TABLE OF CONTENTS
Scope and Contents
Restrictions
Related Material
Separated Material
Administrative Information
Description of Series
Series I. Films, 1968-2011
Series II. De Niro Projects, 1960s-2007
Series III. Early Career and Career-Related, 1960s-2005
Series I. Films, 1968-2011
Series II. De Niro Projects, 1960s-2007
Series III. Early Career and Career-Related, 1960s-2005
Index
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Robert De Niro:
A Preliminary Inventory of His Papers at the Harry
Ransom Center
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Creator: |
De Niro, Robert , 1943-
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Title: |
Robert De Niro Papers |
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Dates: |
1960s-2011 |
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Abstract: |
The Robert De Niro Papers
include scripts plus related production, publicity, and research materials for
sixty-nine films documenting De Niro's career from the 1968 film Greetings through Limitless released in 2011. A smaller amount of materials document his
early career, including stage and television work. There are also files on projects
considered and other career-related materials. |
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Call Number: |
Film Collection FI-5100 |
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Extent: |
267 boxes, 110 oversize boxes, 284 bound volumes, 11 oversize folders (137.5
linear feet) |
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Language: |
Predominantly English; some Italian-language
materials are present. |
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Repository: |
The University of Texas at Austin, Harry Ransom
Center |
The extraordinary breadth of actor, director, and producer Robert De Niro's
cinematic career from the 1960s through 2011 is reflected in his collection of
papers, film, movie props, and costumes at the Ransom Center. De Niro is
widely regarded as one of the greatest actors of his generation and a key figure in
"The New Hollywood," an artistic renaissance
that began in the late 1960s. He appeared in many of the period's key films: Taxi Driver (1976), Raging
Bull (1980), The Godfather: Part II (1974),
and The Deer Hunter (1978). De Niro has
produced more than two dozen films since the late 1980s and directed A Bronx Tale (1993) and The Good
Shepherd (2006).
The papers described in this finding aid include De Niro's
heavily-annotated scripts and correspondence, stage play and photographic material
from his early career, make-up and wardrobe photographs, wardrobe continuity books,
costume designs, and posters, as well as extensive production, publicity, and
research material. The collection focuses exclusively on De Niro's
professional career: while some congratulatory correspondence and exchanges with his
colleagues provide insight into the personal side of his working relationships,
De Niro's private life remains private. The papers are arranged in three
series: I. Films, 1968-2011 (243 boxes, 104 oversize boxes, 255 bound volumes, 9
oversize folders); II. De Niro Projects, 1960s-2007 (17 boxes, 19 bound
volumes, 2 oversize folders); and III. Early Career and Career-Related, 1960s-2005
(7 boxes, 6 oversize boxes, 9 bound volumes).
Most of the papers are located in the first series, Films, which includes scripts
plus related production, publicity, and research materials for sixty-nine films
documenting De Niro's career from the 1968 film Greetings through Limitless released in
2011. While the type and amount of material present varies from film to film, there
is not only abundant evidence of De Niro's rigorous preparation for his
acting roles from the large amounts of research material present and his copious
notations in scripts, but also insight into the collaborative nature of his work
with a variety of noted writers, directors, actors, and other film artists. The
evolution of many screenplays can also be traced, often from the original source
material and through numerous drafts to the final shooting script. The close
attention paid to the details of wardrobe, make-up, and hairstyle design and
continuity is also evident and particularly well-represented in the production
materials.
Series II., De Niro Projects, includes plays, screenplays, and television
scripts received, reviewed, or considered. The majority of the works originate from
writers and directors with whom De Niro has long been closely associated
and include scripts for such notable film and television projects as Apocalypse Now, A Bridge Too
Far, Gangs of New York, Glengarry Glen Ross, Hoffa, The Last Temptation of Christ, Rule #3, Street Kings,
and Weeds.
The final series, Early Career and Career-Related, contains articles about
De Niro, early contracts, correspondence, and photographs as well as
materials related to awards, public appearances, and tributes. Of special note are
photographs, résumés, programs, and reviews documenting
De Niro's student work and early stage roles. Much of the correspondence
in the collection is located in this series, often congratulatory in nature or
related to shared projects. Correspondents include friends and industry colleagues,
such as Kenneth Branagh, Michael Cimino, Francis Ford Coppola, Jonathan Demme, Ron
Howard, Roland Joffé, Harvey Keitel, George Lucas, David Mamet, Al Pacino,
Harold Pinter, Martin Scorsese, Steven Spielberg, Lee Strasberg, Jack Valenti, and
Harvey Weinstein, among others. A complete index of all correspondent names in this
series is included in this finding aid.
A portion of an addition to the original accession was processed and added to the
inventory in 2012. Some materials remain unprocessed and will be made available at a
future date. These include a considerable amount of material received for The Good Shepherd (2006).
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Access:
Open for research; please see following Special Handling Instructions and Redactions
Note.
Special Handling Instructions:
Most of the scripts in this collection have been left in an unaltered or minimally
processed state to provide the reader with the look and feel of the original as
De Niro used it. When handling unbound scripts, or
scripts with inserted materials, users are asked to be extremely careful in
retaining the original order of the material. Script pages folded length-wise by
De Niro are likewise to remain folded in keeping with original
order.
Potentially harmful or damaging materials such as paperclips, self-adhesive "sticky"
notes, metal brads, and clasps were removed during physical processing. Processing
notes were inserted where paperclips and sticky notes were removed. In many cases
paper-clipped sections were placed in white paper sleeves. Some surrogate
preservation photocopies were substituted for the original items, such as faxes, and
the surrogate copies are identified by a statement at the top of the page. The
original faxes have been retained with the photocopies, although in time the faxed
pages will fade beyond recognition.
Redactions Note:
The production and research materials contain a number of items
from which personal information has been redacted or restricted to protect an
individual's privacy. Examples are social security, telephone, and
account numbers; the names of medical patients and prisoners; and personnel records.
The originals were removed and have been replaced with redacted photocopies, which
have an identifying statement at the top.
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The Stella Adler, David Mamet, and Tom Stoppard collections at the Ransom Center
contain additional De Niro-related material. |
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De Niro's costumes, film props, moving images, and personal effects are
housed in related departments within the Ransom Center. |
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Gift, 2006-2008 (G12588)
Liz Murray, Katherine Mosley, and Bob Taylor, 2008; Ancelyn Krivak, 2012
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Series I. Films, 1968-2011 |
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The bulk of the De Niro Papers are located in this series and
comprise materials from sixty-nine films dating from De Niro's
1968 film Greetings through Limitless released in 2011. Some materials
remain unprocessed and will be made available at a future date, including a
considerable amount of material received for The
Good Shepherd (2006). Materials in this series are arranged
alphabetically by film title, and subsequently items for each film are
consistently arranged in this order: screenplays first, followed by
production, publicity, and research materials. |
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Screenplays |
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Screenplays are heavily represented in the collection and are present for all
of De Niro's acting roles. The number of screenplays present for
each film varies from film to film, but most are represented by multiple
versions. For example, Meet the Fockers has
thirty-five scripts written steadily over the course of three years, while
Raging Bull has twenty scripts that
evolved intermittently from conception to completion over a span of about
ten years. |
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Modern screenplays are notorious for their variant titles, multiple writers,
and numerous re-writes, and the De Niro scripts are no exception.
Working with information provided on the title pages and dated revisions,
multiple scripts for individual films have been arranged in their probable
order of creation, although undated scripts and inserted revisions make
definitive sequencing difficult. The films Analyze
This and Meet the Fockers provide
good examples of a complex array of scripts with more than a dozen writers
and derivative drafts. |
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Descriptions of individual scripts in the following folder list are often
limited to the date of the original script and, for subsequent revisions,
the date last revised. Variant titles, draft numbers or other draft
identifications (e.g., "final shooting
script"), and writer names are also included if present. The
descriptions frequently also include either "with
RDN notes" or "no RDN notes."
De Niro's handwritten annotation of scripts is a hallmark of his
working method; rendered in ink, these annotations are primarily dialogue
and script changes and notes regarding his role. |
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Shooting scripts are present for most of the films. In most cases, the
shooting scripts designated in the finding aid are the ones
De Niro used during filming. They are heavily annotated with
De Niro's handwritten notes and are often bound in three-ring
binders full of inserted script revisions and production material. The
Raging Bull shooting script contained a
particularly large amount of inserted material; in order to preserve it and
also retain its original order, a facsimile copy was created and is
available for research use. |
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Production materials |
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The production materials in the De Niro Papers reflect the myriad
tasks involved in film-making. While nearly all the De Niro films
contain some production materials, their type and quantity varies from film
to film. Among the types of items present are ADR (automated dialogue
replacement) sheets, call sheets, casting lists and
résumés, contact and crew lists, dialogue notes, one-liner
and shooting schedules, continuity and make-up photographs, production
reports, production stills, recruited audience preview reports, storyboards,
De Niro's handwritten notes, production-related memos and
correspondence, congratulatory correspondence, and wardrobe continuity and
inventory lists. Several films also include original costume, tattoo, and
set designs, as well as location photography. |
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Photographs dominate the production materials in terms of sheer volume and
include hair/make-up, wardrobe, and production stills. The prints are
largely in 4x6-inch and Polaroid formats, but also include 8x10-inch and
oversize. Prints have been arranged by roll number and sleeved in frame
order. Frame order is especially critical for documenting make-up
application, as evidenced by more than 3,000 prints for Frankenstein. For this film, De Niro
endured a full-body plaster cast used to create a body suit that transformed
him into "The Creature." Shot by shot, the
photographs document the painstaking 16-hour make-up sessions, capturing the
intricate application of face, hair, and body prosthetics in incredible
detail. The Polaroids are primarily make-up and wardrobe continuity prints
and are often marked with scene numbers and other pertinent information. In
some cases, metal rings or safety pins were used for portability on the set
and to retain scene sequence. For the film Awakenings, 135 continuity Polaroids on a single ring record the
state of De Niro's hair and beard for each scene, to guarantee
continuity over multiple takes and reshoots. |
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Wardrobe continuity material is present for more than a dozen films, ranging
from a few sheets to binders with up to seventy pages. Typically, wardrobe
items were listed in detail on specially-formatted sheets and supplemented
with Polaroids showing De Niro in costume, as well as individual
items such as shoes and jewelry. Because overlapping Polaroids were often
taped onto the wardrobe sheets and presented a handling problem, facsimiles
were made of some of the wardrobe continuity material in the collection. |
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Publicity materials |
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This category of film material is the least prevalent in this series, and the
amount and type varies from film to film. Publicity materials include
advertising graphics and layouts, articles and reviews, award nomination
certificates, correspondence and memos, marketing and promotional materials,
posters, premiere programs and tickets, press kits, press junket
itineraries, press releases, publicity and studio stills, screening cards
and invitations, and tour information. |
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Research material |
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De Niro is well known for thoroughly researching and preparing for
his acting roles. In addition to articles, pamphlets, chapter sections, and
other printed material, the collection includes 266 books used for research
on topics ranging from mobsters and tattoos to Jesuits and baseball. For
each film, the books are arranged by author and title within the research
section and each book was assigned a BV (bound volume) number. Some of these
books are inscribed to De Niro and De Niro also
annotated many of the volumes with handwritten notes. Many of the books
originally contained loose items; these items have been withdrawn and placed
into folders. Withdrawals from bound volumes are denoted with an asterisk in
the folder list. Research material for Cape
Fear and The Mission is particularly
extensive. |
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Some correspondence and production memoranda are scattered throughout Series
I. and selected correspondents appear in the Index of Selected
Correspondents included in this finding aid. |
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Series II. De Niro Projects, 1960s-2007 |
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Throughout De Niro's long career, a great quantity of script
material has come his way for consideration. The plays, screenplays, and
television scripts in this series are some of the projects that held
De Niro's interest although, for a variety of reasons, his
involvement remained limited. The projects material has been arranged
alphabetically by title. The majority of works include writers and directors
with whom De Niro has long been closely associated, such as
Michael Cimino, Francis Ford Coppola, Brian De Palma, George Gallo, Michael
V. Gazzo, William Goldman, Elia Kazan, Robert Kuhn, David Mamet, Michael
Powell, Richard Price, Paul Schrader, Martin Scorsese, and David Seltzer.
Notable television and film projects in this series include Apocalypse Now, A Bridge
Too Far, Gangs of New York,
Glengarry Glen Ross, Hoffa, The Last
Temptation of Christ, Rule #3,
Street Kings, and Weeds. |
Return to the Table of Contents
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Series III. Early Career and Career-Related, 1960s-2005 |
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This series contains articles about De Niro, books retained for
general research and received as gifts, early contracts, correspondence, and
photographs. Also included is material related to public appearances,
tributes, and film series. |
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Much of the correspondence in the collection is located in this series, often
congratulatory in nature or related to shared projects. Correspondents
include friends and industry colleagues, such as Giorgio Armani, Lauren
Bacall, Robert Bolt, Kenneth Branagh, Ellen Burstyn, Michael Cimino, Francis
Ford Coppola, Jonathan Demme, Barry Diller, Richard Dreyfuss, Dominick
Dunne, Jane Fonda, Whoopi Goldberg, Tom Hayden, Israel Horovitz, Ron Howard,
Roland Joffé, Garson Kanin, Elia Kazan, Harvey Keitel, John F.
Kennedy, Jr., Martin Landau, George Lucas, David Mamet, Marsha Mason, Al
Pacino, Joseph Papp, Jane Pauley, Harold Pinter, Richard Pryor, Cliff
Robertson, Oliver Sacks, Martin Scorsese, Gene Shalit, Steven Spielberg,
Sharon Stone, Lee Strasberg, Emma Thompson, Jack Valenti, Harvey Weinstein,
Robin Williams, Henry Winkler, Shelley Winters, and Franco Zeffirelli, among
others. An index of all correspondent names in this series is included in
this finding aid. |
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Photographs occupy a large portion of this series and contain significant
images from the early days of De Niro's career. De Niro
created his own résumé head shots, the earliest of which
lists his acting experience through 1963. This series of photographs ends in
the early 1970s with the appearance of studio publicity stills for films
such as Bloody Mama and Mean Streets. The résumés
attached to many of the head shots, some with four different images per
print, provide valuable information regarding De Niro's stage
performances that date from his days in training with The Dramatic Workshop,
Luther James Studio, Stella Adler Theatre Studio, and Raphael Kelly. These
résumés include the parts he played in repertory theater,
tours, commercials, performances at Hunter College and Sarah Lawrence
College, the off-Broadway shows, and early films including Greetings and The Wedding
Party. Often play reviews are also attached to the head shots.
In addition, there are programs and production photographs for many of these
early plays. Titles include The Boor, Generation, Glamour,
Glory & Gold, Kool Aid,
One Night Stands of a Noisy Passenger,
Tchin-Tchin, and The World of Günter Grass. |
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Series I. Films, 1968-2011 |
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15 Minutes (2001) |
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Screenplays, by John Herzfeld; all without RDN notes unless
otherwise stated |
| Box.Folder |
| 1.1 |
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Draft, undated |
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Revised drafts |
| Box.Folder |
| 1.2 |
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24 November 1998, with RDN notes |
| Box.Folder |
| 1.3 |
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31 December 1998, with RDN notes |
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19 February 1999 |
| Box.Folder |
| 1.4 |
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With RDN notes |
| Box.Folder |
| 1.5 |
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With transcript excerpts of taped conversations re
script with RDN, Mike Sheehan, and Herzfeld |
| Box.Folder |
| 1.6 |
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1 April 1999, interim draft with RDN notes; first half of
script with dual pagination, with letter from Herzfeld to RDN |
| Box.Folder |
| 1.7 |
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re 14 April 1999 revision; letter of 15 April 1999 from
Herzfeld to RDN outlining changes in partial interim draft |
| Box.Folder |
| 1.8 |
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10 May 1999, complete, with dual pagination; plus five
pages of script revised 9 June 1999 |
| Box.Folder |
| 2.1 |
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26 July 1999, cumulative revisions, "shooting draft";
with RDN notes |
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Production materials |
| Box.Folder |
| 2.2 |
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Call sheets, contact list, continuity list of scenes,
correspondence, crew lists, shooting schedule for re-shoots |
| Box.Folder |
| 2.3 |
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"DV camera report,"1999 |
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Photographs |
| Box.Folder |
| 2.4-8 |
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Make-up/hair and wardrobe photographs |
| Box.Folder |
| 3.1 |
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Photograph of RDN, Charlize Theron, John Herzfeld, and
Edward Burns; inscribed to RDN by Herzfeld |
| Box.Folder |
| 3.2 |
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Script revisions and additional shoots, 13 January through 7
April 2000 |
| Box.Folder |
| 3.3 |
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Wardrobe continuity sheets [facsimile] and wardrobe lists |
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1900 (1976) |
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Screenplays, by Bernardo Bertolucci, Franco Arcalli, and Giuseppe
Bertolucci |
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5 April 1973, "Novecento," in Italian |
| Box.Folder |
| 3.4 |
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First part |
| Box.Folder |
| 3.5 |
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Second part |
| Box.Folder |
| 3.6 |
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23 January 1974, "1900," in English |
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Production and publicity materials |
| Box.Folder |
| 3.7, 231.1 |
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Articles and reviews, 1975-1976 |
| Box.Folder |
| 3.8 |
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Production photographs |
| Box |
| 328 |
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Photograph album, bound, inscribed to RDN by Bernardo
Bertolucci |
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Research materials, bound volume |
| BV |
| 1 |
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Di Giovanni, Norman Thomas. 1900 (1977) |
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About a Boy (2002, RDN
producer) |
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Production and publicity materials |
| Box.Folder |
| 3.9 |
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Casting, "Marcus" readings, 15 February 2001 |
| Box.Folder |
| 3.10-4.1* |
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Articles and reviews (*oversize newspaper clippings removed
to box 203) |
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The Adventures of Rocky and Bullwinkle
(2000) |
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Screenplays titled "The Rocky and Bullwinkle Movie," by Kenneth
Lonergan |
| Box.Folder |
| 4.2 |
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20 January 1999, "blue draft," revised by Doug Chamberlin and
Chris Webb through 18 February 1999; with RDN notes |
| Box.Folder |
| 4.3 |
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22 February 1999, "buff draft," revised by Lonergan; "Brenda"
written on title page |
| Box.Folder |
| 4.4 |
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8 March 1999, cumulative revisions to buff
draft |
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Production materials |
| Box.Folder |
| 4.5 |
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Continuity and automated dialogue replacement (ADR) sheets,
DVD menu screens |
| Box |
| 204 |
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Costume design research for Fearless Leader, Boris, and
Natasha characters |
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Photographs |
| Box.Folder |
| 4.6-7 |
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Continuity photographs and stills |
| Box |
| 171 |
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"Fitting photos for Fearless Leader," in binder with nine
facsimile pages |
| Box.Folder |
| 4.8-5.1-9 |
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Make-up/wardrobe photographs |
| Box.Folder |
| 5.10 |
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Reports from recruited audience previews, February-June 2000 |
| Box |
| 172 |
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Storyboards |
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Publicity materials |
| Box |
| 203 |
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Correspondence and proofs of marketing material for
in-theater kids' meal promotion; one-sheet poster proof |
| Box |
| 204 |
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"Official Style Guide" for spin-off product
design |
| Box.Folder |
| 5.11 |
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Press kit quote selection, promotional appearances, reviews,
world premiere screening |
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Research materials, bound volumes |
| BV |
| 2* |
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Maloney, Mike. Flash! Splash! Crash!:
All at Sea with Cap'n Bob (1996) (*loose items
withdrawn) |
| BV |
| 3* |
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Shawcross, William. Murdoch: The
Making of a Media Empire (1997) (*loose items withdrawn)
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Analyze That
(2002) |
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Screenplays, by Peter Steinfeld |
| Box.Folder |
| 231.2 |
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17 April 2001, partial script, photocopy, no RDN
notes |
| Box.Folder |
| 231.3 |
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19 April 2001, partial script, "Peter's first pass," no RDN
notes |
| Box.Folder |
| 231.4 |
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8 June 2001, with "Table read program" list of actors,
Vitti's lines highlighted in yellow |
| Box.Folder |
| 231.5 |
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8 June 2001, with scene numbers, no RDN notes |
| Box.Folder |
| 231.6 |
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Undated partial script (to page 53), no RDN notes |
| Box.Folder |
| 231.7 |
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Undated partial script (to page 71), no RDN notes |
| Box.Folder |
| 231.8 |
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5 August 2001, partial script, with RDN notes |
| Box.Folder |
| 231.9 |
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31 August 2001, revised second draft, with RDN
notes |
| Box.Folder |
| 231.10 |
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30 November 2001 draft, with RDN notes and reader's
notes |
| Box.Folder |
| 232.1 |
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30 November 2001 draft, no RDN notes |
| Box.Folder |
| 232.2 |
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Undated script, with RDN notes |
| Box.Folder |
| 6.1 |
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23 January 2002, second revision, revised by Harold Ramis and
Peter Tolan |
| Box.Folder |
| 6.2 |
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6 February 2002, third revision, revised by Ramis |
| Box.Folder |
| 232.3 |
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No RDN notes |
| Box.Folder |
| 6.3, 232.4 |
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"With official scene numbers" |
| Box.Folder |
| 6.4 |
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With RDN notes, plus eight pages of script revised 13
February 2002 |
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Subsequent revisions, all with RDN notes unless otherwise
stated |
| Box.Folder |
| 6.5 |
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Includes inserted script pages |
| Box.Folder |
| 6.6 |
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Marked "RDN" |
| Box.Folder |
| 6.7 |
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13 March 2002, marked "AT 2" |
| Box.Folder |
| 7.1 |
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15 March 2002, marked "HR/PT" |
| Box.Folder |
| 7.2 |
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No RDN notes, marked "AT2, HR, PT" |
| Box.Folder |
| 7.3 |
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17 March 2002 |
| Box.Folder |
| 7.4 |
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Undated, lacks title page |
| Box.Folder |
| 7.5 |
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26 March 2002, "final shooting script" by Ramis and Tolan;
with official scene numbers and RDN notes |
| Box.Folder |
| 7.6 |
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No RDN notes |
| Box.Folder |
| 7.7 |
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28 March 2002, partial script, "Chazz Palminteri" on title
page; with RDN notes |
| Box.Folder |
| 8.1 |
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1 April 2002, partial script; with RDN notes and note from
Ramis |
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Subsequent revisions to 26 March 2002 final shooting script;
all without RDN notes |
| Box.Folder |
| 8.2 |
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2 April 2002, blue revised pages |
| Box.Folder |
| 8.3 |
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10 April 2002, pink revised pages |
| Box.Folder |
| 232.5 |
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Script in RDN binder, blue revised 2 April 2002 and pink
revised 10 April 2002 |
| Box.Folder |
| 8.4 |
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14 April 2002, yellow revised pages |
| Box.Folder |
| 8.5 |
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"Complete script with all versions" |
| Box.Folder |
| 8.6 |
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4 June 2002, complete |
| Box.Folder |
| 8.7 |
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14 June 2002, complete |
| Box.Folder |
| 8.8 |
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|
|
Script revision fragments, various dates |
|
|
|
Production and publicity materials |
| Box |
| 203 |
|
|
|
Layouts for newspaper ads |
| Box.Folder |
| 9.1-5 |
|
|
|
Photographs, make-up/hair/wardrobe continuity, including some
photographs from Analyze This |
|
|
|
|
Posters |
| Flatfile |
| * |
|
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box |
| 203 |
|
|
|
|
Proofs, on foamcore |
| Box.Folder |
| 9.6 |
|
|
|
Revised script pages, post production schedules, contact
lists |
| Box |
| 173 |
|
|
|
Wardrobe continuity book for RDN's Paul Vitti character,
facsimile |
|
|
|
Analyze This
(1999) |
|
|
|
Screenplays, various screenwriters; all with RDN notes unless
otherwise stated |
| Box.Folder |
| 10.1 |
|
|
|
14 November 1996, "Tolan/Crystal/2nd revised draft," no RDN
notes; with Richard Loncraine's notes on "2nd revised draft
11/1/96," and RDN's comments |
|
|
|
|
Revised by Richard Gallo |
| Box.Folder |
| 10.2 |
|
|
|
|
27 February 1997, with Gallo's scene breakdown dated 7
February 1997 |
| Box.Folder |
| 10.3 |
|
|
|
|
12 March 1997; includes "notes after script meeting
28/3/97" |
| Box.Folder |
| 10.4 |
|
|
|
|
|
No RDN notes |
| Box.Folder |
| 10.5 |
|
|
|
|
16 April 1997; includes research material and faxes from
Loncraine, 18 April 1997 |
|
|
|
|
Revised by Harold Ramis and others |
| Box.Folder |
| 10.6 |
|
|
|
|
15 August 1997, with note from Ramis |
| Box.Folder |
| 10.7 |
|
|
|
|
5 September 1997, by Peter Tolan and George
Gallo |
|
|
|
|
|
Scripts by Phoef Sutton, Kenneth Lonergan, Tolan, Gallo,
and Billy Crystal |
| Box.Folder |
| 11.1 |
|
|
|
|
|
19 December 1997 |
| Box.Folder |
| 11.2 |
|
|
|
|
|
|
No RDN notes |
| Box.Folder |
| 11.3 |
|
|
|
|
|
27 January 1998; includes "Analyze This outline
2/11/98" and "notes to George Gallo on Gallo l" |
| Box.Folder |
| 11.4 |
|
|
|
|
14 March 1998, by Sutton, Lonergan, Tolan, Gallo, Ramis;
revision by Mort Nathan, Barry Fanaro, and Ramis |
| Box.Folder |
| 11.5 |
|
|
|
|
12 May 1998, by Sutton, Lonergan, Tolan, Crystal, Gallo,
Ramis, Nathan, Fanaro; revised by Ramis and Tolan; marked "not
for distribution" |
| Box.Folder |
| 11.6 |
|
|
|
|
26 May 1998, lacks title page, marked "HR" and "not for
distribution" |
| Box.Folder |
| 12.1 |
|
|
|
|
27 May 1998, lacks title page, "unofficial draft,""FYI
only and not for distribution"; handwritten scene numbers and
changes, not in RDN's hand; no RDN notes |
| Box |
| 174 |
|
|
|
|
1 June 1998, shooting script by Kenneth Lonergan, revised
by Sutton, et al.; current revisions by Ramis as of 22 July
1998 |
| Box.Folder |
| 232.6 |
|
|
|
|
1 June 1998 revised through 22 July 1998, in presentation
binder, no RDN notes |
| Box.Folder |
| 12.2 |
|
|
|
Script fragments, various dates |
| Box.Folder |
| 233.1 |
|
|
|
RDN script binder, empty, undated |
|
|
|
Production materials |
| Box.Folder |
| 12.3 |
|
|
|
Automated dialogue replacement (ADR) line sheets, television
ADR, and correspondence re DVD release |
| Box.Folder |
| 12.4 |
|
|
|
Casting |
|
|
|
|
Photographs |
| Box.Folder |
| 12.5-6 |
|
|
|
|
Make-up/hair/wardrobe |
| Box.Folder |
| 12.7 |
|
|
|
|
Production and publicity stills; Phil Caruso,
photographer |
| Box |
| 175 |
|
|
|
|
Wardrobe continuity book for Paul Vitti character,
facsimile |
| Box |
| 328 |
|
|
|
|
Album of stills and production photographs in
presentation binding, undated |
| Box.Folder |
| 12.8 |
|
|
|
Sequel notes and memos, 1999-2000 |
|
|
|
Publicity materials |
| Box.Folder |
| 12.9 |
|
|
|
European tour, May 1999 |
|
|
|
|
Posters |
| Flatfile |
| * |
|
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box |
| 203 |
|
|
|
|
Proofs, on foamcore |
| Box |
| * |
|
|
|
Reviews (*removed to oversize box 203) |
| Box.Folder |
| 12.10 |
|
|
Research materials on mobsters and hair styles |
|
|
|
Angel Heart (1987) |
|
|
|
Screenplays, by Alan Parker |
| Box.Folder |
| 13.1 |
|
|
|
Undated working draft; no RDN notes |
| Box.Folder |
| 13.2 |
|
|
|
February 1986, final draft, shooting script; with RDN
notes |
| Box.Folder |
| 13.3 |
|
|
|
Partial script with extensive RDN notes; inserted script
pages dated 13 June 1986 |
|
|
|
Production and research materials |
| Box.Folder |
| 13.4 |
|
|
|
New Orleans hotel information, New York contact list and
shooting schedule, photocopies of Faustian images, Polaroids of RDN
wearing various eye lenses, and wardrobe list |
| Flatfile |
| * |
|
|
|
One-sheet poster (*removed to oversize flat
files) |
|
|
|
|
Production photographs |
| Box.Folder |
| 376.1 |
|
|
|
|
Photographs of RDN by Richard Corman, 1986 |
| Box.Folder |
| 376.2 |
|
|
|
|
Contact prints of RDN |
| Box.Folder |
| 376.3 |
|
|
|
|
Photographs of Mickey Rourke and RDN |
|
|
|
Research materials, bound volumes |
| BV |
| 4 |
|
|
|
Christian, Paul. The History and
Practice of Magic (1969) |
| BV |
| 5 |
|
|
|
Huson, Paul. Mastering Witchcraft: A
Practical Guide for Witches, Warlocks, and Covens
(1970) |
| BV |
| 6* |
|
|
|
LaVey, Anton Szandor. The Satanic
Bible (1969) (*loose items withdrawn) |
| BV |
| 7 |
|
|
|
Lehner, Ernst and Johanna. Picture
Book of Devils, Demons and Witchcraft (1971) |
| BV |
| 8 |
|
|
|
Marwick, Max, ed. Witchcraft and
Sorcery (1982) |
| BV |
| 9 |
|
|
|
Maxwell, Nicole. Witch Doctor's
Apprentice (1975) |
| BV |
| 10 |
|
|
|
Michelet, Jules. Satanism and
Witchcraft: The Classic Study in Medieval Superstition
(1946 reprint) |
| BV |
| 11 |
|
|
|
Russell, Jeffrey Burton. Lucifer: The
Devil in the Middle Ages (1984) |
| BV |
| 12 |
|
|
|
Strarhan, Françoise. Casting out the
Devils (1972) |
| BV |
| 13 |
|
|
|
Waugh, Charles G. and Martin H. Greenberg, eds. Cults!: An Anthology of Secret Societies, Sects,
and the Supernatural (1983) |
|
|
|
Awakenings(1990) |
|
|
|
Screenplays, by Steven Zaillian; all with RDN notes unless
otherwise stated |
| Box.Folder |
| 13.5 |
|
|
|
Undated, lacks title page |
| Box.Folder |
| 13.6 |
|
|
|
February 1988, first revision |
| Box.Folder |
| 13.7 |
|
|
|
6 April 1989, second revision |
| Box.Folder |
| 13.8 |
|
|
|
|
Partial draft, pages 69-120 |
| Box.Folder |
| 14.1 |
|
|
|
2 September 1989, "unfinished 4th draft," RDN notes dated 18
September 1989 |
| Box.Folder |
| 14.2 |
|
|
|
12 September 1989 script |
|
|
|
|
2 October 1989 drafts and subsequent revisions |
| Box.Folder |
| 14.3 |
|
|
|
|
Bound screenplay, half-size format; presentation copy
inscribed by "Robin" [Williams] to RDN |
| Box.Folder |
| 14.4 |
|
|
|
|
Lacks title page, noted "Oct. 2" on first
page |
| Box.Folder |
| 14.5 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 14.6 |
|
|
|
|
16 October 1989, "Robin C." copy |
| Box.Folder |
| 14.7 |
|
|
|
|
22 November 1989, no RDN notes |
| Box.Folder |
| 15.1 |
|
|
|
|
19 December 1989, coded for reference to videotape
dailies; no RDN notes |
| Box.Folder |
| 15.2 |
|
|
|
|
|
Half-size format, no RDN notes |
| Box.Folder |
| 15.3-16.2 |
|
|
|
|
26 January 1990, with numerous earlier revisions
inserted; includes some production and research
material |
|
|
|
Production and publicity materials |
| Box.Folder |
| 16.3 |
|
|
|
Automated dialogue replacement (ADR) line sheets,
congratulatory correspondence including handwritten letter from
Oliver Sacks, and New York junket itinerary, 15-18 December
1990 |
| Box.Folder |
| 16.4* |
|
|
|
Articles re film (*oversize articles removed to box
207) |
| Box |
| 176 |
|
|
|
Photographs, hair/shaving continuity Polaroids on ring,
facsimiles |
| Box.Folder |
| 233.2 |
|
|
|
Production and publicity photographs, undated |
|
|
|
Research materials |
| Box.Folder |
| 16.5* |
|
|
|
Articles by and about Dr. Oliver Sacks, print material on
encephalitis, photocopy of Harold Pinter play A Kind of Alaska (*Sacks article removed to oversize
box 176) |
| Box.Folder |
| 16.6 |
|
|
|
Case study of a Parkinson's patient |
| BV |
| 14* |
|
|
|
Sacks, Oliver. Awakenings
(1983) (*annotated by RDN; loose items withdrawn) |
|
|
|
Backdraft (1991) |
|
|
|
Screenplays, by Greg Widen; all without RDN notes unless
otherwise stated |
| Box.Folder |
| 16.7 |
|
|
|
22 March 1990 script |
|
|
|
|
19 June 1990, with subsequent revisions |
| Box.Folder |
| 16.8 |
|
|
|
|
Copy 158 |
| Box.Folder |
| 16.9 |
|
|
|
|
Copy 170, with RDN notes |
| Box.Folder |
| 17.1 |
|
|
|
|
2 August 1990 script |
| Box.Folder |
| 17.2 |
|
|
|
|
|
Full-size script, with log of RDN wardrobe
tests |
| Box.Folder |
| 17.3 |
|
|
|
|
|
Half-size format, photocopy |
| Box.Folder |
| 17.4 |
|
|
|
|
15 August 1990, shooting script with call sheet and
script pages inserted; with RDN notes |
|
|
|
Production and publicity materials |
| Box.Folder |
| 17.5 |
|
|
|
Call sheets |
| Box.Folder |
| 17.6 |
|
|
|
Correspondence and other communications received during
filming in Chicago |
| Box.Folder |
| 17.7 |
|
|
|
One-liner schedules |
| Box.Folder |
| 18.1 |
|
|
|
Photographs, make-up/hair continuity |
| Box.Folder |
| 18.2 |
|
|
|
Shooting schedules |
| Box.Folder |
| 233.3 |
|
|
|
Production and publicity photographs, undated |
| Box |
| 330 |
|
|
|
Album of stills and production photographs in presentation
binding (brown cover), undated |
| Box |
| 345 |
|
|
|
Album of stills and production photographs with script pages
in presentation binding (red cover), undated |
|
|
|
Research materials |
| Box.Folder |
| 18.3-4 |
|
|
|
Arson, firemen, fire investigations, and issues of Firehouse magazine |
|
|
|
|
Bound volumes |
| BV |
| 15 |
|
|
|
|
Hall, George and Thomas K. Wanstall. FDNY: New York's Bravest!
