Greetings

urn:taro:utexas.hrc.00481 Robert De Niro: A Preliminary Inventory of His Papers in the Film Collection at the Harry Ransom Humanities Research Center Finding aid created by Liz Murray, Katherine Mosley, and Bob Taylor Harry Ransom Humanities Research Center, 2008 Finding aid encoded by Joan Sibley, 25 March 2009 Finding aid written in English. The University of Texas at Austin, Harry Ransom Humanities Research Center De Niro, Robert , 1943- Robert De Niro Papers 1960s-2005 170 boxes, 60 oversize boxes, 274 bound volumes, 11 oversize folders (137.5 linear feet) The Robert De Niro Papers include scripts plus related production, publicity, and research materials for sixty-nine films documenting De Niro’s career from the 1968 film Greetings through Hide and Seek released in 2005. A smaller amount of materials document his early career, including stage and television work. There are also files on projects considered and other career-related materials. Predominantly English; some Italian-language materials are present. Scope and Contents

The extraordinary breadth of actor, director, and producer Robert De Niro’s cinematic career from the 1960s through 2005 is reflected in his collection of papers, film, movie props, and costumes at the Ransom Center. De Niro is widely regarded as one of the greatest actors of his generation and a key figure in "The New Hollywood," an artistic renaissance that began in the late 1960s. He appeared in many of the period's key films: Taxi Driver (1976), Raging Bull (1980), The Godfather: Part II (1974), and The Deer Hunter (1978). De Niro has produced more than two dozen films since the late 1980s and directed A Bronx Tale (1993) and The Good Shepherd (2006).

The papers described in this finding aid include De Niro’s heavily-annotated scripts and correspondence, stage play and photographic material from his early career, make-up and wardrobe photographs, wardrobe continuity books, costume designs, and posters, as well as extensive production, publicity, and research material. The collection focuses exclusively on De Niro’s professional career: while some congratulatory correspondence and exchanges with his colleagues provide insight into the personal side of his working relationships, De Niro’s private life remains private. The papers are arranged in three series: I. Films, 1968-2005 (151 boxes, 57 oversize boxes, 248 bound volumes, 9 oversize folders); II. De Niro Projects, 1960s-2003 (15 boxes, 17 bound volumes, 2 oversize folders); and III. Early Career and Career-Related, 1960s-2000 (4 boxes, 3 oversize boxes, 9 bound volumes).

Most of the papers are located in the first series, Films, which includes scripts plus related production, publicity, and research materials for sixty-nine films documenting De Niro’s career from the 1968 film Greetings through Hide and Seek released in 2005. While the type and amount of material present varies from film to film, there is not only abundant evidence of De Niro’s rigorous preparation for his acting roles from the large amounts of research material present and his copious notations in scripts, but also insight into the collaborative nature of his work with a variety of noted writers, directors, actors, and other film artists. The evolution of many screenplays can also be traced, often from the original source material and through numerous drafts to the final shooting script. The close attention paid to the details of wardrobe, make-up, and hairstyle design and continuity is also evident and particularly well-represented in the production materials.

Series II., De Niro Projects, includes plays, screenplays, and television scripts received, reviewed, or considered. The majority of the works originate from writers and directors with whom De Niro has long been closely associated and include scripts for such notable film and television projects as Apocalypse Now, A Bridge Too Far, Gangs of New York, Glengarry Glen Ross, Hoffa, The Last Temptation of Christ, Rule #3, Street Kings, and Weeds.

The final series, Early Career and Career-Related, contains articles about De Niro, early contracts, correspondence, and photographs as well as materials related to awards, public appearances, and tributes. Of special note are photographs, résumés, programs, and reviews documenting De Niro’s student work and early stage roles. Much of the correspondence in the collection is located in this series, often congratulatory in nature or related to shared projects. Correspondents include friends and industry colleagues, such as Kenneth Branagh, Michael Cimino, Francis Ford Coppola, Jonathan Demme, Ron Howard, Roland Joffé, Harvey Keitel, George Lucas, David Mamet, Al Pacino, Harold Pinter, Martin Scorsese, Steven Spielberg, Lee Strasberg, Jack Valenti, and Harvey Weinstein, among others. A complete index of all correspondent names in this series is included in this finding aid.

Additional materials for more recent De Niro projects are expected and will be made available at a future date, along with a considerable amount of material received for A Bronx Tale (1993).

Series Descriptions Series I. Films, 1968-2005

The bulk of the De Niro Papers are located in this series and comprise materials from sixty-nine films dating from De Niro’s 1968 film Greetings through Hide and Seek released in 2005. Additional materials for more recent projects are expected and will be made available at a future date, along with considerable material for A Bronx Tale (1993). Materials in this series are arranged alphabetically by film title, and subsequently items for each film are consistently arranged in this order: screenplays first, followed by production, publicity, and research materials.

Screenplays

Screenplays are heavily represented in the collection and are present for all of De Niro’s acting roles. The number of screenplays present for each film varies from film to film, but most are represented by multiple versions. For example, Meet the Fockers has thirty-five scripts written steadily over the course of three years, while Raging Bull has twenty scripts that evolved intermittently from conception to completion over a span of about ten years.

Modern screenplays are notorious for their variant titles, multiple writers, and numerous re-writes, and the De Niro scripts are no exception. Working with information provided on the title pages and dated revisions, multiple scripts for individual films have been arranged in their probable order of creation, although undated scripts and inserted revisions make definitive sequencing difficult. The films Analyze This and Meet the Fockers provide good examples of a complex array of scripts with more than a dozen writers and derivative drafts.

Descriptions of individual scripts in the following folder list are often limited to the date of the original script and, for subsequent revisions, the date last revised. Variant titles, draft numbers or other draft identifications (e.g., "final shooting script"), and writer names are also included if present. The descriptions frequently also include either "with RDN notes" or "no RDN notes." De Niro’s handwritten annotation of scripts is a hallmark of his working method; rendered in ink, these annotations are primarily dialogue and script changes and notes regarding his role.

Shooting scripts are present for most of the films. In most cases, the shooting scripts designated in the finding aid are the ones De Niro used during filming. They are heavily annotated with De Niro’s handwritten notes and are often bound in three-ring binders full of inserted script revisions and production material. The Raging Bull shooting script contained a particularly large amount of inserted material; in order to preserve it and also retain its original order, a facsimile copy was created and is available for research use.

Production materials

The production materials in the De Niro Papers reflect the myriad tasks involved in film-making. While nearly all the De Niro films contain some production materials, their type and quantity varies from film to film. Among the types of items present are ADR (automated dialogue replacement) sheets, call sheets, casting lists and résumés, contact and crew lists, dialogue notes, one-liner and shooting schedules, continuity and make-up photographs, production reports, production stills, recruited audience preview reports, storyboards, De Niro’s handwritten notes, production-related memos and correspondence, congratulatory correspondence, and wardrobe continuity and inventory lists. Several films also include original costume, tattoo, and set designs, as well as location photography.

Photographs dominate the production materials in terms of sheer volume and include hair/make-up, wardrobe, and production stills. The prints are largely in 4x6-inch and Polaroid formats, but also include 8x10-inch and oversize. Prints have been arranged by roll number and sleeved in frame order. Frame order is especially critical for documenting make-up application, as evidenced by more than 3,000 prints for Frankenstein. For this film, De Niro endured a full-body plaster cast used to create a body suit that transformed him into "The Creature." Shot by shot, the photographs document the painstaking 16-hour make-up sessions, capturing the intricate application of face, hair, and body prosthetics in incredible detail. The Polaroids are primarily make-up and wardrobe continuity prints and are often marked with scene numbers and other pertinent information. In some cases, metal rings or safety pins were used for portability on the set and to retain scene sequence. For the film Awakenings, 135 continuity Polaroids on a single ring record the state of De Niro’s hair and beard for each scene, to guarantee continuity over multiple takes and reshoots.

Wardrobe continuity material is present for more than a dozen films, ranging from a few sheets to binders with up to seventy pages. Typically, wardrobe items were listed in detail on specially-formatted sheets and supplemented with Polaroids showing De Niro in costume, as well as individual items such as shoes and jewelry. Because overlapping Polaroids were often taped onto the wardrobe sheets and presented a handling problem, facsimiles were made of all the wardrobe continuity material in the collection.

Publicity materials

This category of film material is the least prevalent in this series, and the amount and type varies from film to film. Publicity materials include advertising graphics and layouts, articles and reviews, award nomination certificates, correspondence and memos, marketing and promotional materials, posters, premiere programs and tickets, press kits, press junket itineraries, press releases, publicity and studio stills, screening cards and invitations, and tour information.

Research material

De Niro is well known for thoroughly researching and preparing for his acting roles. In addition to articles, pamphlets, chapter sections, and other printed material, the collection includes 266 books used for research on topics ranging from mobsters and tattoos to Jesuits and baseball. For each film, the books are arranged by author and title within the research section and each book was assigned a BV (bound volume) number. Some of these books are inscribed to De Niro and De Niro also annotated many of the volumes with handwritten notes. Many of the books originally contained loose items; these items have been withdrawn and placed into folders. Withdrawals from bound volumes are denoted with an asterisk in the folder list. Research material for Cape Fear and The Mission is particularly extensive.

Some correspondence and production memoranda are scattered throughout Series I. and selected correspondents appear in the Index of Selected Correspondents included in this finding aid.

