, 1967
Container
64.8 1 roll of b/w 35mm film
Container
46.7 1 b/w contact sheet
UCLA: [John] Wooden [and Lew] Alcindor, #274, Saturday Evening Post, 1965-1966
Container
64.9 20 rolls of b/w 35mm film (NB. 1 frame of film is lacking)
Container
46.8 39 b/w contact sheets (NB. Contact sheet for Roll 17 is lacking)
Narrative reports
Umeki, Moyoshi, wedding – groom Frederick Winfield Opie, #54739, Life, 1958
Container
46.9 9 b/w enlargements
Underground school, N.M. [i.e. New Mexico], Saturday Evening Post, 1962
Container
64.10 7 rolls of b/w 35mm film (NB. Film for Rolls 1 and 9 is lacking)
Container
46.10 16 b/w contact sheets
Narrative report; receipt
Underwater warfare: RAT (Rocket Assisted Torpedo), Life, 1958
Container
46.11 2 b/w contact sheets
Unemployment, #56669, Life, 1959
Container
46.12 11 b/w enlargements
Unemployment (Hollywood Compensation Office), #T096, Time, 1961
Container
64.11 2 rolls of b/w 35mm film
Container
46.13 2 b/w contact sheets
Narrative report; receipt
[United States Forest Service Air Attack Base, Chino: fueling airplanes and fighting fires, undated]
Container
46.14 4 b/w contact sheets (NB. Contact sheet for Roll C5 is lacking)
5 b/w enlargements
University of Southern California, #T495, Time, undated
Container
64.12 6 rolls of b/w 35mm film
Container
46.15 6 b/w contact sheets with captions printed on versos
Unruh, Jesse, #087, Saturday Evening Post, 1963
Container
64.13 11 rolls of b/w 35mm film
Container
46.16 10 b/w contact sheets
Narrative report with captions; notes; receipt
V
Vallens, Ritchie -- Rock 'n' Roller killed in air crash, 1959
Container
46.17 9 b/w enlargements
Van Dyke, Dick, and M[ary] T[yler] Moore / [Beverley Hills Hotel], used in both the New York Times (Jan. 1966) and the Saturday Evening Post (Dec. 1966?), 1966
Container
64.14 18 rolls of b/w 35mm film
Container
46.18 36 b/w contact sheets
1 b/w enlargement
Correspondence
Vandenberg AFB [i.e. Air Force Base], New York Times Magazine, 1958-1959
Container
64.15 25 rolls of b/w 35mm film [Lacking 20 frames of film]
Container
46.19 29 b/w contact sheets
1 b/w enlargement
Narrative reports; captions; correspondence
Vandenberg [Air Force Base: missile launch?], ca. 1958-1960
Container
64.16 3 rolls of b/w 35mm film
Container
47.1 6 b/w contact sheets
1 b/w enlargement
[Vaughn, Robert], Man from UNCLE, Saturday Evening Post, [1964?]
Container
64.17 2 strips of b/w 35mm film
Container
47.2 3 b/w contact sheets
9 b/w enlargements
Venta Cult Bombing, #882, Life, 1958-1959
Container
47.3 22 b/w contact sheets
Verble, Matt, (Ft. Huachuca gold story), #59034, Life, 1960
Container
47.4 3 b/w contact sheets
3 b/w enlargements
Narrative report; correspondence
[Viet] Nam Vet[eran], Pendleton Hospital, West, undated
Container
47.5 1 b/w enlargement
Villa, Pancho, [and] Mrs. Pancho Villa, #W714, West, [1968?]
Container
64.18 1 roll of b/w 35mm film
Container
47.6 1 b/w contact sheet
7 b/w enlargements
Correspondence; photocopy typescript of 'Pancho Villa's Widow,' by Christopher Davis
Virginian, The, Saturday Evening Post, 1962
Container
64.19 16 rolls of b/w 35mm film
Container
47.7 32 b/w contact sheets
Story assignment; narrative report with captions; research material; photocopy of layout of article titled "Another western: Who needs it?"
Volvo, [or] foreign car invasion, #GB32167, 1957
Container
64.20 1 roll of b/w 35mm film
Container
47.8 1 b/w contact sheet
2 b/w enlargements
von Sydow, [Max, or The Greatest Story Ever Told], #OA47923 and #OA47966, 17 Feb. 1961
Container
47.9 30 b/w enlargements
W
Wal, Laurel van der, Saturday Evening Post, 1961
Container
47.10 3 b/w contact sheets
Container
41.7 Narrative report
Wallace, Geo[rge], New York Times, 1968
Container
47.11 31 b/w contact sheets
Container
47.12 26 b/w enlargements
Narrative reports; correspondence; receipts; research material
Wallis, Suzy, [at] RCA, for RCA Records, 1965
Container
47.13 7 b/w contact sheets (NB. No negatives available)
Narrative reports
War Canoe Race, True, 1966
Container
47.14 Narrative report; correspondence
War in space, [or] Outer space: the next battlefield, Saturday Evening Post, 1962
Container
64.21 8 rolls of b/w 35mm film
Container
47.15 16 b/w contact sheets
Correspondence
Ward, Pete, #123, Saturday Evening Post, 1965
Container
64.22 15 rolls of b/w 35mm film
Container
48.1 30 b/w contact sheets
Narrative report
Watts, scenes in Watt Co., Calif., 1966
Container
64.23 14 rolls of b/w 35mm film [Lacking 15 frames of film]
Container
48.2 25 b/w contact sheets [Lacking contact sheet for [Take 3: Roll 1]
Receipt
Wayne, John, Saturday Evening Post, 1962
Container
64.24 8 rolls of b/w 35mm film
Container
48.3 13 b/w contact sheets
10 b/w enlargements
Narrative reports; correspondence; research material; typescript titled 'John Wayne: uneasy box office king,' by Dean Jennings
Wayne, John, # 124, Saturday Evening Post, 1965
Container
64.25 4 rolls of b/w 35mm film
Container
48.4 9 b/w contact sheets
Webb, Del, #W914, West, undated
Container
64.26 6 rolls of b/w 35mm film
Container
48.5 12 b/w contact sheets
7 b/w enlargements
Photocopied untitled typescript by [unid.] and John F. Lawrence
Western Airlines explosion victim, #51780, Life, 1957
Container
48.6 3 b/w enlargements
[What's the bid? (gameshow), KTLA television], undated
Container
48.7 2 b/w contact sheets for 3 rolls of film
White Cop, #779, Saturday Evening Post, 1968-1969
Container
65.1 30 b/w rolls of 35mm film [Lacking film for Rolls 6,10, 18, 30, 33-36, and 40]
Container
48.8 71 b/w contact sheets
Narrative reports; correspondence
White opinion, [or] What Northerners really think of Negro[e]s, Saturday Evening Post, 1963
Container
65.2 6 b/w rolls of 35mm film
Container
48.9 5 b/w contact sheets
Who killed your favourite T.V. show, images taken on the sets of Bonanza, The Rogues, and Gomer Pyle, Saturday Evening Post, 1965
Container
65.3 11 rolls of b/w 35mm film
Container
48.10 6 b/w contact sheets (see also: 4.8 and 46.20)
Wideangle [views] of freeway from Statler [Hotel, Los Angeles], The New York Times, 1959
Container
48.11 1 b/w contact sheet
Story assignment; narrative report with captions; correspondence; receipt
Widow Tippit, [Marie Gasway Tippit], Saturday Evening Post, [1963 or 1964]
Container
65.4 6 rolls of b/w 35mm film
Container
48.12 12 b/w contact sheets
Photocopy of layout of article titled "Mrs. Tippit story," by Frank Tolbert (see also 41.12)
Wilder, Billy, #303, Saturday Evening Post, 1966
Container
65.5 16 rolls of b/w 35mm film [Lacking 6 frames of film]
Container
48.13 30 b/w contact sheets
Narrative report
[Williams, Buddy], #W627, West, undated
Container
49.1 Typescript titled 'Tennis Pros and Cons,' by William Murray
Williams, Ralph, used car salesman, #785, Saturday Evening Post, 1968
Container
65.6 14 rolls of b/w 35mm film [Lacking 8 frames of film]
Container
49.2 32 b/w contact sheets
Narrative report; receipt
Willson, Meredith, [and Morton Da Costa], #T940 and T937, Time, 1958
Container
65.7 3 rolls of b/w 35mm film
Container
49.3 3 b/w contact sheets
2 b/w enlargements
Labels
Wilson, Ben, 1962
Container
49.4 Correspondence narrative report; story assignment
Wilson, Bob, Congressman, of San Diego -- Political Lead, 1958
Container
49.5 2 b/w enlargements
Winchell, Walter, (columnist), Time, 1961
Container
65.8 2 rolls of b/w 35mm film
Container
49.6 2 b/w contact sheets
Wine Shed, Wine World, 1972-1973
Container
65.37 2 color 35mm transparencies
Container
65.9 4 rolls of b/w 35mm film
Container
49.7 8 b/w contact sheets
8 b/w enlargements
Ephemera
Winecoff, Nat, [or Bibleland] Time, 1960
Container
65.10 2 rolls of b/w 35mm film
Container
49.8 2 b/w contact sheets
Wolper, Dave, Life, 1960
Container
49.9 2 b/w contact sheets for 2 rolls of 35mm film
narrative report; correspondence
Wood, Natalie, Saturday Evening Post, 1962
Container
65.11 9 rolls of b/w 35mm film [Lacking film for [Roll 10]
Container
49.10 17 b/w contact sheets
3 b/w enlargements
Story assignment; narrative report with captions; correspondence; typescript titled 'Natalie Wood: The Magnificent Throwback,' by Bill Davidson
Writer's strike, 1960
Container
65.12 2 rolls of b/w 35mm film
Container
49.11 4 b/w contact sheets
Wyman, Roz [i.e. Rosalind], #318, Saturday Evening Post, 1964
Container
65.13 19 rolls of b/w 35mm film
Container
49.12 18 b/w contact sheets
Container
49.13 20 b/w enlargements
Correspondence; receipt; notes
Wynn, Keenan, #289, Life, 1957
Container
49.14 10 b/w contact sheets
Wynne, Ed, #229, Life, 1957
Container
49.15 2 b/w contact sheets (NB. Contact sheets credit J. Burke)
X
Xmas [i.e. Christmas] Party in July, 1957
Container
65.14 1 roll of b/w 35mm film
Container
49.16 1 b/w contact sheet
Y
Yacht "Golden Rule" on South Sea Voyage, photographs of Quakers on their yacht en route to protest atomic tests in the South Seas, #53740, Life, Mar. 1958
Container
49.17 3 b/w enlargements
Yogi G. [Yogi Bhajan], set #90123P, People, 1974
Container
49.18 13 b/w contact sheets
10 b/w enlargements
Research material
Young generation, #74208Bks, Time Books, undated
Container
65.15 5 rolls of b/w 35mm film
Youth, Saturday Evening Post, 1961
Container
65.16-17 66 rolls of b/w 35mm film
Container
49.20-50.2 120 b/w contact sheets
Container
50.3-4 58 b/w enlargements
Container
49.19 Captions; correspondence; receipt; research material; notes
Youth (surfing), set #74208BKS, Life, 1965
Container
50.5 10 b/w contact sheets for 5 rolls of 35mm film
Research material
Yo-Yos, #936, Life, 1961
Container
50.6 3 b/w contact sheets for 3 rolls of 35mm film credited on versos to Leigh Wiener but credited to Wiener and Bridges on file label
York, Susannah, undated
Container
65.18 2 rolls of b/w 35mm film
Container
50.7 2 b/w contact sheets
Notes
Yorty, [Mayor Sam], 1963-1967
Saturday Evening Post, 1963
New York Times, 1967
Container
65.19 20 rolls of b/w 35mm film
Container
50.8 33 b/w contact sheets
5 b/w enlargements
Correspondence; clipping
[YWCA of Los Angeles], 1974
Container
50.9 Brochures; correspondence
Unidentified stories
[Boy lying on rock by the sea], #x5847, [Sports Illustrated?], undated
Container
50.10 1 b/w enlargement
[Chef], undated
Container
50.11 2 b/w contact sheets
[Conductor and quintet, possibly at the RCA recording studio], undated
Container
50.12 6 b/w enlargements
