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		<filedesc>
			<titlestmt>
				<titleproper>Jim Crace:</titleproper>

				<subtitle>An Inventory of His Papers in the Manuscript Collection at the Harry
					Ransom Humanities Research Center</subtitle>
				<author encodinganalog="245$c">Finding aid created by Amy E. Armstrong</author>
			</titlestmt>
			<publicationstmt>
				<publisher encodinganalog="260$b">Harry Ransom Humanities Research Center, </publisher>
				<date encodinganalog="260$c" calendar="gregorian" era="ce">2010</date>
			</publicationstmt>
		</filedesc>
		<profiledesc>
			<creation>Finding aid encoded by Amy E. Armstrong, <date calendar="gregorian" era="ce"
					>23 February 2010</date>
			</creation>
			<langusage>Finding aid written in <language>English.</language></langusage>
		</profiledesc>
	</eadheader>
	<archdesc level="collection">
		<did>
			<repository encodinganalog="852$a">
				<corpname>The University of Texas at Austin, <subarea> Harry Ransom Humanities
						Research Center</subarea></corpname>
			</repository>
			<origination label="Creator:">
				<persname source="lcnaf" encodinganalog="100">Crace, Jim, 1946-</persname>
			</origination>
			<unittitle encodinganalog="245$a" label="Title:">Jim Crace Papers</unittitle>
			<unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian"
				label="Dates:" normal="1954/2009">1954-2009</unitdate>
			<physdesc label="Extent:" encodinganalog="300$a">
				<extent>44 document boxes (18.48 linear feet), 2 oversize boxes </extent>
			</physdesc>
			<abstract label="Abstract:" encodinganalog="520$a">The Jim Crace Papers, 1954-2009,
				consist of manuscript drafts, scripts, advance proofs, notes, notebooks, research
				material, correspondence, clippings, scrapbooks, photographs, serial publications,
				books, sound recordings, moving images, watercolors, juvenilia, posters, and
				ephemera from the English novelist Jim Crace. The personal and professional papers
				span Crace’s writing career and document his diverse range of creative output which
				includes novels, essays, investigative journalism articles, short stories, dramatic
				and educational radio scripts, television scripts, watercolor paintings, and some
				poetry.</abstract>
			<langmaterial label="Language: "><language langcode="eng">English</language>, <language
					langcode="ger">German</language>, <language langcode="fre">French</language>,
					<language langcode="dut">Dutch</language>, <language langcode="spa"
				>Spanish</language>, <language langcode="ita">Italian</language>, <language
					langcode="por">Portuguese</language>, <language langcode="dan"
				>Danish</language>, and <language langcode="cze">Czech</language></langmaterial>
		</did>
		<bioghist encodinganalog="545">
			<head>Biographical Sketch</head>
			<p>The English writer Jim Crace was born on March 1, 1946, at Brocket Hall in
				Herfordshire to Charles and Edith <emph render="doublequote">Jane</emph> Crace.
				Crace was raised on the boundary between city and country in Enfield, North London
				in a nurturing and well-anchored home. His working-class father, a curious,
				self-educated, politically-minded atheist, had an immense influence on Crace, as did
				attending the prestigious Enfield Grammar School. As Crace did not attend his local
				school, he was on a boundary once again between two distinct classes, and this
				maneuvering shaped Crace’s world view and informed his later writing. Throughout his
				teenage years and early adulthood, Crace sympathized with liberal causes and became
				politically active in the Enfield Campaign for Nuclear Disarmament, for which he
				edited leaflets. After a period of travel and introspection, Crace attended
				Birmingham College of Commerce (now the University of Central England in Birmingham)
				and was awarded an external Bachelor of Arts in English Literature from the
				University of London in 1968. While at university, Crace edited and contributed to
				the <title render="italic">Birmingham Sun</title>, the newspaper of the Guild of
				Students, University of Aston.</p>
			<p>Immediately after graduating from university, Crace joined the Voluntary Services
				Overseas (VSO) and was sent to Khartoum, Sudan, where he assisted writing and
				producing educational programs for Sudanese Educational Television. Crace traveled
				through Africa and briefly taught at a village school called Kgosi Kgari Sechele
				Secondary School in Molepolole, Botswana. Crace’s exposure to other cultures while
				living abroad in Africa and later while traveling through North and Central America
				also inspired his later writings.</p>
			<p>Upon returning to Britain in 1970, Crace taught briefly and then worked as a
				freelance writer, initially for the British Broadcasting Corporation. There he wrote
				radio scripts for the BBC Schools’ educational broadcasts, many of which
				incorporated themes related to African culture and history. Crace soon broadened the
				scope of his writing and turned to short fiction. In 1974, the literary journal
					<title render="italic">The New Review</title> published <title
					render="doublequote">Annie, California Plates,</title> his first of three short
				stories to appear in the journal. Crace soon had stories published in <title
					render="italic">Cosmopolitan</title>, <title render="italic">Socialist
				Challenge</title>, the <title render="italic">London Review of Books</title>, and
					<title render="italic">Quarto</title>, leading to book offers from agents and
				publishers. During this time, Crace met a teacher named Pamela Turton whom he
				married on January 3, 1975. The couple settled in Birmingham, England, and later had
				two children, Thomas and Lauren. Crace continued writing dramatic and comedic
				scripts for the radio and even co-wrote teleplays for a possible television series.
				Although the television scripts were unproduced, two of his radio plays, <title
					render="italic">The Bird Has Flown</title> (1976) and <title render="italic">A
					Coat of Many Colours</title> (1979), aired on BBC 4.</p>
			<p>Despite offers from publishers, publication in <title render="italic">The New
				Review</title> led Crace to a freelance career in journalism, and he contributed
				investigative and feature articles to <title render="italic">The Sunday
				Times</title>, <title render="italic">The Daily Telegraph Magazine</title>, and
					<title render="italic">The Radio Times</title>. He also reviewed books and wrote
				literary criticism for <title render="italic">Quarto</title>, <title render="italic"
					>The Times Literary Supplement</title>, and <title render="italic">The Sunday
					Times</title>. Even though Crace was committed to journalism, he grew
				increasingly frustrated with editors’ tight control over his articles. He accepted
				advances from the publishers Heinemann (U.K.) and Harper &amp; Row (U.S.) that
				allowed him to leave journalism and focus on writing his first novel.</p>
			<p>The transition from fact-reporting journalism to full-time fiction writing was
				difficult for Crace, and he initially had trouble focusing his ideas. While
				providing a rather unfavorable review of Gabriel Garc&#237;a M&#225;rquez’s
				novel <title render="italic">In Evil Hour</title>, Crace became aware of the power
				and effectiveness of magic realism. Writing about imagined worlds in
				realistic--though often fictitious--terms came easily for Crace, and he found his
				voice and developed his distinct style. When Crace was 40, his first book, <title
					render="italic">Continent</title> (1986), a collection of seven loosely-related
				stories about an imagined continent, was published and received immediate critical
				praise, winning the Whitbread First Novel Prize, the David Higham Prize for Fiction,
				the <title render="italic">Guardian</title> Fiction Prize, and a year later, the
				Premio Antico Fattore.</p>
			<p>Crace is regarded as one of Britain’s most original voices through his use of
				invented language, depiction of city and landscape, and exploration of individual
				behavior in ever-changing complex societies. Crace is interested in invention, as
				evidenced by his novel’s convincing but fictitious epigraphs. Though his novels are
				each very unique, they retain the hallmarks of Crace’s distinct style. As a result,
				the books have garnered critical success, and Crace has received numerous awards and
				honors, including the American Academy of Arts and Letters’ E. M. Forster Prize. His
				fifth novel, <title render="italic">Quarantine</title> (1997), was shortlisted for
				the Booker Prize and won the Whitbread Fiction Prize; his next novel, <title
					render="italic">Being Dead</title> (1999), won the National Book Critics’ Circle
				Award for Fiction and <title render="italic">Book Review</title> Best Books
				selection, and was short-listed for the Whitbread Novel of the Year Award. In 2000,
				Crace’s alma mater, the University of Central England in Birmingham, presented him
				with an Honorary Degree of Doctor of the University, and in 2002, the University of
				Birmingham awarded him an Honorary Doctor of Letters. Many of Crace’s works have
				been adapted to film and theatrical productions and even inspired musical pieces.</p>
			<p>Between 1981 and 1983, Crace was Midlands Arts Centre Writer-in-Residence, where he
				concluded his tenure by founding and directing the Birmingham Festival of Readers
				and Writers. Crace has often mentored aspiring writers through writer-in-residence
				and university programs and was the inaugural recipient of the James A. Michener
				Center for Writers Distinguished Writer-in-Residence award at The University of
				Texas at Austin. Crace frequently contributes essays and articles for newspapers and
				magazines and was invited by M&#233;decins Sans Fronti&#232;res to
				contribute an investigative report for their series <emph render="doublequote"
					>Authors in the Front Line,</emph> in which writers travel and bring much-needed
				attention to the world’s most troubled regions.</p>
			<p>The natural world, which features prominently in Crace’s writing, is not only an
				influence, but an avocation. He is a serious gardener, amateur ornithologist, and
				landscape painter. Indeed, his family’s annual trips to the Isles of Scilly off
				England’s southwestern coast have inspired his watercolors and three of his novels.
				Crace has stated that after finishing his books <title render="italic">All That
					Follows</title> (2010) and a <emph render="doublequote">Cracean</emph>
				autobiography provisionally titled <title>Archipelago</title>, he intends to devote
				more time to painting.</p>
		</bioghist>
		<bibliography>
			<head>Sources:</head>
			<p>In addition to material found within the Jim Crace Papers, the following sources were
				used:</p>
			<p><title render="doublequote">Jim Crace.</title>
				<title render="italic">Contemporary Authors Online</title>,
				http://galenet.galegroup.com (accessed 26 October 2009).</p>
			<p><title render="doublequote">Jim Crace.</title>
				<title render="italic">Contemporary Literary Criticism</title>,
				http://galenet.galegroup.com (accessed 26 October 2009).</p>
			<p>Tew, Philip. <title render="italic">Jim Crace</title>. Contemporary British Novelists
				Series. Manchester, England: Manchester University Press, 2006.</p>
		</bibliography>
		<controlaccess>
			<head>Index Terms</head>
			<controlaccess>
				<head>People</head>
				<persname encodinganalog="700" source="lcnaf">Crace, Jim</persname>
			</controlaccess>
			<controlaccess>
				<head>Organizations</head>
				<corpname encodinganalog="710" source="lcnaf">British Broadcasting
				Corporation</corpname>
			</controlaccess>

			<controlaccess>
				<head>Subjects</head>
				<subject encodinganalog="650" source="lcsh">Africa--Travel and description</subject>
				<subject encodinganalog="650" source="lcsh">Authors, English--20th century</subject>
				<subject encodinganalog="650" source="lcsh">English fiction--20th century</subject>
				<subject encodinganalog="650" source="lcsh">Journalism--England--20th century</subject>

			</controlaccess>

			<controlaccess>
				<head>Document Types</head>
				<genreform encodinganalog="655" source="aat">Address books</genreform>
				<genreform encodinganalog="655" source="aat">Calendars</genreform>
				<genreform encodinganalog="655" source="aat">Clippings</genreform>
				<genreform encodinganalog="655" source="aat">Correspondence</genreform>
				<genreform encodinganalog="655" source="aat">Juvenilia</genreform>
				<genreform encodinganalog="655" source="aat">Manuscripts</genreform>
				<genreform encodinganalog="655" source="aat">Photographs</genreform>
				<genreform encodinganalog="655" source="aat">Poems</genreform>
				<genreform encodinganalog="655" source="aat">Publications</genreform>
				<genreform encodinganalog="655" source="aat">Scrapbooks</genreform>
				<genreform encodinganalog="655" source="aat">Scripts</genreform>
				<genreform encodinganalog="655" source="aat">Serials (publications)</genreform>
				<genreform encodinganalog="655" source="aat">Sound recordings</genreform>
				<genreform encodinganalog="655" source="aat">Watercolors</genreform>
			</controlaccess>
		</controlaccess>
		<scopecontent encodinganalog="520">
			<head>Scope and Contents</head>
			<p>The Jim Crace Papers, 1954-2009, consist of manuscript drafts, scripts, advance
				proofs, notes, notebooks, research material, correspondence, clippings, scrapbooks,
				photographs, serial publications, books, sound recordings, moving images,
				watercolors, juvenilia, posters, and ephemera from the English novelist Jim Crace.
				The personal and professional papers span Crace’s writing career and document his
				diverse range of creative output which includes novels, essays, investigative
				journalism articles, short stories, dramatic and educational radio scripts,
				television scripts, watercolor paintings, and some poetry. The papers are organized
				into six series: I. Literary Activities, II. Journalism, III. Correspondence, IV.
				Career and Personal Papers, V. Works by Others, and VI. Magazines and Newspapers.</p>
			<p>Series I. Literary Activities includes products associated with Crace’s writing and
				is arranged into three subseries: A. Novels, B. Short Works, and C. Radio Scripts.
				The Novels subseries is arranged in alphabetical order by title, and within each
				title the material generally follows the chronological order of literary production,
				from research notes to publication drafts. When applicable, related material such as
				dust jackets, reviews, publicity material, correspondence, or adaptations follow the
				drafts. The Short Works subseries contain two subgroupings with titles arranged
				alphabetically: Short Stories/Poems and Essays /Introductions/Articles. The Radio
				Scripts subseries contains both dramatic radio plays and school broadcasts and is
				arranged alphabetically by title. The School broadcasts are further arranged within
				each title by episode number.</p>
			<p>Series II. Journalism pertains to articles and reviews written by Crace between 1970
				and 1988, prior to his career as a full-time novelist. He wrote for the <title
					render="italic">Telegraph Sunday Magazine</title>, <title render="italic">The
					Radio Times</title>, <title render="italic">Sunday Times Magazine</title>, and
				reviewed books for the <title render="italic">Times Literary Supplement</title>,
					<title render="italic">The Sunday Times</title>, <title render="italic">New
					Statesman</title>, and <title render="italic">Quarto</title>. This series
				includes article typescripts, original clippings and photocopies of published
				articles and book reviews, notes and notebooks, research material, royalty
				statements, and scrapbooks containing original and photocopies of articles and
				reviews.</p>
			<p>Series III. Correspondence contains personal, professional, and fan letters,
				including printed electronic mail (email). The arrangement closely follows Crace’s
				own categories. Personal correspondence consists primarily of letters with family
				and close friends, the bulk of which are letters Crace wrote to his parents while
				living in Africa and traveling abroad during the late 1960s and early 1970s. It also
				includes letters from and to friends he associated with during that period. The
				general correspondence forms the largest segment and it is in alphabetical order by
				correspondent’s name or entity. It includes letters from authors, publishers,
				agents, friends, readers, and other associates. Publishers’ correspondence consists
				primarily of email exchanged between 2005 and 2008 and is arranged by date. Letters
				and email regarding film rights for Crace’s novels <title render="italic">Being
				Dead</title> and <title render="italic">The Pesthouse</title> are also contained in
				this series, as is readers' correspondence received largely from unknown fans. These
				two groupings are also arranged by date.</p>
			<p>Series IV. Career and Personal Papers contains Crace’s address books, daily
				appointment calendars, childhood and school papers, family papers, ephemera
				collected while in Africa and as a journalist, honors, clippings and transcripts of
				interviews and articles about Crace, invitations, juvenilia and early works,
				photographs, brochures for public appearances and book festivals, lecture notes and
				drafts, publisher catalogs, material in support of Salman Rushdie, material related
				to his Voluntary Services Overseas work in Sudan, and his watercolors. The materials
				are in alphabetical order by name or topic.</p>
			<p>Series V. Works by Others contains literary criticism of Crace’s work, in the form of
				journal articles and academic papers, works in which Crace is mentioned, and a piece
				of music inspired by <title render="italic">The Gift of Stones</title>.</p>
			<p>Series VI. Magazines and Newspapers is in alphabetical order by title with the bulk
				consisting of periodicals containing Crace’s published works, interviews or articles
				about Crace, and in rare instances, issues he collected or retained for research
				related to particular writings.</p>
			<p>Items identified as Scrapbooks in the collection were Nyrex albums containing plastic
				sleeves with Crace’s published articles, clippings, letters, awards, and some
				photographs. Because some albums were damaged and the general chemical composition
				of these albums creates an unfavorable archival environment for the material, the
				contents were removed from the albums and placed in the same sequence within
				folders.</p>
			<p>The Jim Crace Papers include a small amount of material that was exposed to moisture
				and suffered minor mold damage. The Conservation Department has vacuum treated this
				material, but mold may still be present. These items are identified in the
				collection; for health reasons, patrons may consider wearing gloves and a dust/mist
				respirator while handling this material.</p>
		</scopecontent>
		<dsc type="analyticover">
			<head>Series Descriptions</head>
			<c01 level="series">
				<did>
					<unittitle>Series I. Literary Activities, 1971-2009, undated (29.5
					boxes)</unittitle>
				</did>
				<scopecontent>
					<p>Series I. Literary Activities includes materials associated with Crace’s
						writing and is arranged into three subseries: A. Novels, B. Short Works, and
						C. Radio Scripts. Subseries A. Novels is arranged in alphabetical order by
						title and includes notes, notebooks, research material, drafts in various
						stages, proofs, promotional and marketing material, correspondence,
						clippings and reviews, and scrapbooks. Published works include: <title
							render="italic">Continent</title> (1986), <title render="italic">The
							Gift of Stones</title> (1988), <title render="italic">Arcadia</title>
						(1992), <title render="italic">Signals of Distress</title> (1994), <title
							render="italic">Quarantine</title> (1997), <title render="italic">Being
							Dead</title> (1999), <title render="italic">The Devil’s Larder</title>
						(2001), <title render="italic">The Pesthouse</title> (2005), <title
							render="italic">Six</title> (2003) [published as <title render="italic"
							>Genesis</title> (2003) in the United States], and <title
							render="italic">All That Follows</title> (2010). Though not all
						produced, <title render="italic">Signals of Distress</title>, <title
							render="italic">Quarantine</title>, <title render="italic">The Gift of
							Stones</title>, and <title render="italic">The Devil’s Larder</title>
						have been adapted into theatrical productions and performed by Grid Iron
						Theatre Company, The Flying Machine, or Birmingham Repertory Theatre. <title
							render="italic">Being Dead</title> was adapted into an unproduced
						screenplay and <title render="italic">The Devil’s Larder</title> was also
						produced as a performance jazz piece.</p>
					<p>Material for each novel is arranged in order of literary production,
						beginning with notes, notebooks, research material, draft fragments, and
						concluding with final drafts and proofs. In his writing, Crace uses invented
						language, imagined locales or fictionalized renderings of historical moments
						and places; therefore, there is little research material accompanying his
						novels. For <title render="italic">Quarantine</title>, he visited and
						photographed the Judean desert in order to invent his version of the desert.
						Crace does, however, make voluminous notes and crosses through them as he
						either rejects or uses the material. Within notes for <title render="italic"
							>Signals of Distress</title> is a piece of wood Crace picked up and used
						to write a note on while on the Isles of Scilly.</p>
					<p>Of significant interest within the Novels subseries is a blank
						pre-publication volume of <title render="italic">The Pesthouse</title>,
						entitled <title render="italic">Useless America</title>. In order to
						complete the publishing contract, Crace was asked to supply a temporary
						title. He borrowed a line from the novel and provided <title
							render="doublequote">This Used to be America,</title> but inexplicably,
						the title was understood to be <title render="doublequote">Useless
						America.</title> Curiously, though the book was not yet published, an online
						bookseller began selling copies of <title render="italic">Useless
						America</title>, complete with several lengthy reviews. Continuing the lark,
						Crace’s publisher printed seventy-five limited edition blank paperback
						copies of the novel to be used for a publicity contest.</p>
					<p>Also notable within the notes and draft fragments for <title render="italic"
							>Six</title>/<title render="italic">Genesis</title> are email exchanges
						with Alicja Lesniak, the namesake for a character within the novel. As part
						of a charity auction for the Medical Foundation for the Victims of Torture,
						Lesniak purchased the right to have a character named after her in a Crace
						novel. See also the Invitations folder in the Personal and Career Series for
						the charity auction program.</p>
					<p>Within <title render="italic">The Devil’s Larder</title> material is a
						novella entitled <title render="italic">The Slow Digestions of
						Night</title>. It was one of twelve volumes that formed a boxed set entitled
							<title render="italic">A Collection of Stories</title>, published in
						1995 in celebration of Penguin’s 60th anniversary. Crace’s small volume
						contains five excerpts which were later included as chapters in <title
							render="italic">The Devil’s Larder</title>. The complete boxed set is
						contained within the Ransom Center’s book collection.</p>
					<p>Subseries B. Short Works contains Crace’s short fiction, including Short
						Stories and Poems, and non-fiction material, including Essays, Introductions,
						and Articles. Both sub-groupings are in alphabetical order by title and
						include typescript drafts, proofs, original clippings and photocopies of the
						published material, emails, and correspondence. Shorter pieces are housed
						together in folders by letter span, while larger files are housed in folders
						by title. Significant material in this segment includes drafts of Crace’s
						first published stories <title render="doublequote">Annie, California
							Plates,</title>
						<title render="doublequote">Helter Skelter, Hang Sorrow, Care’ll Kill a
						Cat,</title> and <title render="doublequote">Cross-Country,</title> as well
						as papers relating to <title render="doublequote">Pycletius.</title> Crace
						began <title render="italic">Continent</title> with an epigraph attributed
						to the fictitious historical figure <emph render="doublequote"
						>Pycletius.</emph> Further blurring the line between fact and fiction, the
						editors of the <title render="italic">Oxford Companion to English
						Literature</title> intentionally included an invented Pycletius entry
						written by Crace in their 2000 volume.</p>
					<p>The Essays, Introductions, and Articles segment includes non-fiction material
						written between 1993 and 2007 after Crace published his first book. Articles
						written while Crace worked as a freelance journalist will be found in Series
						II. Journalism. Of importance is Crace’s report <title render="doublequote"
							>Waiting for a Miracle,</title> published in <title render="italic">The
							Sunday Times Magazine</title>. As part of its <emph render="doublequote"
							>Authors in the Front Line</emph> program, M&#233;decins Sans
						Fronti&#232;res asked Crace to pick a troubled region that interested
						him and report on the problems confronting the area and the work of
						M&#233;decins Sans Fronti&#232;res there. Crace traveled to Cambodia
						in 2005, and this series includes his research material, photographs, notes,
						correspondence, and numerous drafts.</p>
					<p>Subseries C. Radio Scripts is comprised of the dramatic radio plays and
						educational broadcasts Crace wrote for the BBC. As part of its education
						mandate, the BBC produced national and regional programming that aired in
						schools. These series and broadcasts often had published lessons that
						accompanied the program, such as Crace’s <title render="italic">An African
							Casebook</title>. The series is arranged alphabetically by title
						beginning with the dramatic and comedic scripts, followed by the school
						broadcasts which are arranged by title or topic and within each title by
						episode number.</p>
				</scopecontent>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series II. Journalism, 1973-1988, undated (2.5 boxes)</unittitle>