Series II. De Niro Projects, 1960s-2003

Throughout De Niro’s long career, a great quantity of script material has come his way for consideration. The plays, screenplays, and television scripts in this series are some of the projects that held De Niro’s interest although, for a variety of reasons, his involvement remained limited. The projects material has been arranged alphabetically by title. The majority of works include writers and directors with whom De Niro has long been closely associated, such as Michael Cimino, Francis Ford Coppola, Brian De Palma, George Gallo, Michael V. Gazzo, William Goldman, Elia Kazan, Robert Kuhn, David Mamet, Michael Powell, Richard Price, Paul Schrader, Martin Scorsese, and David Seltzer. Notable television and film projects in this series include Apocalypse Now, A Bridge Too Far, Gangs of New York, Glengarry Glen Ross, Hoffa, The Last Temptation of Christ, Rule #3, Street Kings, and Weeds.

Series III. Early Career and Career-Related, 1960s-2000

This series contains articles about De Niro, books retained for general research and received as gifts, early contracts, correspondence, and photographs. Also included is material related to public appearances, tributes, and film series.

Much of the correspondence in the collection is located in this series, often congratulatory in nature or related to shared projects. Correspondents include friends and industry colleagues, such as Giorgio Armani, Lauren Bacall, Robert Bolt, Kenneth Branagh, Ellen Burstyn, Michael Cimino, Francis Ford Coppola, Jonathan Demme, Barry Diller, Richard Dreyfuss, Dominick Dunne, Jane Fonda, Whoopi Goldberg, Tom Hayden, Israel Horovitz, Ron Howard, Roland Joffé, Garson Kanin, Elia Kazan, Harvey Keitel, John F. Kennedy, Jr., Martin Landau, George Lucas, David Mamet, Marsha Mason, Al Pacino, Joseph Papp, Jane Pauley, Harold Pinter, Richard Pryor, Cliff Robertson, Oliver Sacks, Martin Scorsese, Gene Shalit, Steven Spielberg, Sharon Stone, Lee Strasberg, Emma Thompson, Jack Valenti, Harvey Weinstein, Robin Williams, Henry Winkler, Shelley Winters, and Franco Zeffirelli, among others. An index of all correspondent names in this series is included in this finding aid.

Photographs occupy a large portion of this series and contain significant images from the early days of De Niro’s career. De Niro created his own résumé head shots, the earliest of which lists his acting experience through 1963. This series of photographs ends in the early 1970s with the appearance of studio publicity stills for films such as Bloody Mama and Mean Streets. The résumés attached to many of the head shots, some with four different images per print, provide valuable information regarding De Niro’s stage performances that date from his days in training with The Dramatic Workshop, Luther James Studio, Stella Adler Theatre Studio, and Raphael Kelly. These résumés include the parts he played in repertory theater, tours, commercials, performances at Hunter College and Sarah Lawrence College, the off-Broadway shows, and early films including Greetings and The Wedding Party. Often play reviews are also attached to the head shots. In addition, there are programs and production photographs for many of these early plays. Titles include The Boor, Generation, Glamour, Glory & Gold, Kool Aid, One Night Stands of a Noisy Passenger, Tchin-Tchin, and The World of Günter Grass.

Acquisition:

Gift, 2006-2008 (G12588)

Access:

Open for research; please see following Special Handling Instructions and Redactions Note.

Special Handling Instructions:

Most of the scripts in this collection have been left in an unaltered or minimally processed state to provide the reader with the look and feel of the original as De Niro used it. When handling unbound scripts, or scripts with inserted materials, users are asked to be extremely careful in retaining the original order of the material. Script pages folded length-wise by De Niro are likewise to remain folded in keeping with original order.

Potentially harmful or damaging materials such as paperclips, self-adhesive "sticky" notes, metal brads, and clasps were removed during physical processing. Processing notes were inserted where paperclips and sticky notes were removed. In many cases paper-clipped sections were placed in white paper sleeves. Some surrogate preservation photocopies were substituted for the original items, such as faxes, and the surrogate copies are identified by a statement at the top of the page. The original faxes have been retained with the photocopies, although in time the faxed pages will fade beyond recognition.

Redactions Note:

The production and research materials contain a number of items from which personal information has been redacted or restricted to protect an individual’s privacy. Examples are social security, telephone, and account numbers; the names of medical patients and prisoners; and personnel records. The originals were removed and have been replaced with redacted photocopies, which have an identifying statement at the top.

Processed by:

Liz Murray, Katherine Mosley, and Bob Taylor, 2008

The Stella Adler, David Mamet, and Tom Stoppard collections at the Ransom Center contain additional De Niro-related material.

Separated Material

De Niro's costumes, film props, moving images, and personal effects are housed in related departments within the Ransom Center.