[Copy prints of 7 views of the American west], undated
Container
65.20 1 roll of b/w 35mm negatives
[Doctor in silhouette holding hands in front of face], undated
Container
50.13 1 b/w enlargement
[Evening party around a pool, connected to Sandra Giles, 1958]
Container
65.21 5 rolls of b/w 35mm film
Container
50.14 4 b/w contact sheets
[Garden reception or party, possibly a diplomatic event for a present or former British Colony], undated
Container
50.15 2 b/w contact sheets
[Human eye viewed through a bulls-eye], undated
Container
50.16 3 b/w enlargements
[Industrial images of products and production], undated
Container
50.17 3 b/w enlargements
[Interior of office building with IBM electric typewriters], undated
Container
50.18 1 b/w enlargement
[Outdoor party, possibly with Sonny and Cher], undated
Container
65.22 7 rolls of b/w 35mm film
[Parking lots at farmers markets], undated
Container
50.19 2 b/w contact sheets
[People fishing off a pier], undated
Container
50.20 1 b/w contact sheet
[People in suits and dresses around a bonfire of political signs], undated
Container
50.21 1 b/w enlargement
[Person doing yard work], undated
Container
65.23 1 strip (frames 12-17) of b/w 35mm film (NB. The original negative sleeve was marked "from sheet 2")
[Pigeon perched on geometrically patterned wall of building], undated
Container
50.22 2 b/w contact sheets
[Press agents seated in a group], #52091, Life, 5 Sept. 1957
Container
50.23 1 b/w enlargement
[Rehearsal of an unid. theatrical production], undated
Container
65.24 1 roll of b/w 35mm film
[Staged fist fight on the set of a western movie or television show], undated
Container
65.25 3 rolls of b/w 35mm film
Container
50.24 2 b/w contact sheets
1 b/w enlargement
[Trumpet player], undated
Container
50.25 4 b/w contact sheets
[Two children on horses holding disks on string, giant yoyos?], undated
Container
50.26 2 b/w contact sheets
[Unid. Anglo woman teaching an unid. Hispanic woman], #8618, undated
Container
65.26 3 rolls of b/w 35mm film
Container
50.27 3 b/w contact sheets
4 b/w enlargements
[Unid. dark-haired woman wearing white shirt and glasses], 1963
Container
50.28 1 b/w contact sheet
[Unid. event], undated, caption reads "Employee gets 25 – year award"
Container
51.1 1 b/w enlargement
[Unid. man holding graveyard themed birthday cake], #62044, Life, 8 Mar. 1961
Container
51.2 1 b/w enlargement
[Unid. man in dark sweater, striped shirt and khakis posed near and in front of a house numbered 28408; unid. man seated in courtroom], undated
Container
51.3 3 b/w contact sheets
[Unid. man in white shirt and dark tie, seated against an interior brick wall], undated
Container
51.4 3 b/w contact sheets
[Unid. man seated at desk with model airplanes, also with unid. woman photographing a toy Indian], undated
Container
51.5 2 b/w contact sheets for 1 roll of 35mm film
[Unid. man seen through mass of electrical circuits], undated
Container
51.6 1 b/w enlargement
[Unid. man wearing a plaid shirt, seated at a desk], #4, [Saturday Evening Post?], undated
Container
65.27 4 rolls of b/w 35mm film
Container
51.7 8 b/w contact sheets
[Unid. man with a pipe and a tour bus standing outside the Biltmore hotel], undated
Container
51.8 2 b/w contact sheets
[Unid. men standing in front of the Inyo County Courthouse], undated
Container
51.9 1 b/w enlargement
[Unid. men with their backs to the camera], undated
Container
65.28 1 roll of b/w 35mm film
Container
51.10 1 b/w contact sheet
[Unid. musical groups: one trio, one quintet, possibly at the RCA recording studio], undated
Container
51.11 15 b/w contact sheets
[Unid. octet recording at RCA], undated
Container
51.12 7 b/w contact sheets
[Unid. political figure on college campus], #59172, Life, 15 Feb. 1960
Container
51.13 3 b/w enlargements
[Unid. professors?], undated
Container
65.29 3 rolls of b/w 35mm film
Container
51.14 3 b/w contact sheets
[Unid. scientist/hypnotism], undated
Container
51.15 2 b/w contact sheets
[Unid. television variety show aired by NBC], undated
Container
51.16 3 b/w contact sheets
[Unid. trio performing on stage, possibly for RCA?], undated
Container
51.17 3 b/w contact sheets
[Unid. woman in bra], undated
Container
65.30 2 rolls of b/w 35mm film
Container
51.18 2 b/w contact sheets
1 b/w enlargement
[Unid. woman reclining in front of a glass of wine, bust portrait], undated
Container
51.19 1 color enlargement
[Unid. young, blond woman looking over her shoulder], undated
Container
51.20 1 b/w contact sheet
[View of exterior staircase in Los Angeles]
Container
51.21 2 b/w contact sheets
[View of coast line with a helicopter trailing an advertisement for Liberace], undated
Container
51.22 1 b/w enlargement
[View of sky streaked with clouds], undated
Container
51.23 1 b/w contact sheet
[Views of a California highway, possibly from a bridge or overpass], undated
Container
51.24 1 b/w contact sheet



Series II. Published Materials, 1957-1977

Clippings, 1959-74, undated
Container
66.1 New York Times
"'Urban Sprawl' Aggravates the Commuting Crisis Here and in Other U.S. Cities: Los Angeles Finds Freeways No Help," 1959 Mar. 3
"Elegant Pavilion Is West Coast 'Answer'," 1964 Nov. 29
"And May the Best-Looking Man Win," 1966 Jan. 9
"People first," advertisement for People magazine, 1974 July 17
Container
66.1 Los Angeles Times
[Advertisement for West magazine], 1966 Dec. 29
[Advertisement for West magazine], [1966?]
Publications and Tear Sheets
Container
66.2 25 Years of Life, 1961 -- programs for "Life's 90 minute TV spectacular"
Al-Hayat fi America
Container
66.3 "A magic kingdom for adventure," [1960 or 1961], #11 -- tear sheets (See also 'Disneyland,' 1960)
Container
66.4 "Venturesome voyagers: the first Arabs in the New World," [1965 or 1966], #40 (See also [Photo of Hi Jolly burial monument in the American southwest])
America Illustrated [Polish edition]
Container
66.5 "Alfred Hitchcock: fat fantastic," [1960?], #22 -- tear sheets (See also 'Hitchcock, [Alfred, on the set of] "NXNW [i.e., North By Northwest],"' 1958)
Container
66.6 "Magnetic Caltech," [1960 or 1961], #29 -- tear sheets (NB. See also: 'Beadle, Dr. [George W.], at Cal Tech,' 1960)
Container
66.7 "Doris Day: for millions she is the girl next door," [1961-63?], #34 -- tear sheets
Container
66.8 "What's going on?," [1965?], #82 -- issue (See also 'Turkey that swims like [a] duck,' 1960)
America Illustrated [Russian edition]
Container
66.9 [Russian plastics experts visit the Monsanto House of the Future at Disneyland], [1959?] -- tear sheets (NB. See also: 'Russians [at] Disneyland [at the] Monsanto [House of the Future],' 1959)
Container
66.10 "Spotlight on U.S.-U.S.S.R. exchanges," [1958?], #28 -- tear sheets (See also ‘Russian Delegates to meeting of the Federation Aeronautique International,’ 1958)
Container
66.11 "With an open heart," [1961?], #55 -- tear sheets (See also 'Russian dancers at [the] H[ollywood] Bowl,' [1961?])
Container
66.12 "What's new?," [1965?], #110 -- issue (See also 'Turkey that swims like [a] duck,' 1960)
Container
66.13 "Fort Ross: Russia's American colony," [1966?], #132; subject of photo(s): Fort Ross, Calif.
Container
66.14 California's Colorful Culture [Crocker Bank Guide]
[View of outdoor public sculpture of heads], [1970s?]
Carte Blanche
Container
66.15 "Sports," 1961 Spring -- issue; subject of photo(s): Barron Hilton
Challenge
Container
66.16 "Portrait of a leader," 1965 Fall, v.4 #3 -- issue; subject of photo(s): Lt. Gen. Thomas P. Gerrity, USAF
Chemsphere
Container
66.17 "Aromatics: that old black magic," 1976, Spring -- issue; subject of photo(s): Lt. Gen. Thomas P. Gerrity, USAF
Chevron USA
Container
66.18 "Come to the faire!," 1969 Fall, v.1 #2 -- tear sheets; subject of photo(s): California’s Renaissance fairs
Container
66.19 "Salt Lake City: monument to Mormon faith and industry," 1970 Spring, v.1 #4 -- issue; subject of photo(s): Mormon Temple
"Coming up next issue...the Southwest Indians," 1970 Spring, v.1 #4 -- issue; subject of photo(s): Arizona and New Mexico
Container
66.20-66.21 "Exploring Southwest Indian trails," 1970 Summer, v.2 #1 -- issue; tear sheets; subject of photo(s): Arizona and New Mexico
Container
66.22-66.23 "Rediscovering historic San Luis Obispo," 1973 Spring, v.4 #4 -- issue; tear sheets
Container
66.24 "Sampling the bountiful harvest of southern California," 1973 Fall, v.5 #2 -- issue; subject of photo(s): Arizona and New Mexico
Contemporary OB/GYN
Container
66.25-66.27 "How LAC-USC detects the distressed fetus," 1973 Jan., v.1 #1 -- issue; tear sheets
Contemporary Surgery
Container
66.28-66.29 "The case for 'one-day' herniorrhaphy," 1972 July/Aug., v.1 #4 -- issue, tear sheets; subject of photo(s): hernia surgery
Current Science
Container
66.30 "Noise...noise...and more noise," 1970 Feb. 18, v.55 #19 -- issue; subject of photo(s): Dr. Vern O Knudsen, noise expert
Daily Variety
Container
66.31 "News bulletin," 1958 Dec. 30, v.102 #16 -- issue with clipping from earlier edition inserted; subject of photo(s): Robert Stack
Discovering Science
Container
66.32 "Stop that noise," 1973 Sept. 7, v.2 #1 -- issue; subject of photo(s): Dr. Vern O Knudsen, noise expert
Container
66.33 El Rodeo, 1971 -- year book for Calif. State Polytechnic College at San Luis Obispo
Esquire
Container
67.1 "The age for love," [1960?] May -- tear sheets subject of photo(s): Simone Signoret
Container
67.2 "The thinking man’s shelter," 1962 Apr., v.57 #4 -- tear sheets; subject of photo(s): Center for the Study of Democratic Institutions
Container
67.3 Exxon News, 1974 June -- complete issue; subject of photo(s): 1974 annual meeting
Fortune
Container
67.4 "The noisome problem of car fumes," 1960 Jan. -- tear sheets (See also 'Smog, Los Angeles, [or, Auto exhaust]')
Container
67.5 "The plane makers under stress," 1960 June -- tear sheets; subjects: J.H. Kindelberger, and John Leland Atwood of North American Aviation
Gambit
Container
67.6 "Can we manage our miracles?," 1970 June, v.7 #6 -- issue with enclosed business card (See also 'TV wasteland')
General Electric Annual Calendar
Container
67.7 "Energy and environment," 1971; subject of photo(s): interior of control room in the Tahoe City sewage treatment facility
Container
67.8 "Men helping man," 1972; subjects: McDonnell Douglas DC-10 jet engine; playground in George C. Koch Park, Placentia, Calif.