(1984) |
|
|
|
|
|
Smith, Dennis |
| BV |
| 16* |
|
|
|
|
|
Firefighters: Their Lives in
Their Own Words (1988) (*annotated by RDN on
flyleaf) |
| BV |
| 17 |
|
|
|
|
|
Report From Engine Co.
82 (1983) |
|
|
|
Bang the Drum Slowly
(1973) |
| Box.Folder |
| 18.5 |
|
|
Bang the Drum Slowly by Henry W.
Wiggen (Anchor Books), photocopy; with RDN notes |
|
|
|
Screenplays, by Mark Harris, 1972 |
| Box.Folder |
| 18.6 |
|
|
|
Copy 129, with RDN notes |
| Box |
| 177 |
|
|
|
Shooting script, with RDN notes; includes shooting schedules,
clipping, RDN's "to do" lists, script changes, and handwritten
letter from Harris |
|
|
|
Publicity materials |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 19.1-2 |
|
|
|
Photographs, stills, Paramount Studio |
| Box |
| 19.3* |
|
|
|
Press booklet "Handbook of Production Information" and review
(*Paramount Press Book and Merchandising Manual removed to oversize
box 203) |
|
|
|
Research materials, bound volumes |
| BV |
| 18 |
|
|
|
Angell, Roger. The Summer Game
(1972), inscribed to RDN by the author |
|
|
|
|
Bethel, Dell. Inside Baseball,
1969 |
| BV |
| 19 |
|
|
|
|
Hardcover, inscribed to RDN by the author |
| BV |
| 20* |
|
|
|
|
Paperback (*annotated by RDN) |
| BV |
| 21 |
|
|
|
Bouton, Jim. Ball Four
(1970) |
| BV |
| 22 |
|
|
|
Harris, Mark. The Southpaw
(1962) |
| BV |
| 23 |
|
|
|
Jacobs, G. and J. R. McCrory. Baseball
Rules in Pictures (1971) |
| BV |
| 24 |
|
|
|
Kahn, Roger. The Boys of
Summer (1973) |
| BV |
| 25 |
|
|
|
Ritter, Lawrence S. The Glory of Their
Times (1971) |
|
|
|
Bloody Mama(1970), screenplay
by Robert Thom |
| Box |
| 178 |
|
|
Screenplay, shooting script; final draft with shooting schedules,
photographs of RDN, research photographs, and song lyrics inserted;
extensive RDN notes |
|
|
|
Production and publicity materials |
| Box.Folder |
| 233.4-5 |
|
|
|
Production photographs, snapshots, 1969 |
| Box.Folder |
| 19.4 |
|
|
|
"The Barker Family Album" booklet of photographs, film
synopsis, two-color ad, publicity brochure for theaters, group
photograph of the Barker family |
| Box.Folder |
| 19.5-7 |
|
|
|
Photographs, stills, American International
Pictures |
| Box.Folder |
| 20.1* |
|
|
Research material, including RDN notes (*oversize magazine
articles removed to oversize box 203) |
| Box.Folder |
| 151.4 |
|
|
Born to Win(1971), screenplay
titled "Scraping Bottom," by David Scott Milton with Ivan Passer, 6
November 1970; with RDN notes |
|
|
|
Brazil(1985), screenplay by
Terry Gilliam, Tom Stoppard, and Charles McKeown |
| Box.Folder |
| 20.2 |
|
|
Screenplay, shooting script, revised to 1 December 1984; with RDN
notes |
|
|
|
Related material, bound volume |
| BV |
| 26 |
|
|
|
Mathews, Jack. The Battle of
Brazil (1987) |
|
|
|
The Bridge of San Luis Rey(2004) |
|
|
|
Screenplays, by Mary McGuckian; with RDN notes unless otherwise
stated |
| Box.Folder |
| 20.3 |
|
|
|
17 March 2002 script |
| Box.Folder |
| 20.4 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 20.5 |
|
|
|
November 2002 script |
| Box.Folder |
| 20.6 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 20.7 |
|
|
|
December 2002, no RDN notes |
| Box.Folder |
| 20.8-9 |
|
|
|
31 December 2002, two copies; no RDN notes |
| Box.Folder |
| 21.1 |
|
|
|
22 January 2003, shooting script; includes production and
research material |
|
|
|
Production materials |
| Box.Folder |
| 21.2 |
|
|
|
Automated dialogue replacement (ADR) dialogue, cast lists,
character report for archbishop, crew lists, Latin prayers and
pronunciation, shooting schedule |
| Box.Folder |
| 21.3* |
|
|
|
Wardrobe photographs and designs; costume breakdown and
continuity; note from designer Yvonne Blake (*costume designs
removed to oversize folder) |
|
|
|
Research materials |
| Box.Folder |
| 21.4 |
|
|
|
Brochures on Spain; map of Spain and Portugal |
| Box.Folder |
| 21.5 |
|
|
|
Print materials on Thornton Wilder, Velazquez, Peru and Lima,
Cervantes; bibliographies on ecclesiastical and convent
life |
| BV |
| 27 |
|
|
|
Wilder, Thornton. The Bridge of San
Luis Rey (1998); inscribed to RDN by Mary McGuckian
[?] |
|
|
|
A Bronx Tale(1993) |
|
|
|
Play |
| Box.Folder |
| 243.1 |
|
|
|
"A Bronx Tale, a play by Chazz
Palminteri" (1989) |
|
|
|
Screenplays |
|
|
|
|
"Screenplay by Chazz Palminteri, revision October 13, 1989",
103 pages |
| Box.Folder |
| 243.2 |
|
|
|
|
With extensive RDN notes |
| Box.Folder |
| 243.3 |
|
|
|
|
With some handwritten notes |
| Box.Folder |
| 243.4 |
|
|
|
|
With "Tribeca Productions" on front page, no RDN
notes |
| Box.Folder |
| 243.5-6 |
|
|
|
|
Unbound |
| Box.Folder |
| 243.7 |
|
|
|
Screenplay of 13 October 1989 (112 pages) with RDN notes |
|
|
|
|
"Revision 1990," 113 pages |
| Box.Folder |
| 244.1 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 244.2 |
|
|
|
|
Without RDN notes |
|
|
|
|
"Draft March 9, 1992," 117 pages |
| Box.Folder |
| 244.3 |
|
|
|
|
With RDN notes; lacking pages 115-117 |
| Box.Folder |
| 244.4 |
|
|
|
|
Without RDN notes; complete |
|
|
|
|
"Revision March 26, 1992," 140 pages |
| Box.Folder |
| 244.5 |
|
|
|
|
With RDN notes; marked "#1 (no cover)" |
| Box.Folder |
| 244.6 |
|
|
|
|
With RDN notes; marked "#2 (green cover)" |
| Box.Folder |
| 245.1-2 |
|
|
|
|
Without RDN notes |
|
|
|
|
"Revision April 22 [1992]," 136 pages |
| Box.Folder |
| 245.3 |
|
|
|
|
With RDN notes; inscribed "#3 all notes transferred from
March 26, 1992 (#1 no cover & green cover #2)" |
| Box.Folder |
| 245.4 |
|
|
|
|
With handwritten comments, photocopy |
| Box.Folder |
| 245.5 |
|
|
|
|
Without RDN notes or handwritten comments |
| Box.Folder |
| 246.1 |
|
|
|
"Revised draft May 8, 1992," 132 pages, with RDN notes |
|
|
|
|
Screenplay lacking title-page, 129 pages |
| Box.Folder |
| 246.2 |
|
|
|
|
With RDN notes and date on page l: "June 5th, '92" |
| Box.Folder |
| 246.3-5 |
|
|
|
|
Without RDN notes |
|
|
|
|
Screenplay lacking title-page; "Extreme" written at head of
page 1, 124 pages |
| Box.Folder |
| 247.1 |
|
|
|
|
With RDN notes and date on page 1: "June 5th, '92" |
| Box.Folder |
| 247.2 |
|
|
|
|
Without RDN notes |
| Box.Folder |
| 247.3 |
|
|
|
Screenplay lacking title-page; handwritten note on page 1:
"A Bronx Tale, June 13, 1992,
Chazz Palminteri," 116 pages, with RDN notes |
|
|
|
|
"Shooting draft, June 16, 1992," 115 pages |
| Box.Folder |
| 247.4 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 247.5 |
|
|
|
|
Without RDN notes |
|
|
|
|
"Shooting draft, June 18, 1992," 112 pages |
| Box.Folder |
| 247.6 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 248.1 |
|
|
|
|
Without RDN notes |
| Box.Folder |
| 248.2 |
|
|
|
"Shooting draft, June 22, 1992," 110 pages |
| Box.Folder |
| 248.3 |
|
|
|
"Shooting draft, June 24, 1992," 109 pages, with RDN notes |
| Box.Folder |
| 248.4 |
|
|
|
"Shooting draft, July 11, 1992," 110 pages, with RDN notes;
inscribed "all notes transferred to July 22nd copy (1992) &
finally to [illegible] in first script with colored pages" |
| Box.Folder |
| 248.5 |
|
|
|
"Shooting draft, July 22, 1992," 109 pages, with RDN notes |
| Box.Folder |
| 248.6 |
|
|
|
"Revised shooting draft, August 6, 1992," 112 pages, with
extensive notes in hand of another |
|
|
|
|
"Revised shooting draft, August 7, 1992," interleaved with
revisions through 28 January 1993, 112 pages |
| Box.Folder |
| 249.1 |
|
|
|
|
In looseleaf notebook with legend "All scripted notes" on
front cover; with notes by RDN and others throughout |
| Box.Folder |
| 249.2 |
|
|
|
|
In looseleaf notebook lacking legend on cover; with notes
by RDN and others throughout |
| Box.Folder |
| 249.3 |
|
|
|
|
Unbound and without notes |
| Box |
| 346 |
|
|
|
|
"Coded script" in three-ring binder |
| Box |
| 347 |
|
|
|
|
"Original lined script" with extensive notes by RDN in
three-ring binder |
| Box |
| 348 |
|
|
|
|
"Working script" with extensive notes by RDN in
three-ring binder |
| Box.Folder |
| 249.4 |
|
|
|
Pages from various script revisions, with RDN notes |
|
|
|
Production materials |
|
|
|
|
ADR (Automated Dialogue Replacement) |
| Box.Folder |
| 250.1 |
|
|
|
|
¼ inch sheets |
| Box.Folder |
| 250.2-251.5 |
|
|
|
|
Cue sheets |
| Box.Folder |
| 251.6 |
|
|
|
Audio receipts |
| Box.Folder |
| 251.7 |
|
|
|
"Call sheets" |
|
|
|
|
Camera reports (DuArt Film) |
| Box.Folder |
| 252.1-3 |
|
|
|
|
Part I, 1992 |
| Box.Folder |
| 252.4-5 |
|
|
|
|
Part II, 1992-1993 |
| Box.Folder |
| 253.1 |
|
|
|
Cast and contact lists |
| Box.Folder |
| 253.2 |
|
|
|
"Cast and crew party" (20 September 1992) |
| Box.Folder |
| 253.3 |
|
|
|
"Casting" (readings, callbacks, correspondence) |
| Box.Folder |
| 253.4 |
|
|
|
Casting tape log |
| Box.Folder |
| 253.5 |
|
|
|
"Conformation lists" |
| Box.Folder |
| 253.6-9 |
|
|
|
"Conformation sheets" |
| Box.Folder |
| 254.1 |
|
|
|
Correspondence |
| Box.Folder |
| 254.2 |
|
|
|
"Credits" (drafts and correspondence) |
| Box.Folder |
| 254.3 |
|
|
|
Credits (correspondence and lists) |
|
|
|
|
Crew résumés |
| Box.Folder |
| 254.4 |
|
|
|
|
Lists, assessments, notes |
| Box.Folder |
| 254.5 |
|
|
|
|
Story boards by Jeff Balsmeyer and others |
| Box.Folder |
| 254.6-7 |
|
|
|
"Dailies log" (removed from binder) |
| Box.Folder |
| 254.8-255.2 |
|
|
|
"Dailies Notes Book #1" (removed from binder) |
| Box.Folder |
| 255.3-6 |
|
|
|
"Dailies Notes Book #2"(removed from binder) |
| Box.Folder |
| 256.1 |
|
|
|
"Dailies--cross reference" (February-November 1993) (notes) |
| Box.Folder |
| 256.2 |
|
|
|
Daily script reports |
| Box.Folder |
| 256.3 |
|
|
|
"De Forest Research" (name and fact checking report) |
| Box.Folder |
| 256.4-6 |
|
|
|
DuArt Film Labs work orders |
| Box.Folder |
| 257.1-258.1 |
|
|
|
Editing and soundtrack notes in notebooks |
| Box.Folder |
| 258.2 |
|
|
|
Editing equipment inventory |
|
|
|
|
Extra scenes, scene rewrites, and script pages |
| Box.Folder |
| 258.3 |
|
|
|
|
"Anello apartment--different versions" (scene 61
rewrites) |
| Box.Folder |
| 258.4 |
|
|
|
|
"Bus scenes--different versions" (scene 54
rewrites) |
| Box.Folder |
| 258.5 |
|
|
|
|
Extra scenes, with note from Chazz Palminteri, 10 April
1992 |
| Box.Folder |
| 258.6 |
|
|
|
|
"Jane and C. walking" (scene 85, revised 8 November
1992) |
| Box.Folder |
| 258.7 |
|
|
|
|
"Script pages" (shooting draft of 7 August 1992 with
revisions through 19 January 1993) |
| Box.Folder |
| 258.8 |
|
|
|
"Film prints" (receipts and notes) |
| Box.Folder |
| 258.9-259.1 |
|
|
|
Footage logs |
| Box.Folder |
| 259.2 |
|
|
|
Jackets for crew |
| Box.Folder |
| 259.3 |
|
|
|
"Legal notes continued" |
| Box.Folder |
| 259.4 |
|
|
|
"LFOA lists" |
| Box.Folder |
| 259.5 |
|
|
|
"Lifts and alts" (on index cards) |
| Box.Folder |
| 259.6 |
|
|
|
"Locations" (maps and notes) |
|
|
|
|
Location files |
| Box.Folder |
| 260.1 |
|
|
|
|
30th Avenue, Queens |
|
|
|
|
|
30th Avenue addresses |
| Box.Folder |
| 260.2 |
|
|
|
|
|
35-06 to 42-11 |
| Box.Folder |
| 260.3 |
|
|
|
|
|
42-12 to 42-16 |
| Box.Folder |
| 260.4 |
|
|
|
|
|
42-20 to 43-16 |
| Box.Folder |
| 260.5 |
|
|
|
|
|
43-18 to 44-02 |
| Box.Folder |
| 260.6 |
|
|
|
|
|
44-03 to 44-07 |
| Box.Folder |
| 261.1 |
|
|
|
|
|
44-08 to 44-09 |
| Box.Folder |
| 261.2 |
|
|
|
|
|
44-10 to 44-15 |
| Box.Folder |
| 261.3 |
|
|
|
|
|
44-16 to 45-01 |
| Box.Folder |
| 261.4 |
|
|
|
|
|
45-02 to 45-08 |
| Box.Folder |
| 261.5 |
|
|
|
|
|
45-09 to 46-02 |
| Box.Folder |
| 261.6 |
|
|
|
|
43rd and 44th Streets, Queens |
| Box.Folder |
| 261.7 |
|
|
|
|
45th Street, Queens |
| Box.Folder |
| 262.1 |
|
|
|
|
Aqueduct Racetrack |
| Box.Folder |
| 262.2 |
|
|
|
|
Armory (Jersey City) |
| Box.Folder |
| 262.3 |
|
|
|
|
Bryant High School |
| Box.Folder |
| 262.4 |
|
|
|
|
Budgets |
| Box.Folder |
| 262.5 |
|
|
|
|
Catering |
| Box.Folder |
| 262.6 |
|
|
|
|
Contracts and location agreements |
| Box.Folder |
| 262.7 |
|
|
|
|
Correspondence |
| Box.Folder |
| 263.1 |
|
|
|
|
Holding areas |
| Box.Folder |
| 263.2 |
|
|
|
|
Insurance claims |
| Box.Folder |
| 263.3 |
|
|
|
|
Invoices and petty cash receipts |
| Box.Folder |
| 263.4 |
|
|
|
|
Jane's neighborhood (Sheepshead Bay) |
| Box.Folder |
| 263.5-7 |
|
|
|
|
"Jane's Neighborhood Contracts" (removed from
binder) |
| Box.Folder |
| 263.8 |
|
|
|
|
Location agreements |
| Box.Folder |
| 263.9 |
|
|
|
|
Location lists, maps, and agreements |
| Box.Folder |
| 263.10 |
|
|
|
|
Maps and directions |
| Box.Folder |
| 264.1 |
|
|
|
|
Parking |
| Box.Folder |
| 264.2 |
|
|
|
|
Permits and removals |
| Box.Folder |
| 264.3 |
|
|
|
|
Resumes |
| Box.Folder |
| 264.4 |
|
|
|
|
Scouting itineraries and survey notes |
| Box.Folder |
| 264.5 |
|
|
|
|
Security |
| Box.Folder |
| 264.6 |
|
|
|
|
Status reports |
| Box.Folder |
| 264.7 |
|
|
|
|
Various locations (30th Avenue and City
Island) |
|
|
|
|
Location photographs |
| Box.Folder |
| 265.1 |
|
|
|
|
Alley |
|
|
|
|
|
Anello Apartment |
| Box.Folder |
| 265.2 |
|
|
|
|
|
21st Ave., W. 22nd St., 29th St., 30th
Ave. |
| Box.Folder |
| 265.3 |
|
|
|
|
|
31st Ave., 33rd St., 35th St., W. 36th
St. |
| Box.Folder |
| 265.4 |
|
|
|
|
|
41st St., 46th St. |
| Box.Folder |
| 265.5 |
|
|
|
|
|
Waverly Place, W. 110th St, W. 111th St. |
| Box.Folder |
| 266.1-2 |
|
|
|
|
|
Various street names |
| Box.Folder |
| 266.3-4 |
|
|
|
|
|
West End Avenue |
| Box.Folder |
| 266.5 |
|
|
|
|
|
Apartments (no locations given) |
| Box.Folder |
| 266.6 |
|
|
|
|
Armory |
| Box.Folder |
| 267.1 |
|
|
|
|
Candy store, churches, confessional |
| Box.Folder |
| 267.2-3 |
|
|
|
|
City Island |
| Box.Folder |
| 267.4 |
|
|
|
|
Deuces Wild |
| Box.Folder |
| 267.5 |
|
|
|
|
Funeral home |
| Box.Folder |
| 267.6 |
|
|
|
|
Hallway |
| Box.Folder |
| 267.7-268.3 |
|
|
|
|
High schools |
| Box.Folder |
| 268.4-269.2 |
|
|
|
|
Jane's neighborhood |
| Box.Folder |
| 269.3 |
|
|
|
|
Jane's neighborhood/record store |
| Box.Folder |
| 269.4 |
|
|
|
|
Johnny's house |
| Box.Folder |
| 269.5-6 |
|
|
|
|
Mario's |
| Box.Folder |
| 270.1 |
|
|
|
|
Mid-Hudson Civic Center |
| Box.Folder |
| 270.2-271.4 |
|
|
|
|
Neighborhoods |
| Box.Folder |
| 271.5 |
|
|
|
|
Race tracks |
| Box.Folder |
| 271-6-7 |
|
|
|
|
Sunnyside Gardens |
|
|
|
|
|
Negatives |
| Box.Folder |
| 272.1 |
|
|
|
|
|
Alleyways |
| Box.Folder |
| 272.2 |
|
|
|
|
|
Anello Apartment |
| Box.Folder |
| 272.3 |
|
|
|
|
|
Armory, Churches, Confessionals |
| Box.Folder |
| 272.4 |
|
|
|
|
|
Belmont Racetrack |
| Box.Folder |
| 272.5 |
|
|
|
|
|
Deuces Wild, Funeral home, Hallways |
| Box.Folder |
| 272.6 |
|
|
|
|
|
Fire boxes, Holy Redeemer Church |
| Box.Folder |
| 272.7-8 |
|
|
|
|
|
High schools |
| Box.Folder |
| 272.9-10 |
|
|
|
|
|
Jane's Neighborhood |
| Box.Folder |
| 272.11 |
|
|
|
|
|
Johnny's house |
| Box.Folder |
| 272.12 |
|
|
|
|
|
Long Island City |
| Box.Folder |
| 272.13 |
|
|
|
|
|
Sunnyside Gardens |
| Box.Folder |
| 273.1 |
|
|
|
|
|
Unidentified negatives |
|
|
|
|
|
Negatives and prints |
| Box.Folder |
| 273.2 |
|
|
|
|
|
Mario's restaurant and other restaurants |
| Box.Folder |
| 273.3-4 |
|
|
|
|
|
Neighborhoods |
| Box.Folder |
| 273.5 |
|
|
|
|
Neighborhoods (duplicate prints) |
| Box.Folder |
| 274.1 |
|
|
|
"Looping" (ADR logs and notes) |
| Box.Folder |
| 274.2-3 |
|
|
|
"Looping (continued)" (notes, dialogue, cue
sheets) |
| Box.Folder |
| 274.4 |
|
|
|
"Miscellaneous" (production notes, contracts, location
matters) |
| Box.Folder |
| 274.5 |
|
|
|
"Music" (memos, correspondence, cues) |
| Box.Folder |
| 274.6 |
|
|
|
Music cues |
| Box.Folder |
| 274.7 |
|
|
|
Music inventory |
| Box.Folder |
| 274.8 |
|
|
|
Music permissions |
| Box.Folder |
| 274.9 |
|
|
|
"Music video" |
| Box.Folder |
| 275.1 |
|
|
|
"Narration" (texts and tape logs for voice-over narration) |
| Box.Folder |
| 275.2 |
|
|
|
"Narration cue sheets" |
| Box.Folder |
| 275.3 |
|
|
|
"Negative continuity copies" (list) |
| Box.Folder |
| 275.4 |
|
|
|
"Negative matching" (continuity list) |
| Box.Folder |
| 275.5 |
|
|
|
"Notes" (script development: correspondence, memos, draft
fragments) |
| Box.Folder |
| 275.6 |
|
|
|
Oneline and shooting schedules with crew list |
| Box.Folder |
| 275.7 |
|
|
|
"One liner" and "One liner editorial" (schedules) |
| Box.Folder |
| 275.8 |
|
|
|
"Opticals" |
| Box.Folder |
| 275.9 |
|
|
|
Permissions |
| Box.Folder |
| 275.10 |
|
|
|
"Post-production notes" (16 April 1993) |
| Box.Folder |
| 276.1 |
|
|
|
"Post-production schedules" |
| Box.Folder |
| 276.2 |
|
|
|
"Pre-production schedule" (June-August 1992) |
| Box.Folder |
| 276.3 |
|
|
|
"Preview--Chicago [and] Premiere--St. Louis" (summarized
responses) |
| Box.Folder |
| 276.4 |
|
|
|
"Preview--New York" (summarized responses) |
| Box.Folder |
| 276.5-6 |
|
|
|
"Preview questionnaires" (original response sheets [New
York]) |
|
|
|
|
Production photographs |
| Box.Folder |
| 276.7-8 |
|
|
|
|
Albums of production stills |
| Box.Folder |
| 276.9 |
|
|
|
|
Album of production stills (removed from binder) |
| Box |
| 349-350 |
|
|
|
|
Albums of production stills in presentation bindings |
| Box.Folder |
| 277.1 |
|
|
|
|
Audition Polaroids |
| Box.Folder |
| 277.2 |
|
|
|
|
Cast photographs and personal data sheets |
|
|
|
|
|
Hair and makeup continuity photographs |
| Box.Folder |
| 277.3 |
|
|
|
|
|
Cast, last names B-C |
| Box.Folder |
| 277.4 |
|
|
|
|
|
Cast, last names D-N |
| Box.Folder |
| 277.5 |
|
|
|
|
|
Cast, last names P-Z |
| Box.Folder |
| 277.6 |
|
|
|
|
|
Cast members (removed from binder) |
| Box.Folder |
| 278.1 |
|
|
|
|
|
RDN |
| Box.Folder |
| 278.2 |
|
|
|
|
|
Extras and small roles |
| Box.Folder |
| 278.3 |
|
|
|
|
|
African-American extras |
| Box.Folder |
| 278.4 |
|
|
|
|
|
Caucasian female extras, age 8-30 |
| Box.Folder |
| 278.5 |
|
|
|
|
|
Caucasian female extras, age 30 up |
| Box.Folder |
| 278.6 |
|
|
|
|
|
Caucasian male extras, injuries, backs of heads |
| Box.Folder |
| 278.7 |
|
|
|
|
|
Female extras |
| Box.Folder |
| 278.8 |
|
|
|
|
|
Mafia girls (extras) |
|
|
|
|
|
Location and property continuity photographs |
| Box.Folder |
| 279.1 |
|
|
|
|
|
Alley--basement |
| Box.Folder |
| 279.2 |
|
|
|
|
|
Bus |
| Box.Folder |
| 279.3 |
|
|
|
|
|
Anello Apartment, boxing ring, candy store, Chez
Bippy, church, Deuces Wild, Drago, fruit market |
| Box.Folder |
| 279.4 |
|
|
|
|
|
Funeral |
| Box.Folder |
| 279.5 |
|
|
|
|
|
Gino's, Laundromat/pharmacy/chicken coop, night, pork
store, school, shoe store, Sophia's TV shop, street
shots--day |
| Box.Folder |
| 280.1 |
|
|
|
|
Polaroids of crew |
| Box.Folder |
| 280.2 |
|
|
|
|
Production photographs (removed from binder) |
| Box.Folder |
| 280.3-4 |
|
|
|
|
Production photographs and stills |
| Box.Folder |
| 280.5 |
|
|
|
|
Production stills |
| Box.Folder |
| 351.3, 352-357 |
|
|
|
|
Production stills (contact sheets) |
| Box.Folder |
| 280.6-7 |
|
|
|
|
Production stills (slides) |
|
|
|
|
|
|
Color slides, negatives, and prints (removed from
binders) |
| Box.Folder |
| 281.1-3 |
|
|
|
|
|
|
Binder 1 |
| Box.Folder |
| 281.4-282.2 |
|
|
|
|
|
|
Binder 2 |
| Box.Folder |
| 282.3-6 |
|
|
|
|
|
|
Binder 3 |
| Box.Folder |
| 283.1-4 |
|
|
|
|
|
|
Binder 4 |
| Box.Folder |
| 283.5-284.2 |
|
|
|
|
|
|
Binder 5 |
| Box.Folder |
| 284.3-6 |
|
|
|
|
|
|
Binder 6 |
| Box.Folder |
| 285.1-2 |
|
|
|
|
|
Color slides and negatives (not originally in
binders) |
| Box.Folder |
| 285.3 |
|
|
|
|
Snapshots of cast and crew |
|
|
|
|
|
Wardrobe continuity pages (removed from binder)
|
| Box.Folder |
| 285.4 |
|
|
|
|
|
Female principals |
| Box.Folder |
| 285.5-286.4 |
|
|
|
|
|
Male principals |
| Box.Folder |
| 286.5 |
|
|
|
|
|
Minor roles |
|
|
|
|
|
Wardrobe continuity Polaroids (extras) |
| Box.Folder |
| 287.1 |
|
|
|
|
|
Male extras (arranged by wardrobe number, various
scenes) |
| Box.Folder |
| 287.2 |
|
|
|
|
|
Scenes 1-12 |
| Box.Folder |
| 287.3 |
|
|
|
|
|
Scenes 13-17 |
| Box.Folder |
| 287.4 |
|
|
|
|
|
Scenes 17-25 |
| Box.Folder |
| 287.5 |
|
|
|
|
|
Scenes 29-42 |
| Box.Folder |
| 287.6 |
|
|
|
|
|
Scenes 39-44 |
| Box.Folder |
| 288.1 |
|
|
|
|
|
Scenes 45-57 |
| Box.Folder |
| 288.2 |
|
|
|
|
|
Scenes 57-67 |
| Box.Folder |
| 288.3 |
|
|
|
|
|
Scenes 68-80 |
| Box.Folder |
| 288.4 |
|
|
|
|
|
Scenes 87-118 |
|
|
|
|
|
Wardrobe continuity Polaroids and tags (extras)
|
| Box.Folder |
| 288.5 |
|
|
|
|
|
Scenes 1 and 2 |
| Box.Folder |
| 288.6 |
|
|
|
|
|
Day 2, Scenes 2-14 |
| Box.Folder |
| 289.1 |
|
|
|
|
|
Scenes 24-37 |
| Box.Folder |
| 289.2 |
|
|
|
|
|
Scenes 38-56 |
| Box.Folder |
| 289.3 |
|
|
|
|
|
Scenes 57-63 |
| Box.Folder |
| 289.4 |
|
|
|
|
|
Scenes 64-68 |
| Box.Folder |
| 289.5 |
|
|
|
|
|
Scenes 69-116 |
| Box.Folder |
| 290.1-292.5 |
|
|
|
|
|
Wardrobe Polaroids and tags (extras) |
| Box.Folder |
| 293.1-6 |
|
|
|
|
Wardrobe tags (extras) |
| Box.Folder |
| 294.1-5 |
|
|
|
|
Wardrobe Polaroids and tags (extras) (originally housed
on metal ring and wire hanger) |
| Box.Folder |
| 295.1-296.3 |
|
|
|
|
Wardrobe Polaroids and tags ("Aftermath" and "Jane's
neighborhood") (originally housed on wire hangers) |
| Box.Folder |
| 296.4 |
|
|
|
|
Wardrobe Polaroids and tags ("Wiseguys")
(extras)(originally housed on wire hanger) |
| Box.Folder |
| 296.5 |
|
|
|
|
Wardrobe Polaroids and tags, stunt doubles (originally
housed on wire hanger) |
| Box.Folder |
| 297.1-5 |
|
|
|
|
Wardrobe Polaroid, tags, and notes removed from costume
boxes |
| Box.Folder |
| 298.1 |
|
|
|
"RDN correspondence" (letters of congratulation and personal
notes in response to film) |
| Box.Folder |
| 298.2 |
|
|
|
"RDN cutting notes" |
| Box.Folder |
| 298.3 |
|
|
|
"RDN personal notes" |
| Box.Folder |
| 298.4 |
|
|
|
"RDN screening notes" |
| Box.Folder |
| 298.5 |
|
|
|
"Readings," 12 June 1992 |
| Box.Folder |
| 298.6 |
|
|
|
Rehearsal tape log book, July-August 1992 |
| Box.Folder |
| 298.7 |
|
|
|
"Scene notes" |
|
|
|
|
"Scratch mix cue sheets" |
| Box.Folder |
| 298.8 |
|
|
|
|
April-May 1993 |
| Box.Folder |
| 299.1 |
|
|
|
|
June-July 1993 |
|
|
|
|
Set models |
| Box |
| 369 |
|
|
|
|
"Chez Bippy's" |
| Box |
| 370 |
|
|
|
|
Calogero's block, with model cars |
| Box |
| 358 |
|
|
|
Sheet music (covers only) for soundtrack music in album with
presentation binding |
| Box.Folder |
| 299.2 |
|
|
|
"Shooting schedule," 25 August 1992 |
| Box.Folder |
| 299.3 |
|
|
|
"Shot list" |
| Box |
| 359-367 |
|
|
|
Sound effects cue sheets |
|
|
|
|
Sound reports (New Deal Inc.), 1992-1993 |
| Box.Folder |
| 299.4 |
|
|
|
|
Originals |
| Box.Folder |
| 299.5 |
|
|
|
|
Photocopies |
| Box.Folder |
| 351.1 |
|
|
|
Soundtrack materials: mockup designs of CD booklet and
one-sheet posters for in-store display |
| Box.Folder |
| 299.6 |
|
|
|
"Storyboards" (drafts), August 1992 |
| Box.Folder |
| 299.7 |
|
|
|
Storyboards by Jeff Balsmeyer, spiral-bound, 27 April 1992 |
| Box |
| 368 |
|
|
|
Storyboards by Jeff Balsmeyer and Jon Davis, photocopies in
three-ring binder, 21 August 1992 |
| Box.Folder |
| 300.1 |
|
|
|
"Time continuity" (draft), 7 August 1992 |
| Box.Folder |
| 300.2 |
|
|
|
"Timing" (estimated timing), 5 July 1992 |
| Box.Folder |
| 300.3 |
|
|
|
TV/airline edits |
| Box.Folder |
| 300.4 |
|
|
|
"Wild tracks" (list) |
|
|
|
Publicity materials |
| Box.Folder |
| 300.5 |
|
|
|
Academy screening invitation and press kits |
| Box.Folder |
| 300.6 |
|
|
|
Audience survey reports |
| Box.Folder |
| 300.7 |
|
|
|
Film Festival--International Film Festival in St. Petersburg
press kit |
| Box.Folder |
| 300.8 |
|
|
|
"Film festival--Toronto" (schedules) |
|
|
|
|
"Film festival--Venice" |
| Box.Folder |
| 300.9 |
|
|
|
|
Master English spotting and subtitle list |
| Box.Folder |
| 300.10 |
|
|
|
|
Correspondence and schedules |
| Box.Folder |
| 300.11 |
|
|
|
International publicity (correspondence and schedules) |
| Box.Folder |
| 300.12-301.3 |
|
|
|
Kill sheets, notes, and captions for publicity stills |
| Box.Folder |
| 301.4 |
|
|
|
"One sheet" (correspondence regarding one sheet poster) |
| Box.Folder |
| 301.5 |
|
|
|
"Premiere guest list" (multiple lists) |
| Box.Folder |
| 301.6-302.1 |
|
|
|
Press clippings (removed from binder) |
| Box.Folder |
| 302.2 |
|
|
|
Press clippings |
| Box.Folder |
| 302.3-4 |
|
|
|
Press kits |
| Box.Folder |
| 302.5 |
|
|
|
"Savoy" (media recommendation report), 19 July 1993
|
| Box.Folder |
| 302.6 |
|
|
|
Screening pass |
| Box.Folder |
| 302.7 |
|
|
|
"Screenings--Press" (guest lists) |
| Box.Folder |
| 302.8 |
|
|
|
"Trailer information" (distribution and audience reaction) |
| Box.Folder |
| 302.9-10 |
|
|
|
UK reviews |
|
|
|
Research materials |
| Box.Folder |
| 303.1 |
|
|
|
"Bus driving info" (exams and manuals) |
| Box.Folder |
| 303.2 |
|
|
|
"Ilona Herman research photos, 1958-1962" |
|
|
|
|
Bound volumes |
| BV |
| 275 |
|
|
|
|
Atlantic Rhythm and Blues,
1947-1974 (1991) (Booklet issued with CD box set;
audio recordings were not received by HRC) |
| BV |
| 276 |
|
|
|
|
The Complete Stax Volt Singles
1959-1968 (1991) (Booklet issued with CD box set;
audio recordings were not received by HRC) |
| BV |
| 277 |
|
|
|
|
Gribin, Dr. Anthony J. and Schiff, Dr. Matthew M. Doo-Wop: The Forgotten Third of Rock 'n
Roll (1992) |
| BV |
| 278 |
|
|
|
|
Silvani, Lou. Collecting Rare
Records (1992) |
| BV |
| 279 |
|
|
|
|
Whitburn, Joel. Joel Whitburn
Presents Billboard's Top 10 Charts: A Week By Week History
of the Hot 100, 1958-1988 (1988) |
|
|
|
Cape Fear (1991) |
|
|
|
Screenplays, 1962 version |
| Box.Folder |
| 21.6-7 |
|
|
|
20 March 1961, final screenplay by James R. Webb, two copies;
no RDN notes |
|
|
|
|
8 March 1962, "continuity and dialogue on Gregory Peck,
Robert Mitchum, Polly Bergen" |
| Box.Folder |
| 22.1 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 22.2 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 22.3 |
|
|
Screenplay by Donald E. Westlake, undated; with RDN
notes |
|
|
|
Screenplays by Wesley Strick; all with RDN notes unless otherwise
stated |
| Box.Folder |
| 22.4 |
|
|
|