				</did>
				<scopecontent>
					<p>Series II. Journalism pertains to articles and reviews written by Crace
						between 1970 and 1988, prior to establishing himself as a full-time
						novelist. He wrote for the <title render="italic">Telegraph Sunday
						Magazine</title>, <title render="italic">The Radio Times</title>, <title
							render="italic">Sunday Times Magazine</title>, and reviewed books for
						the <title render="italic">Times Literary Supplement</title>, <title
							render="italic">The Sunday Times</title>, <title render="italic">New
							Statesman</title>, and <title render="italic">Quarto</title>. This
						series includes article typescripts, clippings and photocopies of published
						articles and book reviews, notes and notebooks, research material, royalty
						statements, and scrapbooks containing original and photocopies of articles
						and reviews.</p>
					<p>This series begins with article typescripts, many undated and with publication
						details unknown. When possible, the publication title is provided in
						parentheses. The final published versions of articles and book reviews in
						the form of original and/or photocopied clippings are housed in folders
						following the typescripts and with the removed contents of nine scrapbook
						albums within the series. See also Series VI. Magazines and Newspapers for
						entire issues of publications. Also included in this series are notes, four
						folders of reporter’s notebooks, and research material and ephemera
						associated with specific articles and works in progress. Of particular
						interest within the research files are newspapers commemorating VE-Day and
						D-Day containing facsimiles dated 1944-1945, several eighteenth and
						nineteenth century newspaper facsimiles, and three April Fool’s Day spoof
						editions of newspapers for the fictitious countries of San Seriffe and
						Bodoni.</p>
				</scopecontent>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series III. Correspondence, 1968-2008, undated (2 boxes) </unittitle>

				</did>
				<scopecontent>
					<p>The Correspondence series consists largely of incoming letters and printouts
						of electronic mail (email). This series is divided into five groups:
						Personal, General, Publishers, Film Rights, and Readers. A large amount of
						the correspondence is comprised of email exchanges between Crace and other
						writers, publishers, and friends. In some instances, the exchanges might be
						incomplete and provide only one party’s communication.</p>
					<p>The Personal correspondence is primarily letters with family and close
						friends, the bulk of which are letters Crace wrote to his parents while
						living in Africa and traveling abroad during the late 1960s and early 1970s.
						It also includes letters from and to friends he associated with during that
						period. These letters document Crace’s life abroad in a politically
						tumultuous region and his desire for adventure. Also contained in this
						section are letters from Crace’s mother after his father’s death and an
						early letter from Crace’s wife, Pamela. General correspondence forms the
						largest segment of the series and is in alphabetical order by
						correspondent’s name or entity. It includes letters and email from authors,
						publishers, agents, friends, readers, and other associates. Some of the
						authors represented include: Frederick Busch, John Fowles, James <emph
							render="doublequote">Jim</emph> Hynes, David Lodge, Julie Myerson,
						Salman Rushdie, Tom Stoppard, and Rose Tremain. Crace’s correspondence with
						publishers consists primarily of emails between 2005 and 2008 and contains,
						in particular, Crace’s final exchanges with Penguin before switching
						publishers. Letters from magazine and other publishers are also found in the
						General correspondence. Book-specific correspondence is sometimes filed with
						that work. Letters from producers and script writers regarding film rights
						to <title render="italic">Being Dead</title> and <title render="italic">The
							Pesthouse</title> are located in this series. Readers’ correspondence is
						mostly from unknown fans; however, fan mail is also filed in General
						correspondence. Correspondent names are listed in the Index of
						Correspondents located at the end of this finding aid.</p>
				</scopecontent>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series IV. Career and Personal, 1954-2008, undated (6.5 boxes) </unittitle>

				</did>
				<scopecontent>
					<p>Series IV. contains Crace’s address books, daily appointment calendars,
						childhood and school papers, family papers, ephemera collected while in
						Africa and as a journalist, honors, clippings and transcripts of interviews
						and articles about Crace, invitations, juvenilia and early works,
						photographs, brochures advertising public appearances and book festivals,
						speech notes and drafts, publisher catalogs, material in support of Salman
						Rushdie, material related to his work in Sudan, and his watercolors. The
						materials are in alphabetical order by name or topic.</p>
					<p>The segment of material regarding Crace’s Childhood, School, and University
						days is particularly enlightening. Highlights from this period are grade
						reports from Worcester Junior School and Enfield Grammar School and an issue
						of <title render="italic">Sixth Sense</title>, an unofficial version of
						Enfield Grammar School’s magazine. Of significant interest are three
						hand-drawn maps completed by Crace when he was about nine or ten years of
						age. Crace enjoyed reading books about imagined islands, studying atlases,
						and, perhaps foreshadowing his later ability to create imaginary places with
						words, spent hours drawing these detailed maps of invented places with names
						often borrowed from teachers and books. Campaign for Nuclear Disarmament
						leaflets collected by Crace and an issue of the Enfield Campaign for Nuclear
						Disarmament’s publication edited by Crace called <title render="doublequote"
							>Against the Bomb</title> are in this series. Crace is pictured in the
						cover photograph; he is the second boy from the right, facing backwards.
						While at university Crace edited, contributed stories, and co-authored a
						comic-strip for the <title render="italic">Birmingham Sun</title>. There is
						one folder of clippings from the <title render="italic">Birmingham
						Sun</title> in this series and thirteen complete issues of the newspaper
						from 1967 in Series VI. Magazines and Newspapers.</p>
					<p>Crace’s first fiction writing, the earliest dated 1965, with many undated, is
						contained in juvenilia and early writings. Included are television scripts
						co-authored with Mic Yates, short fiction, ideas and fragments, notebooks,
						and the few poems written by Crace. Notes and composite drafts of an
						abandoned novel entitled <title>A Shortened Pyramid</title> are also present
						in this series. Because the order of pages for this draft cannot be
						discerned, they have been kept in their original incorrect order.</p>
					<p>The Ephemera section contains several student and youth hostel identification
						cards, most affixed with a photograph of a young Crace. There is also a
						large amount of travel tickets, boarding passes and baggage claim tickets
						dating from the late 1960s to early 1970s, in addition to Crace’s Sudanese
						and international driver’s licenses.</p>
					<p>Honors include awards, programs, letters, and clippings Crace has received
						throughout his literary career. Material related to awards for a particular
						work may also be filed under that work and/or in material removed from the
						scrapbook notebooks.</p>
					<p>Photographs in the collection are black-and-white and color prints and
						include publicity shots, contact sheets, and snapshots. The photographs are
						largely related to Crace’s writing career and are of Crace in various poses
						in his garden and on city streets, receiving awards and honorary degrees,
						and at book readings. Photos of particular interest include Crace and author
						Salman Rushdie, who appeared together at a 1983 book signing, and several
						snapshots of Crace with American book collector Rolland Comstock. Comstock
						became a collector of Crace’s books when he bought all 1,000 remaining
						copies of Crace’s <title render="italic">Continent</title>. See also general
						correspondence and articles about Crace folders for additional material
						related to Comstock. Among the photographers whose photos are included are
						Abbas, Basso Cannarsa, Giovanni Giovannetti, Sophie Bassouls, and Mark
						Gerson.</p>
				</scopecontent>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series V. Works by Others, 1994-2007 (0.5 box) </unittitle>

				</did>
				<scopecontent>
					<p>This series contains literary criticism in the form of articles by Susan
						Bal&#233;e and several academic papers and theses authored by Miyahara
						Kazunari, John Constable, Hideaki Aoyama, and other students. As part of the
						Contemporary British Novelists series published by Manchester University
						Press, Dr. Philip Tew wrote <title render="italic">Jim Crace</title>, a
						biography and critical analysis of Crace’s novels. Order forms, emails, and
						dust jackets related to Dr. Tew’s work are present in this segment. Also in
						the series are two reports about Birmingham in which Crace is quoted or
						mentioned and a musical composition entitled <title render="doublequote">The
							Gift of Stones</title> by Roger Bruce.</p>
				</scopecontent>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series VI. Magazines and Newspapers, 1933-2008 (bulk 1967-2008)(3
						boxes) </unittitle>

				</did>
				<scopecontent>
					<p>Series VI. Magazines and Newspapers is arranged in alphabetical order by
						title with the bulk consisting of periodicals containing Crace’s published
						works, interviews or articles about Crace, and, in rare instances, issues
						Crace collected or retained for research related to particular writings.</p>
				</scopecontent>
			</c01>
		</dsc>
		<acqinfo encodinganalog="541">
			<head>Acquisition: </head>
			<p>Purchase (R16575), 2008-2009</p>
		</acqinfo>
		<accessrestrict encodinganalog="506">
			<head>Access: </head>
			<p>Open for research.</p>
			<p>The Jim Crace Papers include a small amount of material that was exposed to moisture
				and suffered minor mold damage. The Conservation Department has vacuum treated this
				material, but mold may still be present. These items are identified in the
				collection; for health reasons, patrons may consider wearing gloves and a dust/mist
				respirator while handling this material.</p>
		</accessrestrict>
		<processinfo encodinganalog="583">
			<head>Processed by: </head>
			<p>Amy E. Armstrong, 2009-2010</p>
		</processinfo>
		<relatedmaterial encodinganalog="544 1">
			<p>The Tom Stoppard Papers at the Ransom Center contain additional material related to
				Jim Crace.</p>
		</relatedmaterial>
		<separatedmaterial encodinganalog="544 0">
			<p>Jim Crace’s library includes approximately 143 volumes of Crace’s novels in different
				editions and languages, as well as books containing contributions by Crace. These
				have been separated from the collection and are housed in the Ransom Center’s Book
				Collection. Two political buttons, one award plaque, and one certificate tube have
				been separated from the collection and are housed in the Ransom Center’s Personal
				Effects Collection. A collection of audio cassette tapes and CDs containing radio
				interviews, readings, and audio books have been separated from the collection and
				are housed in the Ransom Center’s Sound Recordings Collection. Three VHS tapes, one
				micro VHS tape, and one DVD have been separated from the collection and are housed
				in the Ransom Center’s Moving Image Collection. One 3.5-inch floppy disk containing
				drafts of <title render="italic">The Pesthouse</title> has been separated from the
				collection and is housed in the Ransom Center’s Electronic Records Collection.</p>
		</separatedmaterial>
		<dsc type="combined">
			<head>Container List</head>
			<c01 level="series">
				<did>
					<unittitle>Series I. Literary Activities, <unitdate era="ce"
							calendar="gregorian" type="inclusive">1971-2009, undated</unitdate>
					</unittitle>