Container
67.9 "Men helping man," 1973; subjects: 'Customer Care...Everywhere' vans; production line at San Jose Motor Plant
Container
67.10 "Progress for people," 1974; subjects: high-speed saws for cutting highway grooves; 50KV GE locomotive used by Black Mesa and Lake
Container
67.11 "Toward an electrical future," 1975 subjects: lighting in manufacturing area; lighting of Berkeley Tennis Club courts
Container
67.12 "Entering America's third century," 1977; subject of photo(s): interior view of a kitchen at Woodbridge development in Irvine, Calif.
General Electric Investor
Container
67.13 [Lake Tahoe], 1971 Summer, v.2 #2 -- tear sheets
[CF6 engine], 1971 Summer, v.2 #2 -- tear sheets
Container
37.14 "A different kind of airplane," 1971 Fall, v.2 #3 -- tear sheets; subject of photo(s): McDonnell Douglas DC-10
Container
67.15 "Consumer," 1973 Spring, v.4 #1 -- issue; tear sheets; subject of photo(s): 'Customer Care...Everywhere' vans
"Industrial components and systems," 1973 Spring, v.4 #1 -- issue; tear sheets; subject of photo(s): motors for nuclear plant coolant pumps
"Review of 1972 operations," 1973 Spring, v.4 #1 -- issue; tear sheets; subject of photo(s): Cornelia Weakland, engineer
Container
67.16 [unspecified subject(s)], 1974 -- issue
General Electric Monogram
Container
67.17 [Riderless Railroad], 1973 Nov.-Dec. -- tear sheets; subjects: 50KV GE locomotive used by Black Mesa and Lake Powell Railroad
Container
67.18 "Black Mesa: prototype for all-electric railroading," 1974 Apr. -- tear sheets; subjects: 50KV GE locomotive used by Black Mesa and Lake Powell Railroad
The Hollywood Reporter
Container
67.19 "News bulletin," 1958 Dec. 29 -- tear sheets; subject of photo(s): Robert Stack
Container
76.1 Harvard Project Physics Newsletter, 1966 Winter #4
Horse & Rider
Container
67.2 "Breaking the dude horse," [cover photo] 1972 Oct. v.11 #10
Human Behavior
Container
67.21 "Dr. Glasser without failure," 1973 May, v.2 #5 -- issue; tear sheets; subject of photo(s): Dr. William Glasser
Container
67.22 "Where have all the patients gone?," 1973 Oct., v.2 #10 -- issue; (See also 'Mental Health Story')
Container
67.23 "...Take my head...away," 1974 Feb., v.3 #2 -- issue (See also 'Mental Health Story')
Container
67.24 Ideas on Public Transportation, 1975, #2; subject of photo(s): views of bus fares, buses, light rail, corporate meetings
KCET Program Guide
Container
67.25 "Decade of frustration," 1969 Dec. -- tear sheets; subjects: politics, George G. Wallace, John F. Kennedy, Robert Kennedy, poverty, overcrowded beaches/highways, Air Force Acedemy, helicopter rescue, mental health story, Rexall drug corp., NASA, Shriner's Hospital for burned children
Kaiser News
Container
67.26 "Shelter: the cave re-examined," 1970, The Markets of Change Series, #2; subject of photo(s): Paolo Soleri
The Lamp
Container
67.27 "Hope for the American conductor," 1974 Fall, v.56 #3 -- issue; tear sheets
Container
67.28 [Santiago, Robert, of the Ajo, Ariz., high school band], 1976 -- tear sheets
LIFE
Container
67.29 [Brown, Mrs. Glenn L.], 1957 [Feb.?] -- tear sheets
Container
67.30 "Light turns for spring fancy," 1957 [Apr.?] -- tear sheets; subject of photo(s): Ditch Day at Cal. Tech.
Container
67.31 "The Twinings: a military tradition," 1957 Aug. 26 -- tear sheets; subject of photo(s): Harry L. Twining, and his "bat-winged contraption that never flew"
Container
67.32 "The feat that shook the Earth," 1957 Oct. 21, v.43 #17 -- tear sheets; subject of photo(s): Sputnik, Russia’s satellite
Container
67.33 "Sputnik II and pioneer rider," 1957 Nov. 18, v.43 #21 -- tear sheets
Container
67.34 "U.S. Business hews to its missile task," 1957 Nov. 25, v.43 #22 -- tear sheets; subject of photo(s): missile makers
Container
67.35 "Mary Martin on horseback and piggyback for Annie," 1957 Dec. 9, v.43 #24 -- tear sheets
Container
67.36 "A U.S. change of mind: New survey shows surprisingly fast switches in public's ideas about space, schools and spending" 1958 Mar. 3, v.44 #9 -- tear sheets
Container
67.37 "Sugartime’s singing sisters," 1958 Mar. 17, v.44 #11 -- tear sheets; subject of photo(s): McGuire Sisters
Container
67.38 "The theatrical victories of Silky Sullivan," 1958 Mar. 24, v.44 #12 -- tear sheets; subject of photo(s): horse at Santa Anita race track
Container
67.39 "'Hidden sell' technique is almost here," 1958 Mar. 31, v.44 #13 -- tear sheets; subject of photo(s): subliminal advertising
Container
67.40 "Congressmen get a surprise from the people back home," 1958 Apr. 21, v.44 #16 -- tear sheets; subject of photo(s): Congressman Bob Wilson on an offshore oil rig
Container
67.41 "Americans there, Russians here," 1958 Apr. 28, v.44 #17 -- tear sheets; subject of photo(s): Russian airmen
Container
67.42 "A look at the World’s week," 1958 May 5, v.44 #18 -- tear sheets; subject of photo(s): Cheryl Turner, and the Stompanato stabbing
Container
67.43 "Fight for horse doomed by woman’s will," 1958 May 19, v.44 #20 -- tear sheets (See also ‘Once-doomed horse, "Tomboy"’)
Container
67.44 "A real nice party group," 1958 May 26, v.44 #21 -- tear sheets; subject of photo(s): Zsa Zsa Gabor and Rafael Trujillo
Container
67.45 "The departure of a debonair star," 1958 June 2, v.44 #22 -- tear sheets; subject of photo(s): Ronald Colman, funeral
Container
67.46 "The popular Purple People Eater: hit song inspires fantastic drawings," 1958 June 30, v.44 #26 -- tear sheets
Container
67.47 [Giles, Sandra], 1958 [June?] -- tear sheets; subject of photo(s): Sandra Giles with Mitchell Gertz
Container
67.48 "John A. McCone, a new boss for AEC," 1958 July 28, v.45 #4 -- tear sheets
Container
67.49 "A look at the World’s week," 1958 Aug. 4, v.45 #5 -- tear sheets
Container
67.50 "A booming sound of: Click!," 1958 Aug. 11, v.45 #6 -- tear sheets; subject of photo(s): growth of photography business
Container
67.51 "Bing’s boys on their own," 1958 Sept. 15, v.45 #11 -- tear sheets; subject of photo(s): Linday, Phil, Dennis, and Gary Crosby
Container
67.52 "Five generations of Rin Tin Tins," 1958 Oct. 20, v.45 #16 -- tear sheets
Container
67.53 "A simple end to a pope’s splendid life," 1958 Oct. 20, v.45 #16 -- tear sheets; subject of photo(s): Cardinal McIntyre
Container
67.54 "Nixon jolts a dull campaign," 1958 Oct. 27, v.45 #17 -- tear sheets; subject of photo(s): William F. Knowland house in Hollywood," 1958 Nov. 10, v.45 #19 -- tear
Container
67.55 "What's this? Jungle? Or bar? Or ballroom?: A bizarre party house in Hollywood," 1958 Nov. 10, v.45 #19 -- tear sheets; subject of photo(s): Hal Hayes house
Container
67.56 "Lance and his hot autos," 1958 Nov. 10, v.45 #19 -- tear sheets, subject of photo(s): Lance Reventlow
Container
68.1 "A dashing actor’s last duel," 1958 Dec. 1, v.45 #22 -- tear sheets; subject of photo(s): unofficial mourners after the funeral for Tyrone Power
Container
68.2 "A brash pitch for Diane Hartman who wants to act in films," 1958 Dec. 8, v.45 #23 -- tear sheets
Container
68.3 "The man who stayed lonely to save France," 1958 Dec. 8, v.45 #23 -- tear sheets; subject of photo(s): Romain Gary
Container
68.4 "People at the top of entertainment’s world," 1958 Dec. 22, v.45 #25 -- tear sheets; subject of photo(s): Samuel Goldwyn
Container
68.5 "DeMille's legacy of epics," 1959 Feb. 2, v.46 #5 -- tear sheets; subject of photo(s): Cecil B. DeMille
Container
68.6 "The one-man gang is in action again," 1959 Feb. 16, v.46 #7 -- tear sheets; subject of photo(s): Samuel Goldwyn
Container
68.7 "As a searching look at national crime gets underway the hood emerge from the shadows," 1959 Feb. 23, v.46 #8 -- tear sheets; subject of photo(s): Joe Bonanno, Mafia boss
Container
68.8 "Bigtime politics in high school: students stage brassy campaign," 1959 [Mar.?] -- tear sheets; subject of photo(s): Grossmont High School elections
Container
68.9 "Governors' golf joust," 1959 [Mar.?] -- tear sheets; subject of photo(s): Edmund G. "Pat" Brown, Governor of Calif.