2 November 1989, first draft |
| Box.Folder |
| 22.5-6 |
|
|
|
8 December 1989, revised first draft, two
versions |
| Box.Folder |
| 22.7 |
|
|
|
10 August 1990 |
| Box.Folder |
| 23.1 |
|
|
|
27 August 1990 |
| Box.Folder |
| 23.2 |
|
|
|
31 August 1990, "accent script" |
| Box.Folder |
| 23.3 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 23.4 |
|
|
|
4 October 1990, no RDN notes |
| Box.Folder |
| 23.5 |
|
|
|
10 October 1990 |
| Box.Folder |
| 23.6 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 23.7 |
|
|
|
17 October 1990 |
| Box.Folder |
| 23.8 |
|
|
|
24 October 1990 |
| Box.Folder |
| 24.1 |
|
|
|
5 November 1990 |
| Box.Folder |
| 24.2 |
|
|
|
|
No RDN notes |
|
|
|
|
16 November 1990 and subsequent revisions |
| Box.Folder |
| 24.3 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 24.4-5 |
|
|
|
|
8 January 1991, two versions |
| Box.Folder |
| 24.6 |
|
|
|
|
21 January 1991, no RDN notes |
| Box.Folder |
| 24.7-25.1 |
|
|
|
|
|
Continuity script with production lists, no RDN
notes |
| Box.Folder |
| 25.2 |
|
|
|
RDN handwritten notes re script and production |
| Box.Folder |
| 25.3-4 |
|
|
|
Script sections, August 1990-February 1991 |
|
|
|
Production materials |
| Box.Folder |
| 25.5 |
|
|
|
Automated dialogue replacement (ADR) line sheets |
| Box.Folder |
| 25.6 |
|
|
|
Casting, includes correspondence re directors |
| Box.Folder |
| 25.7 |
|
|
|
Correspondence, notes, miscellaneous print
material |
| Box.Folder |
| 25.8-9 |
|
|
|
Dialogue notes, Sam Chwat |
| Box.Folder |
| 25.10 |
|
|
|
One-liner schedules |
|
|
|
|
Photographs |
| Box.Folder |
| 26.1 |
|
|
|
|
Crew photograph |
| Box.Folder |
| 26.2-8 |
|
|
|
|
Make-up continuity |
| Box.Folder |
| 26.9 |
|
|
|
|
Make-up tests, contact prints; includes stunt-double,
female cast member, and crew/set |
| Box.Folder |
| 27.1-6 |
|
|
|
|
Stills |
| Box.Folder |
| 27.7 |
|
|
|
|
Tattoos, "day III test" |
| Box.Folder |
| 27.8 |
|
|
|
|
Tattoos, "final" |
| Box |
| 331 |
|
|
|
|
Album of stills and production photographs in
presentation binding, undated |
| Box.Folder |
| 376.4 |
|
|
|
|
Portrait of RDN |
| Box.Folder |
| 27.9 |
|
|
|
Shooting schedules |
| Box.Folder |
| 27.10 |
|
|
|
Storyboards, with RDN notes |
| Box.Folder |
| 28.1-3* |
|
|
|
Tattoo designs; correspondence (*tattoos on cardboard sheets
removed to oversize folder) |
| Box.Folder |
| 28.4* |
|
|
|
Visual images in photographic, postcard, and print formats,
considered for set design of Max Cady's cell wall; lobby card for
1962 Cape Fear (*oversize photographs
and print material removed to oversize box 203) |
| Box.Folder |
| 28.5 |
|
|
|
Wardrobe continuity sheets and lists |
| Box.Folder |
| 233.6 |
|
|
|
"Wrap gift" design and recipients list, 1991 |
|
|
|
Publicity materials |
| Box.Folder |
| 28.6-7 |
|
|
|
Articles and reviews |
| Box.Folder |
| 29.1-2* |
|
|
|
Press kits (*oversize photograph removed to box
203) |
| Box.Folder |
| 29.3 |
|
|
|
Screening invitations, screening cards, tickets to premiere
showing, contact print including Scorsese and cast at premiere
[?] |
|
|
|
Research materials |
| Box.Folder |
| 29.4 |
|
|
|
Bible concordances |
| Box.Folder |
| 29.5-6 |
|
|
|
Friesen, Melanie (Cappa Productions researcher); memoranda
and associated research material |
| Box.Folder |
| 29.7 |
|
|
|
"Georgia Codes -- rape penalties" |
| Box.Folder |
| 29.8 |
|
|
|
"Killer: A Journal of Murder," by Thomas E. Gaddis and James
O. Long; photocopy |
| Box.Folder |
| 30.1-2 |
|
|
|
Law enforcement, lawyers, legal cases |
| Box.Folder |
| 30.3 |
|
|
|
Make-up research, slides, and photographs of burn
victims |
| Box.Folder |
| 30.4 |
|
|
|
Messiah complex |
| Box.Folder |
| 30.5 |
|
|
|
Music audio tapes, description of |
| Box.Folder |
| 30.6 |
|
|
|
Neurotic vindictiveness, Karen Horney material |
| Box.Folder |
| 30.7 |
|
|
|
Nietzsche |
| Box.Folder |
| 30.8 |
|
|
|
Pentecostal |
| Box.Folder |
| 30.9-10 |
|
|
|
Prisons and prisoners |
| Box.Folder |
| 30.11-12 |
|
|
|
Rape |
| Box.Folder |
| 31.1 |
|
|
|
Revenge, with RDN notes |
| Box.Folder |
| 31.2 |
|
|
|
Serial killers |
| Box.Folder |
| 31.3 |
|
|
|
Torture |
| Box.Folder |
| 31.4 |
|
|
|
Miscellaneous research materials |
|
|
|
|
Bound volumes |
| BV |
| 28-29 |
|
|
|
|
Abbott, Jack Henry. In the Belly
of the Beast: Letters from Prison (1982); two
copies |
| BV |
| 30* |
|
|
|
|
Agee, James and Walker Evans. Let
Us Now Praise Famous Men (1988) (*loose items
withdrawn) |
| BV |
| 31 |
|
|
|
|
Bible Explainer and
Concordance (1930) |
| BV |
| 32* |
|
|
|
|
Camhi, Morrie. The Prison
Experience (1989) (*annotated by RDN; loose items
withdrawn) |
| BV |
| 33 |
|
|
|
|
Chesi, Gert. Faith Healers in the
Philippines (1981) |
| BV |
| 34 |
|
|
|
|
Cunningham's Text-Book of
Anatomy (1947); inscribed to RDN by Ilona
Herman |
| BV |
| 35* |
|
|
|
|
Ewald, Wendy. Portraits and
Dreams (1985) (*loose items withdrawn) |
| BV |
| 36* |
|
|
|
|
Greenberg, Alan. Love in Vain: The
Life and Legend of Robert Johnson (1983) (*loose
items withdrawn) |
| BV |
| 37* |
|
|
|
|
Hall, Douglas Kent. In
Prison (1988) (*loose items withdrawn) |
| BV |
| 38* |
|
|
|
|
Helps to the Study of the
Bible (pre-1902) (*loose items withdrawn contain RDN
annotation) |
| BV |
| 39-40* |
|
|
|
|
Hoffman, Ethan and John McCoy. Concrete Mama: Prison Profiles from Walla Walla
(1981); hardback and paperback (*loose items withdrawn from
BV39) |
| BV |
| 41 |
|
|
|
|
Holy Bible, King James
version (1982) |
| BV |
| 42* |
|
|
|
|
Holy Bible, revised
standard version (Meridian, 1974) (*loose items
withdrawn) |
|
|
|
|
|
Horney, Karen |
| BV |
| 43 |
|
|
|
|
|
Neurosis and Human Growth: The
Struggle Toward Self-Realization
(1970) |
| BV |
| 44 |
|
|
|
|
|
Our Inner Conflicts: A
Constructive Theory of Neurosis
(1972) |
| BV |
| 45* |
|
|
|
|
Jackson, Bruce. Killing Time: Life
in the Arkansas Penitentiary (1977) (*loose items
withdrawn) |
| BV |
| 46 |
|
|
|
|
Jargon Society. The Appalachian
Photographs of Doris Ulman (1971) |
| BV |
| 47* |
|
|
|
|
Johns, Catherine. Sex or Symbol:
Erotic Images of Greece and Rome (1982) (*loose
items withdrawn) |
| BV |
| 48* |
|
|
|
|
Krousher, Richard W. Physical
Interrogation Techniques (1985) (*loose items
withdrawn) |
| BV |
| 49 |
|
|
|
|
Lauterer, Jock. Runnin' on the
Rims (1986) |
| BV |
| 50 |
|
|
|
|
Levy, Builder. Images of
Appalachian Coalfields (1989) |
|
|
|
|
|
Lyon, Danny |
| BV |
| 51* |
|
|
|
|
|
Conversations with the
Dead (1971) (*page 129 annotated by RDN; loose items
withdrawn) |
| BV |
| 52 |
|
|
|
|
|
The Autobiography of Billy
McCune (1973) |
| BV |
| 53 |
|
|
|
|
Magee, Bryan. The Great
Philosophers: An Introduction to Western Philosophy
(1989) |
| BV |
| 54* |
|
|
|
|
Mandelbaum, Allen. The Divine
Comedy of Dante Alighieri: A Verse Translation
(1982) (*Canto XXXII to Canto XXXIV, pages 292-317 paper-clipped
together) |
| BV |
| 55 |
|
|
|
|
Michaud, Stephen G. and Hugh Aynesworth. The Only Living Witness: A True Account of
Homicidal Insanity (1989) |
| BV |
| 56* |
|
|
|
|
Mitchell, Stephen. The Book of
Job (1987) (*loose item withdrawn includes RDN
notes) |
| BV |
| 57* |
|
|
|
|
The New International Version
(NIV) Topical Study Bible (1989) (*loose items
withdrawn include RDN notes) |
| BV |
| 58-59* |
|
|
|
|
The New Strong's Concordance of
the Bible (1985); two copies (*loose items withdrawn
from BV58 include RDN notes) |
| BV |
| 60 |
|
|
|
|
Nietzsche, Friedrich. The Will to
Power (1968) |
| BV |
| 61 |
|
|
|
|
Schreck, Nikolas, ed. The Manson
File (1988) |
| BV |
| 62 |
|
|
|
|
Torture in the Eighties: An
Amnesty International Report (1984) |
| BV |
| 63* |
|
|
|
|
Vale, V. and Andrea Juno. Modern
Primitives (1989) (*loose items
withdrawn) |
| BV |
| 64 |
|
|
|
|
Vaughan, William. German Romantic
Painting (1980) |
| BV |
| 65 |
|
|
|
|
Voices For Freedom
(1986) |
| BV |
| 66* |
|
|
|
|
Warnke, Martin. Peter Paul Rubens:
Life and Work (1980) (*loose items
withdrawn) |
|
|
|
Casino (1995) |
|
|
|
Screenplays, by Nicholas Pileggi and Martin Scorsese; all with
RDN notes unless otherwise stated |
| Box.Folder |
| 31.5 |
|
|
|
December 1993, first draft, with Scorsese's notes and letter
from Pileggi to Scorsese; no RDN notes |
| Box.Folder |
| 31.6 |
|
|
|
1 February 1994, "rough fourth draft" |
| Box.Folder |
| 31.7 |
|
|
|
11 February 1994, "rough fifth draft" |
| Box.Folder |
| 32.1 |
|
|
|
21 February 1994, sixth draft |
|
|
|
|
1 March 1994, seventh draft |
| Box.Folder |
| 32.2 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 32.3 |
|
|
|
|
No RDN notes; fax from Pileggi to Scorsese including note
from Scorsese to RDN |
| Box.Folder |
| 32.4 |
|
|
|
7 March 1994, eighth draft |
| Box.Folder |
| 32.5 |
|
|
|
21 March 1994, ninth draft; fax from Ellen [Lewis] re
casting |
| Box.Folder |
| 32.6 |
|
|
|
29 March 1994, tenth draft |
|
|
|
|
6 April 1994, reading draft |
| Box.Folder |
| 33.1 |
|
|
|
|
With RDN notes and note from Barbara De Fina |
| Box.Folder |
| 33.2 |
|
|
|
|
No RDN notes |
|
|
|
|
18 April 1994, eleventh draft |
| Box.Folder |
| 33.3 |
|
|
|
|
With RDN notes; includes scene breakdown |
| Box.Folder |
| 33.4 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 33.5 |
|
|
|
2 May 1994, twelfth draft |
|
|
|
|
9 May 1994, "draft 12A" |
| Box.Folder |
| 33.6 |
|
|
|
|
With RDN notes and note from Scorsese |
| Box.Folder |
| 33.7 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 34.1 |
|
|
|
28 July 1994, "draft 12D" |
| Box.Folder |
| 34.2 |
|
|
|
28 July 1994, draft 14; no RDN notes |
| Box.Folder |
| 34.3 |
|
|
|
5 August 1994 revision, "Ace version," with faxes from
Pileggi; no RDN notes |
|
|
|
|
Draft 12F, "15th draft. LA plus FR Boca changes" |
| Box.Folder |
| 34.4 |
|
|
|
|
8 August 1994 |
| Box.Folder |
| 34.5 |
|
|
|
|
19 August 1994 |
| Box.Folder |
| 34.6 |
|
|
|
|
20 August 1994, with informal photographs of RDN,
Scorsese, and others |
| Box.Folder |
| 35.1 |
|
|
|
26 August 1994, draft 16 |
|
|
|
|
2 September 1994, shooting script revisions |
| Box.Folder |
| 35.2 |
|
|
|
|
13 September 1994 |
| Box.Folder |
| 35.3 |
|
|
|
|
14 September 1994 |
| Box.Folder |
| 35.4 |
|
|
|
|
1 November 1994, 17th draft, "Ilona's [Herman] script
notes," with wardrobe photographs and one-liner continuity
breakdown |
| Box.Folder |
| 35.5-6 |
|
|
|
|
10 November 1994, no RDN notes |
|
|
|
|
Voice-over scripts, for "Ace" |
| Box.Folder |
| 36.1 |
|
|
|
|
31 January 1995 |
| Box.Folder |
| 36.2 |
|
|
|
|
6 July 1995 |
| Box.Folder |
| 36.3 |
|
|
|
|
19 July 1995, with RDN notes |
| Box.Folder |
| 36.4-5 |
|
|
|
Script fragments with RDN notes, various dates |
| Box.Folder |
| 36.6 |
|
|
|
Correspondence re script changes and related research, 4
August-22 September 1994 |
| Box.Folder |
| 37.1 |
|
|
|
Notes for script drafts, Scorsese and Pileggi |
|
|
|
Production and publicity materials |
| Box.Folder |
| 37.2 |
|
|
|
Casting, memos, schedules; DVD packaging color
copy |
| Box.Folder |
| 37.3 |
|
|
|
Correspondence, production and personal, with notes from Don
Rickles, Sharon Stone, and others; copy of letter from Steve Allen
to Scorsese re Frank Rosenthal |
| Box.Folder |
| 37.4 |
|
|
|
Las Vegas information packet |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
|
|
|
|
Photographs |
|
|
|
|
|
Make-up/hair continuity |
| Box.Folder |
| 37.5-7 |
|
|
|
|
|
Polaroids, with scene numbers |
| Box.Folder |
| 37.8-38.2 |
|
|
|
|
|
Prints and contact prints, photographed 20 September
1994 to 1 January 1995 |
|
|
|
|
|
Stills, September 1994-January 1995 |
| Box.Folder |
| 38.3-6* |
|
|
|
|
|
Black-and-white prints (*oversize print removed to
box 207) |
| Box.Folder |
| 38.7-39.3 |
|
|
|
|
|
Color prints |
| Box.Folder |
| 39.4-7 |
|
|
|
|
Wardrobe tests, prints, 9 September 1994 |
| Box.Folder |
| 39.8 |
|
|
|
|
Wardrobe and prop continuity Polaroids |
| Box |
| 179 |
|
|
|
|
Wardrobe continuity book, includes cloth samples,
facsimile |
| Box |
| 332 |
|
|
|
|
Album of stills and production photographs in
presentation binding, undated |
|
|
|
Research materials |
|
|
|
|
Bound volumes |
| BV |
| 67 |
|
|
|
|
Johnston, David. Temples of
Chance: How America Inc. Bought out Murder Inc. to Win
Control of the Casino Business (1992) |
| BV |
| 68 |
|
|
|
|
Life: The First Fifty Years,
1936-1986 (1987) |
| BV |
| 69-70* |
|
|
|
|
Puzo, Mario. Inside Las
Vegas (1977), two copies (*loose items withdrawn from
BV70) |
| BV |
| 71* |
|
|
|
|
Roemer, William F., Jr. The
Enforcer: Spilotro--The Chicago Mob's Man over Las
Vegas (1994) (*annotated by RDN) |
| Box |
| 180 |
|
|
|
"Casino notes," including biographies and interviews, with
binder |
| Box.Folder |
| 40.1 |
|
|
|
"Excerpts from the testimony of Mr. Allen R. Glick," November
1985 |
|
|
|
|
Interview transcripts |
| Box.Folder |
| 40.2 |
|
|
|
|
Cullotta, Frank; 13 July 1994 |
| Box.Folder |
| 40.3 |
|
|
|
|
Ehrenberg, Murray; 23 August 1994 |
| Box.Folder |
| 40.4-6 |
|
|
|
"Research haircuts (Ilona) [Herman], photos and magazines,
1965-1984" |
|
|
|
City by the Sea
(2002) |
| Box.Folder |
| 41.1 |
|
|
"Mark of a Murderer," by Mike McAlary, Esquire, September 1997, photocopy of article upon which
film is based |
|
|
|
Screenplay by Michael Caton-Jones, Frank Pierson, and Ken
Hixon |
| Box.Folder |
| 41.2 |
|
|
|
24 September 1999; no RDN notes |
| Box.Folder |
| 233.7-8 |
|
|
|
6 November 2000, no RDN notes (2 copies) |
|
|
|
Production and publicity materials |
| Box.Folder |
| 41.3 |
|
|
|
Correspondence re script and television automated dialogue
replacement (ADR) sessions |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box |
| 181 |
|
|
|
Wardrobe continuity book (Marcie's copy), including 6
November 2000 script marked for RDN's character,
facsimile |
|
|
|
Cop Land (1997) |
|
|
|
Screenplays, by James Mangold |
| Box.Folder |
| 41.4 |
|
|
|
April 1996, script pages sent to RDN from Mangold |
| Box.Folder |
| 41.5 |
|
|
|
3 June 1996, shooting script with inserted pages; with RDN
notes |
|
|
|
Production materials |
| Box.Folder |
| 41.6 |
|
|
|
Contact and crew lists |
| Box.Folder |
| 41.7 |
|
|
|
Continuity photographs |
| Box.Folder |
| 41.8 |
|
|
|
Correspondence re script, wardrobe, character image,
1996-2000 |
| Box |
| 203 |
|
|
|
Poster proof on foamcore |
| Box.Folder |
| 41.9 |
|
|
Research material, "Mock Interrogation" typescripts |
|
|
|
Cuba and His Teddy Bear, play,
screenplay, and teleplay versions by Reinaldo Povod; with RDN notes
unless otherwise stated |
|
|
|
Theater productions |
|
|
|
|
Playscripts |
| Box.Folder |
| 41.10 |
|
|
|
|
9 October 1985, version C |
| Box.Folder |
| 42.1-2 |
|
|
|
|
25 January 1986, version D |
| Box.Folder |
| 42.3-4 |
|
|
|
|
27 August 1986, bound and unbound copies; no RDN
notes |
| Box.Folder |
| 42.5 |
|
|
|
Associated material and photographs |
|
|
|
|
Correspondence |
| Box.Folder |
| 42.6 |
|
|
|
|
Congratulatory |
| Box.Folder |
| 42.7 |
|
|
|
|
Production |
| Box.Folder |
| 43.1-2 |
|
|
|
Programs |
| Box.Folder |
| 43.3 |
|
|
|
Publicity, magazine and newspaper reviews |
|
|
|
Teleplay drafts |
| Box.Folder |
| 43.4 |
|
|
|
27 August 1986 |
| Box.Folder |
| 43.5 |
|
|
|
18 December 1986, second draft |
|
|
|
Screenplay, undated first draft |
| Box.Folder |
| 43.6 |
|
|
|
With RDN notes |
| Box.Folder |
| 43.7 |
|
|
|
No RDN notes |
|
|
|
The Deer Hunter (1978) |
|
|
|
Screenplays, by Michael Cimino |
| Box.Folder |
| 44.1 |
|
|
|
20 February 1977, second draft written with Deric Washburn;
no RDN notes |
| Box.Folder |
| 44.2-3 |
|
|
|
1 March 1977, third draft, two copies; no RDN
notes |
| Box |
| 183 |
|
|
|
|
Shooting script, with RDN notes; production and research
material in front pocket |
|
|
|
Production materials |
| Box.Folder |
| 44.4 |
|
|
|
Handwritten notes by RDN in spiral notebook, re script and
Vronsky character, including entries for Raging Bull; song lyrics for "Can't Take My Eyes Off You," with
RDN notes |
|
|
|
Publicity material |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 44.5* |
|
|
|
Stills, Time article on film
and Vietnam, 23 April 1979; congratulatory telegram for RDN's
academy award nomination; screening invitations (*advertising
brochure, artwork for publicity, and inscribed photograph of lead
actors with Cimino removed to oversize box 207) |
| Box.Folder |
| 233.9-234.1 |
|
|
|
Articles on the film, 1979-1980 |
|
|
|
Research materials |
| Box.Folder |
| 44.6-7 |
|
|
|
Articles on prisoners of war |
| Box.Folder |
| 45.1 |
|
|
|
Articles on Vietnam; photographs of soldiers |
| Box.Folder |
| 45.2 |
|
|
|
"The First Three Years," pictorial history of the 173rd
Airborne Brigade, photocopy |
| Box.Folder |
| 45.3 |
|
|
|
First-hand accounts by U. S. soldiers in Vietnam |
| Box.Folder |
| 45.4 |
|
|
|
"Individual Weapons & Markmanship--ROTC Manual,"
photocopy |
| Box.Folder |
| 45.5 |
|
|
|
"The MATA Handbook for Vietnam," photocopy |
| Box.Folder |
| 45.6 |
|
|
|
"Ranger Handbook," U. S. Army Infantry School, Fort Benning,
Georgia, 1972; articles on Army Rangers |
| Box.Folder |
| 46.1 |
|
|
|
"Small Arms Identification and Operation Guide--Eurasian
Communist Countries," photocopy |
| Box.Folder |
| 46.2 |
|
|
|
Wildlife and hunting information |
|
|
|
|
Bound volumes |
| BV |
| 72* |
|
|
|
|
Caputo, Philip. A Rumor of
War (1977) (*annotated by RDN on page xiv) |
| BV |
| 73 |
|
|
|
|
Corder, E. M. O
Franco-Atirador (1978) |
| BV |
| 74-75 |
|
|
|
|
Griffiths, Philip Jones. Vietnam
Inc. (1971), 2 copies |
| BV |
| 76 |
|
|
|
|
Herbert, Anthony B., with James T. Wooten. Soldier (1973) |
| BV |
| 77 |
|
|
|
|
Hubbell, John G. POW: A Definitive
History of the American Prisoner-of-War Experience in
Vietnam, 1964-1973 (1976) |
| BV |
| 78 |
|
|
|
|
Jury, Mark. The Vietnam Photo
Book (1971) |
| BV |
| 79 |
|
|
|
|
Laycock, George. The Deer Hunter's
Bible (1977) |
| BV |
| 80 |
|
|
|
|
McGrath, John M. Prisoner of War:
Six Years in Hanoi (1975), inscribed by the
author |
| BV |
| 81* |
|
|
|
|
Rowe, James N. Five Years to
Freedom (1971) (*loose items withdrawn) |
| BV |
| 82 |
|
|
|
|
Sisley, Nick, ed. Deer Hunting
Across North America (1975) |
|
|
|
Everybody's Fine
(2009) |
|
|
|
Screenplays, by Kirk Jones, based on "Stanno Tutti Bene" by
Giuseppe Tornatore |
| Box.Folder |
| 304.1-2 |
|
|
|
21 November 2006, second draft, two copies, no RDN
notes |
| Box.Folder |
| 304.3 |
|
|
|
19 January 2007, third draft; RDN note on title page; with
letter from Kirk Jones to RDN (photocopy), and script analyst
report |
| Box.Folder |
| 304.4 |
|
|
|
12 February 2007, draft IIIa; with RDN notes, list of casting
choices (fax from Kirk Jones to RDN), and cast list for 1 March 2007
read-through |
|
|
|
|
25 October 2007, sixth draft |
| Box.Folder |
| 304.5 |
|
|
|
|
With extensive RDN notes |
| Box.Folder |
| 304.6 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 304.7-305.1 |
|
|
|
|
13 March 2008, shooting script, two copies, with RDN
notes |
| Box.Folder |
| 305.2 |
|
|
|
4 April 2008, shooting script, with RDN notes |
| Box.Folder |
| 305.3 |
|
|
|
4 April 2008, shooting script, with pink pages revised 13
April 2008, no RDN notes |
|
|
|
Production and publicity materials |
| Box.Folder |
| 305.4 |
|
|
|
Day out of days reports for cast members, February-June
2008 |
| Box.Folder |
| 305.5 |
|
|
|
Shooting schedules, one liner, 7 April 2008-1 June
2008 |
| Box.Folder |
| 305.6 |
|
|
|
Additional dialogue, 8 February 2009, undated |
|
|
|
|
Crew call schedules |
| Box.Folder |
| 305.7-8 |
|
|
|
|
April 2008 |
| Box.Folder |
| 306.1 |
|
|
|
|
May 2008 |
| Box.Folder |
| 306.2 |
|
|
|
|
June 2008 |
| Box.Folder |
| 306.3 |
|
|
|
|
February 2009 |
| Box.Folder |
| 306.4 |
|
|
|
Bound volume of photographs, "Everybody's Fine: Pictures of
Everything," 2006, and production stills, undated |
| Box.Folder |
| 306.5 |
|
|
|
Black and white portrait photograph of RDN,
undated |
| Box |
| 371 |
|
|
|
Wardrobe continuity book, includes 9 April 2008 time
breakdown and 1-line shooting schedule with RDN notes |
|
|
|
Faithful (1996, RDN
producer) |
|
|
|
Screenplays, by Chazz Palminteri |
| Box.Folder |
| 151.5 |
|
|
|
Undated; no RDN notes |
| Box.Folder |
| 151.6 |
|
|
|
15 May 1991 revision, with RDN notes |
| Box.Folder |
| 151.7 |
|
|
|
18 October 1993, no RDN notes |
|
|
|
Production materials |
| Box.Folder |
| 151.8 |
|
|
|
Correspondence from Paul Mazursky, Palminteri, and Harvey
Weinstein |
| Box.Folder |
| 151.9 |
|
|
|
RDN notes and correspondence re dailies and miscellaneous
tapes |
|
|
|
Falling in Love
(1984) |
|
|
|
Screenplays, by Michael Cristofer; all with RDN notes unless
otherwise stated |
| Box.Folder |
| 46.3 |
|
|
|
16 August 1983, revised first draft; no RDN notes |
| Box.Folder |
| 46.4 |
|
|
|
10 January 1984, second draft |
| Box.Folder |
| 46.5 |
|
|
|
|
With note from director Ulu Grosbard |
| Box.Folder |
| 46.6 |
|
|
|
8 March 1984, half-size format |
| Box |
| 184 |
|
|
|
RDN's script in binder with cumulative revisions of various
dates and production material inserted |
|
|
|
|
2 July 1984, third draft |
| Box.Folder |
| 47.1 |
|
|
|
|
Bound script, inscribed by Grosbard; no RDN
notes |
| Box.Folder |
| 47.2-3 |
|
|
|
|
Two copies; no RDN notes |
|
|
|
Production materials |
| Box.Folder |
| 47.4* |
|
|
|
Information booklets, screening card, publicity photographs
and contact prints (*oversize newspaper clipping re lead actors and
oversize photographs removed to oversize box 208) |
| Box.Folder |
| 47.5 |
|
|
|
Storyboards, incomplete; photocopies |
|
|
|
The Fan (1996) |
|
|
|
Screenplays, by Phoef Sutton; all with RDN notes unless otherwise
stated |
| Box.Folder |
| 48.1 |
|
|
|
8 June 1995, no RDN notes |
| Box.Folder |
| 48.2 |
|
|
|
25 September 1995, revised by Sutton and Frank Darabont,
partial script through page 85 |
| Box.Folder |
| 48.3 |
|
|
|
6 October 1995, shooting script revised through 7 October
1995; no RDN notes |
| Box.Folder |
| 48.4 |
|
|
|
30 October 1995, "for Tony only"; handwritten note taped over
original title reads "Script 2, this includes additions from Vincent
Ngo's draft"; with RDN notes and additional script pages laid
in |
| Box |
| 334 |
|
|
|
6 October 1995 shooting script revised through 13 February
1996, in presentation binder, with storyboards and RDN
notes |
| Box.Folder |
| 48.5 |
|
|
|
Undated, "Vincent Ngo's script (Bob's copy 2)" |
| Box.Folder |
| 48.6 |
|
|
|
30 January 1996 cumulative revisions; script marked for
make-up/hair with production material inserted; no RDN
notes |
| Box |
| 335 |
|
|
|
Empty 3-ring embossed leather binder |
|
|
|
Transcriptions of recorded script conferences and interviews
especially re RDN's character, Gil Renard |
| Box.Folder |
| 49.1 |
|
|
|
10 September 1995, with RDN, Tony Scott, and Gavin
Debeca |
|
|
|
|
13 September 1995 |
| Box.Folder |
| 49.2 |
|
|
|
|
Scott, Jim Skotchdopole, Rick Ice, Bob Miller, Jim Wells,
Jerry Gardner, Ron Robley, Carl Jackson, and others |
| Box.Folder |
| 49.3 |
|
|
|
|
RDN, "salesman," Robley, and Jackson |
| Box.Folder |
| 49.4 |
|
|
|
14 September 1995, with RDN, Scott, Lt. John Lane, and Mike
Zona |
| Box.Folder |
| 49.5 |
|
|
|
1 October 1995, with RDN, Scott, Ice, Jerry Matthews, and
others |
| Box.Folder |
| 49.6 |
|
|
|
2 October 1995, with RDN and Scott |
| Box.Folder |
| 49.7 |
|
|
|
2-30 October 1995 re scene 184 and "end sequence"; various
participants including RDN; with script pages dated 22 September-27
October 1995 |
|
|
|
|
RDN and Scott |
| Box.Folder |
| 50.1 |
|
|
|
|
9 October 1995 |
| Box.Folder |
| 50.2 |
|
|
|
|
15 October 1995 |
| Box.Folder |
| 50.3 |
|
|
|
|
16 October 1995 |
| Box.Folder |
| 50.4 |
|
|
|
18 October 1995, with RDN, Scott, Sutton, and
Snipes |
| Box.Folder |
| 50.5 |
|
|
|
20 October 1995, with RDN, Scott, Sutton, Snipes, Miller, and
Ice |
|
|
|
|
RDN and Scott |
| Box.Folder |
| 50.6 |
|
|
|
|
30 October 1995 |
| Box.Folder |
| 50.7 |
|
|
|
|
31 October 1995 |
| Box.Folder |
| 51.1 |
|
|
|
|
1 and 5 November 1995 |
| Box.Folder |
| 51.2 |
|
|
|
|
17 December 1995 |
| Box.Folder |
| 51.3 |
|
|
|
|
13 January 1996 |
| Box.Folder |
| 51.4 |
|
|
|
|
7 May 1996 ("regular cassette" and "micro-cassette"
transcriptions) |
|
|
|
|
"Editorial" |
|
|
|
|
|
10 May 1996, with Scott, Gavin Debecker, and
Ngo |
| Box.Folder |
| 51.5 |
|
|
|
|
|
Complete, no RDN notes |
| Box.Folder |
| 51.6 |
|
|
|
|
|
Text ends with page 51; with RDN notes |
| Box.Folder |
| 51.7-8 |
|
|
|
|
17 May 1996 and 3 June 1996, with RDN, Scott, Debecker,
and Ngo |
|
|
|
Production materials |
| Box.Folder |
| 51.9 |
|
|
|
Correspondence |
|
|
|
|
Critiques and memoranda; with RDN written
comments |
| Box.Folder |
| 51.10 |
|
|
|
|
Notes and critiques by Scott and others, 10 June-11
October 1995 |
| Box.Folder |
| 52.1 |
|
|
|
|
Notes and critiques with script pages, October-December
1995 |
| Box.Folder |
| 52.2 |
|
|
|
|
Preview audience notes, 8 May 1996 and new scenes, 28
May-7 June 1996 |
|
|
|
|
Photographs |
| Box.Folder |
| 52.3 |
|
|
|
|
Make-up/hair Polaroids and prints |
| Box.Folder |
| 52.4 |
|
|
|
|
Production stills; one print inscribed to RDN by Mickey
Rooney |
| Box.Folder |
| 52.5 |
|
|
|
Storyboards for end sequence, 6 December 1995 |
|
|
|
Publicity materials |
| Box.Folder |
| 52.6 |
|
|
|
Advertising graphics, designs |
|
|
|
Research materials |
| Box.Folder |
| 52.7 |
|
|
|
Jeffrey Dahmer and related topics |
| Box.Folder |
| 52.8 |
|
|
|
Stalkers and obsessed personalities |
|
|
|
|
Bound volumes |
| BV |
| 83-84* |
|
|
|
|
Abrahams, Peter. The Fan
(1995), 2 copies (*loose items removed from BV84; inscribed to
RDN by the author) |
| BV |
| 85 |
|
|
|
|
Brinkman, Joe and Charlie Euchner. The Umpire's Handbook (1987) |
| BV |
| 86* |
|
|
|
|
Dahmer, Lionel. A Father's
Story (1995) (*loose items withdrawn) |
| BV |
| 87-89* |
|
|
|
|
Gross, Linden. To Have or to Harm:
True Stories of Stalkers and Their Victims (1994), 3
copies (*BV89 annotated by RDN) |
| BV |
| 90 |
|
|
|
|
Keaton, Diane, ed. Mr.