				</did>


				<c02 level="subseries">
					<did>
						<unittitle>Subseries A. Novels</unittitle>
					</did>
					<c03>
						<did>
							<unittitle><title render="italic">All That Follows</title>
							(2010)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">1.1</container>
								<unittitle>Research notes and early drafts (working titles
										<title>Heroes</title> and <title>The Finalist</title>),
									2005-2008</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">1.2-3</container>
								<unittitle>Edited page proofs, final U.K. edition, October 2009
								</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle><title render="italic">Arcadia</title> (1992)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">1.4-5</container>
								<unittitle>Notebooks, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">1.6-7</container>
								<unittitle>Notes and early typescript draft fragments (working
									titles <title>Victor’s City</title>,
									<title>Centre-Piece</title>, and <title>The Paradise of
									Termites</title>), 1989</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">1.8</container>
								<unittitle>Computer schedule, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">2.1-2</container>
								<unittitle>‘First full draft,’ edited typescript, 1989</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">2.3-4</container>
								<unittitle>‘Semi-final version,’ edited typescript, 1991</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">2.5-3.1</container>
								<unittitle>‘Final edited version,’ edited typescript, 1991
								</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">46</container>
								<unittitle>Page proofs, 1992 </unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">3.2</container>
								<unittitle>Dust jacket, 2008</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">3.3*</container>
								<unittitle>Promotional Material, 1992 (*poster removed to flat file)
								</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Reviews, Publicity, Book Tours, Bestseller
								Lists</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">3.4*</container>
									<unittitle>U.K., 1991-1993 (*oversize removed to box 46)
									</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">3.5</container>
									<unittitle>Australia, U.S., and Netherlands, 1992</unittitle>
								</did>
							</c05>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle><title render="italic">Being Dead</title> (1999)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">3.6</container>
								<unittitle>Notebook, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">3.7</container>
								<unittitle>Work plan, schedule, and notes, circa 1998-1999, 2007
								</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">3.8</container>
								<unittitle>Preliminary chapter synopses and drafts, 1998
								</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Revised chapter typescript fragments</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">4.1</container>
									<unittitle>Chapters 1-9, November 1998</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">4.1</container>
									<unittitle>Chapters 6-9, undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">4.2</container>
									<unittitle>Chapters 1-21, undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">4.3</container>
									<unittitle>Chapter 22-26, undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">4.3</container>
									<unittitle>Chapters 11-21, undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">4.3</container>
									<unittitle>Chapter 19, undated</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<unittitle>Typescript with corrections</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">4.4</container>
									<unittitle>First draft, March 1999</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">4.5-6</container>
									<unittitle>Third draft, undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">5.1-2</container>
									<unittitle>Fourth draft, undated</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<container type="Container">5.3</container>
								<unittitle>Page proofs, June 1999</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">5.4</container>
								<unittitle>Uncorrected advance proofs (Viking and Farrar, Straus
									&amp; Giroux), 1999</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">5.5*</container>
								<unittitle>Promotional material, 1999 (*posters removed to flat
									file)</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">5.6</container>
								<unittitle>Dust jackets and designs, 1999</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">5.7</container>
								<unittitle>Letters and notes, 1999</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">5.8-6.1*</container>
								<unittitle>Clippings and reviews, 1997-2002 (*oversize removed to
									box 45-46)</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">6.2</container>
								<unittitle><title render="doublequote">Constant Reader</title> and
										<title render="doublequote">Streets Online</title> Web
									discussion transcript, 2000-2002</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Screenplay adaptation by John Meyers</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">6.3-4</container>
									<unittitle>Typescripts, 2002</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">6.5</container>
									<unittitle>With annotations by Crace, 2003</unittitle>
								</did>
							</c05>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle><title render="italic">Continent</title> (1986)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">6.6</container>
								<unittitle>Notebook, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">6.7</container>
								<unittitle>Notes</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Story drafts</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">6.8</container>
									<unittitle><title render="doublequote">The Prospect from the
											Silver Hill</title> [variously titled <title>The End of
											the World</title>], corrected typescript, undated
									</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">6.9</container>
									<unittitle><title render="doublequote">The World with One Eye
											Shut</title> [variously titled <title>At the Wire
										Gate</title>], corrected typescript drafts and notes, 1986,
										undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">6.10</container>
									<unittitle><title render="doublequote">On Heat</title>
										[variously titled <title>The Lek</title>], typescript draft
										fragments, undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">6.10</container>
									<unittitle><title render="doublequote">Cross-Country,</title>
										published story, undated </unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">6.10</container>
									<unittitle><title render="doublequote">Electricity</title>,
										typescript copy and published story, undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">6.10</container>
									<unittitle>Fragments, undated</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<unittitle><title render="singlequote">Stories from
									Atlantis,</title> corrected drafts</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">7.1</container>
									<unittitle><title render="doublequote">On Heat,</title>
									undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">7.1</container>
									<unittitle><title render="doublequote">Electricity,</title>
										undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">7.1</container>
									<unittitle><title render="doublequote">Talking Skull,</title>
										undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">7.1</container>
									<unittitle><title render="doublequote">The World with One Eye
											Shut,</title> undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">7.1</container>
									<unittitle><title render="doublequote">Sins and Virtues,</title>
										undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">7.1</container>
									<unittitle><title render="doublequote">Cross-Country,</title>
										undated</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<container type="Container">7.2</container>
								<unittitle>‘Original manuscript,’ copy with edits and corrections,
									1986</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">7.3</container>
								<unittitle>Page proof and dust jacket (Picador), 2008</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">7.4</container>
								<unittitle>Correspondence, 1983-1986</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">7.5*</container>
								<unittitle>Clippings and reviews, 1986-1995 (*oversize removed to
									box 45)</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">7.6</container>
								<unittitle>Bound Italian clippings, 1986-1987</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">7.7-8.1*</container>
								<unittitle>Scrapbooks I-III; contain reviews, dust jackets for
									various editions, letters, awards, 1986-1987 (*poster removed to
									box 46)</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle><title render="italic">The Devil’s Larder</title>
							(2001)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">8.2</container>
								<unittitle>Notes, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">8.3</container>
								<unittitle>Draft fragments, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">8.4-5</container>
								<unittitle>Early typescript drafts, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">8.6</container>
								<unittitle>‘Penultimate Edit,’ typescript, December 2000
								</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">8.7</container>
								<unittitle>Typescript with corrections, copy (Viking), March 2001
								</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">8.8</container>
								<unittitle>Typescript with corrections (Farrar, Straus &amp;
									Giroux), 2001</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">9.1</container>
								<unittitle>Page proof (Viking), April 2001</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Page proof (Farrar, Straus &amp; Giroux)</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">9.2</container>
									<unittitle>May 2001</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">9.3</container>
									<unittitle>June 2001</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<container type="Container">9.4</container>
								<unittitle>Uncorrected advance proof, 2001</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">9.5*</container>
								<unittitle>Promotional material, 2001-2004 (*poster removed to flat
									file)</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">9.6</container>
								<unittitle><title render="italic">The Slow Digestions of
									Night</title>, five-excerpt novella, 1995</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">9.7</container>
								<unittitle>Dust jackets, copy, American Institute of Graphic Arts
									cover award, 2001-2008</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">9.8</container>
								<unittitle>Correspondence, 2001</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">9.9-11</container>
								<unittitle>Clippings and reviews, 2001</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">10.1</container>
								<unittitle>Theatrical adaptation by Grid Iron Theatre Company;
									contains letters, program proof, reviews, 2005</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle><title render="italic">The Gift of Stones</title>
							(1988)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">10.2</container>
								<unittitle>Notes and research, 1987</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">10.3</container>
								<unittitle>Notebooks, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">10.4</container>
								<unittitle>Bound typescript with corrections, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">10.5</container>
								<unittitle>Typescript with corrections, copy (Secker &amp;
									Warburg), 1988</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">10.6*</container>
								<unittitle>Promotional material and dust jackets, 1988, 2008
									(*posters removed to box 46 and flat file)</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">10.7-11.1</container>
								<unittitle>Scrapbooks I-II; contain reviews, dust jackets for
									various editions, letters, catalogs, 1988-1989</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>‘Spare Reviews’</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">11.2*</container>
									<unittitle>U.K. &amp; Australia, 1987-1988 (*oversize
										removed to box 45)</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">11.3*</container>
									<unittitle>U.S., 1989 (*oversize removed to box 45) </unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<unittitle>Theatrical adaptation by Kim T. Sharp</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">11.4</container>
									<unittitle>Typescript draft, 1996</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">11.5</container>
									<unittitle>Typescript draft, 1997</unittitle>
								</did>
							</c05>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle><title render="italic">The Pesthouse</title>
							(2005)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">11.6</container>
								<unittitle>Notebook, 2003-2004</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">11.7</container>
								<unittitle>Notes and research, 2005</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">11.8</container>
								<unittitle>Research and photographs, 2005</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Working drafts</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">12.1</container>
									<unittitle>Chapters 1-10, 20 March 2005</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">12.2</container>
									<unittitle>Chapters 1-10, 18 April 2005</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">12.3</container>
									<unittitle>Chapters 1- 10, 5 May 2005</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">12.4</container>
									<unittitle>Chapters 1-13, 27 June 2005</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">12.5-7</container>
									<unittitle>Chapter fragments, June 2004-December 2005, undated
									</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<container type="Container">13.1-2</container>
								<unittitle>Typescript, January 2006</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">13.3-4</container>
								<unittitle>Typescript, ‘submitted to DGA,’ February 2006
								</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">14.1-3</container>
								<unittitle>Typescript and final notes for inclusion, January - March
									2006</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">14.4</container>
								<unittitle>Typescript, ‘line edit,’ 29 April 2006</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">14.5-6</container>
								<unittitle>Typescript, copy with edits, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">15.1</container>
								<unittitle>Typescript with additional edits, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">15.2</container>
								<unittitle>Notes and edits, March 2006</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">15.3-4</container>
								<unittitle>Revised typescript (U.K.), 28 March 2006</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">15.5-6</container>
								<unittitle>Page proof, first pass (U.S.), October 2006</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">15.7</container>
								<unittitle>Bound galley proof, 2007</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">15.8</container>
								<unittitle>Uncorrected advance proof, 2007</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">16.1</container>
								<unittitle>Page proof, excerpt published in <title render="italic"
										>Conjunctions</title>, August 2006</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">16.2</container>
								<unittitle>Dust jackets and copy, 2007-2008</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">16.3</container>
								<unittitle>Letters, 2005-2007</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">16.4</container>
								<unittitle>Promotional material, 2007</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Reviews and clippings</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">16.5</container>
									<unittitle>U.K. and other countries, 2007</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">16.6-7*</container>
									<unittitle>U.S., 2007 (*oversize removed to box 46) </unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<unittitle>
									<title render="italic">Useless America</title>
								</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">16.8</container>
									<unittitle>Orders, publicity, correspondence, <title
											render="doublequote">A New Kind of Ghost Writer</title>
										(published in <title render="italic">The Guardian</title>,
										28 October 2006), 2006-2007 </unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">16.9</container>
									<unittitle>Blank manuscript, 2007</unittitle>
								</did>
							</c05>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle><title render="italic">Quarantine</title> (1997)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">16.10-11</container>
								<unittitle>Notebooks, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">17.1</container>
								<unittitle>Tasmania/Israel notebook, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">17.2</container>
								<unittitle>‘Fasting’ notes, 1996</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">17.3*</container>
								<unittitle>Research, notes, photographs, 1996 (*oversize removed to
									box 46) </unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">17.4</container>
								<unittitle>Research photographs of Israel, circa 1995</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Working drafts</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">17.5-7</container>
									<unittitle>Fragments and notes, 27 September 1995-24 October
										1996</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">18.1</container>
									<unittitle>‘Annotated full copy,’ 1 September 1996</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">18.2</container>
									<unittitle>‘Penultimate version,’ October 1996</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">18.3</container>
									<unittitle>‘Annotated working copy,’ 25 October 1996
									</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">18.4</container>
									<unittitle>‘Agent’s copy,’ 6 November 1996</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">18.5-6</container>
									<unittitle>‘Submitted version,’ 10 November 1996</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<container type="Container">18.7</container>
								<unittitle>‘Line-edited version,’ undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">19.1</container>
								<unittitle>Page proofs, 30 January 1997</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">19.2</container>
								<unittitle>Uncorrected advance proof (Viking), 1997</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">19.3</container>
								<unittitle>Bound galley proof (Farrar, Straus &amp; Giroux),
									1997</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">19.4</container>
								<unittitle>Advance reader’s copy (Farrar, Straus &amp; Giroux),
									1997</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">19.5</container>
								<unittitle>Dust jackets, 1996-1997</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">19.6*</container>
								<unittitle>Promotional material and copy, 1996-1998 (*poster removed
									to flat file)</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">19.7</container>
								<unittitle>Correspondence, 1996-1999, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">19.8-20.2</container>
								<unittitle>Reviews and clippings, 1997-2007</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">20.3</container>
								<unittitle><title render="italic">Guardian</title> Book Club
									articles, 2008</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">20.4</container>
								<unittitle>Awards and prizes, 1997-1999</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">20.5</container>
								<unittitle>Theatrical adaptation by Birmingham Repertory Theatre,
									2000</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle><title render="italic">Signals of Distress</title>
							(1994)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">20.6-8</container>
								<unittitle>Notebooks, 1991, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">20.9</container>
								<unittitle>Note, wood fragment, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">20.10</container>
								<unittitle>Research material, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">20.11</container>
								<unittitle>Work and computer schedule, circa 1993-1994</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">21.1-2</container>
								<unittitle>Early chapter fragments, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">21.3-4</container>
								<unittitle>‘Early chapters, early versions,’ Spring-Summer 1993
								</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">21.5-6</container>
								<unittitle>‘First full version,’ 1 February 1994</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">21.7-8</container>
								<unittitle>‘Penultimate version,’ 22 February 1994</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">22.1-2</container>
								<unittitle>‘Final,’ typescript with corrections, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">22.3-4</container>
								<unittitle>Page proofs (Viking), 1994</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">22.5</container>
								<unittitle>Page proofs (Viking), 1994</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Uncorrected advance proofs</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">22.6</container>
									<unittitle>Viking, 1994</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">22.7</container>
									<unittitle>Farrar, Straus &amp; Giroux, 1995</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<container type="Container">22.8*</container>
								<unittitle>Dust jackets and copy, 1994-2008 (*designs removed to box
									46)</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">23.1-2*</container>
								<unittitle>Promotional material, 1994 (*posters removed to flat
									file) </unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">23.3</container>
								<unittitle>Letters, 1993-1994</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">23.4-6*</container>
								<unittitle>Reviews and clippings, 1993-1996 (*oversize removed to
									box 46)</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">23.7</container>
								<unittitle>Australia and New Zealand book tour, 1994</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">23.8</container>
								<unittitle>Theatrical adaptation by The Flying Machine, 2001-2002
								</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle><title render="italic">Six</title> (2003) [published as
									<title render="italic">Genesis</title> (2003) in the U.S.]
							</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">23.9</container>
								<unittitle>Notebook, circa 2000-2002</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">24.1</container>
								<unittitle>Notes and draft fragments, 2002</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">24.2-3</container>
								<unittitle>Working draft fragments, 2002, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Typescript with corrections</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">24.4</container>
									<unittitle>11 February 2003</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">24.5</container>
									<unittitle>17-18 February 2003</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">24.6</container>
									<unittitle>28 February 2003</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">25.1-3</container>
									<unittitle>Undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">25.4</container>
									<unittitle>November 2006</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<container type="Container">25.5</container>
								<unittitle>Page proofs (Viking), 2003</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">25.6</container>
								<unittitle>Edits (Farrar, Straus &amp; Giroux), 2 June
								2003</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Uncorrected advance proofs</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">25.7</container>
									<unittitle><title render="italic">Six</title> (Viking),
									2003</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">25.8</container>
									<unittitle><title render="italic">Genesis</title> (Farrar,
										Straus &amp; Giroux), 2003</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<container type="Container">26.1</container>
								<unittitle>Dust jackets, 2003-2008</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">26.2</container>
								<unittitle>Letters, 2003</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">26.3</container>
								<unittitle>Promotional and related material, 2003</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">26.4-5</container>
								<unittitle>Reviews and clippings, 2003</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">26.6</container>
							<unittitle>‘Proposal for Two Novels’ in progress; <title>The
								Finalist</title> (working title; published as <title render="italic"
									>All That Follows</title>) and <title>Archipelago</title>
								(working title), 16 June</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">26.7</container>
							<unittitle>Unfinished ‘popular fiction’ novel, chapter synopses, undated
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">26.8-9*</container>
							<unittitle>Scrapbook I-II; contains book covers from various novels,
								clippings, letter, photographs, awards, 1988-1996 (*contents of
								oversize scrapbook removed to box 46)</unittitle>
						</did>
					</c03>
				</c02>
				<c02 level="subseries">
					<did>
						<unittitle>Subseries B. Short Works</unittitle>
					</did>
					<c03>
						<did>
							<unittitle>
								<emph render="underline">Short Stories, Poems</emph>
							</unittitle>
						</did>
						<c04>
							<did>
								<unittitle>A-O</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">27.1</container>
									<unittitle>[Alice Howells] (<title render="doublequote">Three
											Writers in Search of an Author,</title> BBC Radio 4),
										typescripts, email, 2001</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">27.1*</container>
									<unittitle><title render="doublequote">Blood Strangers</title>
											(<title render="doublequote">I Want to Be Alone,</title>
										BBC Radio 4), typescript, clipping, 2005 (*audio recording
										removed to sound recording collection)</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">27.1</container>
									<unittitle><title render="doublequote">Cross-Country,</title>
										(published by <title render="italic">The New Review</title>,
										April 1976 and in revised form as a chapter in <title
											render="italic">Continent</title>), corrected
										typescript, publication copy, 1975-1976 </unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">27.1</container>
									<unittitle><title render="doublequote">For Jack’s
										Birthday,</title> typescript, 1972</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">27.1</container>
									<unittitle><title render="doublequote">Gentle Giant,</title>
										typescript, undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">27.1</container>
									<unittitle><title>Granite in the bone,</title> poem, typescript,
										undated </unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">27.1*</container>
									<unittitle><title render="doublequote">Moving Finger</title> (an
										eight-part collaborative story started with Crace and
										published in <title render="italic">The Guardian</title>,
										2002), typescript, published installments, 2002 (*oversize
										clipping removed to box 46) </unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">27.1</container>
									<unittitle><title>My Dad, Black Rock and Me</title> [variously
										titled <title>The Tale of the Lighthouse Keeper’s
										Dad</title>], corrected poem, undated</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<unittitle><title>A &amp; N Ltd: Photocopying</title> [variously
									titled <title>Intact</title>]</unittitle>
							</did>
							<c05>
								<did>
									<unittitle>
										<title>Intact</title>
									</unittitle>
								</did>
								<c06>
									<did>
										<container type="Container">27.2</container>
										<unittitle>Early typescript, undated</unittitle>
									</did>
								</c06>
								<c06>
									<did>
										<container type="Container">27.2</container>
										<unittitle>Revised typescript, undated</unittitle>
									</did>
								</c06>
								<c06>
									<did>
										<container type="Container">27.2</container>
										<unittitle>Typescript, September 1975</unittitle>
									</did>
								</c06>
								<c06>
									<did>
										<container type="Container">27.2</container>
										<unittitle>Typescript, undated</unittitle>
									</did>
								</c06>
							</c05>
							<c05>
								<did>
									<unittitle>
										<title>A &amp; N Ltd: Photocopying</title>
									</unittitle>
								</did>
								<c06>
									<did>
										<container type="Container">*</container>
										<unittitle>Revised typescript, undated (*oversize sheets
											removed to flat file)</unittitle>
									</did>
								</c06>
								<c06>
									<did>
										<container type="Container">27.2</container>
										<unittitle>Revised typescript, undated</unittitle>
									</did>
								</c06>
								<c06>
									<did>
										<container type="Container">27.2</container>
										<unittitle>Revised typescript, July 1976</unittitle>
									</did>
								</c06>
								<c06>
									<did>
										<container type="Container">27.2</container>
										<unittitle>Typescript, undated</unittitle>
									</did>
								</c06>
								<c06>
									<did>
										<container type="Container">27.2</container>
										<unittitle>Revised typescript, August 1976</unittitle>
									</did>
								</c06>
							</c05>
							</c04>
							<c04>
								<did>
									<container type="Container">27.3</container>
									<unittitle><title render="doublequote">Annie, California
										Plates</title> [variously titled <title>Annie</title>]
										(published in <title render="italic">The New Review</title>,
										June 1974 and <title render="italic">The New Review
											Anthology</title>, 1985), typescript drafts, proofs,
										publication copy, 1973-1974, undated</unittitle>
								</did>
							</c04>
							<c04>
								<did>
									<container type="Container">27.4</container>
									<unittitle><title render="doublequote">Helter Skelter, Hang
											Sorrow, Care’ll Kill a Cat</title> (published in <title
											render="italic">The New Review</title>, December 1975,
											<title render="italic">Cosmopolitan</title>, October
										1978 and <title render="italic">Introduction 6: Stories by
											New Writers</title>, 1977), typescript, publication
										copy, 1975, undated</unittitle>
								</did>
							</c04>
							<c04>
								<did>
									<unittitle>P-Z, untitled</unittitle>
								</did>
								<c05>
									<did>
										<container type="Container">27.5</container>
										<unittitle><title render="doublequote">Pycletius</title>
											(invented entry printed in <title render="italic">Oxford
												Companion to English Literature</title>),
											typescript, copy of entry, correspondence,
										2000</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<unittitle><title render="doublequote">Seven Ages</title>
											(published in <title render="italic">Quarto</title>,
											June 1980 and broadcast on BBC Radio 3 as <title
												render="doublequote">Middling,</title>
										1981)</unittitle>
									</did>
									<c06>
										<did>
											<container type="Container">27.5</container>
											<unittitle><title render="doublequote">Seven
												Ages,</title> publication copy, 1980 </unittitle>
										</did>
									</c06>
									<c06>
										<did>
											<container type="Container">27.5</container>
											<unittitle><title render="doublequote">Middling,</title>
												typescript, copy, undated </unittitle>
										</did>
									</c06>
								</c05>
								<c05>
									<did>
										<container type="Container">27.5</container>
										<unittitle><title render="doublequote">Sins and
											Virtues</title> (published in <title render="italic"
												>London Review of Books</title>, 20 August-2
											September 1981 and as a chapter in <title
												render="italic">Continent</title>), publication
											copy, 1981</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.5</container>
										<unittitle><title render="doublequote">Supper
											Serbian</title> (unfinished poem), typescript,
										undated</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.5</container>
										<unittitle><title render="doublequote">Talking Skull</title>
											(published in <title render="italic">Quarto</title>,
											August 1981 and as a chapter in <title render="italic"
												>Continent</title>), typescript copy, publication
											copy, 1981, undated </unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.5</container>
										<unittitle><title render="doublequote">Three Sailors, Three
												Seas</title> (poem), typescript, undated</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.5</container>
										<unittitle><title render="doublequote">Too Young for
												Funerals</title> (published in <title
												render="italic">Harvard Review</title>, No. 28,
											2005), typescript, page proofs, 2005</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.5</container>
										<unittitle><title render="doublequote">Windows</title>
											(published in <title render="italic">Moz-Art</title>,
											October-January 1981-1982), circa 1981</unittitle>
									</did>
								</c05>

								<c05>
									<did>
										<container type="Container">27.5</container>
										<unittitle>Untitled unfinished theatre script, notes,
											undated </unittitle>
									</did>
								</c05>
							</c04>
							<c04>
								<did>
									<container type="Container">27.6*</container>
									<unittitle><title render="doublequote">Refugees</title>
										[variously titled <title>Refugee</title>] (published in
											<title render="italic">Socialist Challenge</title>,
										15-31 December 1977), typescript story drafts, typescript
										script draft, publication clipping, 1971-1977 (*oversize
										clipping and newspaper removed to oversize boxes
									45-46)</unittitle>
								</did>
							</c04>
							<c04>
								<did>
									<container type="Container">27.7</container>
									<unittitle><title>Rough Sleepers</title> [variously titled
											<title>It Could Be Worse</title> and <title>My Nights
											with God</title>] (unfinished story written for Penguin
										60th anniversary project), drafts, notes, 1995 </unittitle>
								</did>
							</c04>
							<c04>
								<did>
									<container type="Container">27.8</container>
									<unittitle><title render="doublequote">Sportsman,</title>
										typescript drafts, 1971</unittitle>
								</did>
							</c04>
							<c04>
								<did>
									<container type="Container">27.9</container>
									<unittitle><title render="doublequote">Wrath</title> (Opera
										North production), drafts, correspondence, 2003</unittitle>
								</did>
							</c04>
						</c03>
						<c03>
							<did>
								<unittitle>
									<emph render="underline">Essays, Introductions, Articles</emph>
								</unittitle>
							</did>
							<c04>
								<did>
									<unittitle>A-Z, untitled</unittitle>
								</did>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle><title render="doublequote">1979: Hearts of
											Oak</title> (published in <title render="italic">21: 21
												Picador Authors Celebrate</title>, 1993),
											publication photocopy, 1993</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>[Bridport Prize Judges Short Story Report]
											(published in <title render="italic">Bridport
											Anthology</title>, 2004 and on Bridport Prize Web site,
											2004), 2004</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>[Chesterton the Radical] (published in the <title
												render="italic">Sunday Telegraph</title>, 13
											February 2000), publication, 2000</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>Crossing Borders: New Writing from Africa, <title
												render="doublequote">Genesis of 'The Prospect from
												the Silver Hill,</title> (published by British
											Council, circa 2005), circa 2005 </unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle><title render="italic">Electricity</title> by Ray
											Robinson (dust jacket quote), dust jacket, 2006
										</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10*</container>
										<unittitle><title render="doublequote">Have You Seen Our
												Chicken?</title> (published in <title
												render="italic">The New Review</title>, <title
												render="italic">The Independent on Sunday</title>,
											2007), typescript, publication, 2007 (*publication
											removed to box 45) </unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>Introduction to <title render="italic">Modern
												Baptists</title> by James Wilcox (Penguin Modern
											Classics, 2005), email, notebook, typescript, 2004
										</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle><title render="doublequote">Jim Crace on Robinson
												Crusoe</title> (published in <title render="italic"
												>Financial Times Magazine</title>, 2007), email,
											typescript, Web publication, publication,
										2007</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle><title>The Liar’s Trilogy,</title> typescript,
											undated </unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle><title render="doublequote">New Buildings Have No
												Beauty or Courage</title> (published in <title
												render="italic">The Birmingham Post</title>, 29 June
											2000), publication, 2000 </unittitle>
									</did>
								</c05>

								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle><title>Sea Fever</title> (published as <title
												render="doublequote">Tide and Prejudice</title> in
												<title render="italic">Cond&#233; Nast
											Traveller</title>, October 1999), typescript,
										undated</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle><title render="doublequote">Simple Thing:
												Scissors</title> (published in <title
												render="italic">House &amp; Garden</title>,
											2002), correspondence, research and notes, drafts,
											publication, 2001-2002</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>[<title>Six Grim Words</title>], manuscript,
											correspondence, 2008</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>[<title>six word story</title>] (published in
												<title render="italic">The Guardian Weekend</title>,
											24 March 2007), letter, publication, 2007</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle><title>Titles</title> (published as <title
												render="doublequote">Two Looks, One Book</title> in
												<title render="italic">The Author</title>, Autumn
											2003), typescript draft</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle><title>Write Your First Book--in 12 Easy
											Steps,</title> undated</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>Untitled [book suggestions], <title
												render="italic">Waterstone’s Magazine</title>, 2003
										</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>Untitled [Roget’s Thesaurus], <title
												render="italic">Sunday Telegraph</title>, undated
										</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>Untitled [Christmas Books], <title
												render="italic">Sunday Telegraph</title>, 2003
										</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>Untitled [His Life is a Dull Autobiography],
											undated</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>Untitled [British Council Library], undated
										</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.10</container>
										<unittitle>Favorite books and items, assorted clippings,
											circa 2000s</unittitle>
									</did>
								</c05>
							</c04>
							<c04>
								<did>
									<unittitle><title render="italic">The Daily Telegraph</title>
										travel articles</unittitle>
								</did>
								<c05>
									<did>
										<container type="Container">27.11</container>
										<unittitle>[Gomers], drafts and notes, circa
										1995</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.11</container>
										<unittitle>Israel (published as <title render="doublequote"
												>Tempted to Follow in the Steps of Christ,</title>
											13 May 1995), drafts, letters, clipping,
										1995</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.11</container>
										<unittitle>Mauritius (published as <title
												render="doublequote">Mauritius for Your
											Money,</title> 22 October 1995), drafts, letters,
											clipping, 1995 </unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">27.11</container>
										<unittitle>Tasmania (published as <title
												render="doublequote">It’s Heaven to be Left Off the
												Map,</title> 14 January 1995), drafts, letters,
											clipping, 1994-1995</unittitle>
									</did>
								</c05>
							</c04>
							<c04>
								<did>
									<container type="Container">28.1</container>
									<unittitle><title>Enfield</title> (published as <title
											render="doublequote">The Green, Green Grass of
										Home</title> in <title render="italic">The Sunday Times
											Magazine</title>, 15 October 2006), correspondence,
										research and notes, drafts, publication, 2006</unittitle>
								</did>
							</c04>
							<c04>
								<did>
									<container type="Container">28.2</container>
									<unittitle><title render="doublequote">Love, Hate &amp;
											Kicking Ass</title> (published in <title render="italic"
											>The Guardian</title> and Amazon Shorts, 2007), email,
										drafts, notes, Web publication regarding <title
											render="italic">The Pesthouse</title>,
									2006-2007</unittitle>
								</did>
							</c04>
							<c04>
								<did>
									<container type="Container">28.3</container>
									<unittitle><title render="doublequote">The Secrets of My
										Success</title> (excerpt published in the <title
											render="italic">Eastern Daily Press</title>, 2004 and
										in-full in <title render="italic">The Guardian</title>, 2005
										and Amazon Shorts, 2007), clipping and Web publications,
										2004-2007</unittitle>
								</did>
							</c04>
							<c04>
								<did>
									<unittitle><title render="doublequote">Waiting for a
										Miracle</title> (published in <title render="italic">The
											Sunday Times Magazine</title>, 22 January
									2006)</unittitle>
								</did>
								<c05>
									<did>
										<container type="Container">28.4</container>
										<unittitle>Email and ephemera, 2004-2005</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">28.5</container>
										<unittitle>Notebooks, 2005</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">28.6</container>
										<unittitle>Research, 2005</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">28.7</container>
										<unittitle>Research photographs of Cambodia, 2005
										</unittitle>
									</did>
								</c05>
								<c05>
									<did>
										<container type="Container">28.8</container>
										<unittitle>Notes, various drafts, email edits, publication,
											2005-2006</unittitle>
									</did>
								</c05>
							</c04>
						</c03>
					
