<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "ead.dtd">
<ead relatedencoding="MARC21">
	<eadheader audience="internal" countryencoding="iso3166-1" dateencoding="iso8601"
		langencoding="iso639-2b" repositoryencoding="iso15511" scriptencoding="iso15924">
		<eadid countrycode="US" encodinganalog="852$a" mainagencycode="TxU-Hu"
			>urn:taro:utexas.hrc.00629</eadid>
		<!--DO NOT MODIFY ANY OF THE BOILERPLATE TEXT ABOVE THIS LINE-->
		<!-- revised 8 July 2008 -->
		<filedesc>
			<titlestmt>
				<titleproper>Jorge Luis Borges:</titleproper>

				<subtitle>An Inventory of His Papers at the Harry Ransom Center</subtitle>
				<author encodinganalog="245$c">Finding aid created by Bob Taylor</author>

			</titlestmt>
			<publicationstmt>
				<publisher encodinganalog="260$b">Harry Ransom Center, </publisher>
				<date encodinganalog="260$c" calendar="gregorian" era="ce">2012</date>
			</publicationstmt>
		</filedesc>
		<profiledesc>
			<creation>Finding aid encoded by Amy E. Armstrong, <date calendar="gregorian" era="ce">3
					August 2012</date>
			</creation>
			<langusage>Finding aid written in <language>English.</language></langusage>
		</profiledesc>
	</eadheader>
	<archdesc level="collection">
		<did>
			<repository encodinganalog="852$a">
				<corpname>The University of Texas at Austin, <subarea> Harry Ransom
				Center</subarea></corpname>
			</repository>
			<origination label="Creator:">
				<persname source="lcnaf" encodinganalog="100">Borges, Jorge Luis,
				1899-1986</persname>
			</origination>
			<unittitle encodinganalog="245$a" label="Title:">Jorge Luis Borges Papers</unittitle>

			<unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian"
				label="Dates:" normal="1922/1975">1922-1975</unitdate>
			<physdesc label="Extent:" encodinganalog="300$a">
				<extent>1 box (.42 linear foot)</extent>
			</physdesc>

			<abstract label="Abstract:" encodinganalog="520$a">The Jorge Luis Borges Collection
				comprises drafts, sketches, notes, and some correspondence produced by Borges
				between 1922 and 1975.</abstract>

			<langmaterial label="Language: "><language langcode="eng">English</language> and
					<language langcode="spa">Spanish</language></langmaterial>
			<unitid encodinganalog="099" label="Call Number:">Manuscript Collection MS-0453</unitid>
		</did>
		<acqinfo encodinganalog="541">
			<head>Acquisition: </head>
			<p>Purchase and Gift, 1974-2010 (R14410)</p>