Salesman (1993) |
| BV |
| 91 |
|
|
|
|
Markman, Ronald and Ron LaBrecque. Obsessed: The Anatomy of a Stalker
(1994) |
| BV |
| 92 |
|
|
|
|
Peters, Nick and Martha Jane Stanton. Miracle at Candlestick! (1993),
inscribed to RDN by Wendy [Finerman] |
| BV |
| 93* |
|
|
|
|
Schaum, Melita and Karen Parrish. Stalked (1995)(*loose items withdrawn) |
|
|
|
Flawless (1999) |
|
|
|
Screenplays, by Joel Schumacher |
| Box.Folder |
| 53.1 |
|
|
|
26 September 1997, numbered "000012"; with RDN
notes |
| Box.Folder |
| 53.2 |
|
|
|
10 July 1998, revised through 2 October 1998, annotated for
hair/beard/wardrobe continuity |
| Box |
| 185 |
|
|
|
|
No RDN notes, partial script through page 107,
highlighted for RDN's "Walt" character with "Walt Breakdown"
scene lists, time continuity, and facsimile wardrobe continuity
sheets |
|
|
|
|
|
Shooting script? in binder, with RDN notes and notes in
another's hand, revised through 2 December 1998, with time
continuity sheets |
| Box.Folder |
| 234.2 |
|
|
|
|
Revised through 2 December 1998, in presentation binding,
no RDN notes |
|
|
|
Production materials |
| Box.Folder |
| 53.3 |
|
|
|
RDN's handwritten notes, crew photograph, pre-record
breakdown, Ilona [Herman] memo to RDN re beard
continuity |
|
|
|
|
Photographs |
| Box.Folder |
| 53.4-6 |
|
|
|
|
Make-up/hair tests and continuity |
| Box.Folder |
| 53.7-9 |
|
|
|
|
Production photographs taken on set |
|
|
|
Publicity materials |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 54.1 |
|
|
|
Screening invitations |
|
|
|
Research materials |
| Box.Folder |
| 54.2-5 |
|
|
|
Stroke-related brochures and print material |
|
|
|
|
Bound volumes |
| BV |
| 94 |
|
|
|
|
American Heart Association. Family
Guide to Stroke (1994) |
| BV |
| 95 |
|
|
|
|
Donnan, Geoffrey and Carol Burton. After a Stroke: A Support Book for Patients, Caregivers,
Families, and Friends (1990) |
| BV |
| 96 |
|
|
|
|
Larkin, Marilynn. When Someone You
Love Has a Stroke (1995) |
| BV |
| 97 |
|
|
|
|
McCrum, Robert. My Year Off:
Recovering Life after a Stroke (1998) |
| BV |
| 98 |
|
|
|
|
National Stroke Association. The
Road Ahead: A Stroke Recovery Guide
(1995) |
|
|
|
Frankenstein (also titled
Mary Shelley's Frankenstein, 1994)
|
|
|
|
Screenplays, screen story by Steph Lady and James V. Hart;
screenplay draft by Lady revised by Frank Darabont; all without RDN
notes unless otherwise stated |
| Box.Folder |
| 54.6 |
|
|
|
18 January 1993, first revised draft |
| Box.Folder |
| 54.7 |
|
|
|
8 February 1993, second revised draft |
| Box.Folder |
| 55.1 |
|
|
|
|
With RDN notes |
|
|
|
|
Drafts revised by Kenneth Branagh |
| Box.Folder |
| 55.2 |
|
|
|
|
29 April 1993, third revised draft; with RDN
notes |
| Box.Folder |
| 55.3 |
|
|
|
|
25 June 1993, fourth draft, "scene numbered" |
| Box.Folder |
| 55.4 |
|
|
|
|
|
With RDN notes |
| Box.Folder |
| 55.5 |
|
|
|
|
8 July 1993, "scene numbered"; with RDN notes |
|
|
|
|
|
1 September 1993, "scene numbered" |
| Box.Folder |
| 55.6-7 |
|
|
|
|
|
No RDN notes |
| Box.Folder |
| 56.1 |
|
|
|
|
|
With RDN notes |
| Box.Folder |
| 56.2 |
|
|
|
|
|
11 October 1993, revised; with RDN notes |
| Box.Folder |
| 56.3 |
|
|
|
|
|
Shooting script, revised through 2 November 1993;
with RDN notes and one-liner schedules |
|
|
|
Production materials |
| Box.Folder |
| 56.4 |
|
|
|
Automated dialogue replacement (ADR) lists, call sheets,
casting, correspondence, crew lists, day breakdowns, and RDN
schedules |
| Box.Folder |
| 56.5 |
|
|
|
Congratulatory letters |
|
|
|
|
Photographs of make-up, wardrobe, and wardrobe tests |
| Box.Folder |
| 56.6-57.5 |
|
|
|
|
First London visit, making body cast |
| Box.Folder |
| 57.6-11 |
|
|
|
|
28 October 1993 |
| Box.Folder |
| 58.1-9 |
|
|
|
|
29 October 1993, including "Ilona's [Herman]
camera--Creature test" |
| Box.Folder |
| 58.10-12 |
|
|
|
|
3 November 1993, including "Creature/sharp featured man
costume fitting (Ilona's camera)" and "undergarment's
test" |
| Box.Folder |
| 59.1-11 |
|
|
|
|
9 November 1993, "Creature/sharp featured man tests
w/grandfather on stage" |
| Box.Folder |
| 60.1-12 |
|
|
|
|
12 November 1993, "sharp featured/Creature tests (Ilona's
camera)" |
|
|
|
|
|
Alphabetical sequences |
| Box.Folder |
| 61.1-3 |
|
|
|
|
|
A1-A92, rolls 001-011 |
| Box.Folder |
| 61.4-8 |
|
|
|
|
|
B1-B54, rolls 279, 283-287 and related
rolls |
| Box.Folder |
| 62.1-2 |
|
|
|
|
|
C2-C9, roll 001-01 and related roll
004-01 |
| Box.Folder |
| 62.3* |
|
|
|
|
Appleby, David (photographer); photographs and contact
sheets (*oversize removed to box 208) |
| Box.Folder |
| 62.4-5 |
|
|
|
|
Redmond, John (photographer); 5x7 photographs of RDN and
Branagh |
|
|
|
|
|
Make-up continuity book [disbound and
foldered] |
| Box.Folder |
| 62.6-10 |
|
|
|
|
|
Make-up tests 2, 3, and 5 |
| Box.Folder |
| 63.1-7 |
|
|
|
|
|
Polaroids and prints arranged by scene numbers;
includes affidavit of Daniel Park in Shelley Films vs. Rex
Features |
| Box.Folder |
| 63.8 |
|
|
|
|
Wardrobe Polaroids for "the Creature," scenes
92-204 |
| Box.Folder |
| 63.9 |
|
|
|
"Special FX make-up," correspondence re eyes, mouth casts,
and "the Creature" sculpture mold forms |
| Box.Folder |
| 63.10 |
|
|
|
Storyboards, test 1-5 |
|
|
|
Publicity materials |
| Box.Folder |
| 64.1 |
|
|
|
Cinefex article, no. 60,
December 1994 |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 64.2 |
|
|
|
Promotional material, product spin-offs, press junket
itineraries, screening invitations |
| Box.Folder |
| 64.3 |
|
|
|
Tri-Star Pictures press kit |
|
|
|
Research materials |
| Box.Folder |
| 64.4 |
|
|
|
Correspondence and print material |
|
|
|
|
Bound volumes |
| BV |
| 99 |
|
|
|
|
400 More Self Assessment Picture
Tests in Clinical Medicine (1989) |
| BV |
| 100 |
|
|
|
|
400 Self Assessment Picture Tests
in Clinical Medicine (1988) |
| BV |
| 101 |
|
|
|
|
Aldiss, Brian, Kurt Vonnegut, and Loren D. Estleman.
The Ultimate Frankenstein
(1991) |
| BV |
| 102-103* |
|
|
|
|
Baran, R., R. P. R. Dawber, and G. M. Levene. A Colour Atlas of the Hair, Scalp &
Nails (1991), two copies (*loose items withdrawn
from BV103) |
| BV |
| 104-107 |
|
|
|
|
Branagh, Kenneth. Mary Shelley's
Frankenstein (1994), three paperbacks and one
hardcover |
| BV |
| 108 |
|
|
|
|
Chessell, G. S. J., et al.
Diagnostic Picture Tests in Clinical Medicine 2
(1984) |
| BV |
| 109 |
|
|
|
|
Emond, R. T. D. and H. A. K. Rowland. Diagnostic Picture Tests in Infectious
Diseases (1990) |
| BV |
| 110* |
|
|
|
|
Grossman, John A. Minor Injuries
and Repairs (1993) (*loose items
withdrawn) |
| BV |
| 111 |
|
|
|
|
Huet, Marie-Hélène. Monstrous Imagination (1993) |
| BV |
| 112 |
|
|
|
|
Kendrick, Walter. The Thrill of
Fear: 250 Years of Scary Entertainment
(1991) |
| BV |
| 113 |
|
|
|
|
Levene, G. M. and S. K. Goolamali. Diagnostic Picture Tests in Dermatology
(1991) |
| BV |
| 114 |
|
|
|
|
Mellor, Anne K. Romanticism and
Gender (1993) |
| BV |
| 115 |
|
|
|
|
Peacock, Erle E., Jr. Wound
Repair (1984) |
| BV |
| 116 |
|
|
|
|
Riley, Philip J., ed.
Frankenstein: The Man Who Made a Monster (1989),
inscribed to RDN by the author |
| BV |
| 117 |
|
|
|
|
Sharvill, Denis E. Skin Signs of
Systemic Disease (1988) |
|
|
|
|
|
Shelley, Mary |
| BV |
| 118* |
|
|
|
|
|
Frankenstein (Signet
Classic edition, 1983) (*annotated by RDN) |
| BV |
| 119 |
|
|
|
|
|
Frankenstein (Penguin
Classics edition, 1992) |
| BV |
| 120 |
|
|
|
|
|
Frankenstein (World's
Classics edition, 1992) |
| BV |
| 121 |
|
|
|
|
Stark, Richard. Total Facial
Reconstruction (1984) |
| BV |
| 122 |
|
|
|
|
Thomas, Stephen. Wound Management
and Dressings (1990) |
| BV |
| 123 |
|
|
|
|
Walker, W. F. Diagnostic Picture
Tests in General Surgery (1987) |
| BV |
| 124 |
|
|
|
|
Zederfeldt, B., S. Jacobsson, and J. Ahonen. Wounds and Wound Healing
(1986) |
| BV |
| 125 |
|
|
|
|
Zoltan, Janos. Atlas of Skin
Repair (1984) |
|
|
|
The Gang That Couldn't Shoot Straight
(1971) |
|
|
|
Production and publicity materials |
| Box |
| 208 |
|
|
|
Promotional calendars |
| Box.Folder |
| 64.5 |
|
|
|
Publicity stills |
| Box.Folder |
| 64.6 |
|
|
|
Screening cards |
| Box.Folder |
| 234.3 |
|
|
|
Audition, production, and research photographs, 1970,
undated |
|
|
|
Research material, bound volume |
| BV |
| 126* |
|
|
|
Breslin, Jimmy. The Gang That
Couldn't Shoot Straight (1969) (*annotated by
RDN) |
|
|
|
The Godfather, Part II
(1974) |
|
|
|
Screenplays, by Mario Puzo and Francis Ford Coppola |
| Box.Folder |
| 64.7 |
|
|
|
The Godfather, [part one]
undated, lacks title page; no RDN notes |
| Box.Folder |
| 64.8 |
|
|
|
4 July 1973, "Mario Puzo's The
Godfather," part two, first draft by Coppola, photocopy;
with RDN notes |
| Box.Folder |
| 65.1 |
|
|
|
24 September 1973, "The
Godfather," part two, second draft by Puzo and Coppola; no
RDN notes |
| Box.Folder |
| 65.2 |
|
|
|
Script section, scenes 49 through 251, photocopy of original;
with RDN notes |
| Box |
| 182 |
|
|
|
Shooting script, with RDN notes, lacks title page; contains
"old script" and "new script" pages, with additional script pages
and extensive RDN notes re character development |
|
|
|
Production materials |
| Box.Folder |
| 65.3 |
|
|
|
Congratulatory telegrams |
| Box.Folder |
| 65.4 |
|
|
|
Costume designs |
| Box.Folder |
| 65.5 |
|
|
|
Dialogue from various scenes, handwritten in Sicilian
dialect; "Learn-a-Language Conversational Italian Course Manual #1";
progress report for RDN from Berlitz School |
| Box.Folder |
| 65.6-8, 234.4 |
|
|
|
Production photographs |
| Box.Folder |
| 66.1 |
|
|
|
Shooting schedule, with RDN notes; RDN photographs laid
in |
|
|
|
Publicity materials |
| Box.Folder |
| 66.2 |
|
|
|
Advertising quotes |
| Box.Folder |
| 66.3* |
|
|
|
Publicity stills (*oversize photographs removed to oversize
box 208) |
| Box.Folder |
| 66.4 |
|
|
|
Reviews and articles in periodicals |
| Box.Folder |
| 66.5 |
|
|
|
Reviews in newspapers |
| Box |
| 208 |
|
|
|
Screening cards |
| Box.Folder |
| 234.5 |
|
|
|
Articles on the film, 1974-1975 |
|
|
|
Research materials |
| Box |
| 208 |
|
|
|
Photographs of gangsters with handwritten descriptions in
Italian |
| Box.Folder |
| 66.6 |
|
|
|
Pate, Thomas. Mafia at War
(1972); with several pages of RDN's handwritten notes |
| Box.Folder |
| 66.7 |
|
|
|
Puzo, Mario. The Godfather
(novel, chapter 14), photocopy; with RDN notes |
|
|
|
|
Bound volumes and related print material |
| BV |
| 127 |
|
|
|
|
Aguzzi, Elena and Gabriella. Voci
di Provincia, screenplay (1980) |
| BV |
| 128 |
|
|
|
|
Cavagna, Marcello. Crimine e
Famiglia nel "Padrino" e "Padrino parte II" di F. Coppola:
un'Analisi Filmologica (1987), inscribed to
RDN |
| BV |
| 129* |
|
|
|
|
Munari, Bruno. Supplemento al
Dizionario Italiano (1963) (*annotated by
RDN) |
| BV |
| 130 |
|
|
|
|
Pannuti, Anna. Esercizi-Proverbi
Grammatica (1969) |
| BV |
| 131 |
|
|
|
|
Pecorella, Giusto, comp.
Vocabolario Numerico Siciliano-Italiano
(1932) |
|
|
|
Godsend (2004) |
|
|
|
Screenplays, by Mark Bomback; all without RDN notes unless
otherwise stated |
| Box.Folder |
| 66.8-11 |
|
|
|
6 September 2002, four copies |
| Box.Folder |
| 67.1 |
|
|
|
|
With handwritten notes, not in RDN's hand |
| Box.Folder |
| 67.2-4 |
|
|
|
15 October 2002, three copies |
| Box.Folder |
| 67.5 |
|
|
|
|
4 November 2002 |
| Box.Folder |
| 67.6 |
|
|
|
|
22 November 2002 |
| Box.Folder |
| 67.7-68.1 |
|
|
|
|
6 December 2002, 2 copies |
| Box.Folder |
| 68.2 |
|
|
|
|
9 December 2002 |
| Box.Folder |
| 68.3 |
|
|
|
|
14 December 2002 |
| Box.Folder |
| 68.4 |
|
|
|
|
June-August, 2003; re-shoot scripts and script pages;
with RDN notes |
|
|
|
Production materials |
| Box.Folder |
| 68.5 |
|
|
|
Call sheets, correspondence, daily editor logs, dialogue
changes, one-liner schedule, tape list, and weekly
schedule |
|
|
|
|
Photographs |
| Box.Folder |
| 68.6-7 |
|
|
|
|
Make-up/hair continuity |
| Box.Folder |
| 69.1-4 |
|
|
|
|
Production stills |
| Box.Folder |
| 69.5-6 |
|
|
|
|
Wardrobe continuity |
|
|
|
Research materials |
| Box.Folder |
| 69.7 |
|
|
|
"Cloning for Dummies!," compiled by "The Godsend Institute"
[Blue Productions, Inc.] |
| Box |
| 186 |
|
|
|
"Godsend research," binder of
research material |
| BV |
| 132* |
|
|
|
Frommer's Toronto, 8th edition
(2002) (*annotated by RDN; loose items withdrawn) |
|
|
|
Goodfellas (1990) |
|
|
|
Screenplays titled "Wiseguy" by
Nicholas Pileggi and Martin Scorsese; all without RDN notes unless
otherwise stated |
| Box.Folder |
| 70.1 |
|
|
|
12 January 1989, with name changes addenda |
| Box.Folder |
| 70.2 |
|
|
|
|
16 May 1989, subsequent revisions |
|
|
|
|
|
|
"Coded for reference for dailies" |
| Box.Folder |
| 70.3 |
|
|
|
|
|
|
Photocopy |
| Box.Folder |
| 70.4 |
|
|
|
|
|
|
Half-size format |
|
|
|
|
|
|
Marked for make-up and wardrobe
continuity |
| Box.Folder |
| 70.5 |
|
|
|
|
|
|
Pages 1-84 |
| Box.Folder |
| 70.6 |
|
|
|
|
|
|
Pages 85-125, plus related material on hair
styling chronology and time lines |
| Box |
| 187 |
|
|
|
|
Shooting script, with extensive RDN notes, revised script
pages, and production material laid in |
|
|
|
Production materials |
| Box.Folder |
| 70.7 |
|
|
|
Automated dialogue replacement (ADR) for television,
1992 |
| Box.Folder |
| 70.8 |
|
|
|
Correspondence from Ray Liotta and Silvio
Berlusconi |
| Box.Folder |
| 70.9 |
|
|
|
Photographs, informal prints of cast with Scorsese; Goodfellas sign boards at movie theater
in Japan |
|
|
|
Publicity materials |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 71.1 |
|
|
|
Press kits, publicity photographs, and screening
card |
| Box.Folder |
| 336.1 |
|
|
|
Publicity kits with oversize publicity stills |
| Box.Folder |
| 71.2 |
|
|
|
Publicity tours, RDN head-shot, Jack Lang's remarks
on RDN’s acting career |
|
|
|
|
Reviews |
| Box.Folder |
| 71.3-5 |
|
|
|
|
Clippings, photocopies |
| Box |
| 212 |
|
|
|
|
European newspapers |
|
|
|
|
|
European periodicals, arranged by periodical
title |
| Box.Folder |
| 71.6 |
|
|
|
|
|
A-Em |
| Box.Folder |
| 71.7 |
|
|
|
|
|
Ex-I |
| Box.Folder |
| 72.1 |
|
|
|
|
|
P |
| Box.Folder |
| 72.2 |
|
|
|
|
|
S |
| Box.Folder |
| 72.3 |
|
|
|
|
|
T-V |
|
|
|
Research materials, re James Burke, Henry Hill, and
others |
| Box.Folder |
| 72.4 |
|
|
|
Court documents |
| Box.Folder |
| 72.5 |
|
|
|
Photographs |
| Box.Folder |
| 72.6 |
|
|
|
"Tampa case" articles |
|
|
|
|
Bound volumes |
| BV |
| 133 |
|
|
|
|
XLVII Mostra Internazionale D'Arte
Cinematografica (1990) |
|
|
|
|
|
Pileggi, Nicholas |
| BV |
| 134 |
|
|
|
|
|
Les Affranchis
(1985) |
| BV |
| 135-136* |
|
|
|
|
|
Wiseguy: Life in a Mafia
Family (1985) (*annotated by RDN; loose items
withdrawn from BV135) |
|
|
|
Great Expectations
(1998) |
|
|
|
Screenplay, by Mitch Glazer |
| Box.Folder |
| 73.1 |
|
|
|
"Lustig" sections; with RDN notes |
| Box |
| 334 |
|
|
|
10 June 1996 screenplay revised through 10 October 1996, in presentation binding |
|
|
|
Production materials |
| Box.Folder |
| 73.2 |
|
|
|
Correspondence re casting and congratulatory letters from
Creative Artists Agency |
|
|
|
|
Photographs |
| Box.Folder |
| 73.3 |
|
|
|
|
Hair contact prints and production prints |
| Box.Folder |
| 73.4-11 |
|
|
|
|
Make-up/hair tests and continuity photographs |
| Box.Folder |
| 74.1 |
|
|
|
|
Make-up/hair tests, in binder |
| Box.Folder |
| 74.2 |
|
|
|
|
Wardrobe and hair continuity Polaroids |
| Box.Folder |
| 335 |
|
|
|
|
Album of stills and production photographs in presentation binding, undated |
|
|
|
Publicity materials |
| Box.Folder |
| 74.3 |
|
|
|
Correspondence and review |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
|
|
|
Research materials |
| Box.Folder |
| 74.4 |
|
|
|
Information re hair |
| BV |
| 137 |
|
|
|
Cliff Notes on Dickens' Great
Expectations (1995) |
| BV |
| 138 |
|
|
|
Dickens, Charles. Great
Expectations (World's Classics edition, 1994) |
|
|
|
Greetings (1968; see also
Hi, Mom!) |
|
|
|
Production materials |
| Box.Folder |
| 234.6 |
|
|
|
Improv of scene, undated |
|
|
|
Publicity materials |
| Flatfile |
| * |
|
|
|
One-sheet poster (*removed to oversize flat
files) |
| Box.Folder |
| 74.5 |
|
|
|
Publicity flyer and photographs |
|
|
|
Guilty by Suspicion
(1991) |
|
|
|
Screenplays titled "Fear No Evil," by Irwin Winkler; all with RDN
notes unless otherwise stated |
|
|
|
|
Revisions of the 30 November 1989 script |
| Box.Folder |
| 74.6 |
|
|
|
|
14 March 1990, no RDN notes |
| Box.Folder |
| 74.7 |
|
|
|
|
20 May 1990 |
| Box.Folder |
| 74.8 |
|
|
|
|
Undated, lacks title page |
| Box.Folder |
| 74.9-75.2 |
|
|
|
|
Shooting script, with production material inserted |
|
|
|
Production materials |
| Box.Folder |
| 75.3 |
|
|
|
Correspondence |
|
|
|
|
Photographs |
| Box.Folder |
| 75.4-6 |
|
|
|
|
Hair continuity |
| Box.Folder |
| 75.7 |
|
|
|
|
Wardrobe continuity; photo montage with RDN, Annette
Bening, and Luke Edwards |
| Box.Folder |
| 234.7 |
|
|
|
|
Photographs of props and wardrobe accessories |
| Box.Folder |
| 234.8-9 |
|
|
|
|
Production photographs |
| Box.Folder |
| 235.1 |
|
|
|
|
Photographs of RDN, Irwin Winkler, and Martin Scorsese |
| Box.Folder |
| 75.8 |
|
|
|
Prop list and David Merrill subpoena |
|
|
|
Publicity materials |
| Box.Folder |
| 75.9 |
|
|
|
Invitation for screening at MOMA; press junket scheduling and
information; publicity photographs of RDN; screenings in
Japan |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 75.10* |
|
|
|
Reviews (*oversize magazine articles removed to box
211) |
|
|
|
Research materials |
| Box.Folder |
| 75.11 |
|
|
|
re Louise Brooks and John Huston |
|
|
|
|
Bound volumes |
| BV |
| 139 |
|
|
|
|
Anger, Kenneth. Hollywood
Babylon (1975) |
| BV |
| 140 |
|
|
|
|
Benabent-Loiseau, Josée.
The Odyssey of the Bear: The Making of the Film by
Jean-Jacques Annaud (1989) |
| BV |
| 141 |
|
|
|
|
Burrough, Bryan and John Helyar.
Barbarians at the Gate: The Fall of RJR Nabisco
(1990) |
| BV |
| 142 |
|
|
|
|
Campbell, Joseph. The Hero with a
Thousand Faces (1973) |
| BV |
| 143 |
|
|
|
|
Davies, Marion. The Times We Had:
Life with William Randolph Hearst (1975) |
| BV |
| 144 |
|
|
|
|
Goldman, Louis. Lights, Camera,
Action! (1986) |
| BV |
| 145 |
|
|
|
|
Grobel, Lawrence. The
Hustons (1989) |
| BV |
| 146 |
|
|
|
|
Guiles, Fred Lawrence. Hanging on
in Paradise (1975) |
| BV |
| 147* |
|
|
|
|
Harris, Martha. Angelica Huston:
The Lady and Her Legacy (1989) (*loose items
withdrawn) |
| BV |
| 148* |
|
|
|
|
Hepburn, Katharine. The Making of
the African Queen (1988) (*loose items
withdrawn) |
| BV |
| 149 |
|
|
|
|
Howard, Jean and James Watters.
Jean Howard's Hollywood: A Photo Memoir
(1989) |
| BV |
| 150* |
|
|
|
|
Huston, John. An Open
Book (1980) (*loose items withdrawn) |
| BV |
| 151* |
|
|
|
|
Kaminsky, Stuart. John Huston:
Maker of Magic (1978) (*loose items
withdrawn) |
| BV |
| 152* |
|
|
|
|
Keyser, Les and Barbara.
Hollywood and the Catholic Church (1984) (*loose
items withdrawn) |
| BV |
| 153* |
|
|
|
|
Koszarski, Richard. Great
American Film Directors in Photographs (1984)
(*annotated by RDN) |
| BV |
| 154 |
|
|
|
|
Lewis, Jerry. The Total Film
Maker (1973) |
| BV |
| 155 |
|
|
|
|
Life Goes to the Movies
(1975) |
| BV |
| 156 |
|
|
|
|
Macmillan, Harold. The Blast of
War, 1939-1945 (1968) |
| BV |
| 157* |
|
|
|
|
Navasky, Victor S. Naming
Names (1986) (*loose items withdrawn) |
| BV |
| 158* |
|
|
|
|
Nolan, William F. John Huston:
King Rebel (1965) (*loose items
withdrawn) |
| BV |
| 159 |
|
|
|
|
Paris, Barry. Louise
Brooks (1989) |
| BV |
| 160 |
|
|
|
|
Sennett, Ted. Great Movie
Directors (1986) |
|
|
|
Heat (1995) |
|
|
|
Screenplays, by Michael Mann |
| Box.Folder |
| 76.1-2 |
|
|
|
4 March 1994 revision, two untitled copies; no RDN
notes |
| Box.Folder |
| 76.3 |
|
|
|
8 December 1994, titled "Heat"; with RDN notes |
| Box.Folder |
| 76.4 |
|
|
|
30 January 1995, revised through 31 March 1995; no RDN
notes |
|
|
|
|
|
11 June 1995 revisions |
| Box.Folder |
| 76.5 |
|
|
|
|
|
"Ilona's script," annotated for "blood on
face" |
| Box |
| 188 |
|
|
|
|
|
Shooting script, with RDN notes; additional notes,
production and research material inserted |
|
|
|
Production materials |
| Box.Folder |
| 76.6 |
|
|
|
Correspondence from Amy Brenneman, Edward (Eddie) Bunker, and
Val Kilmer |
| Box.Folder |
| 76.7 |
|
|
|
Schedules, staff and crew lists, wardrobe lists and
memos |
|
|
|
|
Photographs |
| Box.Folder |
| 77.1-3 |
|
|
|
|
Make-up/hair tests and continuity, prints and
Polaroids |
| Box.Folder |
| 77.4-5* |
|
|
|
|
Production photographs (*oversize photographs removed to
box 211) |
| Box.Folder |
| 77.6 |
|
|
|
|
Wardrobe continuity Polaroids |
|
|
|
Publicity materials |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 78.1* |
|
|
|
Press kit, publicity memos, and reviews (*newspaper
advertising layouts and correspondence removed to oversize box
211) |
|
|
|
Research materials |
| Box.Folder |
| 78.2 |
|
|
|
On inmates and their writings |
| Box.Folder |
| 78.3 |
|
|
|
Tattoo photographs and drawings |
|
|
|
|
Bound volumes |
| BV |
| 161 |
|
|
|
|
Abbott, Dwight Edgar, with Jack Carter. I Cried, You Didn't Listen
(1991) |
| BV |
| 162* |
|
|
|
|
Bunker, Edward. No Beast So
Fierce (1993) (*annotated by RDN) |
| BV |
| 163 |
|
|
|
|
Stark, Richard. The
Outfit (1963) |
| BV |
| 164 |
|
|
|
|
Westlake, Donald E. The
Hunter (1984) |
|
|
|
Hi, Mom! (1970; see also
Greetings) |
| Box.Folder |
| 78.4 |
|
|
Screenplay titled "Son of Greetings," by Brian De Palma and Chuck
Hirsch; with RDN notes and annotated typescript of original story by De
Palma and Hirsch |
| Box.Folder |
| 78.5 |
|
|
Production photographs |
|
|
|
Hide and Seek
(2005) |
|
|
|
Screenplays, by Ari Schlossberg; all without RDN notes unless
otherwise stated |
|
|
|
|
25 July 2003, scripts, two copies |
| Box.Folder |
| 78.6 |
|
|
|
|
Copy 1 |
| Box.Folder |
| 78.7 |
|
|
|
|
Copy 2, with marginal notes not in RDN's hand |
| Box.Folder |
| 78.8-79.2 |
|
|
|
28 August 2003, "shooting script," four copies |
| Box.Folder |
| 79.3 |
|
|
|
8 September 2003, with RDN notes |
| Box.Folder |
| 79.4-5 |
|
|
|
"September 8, 2003, 7:35 pm," two copies |
| Box.Folder |
| 79.6 |
|
|
|
1 October 2003, script fragment; with RDN notes |
|
|
|
|
2 October 2003, "shooting script," subsequent
revisions |
| Box.Folder |
| 79.7 |
|
|
|
|
3 October 2003, with RDN notes and note from John
Polson |
| Box.Folder |
| 79.8 |
|
|
|
|
10 October 2003, with RDN notes |
| Box.Folder |
| 79.9-80.1 |
|
|
|
|
14 October 2003, scripts, copies 38 and 39 |
| Box.Folder |
| 80.2 |
|
|
|
|
17 October 2003, with RDN notes |
| Box.Folder |
| 80.3 |
|
|
|
|
18 October 2003, cast read-through; with RDN
notes |
| Box.Folder |
| 80.4 |
|
|
|
|
28 October 2003, unapproved draft; with RDN notes and
handwritten note from Polson |
|
|
|
|
|
11 December 2003 scripts |
| Box.Folder |
| 80.5 |
|
|
|
|
|
"Unapproved--white draft," with RDN notes |
| Box.Folder |
| 80.6 |
|
|
|
|
|
"New approved white draft" |
| Box.Folder |
| 80.7 |
|
|
|
|
7 January 2004 cumulative revisions, with RDN notes and
dialogue changes in another's hand |
| Box.Folder |
| 80.8 |
|
|
|
|
9 January 2004, "approved 2nd pink draft" |
|
|
|
|
|
26 January 2004 cumulative revisions |
| Box.Folder |
| 81.1 |
|
|
|
|
|
With dialogue changes in another's hand |
| Box.Folder |
| 81.2 |
|
|
|
|
|
With RDN notes and dialogue changes |
| Box.Folder |
| 81.3 |
|
|
|
|
26 February 2004 cumulative revisions, with RDN notes and
dialogue changes |
| Box.Folder |
| 81.4 |
|
|
|
Script insert pages, sets with various dates from 19
September 2003 to 26 February 2004 |
|
|
|
Production materials |
| Box.Folder |
| 81.5 |
|
|
|
Notes from Dakota Fanning |
| Box |
| 189 |
|
|
|
Wardrobe continuity book, facsimile; costume tags with RDN
wardrobe photographs |
|
|
|
Research materials |
| BV |
| 165* |
|
|
|
Cohen, Barry M., Esther Giller, and Lynn W. Multiple Personality Disorder from the Inside
Out (1991) (*annotated by RDN) |
| Box.Folder |
| 81.6-7 |
|
|
|
On multiple personality disorder |
|
|
|
Jackie Brown
(1997) |
|
|
|
Screenplays, by Quentin Tarantino; final draft, 16 April 1997,
revised through 20 May 1997 |
| Box.Folder |
| 82.1 |
|
|
|
With production notes on title page |
| Box.Folder |
| 82.2 |
|
|
|
Leather bound, with RDN notes |
|
|
|
Production and publicity materials |
| Box |
| 211 |
|
|
|
Costume drawings for "Louis" by Michele Michel |
| Box.Folder |
| 82.3 |
|
|
|
Make-up and wardrobe continuity photographs |
| Box.Folder |
| 82.4 |
|
|
|
Notes on characters and wardrobe; continuity
breakdown |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
|
|
|
|
Tattoos |
| Box.Folder |
| 82.5 |
|
|
|
|
Original designs |
| Box.Folder |
| 82.6 |
|
|
|
|
Transfers for |
|
|
|
Research materials, bound volumes |
|
|
|
|
Leonard, Elmore |
| BV |
| 166* |
|
|
|
|
Rum Punch (1993)
(*annotated by RDN; loose items withdrawn) |
| BV |
| 167* |
|
|
|
|
The Switch (1978)
(*annotated by RDN) |
|
|
|
Jacknife (1989) |
| Box.Folder |
| 82.7 |
|
|
Playscript Strange Snow by Stephen
Metcalfe for Manhattan Theatre Club, undated |
|
|
|
Screenplays by Metcalfe; all without RDN notes unless otherwise
stated |
| Box.Folder |
| 82.8 |
|
|
|
10 May 1987 revision, with RDN notes |
|
|
|
|
28 June 1987, interim third draft |
| Box.Folder |
| 83.1 |
|
|
|
|
In Sandollar [Productions] covers |
| Box.Folder |
| 83.2 |
|
|
|
|
Half-size format script, without title page |
| Box.Folder |
| 83.3-4 |
|
|
|
|
In Kings Road Entertainment covers; numerical sequence of
shots marked in text |
| Box.Folder |
| 83.5 |
|
|
|
Shooting script, half-size format, revised to 1 June 1988,
with RDN notes; call sheet for 21 June 1988 laid in |
| Box.Folder |
| 83.6 |
|
|
Production materials including contact list and crew list/Canada,
May 1988 |
|
|
|
Publicity materials |
| Box.Folder |
| 83.7* |
|
|
|
Correspondence and photographs (*signed oversize photograph
of Vietnam veterans removed to box 211) |
|
|
|
|
Posters |
| Flatfile |
| * |
|
|
|
|
One-sheet poster (*removed to oversize flat
files) |
| Folder |
| * |
|
|
|
|
Photostat copy (*removed to oversize folder) |
| Box.Folder |
| 84.1* |
|
|
|
Reviews and articles from newspapers (*binder of reviews
removed to oversize box 190) |
|
|
|
Research materials, bound volumes |
| BV |
| 168 |
|
|
|
Bartecchi, Carl E. Soc Trang: A
Vietnamese Odyssey (1980) |
| BV |
| 169 |
|
|
|
Berry, Clifton F., Jr. Sky
Soldiers (1987) |
| BV |
| 170 |
|
|
|
Bok, Sissela. Lying: Moral Choice in
Public and Private Life (1978) |
| BV |
| 171 |
|
|
|
Edelman, Bernard. Dear America:
Letters Home from Vietnam (1985) |
| BV |
| 172 |
|
|
|
Ekman, Paul. Telling Lies: Clues to
Deceit in the Marketplace, Politics, and Marriage
(1985) |
| BV |
| 173 |
|
|
|
Groom, Winston and Duncan Spencer.