Container
68.10 "New facets, new fun as fad spreads," 1959 [Mar.?] -- tear sheets; subject of photo(s): phone booth stuffing
Container
68.11 "Letters to the editors: Coffee Festival," 1959 Apr. 6, v.46 #14 -- tear sheets; subject of photo(s): Manizales' Miss Universe
Container
68.12 "A look at the world’s week" 1959 Apr. 13, v.46 #15 -- tear sheets; subject of photo(s): car-stuffing at Long Beach State College
Container
68.13 "Goya’s girl goes aloft to promote The Naked Maja," 1959 Apr. 27, v.46 #17 -- tear sheets; subject of photo(s): banner being towed by airplane over Los Angeles
Container
68.14 "A mugger – but so’s his old man," 1959 May 18, v.46 #20 -- tear sheets; subject of photo(s): Mickey Rooney’s son Teddy
Container
68.15 "A postman rolls through his rounds on skates," 1959 May 18, v.46 #20 -- tear sheets
Container
68.16 "The Feds vs. gangland and lynchland," 1959 June 1, v.46 #22 -- tear sheets; subject of photo(s): Simone Scozzari
Container
68.17 "Letters to the editors: Den of Antiquity," 1959 July 20, v.47 #3 -- tear sheets; subject of photo(s): Santa Monica antique shop, Den of Antiquity
Container
68.18 "Surprising successes of young entrepreneurs," 1959 Aug. 10, v.47 #6 -- tear sheets; subjects: Denny Moore, and Allan Miller, John Bragin and David Gillete
Container
68.19 "The imagery of a tough, tense race," 1959 Sept. 28, v.47 #13 -- tear sheets; subjects: Felipe Alou and Maury Wills, 1959 National Pennant Race
Container
68.20 "Pat Brown, California's governor, takes time out from politics to go fishing," 1959 Oct. 12, v.47 #15 -- tear sheets; subject of photo(s): Edmund G. "Pat" Brown
Container
68.21 "'Chicago is what you’d call stagnant,'" 1959 Oct. 19, v.47 #16 -- tear sheets; subject of photo(s): Charlie Neal and Billy Goodman, 1959 World Series: Los Angeles Dodgers v. Chicago White Sox
Container
68.22 "Cheerleaders at UCLA and Michigan State jump for football joy," 1959 Nov. 2, v.47 #18 -- tear sheets; subject of photo(s): UCLA cheerleaders
Container
68.23 "A small break in a bitter strike: Kaiser settles with the union but big steel continues battle," 1959 Nov. 9, v.47 #19 -- tear sheets; subject of photo(s): tree growing in train track
Container
68.24 "The terror and his twin: Mike McKeever of U.S.C.'s football brothers is charged with foul play and starts a hassle," 1959 Nov. 16, v.47 #20 -- tear sheets; subject of photo(s): vulnerable face guard (football helmut)
Container
68.25 "Gimme, gimme, gimme on the old PAYOLA: as probers turn from TV to radio, evidence of disk jockey bribery crops up," 1959 Nov. 23, v.47 #21 -- tear sheets; subject of photo(s): Dick Whittinghill, disk jockey
Container
68.26 "'Terrible' Touhy is released and his feud with 'Jake the Barber' is renewed," 1959 Dec. 7, v.47 #23 -- tear sheets; subject of photo(s): John Factor (a.k.a., Jake the Barber)
Container
68.27 "The farm problem, conclusion. Too many farmers crowd the field but solutions are posed by experts, including some presidential hopefuls," 1959 Dec. 14, v.47 #24 -- tear sheets; subject of photo(s): photo is uncredited, but most likely the photo by Bridges is of Hubert Humphrey
Container
68.28 "Nixon lives it up ─ the candidate without a competitor; but Rockefeller's withdrawal brings problems," 1960 Jan. 11, v.48 #1 -- tear sheets; subject of photo(s): Nelson Rockefeller
Container
68.29 "A far out, far up mystery: the con man, his best man and an air crash weave an astounding modern whodunit," 1960 Feb. 1, v.48 #4 -- tear sheets; subject of photo(s): Melvin Powers (Spears air crash)
Container
68.30 "Men’s week in ladies’ spa is the newest wrinkle in the eternal search for beauty and health," 1960 Feb. 8, v.48 #5 -- tear sheets; subject of photo(s): Golden Door Spa and patrons including Aldous Huxley and Jim Backus
Container
68.31 "'Adult' or just dirty?," 1960 Feb. 29. v.48 #8 -- tear sheets; subject of photo(s): Geoffrey Shurlock, Jack Vizzard, and Eugene Dougherty of Motion Picture Production Code
Container
68.32 [Finch murder trial], 1960 [Mar.?] -- tear sheets; subject of photo(s): Eddie Lindsey; Carole Tregoff and Dr. Finch conferring
Container
68.33 "$75,000 investment in a voice: company puts on costly campaign to make a teen-age idol out of Rod Lauren," 1960 Apr. 11, v.48 #14 -- tear sheets; subject of photo(s): Rod Lauren on Perry Como's Thanksgiving show
Container
68.34 "Row me out to the ball game: the Giants' brand-new park on San Francisco Bay houses the opener," 1960 Apr. 25, v.48 #16 -- tear sheets; subject of photo(s): fans at Candlestick Park
Container
68.35 "Fans of Los Angeles bravely try out for their pro team," 1960 May 2, v.48 #17 -- tear sheets; subject of photo(s): Paul Spillan and Fred Bigelow at a public tryout for the Los Angeles Chargers
Container
68.36 "Intrepid men vs. Mighty Mac: the most massive mountain rescue operation in history makes a magnificent save of climbers on McKinley," 1960 June 6, v.48 #22 -- tear sheets; subject of photo(s): Jim and Lou Whittaker with John Day's wife and brother
Container
68.37 "Auto racing: a hotted-up U.S. craze," 1960 June 13, v.48 #23 -- tear sheets; subject of photo(s): Alpha Romeo race car, Ariz.
Container
68.38 [Robert Gross, Chairman of Lockheed], 1960 [June?] -- tear sheets
Container
68.39 "Nationwide response to the national purpose: following LIFE's series, Americans earnestly take up the crucial debate in public meetings, letters, treatises, and even poems," 1960 July 11, v.49 #2 -- tear sheets; subject of photo(s): William Bryan; David McCallum; Rawson Davis
Container
68.40 "The Democratic Convention: how Kennedy's well-organized forces won their first-ballot victory at Los Angeles," 1960 July 25, v.49 #4 -- tear sheets; subject of photo(s): John F. Kennedy and Lyndon B. Johnson
Container
68.41 "U.S. Bone Setters. Osteopaths have first-rate medical schools, $1 billion in hospitals, 11 million patients─but A.M.A. still sees a skeleton in the closet," 1960 [Aug.?] -- tear sheets; subject of photo(s): Los Angeles County Osteopathic Hospital
Container
68.42 "At Icy Reception, Lots of Fun," 1960 [Sept.?] -- tear sheets; subject of photo(s): Ice Follies’ 25th anniversary party
Container
68.43 "Drive-in antipolio drive: California town meets epidemic threat with mobilized vaccinations," 1960 [Sept.?] -- tear sheets
Container
68.44 "The hot issue of America’s vitality: the '61 autos spiral in to give the nation a lift as the U.S. measures its economy and the presidential candidates argue over it," 1960 Oct.17, v.49 #16 -- tear sheets; subject of photo(s): earth mover against backdrop of UCLA campus buildings
Container
68.45 "A college grieves over football team’s tragic crash," 1960 Nov. 14, v.40 #20 -- tear sheets; subject of photo(s): Marlene Austin and Kay Copeland, widows as the result of the California Polytechnic College airplane crash; funeral at Greenlawn Memorial Park,
Container
68.46 "Miscellany: it sure beats basting," 1960 Nov. 28, v.49 #22 -- tear sheets; subject of photo(s): Dean La Chasse with swimming turkey Tom-Tom
Container
68.47 [Douglas Steen and IBM computers], 1961 [Feb.?] -- tear sheets
Container
68.48 "A bevy of bassets on a bash," 1961 May 19, v.50 #20 -- tear sheets; subject of photo(s): Annual picnic of the Southern California Basset Club, North Hollywood Park
Container
68.49 "Hollywood mourns a good man: rites of quiet dignity for unassuming star. Cooper cast a shadow taller than life," 1961 May 26, v.50 #21 -- tear sheets; subject of photo(s): Gary Cooper's funeral: view of the casket, mourners, and Veronica and Maria Cooper
Container
68.50 "New blaze rages in the West," 1961 Aug. 18, v.51 #7 -- tear sheets; subject of photo(s): fire-fighting airplane dumping extinguishing substance
Container
68.51 "Top Decision Makers," 1962 Feb. 23, v.52 #8 -- tear sheets; subject of photo(s): Geoffrey Shurlock, Jack Vizzard, and Eugene Dougherty of Motion Picture Production Code
Container
68.52 "A Victory for Edie: Ernie Kovacs' widow overcomes despair and bankruptcy─and finds, in herself, talents long covered-up," 1963 Apr. 5, v.54 #14 -- tear sheets; subject of photo(s): Ernie Kovacs with wife Edie Adams and their daughter Mia
Container
68.53 "Early Wynn Goes for 300. At 43 and all but through, the great pitcher tries to add one more to his 299 victories," 1963 Apr. 5, v.54 #14 -- tear sheets; subject of photo(s): Early Wynn and Al Lopez of the Chicago White Sox
Container
68.54 "Lyndon Johnson’s Life," 1963 Dec., John F. Kennedy Memorial Edition -- issue; tear sheets; subject of photo(s): JFK and LBJ at the 1960 Democratic National Convention in Los Angeles
Container
68.55 "Busby Berkeley's Girls Glitter Again. The super spectacular man," 1971 Feb. 19, v.70 #6 -- issue; subject of photo(s): tap dancer Ann Miller in a Stan Freeberg television commercial
Container
68.56 "The power of the picture," 1978 Oct., v.1 #1 -- issue; subject of photo(s): George Story in 1961
LIFE en Espanol
Container
68.57 "Un Niño de Nuestro Tiempo," 1959 Apr. 6, v.13 #6 -- tear sheets; subject of photo(s): television show(s) about Nazis
LIFE International
Container
68.58 "Students Cram—But Not For an Exam," 1959 May 11, v.26 #9 -- tear sheets; subject of photo(s): car-stuffing story
LOOK
Container
68.59 "Why I’m leaving the Church," 1969 Apr. 29, v.33 #9 -- tear sheets; incomplete issue; subject of photo(s): James A. Pike
Los Angeles & Southern California Prompter
Container
68.60 "At home with the Piatigorskys," 1961 May, v.2 #4 – tear sheets; subject of photo(s): Piatigorsky, Gregor, and his wife
Los Angeles Magazine
Container
68.61 "Santa Barbara and 'the center': Plato by the Pacific," 1963 May, v.5 #5 -- issue; subject of photo(s): Center for the Study of Democratic Institutions, Santa Barbara / Dr. Robert Maynard Hutchins
Container
68.62 "How to Marry a Millionaire," 1967 Mar., v.12 #3 -- issue; subject of photo(s): A. Otis Birch, Pearl Choate
Market File
Container
68.63 "Exhaust Control: Automotive Industry," 1961 May, #3 -- tear sheets; subject of photo(s): smog in L.A.