				</c02>
				<c02 level="subseries">
					<did>
						<unittitle>Subseries C. Radio Scripts</unittitle>
					</did>
					<c03>
						<did>
							<unittitle><title render="italic">The Bird Has Flown</title> [variously
								titled <title>Bent Eggs</title>] (BBC Radio 4, Birmingham, Afternoon
								Theatre, aired 28 October 1976)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">29.1</container>
								<unittitle><title>Bent Eggs</title>, typescript, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">29.2</container>
								<unittitle>Early draft with corrections, January 1976</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">29.3</container>
								<unittitle>Revised draft, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">29.4</container>
								<unittitle>Revised draft with corrections, undated</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle><title render="italic">A Coat of Many Colours</title>
								[variously titled <title>Salateen</title>] (BBC Radio 4, Birmingham,
								Saturday Night Theatre, aired 24 March 1979)</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">29.5</container>
								<unittitle><title>Salateen</title>, typescript copy,
								undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">29.6</container>
								<unittitle>Typescript, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">29.7</container>
								<unittitle>Typescript with corrections and production schedules,
									1979</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">29.8</container>
							<unittitle><title>The Friends of Botany</title>, typescript, copy,
								letter, 1982, undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">29.8</container>
							<unittitle><title render="italic">Middling</title> (previously published
								as <title render="doublequote">Seven Ages</title> and published in
									<title render="italic">Quarto</title>, June 1980), two copies, 2
								February 1981 </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<unittitle>School Broadcasts, BBC Radio 4</unittitle>
						</did>
						<c04>
							<did>
								<unittitle>
									<title render="italic">An African Casebook</title>
								</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">29.9</container>
									<unittitle>#1, <title render="doublequote">Africa Before the
											White Man,</title> 21 July 1973 </unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">29.9</container>
									<unittitle>#3, <title render="doublequote">Traders,</title> 17
										August 1973</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">29.9</container>
									<unittitle>Letter, printed lesson</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<unittitle>
									<title render="italic">By the People for the People</title>
								</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">29.10</container>
									<unittitle>#3, <title render="doublequote">On the
										Knocker,</title> 7 November 1977</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">29.10</container>
									<unittitle>#6, <title render="doublequote">The Minister,</title>
										11 January 1978</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<container type="Container">29.10</container>
								<unittitle><title render="italic">Health and Hygiene</title>, <title
										render="doublequote">Water and Waste</title> (2 drafts), 20
									July 1976</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Inquiry</unittitle>
							</did>
							<c05>
								<did>
									<unittitle>
										<title render="doublequote">The Family Today</title>
									</unittitle>
								</did>
								<c06>
									<did>
										<container type="Container">29.11</container>
										<unittitle>#4, <title render="doublequote">Old Way of Life
												in Africa</title> (2 drafts), 5 November
										1971</unittitle>
									</did>
								</c06>
								<c06>
									<did>
										<container type="Container">29.11</container>
										<unittitle>#5, <title render="doublequote">Change in the
												African Family,</title> 22 November 1971</unittitle>
									</did>
								</c06>
							</c05>
							<c05>
								<did>
									<container type="Container">29.11</container>
									<unittitle><title render="doublequote">A Place Fit to Live In:
											Whose Decision?</title> (parts 1 &amp; 2), 10
										September 1972</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">29.11</container>
									<unittitle><title render="doublequote">Violence: Man-the
											Aggressive Animal?,</title> 30 November 1971</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">29.11</container>
									<unittitle><title render="doublequote">Private Man: Us and
										Them,</title> 11 February 1974 </unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">29.11</container>
									<unittitle><title render="doublequote">Fleet Street</title> (2
										drafts), 17 July 1978</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">29.11</container>
									<unittitle><title render="doublequote">Dead Loss</title> (2
										drafts), 4 January 1980</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<unittitle>Material for Assembly</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">30.1</container>
									<unittitle><title render="doublequote">The Kingdom Within:
											African Traditions,</title> 7 August 1973</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">30.1</container>
									<unittitle><title render="doublequote">A Chance to
										Listen,</title> 3 June 1974</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">30.1</container>
									<unittitle><title render="doublequote">The World of Faith:
											African Creation Stories</title> [variously titled
											<title>African Religious Myths</title>] (2 drafts), 21
										April 1976</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<container type="Container">30.1</container>
								<unittitle><title render="italic">People of the World</title>,
										<title render="doublequote">North Africa: Peter’s First
										Ramadan,</title> 20 January 1972 </unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>
									<title render="italic">Quest</title>
								</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">30.1</container>
									<unittitle><title render="doublequote">Exploring the
										Shore</title> [variously titled <title>Along the
										Shore</title>], 1 September 1976</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">30.1</container>
									<unittitle><title render="doublequote">The Open Seas,</title> 1
										September 1976</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<unittitle>
									<title render="italic">The World of Work</title>
								</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">30.2</container>
									<unittitle>#1, <title render="doublequote">Ronnie Gets a
										Job</title> (2 drafts), 3 October 1978 </unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">30.2</container>
									<unittitle>#2, <title render="doublequote">Ronnie Learns the
											Hard Way,</title> 10 October 1978 </unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">30.2</container>
									<unittitle>#3, <title render="doublequote">Ronnie Settles
										In,</title> 13 October 1978</unittitle>
								</did>
							</c05>
						</c04>
						<c04>
							<did>
								<unittitle>Untitled Series</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">30.2</container>
									<unittitle>#1, <title>The Typing Pool Versus the
										Microprocessor,</title> undated </unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">30.2</container>
									<unittitle>#2, <title>The Newly Redundant Versus the Newly
											Employed. New Jobs for Old,</title> undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">30.2</container>
									<unittitle>#3, <title>The Manual Worker Versus the Silicon
										Chip,</title> undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">30.2</container>
									<unittitle>Fragment, undated</unittitle>
								</did>
							</c05>
						</c04>
					</c03>
				</c02>
			</c01>

			<c01 level="series">
				<did>
					<unittitle>Series II. Journalism, <unitdate era="ce" calendar="gregorian"
							type="inclusive">1973-1988, undated</unitdate></unittitle>
				</did>

				<c02>
					<did>
						<unittitle>Article Typescripts</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Assembly of Elegance</title> (published as <title
									render="doublequote">Elegant Restoration</title> in <title
									render="italic">Telegraph Sunday Magazine</title>, 2 July 1978),
								undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Broadwater Farm,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Chernobyl and Wales</title> (published as <title
									render="doublequote">Chernobyl Comes to Paradise,</title>
								undated), undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Corsica,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Creatures of Mystery: The Elephant Seal,</title>
								undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Creatures of Mystery: The Platypus,</title>
							undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Creatures of Mystery: Sharks,</title>
							undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Creatures of Mystery: Whales,</title>
							undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Crete,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Cruising the Canal Du Midi</title> (published as
									<title render="doublequote">Making Waves in France</title> in
									<title render="italic">Telegraph Sunday Magazine</title>,
								undated), undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Cruising the Fjords,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title render="doublequote">David Plastow of Rolls-Royce
									Motors</title> (published in <title render="italic">Telegraph
									Sunday Magazine</title>, 1978), circa 1978</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.3</container>
							<unittitle><title>Dr. Nicholas Humphrey</title> (published as
								introduction to <title render="doublequote">The Bronowski Memorial
									Lecture,</title> undated), undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>The Forgotten Voyage</title> (published as <title
									render="doublequote">Scene of Discovery</title> in <title
									render="italic">The Radio Times</title>, 18-24 December 1982)
								and expense report, maps, 1982</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>Former Glory: The Restoration of St. Lawrence
									Whitechurch,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>France and Spain on £20 a Day</title> (published as
									<title render="doublequote">Freedom on Four Wheels</title> in
									<title render="italic">Telegraph Sunday Magazine</title>,
								undated) and expense report, 1979</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>Jimmy Hill</title> (published as <title
									render="doublequote">Jimmy Hill’s Ultimate Goal</title> in
									<title render="italic">Telegraph Sunday Magazine</title>, May
								1982), circa 1982</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>John Moore’s Tewkesbury</title> (published as <title
									render="doublequote">Portrait of Elmbury 1976</title> in <title
									render="italic">The Radio Times</title>, undated),
							undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>Ken Campbell,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>The Law of the Sea</title> and expense report, <title
									render="italic">Telegraph Sunday Magazine</title>, 1982
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>Lenny Henry,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>London’s Hidden Homeless,</title> May 1974</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>Lord Longford’s Eleven</title> (published as <title
									render="doublequote">Eleven at No. 10</title> in <title
									render="italic">Telegraph Sunday Magazine</title>), circa
								1982-1984</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>Low-Paid Workers</title> and letter, 1981</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>Lyonesse: The Lost Kingdom,</title>
							undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>The MSV Tharos,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>The Manor of Birmingham</title> (published as <title
									render="doublequote">Birmingham</title> in <title
									render="italic">Telegraph Sunday Magazine</title>, undated),
								undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>Matlock Mercury,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.4</container>
							<unittitle><title>Mauritius</title> (published as <title
									render="doublequote">No Problem Destination</title> in <title
									render="italic">The Illustrated London News</title>, October
								1988), circa 1988</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>The New Dealers,</title> (published as <title
									render="doublequote">Take Three Drug Dealers</title> in <title
									render="italic">Evening Standard</title>, 20 August 1973),
								August 1973</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>One American Incident,</title> September
							1972</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>A Perfect Spy</title> (published as <title
									render="doublequote">Pym’s People</title> in <title
									render="italic">The Radio Times</title>, 31 October-9 November
								1987), 1987</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>Pula!: Trees Against the Kalahari,</title> May, August
								1973 </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>The Second Blitz of Coventry</title> (published as
									<title render="doublequote">Coventry-Surviving the Blitz but
									Back in the Wars,</title> undated), circa 1980-1981</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>Shopping in Birmingham,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>Thomas and Ruth</title> (published as <title
									render="doublequote">Juliet Finds a Welcome in the
								Hillsides</title> in <title render="italic">The Radio Times</title>,
								6-12 August 1988), circa 1988</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>Tim Dutton,</title> undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>Tim Severin: Voyage of the Heroes</title> (published
								as <title render="doublequote">In the Wake of the Argonauts</title>
								in <title render="italic">The Radio Times</title>, 12-18 October
								1985), circa 1985</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>Time After Time</title> (published as <title
									render="doublequote">Family Misfortunes</title> in <title
									render="italic">The Radio Times</title>, 25-31 January 1986),
								circa 1986</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>Tony Fahey and the World Water Speed Record,</title>
								undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>West Coast ‘Rental’</title> (published as <title
									render="doublequote">Life at the Paradise Pace</title> in <title
									render="italic">Telegraph Sunday Magazine</title>, undated),
								circa 1978-1979</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>World Population</title> (published as <title
									render="doublequote">How Many People Can the World Feed?</title>
								in <title render="italic">Telegraph Sunday Magazine</title>, 5
								August 1984), circa 1984</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>Yevtushenko</title> (published as <title
									render="doublequote">From Russia with Poem</title> in <title
									render="italic">Telegraph Sunday Magazine</title>, undated),
								undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle><title>Yugoslavia</title> (published as <title
									render="doublequote">Land of a Thousand Faces</title> in <title
									render="italic">Telegraph Sunday Magazine</title>, undated),
								undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">30.5</container>
							<unittitle>Untitled (Published as <title render="doublequote">The Long
									and Unwinding Road</title> in <title render="italic">The Radio
									Times</title>, undated), undated</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">30.6</container>
						<unittitle>Published articles, clippings and copies, 1973-1986, undated
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">30.7</container>
						<unittitle>Published book reviews, clippings and copies, circa 1980-1985
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">30.8</container>
						<unittitle>Notes, undated</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>Notebooks</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">31.1-3</container>
							<unittitle>Articles and book reviews</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">31.4</container>
							<unittitle>Chernobyl</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">31.5-6*</container>
						<unittitle>Research Material (‘Working file 2’) (*oversize newspapers
							removed to box 45)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">31.7</container>
						<unittitle>Royalty statements and contracts (BBC &amp; <title
								render="italic">Daily Telegraph</title>), circa 1980s</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">32.1-9*</container>
						<unittitle>Scrapbooks (9), 1968-1991 (*oversize article removed to box 45)
						</unittitle>
					</did>
				</c02>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series III. Correspondence, <unitdate era="ce" calendar="gregorian"
							type="inclusive">1968-2008, undated</unitdate>
					</unittitle>

				</did>

				<c02>
					<did>
						<container type="Container">33.1*</container>
						<unittitle>‘Personal,’ circa 1968-1981 (*broadside removed to box 46)
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>General</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">33.2</container>
							<unittitle>A-C, 1974-2008</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">33.3</container>
							<unittitle>D-G, 1975-2008</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">33.4</container>
							<unittitle>H-L, 1979-2007</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">34.1*</container>
							<unittitle>M-R, 1972-2008 (*poster removed to box 46)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">34.2</container>
							<unittitle>S-V, 1976-2007</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">34.3</container>
							<unittitle>W-Z, unidentified, outgoing, 1978-2007</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">34.4</container>
						<unittitle>Publishers, 2005-2008</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">34.5</container>
						<unittitle>‘Film’ rights, 2001-2008</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">34.6</container>
						<unittitle>Readers, 1992-2005, undated</unittitle>
					</did>
				</c02>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series IV. Career and Personal, <unitdate era="ce"
							calendar="gregorian" type="inclusive">1954-2008, undated</unitdate>
					</unittitle>

				</did>

				<c02>
					<did>
						<container type="Container">35.1</container>
						<unittitle>Address Books</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>Calendars</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">35.2</container>
							<unittitle>1972-1973, 1977-1987</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">35.3</container>
							<unittitle>1988-1996</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">35.4</container>
							<unittitle>1997-2002</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">35.5</container>
							<unittitle>2003-2007</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>Childhood, School, and University Papers</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">35.6*</container>
							<unittitle><title render="italic">Birmingham Sun</title> clippings,
								cartoons, photographs, 1967-1972 (*clippings and cartoon removed to
								box 46)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<unittitle>Campaign for Nuclear Disarmament and other political
								activities</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">35.7</container>
								<unittitle><title render="doublequote">Against the Bomb</title>
									[Crace is pictured on the cover and is editor], circa
								1961</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">35.7*</container>
								<unittitle>Publications and clippings, 1961-1967 (*oversize
									newspaper removed to box 46)</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<unittitle>Enfield Grammar School</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">35.8</container>
								<unittitle>Magazine page, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">35.8</container>
								<unittitle><title render="italic">Sixth Sense</title> (unofficial
									magazine), undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">35.8</container>
								<unittitle><title render="italic">Romeo and Juliet</title> program
									drawn by Crace, 1963 </unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">35.9</container>
							<unittitle>‘English Literature Essays,’ circa 1960s</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">35.10</container>
							<unittitle>Letter and posters, 1967, undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">35.11</container>
							<unittitle>Maps, three hand-drawn of invented territories, circa
								1955-1956</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">36.1</container>
							<unittitle>School reports, 1954-1963</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">36.2</container>
						<unittitle>Crace, Lauren; acting material, handmade card, circa
						2000s</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">36.3</container>
						<unittitle>David Godwin Associates author directory, circa 2000</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">36.4</container>
						<unittitle>Drawings of Crace, photocopies, circa 1990s-2008</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>Ephemera</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">36.5</container>
							<unittitle>University documents, visas and travel documents,
								identification cards, press credentials [removed from green file],
								1966-1988</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">36.6-7</container>
							<unittitle>Travel tickets, check book, identification card, 1969-2006
							</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>Eulogies</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">36.8</container>
							<unittitle>[Dennis Patrick Lynch], typescript and program, 2006
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">36.8</container>
							<unittitle>[Edith <emph render="doublequote">Jane</emph> Holland Crace],
								typescript, 2004 </unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>Honors </unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">36.9*</container>
							<unittitle>American Academy of Arts and Letters, 1996 E. M. Forster
								Award, 1996-1997 (*photograph removed to box 46)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<unittitle>Atlantic Center for the Arts, 2004 Master Artists in
								Residence</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">36.10</container>
								<unittitle>Contract, brochures, maps, email, card, photographs,
									2003-2004</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">36.11</container>
								<unittitle>Watercolor by Crace, 2004</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">36.12</container>
							<unittitle>Fondazione Premio Napoli; also contains typescript
								[Illegality and Felix Mondazy], 2004</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">36.13</container>
							<unittitle>Grinzane Cavour Award (Premio Grinzane Cavour); bound
								articles, 2004</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">37.1</container>
							<unittitle>International IMPAC Dublin Literary Award, 1998-1999
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">37.2</container>
							<unittitle>Le Prince Maurice Prize, 2008</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<unittitle>University of Birmingham, Honorary Doctor of Letters
							</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">37.3</container>
								<unittitle>Correspondence, speeches, program, photographs,
								2002-2003</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">37.4</container>
								<unittitle>Award, 13 December 2002</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">37.5*</container>
							<unittitle>University of Central England in Birmingham, Honorary Degree
								of Doctor of the University, 1999-2000 (*diploma tube removed to
								personal effects)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">37.6*</container>
							<unittitle>University of Texas at Austin, James A. Michener Center for
								Writers, Michener Residency Award, 2007-2008 (*poster and oversize
								clipping removed to box 46)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">37.7</container>
							<unittitle>Whitbread First Novel Prize; program and seals, 1986
							</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>Interviews with, Articles and Clippings about Crace </unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">37.8*</container>
							<unittitle>1979, 1988-1999, undated (*oversize newspaper removed to box
								46)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">37.9*</container>
							<unittitle>2000-2004, undated (*oversize newspaper and poster removed to
								box 46) </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">37.10</container>
							<unittitle>2005-2008, undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">37.11*</container>
							<unittitle><title render="doublequote">Belief</title> (BBC Radio 3),
								2007-2008 (*audio recording removed to sound recording
							collection)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">37.12-13</container>
							<unittitle>Notebooks; contain transcripts and copies of interviews,
								articles, publicity quotes, reader’s forums, manuscripts, clippings
								of short writings, biographical material, letters, 2000-2002
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">38.1</container>
							<unittitle>‘U.S. Choice Reviews’ contains reviews for <title
									render="italic">Continent</title>, <title render="italic"
									>Arcadia</title>, and <title render="italic">Gift of
								Stones</title>, 1987-1992</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>Invitations</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">38.2</container>
							<unittitle>General, 2007-2008</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">38.2</container>
							<unittitle>The Immortality Auction, 2000</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>Juvenilia and Early Works</unittitle>
					</did>
					<c03>
						<did>
							<unittitle>‘Adolescent/Immature Fiction Pieces and Poems 1966-1974’
							</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">38.3</container>
								<unittitle>African poems, 1968-1969</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.3</container>
								<unittitle><title>Mixed Doubles for the Kids</title> and untitled
									fragments, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.3</container>
								<unittitle><title>Drama Drama Drama</title> (script),
								undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.3</container>
								<unittitle><title>Sherlock Holmes,</title> undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.3</container>
								<unittitle>Untitled fragments, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.3</container>
								<unittitle><title>The Theory and Practice of Non-violent
									Resistance,</title> undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<unittitle>Notebook</unittitle>
							</did>
							<c05>
								<did>
									<container type="Container">38.4</container>
									<unittitle>[African Trilogy:] <title render="doublequote"
											>Salateen</title> [variously titled <title render="doublequote">A Coat of
											Many Colours</title>], <title render="doublequote"
											>Presumptions,</title>
										<title render="doublequote">Discoveries,</title> synopsis,
										undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">38.4</container>
									<unittitle><title render="doublequote">Ch&#226;teau
											Libertas,</title> 1965</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">38.4</container>
									<unittitle><title>Weeping with Joy</title> [variously titled
											<title render="doublequote">Middling</title>], undated</unittitle>
								</did>
							</c05>
							<c05>
								<did>
									<container type="Container">38.4</container>
									<unittitle>Notes and fragments</unittitle>
								</did>
							</c05>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">38.5</container>
							<unittitle><title>The Cat with Two Tails</title> (unproduced television
								script co-authored with Mic Yates), handwritten and typescript
								drafts, 1973 </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<unittitle><title>Easy Terms</title> (unproduced television series co-
								authored with Mic Yates) [variously titled <title>Hard
								Terms</title>], episode scripts, undated </unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">38.6</container>
								<unittitle>Synopsis</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.6</container>
								<unittitle><title>Cheese and Port Wine,</title> bound
								typescripts</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.6-7</container>
								<unittitle><title>The Essay,</title> composite script, typescript,
									bound typescript</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.7</container>
								<unittitle><title>Fit for the Family,</title> typescript</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.7</container>
								<unittitle><title>Blind Date,</title> typescript fragment for series
									Hard Terms and composite manuscript</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.7</container>
								<unittitle><title>The Party,</title> typescript</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.7</container>
								<unittitle><title>Tickets for Two</title> [for series <title>Hard
										Terms</title>], typescript </unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">38.8</container>
								<unittitle>Notebook with handwritten drafts</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">39.1</container>
							<unittitle><title>A Shortened Pyramid</title> (abandoned novel), outline
								and composite manuscript</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">39.2</container>
							<unittitle>Notebook with handwritten and typescript notes and fragments,
								undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<unittitle>Assorted Works</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">39.3</container>
								<unittitle><title>Harrie and Glad</title> (poem),
								undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">39.3</container>
								<unittitle>Untitled plot synopsis, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">39.3</container>
								<unittitle>Untitled poem, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">39.3</container>
								<unittitle><title>Skopje</title> (poem), undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">39.3</container>
								<unittitle><title>The Geranium</title> (poem), undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">39.3</container>
								<unittitle>Untitled poems, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">39.3</container>
								<unittitle>Untitled fragment, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">39.3</container>
								<unittitle><title>Aberfan: Wise After the Event</title> (editorial
									published as <title render="doublequote">Aberfan:
									After-thought</title> in <title render="italic"
									>Spectrum</title>, Autumn 1966 [a publication of The Guild of
									Students, Aston University]), typescript and publication,
								1966</unittitle>
							</did>
						</c04>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">39.4-6*</container>
						<unittitle>Photographs, circa 1980s-2008 (*oversize photograph removed to
							box 46)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>Public Appearances and Book Festivals</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">39.7*</container>
							<unittitle>'Lecture Notes'; speech drafts, note fragments, letters,
								circa 1990s (*oversize newspaper removed to box 46)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">39.8</container>
							<unittitle>Speeches, 2004-2006</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">40.1*</container>
							<unittitle>Birmingham Festival of Readers and Writers, 1983-1984
								(*oversize newspapers and poster removed to boxes 45-46)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">40.2*</container>
							<unittitle>Courses, Readings and Cheltenham International Jazz Festival,
									<title render="doublequote">Jazz in the Devil’s Larder,</title>
								1993, 2004-2007 (*posters removed to box 46)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">40.3</container>
							<unittitle>Book Festival programs, 1989-2007</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">40.4</container>
							<unittitle>Aedean Conference, University of Coruna, 2007-2008
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">40.5</container>
							<unittitle>Hay Festival and Nestl&#233; boycott, 2002</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">40.6-7</container>
						<unittitle>Publisher’s and book catalogs and brochures, 1989-2007
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.1*</container>
						<unittitle>Salman Rushdie; outgoing letter, clippings, 1989 (*clipping
							removed to box 46)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.2*</container>
						<unittitle>Voluntary Services Overseas (VSO), Sudan; letters, scripts, pupil
							handbook, 1968-1969 (*photograph, map and newspaper removed to box
						46)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>Watercolor paintings, Isles of Scilly</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">41.3</container>
							<unittitle>Notebook, 2008</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">41.4*</container>
							<unittitle>Loose paintings, 2007-2008 (*oversize painting on a napkin
								removed to box 46)</unittitle>
						</did>
					</c03>
				</c02>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series V. Works by Others, <unitdate era="ce" calendar="gregorian"
							type="inclusive">1994-2007</unitdate>
					</unittitle>