Folder List Series I. Films, 1968-2005 15 Minutes (2001) Screenplays, by John Herzfeld; all without RDN notes unless otherwise stated 1.1 Draft, undated Revised drafts 1.2 24 November 1998, with RDN notes 1.3 31 December 1998, with RDN notes 19 February 1999 1.4 With RDN notes 1.5 With transcript excerpts of taped conversations re script with RDN, Mike Sheehan, and Herzfeld 1.6 1 April 1999, interim draft with RDN notes; first half of script with dual pagination, with letter from Herzfeld to RDN 1.7 re 14 April 1999 revision; letter of 15 April 1999 from Herzfeld to RDN outlining changes in partial interim draft 1.8 10 May 1999, complete, with dual pagination; plus five pages of script revised 9 June 1999 2.1 26 July 1999, cumulative revisions, "shooting draft"; with RDN notes Production materials 2.2 Call sheets, contact list, continuity list of scenes, correspondence, crew lists, shooting schedule for re-shoots 2.3 "DV camera report," 1999 Photographs 2.4-8 Make-up/hair and wardrobe photographs 3.1 Photograph of RDN, Charlize Theron, John Herzfeld, and Edward Burns; inscribed to RDN by Herzfeld 3.2 Script revisions and additional shoots, 13 January through 7 April 2000 3.3 Wardrobe continuity sheets [facsimile] and wardrobe lists 1900 (1976) Screenplays, by Bernardo Bertolucci, Franco Arcalli, and Giuseppe Bertolucci 5 April 1973, "Novecento," in Italian 3.4 First part 3.5 Second part 3.6 23 January 1974, "1900," in English Production and publicity materials 3.7 Article and review 3.8 Production photographs Research materials, bound volume 1 Di Giovanni, Norman Thomas. 1900 (1977) About a Boy (2002, RDN producer) Production and publicity materials 3.9 Casting, "Marcus" readings, 15 February 2001 3.10-4.1* Articles and reviews (*oversize newspaper clippings removed to box 203) The Adventures of Rocky and Bullwinkle (2000) Screenplays titled "The Rocky and Bullwinkle Movie," by Kenneth Lonergan 4.2 20 January 1999, "blue draft," revised by Doug Chamberlin and Chris Webb through 18 February 1999; with RDN notes 4.3 22 February 1999, "buff draft," revised by Lonergan; "Brenda" written on title page 4.4 8 March 1999, cumulative revisions to buff draft Production materials 4.5 Continuity and automated dialogue replacement (ADR) sheets, DVD menu screens 204 Costume design research for Fearless Leader, Boris, and Natasha characters Photographs 4.6-7 Continuity photographs and stills 171 "Fitting photos for Fearless Leader," binder with nine facsimile pages 4.8-5.1-9 Make-up/wardrobe photographs 5.10 Reports from recruited audience previews, February-June 2000 172 Storyboards Publicity materials 203 Correspondence and proofs of marketing material for in-theater kids’ meal promotion; one-sheet poster proof 204 "Official Style Guide" for spin-off product design 5.11 Press kit quote selection, promotional appearances, reviews, world premiere screening Research materials, bound volumes 2* Maloney, Mike. Flash! Splash! Crash!: All at Sea with Cap’n Bob (1996) (*loose items withdrawn) 3* Shawcross, William. Murdoch: The Making of a Media Empire (1997) (*loose items withdrawn) Analyze That (2002) Screenplays, by Peter Steinfeld 6.1 23 January 2002, second revision, revised by Harold Ramis and Peter Tolan 6.2 6 February 2002, third revision, revised by Ramis 6.3 "With official scene numbers" 6.4 With RDN notes, plus eight pages of script revised 13 February 2002 Subsequent revisions, all with RDN notes unless otherwise stated 6.5 Includes inserted script pages 6.6 Marked "RDN" 6.7 13 March 2002, marked "AT 2" 7.1 15 March 2002, marked "HR/PT" 7.2 No RDN notes, marked "AT2, HR, PT" 7.3 17 March 2002 7.4 Undated, lacks title page 7.5 26 March 2002, "final shooting script" by Ramis and Tolan; with official scene numbers and RDN notes 7.6 No RDN notes 7.7 28 March 2002, partial script, "Chazz Palminteri" on title page; with RDN notes 8.1 1 April 2002, partial script; with RDN notes and note from Ramis Subsequent revisions to 26 March 2002 final shooting script; all without RDN notes 8.2 2 April 2002, blue revised pages 8.3 10 April 2002, pink revised pages 8.4 14 April 2002, yellow revised pages 8.5 "Complete script with all versions" 8.6 4 June 2002, complete 8.7 14 June 2002, complete 8.8 Script revision fragments, various dates Production and publicity materials 203 Layouts for newspaper ads 9.1-5 Photographs, make-up/hair/wardrobe continuity, including some photographs from Analyze This Posters * One-sheet posters (*removed to oversize flat files) 203 Proofs, on foamcore 9.6 Revised script pages, post production schedules, contact lists 173 Wardrobe continuity book for RDN’s Paul Vitti character, facsimile Analyze This (1999) Screenplays, various screenwriters; all with RDN notes unless otherwise stated 10.1 14 November 1996, "Tolan/Crystal/2nd revised draft," no RDN notes; with Richard Loncraine’s notes on "2nd revised draft 11/1/96," and RDN’s comments Revised by Richard Gallo 10.2 27 February 1997, with Gallo’s scene breakdown dated 7 February 1997 10.3 12 March 1997; includes "notes after script meeting 28/3/97" 10.4 No RDN notes 10.5 16 April 1997; includes research material and faxes from Loncraine, 18 April 1997 Revised by Harold Ramis and others 10.6 15 August 1997, with note from Ramis 10.7 5 September 1997, by Peter Tolan and George Gallo Scripts by Phoef Sutton, Kenneth Lonergan, Tolan, Gallo, and Billy Crystal 11.1 19 December 1997 11.2 No RDN notes 11.3 27 January 1998; includes "Analyze This outline 2/11/98" and "notes to George Gallo on Gallo l" 11.4 14 March 1998, by Sutton, Lonergan, Tolan, Gallo, Ramis; revision by Mort Nathan, Barry Fanaro, and Ramis 11.5 12 May 1998, by Sutton, Lonergan, Tolan, Crystal, Gallo, Ramis, Nathan, Fanaro; revised by Ramis and Tolan; marked "not for distribution" 11.6 26 May 1998, lacks title page, marked "HR" and "not for distribution" 12.1 27 May 1998, lacks title page, "unofficial draft," "FYI only and not for distribution"; handwritten scene numbers and changes, not in RDN’s hand; no RDN notes 174 1 June 1998, shooting script by Kenneth Lonergan, revised by Sutton, et al.; current revisions by Ramis as of 22 July 1998 12.2 Script fragments, various dates Production materials 12.3 Automated dialogue replacement (ADR) line sheets, television ADR, and correspondence re DVD release 12.4 Casting Photographs 12.5-6 Make-up/hair/wardrobe 12.7 Production and publicity stills; Phil Caruso, photographer 175 Wardrobe continuity book for Paul Vitti character, facsimile 12.8 Sequel notes and memos, 1999-2000 Publicity materials 12.9 European tour, May 1999 Posters * One-sheet posters (*removed to oversize flat files) 203 Proofs, on foamcore * Reviews (*removed to oversize box 203) 12.10 Research materials on mobsters and hair styles Angel Heart (1987) Screenplays, by Alan Parker 13.1 Undated working draft; no RDN notes 13.2 February 1986, final draft, shooting script; with RDN notes 13.3 Partial script with extensive RDN notes; inserted script pages dated 13 June 1986 Production and research materials 13.4 New Orleans hotel information, New York contact list and shooting schedule, photocopies of Faustian images, Polaroids of RDN wearing various eye lenses, and wardrobe list * One-sheet poster (*removed to oversize flat files) Research materials, bound volumes 4 Christian, Paul. The History and Practice of Magic (1969) 5 Huson, Paul. Mastering Witchcraft: A Practical Guide for Witches, Warlocks, and Covens (1970) 6* LaVey, Anton Szandor. The Satanic Bible (1969) (*loose items withdrawn) 7 Lehner, Ernst and Johanna. Picture Book of Devils, Demons and Witchcraft (1971) 8 Marwick, Max, ed. Witchcraft and Sorcery (1982) 9 Maxwell, Nicole. Witch Doctor’s Apprentice (1975) 10 Michelet, Jules. Satanism and Witchcraft: The Classic Study in Medieval Superstition (1946 reprint) 11 Russell, Jeffrey Burton. Lucifer: The Devil in the Middle Ages (1984) 12 Strarhan, Françoise. Casting out the Devils (1972) 13 Waugh, Charles G. and Martin H. Greenberg, eds. Cults!: An Anthology of Secret Societies, Sects, and the Supernatural (1983) Awakenings (1990) Screenplays, by Steven Zaillian; all with RDN notes unless otherwise stated 13.5 Undated, lacks title page 13.6 February 1988, first revision 13.7 6 April 1989, second revision 13.8 Partial draft, pages 69-120 14.1 2 September 1989, "unfinished 4th draft," RDN notes dated 18 September 1989 14.2 12 September 1989 script 2 October 1989 drafts and subsequent revisions 14.3 Bound screenplay, half-size format; presentation copy inscribed by "Robin" [Williams] to RDN 14.4 Lacks title page, noted "Oct. 2" on first page 14.5 No RDN notes 14.6 16 October 1989, "Robin C." copy 14.7 22 November 1989, no RDN notes 15.1 19 December 1989, coded for reference to videotape dailies; no RDN notes 15.2 Half-size format, no RDN notes 15.3-16.2 26 January 1990, with numerous earlier revisions inserted; includes some production and research material Production and publicity materials 16.3 Automated dialogue replacement (ADR) line sheets, congratulatory correspondence including handwritten letter from Oliver Sacks, and New York junket