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	<eadheader audience="internal" countryencoding="iso3166-1" dateencoding="iso8601"
		langencoding="iso639-2b" repositoryencoding="iso15511" scriptencoding="iso15924">
		<eadid countrycode="US" encodinganalog="852$a" mainagencycode="TxU-Hu"
			>urn:taro:utexas.hrc.00522</eadid>
		<!--DO NOT MODIFY ANY OF THE BOILERPLATE TEXT ABOVE THIS LINE-->
		<!-- revised 8 July 2008 -->
		<filedesc>
			<titlestmt>
				<titleproper>Gore Vidal:</titleproper>

				<subtitle>An Inventory of His Collection at the Harry Ransom Center</subtitle>
				<author encodinganalog="245$c">Finding aid created by Michael Ramsey</author>

			</titlestmt>
			<publicationstmt>
				<publisher encodinganalog="260$b">Harry Ransom Center, </publisher>
				<date encodinganalog="260$c" calendar="gregorian" era="ce">2010</date>
			</publicationstmt>
		</filedesc>
		<profiledesc>
			<creation>Finding aid encoded by Michael Ramsey, <date calendar="gregorian" era="ce">14
					December 2010</date>
			</creation>
			<langusage>Finding aid written in <language>English.</language></langusage>
		</profiledesc>
	</eadheader>
	<archdesc level="collection">
		<did>
			<repository encodinganalog="852$a">
				<corpname>The University of Texas at Austin, <subarea> Harry Ransom
				Center</subarea></corpname>
			</repository>
			<origination label="Creator:">
				<persname source="lcnaf" encodinganalog="100">Vidal, Gore, 1925-</persname>
			</origination>
			<unittitle encodinganalog="245$a" label="Title:">Gore Vidal Collection</unittitle>

			<unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian"
				label="Dates:" normal="1946/1970">1946-1970</unitdate>
			<physdesc label="Extent:" encodinganalog="300$a">
				<extent>3 boxes, 4 galley folders (gf) (1.26 linear feet)</extent>
			</physdesc>

			<abstract label="Abstract:" encodinganalog="520$a">The Gore Vidal Collection contains
				manuscript works and correspondence written by Vidal, as well as manuscripts for
					<title render="doublequote">Conversations with Gore Vidal</title> by Eugene
				Walter.</abstract>

			<langmaterial label="Language: ">
				<language langcode="eng">English</language>
				<language/>
			</langmaterial>
		</did>
		<acqinfo encodinganalog="541">
			<head>Acquisition: </head>
			<p>Gift and purchases, 1966-1975 (R3069, R3347, R4498, R6198, R6331, R6832)</p>

		</acqinfo>
		<accessrestrict encodinganalog="506">
			<head>Access: </head>
			<p>Open for research</p>
		</accessrestrict>
		<processinfo encodinganalog="583">
			<head>Processed by: </head>
			<p>Michael Ramsey, 2010</p>
		</processinfo>
		<bioghist encodinganalog="545">
			<head>Biographical Sketch</head>
			<p>Gore Vidal was born Eugene Luther Gore Vidal in West Point, New York, on October 3,
				1925, to Eugene Luther and Nina Vidal. Vidal shortened his name during his teen
				years to honor his maternal grandfather. After his parents divorced, Vidal lived
				with his mother and her new husband in northern Virginia and attended a series of
				boarding schools.</p>
			<p>After graduating from Phillips Exeter Academy in 1943, Vidal joined the U.S. Army
				Reserve at age 17. Vidal wrote his first novel, <title render="italic"
				>Williwaw</title> (1946), while in the hospital recovering from hypothermia. After
				being discharged from the army, Vidal went to work as an editor for E. P. Dutton and
				published his second novel, <title render="italic">In a Yellow Wood</title> (1947).</p>
			<p>Vidal moved to a small house in Antigua, Guatemala, where he finished his next novel,
					<title render="italic">The City and the Pillar</title> (1948), whose homosexual
				theme was controversial. Many fellow authors praised Vidal's book while several
				critics and reviewers lambasted the work; the <title render="italic">New York
				Times</title> refused to review the work for almost 10 years.</p>
			<p>Vidal traveled between Europe and New York for a period, publishing many works that
				were well received abroad, including <title render="italic">A Search for the
				King</title> (1950), <title render="italic">Dark Green, Bright Red</title> (1950),
					<title render="italic">The Judgment of Paris</title> (1952), and <title
					render="italic">Messiah</title> (1954). Despite his success abroad, Vidal's work
				was continuously ignored by the American press.</p>
			<p>Vidal started writing mystery novels under the pseudonym of Edgar Box, and the Box
				novels were generally well received by American readers. Vidal then turned to
				television as a new medium and would go on to write 20 teledramas. Vidal accepted an
				offer from MGM to see how movies were made in the old studio system, and whilst in
				Hollywood wrote screenplays for several films.</p>
			<p>Vidal's mother divorced his stepfather, Hugh D. Auchincloss, in the 1940s.
				Auchincloss remarried to Janet Lee Bouvier, whose daughter Jacqueline moved into
				Vidal's old room. When Jacqueline married John F. Kennedy later in life, Kennedy was
				excited to meet his wife's famous literary connection. Vidal's experiences with the
				backstage workings of the 1960 Democratic National Convention later inspired him to
				write the screenplay <title render="italic">The Best Man</title> (1964). After a
				brief stint in the political world, Vidal moved to Italy to escape the constricting
				Washington D.C. atmosphere and to work on his latest novel, <title render="italic"
					>Julian</title> (1964).</p>
			<p>Vidal experimented with many types of literary genres, writing works as varied as
					<title render="italic">Washington D.C.</title> (1967), the controversial <title
					render="italic">Myra Breckinridge</title> (1968), many novels concerning
				American history, and several satires including <title render="italic"
				>Duluth</title> (1983).</p>
			<p>Vidal has written two volumes of memoirs, <title render="italic">Palimpsest</title>
				(1995) and <title render="italic">Point to Point Navigation</title> (2006). While
				Vidal has mostly given up writing large novels, he continues to write essays,
				political speeches, and still makes public speeches.</p>