				</did>

				<c02>
					<did>
						<unittitle>Bal&#233;e, Susan, criticism</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">41.5</container>
							<unittitle><title render="doublequote">Jim Crace’s Violent
								Verities</title> from <title render="italic">Hudson Review</title>,
								2007</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">41.5</container>
							<unittitle><title render="doublequote">Memoir of a Ghost</title> from
									<title render="italic">Wild River Review</title>,
							2007</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">41.5</container>
							<unittitle>[Jim Crace for <title render="italic">Scribner’s</title>],
								typescript, undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">41.5</container>
							<unittitle><title render="doublequote">Maximalist Fiction</title> from
									<title render="italic">Hudson Review</title>, 2000</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>Bruce, Roger, musical works</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">41.6</container>
							<unittitle><title render="doublequote">Birds of a Feather,</title>
							1994</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">41.6</container>
							<unittitle><title render="doublequote">Distant Blue,</title>
							1994</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">41.6</container>
							<unittitle><title render="doublequote">The Gift of Stones,</title>
								undated</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">41.7</container>
						<unittitle>Constable, John and Hideaki Aoyama, <title render="doublequote"
								>Testing for Mathematical Lineation in Jim Crace’s <emph
									render="italic">Quarantine</emph> and T. S. Eliot’s <emph
									render="italic">Four Quartets</emph>,</title> also email, 2001
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.7</container>
						<unittitle>Fort, Tom, <title render="italic">The Grass is Greener</title>,
							photocopy excerpt, 2000</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.7</container>
						<unittitle>Hansen, Brigitte, <title render="doublequote">Memoire de
								Traduction Litteraire <emph render="italic">Pavillons de
								Detresse</emph>,</title> 1996 </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.8</container>
						<unittitle>Jukes, Steven Richard, <title render="doublequote">A Model for
								City Centre Redevelopment? Branding Space and Finding Place at the
								Bull Ring, Birmingham,</title> 2006 </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.9</container>
						<unittitle>Kazunari, Miyahara, <title render="doublequote">Quarantine: Jim
								Crace’s Anti-Christ,</title> undated </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.9</container>
						<unittitle>Madden, David W., <title render="doublequote">Being Dead,</title>
							<title render="italic">Magill’s Literary Annual</title>, 2001
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.9</container>
						<unittitle>Rapai&#263;, Gordana, <title render="doublequote">The
								Narrative Structure and Technique of Jim Crace’s <emph
									render="italic">Continent</emph></title>; also letter, 1996
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.9</container>
						<unittitle>Rozsa, Karoly, <title render="doublequote">The Gift of Stories:
								The Story of Storytelling in Jim Crace’s <emph render="italic">The
									Gift of Stones</emph>,</title> 2002 </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.10</container>
						<unittitle>Scaillet, Sylvie, <title render="doublequote">Salute the Liars: A
								Narrative and Thematic Analysis of Jim Crace’s <emph render="italic"
									>The Gift of Stones</emph>,</title> 1997 </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.11</container>
						<unittitle>Tew, Philip, <title render="italic">Jim Crace</title>,
							Contemporary British Novelists Series, dust jackets, email, book order
							form, 2006 </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.11</container>
						<unittitle>West Midlands Arts, Attlee, James, <title render="doublequote"
								>Research into Publishing and Distribution in the West
							Midlands,</title> 1994 </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">41.11</container>
						<unittitle>Unknown, <title render="doublequote">Parabolic Storytelling in
								the Fiction of Jim Crace via Benjamin and Bataille,</title> undated
						</unittitle>
					</did>
				</c02>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series VI. Magazines and Newspapers, <unitdate era="ce"
							calendar="gregorian" type="inclusive">1933-2008 (bulk
						1967-2008)</unitdate>
					</unittitle>

				</did>

				<c02>
					<did>
						<container type="Container">41.12</container>
						<unittitle>Inserts removed from books, magazines, audio, circa 2000-2006
						</unittitle>
					</did>
				</c02>

				<c02>
					<did>
						<unittitle>
							<title render="italic">Arts Report</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 18, December 1982-January 1983 (contains article about
								Crace)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 26, October 1983</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 27, November 1983</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 28, December 1983-January 1984</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>Supplement, <title render="italic">New Writing</title>, No.
								1, November 1983</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">42.1</container>
						<unittitle><title render="italic">The Author</title>, Vol. CXIV, No. 3,
							Autumn 2003 (contains essay <title render="doublequote">Two Looks, One
								Book</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">42.1</container>
						<unittitle><title render="italic">The Believer</title>, No. 9, December
							2003-January 2004 (contains interview)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">46</container>
						<unittitle><title render="italic">Birmingham</title>, catalog accompanying
							art exhibit, July-September 2001 (contains excerpt from <title
								render="italic">Arcadia</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">42.1</container>
						<unittitle><title render="italic">Birmingham Arts Lab</title>, 1998
							(contains essay <title render="doublequote">Birmingham Arts Lab:
								Remembered</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">Birmingham Sun</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>24 January 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>7 February 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>21 February 1967 and supplement</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>7 March 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>14 March 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>25 April 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>9 May 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>23 May 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>3 October 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>17 October 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>24 October 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>31 October 1967</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>7 November 1967</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">Bomb</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">42.1</container>
							<unittitle>Spring 1998 (contains an excerpt from <title render="italic"
									>Quarantine</title>)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">42.2</container>
							<unittitle>Spring 2000 (contains interview)</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">Bookforum</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>Vol. 13, No. 2, June-September 2006 (contains contribution to
								article <title render="doublequote">The First
							Novel</title>)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>Vol. 14, No. 1, April-May 2007 (contains article about and
								review of <title render="italic">The Pesthouse</title>)</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">Books Quarterly</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">42.2</container>
							<unittitle>No. 13, 2004 (contains <title render="doublequote">Summer
									Reading</title>)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">42.2</container>
							<unittitle>No. 23, 2007 (contains review of <title render="italic">The
									Pesthouse</title>)</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">42.2</container>
						<unittitle><title render="italic">The Bookseller</title>, 18 May
							2001(contains marketing material for <title render="italic">The Devil’s
								Larder</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">42.3</container>
						<unittitle><title render="italic">Cond&#233; Nast Traveller</title>,
							October 1999 (contains essay <title render="doublequote">Tide and
								Prejudice</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">42.3</container>
						<unittitle><title render="italic">Encounter</title>, February 1985 (contains
							short story <title render="doublequote">Electricity</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">42.3</container>
						<unittitle><title render="italic">The Fiction Magazine</title>, Vol. 5, No.
							7, September 1986 (contains excerpt from <title render="italic"
								>Continent</title>, <title render="doublequote">The World with One
								Eye Shut</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">42.3</container>
						<unittitle><title render="italic">Financial Times Magazine</title>, 6
							January 2008 (contains <title render="doublequote">Small
						Talk</title>)</unittitle>
					</did>
				</c02>

				<c02>
					<did>
						<container type="Container">42.4</container>
						<unittitle><title render="italic">Gold Dust</title>, Spring 2006 (contains
							interview)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">The Guardian</title>
						</unittitle>
					</did>

					<c03>
						<did>
							<container type="Container">42.3</container>
							<unittitle><title render="italic">G2</title>, 10 April 2007 (contains
								article about Crace)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle><title render="italic">Review</title>, 5 February 2005
								(contains article <emph render="doublequote">The Secrets of My
									Success</emph>) </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">42.4</container>
							<unittitle><title render="italic">Weekend</title>, 25 August 2001
								(contains article about Crace) </unittitle>
						</did>
					</c03>

				</c02>

				<c02>
					<did>
						<container type="Container">42.4</container>
						<unittitle><title render="italic">Harper’s</title>, Fall 2001 (contains
							excerpt from <emph render="italic">The Devil’s Larder</emph>, <emph
								render="doublequote">No Need to Starve</emph>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">42.4</container>
						<unittitle><title render="italic">Health &amp; Homeopathy</title>,
							Autumn 1995</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">45</container>
						<unittitle><title render="italic">Il Mattino</title>, 18 September 2004
							(contains short story <title render="doublequote">La felicit&#224;
								del brivido di giovent&#249;,</title> Italian title for <title
								render="doublequote">Too Young for Funerals</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">The Independent on Sunday</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<unittitle>
								<title render="italic">ABC</title>
							</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">45</container>
								<unittitle>2 May 2004 (contains short story <title
										render="doublequote">Wrath</title>)</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">45</container>
								<unittitle>18 March 2007 (contains interview) </unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle><title render="italic">The New Review</title>, 23 December
								2007 (contains essay <title render="doublequote">Have You Seen Our
									Chicken?</title>) </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle><title render="italic">The Sunday Review</title>, 13 July
								1997 (contains short story <title render="doublequote">Eating
								Roots</title>) </unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">42.4</container>
						<unittitle><title render="italic">Ink</title>, 2 January 2004 (contains
							interview)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">42.5</container>
						<unittitle><title render="italic">Island</title>, No. 55, Winter 1993,
							(contains excerpt from <title render="italic">The Signals of
							Distress</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">42.5</container>
						<unittitle><title render="italic">John O’London’s Weekly</title>, 24 June
							1933</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">42.5</container>
						<unittitle><title render="italic">Knack</title>, 7 January 2004 (contains
							article about Crace)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">43.1</container>
						<unittitle><title render="italic">La Licorne</title>, special supplement,
							1990 (contains article about Crace) </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">Literary Review</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">43.1</container>
							<unittitle>September 2001 (contains review of <title render="italic">The
									Devil’s Larder</title>)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">43.1</container>
							<unittitle>September 2003 (contains review of <title render="italic"
								>Six</title>)</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">43.1</container>
						<unittitle><title render="italic">Livros</title>, June 2001 (contains
							article about Crace and review of <title render="italic">Being
							Dead</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">43.1</container>
						<unittitle><title render="italic">London Magazine</title>, August-September
							1986 (contains short story <title render="doublequote">On
						Heat</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">45</container>
						<unittitle><title render="italic">London Review of Books</title>, Vol. 3,
							No. 15, 20 August-2 September 1981 (contains short story <title
								render="doublequote">Sins and Virtues</title>)</unittitle>
					</did>
				</c02>

				<c02>
					<did>
						<container type="Container">45</container>
						<unittitle><title render="italic">Midlands Arts Centre Canon Hill, The
								Birmingham Post</title>, 9 March 1983</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">43.2</container>
						<unittitle><title render="italic">Moz-Art</title>, October-January 1981-1982
							(contains short story <title render="doublequote"
						>Windows</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">43.2</container>
						<unittitle><title render="italic">National Geographic Special Edition:
							Water</title>, November 1993</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">The New Review</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">43.2</container>
							<unittitle>Vol. 1, No. 3, June 1974 (contains short story <title
									render="doublequote">Annie, California
							Plates</title>)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">43.2</container>
							<unittitle>Vol. 2, No. 21, December 1975 (contains short story <title
									render="doublequote">Helter Skelter, Hang Sorrow, Care’ll Kill a
									Cat</title>)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">43.2-3</container>
							<unittitle>Vol. 3, No. 25, April 1976 (contains short story <title
									render="doublequote">Cross-Country</title>)</unittitle>
						</did>
					</c03>
				</c02>

				<c02>
					<did>
						<container type="Container">43.3</container>
						<unittitle><title render="italic">New Scientist</title>, July 2001 (contains
							excerpt from <title render="italic">The Devil’s Larder</title>)
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">43.3</container>
						<unittitle><title render="italic">The New Yorker</title>, 7 May
							2001(contains short story <title render="doublequote"
							>Digestions</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">43.3</container>
						<unittitle><title render="italic">Newsweek</title>, 1 May 1989 (contains
							review of <title render="italic">The Gift of Stones</title>)
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">43.3</container>
						<unittitle><title render="italic">Observer Magazine</title>, 18 December
							1988 (contains story about Crace)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">43.4</container>
						<unittitle><title render="italic">The Paris Review</title>, No. 167, Fall
							2003 (contains interview <title render="doublequote">The Art of Fiction
								CLXXIX</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">44.1</container>
						<unittitle><title render="italic">Picture Post</title>, Vol. 10, No. 1, 4
							January 1941</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">45</container>
						<unittitle><title render="italic">Publishing News</title>, 23 January 1987
							(contains article about Crace)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">Quarto</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 3, February 1980 (contains review of <title
									render="italic">Old Soldiers</title> by Paul Bailey)
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 4, March 1980 (contains review of <title render="italic"
									>Metroland</title> by Julian Barnes; <title render="italic"
									>Puffball</title> by Fay Weldon; <title render="italic">In Evil
									Hour</title> by Gabriel Garc&#237;a
							M&#225;rquez)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 5, April 1980 (contains review of <title render="italic"
									>The Little Disturbances of Man</title> by Grace Paley; <title
									render="italic">The Edible Woman</title> by Margaret Atwood;
									<title render="italic">Life Before Man</title> by Margaret
								Atwood; <title render="italic">From the Fifteenth District</title>
								by Mavis Gallant)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 7, June 1980 (contains short story <title
									render="doublequote">Seven Ages</title>) </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 8, July 1980 (contains review of <title render="italic"
									>Fantastic Invasion</title> by Patrick Marnham)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 10, September 1980 (contains review of <title
									render="italic">Season of Migration to the North</title> and
									<title render="italic">The Wedding of Zein</title> by Tayeb
								Salih)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 16, April 1981 (contains review of <title render="italic"
									>Black Sunlight</title> by Dambudzo Marechera and <title
									render="italic">The Non-Believer’s Journey</title> by S.
								Nyamfukudza)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">45</container>
							<unittitle>No. 20, August 1981 (contains short story <title
									render="doublequote">Talking Skull</title>) </unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">44.2</container>
						<unittitle><title render="italic">The Radio Times</title>, 18-24 December
							1982 (contains article <title render="doublequote">Scene of
							Discovery</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">44.2</container>
						<unittitle><title render="italic">Raw Edge</title>, Autumn-Fall 1995
							(contains excerpt from <title render="italic">The Devil’s
							Larder</title>, <title render="doublequote">The Slow Digestions of
							Night</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">44.3</container>
						<unittitle><title render="italic">Seventh Quark</title>, 31 January 2005
							(contains short story <title render="doublequote">Annie, California
								Plates</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">45</container>
						<unittitle><title render="italic">Socialist Challenge</title>, 15-31
							December 1977 (contains short story <title render="doublequote"
							>Refugees</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">44.3</container>
						<unittitle><title render="italic">The Spectator</title>, 17 March 2007
							(contains review of <title render="italic">The Pesthouse</title>)
						</unittitle>
					</did>
				</c02>