Medical World
Container
68.64 "How Big is the Swing to Family Practice?," 1972 Sept. 15 -- tear sheets
Container
68.65 "New Family Practice Speacialists," 1975 Oct. 6 -- issue
"Hard Work, No Money – Medicine at the Turn of the Century," 1975 Oct. 6 – issue
Container
68.66 The Monkees [RCA Press Release], 1966 -- press release
Naborr Generation Sale
Container
68.67 "The Day that Rocked the Arabian Horse Industry!" 1976 Feb. 2 – issue
Natural History
Container
68.68 "Geophysical Year Ends," 1959 Jan. -- issue
New York: the Sunday Herald Tribune
Container
69.1 [Front and back covers only], 1965 Jan. 3 -- tear sheets
New York Times Magazine
Container
69.2 "Where Airmen Become Missile Men,"1959 Jan. 25 -- tear sheets; subject of photo(s): Vandenberg Air Force Base
Container
69.3 "Missile-Age Marks," 1959 Mar. 8 -- tear sheets
Container
69.4 "Hollywood’s Cameras Grind – For TV," 1959 Aug. 23 -- tear sheets
Container
69.5 "In the Hearts of the Right, Goldwater Lives," 1965 July 18 -- tear sheets
Container
69.6 [The Emergence of Senator Kennedy], 1965 Aug. 22 -- tear sheets; subject of photo(s): Senator Ted Kennedy
Container
69.7 "The Ronald Reagan Story; Or, Tom Sawyer Enters Politics," 1965 Nov. 14 -- issue
Container
69.8 "The In People Discover – Acapulco," 1966 Feb. 13 -- issue
Container
69.9 "The Birth and Life of the Universe," 1966 June 12 -- issue
"A Journey into the Mind of Watts," 1966 June 12 -- issue
Container
69.10 "Who Thinks in a Think Tank?" 1967 April -- issue
Container
76.2 [may contain uncredited photos by Bridges], 1967 Nov. 19 -- issue
Container
69.11 "Regan: Not Great, Not Brilliant, But a Good Show," 1967 Dec. 10 – issue
Container
69.12 [Cover photo?], 1968 Feb. 18 -- tear sheets
Container
69.13 "'It Isn’t a Mirage They’re Seeing,' says George Wallace," 1968 Sept. 22 -- tear sheets
Container
69.14 "The venereal disease pandemic," 1971 Nov. 7 -- tear sheets; (See also 'L.A. [i.e., Los Angeles] Free Clinic,' 1971)
Container
69.15 [Kirby, Jack], 1971 -- tear sheets
Container
69.16 "On the Road With a Bedbug Hauler," 1972 Nov. 12 -- tear sheets; subject of photo(s): Al Trafford, truck driver
Container
69.17 Now, More Than Ever, Our Nation Needs Robert Kennedy, 1968 -- poster
Pageant
Container
69.18 "Tale of a Shirt," 1959 Apr., v.14 #10 -- tear sheets; subject of photo(s): Diane Hartman
Parade
Container
69.19 "Weight Lifting: A Growing Sport for Women," 1975 May 18 -- tear sheets
Container
76.3 [may contain uncredited photos by Bridges], 1974 Jan. 6 -- issue
Container
76.4 [may contain uncredited photos by Bridges], 1976 Nov. 7 -- issue
Paris Match
Container
69.20 "Elles et Eux," n.d. -- tear sheets; subject of photo(s): Loren, Sophia
Paris-presse-l’intransigent
Container
69.21 "Stop! Vaccin station-service," 1960 Dec. [4-5?] -- tear sheets; subject of photo(s): drive-in polio vaccination clinic
People Weekly
Container
69.22 "Pole-Vaulters Seagren and Smith: Champions and Competitors, Yes – but Chums? No Way," 1975 June 2 -- tear sheets
Container
69.23 "Maverick Francie Larrieu Reigns as the Superwoman of Track," n.d. -- tear sheets
Container
69.24 "The Onetime Aide who Beat Howard Hughes in Court," 1974 Jul. 22, v.2 #4 – issue; Subject of photo(s): Robert A. Maheu
Container
69.25 "Jocks," 1977 July 18 -- issue
Container
69.26 [Piatigorsky, Gregor, and Rudolf Firkusny], 1966 -- proof for RCA record jacket
Pittsburgh Press
Container
69.27 "Surf is Where You Find It," 1969 Nov. 9 -- tear sheets
Playboy
Container
69.28 "Playboy on the Town in Las Vegas," n.d. -- tear sheets
Container
69.29 "Showgirl in the Sun," 1958 Apr. -- tear sheets; subject of photo(s): Atkins, Felicia
Posh
Container
69.30 "…everyone is on the move," 1961/62 Winter, v. 2 #4 – issue
"Pacific people are a happy people…," 1961/62 Winter, v. 2 #4 -- issue
Postgraduate Medicine
Container
69.31 "Shock: Differential Diagnosis and Immediate Treatment," 1974 Jan. -- tear sheets
Container
69.32 Profile of Poverty, 1965 May-June – exhibition program
Progress
Container
69.33 "Inside Outages," 1976 #3 -- issue
Psychology Today
Container
69.34 "The Reform of Mental Hospitals," 1969 Mar. -- tear sheets
Container
69.35 Rexall Drug and Chemical Company Annual Report, 1960 – annual report
Sacred Heart Messenger
Container
69.36 "The American Poor: Who and Where are They?" 1964 Nov. -- issue
Saturday Evening Post
Container
70.1 "People on the way up: Mary Costa: delectable diva," 1961 Sept. 16, v.234 #37 -- tear sheets
Container
70.2 "'You are nobody here:' new cadets at the Air Force Academy get a rugged welcome," 1961 Oct. 14, v.234 #41 -- tear sheets
Container
70.3 "Youth: the cool generation," 1961 Dec. 23-30, v.234 #51 -- complete issue
Container
70.4 "People on the way up: Joe Tymczyszyn Jr., precocious pilot," [1961?] -- tear sheets
Container
70.5 "Letters," 1962 Feb. 3, v.235 #5 -- tear sheets subject of photo(s): opinions on article "Youth: the cool generation" which appeared in the 1961 Dec. 23-30, v.234 #51 issue
Container
70.6 "In this issue: one and one are twenty," and "People on the way up: spacial pathfinder," 1962 Feb. 17, v.235 #7 -- tear sheets; subjects: Art Seidenbaum and family; Robert Baker
Container
70.7 "[?] is tougher," 1962 Aug. 11-18, v.235 -- tear sheets; subject of photo(s): Ralph Houk
Container
70.8 ['Mood of America,' Alsop poll], 1962 Sept. 22, v.235 – tear sheets
Container
70.9 "Another western: who needs it?," 1962 Sept. 29, v.235 – tear sheets subject of photo(s): The Virginian
Container
70.10 [Weather prophet: Irving Krick], 1962 Dec. 1, v.235 – tear sheets
Container
70.11 "Innocent’s grim ordeal," [1962?] -- tear sheets; subject of photo(s): Airman Gerald Martin Anderson murder trial
Container
70.12 "People on the way up: John Haase, moonlight author," [1962?] -- tear sheets
Container
70.13 "Quarterback for the moon race," [1962?] -- tear sheets; subject of photo(s): Harrison Storms
Container
70.14 "Television USA: wasteland or wonderland?," [1962?] – tear sheets
Container
70.15 "The woes of box-office king John Wayne," [1962?] – tear sheets
Container
70.16 "Quack marriage counselors: a growing national scandal," 1963 Jan. 5-12, v.236 #1 -- tear sheets
Container
70.17 "Nuclear-Age school: New Mexico students pursue knowledge underground," 1963 Jan. 26, v.236 #3 -- tear sheets
Container
70.18 [Beatty, Jim], 1963 Feb. 2, v.236 #4 -- tear sheets
Container
70.19 "Hail Caesar," 1963 Feb. 23, v.236 #6 -- tear sheets; subject of photo(s): Sid Caesar
Container
70.20 "Final whistle: the Celtics' Bob Cousy, modern basketball's most exciting player, closes out a 16-year career which has made him 'The Greatest,'" 1963, Mar. 16, v. 236 #10 -- tear sheets
Container
70.21 "Death of a youth worker," 1963, Apr. 6, v. 236 #13 – tear sheets
Container
70.22 "The lowdown on Loudon," 1963, Apr. 6, v. 236 #13 – tear sheets; subject of photo(s): Dorothy Loudon
Container
70.23 "A year in the life of Edie Adams," 1963, Apr. 13, v.236, #14 -- tear sheets (See also 'Mad World story')
Container
70.24 "Spoofmaster Allan Sherman," 1963, Apr. 20, v.236 #15 – tear sheets
Container
70.25 "The couple who wouldn't die," 1963 June 22, v.236 #24 -- issue (See also 'Klaben, Helen')
"Edgar Kaiser: maverick in motion," 1963 June 22, v.236 #24 --issue
"Speaking out: too many kids are loafing," 1963 June 22, v.236 #24 -- issue (See also 'Gardner, Judge Robert')
Container
70.26 "The American in a Mexican death cell," 1963 Sept. 21, v.236 #32 -- tear sheets; subject of photo(s): Dykes A. Simmons, Jr.
Container
70.27 "What northerners really think of negroes," 1963 [Sept.?], v.236 -- tear sheets
Container
70.28 "The hot rocket to nowhere," 1963 Nov. 9, v.236 #39 – tear sheets (See also 'Nuclear space rocket')
Container
70.29 "The Air Force’s egghead factory," 1963 Nov. 23, v.236 #41 --tear sheets; subject of photo(s): Air Force Academy
Container
70.30 "A profile in family courage," 1963, [Nov.?], v.236 – tear sheets subject of photo(s): John F. Kennedy, funeral
Container
70.31 "President L. B. Johnson: what to expect from the new man in the White House," 1963 Dec. 16, v.35 #12 -- tear sheets (See also '[Lyndon Baines] Johnson,' 1961-63)
Container
70.32 "The invisible Americans," 1963 Dec. 21-28 -- issue; tear sheets subject of photo(s): poverty story
Container
70.33 "'Let the earth stand in awe of Him,'" 1963 Dec. 21-28, v.236 #45 -- issue; tear sheets; subject of photo(s): mission church San Xavier del Bac, Tucson, Ariz.