itinerary, 15-18 December 1990 16.4* Articles re film (*oversize articles removed to box 207) 176 Photographs, hair/shaving continuity Polaroids on ring, facsimiles Research materials 16.5* Articles by and about Dr. Oliver Sacks, print material on encephalitis, photocopy of Harold Pinter play A Kind of Alaska (*Sacks article removed to oversize box 176) 16.6 Case study of a Parkinson’s patient 14* Sacks, Oliver. Awakenings (1983) (*annotated by RDN; loose items withdrawn) Backdraft (1991) Screenplays, by Greg Widen; all without RDN notes unless otherwise stated 16.7 22 March 1990 script 19 June 1990, with subsequent revisions 16.8 Copy 158 16.9 Copy 170, with RDN notes 17.1 2 August 1990 script 17.2 Full-size script, with log of RDN wardrobe tests 17.3 Half-size format, photocopy 17.4 15 August 1990, shooting script with call sheet and script pages inserted; with RDN notes Production materials 17.5 Call sheets 17.6 Correspondence and other communications received during filming in Chicago 17.7 One-liner schedules 18.1 Photographs, make-up/hair continuity 18.2 Shooting schedules Research materials 18.3-4 Arson, firemen, fire investigations, and issues of Firehouse magazine Bound volumes 15 Hall, George and Thomas K. Wanstall. FDNY: New York’s Bravest! (1984) Smith, Dennis 16* Firefighters: Their Lives in Their Own Words (1988) (*annotated by RDN on flyleaf) 17 Report From Engine Co. 82 (1983) Bang the Drum Slowly (1973) 18.5 Bang the Drum Slowly by Henry W. Wiggen (Anchor Books), photocopy; with RDN notes Screenplays, by Mark Harris, 1972 18.6 Copy 129, with RDN notes 177 Shooting script, with RDN notes; includes shooting schedules, clipping, RDN’s "to do" lists, script changes, and handwritten letter from Harris Publicity materials * One-sheet posters (*removed to oversize flat files) 19.1-2 Photographs, stills, Paramount Studio 19.3* Press booklet "Handbook of Production Information" and review (*Paramount Press Book and Merchandising Manual removed to oversize box 203) Research materials, bound volumes 18 Angell, Roger. The Summer Game (1972), inscribed to RDN by the author Bethel, Dell. Inside Baseball, 1969 19 Hardcover, inscribed to RDN by the author 20* Paperback (*annotated by RDN) 21 Bouton, Jim. Ball Four (1970) 22 Harris, Mark. The Southpaw (1962) 23 Jacobs, G. and J. R. McCrory. Baseball Rules in Pictures (1971) 24 Kahn, Roger. The Boys of Summer (1973) 25 Ritter, Lawrence S. The Glory of Their Times (1971) Bloody Mama (1970), screenplay by Robert Thom 178 Screenplay, shooting script; final draft with shooting schedules, photographs of RDN, research photographs, and song lyrics inserted; extensive RDN notes Publicity materials 19.4 "The Barker Family Album" booklet of photographs, film synopsis, two-color ad, publicity brochure for theaters, group photograph of the Barker family 19.5-7 Photographs, stills, American International Pictures 20.1* Research material, including RDN notes (*oversize magazine articles removed to oversize box 203) 151.4 Born to Win (1971), screenplay titled "Scraping Bottom," by David Scott Milton with Ivan Passer, 6 November 1970; with RDN notes Brazil (1985), screenplay by Terry Gilliam, Tom Stoppard, and Charles McKeown 20.2 Screenplay, shooting script, revised to 1 December 1984; with RDN notes Related material, bound volume 26 Mathews, Jack. The Battle of Brazil (1987) The Bridge of San Luis Rey (2004) Screenplays, by Mary McGuckian; with RDN notes unless otherwise stated 20.3 17 March 2002 script 20.4 No RDN notes 20.5 November 2002 script 20.6 No RDN notes 20.7 December 2002, no RDN notes 20.8-9 31 December 2002, two copies; no RDN notes 21.1 22 January 2003, shooting script; includes production and research material Production materials 21.2 Automated dialogue replacement (ADR) dialogue, cast lists, character report for archbishop, crew lists, Latin prayers and pronunciation, shooting schedule 21.3* Wardrobe photographs and designs; costume breakdown and continuity; note from designer Yvonne Blake (*costume designs removed to oversize folder) Research materials 21.4 Brochures on Spain; map of Spain and Portugal 21.5 Print materials on Thornton Wilder, Velazquez, Peru and Lima, Cervantes; bibliographies on ecclesiastical and convent life 27 Wilder, Thornton. The Bridge of San Luis Rey (1998); inscribed to RDN by Mary McGuckian [?] Cape Fear (1991) Screenplays, 1962 version 21.6-7 20 March 1961, final screenplay by James R. Webb, two copies; no RDN notes 8 March 1962, "continuity and dialogue on Gregory Peck, Robert Mitchum, Polly Bergen" 22.1 With RDN notes 22.2 No RDN notes 22.3 Screenplay by Donald E. Westlake, undated; with RDN notes Screenplays by Wesley Strick; all with RDN notes unless otherwise stated 22.4 2 November 1989, first draft 22.5-6 8 December 1989, revised first draft, two versions 22.7 10 August 1990 23.1 27 August 1990 23.2 31 August 1990, "accent script" 23.3 No RDN notes 23.4 4 October 1990, no RDN notes 23.5 10 October 1990 23.6 No RDN notes 23.7 17 October 1990 23.8 24 October 1990 24.1 5 November 1990 24.2 No RDN notes 16 November 1990 and subsequent revisions 24.3 No RDN notes 24.4-5 8 January 1991, two versions 24.6 21 January 1991, no RDN notes 24.7-25.1 Continuity script with production lists, no RDN notes 25.2 RDN handwritten notes re script and production 25.3-4 Script sections, August 1990-February 1991 Production materials 25.5 Automated dialogue replacement (ADR) line sheets 25.6 Casting, includes correspondence re directors 25.7 Correspondence, notes, miscellaneous print material 25.8-9 Dialogue notes, Sam Chwat 25.10 One-liner schedules Photographs 26.1 Crew photograph 26.2-8 Make-up continuity 26.9 Make-up tests, contact prints; includes stunt-double, female cast member, and crew/set 27.1-6 Stills 27.7 Tattoos, "day III test" 27.8 Tattoos, "final" 27.9 Shooting schedules 27.10 Storyboards, with RDN notes 28.1-3* Tattoo designs; correspondence (*tattoos on cardboard sheets removed to oversize folder) 28.4* Visual images in photographic, postcard, and print formats, considered for set design of Max Cady’s cell wall (*oversize photographs and print material removed to oversize box 203) 28.5 Wardrobe continuity sheets and lists Publicity materials 28.6-7 Articles and reviews 29.1-2* Press kits (*oversize photograph removed to box 203) 29.3 Screening invitations, screening cards, tickets to premiere showing, contact print including Scorsese and cast at premiere [?] Research materials 29.4 Bible concordances 29.5-6 Friesen, Melanie (Cappa Productions researcher); memoranda and associated research material 29.7 "Georgia Codes -- rape penalties" 29.8 "Killer: A Journal of Murder," by Thomas E. Gaddis and James O. Long; photocopy 30.1-2 Law enforcement, lawyers, legal cases 30.3 Make-up research, slides, and photographs of burn victims 30.4 Messiah complex 30.5 Music audio tapes, description of 30.6 Neurotic vindictiveness, Karen Horney material 30.7 Nietzsche 30.8 Pentecostal 30.9-10 Prisons and prisoners 30.11-12 Rape 31.1 Revenge, with RDN notes 31.2 Serial killers 31.3 Torture 31.4 Miscellaneous research materials Bound volumes 28-29 Abbott, Jack Henry. In the Belly of the Beast: Letters from Prison (1982); two copies 30* Agee, James and Walker Evans. Let Us Now Praise Famous Men (1988) (*loose items withdrawn) 31 Bible Explainer and Concordance (1930) 32* Camhi, Morrie. The Prison Experience (1989) (*annotated by RDN; loose items withdrawn) 33 Chesi, Gert. Faith Healers in the Philippines (1981) 34 Cunningham’s Text-Book of Anatomy (1947); inscribed to RDN by Ilona Herman 35* Ewald, Wendy. Portraits and Dreams (1985) (*loose items withdrawn) 36* Greenberg, Alan. Love in Vain: The Life and Legend of Robert Johnson (1983) (*loose items withdrawn) 37* Hall, Douglas Kent. In Prison (1988) (*loose items withdrawn) 38* Helps to the Study of the Bible (pre-1902) (*loose items withdrawn contain RDN annotation) 39-40* Hoffman, Ethan and John McCoy. Concrete Mama: Prison Profiles from Walla Walla (1981); hardback and paperback (*loose items withdrawn from BV39) 41 Holy Bible, King James version (1982) 42* Holy Bible, revised standard version (Meridian, 1974) (*loose items withdrawn) Horney, Karen 43 Neurosis and Human Growth: The Struggle Toward Self-Realization (1970) 44 Our Inner Conflicts: A Constructive Theory of Neurosis (1972) 45* Jackson, Bruce. Killing Time: Life in the Arkansas Penitentiary (1977) (*loose items withdrawn) 46 Jargon Society. The Appalachian Photographs of Doris Ulman (1971) 47* Johns, Catherine. Sex or Symbol: Erotic Images of Greece and Rome (1982) (*loose items withdrawn) 48* Krousher, Richard W. Physical Interrogation Techniques (1985) (*loose items withdrawn) 49 Lauterer, Jock. Runnin’ on the Rims (1986) 50 Levy, Builder. Images of Appalachian Coalfields (1989) Lyon, Danny 51* Conversations with the Dead (1971) (*page 129 annotated by RDN; loose items withdrawn) 52 The Autobiography of Billy McCune (1973) 53 Magee, Bryan. The Great Philosophers: An Introduction to Western Philosophy (1989) 54* Mandelbaum, Allen. The Divine Comedy of Dante Alighieri: A Verse Translation (1982) (*Canto XXXII to Canto XXXIV, pages 292-317 paper-clipped together) 55 Michaud, Stephen G. and Hugh Aynesworth. The Only Living Witness: A True Account of Homicidal Insanity (1989) 56* Mitchell, Stephen. The Book of Job (1987) (*loose item withdrawn includes RDN notes) 57* The New International Version (NIV) Topical Study Bible (1989) (*loose items withdrawn include RDN notes) 58-59* The New Strong’s Concordance of the Bible (1985); two copies (*loose items withdrawn from BV58 include RDN notes) 60 Nietzsche, Friedrich. The Will to Power (1968) 61 Schreck, Nikolas, ed. The Manson File (1988) 62 Torture in the Eighties: An Amnesty International Report (1984) 63* Vale, V. and Andrea Juno. Modern Primitives (1989) (*loose items withdrawn) 64 Vaughan, William. German Romantic Painting (1980) 65 Voices For Freedom (1986) 66* Warnke, Martin. Peter Paul Rubens: Life and Work (1980) (*loose items withdrawn) Casino (1995) Screenplays, by Nicholas Pileggi and Martin Scorsese; all with RDN notes unless otherwise stated 31.5 December 1993, first draft, with Scorsese’s notes and letter from Pileggi to Scorsese; no RDN notes 31.6 1 February 1994, "rough fourth draft" 31.7 11 February 1994, "rough fifth draft" 32.1 21 February 1994, sixth draft 1 March 1994, seventh draft 32.2 With RDN notes 32.3 No RDN notes; fax from Pileggi to Scorsese including note from Scorsese to RDN 32.4 7 March 1994, eighth draft 32.5 21 March 1994, ninth draft; fax from Ellen [Lewis] re casting 32.6 29 March 1994, tenth draft 6 April 1994, reading draft 33.1 With RDN notes and note from Barbara De Fina 33.2 No RDN notes 18 April 1994, eleventh draft 33.3 With RDN notes; includes scene breakdown 33.4 No RDN notes 33.5 2 May 1994, twelfth draft 9 May 1994, "draft 12A" 33.6 With RDN notes and note from Scorsese 33.7 No RDN notes 34.1 28 July 1994, "draft 12D" 34.2 28 July 1994, draft 14; no RDN notes 34.3 5 August 1994 revision, "Ace version," with faxes from Pileggi; no RDN notes Draft 12F, "15th draft. LA plus FR Boca changes" 34.4 8 August 1994 34.5 19 August 1994 34.6 20 August 1994, with informal photographs of RDN, Scorsese, and others 35.1 26 August 1994, draft 16 2 September 1994, shooting script revisions 35.2 13 September 1994 35.3 14 September 1994 35.4 1 November 1994, 17th draft, "Ilona’s [Herman] script notes," with wardrobe photographs and one-liner continuity breakdown 35.5-6 10 November 1994, no RDN notes Voice-over scripts, for "Ace" 36.1 31 January 1995 36.2 6 July 1995 36.3 19 July 1995, with RDN notes 36.4-5 Script fragments with RDN notes, various dates 36.6 Correspondence re script changes and related research, 4 August-22 September 1994 37.1 Notes for script drafts, Scorsese and Pileggi Production and publicity materials 37.2 Casting, memos, schedules; DVD packaging color copy 37.3 Correspondence, production and personal, with notes from Don Rickles, Sharon Stone, and others; copy of letter from Steve Allen to Scorsese re Frank Rosenthal 37.4 Las Vegas information packet * One-sheet posters (*removed to oversize flat files) Photographs Make-up/hair continuity 37.5-7 Polaroids, with scene numbers 37.8-38.2 Prints and contact prints, photographed 20 September 1994 to 1 January 1995 Stills, September 1994-January 1995 38.3-6* Black-and-white prints (*oversize print removed to box 207) 38.7-39.3 Color prints 39.4-7 Wardrobe tests, prints, 9 September 1994 39.8 Wardrobe and prop continuity Polaroids 179 Wardrobe continuity book, includes cloth samples, facsimile Research materials Bound volumes 67 Johnston, David. Temples of Chance: How America Inc. Bought out Murder Inc. to Win Control of the Casino Business (1992) 68 Life: The First Fifty Years, 1936-1986 (1987) 69-70* Puzo, Mario. Inside Las Vegas (1977), two copies (*loose items withdrawn from BV70) 71* Roemer, William F., Jr. The Enforcer: Spilotro--The Chicago Mob’s Man over Las Vegas (1994) (*annotated by RDN) 180 "Casino notes," including biographies and interviews, with binder 40.1 "Excerpts from the testimony of Mr. Allen R. Glick," November 1985 Interview transcripts 40.2 Cullotta, Frank; 13 July 1994 40.3 Ehrenberg, Murray; 23 August 1994 40.4-6 "Research haircuts (Ilona) [Herman], photos and magazines, 1965-1984" City by the Sea (2002) 41.1 "Mark of a Murderer," by Mike McAlary, Esquire, September 1997, photocopy of article upon which film is based 41.2 Screenplay by Michael Caton-Jones, Frank Pierson, Ken Hixon, 24 September 1999; no RDN notes Production and publicity materials 41.3 Correspondence re script and television automated dialogue replacement (ADR) sessions * One-sheet posters (*removed to oversize flat files) 181 Wardrobe continuity book (Marcie’s copy), including 6 November 2000 script marked for RDN’s character, facsimile Cop Land (1997) Screenplays, by James Mangold 41.4 April 1996, script pages sent to RDN from Mangold 41.5 3 June 1996, shooting script with inserted pages; with RDN notes Production materials 41.6 Continuity photographs 41.7 Correspondence re script, wardrobe, character image, 1996-2000 203 Poster proof on foamcore 41.8 Research material, "Mock Interrogation" typescripts Cuba and His Teddy Bear, play, screenplay, and teleplay versions by Reinaldo Povod; with RDN notes unless otherwise stated Theater productions Playscripts 41.9 9 October 1985, version C 42.1-2 25 January 1986, version D 42.3-4 27 August 1986, bound and unbound copies; no RDN notes 42.5 Associated material and photographs Correspondence 42.6 Congratulatory 42.7 Production 43.1-2 Programs 43.3 Publicity, magazine and newspaper reviews Teleplay drafts 43.4 27 August 1986 43.5 18 December 1986, second draft Screenplay, undated first draft 43.6 With RDN notes 43.7 No RDN notes Deer Hunter (1978) Screenplays, by Michael Cimino 44.1 20 February 1977, second draft written with Deric Washburn; no RDN notes 44.2-3 1 March 1977, third draft, two copies; no RDN notes 183 Shooting script, with RDN notes; production and research material in front pocket Production materials 44.4 Handwritten notes by RDN in spiral notebook, re script and Vronsky character, including entries for Raging Bull; song lyrics for Can’t Take My Eyes Off You, with RDN notes Publicity material * One-sheet posters (*removed to oversize flat files) 44.5* Stills, Time article on film and Vietnam, 23 April 1979; congratulatory telegram for RDN’s academy award nomination; screening invitations (*advertising brochure, artwork for publicity, and inscribed photograph of lead actors with Cimino removed to oversize box 207) Research materials 44.6-7 Articles on prisoners of war 45.1 Articles on Vietnam; photographs of soldiers 45.2 "The First Three Years," pictorial history of the 173rd Airborne Brigade, photocopy 45.3 First-hand accounts by U. S. soldiers in Vietnam 45.4 "Individual Weapons & Markmanship--ROTC Manual," photocopy 45.5 "The MATA Handbook for Vietnam," photocopy 45.6 "Ranger Handbook," U. S. Army Infantry School, Fort Benning, Georgia, 1972; articles on Army Rangers 46.1 "Small Arms Identification and Operation Guide--Eurasian Communist Countries," photocopy 46.2 Wildlife and hunting information Bound volumes 72* Caputo, Philip. A Rumor of War (1977) (*annotated by RDN on page xiv) 73 Corder, E. M. O Franco-Atirador (1978) 74-75 Griffiths, Philip Jones. Vietnam Inc. (1971), 2 copies 76 Herbert, Anthony B., with James T. Wooten. Soldier (1973) 77 Hubbell, John G. POW: A Definitive History of the American Prisoner-of-War Experience in Vietnam, 1964-1973 (1976) 78 Jury, Mark. The Vietnam Photo Book (1971) 79 Laycock, George. The Deer Hunter’s Bible (1977) 80 McGrath, John M. Prisoner of War: Six Years in Hanoi (1975), inscribed by the author 81* Rowe, James N. Five Years to Freedom (1971) (*loose items withdrawn) 82 Sisley, Nick, ed. Deer Hunting Across North America (1975) Faithful (1996, RDN producer) Screenplays, by Chazz Palminteri 151.5 Undated; no RDN notes 151.6 15 May 1991 revision, with RDN notes 151.7 18 October 1993, no RDN notes Production materials 151.8 Correspondence from Paul Mazursky, Palminteri, and Harvey Weinstein 151.9 RDN notes and correspondence re dailies and miscellaneous tapes Falling in Love (1984) Screenplays, by Michael Cristofer; all with RDN notes unless otherwise stated 46.3 16 August 1983, revised first draft; no RDN notes 46.4 10 January 1984, second draft 46.5 With note from director Ulu Grosbard 46.6 8 March 1984, half-size format 184 RDN’s script in binder with cumulative revisions of various dates and production material inserted 2 July 1984, third draft 47.1 Bound script, inscribed by Grosbard; no RDN notes 47.2-3 Two copies; no RDN notes Production materials 47.4* Information booklets, screening card, publicity photographs and contact prints (*oversize newspaper clipping re lead actors and oversize photographs removed to oversize box 208) 47.5 Storyboards, incomplete; photocopies The Fan (1996) Screenplays, by Phoef Sutton; all with RDN notes unless otherwise stated 48.1 8 June 1995, no RDN notes 48.2 25 September 1995, revised by Sutton and Frank Darabont, partial script through page 85 48.3 6 October 1995, shooting script