				<c02>
					<did>
						<container type="Container">44.3</container>
						<unittitle><title render="italic">The Tablet</title>, 14 April 2007
							(contains review of <title render="italic">The Pesthouse</title>)
						</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">Telegraph Sunday Magazine</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">44.3</container>
							<unittitle>No. 130, 18 March 1979 (contains article <title
									render="doublequote">For Some, Home is Where the Boat
								Is</title>)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">44.3</container>
							<unittitle>No. 437, 10 March 1985 (contains article <title
									render="doublequote">What Sort of Land Do We Live
							In?</title>)</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">45</container>
						<unittitle><title render="italic">The Times</title>, <title render="italic"
								>Metro</title> (London), 18-24 September 1999 (contains story about
							Crace) </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">45</container>
						<unittitle><title render="italic">The Times Literary Supplement</title>, 9
							March 2007 (contains review of <title render="italic">The
							Pesthouse</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">44.4</container>
						<unittitle><title render="italic">Tin House</title>, Vol. 5, No. 1, Fall
							2003 (contains an excerpt from <title render="italic">Genesis</title>
							entitled <title render="doublequote">Never</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">44.5</container>
						<unittitle><title render="italic">Vogue</title>, October 1989</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">44.6</container>
						<unittitle><title render="italic">The Week</title>, 12 January 2008,
							(contains <title render="doublequote">Best Books…Jim
						Crace</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>
							<title render="italic">What's On</title>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">44.6</container>
							<unittitle>1-14 November 1986 (contains article about Crace)
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">44.6</container>
							<unittitle>25 September-8 October 2004 (contains interview)</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">44.6</container>
							<unittitle>20 October-2 November 2007(contains interview)</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">44.6</container>
						<unittitle><title render="italic">Word</title>, No. 24, February 2005
							(contains <title render="doublequote">Word of Mouth</title>)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">44.6</container>
						<unittitle><title render="italic">The World &amp; I</title>, August 1998
							(contains excerpt from <title render="italic">Quarantine</title>)
						</unittitle>
					</did>
				</c02>
			</c01>
			<c01>
				<did>
					<container type="Container">45-46</container>
					<unittitle>Oversize</unittitle>
				</did>
			</c01>
		</dsc>
		<odd type="index">
			<head>Index of Correspondents</head>
			<list>
				<item><corpname>A. P. Watt (Firm) </corpname>(<persname>King,
					Caradoc</persname>)--33.2</item>
				<item><persname>Abbas, 1944-</persname> --33.1</item>
				<item><corpname>Air Kent</corpname> (<persname>Paine, Robin G. P.</persname>)--33.2</item>
				<item><persname>Aitken, Gillon R.</persname>--33.2</item>
				<item><persname>Aitken, Maria</persname>--33.2</item>
				<item><persname>Akin, Marla</persname> (<corpname>James A. Michener Center for
						Writers</corpname>)--34.2, 37.6</item>
				<item><persname>Alexander, Clare</persname> (<corpname>Penguin [Firm]</corpname>,
						<corpname>Viking Press</corpname>)--19.7, 23.3</item>
				<item><corpname>Alexis Hotel (Seattle, WA)</corpname>--33.2</item>
				<item><persname>Ali, Hamed</persname>--41.2</item>
				<item><persname>Aliab, Paul Mabu</persname>--41.2</item>
				<item><persname>Alvarez, A. (<emph render="doublequote">Al</emph>)</persname>--5.7</item>
				<item><corpname>American Academy of Arts and Letters</corpname>--36.9</item>
				<item><persname>Ames, Katrine (<emph render="doublequote">Cage</emph>)</persname>
						(<corpname>Cond&#233; Nast Publications, inc.</corpname>)--27.10</item>
				<item><persname>Angel, Frances</persname>--33.1</item>
				<item><persname>Anstey, John</persname> (<title render="italic">Telegraph Sunday
						Magazine</title>)--33.2, 34.2</item>
				<item><corpname>Anti-Apartheid Movement</corpname> (<persname>Child,
					Chris</persname>)--33.2</item>
				<item><persname>Arnold, Andrew</persname>--34.6</item>
				<item><corpname>Arrow Books (London, England)</corpname> (<persname>Harsent, David,
						1942- </persname>)--33.2</item>
				<item><corpname>Arts Council of England</corpname> (<persname>Mackintosh,
					Lawrence</persname>)--33.2</item>
				<item><corpname>Arvon Foundation</corpname> (<persname>Boekelman,
					Huib</persname>)--33.2</item>
				<item><persname>Aslan, Reza</persname>--33.2</item>
				<item><persname>Atabani, Mamoun</persname>--41.2</item>
				<item><corpname>Atlantic Center for the Arts (New Smyrna Beach, Fla.)</corpname>
						(<persname>Frost, James</persname>)--36.10</item>
				<item><persname>Axbey, Geoff</persname> (<title render="italic">Telegraph Sunday
						Magazine</title>)--34.2</item>
				<item><corpname>Baby Milk Action</corpname> (<persname>Rundall,
					Patti</persname>)--40.5</item>
				<item><persname>Bailey, Catherine</persname> (<corpname>Catherine Bailey
					Ltd.</corpname>)--19.7</item>
				<item><persname>Bailey, Paul, 1937-</persname> --33.2</item>
				<item><persname>Baker, Jeremy</persname>--33.2</item>
				<item><persname>Baker, Paul</persname>--33.1</item>
				<item><persname>Bakewell, Joan</persname> (<title render="italic">The
					Guardian</title>)--33.3</item>
				<item><persname>Baldwin, Beth</persname>--34.6</item>
				<item><persname>Bal&#233;e, Susan</persname>--41.5</item>
				<item><persname>Bamlett, Claire</persname>--34.6</item>
				<item><persname>Barnes, Joslyn</persname>--34.5</item>
				<item><persname>Barrett, Kerry</persname>--28.1</item>
				<item><persname>Barrouyer, Sophie</persname>--33.1</item>
				<item><persname>Bashier, Nasr Hassan</persname>--41.2</item>
				<item><persname>Battersby, Nick</persname>--33.2</item>
				<item><persname>Becker, Peter</persname>--39.7</item>
				<item><persname>Berard, Stephen</persname>--34.6</item>
				<item><persname>Bergstein, Michael</persname> (<title render="italic"
					>Conjunctions</title>)--16.1</item>
				<item><persname>Berney, Pat</persname>--33.2</item>
				<item><persname>Bernstein, Catherine</persname>--34.5</item>
				<item><persname>Berridge, James</persname>--34.5</item>
				<item><persname>Blau, Rosie</persname> (<title render="italic">Financial
					Times</title> [London, England])--27.10, 33.3</item>
				<item><persname>Boland, George A.</persname>--33.2</item>
				<item><persname>Bond, John</persname> (<corpname>Penguin [Firm]</corpname>)--5.7</item>
				<item><corpname>Bookforum</corpname> (<persname>Mobilio, Albert</persname>)--33.2</item>
				<item><corpname>Bookgroup Info</corpname>--34.4</item>
				<item><persname>Borsberry, June V.</persname>--39.7</item>
				<item><title render="italic">Boulevard</title> (<persname>Bevan, J.
					Thomas</persname>)--34.6</item>
				<item><persname>Bowsher, Paul</persname>--33.2</item>
				<item><persname>Boyle, Michael F.</persname>--34.6</item>
				<item><persname>Bravo, Emma</persname> (<corpname>MacMillan
					Publishers</corpname>)--16.3</item>
				<item><persname>Brewis, Kathy</persname> (<title render="italic">Sunday
					Times</title> [London, England: 1931])--28.1</item>
				<item><persname>Brewis, Sarah</persname> (<corpname>Heinemann
					[Firm]</corpname>)--7.4</item>
				<item><corpname>British Broadcasting Corporation</corpname>--27.1, 27.5, 29.9, 33.2,
					33.4, 34.1, 37.11</item>
				<item><corpname>The British Council</corpname>--33.2, 34.6</item>
				<item><persname>Brothers, Connie M.</persname> (<corpname>University of
					Iowa</corpname>)--34.2</item>
				<item><persname>Brown, D. C.</persname>--28.1</item>
				<item><persname>Brown, Derek</persname>--34.6</item>
				<item><persname>Browne, Julian</persname> (<title render="italic">Telegraph Sunday
						Magazine</title>)--34.2</item>
				<item><persname>Bryan, Felicity</persname>--34.6</item>
				<item><persname>Buford, Bill</persname> (<title render="italic"
					>Granta</title>)--7.4, 33.3</item>
				<item><persname>Busch, Frederick, 1941-2006</persname>--10.7, 19.7, 26.2, 33.2</item>
				<item><persname>Busch, Judy</persname>--33.2</item>
				<item><persname>Butler, Michael</persname> (<corpname>University of
					Birmingham</corpname>)--37.3</item>
				<item><persname>C_____, Trudy</persname>--33.2</item>
				<item><persname>Canham, Bill</persname>--33.2</item>
				<item><persname>Carson, Peter</persname> (<corpname>Penguin
					[Firm]</corpname>)--19.7, 23.3</item>
				<item><persname>Cassavetti, Patrick</persname>--34.5</item>
				<item><corpname>Catherine Bailey Limited</corpname> (<persname>Bailey,
					Catherine</persname>)--34.5</item>
				<item><persname>Cavalcante-Luther, L&#237;dia</persname>--34.4</item>
				<item><persname>Ch_____, John</persname>--33.1</item>
				<item><persname>Chapman, Ian S.</persname> (<corpname>MacMillan
					Publishers</corpname>)--19.7</item>
				<item><persname>Chapman, Peter, 1948-</persname> (<title render="italic">Financial
					Times</title> [London, England])--33.2</item>
				<item><persname>Charlton, Gill</persname> (<title render="italic">Daily
					Telegraph</title> [London, England])--27.11</item>
				<item><persname>Chase, L. S.</persname>--33.2</item>
				<item><persname>Chorlton, Robert G. (<emph render="doublequote"
					>Bob</emph>)</persname>--33.2</item>
				<item><persname>C&#299;sa&#345;, Peter</persname>--33.2</item>
				<item><corpname>Classics for Pleasure</corpname>--32.8</item>
				<item><corpname>City of Dallas (Tex.) </corpname><persname>(Hill, Corinne
					M.)</persname>--33.2</item>
				<item><persname>Coady, Frances</persname> (<corpname>Jonathan Cape
					[Firm]</corpname>)--23.3</item>
				<item><persname>Cochrane, Kristin</persname> (<corpname>Doubleday and Company,
					inc.</corpname>)--34.4</item>
				<item><persname>Coe, Jonathan</persname>--33.2</item>
				<item><persname>Coleman, Jonathan</persname>--33.2</item>
				<item><persname>Collum, Thomas Francis</persname>--34.6</item>
				<item><persname>Colter, G.</persname>--33.2</item>
				<item><persname>Comstock, Rolland</persname>--33.2</item>
				<item><persname>Conroy, Frank, 1936-2005</persname> (<corpname>Iowa Writers’
						Workshop</corpname>)--19.7</item>
				<item><persname>Constable, John, 1963-</persname> (<corpname>Magdalene
					College</corpname>)--41.7</item>
				<item><title render="italic">Contemporary Authors</title>--33.2</item>
				<item><persname>Conway, Ilana</persname>--33.2</item>
				<item><persname>Cooper, Paul</persname>--33.4</item>
				<item><persname>Coover, Robert (<emph render="doublequote"
					>Bob</emph>)</persname>--33.2</item>
				<item><title render="italic">Cosmopolitan </title>(London, England)
						(<persname>Boston, Anne</persname>)--33.2</item>
				<item><persname>Coury, Mrs. F. A.</persname>--33.2</item>
				<item><corpname>Coventry City Football Club</corpname> (<persname>Hill,
					Jimmy</persname>)--33.2</item>
				<item><corpname>Cox &amp; Hasell Ltd.</corpname> (<persname>Cox, L.
					H.</persname>)--33.2</item>
				<item><persname>Cox, Helen</persname>--34.6</item>
				<item><persname>Crace, Edith <emph render="doublequote">Jane</emph></persname>--33.1</item>
				<item><persname>Craig, Amanda , 1959-</persname> --23.3</item>
				<item><persname>Cregg, Tamsia [?]</persname>--34.6</item>
				<item><persname>Creswell, Rosemary, 1941-</persname> (<corpname>Cameron Creswell
						Agency</corpname>)--19.7, 34.6</item>
				<item><persname>Crosland, Anthony, 1918-1977</persname> (<corpname>Great Britain.
						Dept. of Education and Science.</corpname>)--35.10</item>
				<item><persname>Cupper, John</persname>--34.6</item>
				<item><title render="italic">Daily Telegraph</title> (London, England)--27.11, 30.4,
					33.3</item>
				<item><persname>Dajani, Virginia</persname> (<corpname>American Academy of Arts and
						Letters</corpname>)--36.9</item>
				<item><persname>Dalton, John, 1963-</persname> --33.3, 36.10, 40.1</item>
				<item><corpname>David Godwin Associates</corpname>--16.3, 26.2, 27.9, 28.1, 33.3,
					34.4-5</item>
				<item><persname>Davies, Mrs. K. J.</persname>--33.3</item>
				<item><persname>Day, Sarah</persname> (<corpname>Penguin [Firm]</corpname>)--9.1</item>
				<item><persname>De Barde, Marianne</persname>--33.3</item>
				<item><persname>Deane, A.</persname>--33.3</item>
				<item><persname>De-Bakson, Luke</persname>--41.2</item>
				<item><persname>Dern, Emil</persname>--34.6</item>
				<item><persname>Dewey, Nicole</persname> (<corpname>Doubleday &amp; Company,
						inc.</corpname>)--1.1, 34.4</item>
				<item><persname>Dewse, David A.</persname>--34.6</item>
				<item><persname>Doherty, Judith</persname> (<corpname>Grid Iron
					Theatre</corpname>)--10.1, 33.3</item>
				<item><persname>Dore, Helen</persname>--19.7</item>
				<item><corpname>Doubleday &amp; Company, inc.</corpname>--1.1, 15.2, 16.3, 34.4</item>
				<item><persname>Doyle, John</persname>--34.6</item>
				<item><persname>Doyle, Timothy</persname>--34.6</item>
				<item><persname>Dugdale, John</persname>--33.3</item>
				<item><persname>Duvall, Liz</persname>--16.3</item>
				<item><persname>Eades, Alwyn</persname>--34.6</item>
				<item><corpname>Edgbaston High School for Girls</corpname> (<persname>Goodall,
					Jenny</persname>)--33.3</item>
				<item><persname>Ehrenreich, Ben</persname>--33.3</item>
				<item><persname>Ellis, Jane</persname> (<corpname>Penguin [Firm]</corpname>)--9.5</item>
				<item><corpname>The English Association</corpname> (<persname>Lucas,
					Helen</persname>)--33.3</item>
				<item><persname>Ereira, Alan</persname> (<corpname>British Broadcasting
					Corporation</corpname>)--33.2</item>
				<item><persname>Ettinghausen, Jeremy</persname> (<corpname>Penguin
					[Firm]</corpname>)--9.7</item>
				<item><persname>Evans, Anne</persname> (<corpname>James Allen’s Girls’
					School</corpname>)--34.6</item>
				<item><persname>Evans, S. P.</persname>--33.3</item>
				<item><persname>Faber, Michel</persname>--33.3</item>
				<item><corpname>Faber and Faber</corpname>--33.3</item>
				<item><persname>Fairney, Amelia</persname> (<corpname>Penguin
					[Firm]</corpname>)--26.2, 34.4, 37.12</item>
				<item><persname>Farley, Paul, 1965-</persname> --33.3</item>
				<item><corpname>Farrar, Straus &amp; Giroux</corpname>--9.2, 9.8, 16.3, 23.8,
					24.1, 25.6, 33.3-4, 34.4, 34.6</item>
				<item><persname>Farrell, Jessica</persname>--34.6</item>
				<item><persname>Feldman, Ronit</persname> (<corpname>Nan A. Talese
					Doubleday</corpname>)--15.5</item>
				<item><title render="italic">Financial Times</title> (London, England)--27.10,
					33.2-3</item>
				<item><persname>Fish, Pete A.</persname>--33.3</item>
				<item><persname>Fisher, Roy, 1930-</persname> --33.3</item>
				<item><persname>Florence, Peter (Hay Festival)</persname>--40.5</item>
				<item><persname>Ford, Petrana </persname>(<corpname>M&#233;decins Sans
						Fronti&#233;res [Association]</corpname>)--28.4, 28.8, 33.3</item>
				<item><persname>Forster, Margaret, 1938-</persname> --33.3</item>
				<item><persname>Fortescue, Lisa</persname> (<corpname>Writers' Guild of Great
						Britain</corpname>)--19.7</item>
				<item><persname>Fowles, John, 1926-2005</persname>--7.7, 10.7, 33.3</item>
				<item><persname>Francis, Kevin</persname>--34.6</item>
				<item><persname>Fraser, Bill, 1908-1987</persname>--33.3</item>
				<item><persname>Fraser, Helen</persname> (<corpname>Penguin [Firm]</corpname>)--9.8,
					26.2, 33.3, 34.4</item>
				<item><persname>Frearson, Mrs. E. G.</persname>--33.3</item>
				<item><persname>Freudenheim, Adam</persname> (<corpname>Penguin
					[Firm]</corpname>)--27.10</item>
				<item><persname>Galassi, Jonathan</persname> (<corpname>Farrar, Straus &amp;
						Giroux</corpname>)--16.3, 34.4</item>
				<item><persname>Galloway, Janice</persname>--33.3</item>
				<item><persname>Garrison, Nicholas</persname> (<corpname>Doubleday &amp;
						Company, inc.</corpname>)--15.2, 16.3</item>
				<item><persname>Gatenby, Greg</persname>--33.3</item>
				<item><persname>Gee, Maggie, 1948-</persname> --19.7, 33.3</item>
				<item><persname>Geller, Leslie</persname>--1.1</item>
				<item><persname>Gibbs, E. P.</persname>--33.3</item>
				<item><persname>Glusman, John</persname> (<corpname>Farrar, Straus &amp;
					Giroux</corpname>; <corpname>MacMillan Publishing</corpname>)--9.2, 9.8, 10.7,
					16.3, 23.8, 24.1</item>
				<item><persname>Godwin, David</persname> (<corpname>Heinemann [Firm]</corpname>;
						<corpname>David Godwin Associates</corpname>)--7.4, 16.3, 34.1, 34.4</item>
				<item><persname>Gole, Rita</persname>--34.6</item>
				<item><persname>Goodman, Stephen</persname> (<corpname>Tour de
					Sport</corpname>)--33.3, 34.6</item>
				<item><persname>Gordon, Giles, 1940-2003</persname> (<corpname>Anthony Sheil
						Associates Ltd</corpname>)--7.4, 7.7</item>
				<item><persname>Gould, Alan, 1949-</persname> --33.3</item>
				<item><persname>Graham, Jacqui</persname> (<corpname>Picador</corpname>)--34.1</item>
				<item><title render="italic">Granta</title> (<persname>Buford,
					Bill</persname>)--7.4, 33.3</item>
				<item><persname>Gray, Dominic</persname> (<corpname>Opera North</corpname>)--27.9</item>
				<item><persname>Green, D. L.</persname>--33.3</item>
				<item><persname>Green, John and Liz</persname>--34.6</item>
				<item><persname>Groves, P.</persname>--33.3</item>
				<item><title render="italic">The Guardian</title>--20.3, 33.3, 34.4</item>
				<item><persname>Gurria-Quintana, Angel</persname> (<title render="italic">Financial
						Times</title> [London, England])--33.3</item>
				<item><persname>H_____</persname>--33.4</item>
				<item><persname>H_____, Sue</persname>--33.4</item>
				<item><persname>Halcrow, J. M.</persname> (<title render="italic">Daily Telegraph</title> [London, England])--30.4</item>
				<item><persname>Hall, Dave</persname>--33.4</item>
				<item><persname>Hamilton, Genesta, Lady, 1899-</persname> --33.4</item>
				<item><persname>Handy, Sam</persname>--27.5</item>
				<item><persname>Hankin, Ray</persname> (<corpname>Fleet PR</corpname>)--33.4</item>
				<item><persname>Hans, Gautam</persname> (<corpname>Vintage/Anchor
					Books</corpname>)--34.4</item>
				<item><persname>Hardy, Christine</persname>--33.4</item>
				<item><persname>Harper, Ethel &amp; Aubrey</persname>--33.1</item>
				<item><persname>Harris, LauriJean</persname>--16.8</item>
				<item><persname>Harrison, D.</persname>--33.4</item>
				<item><persname>Harrison, G. K.</persname>--33.4</item>
				<item><persname>Hart, Colin A.</persname> (<corpname>Chartered Institute of Loss
						Adjusters</corpname>)--33.4</item>
				<item><persname>Hart, David, 1940-</persname> --34.6</item>
				<item><persname>Harvey, Kate</persname> (<corpname>Picador</corpname>)--34.4</item>
				<item><corpname>Hay Festival</corpname> (<persname>Purcell, Clare</persname>)--40.5</item>
				<item><corpname>Heinemann (Firm)</corpname>--7.4, 7.7</item>
				<item><persname>Hewitt, Andrew</persname> (www.jim-crace.com)--16.3, 28.1, 33.4,
					34.6</item>
				<item><persname>Heylin, Liam</persname>--33.4</item>
				<item><persname>Hodes, Aubrey</persname>--34.6</item>
				<item><persname>Holland, Frank</persname> (<corpname>BBC
					Publications</corpname>)--29.9</item>
				<item><persname>Hooker, Ginny</persname> (<title render="italic">The
					Guardian</title>)--20.3, 34.4</item>
				<item><persname>Hope, Christopher</persname>--7.7</item>
				<item><persname>Hopkins, Chris, 1960-</persname> (<corpname>Sheffield Hallam
						University</corpname>)--33.4</item>
				<item><persname>Hornsby, Gabe</persname> (<corpname>British Broadcasting
					Corporation</corpname>)--33.4</item>
				<item><persname>Hoselitz, A_____</persname>--34.6</item>
				<item><persname>Houlihan, Vivienne</persname>--34.6</item>
				<item><persname>Hoult, Sophie</persname> (<corpname>David Godwin
					Associates</corpname>)--28.1, 34.4</item>
				<item><persname>Howard, Maurice</persname>--33.1</item>
				<item><persname>Hudson, Liz and Jim</persname>--33.4</item>
				<item><corpname>Hudson’s Bookshop</corpname> (<persname>Hornby, W.
					P.</persname>)--33.1</item>
				<item><corpname>Hugh Howard &amp; Paul Tain Solicitors</corpname>--33.4</item>
				<item><persname>Hulse, Michael, 1955-</persname> (<title render="italic">The Warwick
						Review</title>)--33.4</item>
				<item><persname>Humphrey, Ivy</persname>--33.1</item>
				<item><persname>Humphreys, Raymond</persname>--34.6</item>
				<item><persname>Hyman, Saul</persname>--19.7</item>
				<item><persname>Hynes, James (<emph render="doublequote"
					>Jim</emph>)</persname>--1.1, 33.4</item>
				<item><title render="italic">Independent on Sunday</title> (<persname>Morrison,
						James, 1971- </persname>)--40.5</item>
				<item><persname>Inger, David</persname>--33.1</item>
				<item><corpname>International IMPAC Dublin Literary Award</corpname>
						(<persname>Ellis-King, Deirdre</persname>)--33.4</item>
				<item><title render="italic">Island</title> (<persname>_____,
					Cassandra</persname>)--33.4</item>
				<item><persname>James, Pedr</persname> (<corpname>British Broadcasting
					Corporation</corpname>)--33.2</item>
				<item><persname>Johnson, Adrian</persname>--33.4</item>
				<item><persname>Johnson, Charles Richard, 1948-</persname> --10.7</item>
				<item><persname>Jones, Tobias</persname> (<title render="italic">London Review of
						Books</title>)--19.7</item>
				<item><persname>Jordan, Justine</persname> (<title render="italic">The
					Guardian</title>)--33.3</item>
				<item><corpname>Justice Peace and Race Commission</corpname> (<persname>Spear,
						Susanna</persname>)--33.4</item>
				<item><persname>K_____, Sara</persname>--34.6</item>
				<item><persname>Kaye, Matt</persname> (<corpname>Farrar, Straus &amp;
					Giroux</corpname>)--33.4</item>
				<item><persname>Keitz, J.</persname>--34.6</item>
				<item><persname>Kelley, Harry</persname>--34.6</item>
				<item><persname>Kelly, Lorna</persname>--34.6</item>
				<item><persname>Kendall-Carpenter, Tim</persname>--33.4</item>
				<item><persname>Kent, Barbara</persname> (<corpname>University of
					Birmingham</corpname>)--37.3</item>
				<item><persname>Ketteridge, Robert</persname> (<corpname>BBC Arts
					Radio</corpname>)--27.1, 27.5</item>
				<item><persname>Kidd, Andrew</persname> (<corpname>Macmillan</corpname>)--15.2,
					16.3, 34.4</item>