Container
70.34 "[Argentina’s Mystery Quints]," 1964 Jan. 25 -- tear sheets
Container
70.35 "Our New First Lady," 1964 Feb. 8 -- tear sheets; subject of photo(s): Johnson, Lady Bird
Container
70.36 "Panama: Why They Hate Us," 1964 Mar. 7 -- tear sheets
Container
70.37 "[Tough-minded Donna Reed]," 1964 Mar. 28 -- tear sheets
Container
70.38 "A Catholic Mother Tells: Why I Believe in Birth Control," 1964 Apr. 4 -- tear sheets
Container
70.39 "How a Stricken State Met Chaos," 1964 May 9 -- tear sheets; subject of photo(s): Alaskan earthquake
Container
70.40 "Viva el Candidato!," 1964 June 20 -- tear sheets; subject of photo(s): Mexican politics
Container
(w/Kate mat'l) An Event of Enormous Beauty, 1964 Aug. 8-15, v.237 Control," 1964 Apr. 4 -- tear sheets
Bill Miller: The G.O.P.'s Tough, Shrewd Pro, 1964 Aug. 8-15, v.237 #28
Goldwater: A Close Look at a 'Damned Cowboy,' 1964 Aug. 8-15, v.237 #28
Container
70.41 "Beware of Smokey the Bear," The Saturday Evening Post, 1964 Sept. 12 -- tear sheets; subject of photo(s): Bears in Yellowstone
Container
70.42 "L.B.J. Country,, 1964 Oct. 3 -- tear sheets; subject of photo(s):'Johnson, Lyndon Baines
Container
70.43 "The Patients Nobody Wanted," 1964 Dec. 5 -- tear sheets
Container
70.44 [?], 1964 [after Sept. 12] -- tear sheets
Container
70.45 "The Big Crisis for Goldwater," [1964] -- tear sheets
"New Role for Legendary George," [1964] -- tear sheets
Container
70.46 "The Man from U.N.C.L.E.," [1964?] -- tear sheets; subject of photo(s): Vaughn, Robert
Container
70.47 "Man with the Golden Touch," [1964?] -- tear sheets; subject of photo(s): Hammer, Dr. Armand
Container
70.48 "The Odd Fate of Oswald’s Other Victims," [1964?] -- tear sheets
Container
70.49 "Why We Are Stronger Than Russia," [1964?] -- tear sheets
Container
70.50 "Lodge Faces His Big Test in Oregon," [1964-65?] -- tear sheets; subject of photo(s): Lodge, Henry Cabot
Container
70.51 [?], [1964-65?] -- tear sheets
Container
70.52 [?], [1964-65?] -- tear sheets
Container
70.53 "Retirement Housing: Thistles in Paradise," 1965 Jan. 16 --issue
Container
70.54 "Who Killed Your Favorite TV Show?," 1965 Feb. 27 -- tear sheets
Container
70.55 "Carroll Baker: The Lady Was a Tramp," 1965 Feb. 27 -- tear sheets
Container
70.56 "Watch Out – Here it Comes!," 1965 Feb. 27 -- tear sheets; subject of photo(s): South American woodburner train
Container
70.57 "Madison Avenue: The Big Invisible Sell,," 1965 Mar. 13 -- tear sheets. Work uncredited?
Container
70.58 [?], 1965 Apr. 10 -- tear sheets
Container
70.59 "The Explosive Revival of the Far Left," 1965 May 8 -- tear sheets
Container
70.60 "The Magnificent Obsession of Colonel Brown," 1965 May 8 -- tear sheets
Container
70.61 "The Cross that Inflames a City," 1965 July 3 -- tear sheets; subject of photo(s): Oregon cross
Container
70.62 "The Mafia Can’t Crack Los Angeles," 1965 July 31 -- tear sheets
Container
70.63 "Those Swinging Beach Movies," 1965 July 31 -- tear sheets
Container
70.64 "The Mecca Lunch Kid," 1965 Aug. 14 -- tear sheets; subject of photo(s): Ward, Peter Thomas Dawson
Container
70.65 "About This Issue," 1965 Sept. 25 -- tear sheets; subject of photo(s): Phelan, James
Container
70.66 "The Killer that Stalks the Newborn," 1965 Aug. 28 -- issue
Container
70.67 "What the People Really Think," 1965 Oct. 23 -- tear sheets
Container
70.68 "The Embattled Nurse of Jackrabbit Flats," 1965 Nov. 20 -- tear sheets; subject of photo(s): Gardelius, Patricia
Container
70.69 "Bonanza: Ben and the Boys Hit the Trail for Fresh Paydirt," 1965 -- tear sheets
Container
70.70 "Narcotics," 1965 -- tear sheets
Container
70.71 [Dean, Chance], [1965] -- tear sheets
Container
71.1 ["Tell My Parents Not to Worry"]" [1965?] -- tear sheets; subject of photo(s): Peter Landerman in a Russion prison
Container
71.2 [?], [1965 – before Feb. 2] -- tear sheets
Container
71.3 "Sonny and Cher: They’re What’s Happening, Baby," 1966 Apr. 23 -- issue
Container
71.4 "Our Prayers are Meaningless," 1966 Aug. 27 – issue
Container
76.5 [may contain uncredited photos by Bridges], 1966 May 21 -- issue
Container
71.5 "When I Looked in Those Files, My Eyes Popped," 1966 Sept. 10 -- issue
Container
71.6 "Search for the Invisible Killer," 1966 Dec. 3 -- tear sheets; subject of photo(s): McKenzie, Dr. Ronald; virus in Bolivia
Container
71.7 "TV Madness," 1966 -- tear sheets
Container
71.8 "My Life As a Soviet Prisoner," [1966?] -- tear sheets; subject of photo(s): Landerman, Peter
Container
71.9 "Can Basketball Survive Lew Alcindor?" 1967 Jan. 14 -- issue
"A Loser Makes It Big," 1967 Jan. 14 – issue; subject of photo(s): McQueen, Steve
Container
71.10 "The Last Campaign of Boxing’s Last Angry Man," 1967 Feb. 11 -- tear sheets; subject of photo(s): Hurley, Jack
Container
71.11 "It Was That Damned Book," 1967 Apr. 8 -- issue
"Muting the Birch Society," 1967 Apr. 8 – issue
Container
71.12 "Big Dude Drive in the Crazies," 1967 Jul. 29 -- issue
Container
71.13 "Inside the Insane Asylum," 1968 Apr. 6 -- tear sheets
Container
71.14 "OK, Julie is a Beautiful, Mute, Nymphomanic Indian Girl," 1968 June 1 -- tear sheets; subject of photo(s): Newmar, Julie
Container
71.15 "George Wallace, the Angry Man’s Candidate," 1968 June 15 -- tear sheets
Container
71.16 "Law and Order: White Cop in the Black Ghetto…," 1968 Nov. 16 -- tear sheets; subject of photo(s): St. Louis Ghetto
Container
71.17 "Would You Buy a Used Car From This Man?," [1968] -- tear sheets; subject of photo(s): Williams, Ralph
Container
71.18 "The Second Coming of Synanon," 1969 Feb. 8 -- tear sheets
Container
71.19 "People on the Way Up," n.d. -- tear sheets; subject of photo(s): Zajac, Jack
Container
71.20 "The Plane that Gets You There Before You Leave," n.d. -- tear sheets
Container
71.21 "The Strange Case of the Sierra Survivor," n.d. -- tear sheets
Senior Weekly Reader
Container
71.22 "Where Has All the Silence Gone?" 1969 Dec. 10 -- issue
Signature
Container
71.23 "The Dean of Documentaries: Man on the Move: David Wolper," 1970 Dec. -- tear sheets
Container
71.24 "Rockwell’s Traveling Space Salesman: Man on the Move: Robert Anderson," 1973 Feb. -- tear sheets
Container
71.25 "Ol’ Shel on Wheels," 1976 Oct. – issue; subject of photo(s): Shelby, Carroll
Container
71.26 "The Cop Who Came in From the Cold," 1974 Jan. – issue; subject of the photo(s): Wambaugh, Joseph
Container
71.27 "The Man Who Makes Mazda Go Mmmmmm," 1974 May –issue; subject of the photo(s): Brown, Dick
Sports Illustrated
Container
71.28 "Now Pitching for St. Louis...The [?]," 1958 July 21 -- tear sheets; subject of photo(s): Brosnam, Jim
Container
76.7 Sportsman of the Year, 1958 -- booklet
Container
71.29 [page of photo credits], 1959 May 18 -- tear sheets
Container
71.30 "The Shaky New League," 1960 Jan. 25 -- tear sheets; subject of photo(s): American Football League
Container
71.31 "Wonderful World," 1960 Mar. 21 -- tear sheets; subject of photo(s): trampolines
Container
71.32 "Star’s Starlet," 1961 -- tear sheets; subject of photo(s): Henreid, Mimi; tennis
Stern
Container
71.33 [Aldrin, Edwin "Buzz"], 1973 Nov. 29 -- tear sheets
The Texas Observer
Container
71.34 "The Ground is Our Table: A Book," 1966 Dec. 9 -- issue
[cover photo] "The Texas Mexicans," 1966 Dec. 9 -- issue
Container
71.35 "The Rangers and La Huelga," 1967 June 9-23 -- issue
Container
71.36 "Helping Texas ‘Migrate,’" 1969 Jul. 4 -- issue
This Week
Container
71.37 "Teenagers Can Be Great," 1960 Jan. 10 -- tear sheets; subject: Sibbald, Laurie
Container
71.38 "June Has the World on a String," 1960 July 31 -- tear sheets; subject of photo(s): Lockhart, June
Container
71.39 "Pixie From Paris," 1960 Sept. 25 -- tear sheets; subject of photo(s): Farge, Annie
Container
71.40 "David Flaps His Wings," 1961 Jan. 29 – issue; subject of the photo(s): Ladd, David
TIME
Container
72.1 "Philanthropoid No. 1," 1957 June 10 -- tear sheets; subject of photo(s): Hoffman, Paul
Container
72.2 [Chandler, Norman, and Buffie], 1957 July 15 -- tear sheets
Container
72.3 "A Letter from the Publisher," 1957 July 15 -- tear sheets; subject of photo(s): Bryson, John, Alvin M. Josephy, and Frank McCulloch
Container
72.4 "Tale of a Script," 1958 June 30 -- tear sheets; subject of photo(s): Serling, Rod
Container
72.5 "Purple, Man, Purple," 1958 July 7 -- tear sheets; subject of photo(s): manipulation/special effects in voice recording
Container
72.6 [Da Costa, Morton], 1958 July 21 -- tear sheets
Container
72.7 "The Americas: Fire v. Ice," 1958 Aug. 4 -- tear sheets; subject of photo(s): Miss Universe
Container
72.8 "Emotional Brass," 1958 Aug. 4 -- tear sheets; subject of photo(s): Anderson, Ernestine
Container
72.9 "California: Just Plain Pat," 1958 Sept. 15 -- tear sheets; subject of photo(s): Brown, Edmund G. "Pat"
Container
72.10 "Key Senate Races," 1958 Nov. 3 -- tear sheets; subject of photo(s): Brooks, Richard
Container
72.11 "The Congress," 1958 Nov. 10 -- tear sheets; subject of photo(s): Engle, Clair
Container
72.12 "Corporations: Automation for All," 1958 Nov. 24 -- tear sheets
Container
72.13 "What Ever Happened to the Veterans?," 1959 Jan. 5 -- tear sheets
Container
72.14 "Nuclear Test Debates: A Foolproof System Needs a Rogueproof Agreement," 1959 Feb. 2 -- tear sheets
Container
72.15 "Jabberwocky With a Beat," 1959 Apr. 6 -- tear sheets; subject of photo(s): Lambert, Hendricks and Ross trio
Container
72.16 "Long Put," 1959 Apr. 27 -- tear sheet; subject of photo(s): Long, Dallas Crutcher, III
Container
72.17 "Hollywood, the Ring-a-Ding Girl," 1959 June 22 -- tear sheets; subject of photo(s): MacLaine, Shirley
Container
72.18 "Teacher With a Camera," 1959 June 22 -- tear sheets
Container
72.19 "The Jukebox: Tuneless Tiger," 1959 July 27 -- tear sheets; subject of photo(s): Fabian
Container
72.20 "California: 'Bam; Roll on With Bam!'," 1959 Sept. 14 -- tear sheets; subject of photo(s): Beatniks and Venice West, Calif.