		</bioghist>
		<bibliography>
			<head>Sources:</head>
			<p><title render="doublequote">Gore Vidal.</title> Academy of Achievement,
				http://www.achievement.org/autodoc/page/vid0bio-1 (accessed 10 November 2010).</p>
			<p><title render="doublequote">Gore Vidal.</title> Wikipedia,
				http://en.wikipedia.org/wiki/Gore_vidal (accessed 10 November 2010).</p>
		</bibliography>
		<scopecontent encodinganalog="520">
			<head>Scope and Contents</head>
			<p>The Gore Vidal Collection contains manuscript works and correspondence written by
				Vidal, as well as manuscripts for <title render="doublequote">Conversations with
					Gore Vidal</title> by Eugene Walter. The collection is arranged in two series:
				I. Works, 1953-1970, undated; and II. Outgoing Correspondence, 1946-1963. This
				collection was previously accessible through a card catalog, but has been
				recataloged as part of a retrospective conversion project.</p>
			<p>The Works series is subdivided into two subseries and includes works by Vidal in
				Subseries A. The works are arranged alphabetically by title and encompass
				manuscripts and/or proofs for ten works by Vidal, including seven novels, two plays,
				and one screenplay. Titles represented are <title render="italic">The Best
				Man</title>, <title render="italic">The City and the Pillar</title>, <title
					render="italic">Death Likes It Hot</title>, <title render="italic">An Evening
					with Richard Nixon</title>, <title render="italic">Julian</title>, <title
					render="italic">Messiah</title>, <title render="italic">Myra
				Breckinridge</title>, <title render="italic">Two Sisters</title>, <title
					render="italic">Washington D.C.</title>, and <title render="italic"
				>Weekend</title>. Subseries B. contains manuscripts and proofs for a single work
				regarding Vidal, <title render="doublequote">Conversations with Gore Vidal</title> by
				Eugene Walter.</p>
			<p>Series II. consists almost entirely of outgoing letters written by Vidal and is
				arranged alphabetically by recipient name. The major correspondents include Oliver
				Evans, David Loomis, and Eugene Walter. A single letter from Ana&#239;s Nin to
				an unidentified recipient praises Vidal's <title render="italic">Williwaw</title>.
				All correspondent names are included in the Index of Correspondents in this finding
				aid.</p>

		</scopecontent>
		<relatedmaterial encodinganalog="544 1">
			<p>Manuscripts by or about Gore Vidal are included in numerous other collections at the Ransom
				Center: Joseph Abeles, James Donald Adams, Alfred A. Knopf, Inc., Paul Bowles,
				Millicent Dillon, Noel Riley Fitch, Peter Glenville, Charles Haldeman, Elizabeth
				Hardwick, James Jones, Hugh Kenner, John Lehmann, Norman Mailer, Carson McCullers,
				Michael Mewshaw, James Roose-Evans, Nancy Wilson Ross, Dame Edith Sitwell, C. P.
				Snow, Gloria Swanson, Parker Tyler, and Tennessee Williams.</p>
			<p>The majority of Vidal's manuscripts are held by the Houghton Library at Harvard
				University.</p>