				<item><persname>Kilburn, Mark</persname>--33.4</item>
				<item><persname>Kohler, Marion</persname> (<corpname>Karl Blessing
					Verlag</corpname>)--16.3</item>
				<item><persname>Koromilas, Kathryn</persname>--33.4</item>
				<item><persname>Kotzas, Helene</persname>--34.6</item>
				<item><persname>Kramer, Sherry</persname>--37.6</item>
				<item><persname>Kriegsmann, Thomas</persname>--34.5</item>
				<item><persname>Krum, Gerald A.</persname>--34.6</item>
				<item><persname>Lacey, Tony</persname> (<corpname>Penguin [Firm]</corpname>)--9.8,
					16.3, 19.7, 34.4</item>
				<item><persname>Lander, Leena, 1955-</persname> --34.6</item>
				<item><persname>Landestoy, Xavier</persname>--33.4</item>
				<item><persname>Larkin, Philip Arthur</persname> (<corpname>University of
					Hull</corpname>)--33.4</item>
				<item><persname>Laughton, Roger</persname> (<corpname>British Broadcasting
						Corporation</corpname>)--33.2</item>
				<item><persname>Lee, Stevie</persname> (<corpname>Contagious
					Films</corpname>)--36.10</item>
				<item><persname>Lesniak, Alicja</persname>--24.1</item>
				<item><persname>Levell, Katie</persname> (<corpname>David Godwin
					Associates</corpname>)--26.2</item>
				<item><persname>Leventhal, Colin </persname>(<corpname>British Broadcasting
						Corporation</corpname>)--33.2</item>
				<item><persname>Leynaud, Maryse</persname>--19.7</item>
				<item><corpname>Linda Seiffert Literary Agent</corpname> (<persname>Lyndo,
					Deirdre</persname>)--33.4</item>
				<item><persname>Linder, Noel</persname>--33.4</item>
				<item><title render="italic">The Listener</title> (<persname>_____,
					Denis</persname>)--33.4</item>
				<item><persname>Lodge, David, 1935-</persname> --7.4, 7.7, 33.4</item>
				<item><title render="italic">London Review of Books</title> (<persname>Wilmers,
						Mary-Kay</persname>)--33.4</item>
				<item><persname>Lopat, Bruno</persname>--34.6</item>
				<item><persname>Lopez, Barry Holstun, 1945-</persname> --33.4</item>
				<item><persname>Lopez, Suzanne</persname>--34.6</item>
				<item><title render="italic">Los Angeles Times</title> (<persname>Ulin, David
					L.</persname>)--33.4</item>
				<item><persname>Lyndon, Deirdre</persname> (<title render="italic">The Radio
					Times</title>, <title render="italic">Telegraph Sunday Magazine</title>)--34.1-2</item>
				<item><persname>Lyon, Ron</persname>--33.4</item>
				<item><corpname>mac (Arts centre) (Midlands Arts Centre)
						</corpname>(<persname>Pearson, B. W. E.</persname>)--34.1</item>
				<item><persname>McArn, Jeffrey</persname> (<corpname>Hamilton
					College</corpname>)--34.6</item>
				<item><persname>McCormack, Emma</persname> (<corpname>University of Warwick. Arts
						Centre.</corpname>)--26.3</item>
				<item><persname>McGrath, Patrick, 1950- </persname>--19.7</item>
				<item><persname>Maciejewska, El&#380;bieta</persname>--34.1</item>
				<item><persname>McLachlan, Kirsty</persname> (<corpname>David Godwin
					Associates</corpname>)--16.3, 27.9, 34.5</item>
				<item><persname>McLarty, Janet</persname> (<corpname>British Broadcasting
						Corporation</corpname>)--37.11</item>
				<item><persname>MacLehose, Koukla</persname>--26.8</item>
				<item><corpname>MacMillan Publishers</corpname>--10.7, 16.3, 19.7</item>
				<item><persname>Magnuson, James</persname> (<corpname>James A. Michener Center for
						Writers</corpname>)--34.2, 37.6</item>
				<item><persname>Mahar, Alan</persname>--34.1</item>
				<item><title render="italic">The Mail on Sunday</title> (<persname>Wadley,
					Veronica</persname>)--34.1</item>
				<item><persname>Manhire, Bill, 1946-</persname> --34.1</item>
				<item><persname>Manhire, Toby</persname> (<title render="italic">The
					Guardian</title>)--33.3</item>
				<item><persname>Marshall, Diana</persname>--34.6</item>
				<item><persname>Martin, Seamus</persname>--34.1</item>
				<item><persname>Martyr, Guy</persname>--34.1</item>
				<item><persname>Masella, Matt</persname>--34.6</item>
				<item><persname>Matthews, David</persname>--34.6</item>
				<item><persname>Mayne, Richard, 1926-2009</persname> (<title render="italic"
						>Encounter</title>)--7.4</item>
				<item><title render="italic">Mays</title> (<persname>Roark, Ryan</persname>)--34.1</item>
				<item><persname>Menski, Werner</persname>--34.1</item>
				<item><persname>Menzies, Alison</persname> (<corpname>Picador</corpname>)--34.4</item>
				<item><persname>Middhlar, C. W. Swetz van</persname>--34.6</item>
				<item><persname>Millar, Andy</persname>--28.1</item>
				<item><persname>Miller, Kevin</persname>--34.5</item>
				<item><persname>Miller, Peter</persname> (<corpname>Bloomsbury
					[Firm]</corpname>)--34.1</item>
				<item><persname>Minney, Primrose</persname> (<title render="italic">Sunday
					Times</title> [London, England : 1931])--28.1</item>
				<item><persname>Miyahara, Kazunari</persname>--34.1</item>
				<item><persname>Monte, Dan</persname>--34.1</item>
				<item><persname>Morgan, Myfanwy</persname>--34.6</item>
				<item><persname>Morrison, Tina</persname>--34.6</item>
				<item><persname>Moss, Elaine</persname>--34.6</item>
				<item><persname>Moss, Stephen, 1960-</persname> (<corpname>British Broadcasting
						Corporation</corpname>)--34.1</item>
				<item><persname>Murray, P.</persname>--34.1</item>
				<item><persname>Myers, John</persname> (<corpname>Tern Productions</corpname>)--34.5</item>
				<item><persname>Myerson, Julie</persname>--5.7, 26.2, 34.1</item>
				<item><corpname>Nan A. Talese Doubleday</corpname>--15.5, 16.3, 34.4</item>
				<item><persname>Naparstek, Ben</persname>--16.3, 27.10</item>
				<item><corpname>Nestl&#233; UK Ltd.</corpname> (Parsons, Hilary)--40.5</item>
				<item><title render="italic">The New Review</title> (<persname>Hamilton, Ian,
						1938-2001</persname>; <persname>Gowrie, Xandra</persname>)--34.1</item>
				<item><title render="italic">New Statesman</title> (<persname>Binding,
					Paul</persname>)--34.1</item>
				<item><title render="italic">New York Magazine</title>--34.1</item>
				<item><persname>New York Public Library</persname> (<persname>Spyros,
					Marsha</persname>)--19.7</item>
				<item><title render="italic">News and observer</title>, Raleigh, N.C.
						(<persname>Zane, Peder J.</persname>)--34.1</item>
				<item><persname>Nicholson, Cathy</persname>--34.1</item>
				<item><corpname>North Tyneside (England). Metropolitan Borough Council</corpname>
						(<persname>Hipkin, John</persname>)--34.1</item>
				<item><persname>O’Farrell, John</persname>--34.1</item>
				<item><persname>&#211; Floinn, Aodaoin</persname> (<corpname>Farrar, Straus
						&amp; Giroux</corpname>)--9.3, 25.6</item>
				<item><persname>O’Brien, Jim</persname>--33.1</item>
				<item><persname>O’Connell, Helen</persname>--34.6</item>
				<item><persname>Ognjenovic, Vujica</persname> (<title render="italic"
					>Vijesti</title>)--34.1, 37.10</item>
				<item><persname>Olcoy, Lynn</persname>--34.1</item>
				<item><corpname>One World Week</corpname> (<persname>Barnes,
					Sylvia</persname>)--34.1</item>
				<item><persname>Orme, Hazel</persname>--5.7, 26.2</item>
				<item><persname>Orth-Guttmann, Renate</persname>--34.1</item>
				<item><persname>Osman, Elnur</persname>--33.1</item>
				<item><corpname>Oxfam</corpname> (<persname>Tilley, Alex</persname>)--40.5</item>
				<item><title render="italic">The Paris Review</title> (<persname>Carr,
					Ryan</persname>)--34.1</item>
				<item><persname>Parks, A. H.</persname>--27.11</item>
				<item><persname>Parry, David</persname>--34.6</item>
				<item><persname>Payne-Myers, Diana</persname>--34.1</item>
				<item><persname>Pearce, Ivor</persname>--34.1</item>
				<item><corpname>Penguin (Firm)</corpname>--5.7, 9.5, 9.8, 16.3, 19.7, 23.3, 24.1,
					26.2, 27.10, 34.1, 34.4</item>
				<item><persname>Perham (Garton), Janet</persname>--34.6</item>
				<item><persname>Perreault, Russell</persname> (<corpname>Vintage/Anchor
					Books</corpname>)--34.4</item>
				<item><persname>Perril, Simon</persname>--34.1</item>
				<item><persname>Peve, Tom</persname>--33.1</item>
				<item><corpname>Picador</corpname>--7.3, 19.7, 23.3, 34.1</item>
				<item><persname>Pichumani, S.</persname>--34.6</item>
				<item><persname>Plowright, Piers</persname> (<corpname>British Broadcasting
						Corporation</corpname>)--33.2</item>
				<item><persname>Pobe, Judith</persname>--34.6</item>
				<item><persname>Pope, Dan, 1961-</persname> --34.6</item>
				<item><persname>Poppy, Donna</persname>--16.3</item>
				<item><persname>Proctor, Minna</persname> (<title render="italic">Bomb</title> [New
					York, N.Y.])--19.7</item>
				<item><title render="italic">Publishing News</title> (Stamford, Ct.)
						(<persname>Newman, Fred</persname>)--34.1</item>
				<item><persname>Pullinger, Kate</persname>--34.1</item>
				<item><title render="italic">Quarto</title> (<persname>_____Craig</persname>;
						<persname>Ryle, John</persname>)--34.1</item>
				<item><persname>Quinn, Alison</persname>--28.1</item>
				<item><persname>Raban, Jonathan</persname>--34.1</item>
				<item><title render="italic">The Radio Times</title>--34.1</item>
				<item><persname>Raine, Maureen</persname>--28.1</item>
				<item><persname>Ramnarayan, Gowri</persname>--34.6</item>
				<item><persname>Rankin, J. K.</persname> (<title render="italic">Telegraph Sunday
						Magazine</title>)--34.2</item>
				<item><persname>Ransley, Peter</persname>--34.1</item>
				<item><persname>Rapai&#263;, Gordana</persname>--41.9</item>
				<item><persname>Rapaport, David</persname> (<corpname>Mali Finn
					Casting</corpname>)--34.5</item>
				<item><persname>Reeves, Dave</persname>--34.6</item>
				<item><persname>Reinheimer, Gigi</persname>--9.8</item>
				<item><persname>Rendall, Penny</persname>--34.6</item>
				<item><persname>Rhodes, Chloe</persname> (<title render="italic">Daily
					Telegraph</title> [London, England])--33.3</item>
				<item><persname>Rice, Mick</persname>--34.6</item>
				<item><persname>Rigby, Terence</persname>--34.1</item>
				<item><persname>Roberts, David</persname> (<corpname>University of Central England
						Birmingham</corpname>)--34.1</item>
				<item><persname>Rogers, Colin</persname> (<corpname>British Broadcasting
					Corporation</corpname>)--33.2</item>
				<item><persname>Rogoyska, Jane</persname>--34.5</item>
				<item><persname>Rolfe, Michael</persname> (<corpname>British Broadcasting
						Corporation</corpname>)--33.2</item>
				<item><persname>Rolls, Ralph</persname> (<corpname>British Broadcasting
					Corporation</corpname>)--33.2</item>
				<item><persname>Rosen, Jonathan, 1963-</persname> --34.1</item>
				<item><persname>Rosenheim, Andrew</persname> (<corpname>Penguin
					[Firm]</corpname>)--5.7</item>
				<item><persname>Roughley, Tom</persname>--34.6</item>
				<item><persname>Rouse, Steve</persname>--34.1</item>
				<item><corpname>Routledge</corpname>--34.1</item>
				<item><corpname>Routledge &amp; Kegan Paul</corpname> (<persname>Godwin,
					David</persname>)--34.1</item>
				<item><persname>Roy, Alan</persname>--7.4</item>
				<item><corpname>Royal Society of Literature (Great Britain)</corpname>
						(<persname>Parham, Maggie</persname>)--34.1</item>
				<item><persname>Rushdie, Salman</persname>--34.1</item>
				<item><persname>Ryle, John</persname>--10.2, 34.1-2</item>
				<item><persname>Sacks, Oliver W.</persname>--3.5, 34.2</item>
				<item><persname>Sadler, Mark</persname>--34.2</item>
				<item><persname>Saunders, H. de Beaufort</persname>--34.2</item>
				<item><persname>Schmitz, Carol</persname>--34.6</item>
				<item><persname>Scott, Mary</persname>--34.2</item>
				<item><persname>Shah, Haroum</persname>--33.1</item>
				<item><persname>Shamberg, Michael</persname>--34.2</item>
				<item><persname>Shannon, Roger</persname>--34.2, 34.5</item>
				<item><persname>Sharp, Kim T.</persname>--11.4</item>
				<item><persname>Shawe-Taylor, Desmond, 1955-</persname> (<corpname>Dulwich Picture
						Gallery</corpname>)--34.6</item>
				<item><persname>Shiffler, Stacy</persname>--33.4</item>
				<item><persname>Shipster, Katya</persname> (<corpname>David Godwin
					Associates</corpname>)--16.3, 34.4</item>
				<item><persname>Siempelkamp, Alice</persname> (<title render="italic">House
						&amp; Garden</title> [New York])--27.10</item>
				<item><persname>Simmons, M.</persname>--34.2</item>
				<item><corpname>Slalom Committee</corpname> (<persname>Munro,
					Jennifer</persname>)--34.2</item>
				<item><persname>Slater, Daniel</persname> (<corpname>Amazon.com
					[Firm]</corpname>)--16.8</item>
				<item><persname>Smith, Chris</persname>--34.6</item>
				<item><persname>Smith, P. A.</persname> (<corpname>National Westminster Bank
					Ltd</corpname>)--34.2</item>
				<item><persname>Smyth, Bob</persname> (<title render="italic">The Radio
					Times</title>)--34.1</item>
				<item><persname>Snell, Stephen</persname>--34.6</item>
				<item><persname>Snelling, Ian</persname>--34.6</item>
				<item><title render="italic">Socialist Challenge</title> (<persname>Etkind,
					Roger</persname>)--34.2</item>
				<item><corpname>Society of Authors (Great Britain)</corpname> (<persname>Le Fanu,
						Mark</persname>)--34.2</item>
				<item><persname>Sodeau, Lilian</persname>--34.6</item>
				<item><persname>Solotaroff, Ted, 1928-2008</persname> (<corpname>Harper &amp;
						Row, Publishers</corpname>)--7.7</item>
				<item><persname>Somger, Richard</persname>--34.2</item>
				<item><persname>Soole, Richard</persname>--39.7</item>
				<item><title render="italic">Springfield news-leader</title> (Springfield, Mo.:
					1991) (<persname>Bridges, Amos</persname>)--37.10</item>
				<item><persname>Squires, Debra Lillistone</persname> (<corpname>Medical
					Foundation</corpname>)--24.1</item>
				<item><corpname>St. James Press</corpname> (<persname>Henderson,
					Lesley</persname>)--37.12</item>
				<item><persname>Stambler, Kirk</persname>--34.5</item>
				<item><persname>Steadman, Susan (<emph render="doublequote"
					>Sue</emph>)</persname>--16.3, 34.6</item>
				<item><persname>Stephenson, Gilbert</persname>--34.2</item>
				<item><persname>Sterling, Michael John Howard</persname> (<corpname>University of
						Birmingham</corpname>)--37.3</item>
				<item><persname>Stoland, Laura N.</persname> (<corpname>American Academy of Arts and
						Letters</corpname>)--36.9</item>
				<item><persname>Stoppard, Tom</persname>--34.2</item>
				<item><persname>Strachan, Pat</persname> (<corpname>Time Warner Book Group - Little,
						Brown and Company</corpname>)--16.3</item>
				<item><corpname>Strathclyde Community Relations Council</corpname> (<persname>Akram,
						M.</persname>)--34.2</item>
				<item><persname>Straus, Peter</persname> (<corpname>Picador</corpname>)--23.3</item>
				<item><persname>Straus, Roger W. (Roger Williams), 1917-2004</persname>
						(<corpname>Farrar, Straus &amp; Giroux</corpname>)--9.8</item>
				<item><persname>Summerhayes, Cathryn</persname> (<corpname>David Godwin
					Associates</corpname>)--16.3, 34.4</item>
				<item><title render="italic">Sunday Times</title> (London, England : 1931)--28.1,
					34.2</item>
				<item><persname>Swift, Graham, 1949-</persname> --34.2</item>
				<item><persname>Talese, Nan A.</persname> (<corpname>Nan A. Talese
					Doubleday</corpname>)--16.3, 16.9, 34.4</item>
				<item><persname>Taylor, Rosemary</persname>--34.2</item>
				<item><title render="italic">Telegraph Sunday Magazine</title>--34.2</item>
				<item><persname>Tennant, Emma</persname> (<title render="italic"
					>Bananas</title>)--34.2</item>
				<item><persname>Tew, Philip</persname> (<corpname>University College
					Northampton</corpname>)--16.3, 41.11</item>
				<item><persname>Thompson, Christina</persname> (<title render="italic">Harvard
						Review</title>)--27.5</item>
				<item><persname>Thomson, Trudie</persname>--34.6</item>
				<item><persname>Thrift, Nigel</persname> (<corpname>University of
					Warwick</corpname>)--34.2</item>
				<item><title render="italic">Times Literary Supplement</title> (<persname>Treglown,
						Jeremy</persname>)--34.2</item>
				<item><persname>T&#243;ib&#237;n, Colm, 1955-</persname> --34.2</item>
				<item><persname>Toney, Geoffrey</persname>--34.2</item>
				<item><persname>Treglown, Jeremy</persname> (<corpname>University of
					Warwick</corpname>)--34.2</item>
				<item><persname>Tremain, Rose</persname>--34.2</item>
				<item><persname>Tristram, Claire</persname>--34.2</item>
				<item><persname>Truskawecka, Krysia</persname>--34.6</item>
				<item><persname>Tupholme, Iris</persname> (<corpname>HarperCollins
					[Firm]</corpname>)--16.3</item>
				<item><persname>Turner, Zelda</persname> (<corpname>Penguin
					[Firm]</corpname>)--24.1, 34.4</item>
				<item><persname>Turton, Pamela</persname>--33.1</item>
				<item><title render="italic">TV Times</title> (<persname>Browne,
					Julian</persname>)--34.2</item>
				<item><title render="italic">Ukula</title> (<persname>Haramis,
					Nick</persname>)--34.2</item>
				<item><corpname>University of Birmingham</corpname>--37.3</item>
				<item><corpname>University College Hospital</corpname> (London, England)
						(<persname>Knight, R.</persname>)--33.1</item>
				<item><corpname>University of Central England in Birmingham</corpname>--34.1-2, 37.5</item>
				<item><corpname>University of Iowa, Iowa Writers’ Workshop</corpname>--19.7, 34.2</item>
				<item><corpname>University of Texas, James A. Michener Center for
					Writers</corpname>--34.2, 37.6</item>
				<item><corpname>University of Warwick</corpname>--34.2</item>
				<item><corpname>University of Wolverhampton</corpname>--34.2</item>
				<item><persname>Urstadt, Susan P.</persname>--7.8</item>
				<item><persname>Vasconcellos, John</persname>--34.6</item>
				<item><persname>Verroest, Delphine</persname>--34.2</item>
				<item><persname>Villegas, Penny</persname>--34.6</item>
				<item><persname>Vollmer, Matthew</persname> (<corpname>Iowa Writers’
					Workshop</corpname>)--34.2</item>
				<item><persname>Wadley, Veronica</persname> (<title render="italic">Telegraph Sunday
						Magazine</title>)--34.2</item>
				<item><persname>Walden, Betty</persname>--33.1</item>
				<item><persname>Walsh, Brendan P., 1955-</persname> --34.3</item>
				<item><corpname>Wandsworth School</corpname> (<persname>Howard, A.
					E.</persname>)--33.1</item>
				<item><persname>Ward, Rosie</persname>--34.6</item>
				<item><persname>Warwick, Paul</persname> (<corpname>The John Osborne Arvon
					Centre</corpname>)--10.1</item>
				<item><title render="italic">Washington Post</title> (1877) (<persname>Charles,
					Ron</persname>)--34.3</item>
				<item><persname>Watanabe, Toshio</persname>--34.3</item>
				<item><corpname>Waterstone &amp; Co.</corpname> (<persname>Blackstock,
					Matt</persname>)--34.3</item>
				<item><persname>Watts, Helen</persname>--27.11</item>
				<item><persname>Weldon, Tom</persname> (<corpname>Penguin [Firm]</corpname>)--26.2,
					34.4</item>
				<item><persname>Werrett, Ian C.</persname> (<corpname>Saint Martin’s
					University</corpname>)--34.3</item>
				<item><persname>West, Deborah L.</persname> (<corpname>Iowa Writers’
					Workshop</corpname>)--34.2</item>
				<item><persname>Wheeler, Justin</persname> (<corpname>Vashon Films
					[Firm]</corpname>)--34.5</item>
				<item><persname>Whitburn, Vanessa</persname> (<corpname>British Broadcasting
						Corporation</corpname>)--33.2 </item>
				<item><persname>Wild, Peter, 1972-</persname> (<corpname>Bookmunch</corpname>)--34.3</item>
				<item><persname>Williams, Elizabeth Lewis</persname>--34.6</item>
				<item><persname>Williams, Gerwyn Lloyd</persname>--34.3</item>
				<item><persname>Wilson, Leigh</persname>--34.3</item>
				<item><persname>Wilson, Vincent</persname>--34.3</item>
				<item><persname>Windham, Margaret</persname> (<corpname>British Broadcasting
						Corporation</corpname>)--33.2</item>
				<item><persname>Windsor, Stuart</persname>--28.1</item>
				<item><persname>Witte, George</persname> (<corpname>Picador USA</corpname>)--19.7</item>
				<item><persname>Wood, Harriet Harvey, 1934-</persname> --34.6</item>
				<item><persname>Wordsworth, L.</persname>--34.3</item>
				<item><persname>Wright, Annabel</persname> (<corpname>HarperCollins
					[Firm]</corpname>)--27.10</item>
				<item><persname>Wright, Daryl</persname>--34.6</item>
				<item><persname>Wright, Dorothy</persname>--34.6</item>
				<item><persname>Wright, Elizabeth</persname> (<corpname>Heinemann
					[Firm]</corpname>)--7.7</item>
				<item><persname>Wright, Mrs. R.</persname>--7.4</item>
				<item><persname>Wroe, Nick</persname>--34.6</item>
				<item><persname>Wronoski, John W.</persname> (<corpname>Lame Duck
					Books</corpname>)--34.3, 37.6</item>
				<item><persname>Yardley, Janet</persname>--34.3</item>
				<item><persname>Zeff, [Candia?]</persname> (<corpname>Heinemann
					[Firm]</corpname>)--7.4</item>
				<item><persname>Unidentified/Unsigned</persname>--33.1, 34.3, 34.6</item>
				<item><persname>_____Adrian</persname> (<corpname>West Midlands
					Arts</corpname>)--34.6</item>
				<item><persname>_____Alan</persname>--34.6</item>
				<item><persname>_____Alastair</persname>--33.2</item>
				<item><persname>_____Birdie</persname>--33.2</item>
				<item><persname>_____Charly</persname>--33.1</item>
				<item><persname>_____Colin</persname>--33.2</item>
				<item><persname>_____Diane and Kent</persname>--33.1</item>
				<item><persname>_____‘Doc’</persname>--33.1</item>
				<item><persname>_____Fred</persname>--33.3</item>
				<item><persname>_____Gail</persname>--33.3</item>
				<item><persname>_____Gill</persname>--33.3</item>
				<item><persname>_____Harold</persname>--33.4</item>
				<item><persname>_____Jenny</persname>--33.4</item>
				<item><persname>_____Jonathan</persname> (<corpname>British
					Council</corpname>)--33.4</item>
				<item><persname>_____Juliet</persname> (<corpname>Penguin [Firm]</corpname>)--5.7</item>
				<item><persname>_____Kate</persname>--19.7</item>
				<item><persname>_____Kate</persname> (<corpname>Picador</corpname>)--7.3</item>
				<item><persname>_____Katherine</persname>--33.4</item>
				<item><persname>_____Kent</persname>--33.4</item>
				<item><persname>_____L</persname>--33.4</item>
				<item><persname>_____Maggie</persname>--5.7</item>
				<item><persname>_____Margaret</persname>--23.3</item>
				<item><persname>_____Mark</persname>--34.1</item>
				<item><persname>_____Pat</persname>--34.1</item>
				<item><persname>_____Peter</persname>--34.6</item>
				<item><persname>_____Ray</persname> (<corpname>Ruddick Tours
					Information</corpname>)--34.1</item>
				<item><persname>_____Simon</persname> (<corpname>Updates
					Conferences</corpname>)--34.6</item>
				<item><persname>_____William</persname>--5.7</item>
				<item><persname>_____Yasmin and Gil</persname>--34.3</item>
			</list>
		</odd>