Conversations with the Enemy (1983) |
| BV |
| 174 |
|
|
|
Herr, Michael. Dispatches
(1977) |
| BV |
| 175* |
|
|
|
Hjortsberg, William. Falling
Angel (1978) (*annotated by RDN) |
| BV |
| 176 |
|
|
|
Jury, Mark. The Vietnam Photo
Book (1986) |
| BV |
| 177 |
|
|
|
Karnow, Stanley. Vietnam, A History:
The First Complete Account of Vietnam at War
(1984) |
| BV |
| 178 |
|
|
|
Ketwig, John. ...and a Hard Rain
Fell (1985) |
| BV |
| 179 |
|
|
|
Mangold, Tom and John Penycate.
Tunnel Warfare (1987) |
| BV |
| 180 |
|
|
|
Monette, Paul. Borrowed Time: An Aids
Memoir (1988) |
| BV |
| 181 |
|
|
|
Wright, Stephen. Meditations in
Green (1984) |
|
|
|
Research material related to Vietnam and truckers |
| Box.Folder |
| 84.2-3 |
|
|
|
Periodical issues with notes for wardrobe ideas |
| Box.Folder |
| 84.4-5 |
|
|
|
Printed matter and photographs (photocopies) |
| Box.Folder |
| 84.6 |
|
|
Jennifer on My Mind (1971),
production photographs |
|
|
|
The King of Comedy (1983);
book, treatments, and screenplays by Paul D. Zimmerman |
| Box.Folder |
| 84.7 |
|
|
Book, corrected typescript, photocopy |
| Box.Folder |
| 85.1-3 |
|
|
|
Three additional copies |
| Box.Folder |
| 85.4 |
|
|
|
Partial typescript, two copies |
|
|
|
Treatments |
| Box.Folder |
| 85.5 |
|
|
|
"The Autograph Hunter," extended treatment |
|
|
|
|
"The King of Comedy," unfinished manuscript |
| Box.Folder |
| 86.1 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 86.2 |
|
|
|
|
With RDN notes |
|
|
|
Screenplays, all without RDN notes unless otherwise
stated |
| Box.Folder |
| 86.3 |
|
|
|
First draft, undated |
| Box.Folder |
| 86.4 |
|
|
|
11 July 1974, letter from Martin Scorsese to RDN re Zimmerman
script |
|
|
|
|
15 December 1976 |
| Box.Folder |
| 86.5-7 |
|
|
|
|
Three copies marked "c/o Bob Greenhut" |
| Box.Folder |
| 86.8 |
|
|
|
|
Copy marked "c/o The Ufland Agency," with notes by RDN;
revised script pages and other material laid in |
|
|
|
|
16 April 1981 |
| Box.Folder |
| 87.1 |
|
|
|
|
Partial script to page 67 |
| Box.Folder |
| 87.2 |
|
|
|
|
Complete script with handwritten revisions, not in RDN's
hand |
| Box |
| 190 |
|
|
|
|
Typescript with typed revisions throughout; with RDN
notes |
|
|
|
|
Final draft, undated, New Regency Films |
| Box.Folder |
| 87.3 |
|
|
|
|
Copy 5, with RDN notes; location Polaroids; Zimmerman
letter to RDN enclosed with scene notes and script
pages |
| Box.Folder |
| 87.4-5 |
|
|
|
|
Copies 6 and 7 |
| Box.Folder |
| 87.6-7 |
|
|
|
|
Two unnumbered copies |
| Box.Folder |
| 235.2 |
|
|
|
Undated script, with RDN notes |
|
|
|
Production materials |
| Box.Folder |
| 88.1 |
|
|
|
Character and script notes, list of scenes, lyrics for "Come
Rain or Come Shine," and script fragments |
| Box.Folder |
| 88.2 |
|
|
|
Congratulatory telegram and postcard |
| Box.Folder |
| 88.3 |
|
|
|
Staff and crew list; shooting schedule, May 1981; research
information |
| Box.Folder |
| 235.3 |
|
|
|
Production photographs on set |
| Box.Folder |
| 235.4 |
|
|
|
Wardrobe photographs |
|
|
|
Publicity materials |
| Box |
| 212 |
|
|
|
Al Hirschfeld drawing of Jerry Lewis and RDN as Jerry
Langford and Rupert Pupkin (multiple copies) |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 88.4 |
|
|
|
Press kits |
| Box.Folder |
| 88.5* |
|
|
|
Publicity stills and slides; award photographs (*oversize
stills removed to box 211) |
| Box.Folder |
| 88.6-7* |
|
|
|
Reviews (*oversize newspaper clippings removed to box
212) |
|
|
|
The Last Tycoon
(1976) |
|
|
|
Screenplays, by Harold Pinter |
|
|
|
|
11 November 1974 scripts |
| Box.Folder |
| 88.8 |
|
|
|
|
Copy 8, with RDN notes |
| Box.Folder |
| 88.9 |
|
|
|
|
Copy 27, no RDN notes |
|
|
|
|
11 August 1975 scripts |
| Box |
| 191 |
|
|
|
|
Copy 20, with extensive RDN notes; additional mimeo and
RDN notes in pocket at front |
| Box.Folder |
| 89.1 |
|
|
|
|
Copy 62, no RDN notes |
| Box.Folder |
| 89.2 |
|
|
Production materials, notes and correspondence from Elia Kazan re
Stahr character |
| Box.Folder |
| 235.5 |
|
|
Stills and research photographs |
| Box |
| 337 |
|
|
Mounted stills |
|
|
|
Publicity materials |
| Box.Folder |
| 89.3 |
|
|
|
Press booklet "Handbook of Production Information," screening
card, publicity stills |
| Box.Folder |
| 89.4 |
|
|
|
Articles and review |
| Box |
| 337 |
|
|
|
Lobby cards |
|
|
|
Research materials and related works |
| BV |
| 182 |
|
|
|
Crowther, Bosley. Hollywood Rajah:
The Life and Times of Louis B. Mayer (1960) |
| BV |
| 183 |
|
|
|
Dardis, Tom. Some Time in the
Sun (1976) |
|
|
|
|
Fitzgerald, F. Scott |
| BV |
| 184-185 |
|
|
|
|
The Crack-up (1964,
1974), two editions |
| BV |
| 186 |
|
|
|
|
The Diamond As Big As the
Ritz (1975) |
| Box.Folder |
| 89.5 |
|
|
|
|
The Last Tycoon (1970),
photocopy of book, with handwritten notes not in RDN's
hand |
| BV |
| 187* |
|
|
|
|
The Last Tycoon (1970)
(*annotated by RDN) |
| BV |
| 188 |
|
|
|
|
The Last Tycoon
(1976) |
| BV |
| 189 |
|
|
|
|
The Lost Decade
(1974) |
| BV |
| 190* |
|
|
|
Hurok, Sol, with Ruth Goode.
Impresario (1946) (*annotated by RDN) |
| BV |
| 191 |
|
|
|
Latham, Aaron. Crazy Sundays: F.
Scott Fitzgerald in Hollywood (1971) |
| BV |
| 192 |
|
|
|
Marion, Frances. Off with Their
Heads! (1972) |
| BV |
| 193* |
|
|
|
Marx, Samuel. Mayer and Thalberg: The
Make-Believe Saints (1975) (*annotated by
RDN) |
| BV |
| 194 |
|
|
|
Mizener, Arthur. The Fitzgerald
Reader (1963) |
| BV |
| 195 |
|
|
|
Rosenberg, Bernard and Harry Silverstein. The Real Tinsel (1970) |
| BV |
| 196 |
|
|
|
Schulberg, Budd. The
Disenchanted (1975) |
| BV |
| 197 |
|
|
|
Taylor, John Russell. Hollywood
1940's (1985) |
|
|
|
|
Thomas, Bob |
| BV |
| 198 |
|
|
|
|
King Cohn
(1967) |
| BV |
| 199* |
|
|
|
|
Thalberg: Life and Legend
(1969) (*annotated by RDN) |
| BV |
| 200 |
|
|
|
Turnbull, Andrew, ed. The Letters of
F. Scott Fitzgerald (1963) |
| BV |
| 201* |
|
|
|
Vidor, King. A Tree Is a Tree
(1953) (*annotated by RDN) |
| BV |
| 202 |
|
|
|
Zierold, Norman. The Moguls
(1969) |
| Box.Folder |
| 89.6 |
|
|
Lenny Bruce: Swear to Tell the Truth (1999), documentary by Robert B. Weide, narrated by RDN;
correspondence, narration scripts, reviews |
|
|
|
Limitless (2011) |
|
|
|
Screenplays, by Leslie Dixon, based on the novel The Dark Fields by Alan Glynn |
| Box.Folder |
| 306.6 |
|
|
|
21 December 2009, revised through 16 March 2010, with RDN
notes |
| Box.Folder |
| 306.7 |
|
|
|
6 January 2010, with RDN notes |
| Box.Folder |
| 306.8 |
|
|
|
5 February 2010, with RDN note on cover sheet |
| Box.Folder |
| 307.1 |
|
|
|
16 March 2010, no RDN notes |
| Box.Folder |
| 307.2 |
|
|
|
22 March 2010, no RDN notes |
| Box.Folder |
| 307.3 |
|
|
|
22 March 2010, with RDN notes |
| Box.Folder |
| 307.4 |
|
|
|
22 March 2010; "Brad Robinson" on title page |
| Box.Folder |
| 307.5 |
|
|
|
26 April 2010, no RDN notes |
| Box.Folder |
| 307.6 |
|
|
|
11 May 2010, no RDN notes |
| Box.Folder |
| 308.1 |
|
|
|
Revised script pages, 25 March-28 April 2010 |
|
|
|
Production materials |
| Box.Folder |
| 308.2 |
|
|
|
Bound volume of production stills inscribed to RDN by
director Neil Burger, March 2011 |
| Box.Folder |
| 308.3 |
|
|
|
Crew call schedules, March-May 2010 |
|
|
|
Research materials and related works |
| BV |
| 280 |
|
|
|
Bryce, Robert. Power Hungry
(2010) |
| BV |
| 281 |
|
|
|
Glynn, Alan. The Dark Fields
(2001) (inscribed to RDN by the author) |
|
|
|
Little Fockers (2010, RDN
producer) |
|
|
|
Screenplays, by John Hamburg, from the original screenplay by
Larry Stuckey |
| Box.Folder |
| 308.4 |
|
|
|
29 September 2009, with RDN notes |
| Box.Folder |
| 308.5 |
|
|
|
29 September 2009 revised through 13 October 2009, no RDN
notes |
| Box.Folder |
| 308.6 |
|
|
|
29 September 2009 revised through 13 October 2009, with RDN
notes and notes in another's hand |
| Box.Folder |
| 308.7 |
|
|
|
8 October 2009, no RDN notes |
| Box.Folder |
| 309.1 |
|
|
|
29 September 2009 shooting script revised through 21 October
2009, no RDN notes |
| Box.Folder |
| 309.2 |
|
|
|
21 October 2009 revised pages only, no RDN notes |
| Box.Folder |
| 309.3 |
|
|
|
Shooting script revised through 21 January 2010, with RDN
notes |
| Box.Folder |
| 309.4-5 |
|
|
|
Revised script pages, undated |
|
|
|
Production materials |
| Box.Folder |
| 309.6-7 |
|
|
|
Studio screening notes, 2009-2010 |
| Box.Folder |
| 310.1-3 |
|
|
|
Crew call sheets (reduced format), 2009-2010 |
| Box.Folder |
| 310.4-311.1 |
|
|
|
Crew call sheets (8 1/2 x 11 format), 2009-2010 |
| Box.Folder |
| 311.2 |
|
|
|
Crew call sheets (8 1/2 x 14 format), 2009-2010 |
| Box.Folder |
| 311.3 |
|
|
|
Crew lists, one line schedules, and rehearsal schedules,
2009-2010 |
| Box.Folder |
| 311.4 |
|
|
|
Correspondence, 2009, undated |
| Box.Folder |
| 311.5-311.8 |
|
|
|
Production photographs, undated |
| Box.Folder |
| 312.1-2 |
|
|
|
Screenplay, revised through 27 January 2010, with wardrobe
continuity |
| Box.Folder |
| 312.3 |
|
|
|
Stills for approval, "Jack" character; Glen Wilson
photographer, undated |
|
|
|
Machete (2010) |
|
|
|
Screenplays by Robert Rodriguez |
| Box.Folder |
| 312.4 |
|
|
|
20 July 2009, with RDN notes |
| Box.Folder |
| 312.5 |
|
|
|
7 August 2009, with RDN notes |
| Box.Folder |
| 312.6 |
|
|
|
23 August 2009, with RDN notes |
| Box.Folder |
| 313.1 |
|
|
|
24 August 2009, in binder, no RDN notes |
| Box.Folder |
| 313.2 |
|
|
|
24 August 2009, unbound, no RDN notes |
| Box.Folder |
| 313.3 |
|
|
|
Script pages, with RDN notes, undated |
|
|
|
Production materials |
| Box.Folder |
| 313.4 |
|
|
|
Crew call sheets, 2009 |
| Box.Folder |
| 313.5 |
|
|
|
Shooting schedule, 2009 |
|
|
|
Mad Dog and Glory (1993) |
|
|
|
Screenplays, by Richard Price; all without RDN notes unless
otherwise stated |
| Box.Folder |
| 89.7 |
|
|
|
"First draft," undated; with RDN notes |
| Box.Folder |
| 89.8 |
|
|
|
"Second draft," undated; with RDN notes |
|
|
|
|
14 June 1990, "read-through draft" |
| Box.Folder |
| 89.9 |
|
|
|
|
Copy 15 |
| Box.Folder |
| 89.10 |
|
|
|
|
Half-size format |
| Box.Folder |
| 90.1-2 |
|
|
|
|
Two copies, one with scene numbers |
|
|
|
|
25 June 1991 revisions |
| Box.Folder |
| 90.3 |
|
|
|
|
Lacks title page and page one, with handwritten changes
not in RDN's hand |
| Box.Folder |
| 90.4 |
|
|
|
|
Unmarked copy |
| Box.Folder |
| 90.5 |
|
|
|
5 July 1991 revisions |
|
|
|
|
15 July 1991 revisions |
| Box.Folder |
| 90.6 |
|
|
|
|
"Coded script," with handwritten notations re
taping |
| Box.Folder |
| 91.1 |
|
|
|
|
With handwritten notations re make-up/hair and
wardrobe |
| Box.Folder |
| 91.2 |
|
|
|
|
With handwritten revisions and extensive RDN
notes |
| Box.Folder |
| 235.6 |
|
|
|
|
Script annotated by RDN and another hand |
| Box.Folder |
| 91.3 |
|
|
|
Revised script pages, various dates |
|
|
|
Production materials |
| Box.Folder |
| 91.4 |
|
|
|
Casting list with résumé head
shots |
| Box.Folder |
| 91.5 |
|
|
|
Contacts and crew lists, continuity memo, credit list,
dialogue changes, line sheets, production notes, shooting schedule,
and title design |
| Box.Folder |
| 91.6 |
|
|
|
Correspondence |
|
|
|
|
Photographs |
| Box.Folder |
| 91.7-92.1 |
|
|
|
|
Make-up photographs and continuity Polaroids |
| Box.Folder |
| 92.2 |
|
|
|
|
Wardrobe continuity Polaroids |
| Box.Folder |
| 235.7 |
|
|
|
|
Cast and crew photographs, including Bill Murray portrait
inscribed to RDN |
| Box.Folder |
| 235.8 |
|
|
|
|
Production photographs |
| Box.Folder |
| 92.3 |
|
|
|
Storyboards |
| Box.Folder |
| 92.4* |
|
|
Publicity materials: memo re publicity events; press release;
publicity photographs (*poster paste-up removed to oversize box
211) |
|
|
|
Research materials |
| Box.Folder |
| 92.5-6* |
|
|
|
Clippings, map, printed material, and notes from technical
advisor John S. Redmond of the Chicago Police Department Crime Lab
(*two ink drawings by cartoonist Sirr Harry Buckner removed to
oversize folder) |
|
|
|
|
Bound volumes |
| BV |
| 203 |
|
|
|
|
Fletcher, Connie. What Cops
Know (1990) |
| BV |
| 204* |
|
|
|
|
Gerberth, Vernon J. Practical
Homicide Investigation: Tactics, Procedures, and Forensic
Techniques (1983) (*loose items
withdrawn) |
| BV |
| 205 |
|
|
|
|
Knight, Bernard. Forensic
Medicine (1985) |
| BV |
| 206 |
|
|
|
|
McGuire, Robert J. Crime Scene
Technicians Guide (1977) |
| BV |
| 207 |
|
|
|
|
A Pocket Guide to Arson and Fire
Investigation (1990) |
|
|
|
Marvin's Room (1996) |
|
|
|
Screenplays, by Scott McPherson; all without RDN notes unless
otherwise stated |
| Box.Folder |
| 92.7 |
|
|
|
7 June 1995, copy 2 |
| Box.Folder |
| 92.8 |
|
|
|
|
21 June 1995 revisions, copy 114; with RDN
notes |
| Box.Folder |
| 93.1 |
|
|
|
28 July 1995 script revised to 1 August 1995; pages with RDN
scenes removed |
| Box.Folder |
| 93.2 |
|
|
|
|
15 August 1995 revisions, RDN scenes only; with RDN
notes |
|
|
|
|
|
21 August 1995 revisions, RDN scenes only |
| Box.Folder |
| 93.3 |
|
|
|
|
|
Unmarked pages |
| Box.Folder |
| 93.4 |
|
|
|
|
|
With RDN notes |
| Box.Folder |
| 93.5 |
|
|
|
|
20 September 1995 revisions |
| Box.Folder |
| 93.6 |
|
|
|
Scene H88, revisions of 13 and 28 February 1996; with RDN
notes |
|
|
|
Production materials |
| Box.Folder |
| 93.7 |
|
|
|
Make-up/hair continuity Polaroids and photographs |
| Box |
| 338 |
|
|
|
Album of stills and production photographs in presentation
binding, undated |
|
|
|
Mary Shelley's Frankenstein --
see Frankenstein |
|
|
|
Mean Streets (1973) |
|
|
|
Screenplays |
| Box.Folder |
| 93.8 |
|
|
|
"Season of the Witch," by Martin Scorsese, Mardik Martin, and
Ethan Edwards |
|
|
|
|
"Mean Streets" |
| Box.Folder |
| 93.9 |
|
|
|
|
By Scorsese, Taplin Productions |
| Box.Folder |
| 93.10 |
|
|
|
|
By Scorsese and Martin, with RDN notes |
| Box.Folder |
| 94.1 |
|
|
Production materials: shooting schedule, cast and crew lists,
revised script pages with RDN notes; photographs |
|
|
|
Publicity materials |
|
|
|
|
Posters |
| Folder |
| * |
|
|
|
|
Films playing at Bleecker Street Cinema, including "Mean
Streets" (*removed to oversize folder) |
| Flatfile |
| * |
|
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 94.2 |
|
|
|
Press kit with photographs and cast biographies |
| Box.Folder |
| 94.3 |
|
|
|
Publicity stills |
|
|
|
Meet the Fockers (2004) |
|
|
|
Screenplays, various screenwriters |
|
|
|
|
22 March 2002, by Jim Herzfeld; rewrite by Chris Weitz and
Paul Weitz |
| Box.Folder |
| 94.4 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 94.5 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 94.6 |
|
|
|
|
Undated revision, with RDN notes |
|
|
|
|
12 December 2002, by David O. Russell and Jeff
Baena |
| Box.Folder |
| 94.7 |
|
|
|
|
No RDN notes; lacks title page |
| Box.Folder |
| 94.8 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 95.1 |
|
|
|
17 July 2003, first draft, revisions by Tim Rasmussen and
Vince Di Meglio; with RDN notes |
| Box.Folder |
| 95.2 |
|
|
|
18 July 2003, "Larry [Stuckey] and Jay [Roach" draft; with
RDN notes |
| Box.Folder |
| 95.3 |
|
|
|
5 September 2003, with RDN notes |
| Box.Folder |
| 95.4 |
|
|
|
31 October 2003, with RDN notes |
| Box.Folder |
| 95.5 |
|
|
|
14 November 2003, "read-through draft," with cast list; no
RDN notes |
|
|
|
|
Revisions by John Hamburg |
|
|
|
|
|
4 March 2004, "Hamburg partial draft" |
| Box.Folder |
| 95.6 |
|
|
|
|
|
No RDN notes |
| Box.Folder |
| 95.7 |
|
|
|
|
|
With RDN notes |
|
|
|
|
|
|
Undated, unpaginated version |
| Box.Folder |
| 95.8 |
|
|
|
|
|
|
No RDN notes |
| Box.Folder |
| 96.1 |
|
|
|
|
|
|
With RDN notes |
|
|
|
|
|
"Hamburg first 'full' draft" |
| Box.Folder |
| 96.2-3 |
|
|
|
|
|
22 March 2004, no RDN notes |
| Box.Folder |
| 96.4 |
|
|
|
|
|
26 March 2004, with RDN notes |
| Box.Folder |
| 96.5 |
|
|
|
|
|
26 March 2004, "Hamburg read-thru," no RDN
notes |
| Box.Folder |
| 96.6 |
|
|
|
|
5 April 2004, partial draft, pages 1-45; with RDN notes
and cover note from Jay Roach |
|
|
|
|
|
6 April 2004, "Hamburg draft," through page
84 |
| Box.Folder |
| 96.7 |
|
|
|
|
|
With RDN notes and note from Roach |
| Box.Folder |
| 97.1 |
|
|
|
|
|
With RDN notes |
|
|
|
|
|
11 April 2004 scripts |
| Box.Folder |
| 97.2 |
|
|
|
|
|
With RDN notes and note from Roach |
| Box.Folder |
| 97.3 |
|
|
|
|
|
With RDN notes and corrections in another's
hand |
| Box.Folder |
| 97.4-5 |
|
|
|
|
16 April 2004, no RDN notes |
| Box.Folder |
| 97.6 |
|
|
|
|
19 April 2004, rough draft Act 3, pages 98-132, with RDN
notes |
| Box.Folder |
| 97.7-8 |
|
|
|
|
20 and 21 April 2004, "Hamburg read-thru draft"; with RDN
notes |
|
|
|
|
|
23 April 2004 scripts |
| Box.Folder |
| 97.9 |
|
|
|
|
|
17 May 2004 revisions, no RDN notes |
|
|
|
|
|
|
26 July 2004 revisions |
| Box |
| 192 |
|
|
|
|
|
|
Final script, with RDN notes; binder cover
imprinted "Jack Byrnes" |
| Box.Folder |
| 98.1 |
|
|
|
|
|
|
Half-size format, no RDN notes |
| Box.Folder |
| 98.2 |
|
|
|
|
|
|
No RDN notes |
| Box.Folder |
| 98.3-4 |
|
|
|
Draft revision sections, some with RDN notes, 1 August 2003
to 19 September 2004 |
| Box.Folder |
| 98.5 |
|
|
|
Re-shoot scripts, 22 September to 4 October 2004; with RDN
notes |
| Box.Folder |
| 98.6 |
|
|
|
Custom leather binder for script; binding by Ronnie
Gousman |
|
|
|
Production materials |
| Box.Folder |
| 99.1 |
|
|
|
Call sheets, 19 April to 10 August 2004 |
| Box.Folder |
| 99.2-4 |
|
|
|
Call sheets for RDN with corresponding script pages, 26 April
to 3 August 2004; three photographs of RDN and Dustin
Hoffman |
| Box.Folder |
| 99.5 |
|
|
|
Cast, contact, and crew lists |
| Box.Folder |
| 99.6 |
|
|
|
Correspondence, cast and crew |
| Box.Folder |
| 99.7 |
|
|
|
Production reports, 7 April to 10 August 2004 |
| Box.Folder |
| 99.8 |
|
|
|
Prop inventory (photographs) |
| Box.Folder |
| 100.1 |
|
|
|
Quick guides and post-production schedules |
| Box |
| 192 |
|
|
|
Wardrobe continuity lists and photographs, with script
revised through 26 July 2004 |
| Box.Folder |
| 100.2 |
|
|
Publicity, correspondence |
|
|
|
Meet the Parents
(2000) |
|
|
|
Screenplays by Jim Herzfeld; revisions by John Hamburg, Alexander
Payne, and Jim Taylor |
| Box.Folder |
| 100.3 |
|
|
|
Script synopsis |
| Box.Folder |
| 100.4 |
|
|
|
3 June 1999, "director's revised," with RDN notes; typed note
from Kevin Misher |
| Box.Folder |
| 100.5 |
|
|
|
August 1999, script outlines and cast list |
|
|
|
|
13 August 1999, "director's revised" |
| Box.Folder |
| 100.6 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 100.7 |
|
|
|
|
With text-editing strike-throughs |
| Box.Folder |
| 100.8 |
|
|
|
16 September 1999, "John Hamburg's 1rst draft"; no RDN
notes |
| Box.Folder |
| 100.9 |
|
|
|
15 October 1999, "Hamburg pages 1-401," with remaining pages
"blue revised 10/3/99"; no RDN notes |
| Box.Folder |
| 100.10 |
|
|
|
25 October 1999, "director's interim draft"; with RDN
notes |
| Box.Folder |
| 101.1 |
|
|
|
26 October 1999, "pink draft revised"; with RDN
notes |
| Box.Folder |
| 101.2 |
|
|
|
1 November 1999, "yellow interim"; with RDN notes |
| Box.Folder |
| 101.3 |
|
|
|
13 December 1999, "ivory interim"; no RDN notes; note from
"Jay and Shauna" |
|
|
|
|
13 January 2000, revised script |
| Box.Folder |
| 101.4 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 101.5 |
|
|
|
|
With RDN notes, bound script with inserted re-shoot
pages |
| Box.Folder |
| 102.1 |
|
|
|
Custom leather binder for script; binding by Ronnie
Gousman |
|
|
|
Production materials |
| Box.Folder |
| 102.2 |
|
|
|
Call sheets, casting invoices, list of reels/scenes, and
one-liner schedules |
| Box.Folder |
| 102.3 |
|
|
|
Correspondence, Jay Roach |
|
|
|
|
Photographs |
| Box.Folder |
| 102.4 |
|
|
|
|
Make-up/hair, RDN and cast |
| Box.Folder |
| 102.5 |
|
|
|
|
RDN eyeglass tests |
| Box.Folder |
| 102.6 |
|
|
|
|
RDN "on telephone" tests |
| Box.Folder |
| 102.7 |
|
|
|
|
Wardrobe continuity pages with Polaroids [facsimile] and
lists; several half-size format script pages |
| Box.Folder |
| 102.8 |
|
|
|
|
Wardrobe tests, RDN |
| Box.Folder |
| 103.1-2 |
|
|
|
|
Wardrobe tests, RDN and cast |
| Box |
| 339 |
|
|
|
|
Album of stills and production photographs in
presentation binding, undated |
| Box.Folder |
| 103.3 |
|
|
|
Video (DVD and VHS) artwork design and production |
|
|
|
Publicity materials |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 103.4 |
|
|
|
Public appearances |
| Box.Folder |
| 103.5-7* |
|
|
|
Publicity and reviews (*oversize reviews removed to oversize
box 211) |
|
|
|
Research materials, bound volume |
| BV |
| 208 |
|
|
|
Rozakis, Laurie E. The Complete
Idiot's Guide to Dealing with In-Laws (1998) |
|
|
|
Men of Honor (2000) |
|
|
|
Screenplays titled "Navy Diver," by Scott Marshall Smith; all
without RDN notes unless otherwise stated |
| Box.Folder |
| 104.1 |
|
|
|
June 1995, "first draft" |
| Box.Folder |
| 104.2 |
|
|
|
17 December 1998, "second revised draft" |
| Box.Folder |
| 104.3-4 |
|
|
|
17 March 1999, "third revision," two copies |
|
|
|
|
20 April 1999, "fourth revision" |
| Box.Folder |
| 104.5 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 104.6 |
|
|
|
|
With RDN notes |
|
|
|
|
27 July 1999 |
| Box.Folder |
| 104.7 |
|
|
|
|
"Not correct 7/27 version" |
| Box.Folder |
| 104.8 |
|
|
|
|
"Locked white draft," lacking pages 38-52 |
|
|
|
|
"Shooting script" |
| Box.Folder |
| 105.1-3 |
|
|
|
|
4 August 1999 revisions, three copies |
| Box.Folder |
| 105.4 |
|
|
|
|
7 September 1999 revisions, bound copy; with RDN
notes |
| Box.Folder |
| 105.5 |
|
|
Script revisions, various dates, with RDN notes; correspondence
and script synopsis |
|
|
|
Production materials |
| Box.Folder |
| 105.6 |
|
|
|
Automated dialogue replacement (ADR) notes and revisions;
script supervisor's one-liner list |
| Box.Folder |
| 105.7 |
|
|
|
Call sheets |
| Box.Folder |
| 106.1 |
|
|
|
Casting |
| Box.Folder |
| 106.2 |
|
|
|
Correspondence and photographs from divers |
| Box.Folder |
| 106.3 |
|
|
|
Invoices for limousine services |
|
|
|
|
Photographs |
| Box.Folder |
| 106.4 |
|
|
|
|
Make-up |
| Box.Folder |
| 106.5-8 |
|
|
|
|
Wardrobe and make-up |
| Box.Folder |
| 106.9 |
|
|
|
Speech and dialogue phonetic transcriptions |
| Box.Folder |
| 106.10 |
|
|
|
Tattoo designs and photographs |
| Box |
| 194 |
|
|
|
Wardrobe continuity Polaroids and production material,
facsimile |
|
|
|
Publicity materials |
| Box.Folder |
| 107.1 |
|
|
|
Fact breakdown, press junket schedule, quotes, and review |
| Box.Folder |
| 107.2 |
|
|
|
Photographs, RDN and Cuba Gooding, Jr. |
|
|
|
|
Posters |
| Flatfile |
| * |
|
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box |
| 211 |
|
|
|
|
Proof |
|
|
|
Research materials |
| Box.Folder |
| 107.3 |
|
|
|
Divers Institute of Technology program catalog and RDN's
"Professional Commercial Diver" diploma, 5 August 1999 |
| Box |
| 193 |
|
|
|
"Men's period hair research in the U. S. Navy,
1940's-1960's," two copies |
| Box.Folder |
| 107.4 |
|
|
|
U. S. Navy. Bureau of Ships Diving
Manual, photocopy, pages 512-end |
| BV |
| 209 |
|
|
|
U. S. Navy Diving Manual,
volume one, Air Diving (1993) |
|
|
|
Midnight Run (1988) |
|
|
|
Screenplays, by George Gallo; both without RDN notes |
| Box.Folder |
| 107.5 |
|
|
|
31 July 1987, "revised draft" |
| Box.Folder |
| 107.6 |
|
|
|
21-23 October 1987, revised script pages |
|
|
|
Production materials |
| Box.Folder |
| 107.7 |
|
|
|
Correspondence re Golden Globe nomination |
| Box |
| 211 |
|
|
|
Production photographs |
| Box.Folder |
| 107.8 |
|
|
|
Shooting schedules, preliminary staff and crew list for New
York shoot |
|
|
|
Publicity materials |
| Box.Folder |
| 107.9-10 |
|
|
|
Advertisements, articles, interviews, and reviews |
| Box.Folder |
| 107.11 |
|
|
|
Premiere invitation and screening card |
|
|
|
Research materials |
| Box.Folder |
| 108.1 |
|
|
|
Articles about bounty hunters, WMAT police badge sticker,
"Posture and Physical Conditioning" by Karin Dehio; poetry and short
story "The Hunter" by Ralph Thorson |
| Box.Folder |
| 108.2 |
|
|
|
City of New York police observer applications |
|
|
|
|
Bound volumes |
| BV |
| 210* |
|
|
|
|
Burton, Bob. Bounty
Hunter (1984) (*annotated by RDN) |
| BV |
| 211 |
|
|
|
|
Keane, Christopher. The
Hunter (1980) |
| BV |
| 212 |
|
|
|
|
Remsberg, Charles. Street
Survival: Tactics for Armed Encounters
(1980) |
| BV |
| 213 |
|
|
|
|
Stevenson, Bob. Skip
Tracing (1984), inscribed by the author |
| BV |
| 214 |
|
|
|
|
Zoglio, Michael. Tracing Missing
Persons (1980) |
|
|
|
The Mission (1986) |
| Box.Folder |
| 108.3 |
|
|
"Guarani, a suggestion for an original screenplay by Robert
Bolt," typescript, January 1975 |
|
|
|
Screenplays by Bolt |
|
|
|
|
23 September 1984, second revised version |
| Box.Folder |
| 108.4 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 108.5 |
|
|
|
|
With RDN notes |
| Box |
| 198 |
|
|
|
Shooting script revised through 30 March 1985; with extensive
RDN notes and correspondence from Anthony Lawn, S.J. laid
in |
|
|
|
Production materials |
| Box.Folder |
| 108.6 |
|
|
|
Call sheets, 16 May 1985 |
| Box |
| 216 |
|
|
|
Costume designs, clerical garments |
| Box.Folder |
| 108.7* |
|
|
|
Guidebooks, Columbia (*aerial view of Iguazu Falls,
Argentina, removed to oversize folder) |
| Box.Folder |
| 108.8* |
|
|
|
Production photographs and location shots (*oversize prints
removed to box 216) |
| Box.Folder |
| 235.9 |
|
|
|
Beard test and make-up Polaroids |
| Box.Folder |
| 235.10 |
|
|
|
Production photographs, cast and crew |
| Box.Folder |
| 235.11 |
|
|
|
Studio stills |
| Box.Folder |
| 236.1 |
|
|
|
Production and location photographs |
|
|
|
Publicity materials |
| Box.Folder |
| 108.9 |
|
|
|
Correspondence from Penguin Books to RDN re cover design of
Bolt's novelization of screenplay; includes two
photographs |
| Box.Folder |
| 108.10 |
|
|
|
Photographs of cast greeted by Queen Sofia of Spain and
studio stills |
| Box.Folder |
| 108.11 |
|
|
|
Press kits and screening card |
| Box.Folder |
| 108.12 |
|
|
|
Reviews, articles, and clerical images, including letters
from Daniel Berrigan, S.J. and Fernando Ghia |
|
|
|
Research materials, bound volumes and photocopies |
|
|
|
|
Bound volumes |
| BV |
| 215 |
|
|
|
|
Berrigan, Daniel, S.J. The
Mission: A Film Journal (1986), inscribed by the
author |
| BV |
| 216 |
|
|
|
|
Bolt, Robert. The Mission
(1986) |
| BV |
| 217 |
|
|
|
|
Descola, Jean. The
Conquistadors (1957) |
| BV |
| 218 |
|
|
|
|
Métraux, Alfred. The
History of the Incas (1969) |
| BV |
| 219 |
|
|
|
|
Radin, Paul. The Indians of South
America (1946) |
|
|
|
|
Photocopies of books, selected pages |
| Box.Folder |
| 109.1 |
|
|
|
|
Caraman, Philip. The Lost
Paradise (1975) |
| Box.Folder |
| 109.2 |
|
|
|
|
Casas, Bartolomé de las. The Tears of the Indians (1656) |
| Box.Folder |
| 109.3 |
|
|
|
|
Clarke, S. J. G. The Congo
Mercenary (1968) |
| Box.Folder |
| 109.4 |
|
|
|
|
Courson, R. de. The
Jesuits (1879) |
| Box.Folder |
| 109.5 |
|
|
|
|
Cowan, Marian. The Spiritual
Exercises of St. Ignatius of Loyola
(1982) |
| Box.Folder |
| 109.6 |
|
|
|
|
Foss, Michael. The Founding of the
Jesuits (1969) |
| Box.Folder |
| 110.1 |
|
|
|
|
Gilbert, Henry. The Conquerors of
Peru (1913) |
| Box.Folder |
| 110.2 |
|
|
|
|
Goldwert, Marvin. Psychic Conflict
in Spanish America (1982) |
| Box.Folder |
| 110.3 |
|
|
|
|
Haring, Clarence H. The Spanish
Empire in America (1963) |
| Box.Folder |
| 110.4 |
|
|
|
|
Harney, Martin P. The Jesuits in
History (1941) |
| Box.Folder |
| 110.5 |
|
|
|
|
Hennessey, C. A. M. The Frontier
in Latin American History (1978) |
| Box.Folder |
| 110.6 |
|
|
|
|
Kazantzakis, Nikos. The
Fratricides (1964) |
| Box.Folder |
| 110.7 |
|
|
|
|
Lang, James. Conquest and
Commerce (1975) |
| Box.Folder |
| 110.8 |
|
|
|
|
Mariani, A. F. The Life of St.