		</acqinfo>
		<accessrestrict encodinganalog="506">
			<head>Access: </head>
			<p>Open for research</p>
		</accessrestrict>
		<processinfo encodinganalog="583">
			<head>Processed by: </head>
			<p>Bob Taylor, 2012</p>
		</processinfo>
		<bioghist encodinganalog="545">
			<head>Biographical Sketch</head>
			<p>Jorge Luis Borges was born in Buenos Aires, Argentina on August 24, 1899, to Jorge
				Guillermo Borges Haslam and his wife Leonor Acevedo Su&#225;rez. Borges grew up
				in a bookish and genteel household, in which memories of family history and
				accomplishments were strong. From his paternal grandmother Fanny Haslam he learned
				to speak and read English, and even as a child he had a strongly-developed interest
				in literature, language, and the written word generally.</p>
			<p>In 1914, the Borges family settled in Geneva, Switzerland, where Jorge Luis and his
				sister Norah continued their schooling. Jorge Luis continued to read widely,
				learning French and German, and, in 1918, receiving the baccalaur&#232;at from
				the Coll&#232;ge de Gen&#232;ve. At the end of the First World War the
				Borges family did not immediately return to Argentina but spent several years in
				Spain. In Madrid, Borges became involved in the avant garde Ultraist movement, the
				seeds of which he took back with him to Argentina.</p>
			<p>In 1921, Borges began the short-lived broadsheet poetry serial publication <title
					render="italic">Prisma</title>, following in 1922 with <title render="italic"
					>Proa</title>, the second series (1924-1926) of which contained contributions by
				Borges in all but one of its fifteen numbers. Later in the decade he was a frequent
				contributor to <title render="italic">Mart&#237;n Fierro</title>, and, from
				1931, the journal <title render="italic">Sur</title>.</p>
			<p>Throughout the 1930s Borges pursued a career in literary journalism, writing poetry,
				short stories, and essays. From 1938 he was a cataloger in a branch of the
				Biblioteca P&#250;blica de Buenos Aires, a position that, it is said, permitted
				him ample time to work at his career as a literary writer.</p>
			<p>During the 1940s, Borges embarked on a career as a public speaker and teacher, while
				continuing with his writing. During that decade his two best-known titles, <title
					render="italic">Ficciones</title> (1944) and <title render="italic">El
				Aleph</title> (1949), both collections of short stories, were published. With the
				consolidation of political power by Juan Per&#243;n in Argentina in 1946 Borges
				was forced from his position in the Buenos Aires library. Quixotically,
				Per&#243;n's gesture had the effect of promoting Borges as a spokesman for
				Argentina's political opposition.</p>
			<p>By the 1950s, Borges's impaired vision was rapidly failing, and he was obliged to
				live with his mother so she might act as his secretary. With the ouster of
				Per&#243;n in 1955 Borges was named director of Argentina's Biblioteca Nacional,
				and as the culmination of growing regard for his work on the international scene he
				was in 1961 the co-recipient (with Samuel Beckett) of the Prix International. <emph
					render="doublequote">As a consequence of that prize,</emph> Borges said, <emph
					render="doublequote">my books mushroomed overnight throughout the western
				world.</emph> Concurrently with the Prix International Borges was named to the
				Tinker Chair at the University of Texas, leading to a lecture tour of the United
				States.</p>
			<p>Through the 1960s and beyond, as he was better-known and increasingly widely-read,
				Borges traveled and lectured extensively. In 1967, Borges, working with the American
				scholar Norman Thomas Di Giovanni, began a project of translating his works into
				English. The program of translation, which began with a bilingual edition entitled
					<title render="italic">Selected Poems, 1923-1967</title>, continued until 1972.
				On the domestic political front, the return of Juan Per&#243;n from exile and
				his election to the presidency in 1973 led to Borges's immediate resignation as
				director of the Bibioteca Nacional.</p>
			<p>His 1967 marriage to Elsa Astete Mill&#225;n failed after three years and Borges
				turned once again to his mother as secretary. Following her death in 1975,
				Mar&#237;a Kodama became Borges's secretary. In the last years of his life he
				bequeathed his literary properties to her, and shortly before his own death in
				Geneva, on 14 June 1986, Borges and Kodama were married.</p>