revised through 7 October 1995; no RDN notes 48.4 30 October 1995, "for Tony only"; handwritten note taped over original title reads "Script 2, this includes additions from Vincent Ngo’s draft"; with RDN notes and additional script pages laid in 48.5 Undated, "Vincent Ngo’s script (Bob’s copy 2)" 48.6 30 January 1996 cumulative revisions; script marked for make-up/hair with production material inserted; no RDN notes Transcriptions of recorded script conferences and interviews especially re RDN’s character, Gil Renard 49.1 10 September 1995, with RDN, Tony Scott, and Gavin Debeca 13 September 1995 49.2 Scott, Jim Skotchdopole, Rick Ice, Bob Miller, Jim Wells, Jerry Gardner, Ron Robley, Carl Jackson, and others 49.3 RDN, "salesman," Robley, and Jackson 49.4 14 September 1995, with RDN, Scott, Lt. John Lane, and Mike Zona 49.5 1 October 1995, with RDN, Scott, Ice, Jerry Matthews, and others 49.6 2 October 1995, with RDN and Scott 49.7 2-30 October 1995 re scene 184 and "end sequence"; various participants including RDN; with script pages dated 22 September-27 October 1995 RDN and Scott 50.1 9 October 1995 50.2 15 October 1995 50.3 16 October 1995 50.4 18 October 1995, with RDN, Scott, Sutton, and Snipes 50.5 20 October 1995, with RDN, Scott, Sutton, Snipes, Miller, and Ice RDN and Scott 50.6 30 October 1995 50.7 31 October 1995 51.1 1 and 5 November 1995 51.2 17 December 1995 51.3 13 January 1996 51.4 7 May 1996 ("regular cassette" and "micro-cassette" transcriptions) "Editorial" 10 May 1996, with Scott, Gavin Debecker, and Ngo 51.5 Complete, no RDN notes 51.6 Text ends with page 51; with RDN notes 51.7-8 17 May 1996 and 3 June 1996, with RDN, Scott, Debecker, and Ngo Production materials 51.9 Correspondence Critiques and memoranda; with RDN written comments 51.10 Notes and critiques by Scott and others, 10 June-11 October 1995 52.1 Notes and critiques with script pages, October-December 1995 52.2 Preview audience notes, 8 May 1996 and new scenes, 28 May-7 June 1996 Photographs 52.3 Make-up/hair Polaroids and prints 52.4 Production stills; one print inscribed to RDN by Mickey Rooney 52.5 Storyboards for end sequence, 6 December 1995 Publicity materials 52.6 Advertising graphics, designs Research materials 52.7 Jeffrey Dahmer and related topics 52.8 Stalkers and obsessed personalities Bound volumes 83-84* Abrahams, Peter. The Fan (1995), 2 copies (*loose items removed from BV84; inscribed to RDN by the author) 85 Brinkman, Joe and Charlie Euchner. The Umpire’s Handbook (1987) 86* Dahmer, Lionel. A Father’s Story (1995) (*loose items withdrawn) 87-89* Gross, Linden. To Have or to Harm: True Stories of Stalkers and Their Victims (1994), 3 copies (*BV89 annotated by RDN) 90 Keaton, Diane, ed. Mr. Salesman (1993) 91 Markman, Ronald and Ron LaBrecque. Obsessed: The Anatomy of a Stalker (1994) 92 Peters, Nick and Martha Jane Stanton. Miracle at Candlestick! (1993), inscribed to RDN by Wendy [Finerman] 93* Schaum, Melita and Karen Parrish. Stalked (1995)(*loose items withdrawn) Flawless (1999) Screenplays, by Joel Schumacher 53.1 26 September 1997, numbered "000012"; with RDN notes 53.2 10 July 1998, revised through 2 October 1998, annotated for hair/beard/wardrobe continuity 185 No RDN notes, partial script through page 107, highlighted for RDN’s "Walt" character with "Walt Breakdown" scene lists, time continuity, and facsimile wardrobe continuity sheets 185 Shooting script? in binder, with RDN notes and notes in another’s hand, revised through 2 December 1998, with time continuity sheets Production materials 53.3 RDN’s handwritten notes, crew photograph, pre-record breakdown, Ilona [Herman] memo to RDN re beard continuity Photographs 53.4-6 Make-up/hair tests and continuity 53.7-9 Production photographs taken on set Publicity materials * One-sheet posters (*removed to oversize flat files) 54.1 Screening invitations Research materials 54.2-5 Stroke-related brochures and print material Bound volumes 94 American Heart Association. Family Guide to Stroke (1994) 95 Donnan, Geoffrey and Carol Burton. After a Stroke: A Support Book for Patients, Caregivers, Families, and Friends (1990) 96 Larkin, Marilynn. When Someone You Love Has a Stroke (1995) 97 McCrum, Robert. My Year Off: Recovering Life after a Stroke (1998) 98 National Stroke Association. The Road Ahead: A Stroke Recovery Guide (1995) Frankenstein (also titled Mary Shelley’s Frankenstein, 1994) Screenplays, screen story by Steph Lady and James V. Hart; screenplay draft by Lady revised by Frank Darabont; all without RDN notes unless otherwise stated 54.6 18 January 1993, first revised draft 54.7 8 February 1993, second revised draft 55.1 With RDN notes Drafts revised by Kenneth Branagh 55.2 29 April 1993, third revised draft; with RDN notes 55.3 25 June 1993, fourth draft, "scene numbered" 55.4 With RDN notes 55.5 8 July 1993, "scene numbered"; with RDN notes 1 September 1993, "scene numbered" 55.6-7 No RDN notes 56.1 With RDN notes 56.2 11 October 1993, revised; with RDN notes 56.3 Shooting script, revised through 2 November 1993; with RDN notes and one-liner schedules Production materials 56.4 Automated dialogue replacement (ADR) lists, call sheets, casting, correspondence, crew lists, day breakdowns, and RDN schedules 56.5 Congratulatory letters Photographs of make-up, wardrobe, and wardrobe tests 56.6-57.5 First London visit, making body cast 57.6-11 28 October 1993 58.1-9 29 October 1993, including "Ilona’s [Herman] camera--Creature test" 58.10-12 3 November 1993, including "Creature/sharp featured man costume fitting (Ilona’s camera)" and "undergarment’s test" 59.1-11 9 November 1993, "Creature/sharp featured man tests w/grandfather on stage" 60.1-12 12 November 1993, "sharp featured/Creature tests (Ilona’s camera)" Alphabetical sequences 61.1-3 A1-A92, rolls 001-011 61.4-8 B1-B54, rolls 279, 283-287 and related rolls 62.1-2 C2-C9, roll 001-01 and related roll 004-01 62.3* Appleby, David (photographer); photographs and contact sheets (*oversize removed to box 208) 62.4-5 Redmond, John (photographer); 5x7 photographs of RDN and Branagh Make-up continuity book [disbound and foldered] 62.6-10 Make-up tests 2, 3, and 5 63.1-7 Polaroids and prints arranged by scene numbers; includes affidavit of Daniel Park in Shelley Films vs. Rex Features 63.8 Wardrobe Polaroids for "the Creature," scenes 92-204 63.9 "Special FX make-up," correspondence re eyes, mouth casts, and "the Creature" sculpture mold forms 63.10 Storyboards, test 1-5 Publicity materials 64.1 Cinefex article, no. 60, December 1994 * One-sheet posters (*removed to oversize flat files) 64.2 Promotional material, product spin-offs, press junket itineraries, screening invitations 64.3 Tri-Star Pictures press kit Research materials 64.4 Correspondence and print material Bound volumes 99 400 More Self Assessment Picture Tests in Clinical Medicine (1989) 100 400 Self Assessment Picture Tests in Clinical Medicine (1988) 101 Aldiss, Brian, Kurt Vonnegut, and Loren D. Estleman. The Ultimate Frankenstein (1991) 102-103* Baran, R., R. P. R. Dawber, and G. M. Levene. A Colour Atlas of the Hair, Scalp & Nails (1991), two copies (*loose items withdrawn from BV103) 104-107 Branagh, Kenneth. Mary Shelley’s Frankenstein (1994), three paperbacks and one hardcover 108 Chessell, G. S. J., et al. Diagnostic Picture Tests in Clinical Medicine 2 (1984) 109 Emond, R. T. D. and H. A. K. Rowland. Diagnostic Picture Tests in Infectious Diseases (1990) 110* Grossman, John A. Minor Injuries and Repairs (1993) (*loose items withdrawn) 111 Huet, Marie-Hélène. Monstrous Imagination (1993) 112 Kendrick, Walter. The Thrill of Fear: 250 Years of Scary Entertainment (1991) 113 Levene, G. M. and S. K. Goolamali. Diagnostic Picture Tests in Dermatology (1991) 114 Mellor, Anne K. Romanticism and Gender (1993) 115 Peacock, Erle E., Jr. Wound Repair (1984) 116 Riley, Philip J., ed. Frankenstein: The Man Who Made a Monster (1989), inscribed to RDN by the author 117 Sharvill, Denis E. Skin Signs of Systemic Disease (1988) Shelley, Mary 118* Frankenstein (Signet Classic edition, 1983) (*annotated by RDN) 119 Frankenstein (Penguin Classics edition, 1992) 120 Frankenstein (World’s Classics edition, 1992) 121 Stark, Richard. Total Facial Reconstruction (1984) 122 Thomas, Stephen. Wound Management and Dressings (1990) 123 Walker, W. F. Diagnostic Picture Tests in General Surgery (1987) 124 Zederfeldt, B., S. Jacobsson, and J. Ahonen. Wounds and Wound Healing (1986) 125 Zoltan, Janos. Atlas of Skin Repair (1984) The Gang That Couldn’t Shoot Straight (1971) Publicity materials 208 Promotional calendars 64.5 Publicity stills 64.6 Screening cards Research material, bound volume 126* Breslin, Jimmy. The Gang That Couldn’t Shoot Straight (1969) (*annotated by RDN) The Godfather, Part II (1974) Screenplays, by Mario Puzo and Francis Ford Coppola 64.7 The Godfather, [part one] undated, lacks title page; no RDN notes 64.8 4 July 1973, "Mario Puzo’s The Godfather," part two, first draft by Coppola, photocopy; with RDN notes 65.1 24 September 1973, "The Godfather," part two, second draft by Puzo and Coppola; no RDN notes 