Ignatius Loyola (1848) |
| Box.Folder |
| 111.1 |
|
|
|
|
Millar, Gilbert J. Tudor
Mercenaries and Auxiliaries (1980) |
| Box.Folder |
| 111.2 |
|
|
|
|
Mockler, Anthony. The
Mercenaries (1970) |
| Box.Folder |
| 111.3 |
|
|
|
|
Palmer, Stuart. The Psychology of
Murder (1962) |
| Box.Folder |
| 111.4 |
|
|
|
|
Parry, John H. The Spanish Theory
of Empire (1940) |
| Box.Folder |
| 111.5 |
|
|
|
|
Prescott, William H. The Conquest
of Mexico [and] Peru
(1966) |
| Box.Folder |
| 111.6 |
|
|
|
|
Purcell, Mary. The First
Jesuit (1957) |
| Box.Folder |
| 112.1 |
|
|
|
|
Rose, Stewart. St. Ignatius
Loyola (1891) |
| Box.Folder |
| 112.2 |
|
|
|
|
Schlight, John. Monarchs and
Mercenaries (1968) |
| Box.Folder |
| 112.3 |
|
|
|
|
Taylor, Isaac. Loyola and
Jesuitism in Its Rudiments (1849) |
|
|
|
|
Excerpts and related material, photocopy |
| Box.Folder |
| 112.4 |
|
|
|
|
Davie, John C. Letters from
Paraguay (1805) |
| Box.Folder |
| 112.5 |
|
|
|
|
"Jesuits in Spanish America, a time line,"
typescript |
| Box.Folder |
| 113.1 |
|
|
|
|
Levene, Ricardo. A History of
Argentina (1937) |
| Box.Folder |
| 113.2 |
|
|
|
|
Mörner, Magnus. Political and
Economic Activities of the Jesuits
(1968) |
| Box.Folder |
| 113.3-4 |
|
|
|
|
Brief excerpts, authors F-W |
| Box.Folder |
| 113.5-6 |
|
|
|
|
Excerpts from books and subject lists prepared for RDN by
the production office of Goldcrest Mission Limited |
|
|
|
Mistress (1992) |
|
|
|
Screenplays, by Barry Primus and Jonathan Lawton; all without RDN
notes unless otherwise stated |
| Box.Folder |
| 114.1 |
|
|
|
27 April 1988 |
| Box.Folder |
| 114.2 |
|
|
|
8 November 1988, with RDN notes |
| Box.Folder |
| 114.3 |
|
|
|
5 June 1989 |
| Box.Folder |
| 114.4 |
|
|
|
December 1990 |
| Box.Folder |
| 114.5 |
|
|
|
May 1990 and subsequent revisions |
| Box.Folder |
| 114.6 |
|
|
|
|
14 February 1991 |
| Box.Folder |
| 114.7 |
|
|
|
|
18 February 1991 |
| Box.Folder |
| 115.1 |
|
|
|
|
18 March 1991 |
| Box.Folder |
| 115.2 |
|
|
|
|
13 April 1991, with RDN notes and Primus correspondence
re revised script pages |
|
|
|
Production materials |
| Box.Folder |
| 115.3 |
|
|
|
Automated dialogue sound effects cue sheets, with one page of
additional dialogue laid in, September 1991 |
| Box.Folder |
| 115.4 |
|
|
|
Correspondence re casting and production, with RDN notes;
congratulatory and cast correspondence |
| Box.Folder |
| 115.5 |
|
|
|
Photograph of RDN on set |
| Box.Folder |
| 115.6 |
|
|
|
Research report summarizing test screening and recruited
audience preview |
|
|
|
Publicity materials |
| Box.Folder |
| 115.7 |
|
|
|
Advertising postcards, France |
| Box.Folder |
| 115.8 |
|
|
|
Correspondence |
| Box.Folder |
| 115.9 |
|
|
|
Interview schedules, European tour |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 115.10 |
|
|
|
Programs for Italian premiere |
| Box.Folder |
| 115.11 |
|
|
|
Reviews and articles |
|
|
|
New York, New York (1977) |
|
|
|
Screenplays, by Earl Mac Rauch |
| Box.Folder |
| 116.1 |
|
|
|
"Original screenplay," undated; with RDN notes |
| Box.Folder |
| 116.2 |
|
|
|
Undated script, lacks title page; with RDN notes and notes in
another's hand |
| Box.Folder |
| 116.3 |
|
|
|
14 April 1976, copy 19; with RDN notes |
|
|
|
|
12 May 1976 scripts |
| Box.Folder |
| 116.4 |
|
|
|
|
"As shot 6/14-11/4/76"; copy 138, with camera angle
notation |
| Box |
| 215 |
|
|
|
|
Shooting script, with script revisions and RDN notes;
production material laid in |
|
|
|
Production materials |
| Box.Folder |
| 117.1 |
|
|
|
One-liner schedule, staff and crew list, sheet
music |
| Box |
| 219-220; 223-224 |
|
|
|
Production photographs in binders; oversize contact prints;
three skyline "New York, New York" title designs |
| Box.Folder |
| 236.2, 341 |
|
|
|
Production photographs |
| Box.Folder |
| 236.3 |
|
|
|
Production material, color slides |
| Box.Folder |
| 117.2 |
|
|
|
Stationery, production company letterhead and envelopes
bearing "New York, New York" title and images of RDN and Liza
Minnelli |
|
|
|
Publicity materials |
| Box.Folder |
| 117.3-4* |
|
|
|
Articles and reviews (*Newsweek cover, 16 May 1977, laminated on wood, removed to
oversize box 211) |
| Box.Folder |
| 117.5 |
|
|
|
Publicity booklet, Japan |
| Box |
| 211 |
|
|
|
Screening card; invitation to charity screening, 3 July 1977 |
| Box.Folder |
| 117.6, 340-341 |
|
|
|
Stills |
|
|
|
Research and related material, bound volumes |
| BV |
| 220 |
|
|
|
First and Second Year:
Saxophone (1930) |
| BV |
| 221 |
|
|
|
Rauch, Earl Mac, New York, New
York (1977) |
| BV |
| 222-223* |
|
|
|
Simon, George T. The Big
Bands (1974), two copies (*loose item withdrawn from BV222;
BV223 annotated by RDN) |
| BV |
| 224* |
|
|
|
Walker, Leo. The Wonderful Era of the
Great Dance Bands (1972) (*annotated by RDN) |
|
|
|
Night and the City (1992) |
|
|
|
Screenplays, by Richard Price; all without RDN notes unless
otherwise stated |
|
|
|
|
11 October 1989, second draft |
| Box.Folder |
| 117.7-8 |
|
|
|
|
No RDN notes, two copies |
| Box.Folder |
| 117.9 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 118.1 |
|
|
|
12 September 1991, with RDN notes |
| Box.Folder |
| 118.2 |
|
|
|
25 September 1991, with RDN notes |
|
|
|
|
29 October 1991 scripts |
| Box.Folder |
| 118.3 |
|
|
|
|
Annotated with shooting days |
| Box.Folder |
| 118.4 |
|
|
|
|
Marked with make-up notes; production lists
inserted |
| Box.Folder |
| 118.5 |
|
|
|
|
Shooting script, "revised draft 9/25/91" with revised
pages through 29 October 1991; includes time continuity plot and
one-liner schedule of 20 December 1991; with RDN
notes |
| Box.Folder |
| 236.4 |
|
|
|
Presentation binder for screenplay (empty) |
| Box.Folder |
| 118.6 |
|
|
|
Script fragments |
|
|
|
Production materials |
| Box.Folder |
| 118.7 |
|
|
|
Automated dialogue replacement (ADR) cue sheets, casting
sheets, cast and crew lists, time continuity plot with RDN notes;
related production material |
| Box.Folder |
| 118.8 |
|
|
|
Call sheets |
| Box.Folder |
| 118.9 |
|
|
|
Congratulatory note from Roger Birnbaum and Joe Roth to
RDN |
|
|
|
|
Photographs, continuity Polaroids |
| Box.Folder |
| 119.1 |
|
|
|
|
Hair continuity |
| Box.Folder |
| 119.2 |
|
|
|
|
Make-up/hair/wardrobe continuity; wardrobe cards and time
continuity plot marked for make-up/hair |
| Box.Folder |
| 236.5-6, 341 |
|
|
|
Production, publicity, and cast and crew
photographs |
| Box.Folder |
| 119.3 |
|
|
|
Production reports |
| Box.Folder |
| 119.4 |
|
|
|
Wardrobe inventory lists |
|
|
|
Publicity materials |
| Box.Folder |
| 119.5 |
|
|
|
Correspondence, press junket schedules, and
reviews |
| Box.Folder |
| 119.6 |
|
|
|
Press kit and screening invitation |
| Box.Folder |
| 119.7 |
|
|
Research, observations made at the New York State Court building
re lawyers and jurors |
|
|
|
Once Upon a Time in America (1984) |
| Box.Folder |
| 120.1 |
|
|
"The Hoods," novel by Harry Gray, photocopy, with RDN notes |
| Box.Folder |
| 120.2 |
|
|
Treatment, bound typescript (photocopy); lacks title page and
writer attribution; no RDN notes |
|
|
|
Screenplays, without screenwriter attribution, undated; with RDN
notes |
| Box.Folder |
| 120.3 |
|
|
|
Script in 155 scenes (260 pages) |
| Box.Folder |
| 120.4 |
|
|
|
Script in 151 scenes (291 pages); extra scenes laid
in |
| Box.Folder |
| 121.1 |
|
|
|
Script in 149 scenes (291 pages); revised pages
added |
|
|
|
Screenplays with dates; all with RDN notes unless otherwise
stated |
| Box.Folder |
| 121.2 |
|
|
|
June 1981, first draft, no screenwriter
attribution |
|
|
|
|
"English version by David Mills, c1982" |
| Box.Folder |
| 121.3-4 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 121.5 |
|
|
|
|
Script fragments: Scenes 79, 114-118, 151-152, 156-158,
with RDN notes |
| Box.Folder |
| 122.1 |
|
|
|
|
No title page, with RDN notes |
| Box.Folder |
| 122.2 |
|
|
|
|
No title page, no RDN notes |
| Box.Folder |
| 122.3 |
|
|
|
|
With title page, no RDN notes |
| Box.Folder |
| 122.4 |
|
|
|
|
"List of things to do" re screenplay revisions,
typescript |
|
|
|
Production materials |
| Box.Folder |
| 123.1 |
|
|
|
Casting |
| Box |
| 227 |
|
|
|
Photographs, make-up/hair and production |
| Box.Folder |
| 123.2 |
|
|
|
Production designs and location photographs, including
drawings; typescript of Sergio Leone's description of the film,
October 1981; work authorization papers |
| Box.Folder |
| 123.3 |
|
|
|
RDN notes re dialogue and production |
| Box.Folder |
| 123.4 |
|
|
|
Shooting schedule with RDN notes; list of reels and
contents |
|
|
|
Publicity and research materials |
|
|
|
|
Bound volumes, research |
| BV |
| 226 |
|
|
|
|
De Fornari, Oreste. Tutti i Film
di Sergio Leone (1984), inscribed to RDN by
Leone |
| BV |
| 227 |
|
|
|
|
Fried, Albert. The Rise and Fall
of the Jewish Gangster in America (1980) |
| Box.Folder |
| 123.5 |
|
|
|
Magazine articles on the film; transcript of Leone interview,
24 November 1980; outline for a work by Lorenzo Ricciardi re Once Upon a Time in America |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 123.6 |
|
|
|
Photographs of and research article on Jewish
gangsters |
| Box.Folder |
| 123.7 |
|
|
|
Photographs, including stills and informal shots of RDN,
Muhammad Ali, Sergio Leone, and others |
|
|
|
Raging Bull (1980) |
|
|
|
Screenplays [titles vary], by Mardik Martin and Paul
Schrader |
| Box.Folder |
| 124.1 |
|
|
|
Dialogue excerpted from Raging
Bull by Jake LaMotta, with Joseph Carter and Peter Savage
(Award Books, 1970), duplicated typescript |
| Box.Folder |
| 124.2 |
|
|
|
"The Raging Bull," first draft (long version), undated
screenplay by Emmett Clary, rights reserved by Peter Savage; no RDN
notes |
| Box.Folder |
| 124.3-5 |
|
|
|
|
Three intermediary drafts; no RDN notes |
| Box.Folder |
| 124.6 |
|
|
|
Untitled, undated, rough first draft in three acts;
typescript with notes by RDN and Mardik Martin |
| Box.Folder |
| 125.1 |
|
|
|
"Fighter (Raging Bull)," incomplete screenplay by Martin;
with RDN notes |
| Box.Folder |
| 125.2 |
|
|
|
15 April 1978, "Raging Bull," second draft by Martin; no RDN
notes |
| Box.Folder |
| 125.3 |
|
|
|
"Raging Bull," undated screenplay by Paul Schrader; with RDN
notes |
| Box.Folder |
| 125.4 |
|
|
|
|
5 July 1978, revised draft; no RDN notes |
| Box.Folder |
| 125.5 |
|
|
|
|
Intermediary draft, lacks title page; with RDN
notes |
| Box.Folder |
| 125.6 |
|
|
|
1 November 1978, "Prize Fighter," second draft, "M.S.,
R.D.N."; with RDN notes |
| Box.Folder |
| 125.7 |
|
|
|
|
Copy 7, with RDN notes |
| Box.Folder |
| 126.1-2 |
|
|
|
|
Copies 10 and 31, no RDN notes |
|
|
|
|
1 February 1979, "Raging Bull ... M.S., R.D.N."; all without
RDN notes unless otherwise stated |
| Box.Folder |
| 126.3 |
|
|
|
|
Copy 15 |
| Box.Folder |
| 126.4 |
|
|
|
|
"Final" script |
| Box.Folder |
| 126.5 |
|
|
|
|
19 April 1979 cumulative revision |
| Box |
| 199 |
|
|
|
|
Master script "as shot pre-hiatus 8/17/79" |
|
|
|
|
|
Shooting script, with RDN notes |
| Box |
| 200 |
|
|
|
|
|
Facsimile script |
| Box |
| 229 |
|
|
|
|
|
Original script; available only by arrangement with
Ransom Center's Film Curator |
| Box.Folder |
| 126.6 |
|
|
|
Correspondence and RDN notes re scripts -- see also RDN's
notebook in box 44.4 |
|
|
|
Production materials |
| Box.Folder |
| 126.7 |
|
|
|
Cast and crew lists; shooting schedules |
|
|
|
|
Correspondence |
| Box.Folder |
| 126.8 |
|
|
|
|
Congratulatory telegrams and letters |
| Box.Folder |
| 126.9 |
|
|
|
|
Production and post-production correspondence and
associated material |
| Box.Folder |
| 127.1 |
|
|
|
Make-up continuity book, with RDN annotations |
| Box.Folder |
| 127.2-3* |
|
|
|
Production photographs (*oversize photographs removed to
oversize boxes 195-197, 201, 228) |
| Box.Folder |
| 240.1-4 |
|
|
|
Production photographs by Brian Hamill |
| Box.Folder |
| 240.5 |
|
|
|
Photographs of RDN with Jake LaMotta, Pete Savage, and
others |
| Box.Folder |
| 127.4-6 |
|
|
|
Storyboards, fight scenes |
|
|
|
Post-production materials, 1981 |
| Box.Folder |
| 127.7 |
|
|
|
Academy Awards program, 30 March 1981; RDN "Best
Actor" |
| Box |
| 201 |
|
|
|
Award, Motion Picture Hall of Fame Annual Award, RDN "Best
Actor," 31 July 1981, wood plaque |
| Box.Folder |
| 127.8 |
|
|
|
Transcript of RDN's deposition re Joe LaMotta, 9 March
1981 |
|
|
|
Publicity materials |
| Box.Folder |
| 128.1 |
|
|
|
Argentina publicity tour, RDN's binder; scheduling and
background information, March 1980 |
| Box.Folder |
| 128.2-3* |
|
|
|
Articles about the film (*oversize articles removed to
oversize boxes 201, 342) |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 128.4 |
|
|
|
Radio broadcasts, excerpts |
| Box.Folder |
| 128.5 |
|
|
|
Screening cards |
| Box.Folder |
| 236.7 |
|
|
|
Stills and publicity photographs, some signed by
RDN |
| Box |
| 237-239 |
|
|
|
Fight stills mounted on wood |
| Box |
| 342 |
|
|
|
Press kit and publicity stills |
|
|
|
Research material on Jake LaMotta and boxing |
| Box.Folder |
| 128.6-7* |
|
|
|
Articles about Jake LaMotta (*oversize clippings scrapbook
and boxing magazines removed to oversize box 202) |
| Box.Folder |
| 128.8-129.1 |
|
|
|
|
Court transcripts, Jake LaMotta vs. The State of Florida,
1957 |
| Box.Folder |
| 129.2 |
|
|
|
"Jake LaMotta: Middleweight Champion of the World...,"
typescript; list of fights, 1941-1954 |
|
|
|
|
LaMotta photographs |
| Box.Folder |
| 129.3-130.1 |
|
|
|
|
Boxing and related group photographs |
| Box.Folder |
| 130.2-6 |
|
|
|
|
General photographs of private life, night club,
celebrities, film appearances, etc. |
| Box |
| 205 |
|
|
|
|
LaMotta family album |
|
|
|
Research materials |
|
|
|
|
Bound volumes |
| BV |
| 228-229 |
|
|
|
|
Andre, Sam and Nat Fleischer. A
Pictorial History of Boxing (1959, 1975), two
editions |
| BV |
| 230 |
|
|
|
|
Bennett, George and Pete Hamill.
Fighters (1978) |
| BV |
| 231 |
|
|
|
|
Carpenter, Harry. Boxing: A
Pictorial History (1975) |
| BV |
| 232 |
|
|
|
|
Cox, William D. Boxing in Art and
Literature (1935) |
| BV |
| 233 |
|
|
|
|
Edwards, William. Art of Boxing
and Manual of Training (1888) |
| BV |
| 234-235* |
|
|
|
|
LaMotta, Jake, with Joseph Carter and Peter Savage.