		</bioghist>
		<bibliography>
			<head>Sources:</head>
			<p>Loewenstein, C. Jared. <title render="italic">A Descriptive Catalogue of the Jorge
					Luis Borges Collection at the University of Virginia Library</title>.
				Charlottesville, Va. : University Press of Virginia, 1993.</p>
			<p>Wall, Catharine E. <title render="doublequote">The Jorge Luis Borges collection at
					the University of Texas at Austin</title> in <title render="italic">Latin
					American Research Review</title>, v. 36, no. 3 (2001).</p>
			<p>Williamson, Edwin. <title render="italic">Borges, a Life</title>. New York : Viking,
				2004.</p>
		</bibliography>
		<scopecontent encodinganalog="520">
			<head>Scope and Contents</head>
			<p>The Ransom Center's collection of manuscript material created by Jorge Luis Borges
				represents the years 1922 to 1975 and is arranged in three series: I. Works, II.
				Notebooks, and III. Correspondence.</p>
			<p>Series I. Works, 1926-1967, embodies several essays, two short stories (<title
					render="doublequote">Emma Zunz</title> and <title render="doublequote">Los
					Rivero</title>), two poems (<title render="doublequote">Mateo XXV : 30</title>
				and <title render="doublequote">Texas</title>), and several literary fragments.</p>
			<p>Series II. Notebooks, 1949-1960 contains five notebooks used by Borges to draft
				imaginative works and essays, as well as to set down ideas and themes for future
				development. Several works by Borges that appeared in <title render="italic"
				>Sur</title> during the 1950s are found here in draft form, including <title
					render="doublequote">Sobre don Seguno Sombra</title> and <title
					render="doublequote">Par&#225;bola del palacio.</title> The first four
				notebooks are in Borges's own hand; the last, dating from 1955 and later, was
				largely dictated by Borges to his mother.</p>
			<p>Series III. Correspondence, 1922-1975, is small, and in it four missives from Borges
				to others are found. The earliest of these, from 1922, is a note written to
				accompany two signed presentation copies of the broadsheet <title render="italic"
					>Prisma</title> sent by Borges to the poet Ricardo Molinari. The Ransom Center
				also holds the broadsheets. Another early item, a 1929 note to Ulises Petit de
				Murat, is bound in a notebook of Petit de Murat's manuscript poems. Also found in
				the notebook is Borges's transcription of Robert Browning's poem <title
					render="doublequote">Memorabilia.</title></p>
		</scopecontent>
		<relatedmaterial encodinganalog="544 1">
			<p>The Ransom Center holds the two signed numbers of <title render="italic"
				>Prisma</title> mentioned above, as well as all the fifteen issues of the second
				series of <title render="italic">Proa</title>. The Center further holds an extensive
				collection of Borges's other published work, included holdings of the three serial
				publications (<title render="italic">Prisma</title>, <title render="italic"
				>Proa</title>, and <title render="italic">Mart&#237;n Fierro</title>) closely
				associated with his career. The Center's Edward Larocque Tinker Collection also
				contains publications concerning Argentine (and other Latin American) literature and
				history. The university's Nettie Lee Benson Latin American Collection has other
				significant holdings in these areas.</p>
			<p>Significant Borges collections are found in the Colecci&#243;n Jorge Luis Borges
				of the Fundaci&#243;n San Telmo in Buenos Aires and in the University of
				Virginia Library's Special Collections Department. The former has major holdings of
				Borges manuscripts, and the latter collection embraces an exhaustive library of
				published editions.</p>
		</relatedmaterial>

		<controlaccess>

			<head>Index Terms</head>
			<controlaccess>
				<head>People</head>
				<persname encodinganalog="700" source="lcnaf">Di Giovanni, Norman Thomas</persname>
				<persname encodinganalog="700" source="lcnaf">Petit de Murat, Ulises, 1907-1983</persname>
				<persname encodinganalog="700" source="lcnaf">Romero, Jos&#233; Luis, 1909-1977</persname>
				<persname encodinganalog="700" source="lcnaf">Tinker, Edward Larocque,
				1881-1968</persname>
			</controlaccess>
			<controlaccess>
				<head>Subjects</head>
				<subject encodinganalog="600" source="lcsh">Argentina--Intellectual life--20th
					century</subject>
				<subject encodinganalog="600" source="lcsh">Authors, Argentine--20th
				century</subject>
			</controlaccess>
			<controlaccess>
				<head>Document Types</head>
				<genreform encodinganalog="655" source="aat">Drafts</genreform>
				<genreform encodinganalog="655" source="aat">Notebooks</genreform>
			</controlaccess>
		</controlaccess>