65.2 Script section, scenes 49 through 251, photocopy of original; with RDN notes 182 Shooting script, with RDN notes, lacks title page; contains "old script" and "new script" pages, with additional script pages and extensive RDN notes re character development Production materials 65.3 Congratulatory telegrams 65.4 Costume designs 65.5 Dialogue from various scenes, handwritten in Sicilian dialect; "Learn-a-Language Conversational Italian Course Manual #1"; progress report for RDN from Berlitz School 65.6-7 Production photographs 66.1 Shooting schedule, with RDN notes; RDN photographs laid in Publicity materials 66.2 Advertising quotes 66.3* Publicity stills (*oversize photographs removed to oversize box 208) 66.4 Reviews and articles in periodicals 66.5 Reviews in newspapers 208 Screening cards Research materials 208 Photographs of gangsters with handwritten descriptions in Italian 66.6 Pate, Thomas. Mafia at War (1972); with several pages of RDN’s handwritten notes 66.7 Puzo, Mario. The Godfather (novel, chapter 14), photocopy; with RDN notes Bound volumes and related print material 127 Aguzzi, Elena and Gabriella. Voci di Provincia, screenplay (1980) 128 Cavagna, Marcello. Crimine e Famiglia nel "Padrino" e "Padrino parte II" di F. Coppola: un’Analisi Filmologica (1987), inscribed to RDN 129* Munari, Bruno. Supplemento al Dizionario Italiano (1963) (*annotated by RDN) 130 Pannuti, Anna. Esercizi-Proverbi Grammatica (1969) 131 Pecorella, Giusto, comp. Vocabolario Numerico Siciliano-Italiano (1932) Godsend (2004) Screenplays, by Mark Bomback; all without RDN notes unless otherwise stated 66.8-11 6 September 2002, four copies 67.1 With handwritten notes, not in RDN’s hand 67.2-4 15 October 2002, three copies 67.5 4 November 2002 67.6 22 November 2002 67.7-68.1 6 December 2002, 2 copies 68.2 9 December 2002 68.3 14 December 2002 68.4 June-August, 2003; re-shoot scripts and script pages; with RDN notes Production materials 68.5 Call sheets, correspondence, daily editor logs, dialogue changes, one-liner schedule, tape list, and weekly schedule Photographs 68.6-7 Make-up/hair continuity 69.1-4 Production stills 69.5-6 Wardrobe continuity Research materials 69.7 "Cloning for Dummies!," compiled by "The Godsend Institute" [Blue Productions, Inc.] 186 "Godsend research," binder of research material 132* Frommer’s Toronto, 8th edition (2002) (*annotated by RDN; loose items withdrawn) Goodfellas (1990) Screenplays titled "Wiseguy" by Nicholas Pileggi and Martin Scorsese; all without RDN notes unless otherwise stated 70.1 12 January 1989, with name changes addenda 70.2 16 May 1989, subsequent revisions "Coded for reference for dailies" 70.3 Photocopy 70.4 Half-size format Marked for make-up and wardrobe continuity 70.5 Pages 1-84 70.6 Pages 85-125, plus related material on hair styling chronology and time lines 187 Shooting script, with extensive RDN notes, revised script pages, and production material laid in Production materials 70.7 Automated dialogue replacement (ADR) for television, 1992 70.8 Correspondence from Ray Liotta and Silvio Berlusconi 70.9 Photographs, informal prints of cast with Scorsese; Goodfellas sign boards at movie theater in Japan Publicity materials * One-sheet posters (*removed to oversize flat files) 71.1 Press kits 71.2 Publicity tours, RDN head-shot, Jack Lang’s remarks on RDN’s acting career Reviews 71.3-5 Clippings, photocopies 212 European newspapers European periodicals, arranged by periodical title 71.6 A-Em 71.7 Ex-I 72.1 P 72.2 S 72.3 T-V Research materials, re James Burke, Henry Hill, and others 72.4 Court documents 72.5 Photographs 72.6 "Tampa case" articles Bound volumes 133 XLVII Mostra Internazionale D’Arte Cinematografica (1990) Pileggi, Nicholas 134 Les Affranchis (1985) 135-136* Wiseguy: Life in a Mafia Family (1985) (*annotated by RDN; loose items withdrawn from BV135) Great Expectations (1998) 73.1 Screenplay, by Mitch Glazer, "Lustig" sections; with RDN notes Production materials 73.2 Correspondence re casting and congratulatory letters from Creative Artists Agency Photographs 73.3 Hair contact prints and production prints 73.4-11 Make-up/hair tests and continuity photographs 74.1 Make-up/hair tests, in binder 74.2 Wardrobe and hair continuity Polaroids Publicity materials 74.3 Correspondence and review * One-sheet posters (*removed to oversize flat files) Research materials 74.4 Information re hair 137 Cliff Notes on Dickens’ Great Expectations (1995) 138 Dickens, Charles. Great Expectations (World’s Classics edition, 1994) Greetings (1968; see also Hi, Mom!) Publicity materials * One-sheet poster (*removed to oversize flat files) 74.5 Publicity flyer and photographs Guilty by Suspicion (1991) Screenplays titled "Fear No Evil," by Irwin Winkler; all with RDN notes unless otherwise stated Revisions of the 30 November 1989 script 74.6 14 March 1990, no RDN notes 74.7 20 May 1990 74.8 Undated, lacks title page 74.9-75.2 Shooting script, with production material inserted Production materials 75.3 Correspondence Photographs 75.4-6 Hair continuity 75.7 Wardrobe continuity 75.8 Prop list and David Merrill subpoena Publicity materials 75.9 Invitation for screening at MOMA; press junket scheduling and information; publicity photographs of RDN; screenings in Japan * One-sheet posters (*removed to oversize flat files) 75.10* Reviews (*oversize magazine articles removed to box 211) Research materials 75.11 re Louise Brooks and John Huston Bound volumes 139 Anger, Kenneth. Hollywood Babylon (1975) 140 Benabent-Loiseau, Josée. The Odyssey of the Bear: The Making of the Film by Jean-Jacques Annaud (1989) 141 Burrough, Bryan and John Helyar. Barbarians at the Gate: The Fall of RJR Nabisco (1990) 142 Campbell, Joseph. The Hero with a Thousand Faces (1973) 143 Davies, Marion. The Times We Had: Life with William Randolph Hearst (1975) 144 Goldman, Louis. Lights, Camera, Action! (1986) 145 Grobel, Lawrence. The Hustons (1989) 146 Guiles, Fred Lawrence. Hanging on in Paradise (1975) 147* Harris, Martha. Angelica Huston: The Lady and Her Legacy (1989) (*loose items withdrawn) 148* Hepburn, Katharine. The Making of the African Queen (1988) (*loose items withdrawn) 149 Howard, Jean and James Watters. Jean Howard’s Hollywood: A Photo Memoir (1989) 150* Huston, John. An Open Book (1980) (*loose items withdrawn) 151* Kaminsky, Stuart. John Huston: Maker of Magic (1978) (*loose items withdrawn) 152* Keyser, Les and Barbara. Hollywood and the Catholic Church (1984) (*loose items withdrawn) 153* Koszarski, Richard. Great American Film Directors in Photographs (1984) (*annotated by RDN) 154 Lewis, Jerry. The Total Film Maker (1973) 155 Life Goes to the Movies (1975) 156 Macmillan, Harold. The Blast of War, 1939-1945 (1968) 157* Navasky, Victor S. Naming Names (1986) (*loose items withdrawn) 158* Nolan, William F. John Huston: King Rebel (1965) (*loose items withdrawn) 159 Paris, Barry. Louise Brooks (1989) 160 Sennett, Ted. Great Movie Directors (1986) Heat (1995) Screenplays, by Michael Mann 76.1-2 4 March 1994 revision, two untitled copies; no RDN notes 76.3 8 December 1994, titled "Heat"; with RDN notes 76.4 30 January 1995, revised through 31 March 1995; no RDN notes 11 June 1995 revisions 76.5 "Ilona’s script," annotated for "blood on face" 188 Shooting script, with RDN notes; additional notes, production and research material inserted Production materials 76.6 Correspondence from Amy Brenneman, Edward (Eddie) Bunker, and Val Kilmer 76.7 Schedules, staff and crew lists, wardrobe lists and memos Photographs 77.1-3 Make-up/hair tests and continuity, prints and Polaroids 77.4-5* Production photographs (*oversize photographs removed to box 211) 77.6 Wardrobe continuity Polaroids Publicity materials * One-sheet posters (*removed to oversize flat files) 78.1* Press kit, publicity memos, and reviews (*newspaper advertising layouts and correspondence removed to oversize box 211) Research materials 78.2 On inmates and their writings 78.3 Tattoo photographs and drawings Bound volumes 161 Abbott, Dwight Edgar, with Jack Carter. I Cried, You Didn’t Listen (1991) 162* Bunker, Edward. No Beast So Fierce (1993) (*annotated by RDN) 163 Stark, Richard. The Outfit (1963) 164 Westlake, Donald E. The Hunter (1984) Hi, Mom! (1970; see also Greetings) 78.4 Screenplay titled "Son of Greetings," by Brian De Palma and Chuck Hirsch; with RDN notes and annotated typescript of original story by De Palma and Hirsch 78.5 Production photographs Hide and Seek (2005) Screenplays, by Ari Schlossberg; all without RDN notes unless otherwise stated 25 July 2003, scripts, two copies 78.6 Copy 1 78.7 Copy 2, with marginal notes not in RDN’s hand 78.8-79.2 28 August 2003, "shooting script," four copies 79.3 8 September 2003, with RDN notes 79.4-5 "September 8, 2003, 7:35 pm," two copies 79.6 1 October 2003, script fragment; with RDN notes 2 October 2003, "shooting script," subsequent revisions 79.7 3 October 2003, with RDN notes and note from John Polson 79.8 10 October 2003, with RDN notes 79.9-80.1 14 October 2003, scripts, copies 38 and 39 80.2 17 October 2003, with RDN notes 80.3 18 October 