Raging Bull: My Story
(1970), two copies (*BV235 inscribed by LaMotta to RDN, and
annotated by RDN) |
| BV |
| 236 |
|
|
|
|
Odd, Gilbert. The Great
Champions (1974) |
| BV |
| 237 |
|
|
|
|
Patterson, Floyd, with Bert Randolph Sugar. Inside Boxing (1974) |
| BV |
| 238 |
|
|
|
|
Sheed, Wilfrid. Muhammad
Ali (1975) |
| Box |
| 377 |
|
|
|
Scrapbook of articles about Jake LaMotta |
|
|
|
Rent (2005, RDN
producer) |
| Box.Folder |
| 152.1 |
|
|
Screenplay adaptation by Stephen Chbosky, third draft, 24 June
2001, with song list and script revisions; no RDN notes |
|
|
|
Righteous Kill (2008) |
|
|
|
Screenplays, by Russell Gewirtz, revisions by Ed Redlich and John
Bellucci, all with RDN notes |
| Box.Folder |
| 314.1 |
|
|
|
15 July 2007, working draft |
| Box.Folder |
| 314.2 |
|
|
|
27 January 2007; revisions 13 May 2007; current revisions, 18
July 2007 |
| Box.Folder |
| 314.3 |
|
|
|
27 January 2007; revisions 13 May 2007; "received
7/19/07" |
| Box.Folder |
| 314.4 |
|
|
|
17 August 2007 ("Bd. 1 Rk") |
| Box.Folder |
| 314.5 |
|
|
|
17 August 2007 |
| Box.Folder |
| 314.6 |
|
|
|
29 August 2007 ("RDN Blue") |
| Box.Folder |
| 314.7 |
|
|
|
Revised voice-over, 18 July 2008, Turk/RDN |
|
|
|
Production and publicity materials |
| Box.Folder |
| 315.1 |
|
|
|
Crew call sheets and production reports, 2007 |
| Box.Folder |
| 315.2 |
|
|
|
Crew call sheets and props list for RDN's character,
2008 |
| Box.Folder |
| 315.3 |
|
|
|
Oneline schedules, 2007 |
| Box.Folder |
| 315.4 |
|
|
|
Staff and crew list, images for posters and press, and script
pages, 2007 |
| Box.Folder |
| 315.5 |
|
|
|
Production photographs, 2007 |
| Box.Folder |
| 315.6 |
|
|
|
"Selects [photographs] previously Robert De Niro approved,"
undated |
| Box |
| 372 |
|
|
|
Wardrobe continuity book, 2007 |
| Box.Folder |
| 373-4 |
|
|
|
Poster proofs, 2008, undated |
|
|
|
Ronin (1998) |
|
|
|
Screenplays, by J. D. Zeik; with RDN notes unless otherwise
stated |
|
|
|
|
20 July 1997 scripts |
| Box.Folder |
| 131.1 |
|
|
|
|
"Preliminary shooting script" |
| Box.Folder |
| 131.2 |
|
|
|
|
26 July 1997, draft 6b, "final draft"; no RDN
notes |
| Box.Folder |
| 131.3 |
|
|
|
12 September 1997, typed script notes by Zeik |
| Box.Folder |
| 131.4 |
|
|
|
30 September 1997, draft 7 |
| Box.Folder |
| 131.5 |
|
|
|
26 October 1997, draft 8 |
|
|
|
Screenplays by Zeik and Richard Weisz [David Mamet] |
| Box.Folder |
| 131.6 |
|
|
|
11 November 1997, marked for make-up/hair; no RDN
notes |
|
|
|
|
13 February 1998 scripts |
| Box.Folder |
| 131.7 |
|
|
|
|
No RDN notes |
| Box |
| 206 |
|
|
|
|
Shooting script with inserted script revisions and notes
re plot and character development |
|
|
|
Production materials |
| Box.Folder |
| 132.1 |
|
|
|
Correspondence, personal and congratulatory |
|
|
|
|
Photographs |
| Box.Folder |
| 132.2-4 |
|
|
|
|
Location photographs (color photocopies) mounted on file
folders |
| Box.Folder |
| 132.5 |
|
|
|
|
Make-up/hair continuity Polaroids |
| Box.Folder |
| 132.6-8 |
|
|
|
|
Production photographs |
| Box.Folder |
| 132.9 |
|
|
|
|
Wardrobe/hair/make-up test |
| Box.Folder |
| 132.10 |
|
|
|
|
Wardrobe Polaroids, photocopies |
|
|
|
Publicity materials |
| Box.Folder |
| 132.11 |
|
|
|
Polaroid image of theatrical standee and magazine review |
|
|
|
|
Posters |
| Flatfile |
| * |
|
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box |
| 211 |
|
|
|
|
Proofs |
|
|
|
Sam's Song -- see The Swap |
|
|
|
The Score (2001) |
|
|
|
Screenplays by Daniel E. Taylor, revised by Ebbe Roe Smith, Kario
Salem, Lem Dobbs, and Scott Marshall Smith; without RDN notes unless
otherwise stated |
|
|
|
|
28 August 1999 scripts |
| Box.Folder |
| 133.1 |
|
|
|
|
No RDN notes |
| Box.Folder |
| 133.2 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 133.3 |
|
|
|
2 December 1999 script |
| Box.Folder |
| 133.4 |
|
|
|
24 March 2000, with RDN notes |
| Box.Folder |
| 133.5 |
|
|
|
28 March 2000, with RDN notes |
| Box.Folder |
| 240.6 |
|
|
|
28 March 2000, no RDN notes |
| Box.Folder |
| 133.6 |
|
|
|
1 May 2000 script |
| Box.Folder |
| 240.7 |
|
|
|
1 May 2000 partial script (to page 54), no RDN
notes |
| Box.Folder |
| 133.7 |
|
|
|
25 July 2000, noted as "beat sheet script" |
| Box.Folder |
| 133.8 |
|
|
|
5 August 2000, "3rd white revision" pages only, two
copies |
| Box.Folder |
| 240.8 |
|
|
|
20 September 2000, with RDN notes |
| Box.Folder |
| 241.1 |
|
|
|
"Montreal 2000," bound presentation copy signed by Angela
Bassett, Gary Foster, Bernie Williams, Edward Norton, Frank Oz, and
RDN |
|
|
|
Production materials |
| Box.Folder |
| 134.1* |
|
|
|
Correspondence, including letters from cast and crew (*gift
poster of Cape Dorset removed to oversize folder) |
| Box.Folder |
| 134.2 |
|
|
|
Memos and documents re accounting, immigration/work permits,
tax waivers, RDN's drivers' résumés |
| Box.Folder |
| 134.3 |
|
|
|
Montreal accommodations and travel information |
| Box.Folder |
| 134.4 |
|
|
|
Photographs, stills, Montreal crew group shot, and photo of
Jazz Club inscribed to RDN by Frank Oz |
| Box.Folder |
| 134.5-6 |
|
|
|
Prop books |
| Box.Folder |
| 134.7 |
|
|
|
Schedules |
| Box.Folder |
| 134.8 |
|
|
|
Script pages and correspondence |
| Box.Folder |
| 134.9* |
|
|
|
Set designs and location photography (*architectural drawings
for the Jazz Club removed to oversize folder) |
| Box.Folder |
| 134.10 |
|
|
|
Storyboards |
| Box |
| 209 |
|
|
|
Wardrobe continuity book, facsimile |
|
|
|
Publicity materials |
| Box.Folder |
| 135.1 |
|
|
|
Memo re press conference and Canadian magazine articles re
Toronto International Film Festival |
| Flatfile |
| * |
|
|
|
One-sheet poster (*removed to oversize flat
files) |
| Box.Folder |
| 135.2 |
|
|
Research on burglars and heists |
| Box.Folder |
| 135.3* |
|
|
Shark Tale (2004), script
pages with RDN notes (*script pages mounted on cardboard removed to
oversize boxes 210, 213-214, 217) |
|
|
|
Showtime (2002) |
|
|
|
Screenplays, by Keith Sharon, with revisions by Ben Ramsey, Vince
McKewin, Alfred Gough, Miles Millar, Marc Hyman, Gary Ross, and John
Hamburg; all without RDN notes unless otherwise stated |
|
|
|
|
2 November 2000, first draft |
| Box.Folder |
| 135.4 |
|
|
|
|
117 pages |
| Box.Folder |
| 135.5 |
|
|
|
|
129 pages, "Mitch" dialogue highlighted; actor's
directions crossed out |
| Box.Folder |
| 135.6 |
|
|
|
11 December 2000, second draft |
| Box.Folder |
| 135.7 |
|
|
|
21 January 2001, revised outline from Tom Dey |
| Box.Folder |
| 135.8 |
|
|
|
11 February 2001 script |
| Box.Folder |
| 135.9 |
|
|
|
22 February 2001, pages 1-34 |
| Box.Folder |
| 135.10 |
|
|
|
1 March 2001, first act, pages 1-23 |
|
|
|
|
22 March 2001, with subsequent revisions |
| Box.Folder |
| 135.11-12 |
|
|
|
|
30 March 2001, pages 1-62; two copies, one with a single
RDN note |
| Box.Folder |
| 136.1 |
|
|
|
|
3 April 2001, "Hamburg," new script pages, pages
1-80 |
| Box.Folder |
| 136.2 |
|
|
|
|
9 April 2001, "JH," pages 35-95; with RDN
notes |
| Box.Folder |
| 136.3 |
|
|
|
|
13 April 2001, "Hamburg," pages 1-101 |
| Box.Folder |
| 136.4-5 |
|
|
|
|
15 April 2001, two scripts |
| Box.Folder |
| 136.6 |
|
|
|
|
29 May 2001 script |
| Box.Folder |
| 136.7 |
|
|
|
|
6 June 2001 script |
| Box.Folder |
| 136.8-137.2 |
|
|
|
Script pages, fragments of various dates; with RDN
notes |
|
|
|
Production materials |
| Box.Folder |
| 137.3 |
|
|
|
Correspondence from Tom Dey and John Crosby |
| Box.Folder |
| 137.4* |
|
|
|
Photographs of Mitch Preston props and "Street Sweeper" gun
(*Street Sweeper images removed to oversize box 211) |
| Box.Folder |
| 137.5 |
|
|
|
Shooting schedules; staff and crew list |
| Box |
| 209 |
|
|
|
Wardrobe continuity book, RDN's dresser Marci Olivi's copy,
with copy of the script revised through 29 May 2001, facsimile of
wardrobe continuity pages |
| Folder |
| * |
|
|
|
Wardrobe photographs mounted on foamcore (*removed to
oversize folder) |
|
|
|
Publicity materials |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 137.6 |
|
|
|
Premiere tickets and RDN photographic montage |
|
|
|
Sleepers (1996) |
|
|
|
Screenplays, by Barry Levinson |
|
|
|
|
April 14, 1995, with subsequent revisions |
| Box.Folder |
| 137.7 |
|
|
|
|
6 June 1995 script |
| Box.Folder |
| 137.8 |
|
|
|
|
31 July 1995, Father Bobby scenes only; with RDN
notes |
| Box.Folder |
| 137.9 |
|
|
|
|
30 August 1995, "working script" |
| Box.Folder |
| 137.10 |
|
|
|
|
20 September 1995, Father Bobby scenes only; with RDN
notes |
| Box.Folder |
| 138.1 |
|
|
|
Various script pages, with RDN notes |
|
|
|
Production materials |
| Box.Folder |
| 138.2 |
|
|
|
Miscellany, including notecard from associate producer Gerrit
van der Meer and CAA Reader's Report |
|
|
|
|
Photographs |
| Box.Folder |
| 138.3 |
|
|
|
|
Make-up/hair tests and continuity |
| Box.Folder |
| 138.4 |
|
|
|
|
Production stills |
|
|
|
Research materials, bound volume |
| BV |
| 239* |
|
|
|
Carcaterra, Lorenzo. Sleepers
(1995) (*annotated by RDN) |
|
|
|
Stanley and Iris (1990) |
|
|
|
Screenplays, by Harriet Frank, Jr. and Irving Ravetch; all
without RDN notes unless otherwise stated |
|
|
|
|
17 August 1987, second revised draft |
| Box.Folder |
| 138.5 |
|
|
|
|
Copy 27, half-size format |
| Box.Folder |
| 138.6 |
|
|
|
|
Title page missing, half-size format |
|
|
|
|
|
11 April 1988, cumulative revisions |
| Box.Folder |
| 138.7-8 |
|
|
|
|
|
With scene numbers added, two copies |
| Box |
| 218 |
|
|
|
|
|
Shooting script, with RDN notes; inserted production
and research material, several revised script pages through
6 October 1988, wardrobe lists and Polaroids |
|
|
|
Production materials |
| Box.Folder |
| 138.9 |
|
|
|
Correspondence, contact list, list of RDN scenes, script
pages for 11 August 1989, shooting schedules, photographs of
RDN |
| Box |
| 343 |
|
|
|
Production photograph |
| Box.Folder |
| 138.10 |
|
|
|
Drawings on location by John Coburn |
| Box.Folder |
| 139.1 |
|
|
Publicity materials, including magazine article, clippings re
Jane Fonda, correspondence re print campaign, and RDN biographical
sheet |
|
|
|
Research materials |
| Box.Folder |
| 139.2-4 |
|
|
|
Clippings, correspondence, lists of tapes, notes, and
Connecticut road map |
| Box.Folder |
| 139.5 |
|
|
|
Rejected research material |
|
|
|
Stardust (2007) |
|
|
|
Screenplays, by Matthew Vaughn and Jane Goldman, based on the
novel by Neil Gaiman |
| Box.Folder |
| 316.1 |
|
|
|
28 September 2005, no RDN notes |
| Box.Folder |
| 316.2-3 |
|
|
|
30 March 2006 shooting script revised to 2 May 2006, no RDN
notes (two copies) |
| Box.Folder |
| 316.4 |
|
|
|
30 March 2006 shooting script revised to 2 May 2006, with RDN
notes |
|
|
|
Production and publicity materials |
| Box.Folder |
| 316.5 |
|
|
|
Makeup and hair continuity photographs, undated |
| Box.Folder |
| 316.6 |
|
|
|
Wardrobe continuity pages, undated |
| Box.Folder |
| 316.7 |
|
|
|
Wardrobe lists, 2006 |
| Box.Folder |
| 376.5 |
|
|
|
Poster proofs, 2007 |
| Box.Folder |
| 336.2-3 |
|
|
|
Set designs, undated |
|
|
|
Stone (2010) |
|
|
|
Screenplay by Angus MacLachlan, revisions by Edward Norton and
John Curran |
| Box.Folder |
| 317.1 |
|
|
|
12 May 2009, "full blue revision," with RDN notes |
| Box.Folder |
| 317.2 |
|
|
|
Script pages, with RDN notes, 2009 |
|
|
|
Production materials |
| Box.Folder |
| 317.3 |
|
|
|
Shooting schedules, 2009 |
| Box.Folder |
| 317.4 |
|
|
|
Music (lyric sheet, "All Things Bright and Beautiful"),
2009 |
| Box.Folder |
| 317.5 |
|
|
|
Crew call sheets, 2009 |
| Box.Folder |
| 317.6 |
|
|
|
Jack Mabry wardrobe continuity, 2009 |
| Box.Folder |
| 139.6 |
|
|
The Swap (1969), aka Sam's Song; production
photographs |
|
|
|
Taxi Driver (1976) |
|
|
|
Screenplay, by Paul Schrader |
| Box |
| 221 |
|
|
|
29 April 1975, shooting script, with revisions to 29 May
1975; shooting schedule and extensive RDN notes throughout; one page
of RDN notes re wolves in back pocket |
|
|
|
Production materials |
| Box.Folder |
| 139.7 |
|
|
|
Correspondence, telegram from Julia [Phillips] |
| Box.Folder |
| 139.8 |
|
|
|
Photographs, production and publicity stills |
| Box |
| 345 |
|
|
|
Album of stills and production photographs in presentation
binding, inscribed to RDN by Scorsese |
|
|
|
Publicity materials |
| Box.Folder |
| 139.9 |
|
|
|
Press kits, preview invitation, and screening
cards |
| Box.Folder |
| 139.10* |
|
|
|
Articles, reviews and film listings (*film listing for Taxi Driver in Cologne, Germany,
October 1976, removed to oversize folder) |
|
|
|
Research materials |
| Box.Folder |
| 139.11 |
|
|
|
RDN's receipt for "City of New York Hack Driver's Filing Fee"
and "Taxicab Driver's License" issued 23 September 1974 |
|
|
|
|
Bound volumes |
| BV |
| 240 |
|
|
|
|
Elman, Richard. Taxi
Driver (1976) |
| BV |
| 241 |
|
|
|
|
Kolker, Robert Phillip. A Cinema
of Loneliness (1988); with "Travis Bickle" cover
photo |
|
|
|
This Boy's Life (1993) |
|
|
|
Screenplays, by Robert Getchell; all without RDN notes unless
otherwise stated |
| Box.Folder |
| 140.1 |
|
|
|
8 April 1991, first draft |
|
|
|
|
Revised first drafts |
| Box.Folder |
| 140.2 |
|
|
|
|
2 September 1991 |
|
|
|
|
|
11 November 1991, pagination varies |
| Box.Folder |
| 140.3-4 |
|
|
|
|
|
No RDN notes, two versions |
| Box.Folder |
| 140.5-6 |
|
|
|
|
|
With RDN notes, two versions |
| Box.Folder |
| 141.1 |
|
|
|
|
4 January 1992 scripts |
| Box.Folder |
| 141.2-3 |
|
|
|
|
|
21 January 1992 revisions incorporated, two
versions |
|
|
|
|
|
|
20 February 1992 revisions incorporated |
| Box.Folder |
| 141.4 |
|
|
|
|
|
|
"Editor's marked up script,"
photocopy |
| Box.Folder |
| 141.5 |
|
|
|
|
|
|
No RDN notes, with photographs of author Tobias
Wolff in front pocket of binder |
| Box.Folder |
| 141.6 |
|
|
|
|
|
|
With RDN notes |
|
|
|
Production materials |
| Box.Folder |
| 142.1 |
|
|
|
Call sheets |
| Box.Folder |
| 142.2* |
|
|
|
Cast and crew lists; schedules (*binder of production lists,
schedules, and Vancouver information, prepared for RDN, removed to
oversize box 222) |
| Box.Folder |
| 142.3 |
|
|
|
Casting and related personnel material |
| Box.Folder |
| 142.4-6 |
|
|
|
Dialogue and loop notes; comments by Sam Chwat |
|
|
|
|
Wardrobe materials and research |
| Box.Folder |
| 142.7* |
|
|
|
|
Correspondence, wardrobe receipts, and list of RDN's
scenes with wardrobe annotations by Richard Hornung (*cloth
samples and print material re Boy Scout badges and uniforms
removed to oversize box 211) |
| Box.Folder |
| 336.4 |
|
|
|
|
Wardrobe continuity photographs |
| Box.Folder |
| 143.1 |
|
|
|
|
Sears catalog sections, men's clothing,
1953-1958 |
| Box.Folder |
| 241.2-4 |
|
|
|
Production photographs and publicity stills |
|
|
|
Publicity materials |
| Box.Folder |
| 143.2 |
|
|
|
Correspondence, guest list for screening, junket schedule,
production synopsis, and reviews |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
|
|
|
Research materials, bound volumes |
| BV |
| 242-243* |
|
|
|
Wolff, Tobias. This Boy's Life, a
Memoir (1989, 1990), paperback and hardcover editions
(*BV243 annotated by RDN) |
|
|
|
Thunderheart (1992) [RDN,
producer] |
|
|
|
Screenplays, by John Fusco; with RDN notes unless otherwise
stated |
| Box.Folder |
| 143.3 |
|
|
|
5 October 1990, fourth draft; no RDN notes |
| Box.Folder |
| 143.4 |
|
|
|
22 November 1990, working draft |
| Box.Folder |
| 143.5 |
|
|
|
21 December 1990, revised draft |
| Box.Folder |
| 143.6 |
|
|
|
29 April 1991, "director-producer draft" |
| Box.Folder |
| 144.1 |
|
|
|
10 May 1991, revised draft "numbered," half-size format, in
binder with one-liner schedule; no RDN notes |
|
|
|
Production materials |
| Box.Folder |
| 144.2 |
|
|
|
Correspondence, box office estimates, daily log sheets,
distribution statement, notes on director's cut, RDN notes, screen
credits storyboards |
|
|
|
Publicity materials |
| Box.Folder |
| 144.3 |
|
|
|
Correspondence re benefit screening, reviews, screening
invitations and schedules |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
|
|
|
Research materials |
| Box.Folder |
| 144.4 |
|
|
|
Clippings, correspondence, and photographs |
| BV |
| 244* |
|
|
|
Mails, Thomas E. Fools Crow
(1979), inscribed to RDN, with a drawing on the flyleaf, by the
author (*loose items withdrawn) |
|
|
|
True Confessions (1981) |
|
|
|
Screenplays, by John Gregory Dunne and Joan Didion |
|
|
|
|
29 November 1979, third draft and subsequent
revisions |
| Box.Folder |
| 144.5 |
|
|
|
|
28 January 1980 script |
| Box.Folder |
| 144.6 |
|
|
|
|
30 April 1980, with RDN notes; additional production
material and photograph of RDN included with script |
|
|
|
Production materials |
| Box.Folder |
| 144.7* |
|
|
|
List of cast and credits, production notes, production
stills, several script pages with RDN notes, shooting schedules,
staff and crew list, and wardrobe lists (*oversize stills and
contact sheets removed to boxes 225-226) |
|
|
|
|
Production photographs |
| Box.Folder |
| 241.5 |
|
|
|
|
Contact prints and color transparencies |
| Box.Folder |
| 241.6-7 |
|
|
|
|
Hair and makeup photographs |
| Box |
| 343 |
|
|
|
|
Cast photograph mounted on wood |
|
|
|
Publicity materials |
| Box.Folder |
| 145.1 |
|
|
|
Cast, director, and producer biographies; handbook of
production information; and press information packet, with
photographs |
|
|
|
Research materials |
| Box.Folder |
| 145.2-3 |
|
|
|
Excerpts from published works on Roman Catholic liturgical
rites; transcripts of interviews with clergy |
| Box.Folder |
| 145.4 |
|
|
|
Notes by technical director Henry Fehren on Dunne's True Confessions with several pages of
excerpts; research notes on confession, hyperventilation, and the
symbolism of the desert; "Should You Become a Priest?" by Terence
Tierney |
|
|
|
|
Bound volumes |
| BV |
| 245 |
|
|
|
|
Dunne, John Gregory. True
Confessions (1977) |
| BV |
| 246 |
|
|
|
|
Harris, Charles W. Your Father's
Business (1978) |
|
|
|
The Untouchables (1987) |
|
|
|
Screenplays, by David Mamet; without RDN notes unless otherwise
stated |
| Box.Folder |
| 145.5 |
|
|
|
Undated (early) and incomplete script, with RDN
notes |
|
|
|
|
22 July 1986 script, with subsequent revisions |
| Box.Folder |
| 145.6 |
|
|
|
|
26 September 1986 |
| Box.Folder |
| 145.7 |
|
|
|
|
23 October 1986 |
|
|
|
Production materials, photographs |
| Box.Folder |
| 146.1-7, 242.1-.2 |
|
|
|
Make-up/hair continuity |
| Box.Folder |
| 146.8 |
|
|
|
Wardrobe Polaroids, suit fabric swatches, and
measurements |
|
|
|
Publicity materials |
| Box.Folder |
| 146.9 |
|
|
|
Photographs, premiere invitation, screening card |
| Box.Folder |
| 146.10 |
|
|
|
Reviews and articles |
|
|
|
Research materials |
| Box.Folder |
| 147.1-4 |
|
|
|
Capone-related material from various sources, mostly
photocopies, arranged by subject |
|
|
|
|
Photographs |
| Box.Folder |
| 147.5 |
|
|
|
|
Al Capone, several with RDN notes |
| Box.Folder |
| 147.6-7 |
|
|
|
|
Prohibition-era criminals; some photographs signed and
annotated by "Chuck Low" on verso |
|
|
|
|
Published works |
| Box.Folder |
| 148.1 |
|
|
|
|
Dictionary of American Underworld
Lingo, (1950) photocopy |
| BV |
| 247-248* |
|
|
|
|
Elliott, Neil. My Years with
Capone (1985), two copies (*BV248 annotated by
RDN) |
| BV |
| 249 |
|
|
|
|
Kobler, John. Capone
(1971), stamped "D. Mamet, Cabot, Vt."; with handwritten notes
in Mamet's hand throughout text |
| Box.Folder |
| 148.2 |
|
|
|
|
"X Marks the Spot," pamphlet with photocopies laid
in |
|
|
|
Wag the Dog (1997) |
|
|
|
Screenplays, by David Mamet; all with RDN notes |
| Box.Folder |
| 148.3 |
|
|
|
2 January 1997, partial script |
| Box.Folder |
| 148.4 |
|
|
|
31 January 1997, complete bound script |
|
|
|
Production materials |
| Box.Folder |
| 148.5 |
|
|
|
Call sheet with half-size script pages, contact sheet of RDN
make-up/wardrobe photographs, correspondence, crew lists, cast
photographs, and product loan agreement |
| Box.Folder |
| 149.1 |
|
|
|
Wardrobe continuity book [facsimile] |
| Box |
| 344 |
|
|
|
Album of stills and production photographs in presentation
binding |
|
|
|
Publicity materials |
| Flatfile |
| * |
|
|
|
One-sheet posters (*removed to oversize flat
files) |
| Box.Folder |
| 149.2 |
|
|
|
Press book of reviews |
| Box.Folder |
| 149.3 |
|
|
The Wedding Party (1969),
undated shooting script, with RDN notes; June 1964 calendar marked with
scenes; production photographs and contact prints |
|
|
|
We're No Angels (1989) |
|
|
|
Screenplays, by David Mamet |
|
|
|
|
December 1987, first draft, with subsequent
revisions |
| Box.Folder |
| 150.1 |
|
|
|
|
Title page lacking, no RDN notes |
| Box.Folder |
| 150.2 |
|
|
|
|
With RDN notes |
| Box.Folder |
| 150.3 |
|
|
|
|
31 October 1988 revisions, with RDN notes |
| Box.Folder |
| 150.4 |
|
|
|
|
9 November 1988 revisions, with RDN notes |
|
|
|
|
19 January 1989, third draft |
| Box.Folder |
| 150.5 |
|
|
|
|
With extensive RDN notes |
| Box.Folder |
| 150.6 |
|
|
|
|
Half-size format, no RDN notes |
| Box.Folder |
| 151.1 |
|
|
|
|
31 January 1989 revisions, half-size format; annotated
for shooting schedule |
|
|
|
Production materials |
| Box.Folder |
| 151.2 |
|
|
|
Call sheets, casting, correspondence, costume inventory for
RDN, location and production photographs, shooting and one-liner
schedules, storyboards; miscellaneous documents |
|
|
|
Publicity materials |
| Box.Folder |
| 151.3 |
|
|
|
Publicity materials including press kit draft and screening
card |
| FlatFile |
| FF |
|
|
|
Poster designs and proofs |
|
|
|
What Just Happened [RDN,
producer] (2008) |
|
|
|
Screenplays, by Art Linson |
| Box.Folder |
| 318.1 |
|
|
|
Early version with letter from Art Linson to RDN,
undated |
| Box.Folder |
| 318.2 |
|
|
|
"1st draft Jan. 2003," with RDN notes and note by Art
Linson |
| Box.Folder |
| 318.3 |
|
|
|
Screenplay by Art Linson and William Finkelstein, 1 February
2003, no RDN notes |
| Box.Folder |
| 318.4 |
|
|
|
Partial screenplay by Art Linson and William Finkelstein
(Episode #1), 6 March 2003, with RDN notes and note from Art Linson
to "BDN" |
| Box.Folder |
| 318.5 |
|
|
|
Title page [only] "Untitled screenplay," 28 July 2003 "For
RDN" |
| Box.Folder |
| 318.6 |
|
|
|
7 October 2003, "For RDN"; with RDN notes and notes from Art
Linson |
| Box.Folder |
| 318.7 |
|
|
|
20 May 2004 ("Table read 27 June 2005"), no RDN
notes |
| Box.Folder |
| 318.8 |
|
|
|
12 August 2005, no RDN notes |
| Box.Folder |
| 318.9 |
|
|
|
12 August 2005, with RDN notes |
| Box.Folder |
| 318.10 |
|
|
|
November 2006, with RDN notes |
| Box.Folder |
| 318.11 |
|
|
|
November 2006, no RDN notes |
| Box.Folder |
| 319.1 |
|
|
|
January 2007, no RDN notes |
| Box.Folder |
| 319.2 |
|
|
|
10 January 2007, with RDN notes |
| Box.Folder |
| 319.3 |
|
|
|
9 February 2007 shooting script, revised through 5 March
2007, with RDN notes |
| Box.Folder |
| 319.4 |
|
|
|
9 February 2007 shooting script revised through 9 March 2007,
with RDN notes |
| Box.Folder |
| 319.5 |
|
|
|
"Pink 03/09/07," no RDN notes |
| Box.Folder |
| 319.6-7 |
|
|
|
Shooting script revised through 9 March 2007; with RDN notes,
loose script pages, and production schedules [removed from 3-ring
binder] |
| Box |
| 375 |
|
|
|
9 February 2007 shooting script revised through 27 April
2007, in presentation binder |
| Box.Folder |
| 320.1 |
|
|
|
9 February 2007 shooting script revised through 27 April
2007, in presentation binding, inscribed to RDN by Art Linson 30
September 2008 |
| Box.Folder |
| 320.2 |
|
|
|
Script changes, 2006-2007 and undated |
| Box.Folder |
| 320.3 |
|
|
|
Partial undated draft [lacks title page] to page 32, with RDN
notes |
| Box.Folder |
| 320.4-6 |
|
|
|
Undated, no RDN notes (three copies) |
|
|
|
Production and research materials |
| Box.Folder |
| 321.1 |
|
|
|
Call sheets, 21 March 2007-11 April 2007; Day 1-Day
14 |
| Box.Folder |
| 321.2 |
|
|
|
Call sheets, 12 April 2007-27 April 2007; Day 15-Day
24 |
| Box.Folder |
| 321.3 |
|
|
|
Call sheets, 30 April 2007-11 May 2007; Day 25-Day
34 |
| Box.Folder |
| 321.4 |
|
|
|
Hair and makeup continuity, undated |
| Box.Folder |
| 321.5 |
|
|
|
Wardrobe continuity, undated |
| Box.Folder |
| 321.6 |
|
|
|
Hair design continuity, undated |
| Box.Folder |
| 321.7 |
|
|
|
Props continuity, undated |
| Box.Folder |
| 322.1 |
|
|
|
Call sheets, crew list, and memoranda [removed from binder],
2007 |
| Box.Folder |
| 322.2 |
|
|
|
Day out of days [removed from binder], 2007 |
| Box.Folder |
| 322.3 |
|
|
|
Shooting schedules [removed from binder], 2007 |
| Box.Folder |
| 322.4 |
|
|
|
One-liner schedules and pre-production calendars [removed
from binder], 2007 |
|
|
|
|
What Just Happened? Bitter Hollywood
Tales from the Front Line by Art Linson
(2002) |
| Box.Folder |
| 322.5 |
|
|
|
|
Uncorrected page proofs |
| BV |
| 282 |
|
|
|
|
Hardcover book |
| Box.Folder |
| 322.6 |
|
|
|
Bound volume of production stills compiled by Alan Markfield,
2007 |
Return to the Table of Contents
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Series II. De Niro Projects, 1960s-2007 |
| Box.Folder |
| 323.1 |
|
|
"36," screenplay [writer not
listed], 31 January 2007 |
| Box.Folder |
| 152.2 |
|
|
"Affirmative Action,"
screenplay by Mark Frost; director's draft, 13 February 1997; with RDN
notes |
| Box.Folder |
| 152.3 |
|
|
"Ahab," undated screenplay by
Philip Kerr, with correspondence and RDN notes |
| BV |
| 250 |
|
|
|
Melville, Herman. Moby Dick
(Bantam Classic, 1981) |
| Box.Folder |
| 152.4 |
|
|
All That Jazz (1979), screenplay
by Robert Alan Arthur and Bob Fosse, revised 1 October 1976 |
| Box.Folder |
| 152.5 |
|
|
American Gigolo (1980), undated
screenplay by Paul Schrader, first draft |
| Box.Folder |
| 152.6 |
|
|
"Anna Pavlova," undated
screenplay by Yuli Nikolin and Michael Powell |
| Box.Folder |
| 152.7 |
|
|
Apocalypse Now (1979), screenplay
draft by Francis Ford Coppola (based on original screenplay by John
Milius), 3 December 1975; RDN notes on title page |
| Box.Folder |
| 153.1 |
|
|
"The Battling Spumonti
Brothers," outline for revised draft by Charles Robert Carner, 17
November 1989 |
| Box.Folder |
| 153.2-6 |
|
|
"Beyond the Aegean," screenplay
by Elia Kazan, 1983 |
| Box.Folder |
| 153.7 |
|
|
"Blackout", letter re film
project from "John [Dahl] and Rick" to RDN re main character, Frank; 16
August 1997 |
| Box.Folder |
| 153.8 |
|
|
Blue Collar (1978), screenplay by
Paul and Leonard Schrader, revised to 24 January 1977 |
| Box.Folder |
| 154.1 |
|
|
"The Booster," screenplay by
Ken Friedman, September 1972; with typescript "first revision outline,"
1 June 1973, and one page of RDN notes |
| Box.Folder |
| 154.2 |
|
|
A Bridge Too Far (1977),
screenplay by William Goldman, first draft, 10 November 1975; with RDN
notes |
| Box.Folder |
| 154.3 |
|
|
By the Sea of Crystal, script for
HBO by Paul Schrader, first draft, 1 February 1993 |
|
|
|
Clockers, screenplay and bound
volumes |
| Box.Folder |
| 154.4 |
|
|
|
Screenplay by Richard Price, "one millionth draft," 1
September 1993 |
|
|
|
|
Price, Richard.
Clockers |
| BV |
| 251* |
|
|
|
|
Hardcover, 1992 (*loose items withdrawn) |
| BV |
| 252 |
|
|
|
|
Paperback, 1993 |
| Box.Folder |
| 154.5 |
|
|
"The Death of the Kitchen Table in Our
Fair City," undated screenplay by Michael Vincente
Gazzo |
| Box.Folder |
| 154.6 |
|
|
"Dino," screenplay, 14 August
1998, lacks title page; screenwriter not given |
| Box.Folder |
| 323.2 |
|
|
"The Disappearance of the
Jews," playscript by David Mamet, 14 June 1983 |
| Box.Folder |
| 155.1 |
|
|
A Double Life (1947), undated
screenplay titled "Imagination," by Ruth Gordon and Garson Kanin; with
RDN notes and notes in another's hand |
| Box.Folder |
| 323.3 |
|
|
"The Fast Life," screenplay by
Celly Cel, undated [found with materials for Righteous Kill] |
| Box.Folder |
| 155.2-3 |
|
|
Fingers (1978), screenplay by
James Toback, two undated versions, one with RDN notes on title
page |
| Box.Folder |
| 323.4 |
|
|
"The First Man," screenplay
[CAA (Creative Artists Agency) script, writer not listed], 28 February
2005 |
| Box.Folder |
| 155.4 |
|
|
The Fountainhead, undated
screenplay by Michael Cimino |
|
|
|
Gangs of New York
(2002) |
|
|
|
|
Screenplays, by Jay Cocks & Martin
Scorsese |
| Box.Folder |
| 155.5 |
|
|
|
|
8 June 1979, revised first draft by Cocks |
| Box.Folder |
| 155.6 |
|
|
|
|
31 March 1993, third draft, lacks title page |
| Box.Folder |
| 156.1 |
|
|
|
|
31 March 1999, fourth draft by Cocks and
Scorsese |
| Box.Folder |
| 156.2 |
|
|
|
|
27 September 1999, draft 7, with RDN notes and scene
int/ext synopsis |
|
|
|
|
Research materials |
| BV |
| 253* |
|
|
|
|
Before Hollywood: Turn-of-the
Century Film from American Archives (1986) (*loose
items withdrawn) |
| Box.Folder |
| 156.3 |
|
|
|
|
Civil War draft riots; fires, gangs, illustrations from
contemporary periodicals, and politics |
| Box.Folder |
| 156.4 |
|
|
|
|
Professional criminals of 1886 (photocopied mug
shots) |
|
|
|
Glengarry Glen Ross, by David
Mamet |
|
|
|
|
Playscript |
| Box.Folder |
| 156.5 |
|
|
|
|
Typescript draft July 1983 |
| BV |
| 254 |
|
|
|
|
Published version, 1983 |
| Box.Folder |
| 156.6 |
|
|
|
Screenplay, first draft, 1 March 1987 |
| Box.Folder |
| 323.5 |
|
|
"The Good Life," screenplay by
Reinaldo Povod, undated |
| Box.Folder |
| 323.6 |
|
|
The Guardsman, play by Ferenc
Molnar, translation by Grace I. Colbron and Hans Bartsch, acting version
by Philip Moeller, undated |
|
|
|
Hoffa (1992) |
|
|
|
|
Screenplays, by David Mamet |
| Box.Folder |
| 157.1 |
|
|
|
|
February 1990; list of actors and reading
schedule |
| Box.Folder |
| 157.2 |
|
|
|
|
June 1990, with RDN notes |
| Box.Folder |
| 157.3 |
|
|
"Home Movie," original film
treatment by Brian De Palma, circa 1970; with single RDN
note |
|
|
|
"Imagination" -- see A Double Life |
|
|
|
"It Happened in Paradise" --
see Trapped in Paradise |
| Box.Folder |
| 157.4 |
|
|
"Julian's Father," undated
screenplay by Matthew Jacobs |
| Box.Folder |
| 157.5 |
|
|
"Killing for Laughs,"
screenplay by Seth Greenland, July 1995 |
| Box.Folder |
| 157.6-7 |
|
|
"King Vidor's 'The Actor,'"
undated screenplay and treatment by King Vidor and Kate
Finley |
| Box.Folder |
| 157.8 |
|
|
Knives, playscript by John
Cassavetes, June 1977 |
| Box.Folder |
| 157.9 |
|
|
L. A. Confidential (1997), letter
from Curtis Hanson; article and script pages, 1996 |
| BV |
| 255-256* |
|
|
|
L. A. Confidential, by James
Ellroy; two copies (*loose items withdrawn from BV256) |
|
|
|
The Last Temptation of Christ
(1988) |
|
|
|
|
Screenplays, by Paul Schrader |
| Box.Folder |
| 158.1 |
|
|
|
|
25 March 1982 script |
| Box.Folder |
| 158.2 |
|
|
|
|
12 August 1983, third revision |
| Box.Folder |
| 158.3 |
|
|
|
Publicity and research, itinerary for Israel tour, research
footnotes, and Time magazine
article |
| Box.Folder |
| 323.7 |
|
|
Léon, (1994), screenplay
by Luc Besson, 1991 |
| Box.Folder |
| 158.4 |
|
|
"Lermontov: A Hero of Our
Time," undated screenplay by Michael Powell and Columba
Powell |
| Box.Folder |
| 158.5 |
|
|
Magic (1978), screenplay by
William Goldman, first draft, July 1976 |
| Box.Folder |
| 158.6 |
|
|
The Mambo Kings (1992),
screenplay by Cynthia Cidre, undated draft lacks title page and page 5;
with RDN notes on first page |
| Box.Folder |
| 158.7 |
|
|
The Man Who Cried (2000),
screenplay by Sally Potter, 5 April 1999 |
| Box.Folder |
| 158.8 |
|
|
The Meaning of Life (1983), "The
Middle of the Film," by Monty Python, scenes 37-52, March
1982 |
|
|
|
"The Mitchell Brothers,"
screenplays by Henry Bean |
| Box.Folder |
| 159.1 |
|
|
|
8 April 1993, partial script, lacks title page; with RDN
notes |
| Box.Folder |
| 159.2 |
|
|
|
21 August 1993, titled "Too Much of a Good Thing"; with RDN
notes |
| Box.Folder |
| 159.3 |
|
|
|
25 January 1995; with RDN notes |
| Box.Folder |
| 159.4-5 |
|
|
|
14 May 1996, two versions |
| Box.Folder |
| 159.6 |
|
|
|
Article re Mitchell brothers trial |
|
|
|
"The Night Watchman" -- see
Street Kings |
| Box.Folder |
| 159.7 |
|
|
The October Night of Tommy Zero,
playscript by Michael V. Gazzo, circa 1969 |
|
|
|
"Out On My Feet", [unrealized
film project, RDN was to act and executive produce] |
| Box.Folder |
| 323.8 |
|
|
|
Screenplay by Larry Golin and Vinnie Curto, story by Vinnie
Curto, Larry Golin, and Barry Primus, 6 October 1997, with RDN
notes |
| Box.Folder |
| 324.1 |
|
|
|
Production materials: Crew list, 2 October 1997; research
materials and RDN notes; hair design photographs; photographs of
Angelo Dundee; correspondence with fighters |
| BV |
| 283 |
|
|
|
Dundee, Angelo, with Mike Winters. I
Only Talk Winning (1985), with RDN notes |
| BV |
| 284 |
|
|
|
Pacheco, Ferdie. Fight Doctor
(1977) |
| Box.Folder |
| 159.8 |
|
|
"Proud Dreamer," screenplay by
Michael Cimino, second draft, [1981] |
| BV |
| 257-258* |
|
|
|
Wolf, George and Joseph DiMona. Frank
Costello: Prime Minister of the Underworld (1974);
uncorrected proofs and hardcover (*loose items withdrawn from
BV257) |
| Box.Folder |
| 160.1 |
|
|
"Regiment of Women," screenplay
by John Hancock and Dorothy Tristan, March 1976 |
| Box.Folder |
| 160.2 |
|
|
The Resistible Rise of Arturo Ui,
playscript by Bertolt Brecht, undated typescript |
| Box.Folder |
| 160.3 |
|
|
|
Typescript version marked "De Niro copy," lacks
title page, and copy of printed version; both contain RDN
notes |
|
|
|
"Rule #3," screenplay by Robert
Kuhn; revisions by Harold Ramis, Marc Hyman, and Kuhn; most lack title
pages |
| Box.Folder |
| 160.4 |
|
|
|
Running title "first 95, 6-8"; pages 1-95 only; with RDN
notes |
| Box.Folder |
| 160.5-7 |
|
|
|
19 July 2002, third rewrite; three copies |
| Box.Folder |
| 161.1 |
|
|
|
13 January 2003, with RDN notes |
| Box.Folder |
| 161.2 |
|
|
|
18 June 2003 |
| Box.Folder |
| 161.3 |
|
|
|
2 July 2003, pages 1-83 only |
| Box.Folder |
| 324.2 |
|
|
"Seeking Paradise [The Legend of Mata
Hari]," screenplay by Roland Joffe, August 2004 |
| Box.Folder |
| 161.4 |
|
|
Shining Through (1992),
screenplay by David Seltzer; second draft, November 1989; with RDN
notes |
| Box.Folder |
| 161.5 |
|
|
"Silence," screenplay by Jay
Cocks and Martin Scorsese, 13 January 1995 |
| Box.Folder |
| 161.6 |
|
|
The Silence of the Lambs (1989),
screenplay by Ted Tally, second draft, 28 July 1989 |
| Box.Folder |
| 161.7 |
|
|
"Sisterella," interoffice memo
from Neil Sacker, 11 April 1996 |
|
|
|
Sisters (1973) |
| Box.Folder |
| 324.3 |
|
|
|
Treatment by Brian DePalma, undated |
| Box.Folder |
| 161.8 |
|
|
|
Screenplay by Brian DePalma and Louisa Rose, circa 1970; with
RDN notes |
| Box.Folder |
| 162.1 |
|
|
Speed-the-Plow (1988), playscript
by David Mamet, June 1987, with RDN notes on dedication page |
| Box.Folder |
| 162.2 |
|
|
"The Story," untitled film
treatment by Jean-Luc Godard, circa 1978 |
|
|
|
Street Kings (released 2008),
from screenplay titled "The Night
Watchman," by James Ellroy |
| Box.Folder |
| 162.3 |
|
|
|
28 April 1999, third draft; with RDN notes |
| Box.Folder |
| 162.4 |
|
|
|
30 April 1999 script |
| Box.Folder |
| 162.5 |
|
|
Sweet Eros (1968), undated
playscript by Terrence McNally |
| Box.Folder |
| 162.6 |
|
|
Trapped in Paradise (1994),
screenplay titled "It Happened in Paradise," by George Gallo, 25 March
1992 |
| Box.Folder |
| 162.7 |
|
|
"The Virgin of Las Vegas,"
screenplay by Barry Devlin, sixth draft, September 2003 |
| Box.Folder |
| 162.8 |
|
|
Waterfront, playscript by Budd
Schulberg, revised to 19 July 1983 |
| Box.Folder |
| 163.1 |
|
|
We Two Alone, undated playscript
by Mai Zetterling |
| Folder |
| * |
|
|
We Will Rock You (2002), signed
poster for the musical's premiere at the Dominion Theatre, London, on 14
May 2002; produced by Tribeca Theatrical Productions, and others
(*removed to oversize folder) |
| Box.Folder |
| 324.4 |
|
|
"We Will Take You There,"
Episode #1, "A Hudson's Bay Street,"
teleplay by David Mamet, November 1983 |
|
|
|
Weeds (1987) |
|
|
|
|
Screenplays and working drafts by Dorothy Tristan and John
Hancock |
| Box.Folder |
| 163.2-4 |
|
|
|
|
1979, three copies (two with RDN notes) |
| Box.Folder |
| 163.5 |
|
|
|
|
5 May 1980, with RDN notes |
| Box.Folder |
| 163.6-164.2 |
|
|
|
|
|
1 June 1980, draft fragments |
| Box.Folder |
| 164.3-4 |
|
|
|
|
July 1980, two copies (one with RDN notes) |
| Box.Folder |
| 164.5 |
|
|
|
|
21 July 1980, with RDN notes |
|
|
|
|
Production materials |
| Box.Folder |
| 164.6 |
|
|
|
|
Correspondence, 1979-1980 |
| Box.Folder |
| 164.7 |
|
|
|
|
List of scenes, 11 April 1980 |
| Box.Folder |
| 164.8 |
|
|
|
|
Novel excerpts, 1 July 1980 |
| Box.Folder |
| 165.1-2 |
|
|
|
|
Transcripts of discussions, John Hancock and Dorothy
Tristan, with Barbara Bladen and Rick Cluchey, March
1980 |
|
|
|
|
Research materials on inmates and the arts, primarily
photocopied clippings of articles |
| Box.Folder |
| 165.3 |
|
|
|
|
"Arts in Corrections" booklet on Project Culture; "Scan"
[radio show] transcript; "Squires of San Quentin" film guide;
notes and clippings, 1975-1980 |
| Box.Folder |
| 165.4-5 |
|
|
|
|
"The Family" project, Theatre for the Forgotten, Theatre
without Bars, and others, 1967-1980; poetry manuscripts by
Clifford Grosvenor, 1977 |
| Box.Folder |
| 165.6 |
|
|
|
|
Research notes prepared by Gail Mutrux; project proposal
by Patrick Saunders re review of federal law enforcement;
articles about Denmark Vesey and Ernest Gaines |
| Box.Folder |
| 165.7 |
|
|
|
|
"Tapes/Films" re workshop and performance tapes from the
Street Theatre; lists, notes, and correspondence,
1980 |
| Box.Folder |
| 165.8 |
|
|
|
|
Tattoo drawings and photographs; photocopies of articles
and published stories re tattoos |
| Box.Folder |
| 165.9* |
|
|
|
|
Theatre for the Forgotten brochure and history; inmate
correspondence (*poster removed to oversize folder) |
| Box.Folder |
| 166.1-2 |
|
|
|
|
Transcripts of prison interviews, transcriptions of
inmate correspondence |
|
|
|
|
|
Bound volumes |
| BV |
| 259 |
|
|
|
|
|
Fellowes, C. H. The Tattoo
Book (1971) |
| BV |
| 260 |
|
|
|
|
|
Irwin, John. The
Felon (1970) |
| BV |
| 261* |
|
|
|
|
|
Jackson, Bruce. In the Life:
Versions of the Criminal Experience (1972)
(*loose items withdrawn) |
| BV |
| 262 |
|
|
|
|
|
Lyon, Danny. Conversations
with the Dead (1971) |
| BV |
| 263 |
|
|
|
|
|
Minton, Robert J., Jr.