		<dsc type="in-depth">
			<head>Container List</head>
			<c01 level="series">
				<did>
					<unittitle>Series I. Works, <unitdate era="ce" calendar="gregorian"
							type="inclusive">1926-1967</unitdate>
					</unittitle>
				</did>
				<c02>
					<did>
						<container type="Container">1.9</container>
						<unittitle>The Achievements of Walt Whitman. A typescript transcription of
							Borges's January 10, 1962 talk at the University of Texas, with
							handwritten corrections and additions. Signed by Borges. 10 p.,
						1962</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.1</container>
						<unittitle>La Biblioteca de Robins&#243;n. Borges's handwritten
							discussion of the question (in translation) "what three books would you
							take to a desert island?" 3 p., undated</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.2</container>
						<unittitle>Blak [sic] (1757-1827). Handwritten collection of quotes from the
							works of William Blake, giving bibliographical citations to their
							appearance in print. 2 p., undated</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.3</container>
						<unittitle>Carta a G&#252;iraldes y a Brand&#225;n, en una Muerte
							(ya Resucitada) de Proa. Draft of a letter published in the last issue
							of Proa, January 1926. 4 p., 1926?</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.4</container>
						<unittitle>[Draft of a film outline]. Unpublished handwritten draft of 12
							lines, beginning <emph render="doublequote">A. Puede ser bailarina ...</emph> At end is found a note of
							explanation of the purpose of the outline by Borges's intended
							collaborator Jos&#233; Luis Romero. Latter note is dated at
							<emph render="doublequote">Adrogu&#233;, 1953.</emph> 1 p., 1953?</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.5</container>
						<unittitle>[Edda Snora Sturlusonar]. Six lines from foreword of the Prose
							Edda; in English, on the verso of Borges's calling card (Jorge Luis
							Borges / Maipu 994), undated</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.6</container>
						<unittitle>Emma Zunz. Typescript short story, with numerous handwritten
							revisions by Borges. Verso of last leaf bears handwritten note from
							Borges to <emph render="doublequote">querida Cecilia.</emph> 5 p., undated</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.7</container>
						<unittitle>Mateo XXV : 30. Borges's handwritten draft of the poem, omitting
							the lines preceding <emph render="doublequote">--Estrellas, pan, bibliotecas orientales y
							occidentales.</emph> Draft includes variants for certain phrases and indicates
							a transposition of two lines. 1 p., 1953?</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.8</container>
						<unittitle>Los Rivero. Short story manuscript, handwritten by Borges, and
							with his revisions in text. 4 p., 1950?</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.9</container>
						<unittitle>Texas. Borges's fair copy of the poem (2 p.), signed by Borges at
							foot of second leaf. Accompanied by fair copy in hand of Elsa Astete
							Mill&#225;n Borges and also signed by Borges (1 p.). Also present
							are Edward Larocque Tinker's handwritten <emph render="doublequote">literal translation</emph> into
							English, as well as Tinker's handwritten recollection of his luncheon
							with Borges and his wife in New York on December 1, 1967,
						1967?</unittitle>
					</did>
				</c02>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series II. Notebooks, <unitdate era="ce" calendar="gregorian"
							type="inclusive">1949-1960</unitdate>
					</unittitle>
				</did>
				<c02>
					<did>
						<container type="Container">1.10</container>
						<unittitle>Lanceros Argentinos de 1910 [notebook] Collection of disbound
							leaves from various notebooks. Includes draft Pr&#243;logo for
							Borges's 1949 edition of Thomas Carlyle's De los Heroes and Ralph Waldo
							Emerson's Hombres Representativos (8 p.). Also notes on various
							philosophical and religious questions (8 p.). (18 p. total, including
							covers), 1949?</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.11</container>
						<unittitle>Cuaderno Avon. Gray notebook containing essays by Borges:
							Historia de Caballero, El ingl&#233;s de Chaucer, Essay on Mark