Container
72.21 "Can-Can Without Pants?," 1959 Sept. 21 -- tear sheets; subject of photo(s): MacLaine, Shirley
Container
72.22 "Blocking the Bloc," 1959 Oct. 12 -- tear sheets; subject of photo(s): Brown, Edmund G. "Pat"
Container
72.23 "Nightclubs: Bottom of the Top," 1959 Dec. 7 -- tear sheets; subject of photo(s): Carrol, Diahann
Container
72.24 "Hollywood: After Many a Summer," 1960 Jan. 18 – tear sheets; subject of photo(s): Golden Door Spa
Container
72.25 [Kingston Trio], 1960 July 11 -- tear sheets
Container
72.26 [1960 Democratic Convention in Los Angeles], 1960 July 25 -- tear sheets
Container
72.27 [Gross, Robert, Chairman of Lockheed], 1960 Aug. 22 – tear sheets
Container
72.28 "Environment v. Man: Subtle New Pollutants Endanger Health," 1960 Sept. 26 -- tear sheets
Container
72.29 "The Waning Nuclear Deterrent: The Unthinkable Must Be Thought About," 1961 Jan. 2 -- tear sheets
Container
72.30 "The Embrace," 1961 Feb. 17 -- tear sheets; subject of photo(s): Brice, William, artist
Container
72.31 "Violent Repose," 1961 Mar. 3 -- tear sheets (See also 'Karate')
Container
72.32 "Second Chance for U.S.C.," 1961 May 26 -- tear sheets; subject of photo(s): University of Southern California
Topic
Container
72.33 "A Place of ‘Towering Skies,’" 1965 #1 -- issue
TV Guide
Container
72.34 "In Russia, TV Must Be Simpler, Or, How Hollywood Taped the Bolshoi Ballet," 1959 July 11 -- tear sheets
Container
72.35 "TV’s Chief Cook and Bottle Washer: The Producer," 1959 July 25 -- tear sheets
Container
72.36 "Studio on Wheels," [1960?] -- tear sheets; subject of photo(s): Linkletter, Jack
Container
72.37 "Raring to Go," n.d. -- tear sheets; subject of photo(s): Stanwyck, Barbara
[TV Guide?]
Container
72.38 "Seeking Far Horizons," [1959-65?] -- tear sheets; subject of photo(s): Serling, Rod
TV/Movie Preview
Container
72.39 [see photo on page 5], 1957 Oct. 5-11 -- issue
Container
72.40 [see photo on page 5], 1957 Oct. 12-18 -- issue
Container
72.41 [see photo on page 5], 1957 Oct,19-25 – issue; subject of photo(s): Hopper, Hedda
Container
72.43 "Free as a Berg," 1957 Nov. 2-8; subject of photo(s): Freberg, Stan
Container
72.44 "Nick Nicastro vs. Rudolph the Robot," 1957 Nov. 9-15 -- issue
Container
72.45 [see front cover photo], 1957 Nov. 16-22 -- issue
Container
76.8 [may contain uncredited photos by Bridges], 1968 Sept. -- issue
Urban World
Container
72.46 "Careers: Trucking on the Long-Distance Haul," 1973 Mar. 23, v.5 #13 -- issue
USA*1
Container
72.47 "Los Angeles," 1962 May -- tear sheets
West
Container
72.48 "The New Wave of Surfing Girls,: 1966 Sept. 11 -- issue
Container
72.49 "A View From the Big Bird," 1966 Sept. 18 -- tear sheets; subject of photo(s): blimps
"Mexican-Americans in Upheaval," 1966 Sept. 18 -- tear sheets
Container
72.50 "Mexican-Americans and the Leadership Crisis," 1966 Sept. 25 -- issue
Container
76.9 "Confessions, Cops and the Courts [?], 1966 Oct. 2 -- issue
Container
76.1 "Cars Safer? Yes, but…" [?], 1966 Oct. 9 -- issue
Container
72.51 "Lotta Water – Pull that Boat!" 1966 Oct. 30 – issue; subject of photo(s): outrigger racing
Container
72.52 "Cozumel: Tahiti in the Caribbean," 1966 Nov. 13 -- issue
Container
72.53 "Sharon Tate – Instant Star?" 1966 Nov. 20 -- issue
Container
72.54 "The 81,000 at Riverside," 1966 Nov. 27 -- tear sheets; subject of photo(s): Los Angeles Times Grand Prix
Container
76.11 "Homecoming of the Sockeye," 1966 Dec. 11 – issue; subject of photo(s): sockeye salmon
Container
72.55 "Weintraub and the Apes," 1967 Jan. 8 – issue; subject of photo(s): Weintraub, Sy
Container
76.12 [may contain uncredited photos by Bridges], 1967 Jan. 15 -- issue
Container
76.13 "Charity Begins at 590 N. Vermont," 1967 Jan. 22 -- issue; subject of photo(s): Jewish-Federation Council
Container
72.56 "Our Vanishing Airports," 1967 Jan. 29 -- issue
"Topanga’s Troubled Tomorrow," 1967 Jan. 29 -- issue
"Three Family Dropouts in Watts," 1967 Jan. 29 -- issue
Container
76.16 "Mayor Yorty Answers West’s Questions," 1967 Feb. 5 -- issue; subject of photo(s): Sam Yorty
Container
72.57 [does not contain any Bridges photos], 1967 Feb. 12 -- issue
Container
72.58 "Mexico City A-Go-Go," 1967 Feb. 19 – issue; subject of photo(s): Mexico City
"A Treasure House of Mexican Heritage," 1967 Feb. 19 -- issue
Container
76.17 "Advice to a New Governor from Edmund G. Brown" [?], 1967 Feb. 26 -- issue
Container
76.14 "Pierre Salinger’s Own Story of the Manchester Book," 1967 Mar. 5 -- issue
Container
76.18 "The Year of the Badmouths," 1967 Mar. 12 – issue; subject of the photo(s): Joe Pyne
Container
72.59 "The Rugged Ruggers," 1967 Mar. 19 -- tear sheets; subject of photo(s): rugby
Container
76.19 "The Great Crisis in California Education" [?], 1967 Mar. 26 – issue; subject of the photo(s): Dr. Simon Ramo
Container
73.1 "California’s Lonely Secret Agent," 1967 Apr. 2 – issue; subject of photo(s): Combs, Richard
Container
76.2 "Ronald Reagan’s First One Hundred Days," 1967 Apr. 23 -- issue
Container
73.2 "The Academic Grind at Pink Pussycat U." 1967 Apr. 30 –issue; subject of photo(s): Schiller, Harry
Container
76.21 [may contain uncredited photos by Bridges], 1967 May 7 -- issue
Container
73.3 "Sunset Boulevard, One Foot at a Time," 1967 May 14 -- issue
Container
76.22 [may contain uncredited photos by Bridges], 1967 May 21 -- issue
Container
73.4 "Poured in the Mogul Gold," 1967 Jun. 11 – issue; subject of photo(s): Evans, Robert J.
Container
73.5 "The Stan Freberg Machine," 1967 Jun. 25 -- issue
"The Psychedelic Art Binge," 1967 Jun. 25 -- issue
Container
73.6 "Fun and Games in Outer Space," 1967 Jul. 9 -- issue
Container
73.7 "Tijuana’s Most Dangerous Beast," 1967 Jul. 16 – issue; subject of photo(s): bullfighting
Container
73.8 "Fun in the Foothills of Heaven," 1967 Jul. 23 – issue; subject of photo(s): retirement communities
Container
76.23 "Tennis: Where Has The Glory Gone?" 1967 Jul. 30 -- issue
Container
73.10 "Queens in the Sport of Kings," 1967 Aug. 13 -- tear sheets; subject of photo(s): female jockeys
Container
76.15 "Hanging Tough with Lee Marvin," 1967 Aug. 27 -- issue
Container
73.10 "Monterey and All That Jazz," 1967 Sept. 3 – issue; subject of photo(s): Monterey Jazz Festival
Container
73.11 "Wild Cheffie of Idyllwild," 1967 Oct. 29 – issue; subject of photo(s): Jacober, Warren
Container
73.12 "Matador in Baggy Pants," 1967 Nov. 12 -- tear sheets; subject of photo(s): rodeo clown
"Rodeo," 1967 Nov. 12 -- tear sheets
Container
73.13 "Neck Deep in a Sea of Troubles," 1967 Nov. 12 -- tear sheets; subject of photo(s): salinification of Salton Sea
Container
73.14 "At School with Benny the Convincer," 1967 Nov. 26 – issue; subject of photo(s): Friedman, Benny
Container
76.24 [may contain uncredited photos by Bridges], 1967 Dec. 3 -- issue
Container
73.15 "Will the Real Ross MacDonald Please Keep Writing?" 1967 Dec. 10 -- issue
Container
73.16 "George Wallace: Tradition of Demagoguery," 1967 Dec. 17 -- issue
Container
73.17 "Crisis in Our Mental Hospitals: Eight Hours in Smith Cottage," 1968 Feb. 4 -- tear sheets
"Rodeo," 1967 Nov. 12 -- tear sheets
Container
73.18 "R.F.K.: The Inheritance," 1968 Apr. 14 -- tear sheets
Container
73.19 "Our Man in the Bullring," 1968 May 12 -- tear sheets; subject of photo(s): bullfighting in Tijuana, Mexico
Container
73.20 "A Pacific Stroll," 1968 May 19 -- issue
Container
73.21 "Big Crush at Crowley," 1968 July 14 -- tear sheets; subject of photo(s): fishing
Container
73.22 "Jackie the First, King of Miami," 1968 July 21 -- tear sheets; subject of photo(s): Gleason, Jackie
Container
73.23 "Will The Real George Armstrong Custer Please Fall Down?" 1968 Aug. 11 – issue; subject of photo(s): reenactment of Custer’s Last Stand
Container
73.24 "Portrait of the Starlet as a Wholly Owned Subsidiary," 1968 Aug. 18 – issue; subject of photo(s): London, Jean
Container
73.25 "Modoc County is Ready to Try for 21," 1968 Nov. 3 -- issue
Container
74.1 "Well, You Can’t Lose ‘Em All," 1968 Nov. 24 – issue; subject of photo(s): Bell Gardens High School football
Container
74.2 "The Great Country Club War," 1968 Dec. 8 – issue; subject of photo(s): Beverly Hills Country Club
Container
74.3 "Laugh-In’s Gold Plated Kook," 1969 Jan. 1969 – issue; subject of photo(s): Hawn, Goldie
Container
74.4 "Bright New Briton," 1969 Feb. 16 – issue; subject of photo(s): Lewis, Fiona
Container
74.5 "Lady Lee," 1969 Mar. 2 – issue; subject of photo(s): Remick, Lee
Container
76.25 [may contain uncredited photos by Bridges], 1969 Mar. 16 -- issue
Container
74.6 "Santa Cruz: Doubts in the Garden," 1969 Mar. 30 -- issue
Container
74.7 "The Troubles with Students, Part II: Whatever Happened to the Silent Majority?" 1969 Apr. 3 -- issue
Container
76.26 [may contain uncredited photos by Bridges], 1969 Apr. 20 -- issue
Container
74.8 "The Troubles with Students, Part III: Exploring the Generation Gap," 1969 Apr. 27 -- issue
Container
74.9 "Being There is Half the Fun," 1969 May 4 – issue; subject of photo(s): Great Ensenada Yacht Race
Container
74.10 "San Diego and Sounds of Today," 1969 May 11 – issue; subject of photo(s): University of California at San Diego
Container
74.11 "USC: Up From Apathy," 1969 May 25 -- issue
Container
74.12 "San Francisco State: Shambles on 19th Street," 1969 June 8 -- issue
Container
74.13 "Testing Tomorrow at Stanford," 1969 Jun. 22 -- issue
Container
74.14 "UCLA: Berkeley with Mothers," 1969 July 6 -- tear sheets
Container