Inside: Prison American Style (1971) |
| BV |
| 264 |
|
|
|
|
|
Pepper, Art and Laurie.
Straight Life: The Story of Art Pepper
(1979) |
| BV |
| 265 |
|
|
|
|
|
Sheehan, Susan. A Prison and
a Prisoner (1978) |
| BV |
| 266 |
|
|
|
|
|
Vassi, Marco. Spider Webb's
Pushing Ink: The Fine Art of Tattooing
(1979) |
| Box.Folder |
| 324.5-6 |
|
|
The Widow's Blind Date, play by
Israel Horovitz, 1984 (two copies) |
| Box.Folder |
| 166.3 |
|
|
Witness, playscript by Terrence
McNally, undated |
| Box.Folder |
| 166.4 |
|
|
Witness to the Mob (1998), script
for television titled "Sammy the Bull," by Stanley Weiser, first draft,
18 August 1997; with RDN notes |
Return to the Table of Contents
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Series III. Early Career and Career-Related, 1960s-2005 |
| Box.Folder |
| 325.1 |
|
|
62nd Annual Academy Awards, presenter's kit with script pages
(RDN presented Best Director award with Martin Scorsese),
1990 |
| Box.Folder |
| 325.2 |
|
|
Acting class materials; typescripts and monologues, some with RDN
notes, undated |
| Box.Folder |
| 378.1 |
|
|
American Express advertisement stills, undated |
| Box.Folder |
| 325.3 |
|
|
American Film Institute event group photograph with RDN and
Martin Scorsese, undated |
| Box.Folder |
| 166.5 |
|
|
"American Museum of the Moving Image Salutes Robert
De Niro," programs, 9 March 1991 |
| Box.Folder |
| 166.6-7, 325.4-6 |
|
|
Articles about RDN in magazines and newspapers,
1975-2000 |
| Box.Folder |
| 325.7 |
|
|
Articles with interviews with Martin Scorsese about RDN films,
1975-1989 |
|
|
|
Awards |
| Box |
| 230 |
|
|
|
Certificates of Nomination from the Academy of Motion Picture
Arts and Sciences for Best Actor in a Leading Role for Awakenings, Cape
Fear, The Deer Hunter,
Raging Bull and Taxi Driver; The New York Film Critics
Circle Award for Best Actor in Raging
Bull; and The British Academy Awards for Best Actor in a
Leading Role for
Goodfellas |
| Box.Folder |
| 326.1 |
|
|
|
Arkansas Traveler award, 1969 |
| Box.Folder |
| 326.2 |
|
|
|
City of New York Certificate of Recognition, photographs and
notes for acceptance speech, 1990 |
| Box.Folder |
| 326.3 |
|
|
|
National Society of Film Critics for Best Supporting Actor in
Mean Streets, British Academy
Award nominations for Most Promising Newcomer, 1975, and Best Actor
for Taxi Driver, Golden Globe
nominations for Best Actor for Taxi
Driver and Midnight
Run |
| Box.Folder |
| 378.2 |
|
|
|
New York Film Critics' Circle Award, Best Actor for Goodfellas and Awakenings, 1990 |
| Box.Folder |
| 326.4 |
|
|
|
New York State Governor's Arts Awards, invitation, program,
and photographs, 1996 |
|
|
|
Bound volumes, general film/project research and
gifts |
| BV |
| 267 |
|
|
|
Cerf, Christopher and Victor Navasky.
The Experts Speak (1984), signed by the
author |
| BV |
| 268 |
|
|
|
Charles, Ann and Roger DeAnfrasio.
The History of Hair (1970) |
| BV |
| 269 |
|
|
|
Crews, Harry. The Knockout
Artist (1988), gift from, and inscribed by, Sean Penn and
Madonna |
| BV |
| 270 |
|
|
|
Dinneen, Joseph F. Underworld U. S.
A. (1956) |
| BV |
| 271 |
|
|
|
O'Brien, Joseph F. and Andris Kurins.
Boss of Bosses (1991) |
| BV |
| 272 |
|
|
|
Sennett, Ted. Your Show of
Shows (1977) |
| BV |
| 225 |
|
|
|
Tesser, Neil. The Playboy Guide to
Jazz (1998) |
| BV |
| 273 |
|
|
|
Wolf, Marvin J. and Katherine Mader.
Rotten Apples: True Stories of New York Crime and Mystery, 1689
to the Present (1991) |
| Box.Folder |
| 166.8 |
|
|
Contracts, Actors' Equity Association and Screen Actors Guild,
1969-1970 |
|
|
|
Correspondence |
| Box.Folder |
| 166.9 |
|
|
|
A - F |
| Box.Folder |
| 167.1 |
|
|
|
G - M |
| Box.Folder |
| 167.2 |
|
|
|
O - R |
| Box.Folder |
| 167.3 |
|
|
|
S |
| Box.Folder |
| 167.4 |
|
|
|
T - Z |
| Box.Folder |
| 167.5-6 |
|
|
Fifteenth International Film Festival, Moscow, 6-17 July 1987
(RDN was chairman of the jury for feature films); correspondence, RDN
notes, photographs, and festival-related material |
| Box.Folder |
| 167.7 |
|
|
George magazine, photocopy of
contents page for the December 1995 issue; with undated, handwritten
letter from John F. Kennedy, Jr. (*cover proof image of RDN as George
Washington removed to oversize, box 211) |
| Box.Folder |
| 167.8 |
|
|
Invitations to 1993 Presidential Inaugural events |
| Box.Folder |
| 167.9 |
|
|
Liberty Weekend [Ellis Island], RDN voice-over dialogue,
1986 |
| Box.Folder |
| 167.10 |
|
|
National Film Theatre programme, February 1985; features RDN film
series |
| Box.Folder |
| 378.3 |
|
|
Night of 100 Stars television
special, photographs and correspondence, 1982 |
|
|
|
Photographs, 1960s-1980s? |
|
|
|
|
Casting/résumé head shots and photographs;
some prints contain four different images, 1960s-early
1970s |
| Box.Folder |
| 167.11 |
|
|
|
|
Earliest head shot; résumé includes
The Wedding Party and
theatrical training through 1963 |
| Box.Folder |
| 167.12* |
|
|
|
|
Head shot, photocopied and printed with play review of
Tchin-Tchin at the Barn
Dinner Theatre, 1967; with contact prints; RDN's handwritten
address on verso of several prints (*oversize prints removed to
oversize box 211) |
| Box.Folder |
| 167.13-14 |
|
|
|
|
Photographs attached to successive
résumés listing
Greetings, Sam's Song Is
Just Another Song ("to be released in June 1969"),
Actors' Equity and Screen Actors Guild memberships; play reviews
also attached to prints, circa 1967-1968 |
| Box.Folder |
| 168.1-10 |
|
|
|
|
Photographs, extra résumé prints and
additional head shots including two images used in Bloody Mama (1970) and Mean Streets studio publicity; with
contact prints |
|
|
|
|
|
Photographs, RDN in character for audition and
résumé; includes contact sheets |
| Box.Folder |
| 168.11 |
|
|
|
|
|
As gangster |
| Box.Folder |
| 168.12 |
|
|
|
|
|
As policeman |
| Box.Folder |
| 169.1 |
|
|
|
|
|
Wearing plaid work shirt, various hair
styles |
| Box.Folder |
| 169.2* |
|
|
|
Informal photographs, various locations and dates, including
interviews and appearances in Germany and Poland; RDN photographed
with Vaclav Havel, Lech Walesa, Elia Kazan, Lee Strasberg, Harvey
Keitel, Dustin Hoffman, and others (*oversize prints removed to box
203) |
| Box.Folder |
| 169.3 |
|
|
|
Print ad for Bank Americard; RDN is maître d' |
| Box.Folder |
| 326.5 |
|
|
|
Photograph of Robert DeNiro and Sissy Spacek at 53rd Academy
Awards, 1981 |
| Box.Folder |
| 376.6-8 |
|
|
|
Early head shots of RDN screenprinted on heavyweight
board |
| Box.Folder |
| 376.9 |
|
|
|
Photograph of Connie Francis inscribed to RDN,
1985 |
|
|
|
Plays, film, and television, circa 1961-1987 |
| Box.Folder |
| 169.4 |
|
|
|
Performance photographs, various plays and dates |
| Box.Folder |
| 326.6 |
|
|
|
Billy Bailey (Fred Gordon),
The American Place Theatre, typescript with RDN notes,
undated |
|
|
|
|
The Boor (Chekhov), The
National Theatre Company |
| Box.Folder |
| 169.5 |
|
|
|
|
Programs and photographs, 9 March 1968 |
| Box.Folder |
| 326.7-9 |
|
|
|
|
Production photographs and contact prints |
| Box.Folder |
| 169.6 |
|
|
|
Cry in the Street (Rolf
Lauckner), Theatre of the Grotesque, Hunter College Playhouse;
program, circa 1961 or 1962 |
| BV |
| 274* |
|
|
|
Dear America: Letters Home from
Vietnam (1987, television documentary; RDN narrator;
based on Edelman, Bernard, ed. Dear America:
Letters Home from Vietnam (1985) (*loose items
withdrawn) |
| Box.Folder |
| 326.10 |
|
|
|
Duke Power commercial, typescript with RDN notes,
1967 |
|
|
|
|
Generation (William
Goodhart), Pineville Country Dinner Theatre of Charlotte, North
Carolina, 1967 |
| Box.Folder |
| 169.7 |
|
|
|
|
Correspondence, rehearsal photographs, review, and
program |
| Box.Folder |
| 326.11-12 |
|
|
|
|
Rehearsal photographs and contact prints |
| Box.Folder |
| 169.8 |
|
|
|
The Girl on the Via Flaminia
(Alfred Hayes); performance photographs |
| Box.Folder |
| 169.9 |
|
|
|
Glamour, Glory & Gold
(Jackie Curtis), Playwright's Workshop; programs, July-August
1968? |
|
|
|
|
God Wants What Men Want; RDN
played the "Sheriff" in the off-Broadway Bridge Theatre production,
1967 |
| Box.Folder |
| 169.10 |
|
|
|
|
Playscript by Arthur Sainer, undated |
| Box.Folder |
| 326.13 |
|
|
|
|
Production photographs |
| Box.Folder |
| 326.14 |
|
|
|
The Great American
Refrigerator (Fred Gordon), typescript with RDN notes,
undated |
| Box.Folder |
| 169.11 |
|
|
|
A Hatful of Rain (Michael V.
Gazzo); published version of play with numerous pages of RDN's
handwritten notes inserted |
| Box.Folder |
| 169.12 |
|
|
|
Kool Aid (Merle Molofsky),
The Repertory Theater of Lincoln Center (The Forum); program, circa
1971 |
| Box.Folder |
| 326.15 |
|
|
|
La Ronde (Arthur Schnitzler),
Sarah Lawrence College; production photographs of RDN as "The
Husband" |
| Box.Folder |
| 169.13 |
|
|
|
One Night Stands of a Noisy
Passenger (Shelley Winters); performance photographs of RDN
and Diane Ladd |
| Box.Folder |
| 169.14 |
|
|
|
Search for Tomorrow (CBS),
script for episode #4957, air date 28 September 1970, RDN as "Young
Man"; script annotated with RDN notes |
| Box.Folder |
| 169.15 |
|
|
|
Tchin-Tchin (Sidney Michael),
The Barn Dinner Theatre, Mathews, North Carolina; program, 1967,
with carbon of typed letter from RDN to the Daily Tarheel, University of North Carolina, requesting
copies of the paper's play review; with published copy of the play,
heavily annotated by RDN |
| Box.Folder |
| 326.16 |
|
|
|
Three Rooms in Manhattan
(film), production photographs, 1965 |
| Box.Folder |
| 169.16 |
|
|
|
The World of Günter
Grass, adapted for the stage by Dennis Rosa; playscript with
RDN notes, programs, cast/crew list (including Elaine Anderson and
Charles Durning), and an additional page of RDN notes "questions to
director," circa 1966? |
| Box.Folder |
| 169.17 |
|
|
Remarks by RDN honoring Richard Pryor at 1993 Apollo Hall of Fame
show |
| Box.Folder |
| 169.18 |
|
|
Résumé, circa 1971-1972 |
|
|
|
Saturday Night Live |
|
|
|
|
Show #1380, 18 December 2004 |
| Box.Folder |
| 327.1 |
|
|
|
|
RDN photographs, multiple copies |
| Box.Folder |
| 327.2 |
|
|
|
|
Script, no RDN notes |
| Box |
| 379 |
|
|
|
|
Script in binder, with RDN notes |
| Box.Folder |
| 378.4 |
|
|
|
Still photographs from RDN appearance as host,
undated |
| Box.Folder |
| 169.19 |
|
|
Theatre Productions Inc., RDN application, 5 April
1967 |
|
|
|
Tribeca Film Festival |
| Box.Folder |
| 378.5 |
|
|
|
Photographs, including group photograph inscribed to RDN by
Michael Bloomberg, 2005, undated |
| Box.Folder |
| 327.3 |
|
|
|
Tribeca Film Festival/Rome Film Fest photographs and
correspondence, 2005, undated |
| Box.Folder |
| 378.6 |
|
|
Warner Brothers Studios "Celebration of Tradition" photograph,
1990 |
| Box.Folder |
| 170.1-4 |
|
|
Withdrawn loose items from bound volumes used in film research
listed in Series I. |
| Box |
| 171-230, 328-379 |
|
|
Oversize boxes |
Return to the Table of Contents
All correspondence is written to RDN unless otherwise indicated.
- Affleck, Ben, 1972- --134.1
- Aldredge, Theoni V.--166.9
- Alford, Walter, d. 2003--65.3
- Allen, Steve, 1921-2000 (to Martin Scorsese)--37.3
- Armani, Giorgio--166.9
- Auerbach, Norbert (United Artists)--126.8
- Bacall, Lauren, 1924- --166.9
- Baker, Albie--126.8
- Baker, Joe Don--25.7
- Baldwin, Alec, 1958- --91.6, 166.9
- Baldwin, William, 1963- --298.1
- Barnes, Johnny, 1942- --126.9
- Bean, Henry--159.2-3
- Bearden, Milt--206
- Beerman, Robert--139.7
- Begelman, David--126.8
- Bellini, Jacques--126.8
- Berliner, Jane (Creative Artists Agency, Inc.)--75.3
- Berlusconi, Silvio, 1936- --70.8
- Bernhard, Sandra--86.8
- Berrigan, Daniel--108.12
- Birch, Matt (to Jane Rosenthal)--170.4 (from BV251)
- Birnbaum, Roger--118.9
- Blake, Yvonne--21.3
- Bolt, Robert--166.9
- Bono, 1960- --162.7
- Borgnine, Ernest, 1917-2012--115.4
- Bovasso, Julie--166.9
- Bowman, Rob--161.1
- Branagh, Kenneth--56.4-5, 166.9
- Brenneman, Amy--76.6
- Brest, Martin--298.1
- Brown, Gareth T. (Penguin Books Ltd.)--108.9
- Brown, Jerry, 1938- --126.8
- Brubaker, Jim--126.8
- Bruno, Richard (Richard S.)--126.8
- Bunker, Edward, 1933-2005--76.6
- Burstyn, Ellen, 1932- --166.9
- Buzby, Zane--126.8
- Cahn, Sammy--166.9
- Cahn, Tita--166.9
- Capra, Francis--298.1
- Carelli, Joann--126.8
- Carrillo, Laura--74.3
- Cauley, Eve--147.3
- Chase, Jayni--298.1
- Chinich, Michael--298.1
- Chwat, Sam (New York Speech Improvement Services, P.C.)--25.9, 142.6
- Cimino, Michael--126.8, 166.9
- Cleese, John--56.5
- Coburn, John--138.10
- Colasanto, Nick--126.8
- Coppola, Francis Ford, 1939- --56.4-5, 56.4 (to Kenneth Branagh), 166.9
- Coppola, Sofia, 1971- --166.9
- Corman, Cis--126.8, 298.1
- Corman, Richard--43.4
- Couric, Katie, 1957- --166.9
- Courtright, Hernando--65.3
- Cox, Herb--298.1
- Cristofer, Michael--43.4
- Crosby, John--137.3
- Crystal, Billy--12.4, 166.9
- Dahl, John--153.7
- Daly, Robert A. (Warner Bros.)--126.8
- Damon, Mark, 1933- (Producers Sales Organization)--88.2
- Dayan, Moshe, 1915-1981, and Rachel--126.8
- De Fina, Barbara--25.7, 25.10, 33.1
- Demme, Jonathan, 1944- --166.9
- Demme, Ted, 1963-2002--298.1
- De Niro, Robert--16.3, 25.6, 51.9, 139.2, 167.5, 169.15 (outgoing
letters)
- De Palma, Brian--145.5, 147.1
- Depeche Mode (Musical group)--56.5
- Dey, Tom--135.7, 137.3
- DiGiaimo, Louis--126.8
- Diller, Barry--65.3, 166.9
- Diller, Leonard (NYU Medical Center)--54.4
- Dinkins, David N. (The City of New York, Office of the Mayor)--166.9
- Dixon, Pam (Paramount Pictures Corporation)--126.8
- Dreyfuss, Richard--166.9
- Dugan, Leslie--126.8
- Dunne, Dominick--166.9
- Dunne, Griffin--166.9
- Entín, José Luis--167.1
- Fanning, Dakota, 1994- --81.5
- Farmer, Gary, 1953- --134.1
- Fay, Sylvia--298.1
- Field, David--126.8
- Finerman, Wendy--170.3 (from BV84)
- Fonda, Jane, 1937- --126.8, 166.9
- Ford, Barry--65.3
- Forman, Milos--166.9
- Foster, David (The Turman-Foster Company)--126.8, 166.9
- Frankenheimer, John, 1930-2002--132.1
- Franks, Tommy R.?--166.9
- Friedman, Robert G.--211
- Friesen, Melanie--29.4-6, 30.6-9, 30.11, 170.1-2 (from BV30, BV32, BV36, BV42,
BV56)
- Fusco, John (to Jane Rosenthal)--144.2
- Gallo, Mario--126.6
- Ganis, Sidney (Paramount Pictures Corporation)--151.2
- Garcia, Andy--298.1
- Gifford, Gloria--126.8
- Giuliani, Rudolph W.--167.1
- Glazer, Mitch--73.1
- Goldberg, Whoopi, 1950- --167.1
- Grazer, Brian, 1953- --17.6
- Greenhut, Bob--126.8
- Grosbard, Ulu--46.5
- Gross, Anna--298.1
- Hancock, John--160.1, 164.6
- Hanson, Curtis--157.9, 167.1
- Harris, Mark--177
- Hart, Bill--43.4
- Hayden, Tom (Tom Hayden for U. S. Senate)--167.1
- Herman, Ilona--28.2-3, 37.3, 53.3, 56.5, 142.7
- Herman, Paul--43.4
- Herzfeld, John--1.6-8, 2.2, 3.2
- Hift, Fred (United Artists)--126.8
- Hinsche, William "Billy"--17.6
- Hoffman, Dustin, 1937- --298.1
- Hornung, Richard--142.7, 211
- Horovitz, Israel--167.1, 298.1
- Howard, Ron, 1954- --17.6, 167.1
- Huppert, Isabelle--167.1
- Jackson, Janet, 1966- --167.1
- Jackson, Samuel L.--167.1
- Jaglom, Henry, 1939- --298.1
- Jenson, Vicky--135.3
- Joffé, Roland, 1945- --151.2, 167.1, 198
- Jones, Quincy, 1933- --167.1
- Jones, Steven A.--298.1
- Jones, Tommy Lee, 1946- --43.4
- Josephson, Barry--79.5
- Judd, Ashley--37.3
- Kamen, Martin--126.8
- Kamen, Stan--65.3
- Kanin, Garson, 1912-1999--167.1
- Kasdan, Lawrence, 1949- --167.1
- Kazan, Elia--89.2, 153.2, 167.1
- Kazan, Frances--167.1
- Keats, Mary--126.8
- Keitel, Harvey--167.1
- Kelly, Raymond W.--167.1
- Kennedy, John F. (John Fitzgerald), 1960-1999--167.7
- Kennedy, Kathleen, 1954- --25.7
- Kerr, Philip (to Jane Rosenthal)--152.3
- Kilmer, Val, 1959- --76.6, 167.1, 298.1
- Knight, Tuesday--115.4
- Kollek, Teddy, 1911-2007--167.1
- Kopeikin, Lawrence M.--37.3
- La Motta, Jake--126.8
- La Motta, Vikki--126.6, 126.8
- Landau, Martin, 1928- --167.1
- Lang, Caroline, 1961- (Time Warner Inc.)--71.2
- Lange, Jessica--25.7
- Lawn, Anthony, S.J.--198
- Leno, Jay--5.11
- Leonard, Nanette (United Artists)--126.8
- Leone, Carla, and family--167.1
- Lewis, Ellen (to Martin Scorsese)--32.5
- Liotta, Ray--70.8
- Loncraine, Richard--10.5, 11.3
- Loss, Christine--201
- Lucas, George, 1944- --167.1
- Macchio, Ralph--43.4
- Machnik, Paul--134.1
- Mails, Thomas E.--170.4 (from BV244)
- Malden, Karl (Academy of Motion Picture Arts and Sciences)--230
- Mamet, David--148.5, 167.1
- Mancuso, Frank (Paramount Pictures Corporation)--151.2
- Mancuso, Tony--126.9
- Mangold, Jim--41.4
- Mann, Michael--76.7, 78.1
- Marin, Mindy--2.2
- Marshall, Frank--25.7
- Marshall, Penny--75.3, 167.1, 298.1
- Martin, Mardik--126.6
- Marx, Michelle--115.4
- Mason, Marsha--167.1
- Max, Peter, 1937- --167.1
- Mazursky, Paul--151.8
- McCray, Felicia--126.8
- McElhone, Natascha, 1971- --132.1
- McNaughton, John, 1950- --298.1
- Medavoy, Mike (Orion Pictures)--126.8, 298.1
- Miller, Judith--148.5
- Minkin, Bill and Ina--126.8
- Minnelli, Liza--126.8, 167.1
- Misher, Kevin--100.4
- Moloney, Jay--298.1
- Moriarty, Cathy--126.8
- Murray, Bill, 1950 Sept. 21- --91.6
- Negron, Olivia--43.4
- Newman, Paul, 1925-2008--126.8
- Ngo, Vy Vincent, 1966- --52.2
- Nichols, Mike--65.3
- Nicholson, Jack--126.8
- Norman, Zack--126.8
- Orth, Robert (Mid-America Film Archive, Ltd.)--126.8
- Ovitz, Michael--25.7, 167.2
- Oz, Frank--134.8-9
- Pacino, Al, 1940- --126.8, 167.2
- Palminteri, Chazz--151.8, 298.1
- Papp, Joseph--43.4-5, 167.2
- Pariser, Marc (Creative Artists Agency, Inc.)--107.7
- Pauley, Jane, 1950- --167.2
- Penn, Sean, 1960- --147.3
- Perri, Paul--298.1
- Pesci, Joe--37.3
- Phillips, Julia, 1944-2002--65.3, 139.7
- Phillips, Michael, 1943- --65.3, 126.8, 298.1
- Pileggi, Nicholas--31.5 and 32.3 (to Martin Scorsese), 34.3, 36.6, 37.1, 135.2
- Pinter, Harold, 1930-2008--167.2
- Planco, Johnnie (William Morris Agency)--43.4
- Planotones (Musical group)--298.1
- Pollock, Thomas P.--167.2
- Polson, John, 1965- --79.7, 80.4
- Povod, Reinaldo--43.4
- Powell, Michael, 1905-1990--43.4, 88.2, 167.2
- Powell, Thelma--see Schoonmaker, Thelma
- Price, Richard--154.4
- Primus, Barry, 1938- --115.2, 115.4
- Pryor, Richard--167.2
- Ptak, John--65.3
- Puttnam, David, 1941- --167.2
- Ralph, Sheryl Lee--115.4
- Ramis, Harold--8.1, 10.6, 12.8
- Ramos, Vic (Victor Manuel), 1930-1970--65.3
- Raskin, Francesca--43.4
- Reno, Jean, 1948- --132.1
- Reynolds, Burt--167.2
- Richardson, Tony, 1928-1991 (Woodfall Limited )--167.2
- Richmond, Roxanne--126.8
- Rickles, Barbara and Don--37.3
- Ritt, Martin, 1914-1990 (Twentieth Century-Fox Film Corporation)--167.2
- Ritter, Bruce, 1927- (Covenant House)--43.4
- Roach, Jay--96.6-7, 97.2, 100.5, 101.3, 102.3
- Robertson, Cliff, 1923-2011--167.2
- Robertson, Shauna--101.3
- Rooney, Mickey--126.8
- Roos, Fred--65.3
- Rosenberg, Joe--37.3
- Rosenthal, Jane, 1956- --144.2, 152.3 (to Yoshimitsu Honda)
- Ross, Steven J.--167.2
- Roth, Joe, 1948- --118.9
- Rowen, Jennifer--126.8
- Rowlands, Gena--166.9
- Ryack, Rita--25.7
- Ryan, Cynthia--218
- Sacker, Neil (to Harvey Weinstein)--161.7
- Sacks, Oliver W.--16.3, 167.3
- Sands, Stephen A. (Columbia University)--81.7
- Savage, Pete--126.8-9
- Schoonmaker, Thelma--25.7, 36.2, 37.2; 43.4, 88.2 (as Thelma Powell)
- Schrader, Paul, 1946- --125.3, 126.8, 153.8, 154.3, 167.3
- Schwartz, Harold--126.8
- Scorsese, Martin--31.6, 32.3, 33.6, 37.1, 37.3, 86.3, 91.6, 126.8, 167.3
- Scott, Tony, 1944-2012--48.2, 52.1
- Selznick, Daniel Mayer--298.1
- Serrano, Nestor--43.4
- Shalit, Gene, 1936- --167.3, 298.1
- Sheinberg, Sid, 1935- --44.5
- Sheldon, Sidney--298.1
- Simmons, Russell--298.1
- Sivero, Frank, 1952- --126.8
- Smith, Gary--167.8
- Smith, Hy (United Artists)--126.8
- Smith, Scott Marshall--105.5
- Smith, Todd--37.3
- Sorvino, Paul--167.3
- Spielberg, Steven, 1946- --25.6, 152.3, 167.3
- Spikings, Barry--126.8
- Sroloff, Sheldon--37.3
- Stander, Lionel--167.3
- Stark, Ray--16.3, 126.8
- Stevens, Russell--65.3
- Stiller, Ben, 1965- --99.6, 311.4
- Stone, Sharon, 1958- --37.3, 167.3
- Strasberg, Anna--43.4
- Strasberg, Lee (The Actors Studio)--167.3
- Streep, Meryl--126.8
- Streisand, Barbra--167.3
- Strick, Wesley--25.7
- Swanson, Virginia--126.8
- Tanen, Ned--126.8
- Thaler, Todd M.--144.2
- Tharp, Twyla--43.4
- Thompson, Emma--56.5, 167.4
- Tucker, Camille--134.1
- Turman, Lawrence--65.3, 126.8
- Tyner, Paul--167.4
- Ufland, Harry J. (The Ufland Agency)--164.6
- Valenti, Jack--25.7, 65.3, 126.8, 167.4
- Van der Meer, Gerrit--138.2
- Vereen, Ben--298.1
- Walken, Christopher, 1943- --43.4
- Wallach, Roberta--298.1
- Warner, Frank--126.8
- Wasser, Julian--139.8
- Weber, Bruce, 1946- --91.6
- Weide, Robert B.--89.6
- Weinstein, Bob, 1953- --167.4
- Weinstein, Harvey, 1952- --151.8, 115.4, 167.4
- Wenner, Jann--298.1
- Williams, Robin, 1952 July 21- --167.4
- Winkler, Henry, 1945- --167.4, 170.3 (from BV157), 170.4 (from BV222)
- Winkler, Irwin--BV222, 167.4
- Winters, Shelley--167.4
- Wolff, Tobias, 1945- --143.2
- Wong, Janna (The American Film Institute)--126.8
- Woods, James, 1947- --37.3, 167.4
- Zaillian, Steven--167.4
- Zeffirelli, Franco--167.4
- Zimmerman, Paul D.--87.4
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