							Twain, incomplete essay on Sir Thomas Malory. (10 p.),
						1950-1951?</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.12</container>
						<unittitle>Cuaderno Avon. Red notebook with contents: Destino Escandinavo
							[draft of essay in Sur issue 219-220, enero-feb. 1953] (4 p.), <emph render="doublequote">His
							signature in runic letters is woven into the text ...</emph> [1st line of
							English essay] (2 p.). Sobre don Segundo Sombra [draft of work in Sur,
							217-218, nov.-dic. 1952) (3 p.), Other drafts on Germanic history, Juan
							Mura&#241;a, astrology, the four classical elements, draft of letter
							re Manual de Zoolog&#237;a Fant&#225;stica. (21 p. total), 1952?</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.13</container>
						<unittitle>Cuaderno Avon. Green notebook containing Paradiso, XXXI, 108
							[draft of essay in Sur, 231, nov.-dic. 1954] as well as other essays on
							Juan Escoto, Francis Bacon, Los gn&#243;sticos, M&#237;sticos
							del Islam, Dialogue between Bodhidharma and the emperor of China,
							Bertrand Russell. Brief index at end by Borges's mother, Leonor Acevedo
							de Borges. (22 p. total), 1954?</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.14</container>
						<unittitle>Cuaderno Avon. Red notebook with handwritten drafts in the hand
							of Acevedo de Borges. Included are chapters of Leopoldo Lugones and of
							Par&#225;bola del Palacio [the latter published in Sur, 243, nov.-dic. 1956],
							along with unpublished manuscript drafts identified in index notes at
							end as Thorkelin y Beowulf and Las Runas de Beowulf. A few pages are in
							Borges's hand; index on back cover. (66 p. total),
						1955-1960?</unittitle>
					</did>
				</c02>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series III. Correspondence, <unitdate era="ce" calendar="gregorian"
							type="inclusive">1922-1975</unitdate>
					</unittitle>
				</did>
				<c02 level="subseries">
					<did>
						<unittitle>Subseries A. Borges Outgoing, 1922-1975</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">1.15</container>
							<unittitle>Autograph note signed to Ricardo Molinari. [Buenos Aires],
								Bulnes 2216, marzo 1922. (1 p.) Note to accompany signed
								presentation copies of the two published numbers of Borges's
								Ultraist broadsheet Prisma.</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">1.16</container>
							<unittitle>Autograph note to Ulises Petit de Murat [Buenos Aires], 1929?
								(1 p.) Bound with: Petit de Murat, Ulises. Manuscript notebook
								containing poems, some untitled, and poetic ideas. Includes Borges's
								handwritten transcription of Robert Browning’s Memorabilia. (35
							p.)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">1.6</container>
							<unittitle>Autograph postcard signed to Cecilia [Ingenieros] [Buenos
								Aires] Maipú 994, 19 de abril de 1946. (1 p.) Borges seeks on behalf
								of Los Anales de Buenos Aires, a contribution from Ingenieros <emph render="doublequote">sobre
								los Estados Unidos o sobre la danza o sobre ambos temas
							...</emph></unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">1.9</container>
							<unittitle>Typed letter signed to John O. Kirkpatrick, Buenos Aires,
								March 6, 1975. (1 p.) Borges responds affirmatively to Kirkpatrick's
								request that the Ransom Center be permitted to publish Borges’s
								sonnet Texas in a pamphlet issued in conjunction with the 1975
								Austin meeting of the Manuscript Society of America.</unittitle>
						</did>
					</c03>
				</c02>
				<c02 level="subseries">
					<did>
						<unittitle>Subseries B. Other Correspondents, 1974-1975</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">1.9</container>
							<unittitle>Typed carbon copy letter, John O. Kirkpatrick to Borges,
								University of Texas, Austin, 12 November 1974. (2 p.) Kirkpatrick
								seeks Borges's permission to publish the sonnet Texas. See Borges's
								reply above.</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">1.9</container>
							<unittitle>Typed letter signed, Norman Thomas Di Giovanni to John O.
								Kirkpatrick, St. Andrew's, Fife, Scotland, 23 February 1975.
								Comments regarding the intended publication of Borges's
							Texas.</unittitle>
						</did>
					</c03>
				</c02>
			</c01>
		</dsc>
	</archdesc>
</ead>