		</relatedmaterial>


		<dsc type="combined">
			<head>Container List</head>
			<c01 level="series">
				<did>
					<unittitle>Series I. Works <unitdate era="ce" calendar="gregorian"
							type="inclusive">1953-1970, undated</unitdate>
					</unittitle>
				</did>
				<c02 level="subseries">
					<did>
						<unittitle>Subseries A. By Gore Vidal</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">1.1</container>
							<unittitle><title render="italic">The Best Man</title>, signed mimeo
								screenplay with handwritten corrections, bound, 204 pages, 21 March
								1968 </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<unittitle>
								<title render="italic">The City and the Pillar</title>
							</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">1.2-4</container>
								<unittitle>Carbon typescript with handwritten corrections, 315
									pages, 1965 </unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">gf 1</container>
								<unittitle>Galley proofs, revised, 80 pages, 1965</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">1.5</container>
							<unittitle><title render="italic">Death Likes It Hot</title>, typescript
								with handwritten corrections, written under pseudonym Edgar Box, 169
								pages, undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">1.6</container>
							<unittitle><title render="italic">An Evening with Richard Nixon</title>,
								mimeo script, 111 pages, undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">gf 2</container>
							<unittitle><title render="italic">Julian</title>, galley proofs, 244
								pages, 1964</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<unittitle>
								<title render="italic">Messiah</title>
							</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">2.1</container>
								<unittitle>Signed handwritten manuscript / fragment, 1 page,
								1953</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">2.2-3</container>
								<unittitle>Typed and carbon manuscript with handwritten corrections,
									287 pages, 1953</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">gf 3</container>
								<unittitle>Galley proofs, 66 pages, 1965</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">2.4-6</container>
							<unittitle><title render="italic">Myra Breckinridge</title>, typescript
								with handwritten corrections, 316 pages, 1968; includes note from
								Helen M. Goldstein </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">2.7</container>
							<unittitle><title render="italic">Two Sisters</title>, page proofs with
								handwritten corrections, 174 pages, 1970 </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">2.8-3.1</container>
							<unittitle><title render="italic">Washington D.C.</title>, page proofs,
								320 pages, 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">3.2</container>
							<unittitle><title render="italic">Weekend</title>: Act One, Scene Two,
								signed typescript with handwritten revisions, 3 pages, undated
							</unittitle>
						</did>
					</c03>

				</c02>
				<c02 level="subseries">
					<did>
						<unittitle>Subseries B. Re Gore Vidal</unittitle>
					</did>
					<c03>
						<did>
							<unittitle>Walter, Eugene. <title render="doublequote">Conversations
									with Gore Vidal</title> (published in the <title render="italic"
									>Transatlantic Review</title>, 1960)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">3.8</container>
								<unittitle>Handwritten manuscript, 54 pages, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">3.8</container>
								<unittitle>Four typescript drafts, three with handwritten
									corrections (one corrected by Vidal), each 17 or 18 pages, all undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">gf 4</container>
								<unittitle>Galley proofs with handwritten corrections, 5 pages,
									undated; includes letter from Eyre &amp; Spottiswoode to
									Eugene Walter, 1960 </unittitle>
							</did>
						</c04>
					</c03>
				</c02>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series II. Outgoing Correspondence, <unitdate era="ce"
							calendar="gregorian" type="inclusive">1946-1963</unitdate>
					</unittitle>
				</did>
				<c02>
					<did>
						<container type="Container">3.3</container>
						<unittitle>A-Z</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">3.4</container>
						<unittitle>Evans, Oliver, 15 items, 1951-1963</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">3.5</container>
						<unittitle>Loomis, David, 8 items (including one from Irwin Edman),
							1953-1954</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">3.6</container>
						<unittitle>Nin, Ana&#239;s, 1 item (to unidentified recipient re <title
								render="italic">Williwaw</title> by Gore Vidal), May 1946
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">3.7</container>
						<unittitle>Walter, Eugene, 6 items, 1958-1960</unittitle>
					</did>
				</c02>
			</c01>

		</dsc>
		<odd type="index">
			<head>Index of Correspondents</head>
			<list>
				<item><persname>Evans, Oliver (Oliver Wendell), 1915-1981</persname>--3.4 (15 from
					Gore Vidal)</item>
				<item><corpname>Eyre &amp; Spottiswoode</corpname>--gf 4 (1 to Eugene Walter)</item>
				<item><persname>Gottlieb, _____</persname>--3.3 (1 from Gore Vidal)</item>
				<item><persname>Loomis, David</persname>--3.5 (8 from Gore Vidal)</item>
				<item><persname>Nin, Ana&#239;s, 1903-1977</persname>--3.6 (1 to unidentified recipient)</item>
				<item><persname>Walter, Eugene, 1921-1998</persname>--3.7 (6 from Gore Vidal)</item>
				<item><persname>Wolin, Ron</persname>--3.3 (1 from Gore Vidal)</item>
			</list>
		</odd>
	</archdesc>
</ead>