74.15 "Berkeley: The Enemy is Inhumanity," 1969 July 20 -- issue
Container
74.16 [cover photograph, skytyping and the planes of Stinis Air Service], 1969 Aug. 17 -- tear sheets
Container
76.27 [may contain uncredited photos by Bridges], 1969 Aug. 31 -- issue
Container
74.17 "The L. A. Fair is Hogs, Sheep…," 1969 Sept. 7 -- issue
Container
74.18 "Del Webb, the Bashful Barnum," 1969 Sept. 14 -- issue
Container
74.19 "'Everybody Here is Stoned!,'" 1969 Oct. 12 -- tear sheets; subject of photo(s): Tenino, Washington Sky River Festival and Lighter Than Air Fair
Container
74.20 "Who Is Armand Hammer?" 1969 Nov. 9 -- issue
Container
74.21 "'Live Burlesk,'" 1969 Nov. 16 -- tear sheets
Container
75.1 "Second Thoughts on the Glen Canyon Dam (or, Nobody’s Perfect)" 1969 Dec. 21 -- tear sheets
Container
75.2 "The Day of the Beautiful Lover," 1970 Jan. 4 – issue; subject of photo(s): horse auction
Container
75.3 "First, We Build a New City," 1970 Feb. 8 – issue; subject of photo(s): urban planning
Container
75.4 "Doc Strub’s Place," 1970 Mar. 8 – issue; subject of photo(s): Santa Anita racetrack
Container
75.5 "Dug in for Doomsday," 1970 May 17 -- issue
Container
75.6 "The Road to Peanut," 1970 July 12 -- issue
Container
75.7 "A Walk Through Griffith Park," 1970 Aug 2 -- issue
Container
75.8 "And Wait’ll You Hear What Ralph Nader and His Boys Have to Say About California Land Development," 1970 Oct. 4 -- issue
Container
75.9 "Meanwhile, at Isla Vista," 1971 Jan. 17 – issue; subject of photo(s): University of California, Santa Barbara
Container
75.10 "It’s Kinda Like Road Racing, but There Isn’t Any Road," 1971 Feb 21 – issue; subject of photo(s): off-road racing
Container
75.11 "How About Reformed Schools Instead of Reform Schools?" 1971 Apr. 4 -- issue
Container
75.12 "Of Man and Malibu," 1971 May 16 -- issue
Container
75.13 "Where Nobody’s in a Hurry but the Horses," 1971 Jul. 25 -- ; subject of photo(s): Del Mar racetrack
Container
75.14 "Man About 19 Campuses" or "The Chancellor and the State Colleges: Marine Corps and Kaffeklatsh," 1971 Nov. 14 -- issue
Western’s World
Container
75.15 "Airmail," 1976 Jan./Feb., v.7 #1 -- letter to the editor
Wine World
Container
75.16 "Is This Any Way to Get to Chicago?" 1972 Apr.-May, v.1 #4 – issue; subject of photo(s): train travel
Container
75.17 "Santa Anita – The Wine Sheet," 1972 Aug.-Sept., v.1 #6 -- issue
Container
75.18 "For Thy Stomach’s Sake," 1972 Dec.-Jan., v.1 #2 -- issue
Woman’s Day
Container
75.19 "What Goes On Here!" 1973 Feb. -- issue
Container
75.20 "It’s All In a Woman’s Day: Behind the Scenes," 1974 June – issue; subject of photo(s): Thompson, Sylvia Vaughn; cooking
You and Your World
Container
75.21 "Everyday Noises May Be Making You Deaf," 1975 Feb. 12 -- issue
Container
79.4 Without Her, 1967 -- proof for RCA record jacket for Jack Jones album
Unidentified source(s)
Container
75.22 "The Arcology of Paolo Soleri," [1970?] -- tear sheet
Container
75.23 "What Makes Laurie Dance," [1959-60?] -- tear sheets; subject of photo(s): Sibbald, Laurie
Container
75.24 "Blitzkrieging the Brushfires," [1960-61?] -- tear sheets
Container
75.25 "Shuggie Otis," [1970?] -- tear sheets
Container
75.26 "A Hobby the Whole Family Will Dig," n.d. -- tear sheets; subject of photo(s): gem mining
Container
75.27 "Manners and Morals on the Sunset Strip," n.d. -- tear sheets
Container
75.28 [Mariachis], n.d. -- tear sheets
Container
75.29 "On the Hustings with Wallace in California," n.d. -- tear sheets; subject of photo(s): Wallace, George
Container
75.30 "A Trumpeting Behemoth’s Jazz Blast-Off," n.d. -- tear sheets; subject of photo(s): Hirt, Al
Container
75.31 [Misc.], 1964-72 -- pieces of tear sheets
Scrapbooks
Container
79 [Red Life scrapbook], 1958-62 -- contains tear sheets for various stories published in TV Guide, Life, Paris Match, Pageant, Playboy, This Week, Natural History, Quick and Aktuell, a TLS from H.A. Storms of North American Aviation Inc., and a TLS from R.H. Peirce of RCA
Container
80 [Black scrapbook], 1961-65 -- contains tear sheets for various stories published in the Saturday Evening Post, the New York Times Magazine and the New York Herald Tribune, a TLS from Wesley W. Posvar of the United States Air Force Academy, and an exhibition catalog for "Profile of Poverty"



Series III. Business Files, 1951-1972, undated

Container
77.1 'Cooking/Open,' 1958-1965, undated
Correspondence; narrative reports; press release
Container
77.2 Correspondence, 1956-1972
Incoming and outgoing correspondence not related to the Saturday Evening Post; also includes clippings, notes, brochures, catalogs; envelope from Ron Mackenzie containing 1 color 35mm transparency of a furniture store
Container
77.3 'Model releases,' 1951-1962, undated
Completed and sample forms
Publication Files
Container
77.4 Al-Hayat [fi America], 1959-66
Correspondence; notes; receipts; narrative reports; captions (materials relate to the following subjects: Jerry Abdin and his Arabian Bazaar; Journey to the Center of the Earth; Beloved Infidel; George Salih; and Khrushchev's visit to Twentieth Century Fox studios)
Container
77.5 America Illustrated, 1958-1965
Tear sheets; notes; receipts; clippings; annotated typescript titled, 'There Comes a Time,' by Mackey Brown; correspondence; narrative reports and captions (materials relate to the following subjects: Dr. George W. Beadle of Cal. Tech; Grossmont High School; Laurie Sibbald; Russians at the Monsanto House of the Future at Disneyland; Four Corners area Indians; Paul Hoffman; Bolshoi Ballet; Doris Day; director John Frankenheimer; Dean LaChasse and his pet turkey Tom-Tom; movie stars; Russian airmen; and the Jaguar-mounted cameraman)
Container
77.7 New York Times, 1959-1966
Correspondence, story suggestions; typescript titled 'Outline for Disneyland Story,' by Gladwin Hill; shipping receipt (materials relate to the following sujects: Disneyland, Russians in Disneyland, Winter Olympics at Squaw Valley, and 3-D Aircraft Traffic Control)
Container
77.8 Paris Match, 1959-1960, undated
Correspondence; narrative reports; shipping receipts; notes (materials relate to the following subjects: Polio vaccine; Gary Cooper’s and Yves Montand’s families at Christmas; Russian plastic expers visiting the Monsanto House of the Future at Disneyland; Dinah Shore; Laurie Sibbald and the Bolshoi ballet; television shows and John Frankenheimer; California beatniks; Miss Universe pagaent; Tyrone and Deborah Powers’ baby; and Sophia Lauren)
Container
77.9 Saturday Evening Post Correspondence & Misc., 1961-1965
Office memos; incoming and outgoing correspondence; receipts; press pass; notes; contracts; clipping
Container
78.1 Time-Life, 1957-1961
Materials relating to stories found in Time-Life publications (TIME, Life, Fortune, and Sports Illustrated) include: correspondence; notes; receipts; story assigments, narrative reports; captions (materials relate to the following subjects: Rod Lauren; Walter Reuther; Kathy Chabot; UCLA cheerleaders; Grossmont High School; Los Angeles fires; Hedda Hopper; Brigitte Bardot contest; sports car races; Khrushchev; "George story"; Nixon; Polio vaccine; Herman Kahn; Cedars of Lebanon Inst. for Medical Research; Dr. Rexford Kennamer; Dr. Myron Prinzmetal; Dr. Ali Ekmekci; Golden Door Spa; Spears airline crash; Kennedy's acceptance speech; Karen Hantze; and the Newport-Ensenada yacht race)
Container
78.2 This Week, 1958-1961, undated
Correspondence; narrative reports; story suggestions; notes; shipping receipt; clipping, (materials relate to the following subjects: David Ladd; Carl Sandburg; Kim Novak; wives of the Crosby boys; Disney’s opening of the 1960 Winter Olympics in Squaw Valley; Hollywood Blvd.; June Lockhart and her kites; Gold Rush memorabilia auction; and modern treatment of dogs)
Container
78.3 Sales, 1962-1965
Incoming correspondence regarding requests for photographs
Container
78.4 Story suggestions, 1965-1968
Correspondence with staff of the Saturday Evening Post and Venture; clippings
Container
78.5 Miscellaneous, 1958-1971, undated
Incoming business-related correspondence, brochures, notes, and research material



Series IV. Personal Files, 1958-1979, undated

Container
78.6 About Bridges, 1958-1974
Clippings; tear sheet; correspondence
Container
78.7 Clippings, 1962-1979
Container
78.8 Family [photographs], 1958-1969
Container
65.31 2 rolls of 35mm film; 1 roll of 120mm film
Container
65.40 4 color transparencies
Container
78.8 4 contact sheets
29 enlargements
Kate B. Bridges, 1961-1969
Container
78.9 Clippings and tear sheets, 1964-1965
Container
78.10 Correspondence, 1965-1968, undated
Magazines and publications
Container
78.11 EYE, May 1968 issue
Container
78.12 Life magazine (31 Jan. 1964, 28 Aug. 1964, and 10 Jan. 1969 issues)
Container
78.13 Newsweek, 24 Feb. 1964 issue
Container
78.14 The Rolling Stones. New York: Souvenir Publishing and Distributing Co., [1965?]
Container
78.15 Rolling Stones '65, by Andrew Loog Oldham. Irvington, N.J.: Roaim Publishing Co., Inc., [1965]
Container
78.16 Saturday Evening Post (21 Mar. 1964 and 8-15 Aug. 1964 issues)
Container
78.17 Youth Quake, 1967
Container
78.18 Scrapbook pages, 1961-1968
Container
78.19 Miscellaneous, undated -- Sgt. Pepper cut-outs (album insert); Crash Pad Rules of Etiquette; negative envelope; 1964 Election Year Argument Settler
Passport pictures, circa 1960?
Container
78.20 Contact sheet
Container
65.32 Negatives