		<odd type="index">
			<head>Index of Works Not Already Listed</head>
			<list>
				<item><title render="doublequote">Acting Armageddon</title>--32.5</item>
				<item><title render="doublequote">Action Stations</title>--30.6, 32.5</item>
				<item><title render="doublequote">Acts of Repossession</title>--30.7, 32.5</item>
				<item><title render="doublequote">African Collisions</title>--30.7, 32.5</item>
				<item>[Alice Howells]--37.13</item>
				<item><title render="doublequote">Ambassadors of Song</title>--32.8</item>
				<item><title render="doublequote">Andy with His Pen</title>--32.3</item>
				<item><title render="doublequote">Annie, California Plates</title>--32.4</item>
				<item><title render="doublequote">Autobiology</title>--30.7, 32.4, 46</item>
				<item><title render="doublequote">The Bazaar on the Corner</title>--30.6, 32.3</item>
				<item><title render="doublequote">Big Noise with a Recorder</title>--30.6, 32.2</item>
				<item><title render="doublequote">Birmingham</title>--30.6, 32.1</item>
				<item><title render="doublequote">Blight of the Ages</title>--32.1</item>
				<item><title render="doublequote">A Book that Changed Me</title>--37.12</item>
				<item><title render="doublequote">Books about Islands</title>--37.12</item>
				<item><title render="doublequote">Bookshop</title>--37.12</item>
				<item><title render="doublequote">The Boys in the Hills</title>--30.7, 32.6, 32.9</item>
				<item><title render="doublequote">Brave New Campus</title>--32.7</item>
				<item><title render="doublequote">Breaking the Silence</title>--32.5</item>
				<item><title render="doublequote">A British Firm Goes Dutch</title>--32.9</item>
				<item>[Bronowski Memorial Lecture]--32.9</item>
				<item><title render="doublequote">Brothers in Work</title>--32.4</item>
				<item><title render="doublequote">Building Reality out of a Dream</title>--30.6,
					32.8</item>
				<item><title render="doublequote">Can You Make a Movie?</title>--32.5</item>
				<item><title render="doublequote">Cavalier Attitudes</title>--32.5</item>
				<item><title render="doublequote">The Century’s Greatest Failures</title>--37.12</item>
				<item><title render="doublequote">Checking the Candelabra</title>--32.1</item>
				<item><title render="doublequote">Chernobyl Comes to Paradise</title>--46</item>
				<item><title render="doublequote">Classics for Pleasure</title>--30.6</item>
				<item><title render="doublequote">A Clean Liver</title>--32.5</item>
				<item><title render="doublequote">The Cold-Eyed Terrors</title>--30.7, 32.5</item>
				<item><title render="doublequote">Comedy of Terrors</title>--32.8</item>
				<item><title render="doublequote">Coming Out Fighting</title>--46</item>
				<item><title render="doublequote">Cool and his Gang</title>--32.1</item>
				<item><title render="doublequote">Could Their Name Be Your Game?</title>--32.1</item>
				<item><title render="doublequote">Courtship Conga</title>--32.5</item>
				<item><title render="doublequote">Coventry-Surviving the Blitz but Back in the
					Wars</title>--32.4</item>
				<item><title render="doublequote">Crazy Lights</title>--32.8</item>
				<item><title render="doublequote">Crooks’ Tour of Your Castle</title>--32.4</item>
				<item><title render="doublequote">Cross-Country</title>--32.4</item>
				<item><title render="doublequote">Dark Horses of the Chalk</title>--30.6, 32.8</item>
				<item><title render="doublequote">Days of Hunger</title>--32.6</item>
				<item><title render="doublequote">Dedicated to Surgery’s Daily Drama</title>--30.6,
					32.2</item>
				<item><title render="doublequote">Derby Days in Germany</title>--32.6</item>
				<item><title render="doublequote">Devoted to Being a Star</title>--30.6, 32.1</item>
				<item><title render="doublequote">Different but Effective? Five Schools and What
						they Offer?</title>--32.3</item>
				<item><title render="doublequote">Dilemma of Bond’s Girl’s</title>--32.1</item>
				<item><title render="doublequote">Drowning in Style</title>--32.5</item>
				<item><title render="doublequote">Dusk Jackets</title>--30.7, 32.4, 46</item>
				<item><title render="doublequote">Electric Shockers</title>--32.9</item>
				<item><title render="doublequote">Electricity</title>--32.1</item>
				<item><title render="doublequote">Elegant Restoration</title>--30.6, 32.6</item>
				<item><title render="doublequote">Eleven at No. 10</title>--32.5</item>
				<item><title render="doublequote">Elsie’s War</title>--32.2</item>
				<item><title render="doublequote">English Music of the Twentieth
					Century</title>--37.12</item>
				<item><title render="doublequote">The English Rose of Texas</title>--32.2</item>
				<item><title render="doublequote">Everybody’s Favourite Stuntman</title>--32.6</item>
				<item><title render="doublequote">Family Misfortunes</title>--32.1</item>
				<item><title render="doublequote">Fast Wheels of Fortune</title>--32.9</item>
				<item><title render="doublequote">Fecund but Flavourless</title>--30.7, 32.1</item>
				<item><title render="doublequote">The Ferry Tale Unfolds</title>--32.5</item>
				<item><title render="doublequote">…a figment of his childhood</title>--32.2</item>
				<item><title render="doublequote">Finding the Time to be Nasty</title>--30.7, 32.9</item>
				<item><title render="doublequote">Flying Scot</title>--32.9</item>
				<item>[For Amazon.com]--37.12</item>
				<item><title render="doublequote">For Some, Home is Where the Boat Is</title>--32.2</item>
				<item><title render="doublequote">Franzl’s Austrian Restaurant</title>
					(review)--32.5</item>
				<item><title render="doublequote">From Coronets to Choristers</title>--32.5</item>
				<item><title render="doublequote">From the Middle Ground</title>--32.1</item>
				<item><title render="doublequote">From Russia with Poems</title>--32.2</item>
				<item><title render="doublequote">From Singing Waitress to Prima Donna</title>--32.5</item>
				<item><title render="doublequote">Full Tilt into the Future: Inside the
					Apt</title>--32.9</item>
				<item><title render="doublequote">Funny Folk</title>--32.6</item>
				<item><title render="doublequote">Game, Set-and Watch!</title>--32.1</item>
				<item><title render="doublequote">Give the Stars Something to Sing
					About</title>--32.5</item>
				<item><title render="doublequote">Going a Long, Long Way</title>--32.6</item>
				<item><title render="doublequote">Golden Boy of Sprinting</title>--32.5</item>
				<item><title render="doublequote">Graham Greene and the Cinema</title>--32.4</item>
				<item><title render="doublequote">The Great Holiday Test ’79: Life at the Paradise
						Pace</title>--30.6, 32.3</item>
				<item><title render="doublequote">Gums</title>--30.7, 32.4</item>
				<item><title render="doublequote">Helter Skelter, Hang Sorrow, Care’ll Kill a
					Cat</title>--32.3, 32.4, 32.6</item>
				<item><title render="doublequote">High School Subversions</title>--30.7, 32.5</item>
				<item><title render="doublequote">High Wire Heroes</title>--32.4</item>
				<item><title render="doublequote">How Do Opinion Polls Work?</title>--32.5</item>
				<item><title render="doublequote">How Many Doubles in a Yankee?</title>--30.6, 32.3</item>
				<item><title render="doublequote">How Many People Can the World Feed?</title>--32.5</item>
				<item><title render="doublequote">Hurdles Facing Women in Sport</title>--32.8</item>
				<item><title render="doublequote">I Wish I Had Written…Jim Crace on Map References
						for a Daydreamer</title>-- 37.12 </item>
				<item><title render="doublequote">In the Melting Pot</title>--30.7, 32.1</item>
				<item><title render="doublequote">In the Wake of the Argonauts</title>--32.1</item>
				<item><title render="doublequote">It Started with a Snake</title>--30.6, 32.1</item>
				<item><title render="doublequote">Jimmy Hill’s Ultimate Goal</title>--32.5</item>
				<item><title render="doublequote">Juliet Finds a Welcome in the
					Hillsides</title>--32.7</item>
				<item><title render="doublequote">The Lady Loves a Risk</title>--32.1</item>
				<item><title render="doublequote">Land of a Thousand Faces</title>--32.1</item>
				<item><title render="doublequote">The Littoral Truth</title>--32.1</item>
				<item><title render="doublequote">The Long and Unwinding Road</title>--30.6, 32.6</item>
				<item><title render="doublequote">The Long, Hard Ride Back</title>--30.6, 32.9</item>
				<item><title render="doublequote">Long-Service Guru Converts Altruism into
					Action</title>--32.4</item>
				<item><title render="doublequote">Looking at the Shelmikedmu</title>--30.7, 32.1</item>
				<item><title render="doublequote">The Loser Takes All</title>--32.5</item>
				<item><title render="doublequote">Low German High Jinks</title>--30.7, 32.9</item>
				<item><title render="doublequote">Making Waves in France</title>--32.1</item>
				<item><title render="doublequote">Malice Aforethoughts: How to Inject Some Venom
						into Your Daily Life</title> by Emile d’ell Ova--37.12-13 </item>
				<item><title render="doublequote">Meanest Nation?</title>--30.6, 32.9</item>
				<item><title render="doublequote">The Mercenaries of the World</title>--30.7, 46</item>
				<item><title render="doublequote">Migraines</title>--30.7, 32.3</item>
				<item><title render="doublequote">Misanthropy Abroad</title>--30.7, 32.8</item>
				<item><title render="doublequote">A Modern Day Clown</title>--30.6, 32.6</item>
				<item><title render="doublequote">My Hippy Paradise Postponed</title>--46</item>
				<item><title>NBCC Acceptance Speech</title>--37.12</item>
				<item><title render="doublequote">A New Bonanza on Land?</title>--32.1</item>
				<item><title render="doublequote">A New Breed of Television Tycoon?</title>--32.9</item>
				<item><title render="doublequote">No Problem Destination</title>--32.7</item>
				<item><title render="doublequote">Not So Elementary, My Dear Watson</title>--30.6,
					32.6</item>
				<item><title render="doublequote">Off-cuts</title>--30.7, 32.5</item>
				<item><title render="doublequote">Only Fade Away</title>--30.7, 32.4</item>
				<item><title render="doublequote">Opportunity Knocks for New Faces</title>--30.6,
					32.6</item>
				<item><title render="doublequote">Phizog Familiar</title>--32.2</item>
				<item><title render="italic">The Pleasure Dome: The Collected Film Criticism of
						Graham Greene</title> edited by John Russell Taylor (review)--30.7, 32.3 </item>
				<item><title render="doublequote">Plotting His Course</title>--30.6, 32.5</item>
				<item><title render="doublequote">Pop Goes the Bubble</title>--30.7, 32.4</item>
				<item><title render="doublequote">Pop Goes the Laird</title>--32.4</item>
				<item><title render="doublequote">Portrait of Elmbury 1976</title>--32.6</item>
				<item><title render="doublequote">Possessor Possessed</title>--30.7, 32.5</item>
				<item><title render="doublequote">Puffed Up with Pride</title>--32.6</item>
				<item><title render="doublequote">Putting in a Winning Paddle</title>--32.9</item>
				<item><title render="doublequote">A Puzzle in Black and White</title>--32.1</item>
				<item><title render="doublequote">Pym’s People</title>--32.8</item>
				<item><title render="italic">The Red Hourglass: Lives of the Predators</title> by
					Gordon Grice (review)-- 37.12 </item>
				<item><title render="doublequote">Refugees</title>--32.6, 46</item>
				<item><title render="doublequote">Riding the Airwaves</title>--30.6, 32.5</item>
				<item><title render="doublequote">Riding the Bow Wave</title>--32.9</item>
				<item><title render="doublequote">The Rise and Rise of Rossiter</title>--30.6, 32.5</item>
				<item><title render="doublequote">The Rot in Samoa</title>--32.8</item>
				<item><title render="doublequote">Sadness in Shabby Rooms</title>--32.8</item>
				<item><title render="doublequote">Saint Joan of Merseyside</title>--32.4</item>
				<item><title render="doublequote">Scene of Discovery</title>--32.5</item>
				<item><title render="doublequote">Scream Tests</title>--32.8</item>
				<item><title render="doublequote">The Secrets of My Success</title>--37.13</item>
				<item><title render="doublequote">See You on Judgment Day</title>--32.7</item>
				<item><title render="doublequote">Seven Ages</title>--46</item>
				<item><title render="doublequote">Shape of Success</title>--32.1</item>
				<item><title render="doublequote">Sins and Virtues</title>--46</item>
				<item><title render="doublequote">The Slimmer’s Art</title>--30.7, 32.3</item>
				<item><title render="doublequote">The Small Airlines Start to Think
					Big</title>--32.2</item>
				<item><title render="doublequote">A Social Disease</title>--30.7, 32.1</item>
				<item><title render="doublequote">Sounds in the Sunshine</title>--32.2</item>
				<item><title render="doublequote">Sounds Local</title>--32.6</item>
				<item><title render="doublequote">Sticking to the Backroads</title>--32.5</item>
				<item><title render="doublequote">Stoke Radio is Ten</title>--32.6</item>
				<item><title render="doublequote">The Stones Keep Their Secret</title>--32.8</item>
				<item><title render="doublequote">Students Set for the City</title>--32.1</item>
				<item><title render="doublequote">The Stones Keep Their Secret</title>--30.6</item>
				<item><title render="doublequote">‘A Surreal, Undignified Farce’</title>--32.5</item>
				<item><title render="doublequote">Survival of the Fittest</title>--32.8</item>
				<item><title render="doublequote">Tabloid Tactics</title>--30.6, 32.5</item>
				<item><title render="doublequote">Take Three Drug Dealers</title>--30.6, 32.6</item>
				<item><title render="doublequote">Taking Off for a New Record?</title>--32.9</item>
				<item><title render="doublequote">The Talents of ‘Parks’</title>--32.2</item>
				<item><title render="doublequote">Talking Skull</title>--46</item>
				<item><title render="doublequote">Tarka Takes the Big Screen Plunge</title>--32.3</item>
				<item><title render="doublequote">Ten Times a Hero for Britain</title>--32.5</item>
				<item><title render="doublequote">A Terrifying Power</title>--32.1</item>
				<item><title render="doublequote">That’s Life in the Forest</title>--30.6, 3.6</item>
				<item><title render="doublequote">They Fought for Potteries</title>--30.6, 32.6</item>
				<item><title render="doublequote">To Camelot by Car</title>--32.7</item>
				<item><title render="doublequote">Too Many Books?</title>--32.3</item>
				<item><title render="doublequote">Trevor Griffiths</title>--32.9</item>
				<item><title render="doublequote">Tribal Views</title>--30.7, 32.2</item>
				<item><title render="doublequote">Troy: What’s Left of the Legend</title>--30.6,
					32.1</item>
				<item><title render="doublequote">Under the Slipper</title>--30.7, 32.1</item>
				<item><title render="doublequote">A View of the Country</title>--30.6, 32.9</item>
				<item><title render="doublequote">A Vocal Battler</title>--32.7-8</item>
				<item><title render="doublequote">Voice that Stunned the Globe</title>”--32.6</item>
				<item><title render="doublequote">Waiting for the End</title>--30.7, 32.4</item>
				<item><title render="doublequote">A Walk with the Whippet</title>--30.6, 32.6</item>
				<item><title render="doublequote">Whale-Road, Dream-Road</title>--32.8</item>
				<item><title render="doublequote">What Book?</title>--37.12</item>
				<item><title render="doublequote">What Sort of Land Do We Live In?</title>--32.1</item>
				<item><title render="doublequote">What Would You Do?</title>--37.12</item>
				<item><title render="doublequote">Who Shot the Borgias?</title>--32.9</item>
				<item><title render="doublequote">Windows</title>--32.9</item>
				<item><title render="doublequote">The World with One Eye Shut</title>--32.8</item>
				<item><title render="doublequote">Zebra’s Mouth</title>--30.7, 46</item>
				<item>Untitled--37.12-13</item>
			</list>
		</odd>
	</archdesc>
</ead>