2003, cast read-through; with RDN notes 80.4 28 October 2003, unapproved draft; with RDN notes and handwritten note from Polson 11 December 2003 scripts 80.5 "Unapproved--white draft," with RDN notes 80.6 "New approved white draft" 80.7 7 January 2004 cumulative revisions, with RDN notes and dialogue changes in another’s hand 80.8 9 January 2004, "approved 2nd pink draft" 26 January 2004 cumulative revisions 81.1 With dialogue changes in another’s hand 81.2 With RDN notes and dialogue changes 81.3 26 February 2004 cumulative revisions, with RDN notes and dialogue changes 81.4 Script insert pages, sets with various dates from 19 September 2003 to 26 February 2004 Production materials 81.5 Note from Dakota Fanning 189 Wardrobe continuity book, facsimile; costume tags with RDN wardrobe photographs Research materials 165* Cohen, Barry M., Esther Giller, and Lynn W. Multiple Personality Disorder from the Inside Out (1991) (*annotated by RDN) 81.6-7 On multiple personality disorder Jackie Brown (1997) Screenplays, by Quentin Tarantino; final draft, 16 April 1997, revised through 20 May 1997 82.1 With production notes on title page 82.2 Leather bound, with RDN notes Production and publicity materials 211 Costume drawings for "Louis" by Michele Michel 82.3 Make-up and wardrobe continuity photographs 82.4 Notes on characters and wardrobe; continuity breakdown * One-sheet posters (*removed to oversize flat files) Tattoos 82.5 Original designs 82.6 Transfers for Research materials, bound volumes Leonard, Elmore 166* Rum Punch (1993) (*annotated by RDN; loose items withdrawn) 167* The Switch (1978) (*annotated by RDN) Jacknife (1989) 82.7 Playscript Strange Snow by Stephen Metcalfe for Manhattan Theatre Club, undated Screenplays by Metcalfe; all without RDN notes unless otherwise stated 82.8 10 May 1987 revision, with RDN notes 28 June 1987, interim third draft 83.1 In Sandollar [Productions] covers 83.2 Half-size format script, without title page 83.3-4 In Kings Road Entertainment covers; numerical sequence of shots marked in text 83.5 Shooting script, half-size format, revised to 1 June 1988, with RDN notes; call sheet for 21 June 1988 laid in 83.6 Production materials including contact list and crew list/Canada, May 1988 Publicity materials 83.7* Correspondence and photographs (*signed oversize photograph of Vietnam veterans removed to box 211) Posters * One-sheet poster (*removed to oversize flat files) * Photostat copy (*removed to oversize folder) 84.1* Reviews and articles from newspapers (*binder of reviews removed to oversize box 190) Research materials, bound volumes 168 Bartecchi, Carl E. Soc Trang: A Vietnamese Odyssey (1980) 169 Berry, Clifton F., Jr. Sky Soldiers (1987) 170 Bok, Sissela. Lying: Moral Choice in Public and Private Life (1978) 171 Edelman, Bernard. Dear America: Letters Home from Vietnam (1985) 172 Ekman, Paul. Telling Lies: Clues to Deceit in the Marketplace, Politics, and Marriage (1985) 173 Groom, Winston and Duncan Spencer. Conversations with the Enemy (1983) 174 Herr, Michael. Dispatches (1977) 175* Hjortsberg, William. Falling Angel (1978) (*annotated by RDN) 176 Jury, Mark. The Vietnam Photo Book (1986) 177 Karnow, Stanley. Vietnam, A History: The First Complete Account of Vietnam at War (1984) 178 Ketwig, John. ...and a Hard Rain Fell (1985) 179 Mangold, Tom and John Penycate. Tunnel Warfare (1987) 180 Monette, Paul. Borrowed Time: An Aids Memoir (1988) 181 Wright, Stephen. Meditations in Green (1984) Research material related to Vietnam and truckers 84.2-3 Periodical issues with notes for wardrobe ideas 84.4-5 Printed matter and photographs (photocopies) 84.6 Jennifer on My Mind (1971), production photographs The King of Comedy (1983); book, treatments, and screenplays by Paul D. Zimmerman 84.7 Book, corrected typescript, photocopy 85.1-3 Three additional copies 85.4 Partial typescript, two copies Treatments 85.5 "The Autograph Hunter," extended treatment "The King of Comedy," unfinished manuscript 86.1 No RDN notes 86.2 With RDN notes Screenplays, all without RDN notes unless otherwise stated 86.3 First draft, undated 86.4 11 July 1974, letter from Martin Scorsese to RDN re Zimmerman script 15 December 1976 86.5-7 Three copies marked "c/o Bob Greenhut" 86.8 Copy marked "c/o The Ufland Agency," with notes by RDN; revised script pages and other material laid in 16 April 1981 87.1 Partial script to page 67 87.2 Complete script with handwritten revisions, not in RDN’s hand 190 Typescript with typed revisions throughout; with RDN notes Final draft, undated, New Regency Films 87.3 Copy 5, with RDN notes; location Polaroids; Zimmerman letter to RDN enclosed with scene notes and script pages 87.4-5 Copies 6 and 7 87.6-7 Two unnumbered copies Production materials 88.1 Character and script notes, list of scenes, lyrics for "Come Rain or Come Shine," and script fragments 88.2 Congratulatory telegram and postcard 88.3 Staff and crew list; shooting schedule, May 1981 Publicity materials 212 Al Hirschfeld drawing of Jerry Lewis and RDN as Jerry Langford and Rupert Pupkin * One-sheet posters (*removed to oversize flat files) 88.4 Press kits 88.5* Publicity stills and slides; award photographs (*oversize stills removed to box 211) 88.6-7* Reviews (*oversize newspaper clippings removed to box 212) The Last Tycoon (1976) Screenplays, by Harold Pinter 11 November 1974 scripts 88.8 Copy 8, with RDN notes 88.9 Copy 27, no RDN notes 11 August 1975 scripts 191 Copy 20, with extensive RDN notes; additional mimeo and RDN notes in pocket at front 89.1 Copy 62, no RDN notes 89.2 Production materials, notes and correspondence from Elia Kazan re Stahr character Publicity materials 89.3 Press booklet "Handbook of Production Information," screening card, publicity stills 89.4 Review Research materials and related works 182 Crowther, Bosley. Hollywood Rajah: The Life and Times of Louis B. Mayer (1960) 183 Dardis, Tom. Some Time in the Sun (1976) Fitzgerald, F. Scott 184-185 The Crack-up (1964, 1974), two editions 186 The Diamond As Big As the Ritz (1975) 89.5 The Last Tycoon (1970), photocopy of book, with handwritten notes not in RDN’s hand 187* The Last Tycoon (1970) (*annotated by RDN) 188 The Last Tycoon (1976) 189 The Lost Decade (1974) 190* Hurok, Sol, with Ruth Goode. Impresario (1946) (*annotated by RDN) 191 Latham, Aaron. Crazy Sundays: F. Scott Fitzgerald in Hollywood (1971) 192 Marion, Frances. Off with Their Heads! (1972) 193* Marx, Samuel. Mayer and Thalberg: The Make-Believe Saints (1975) (*annotated by RDN) 194 Mizener, Arthur. The Fitzgerald Reader (1963) 195 Rosenberg, Bernard and Harry Silverstein. The Real Tinsel (1970) 196 Schulberg, Budd. The Disenchanted (1975) 197 Taylor, John Russell. Hollywood 1940’s (1985) Thomas, Bob 198 King Cohn (1967) 199* Thalberg: Life and Legend (1969) (*annotated by RDN) 200 Turnbull, Andrew, ed. The Letters of F. Scott Fitzgerald (1963) 201* Vidor, King. A Tree Is a Tree (1953) (*annotated by RDN) 202 Zierold, Norman. The Moguls (1969) 89.6 Lenny Bruce: Swear to Tell the Truth (1999), documentary by Robert B. Weide, narrated by RDN; correspondence, narration scripts, reviews Mad Dog and Glory (1993) Screenplays, by Richard Price; all without RDN notes unless otherwise stated 89.7 "First draft," undated; with RDN notes 89.8 "Second draft," undated; with RDN notes 14 June 1990, "read-through draft" 89.9 Copy 15 89.10 Half-size format 90.1-2 Two copies, one with scene numbers 25 June 1991 revisions 90.3 Lacks title page and page one, with handwritten changes not in RDN’s hand 90.4 Unmarked copy 90.5 5 July 1991 revisions 15 July 1991 revisions 90.6 "Coded script," with handwritten notations re taping 91.1 With handwritten notations re make-up/hair and wardrobe 91.2 With handwritten revisions and extensive RDN notes 91.3 Revised script pages, various dates Production materials 91.4 Casting list with résumé head shots 91.5 Contacts and crew lists, continuity memo, credit list, dialogue changes, line sheets, production notes, shooting schedule, and title design 91.6 Correspondence Photographs 91.7-92.1 Make-up photographs and continuity Polaroids 92.2 Wardrobe continuity Polaroids 92.3 Storyboards Publicity materials 92.4* Memo re publicity events; press release (*poster paste-up removed to oversize box 211) Research materials 92.5-6* Clippings, map, printed material, and notes from technical advisor John S. Redmond of the Chicago Police Department Crime Lab (*two ink drawings by cartoonist Sirr Harry Buckner removed to oversize folder) Bound volumes 203 Fletcher, Connie. What Cops Know (1990) 204* Gerberth, Vernon J. Practical Homicide Investigation: Tactics, Procedures, and Forensic Techniques (1983) (*loose items withdrawn) 205 Knight, Bernard. Forensic Medicine (1985) 206 McGuire, Robert J. Crime Scene Technicians Guide (1977) 207 A Pocket Guide to Arson and Fire Investigation (1990) Marvin’s Room (1996) Screenplays, by Scott McPherson; all without RDN notes unless otherwise stated 92.7 7 June 1995, copy 2 92.8 21 June 1995 revisions, copy 114; with RDN notes 93.1 28 July 1995 script revised to 1 August 1995; pages with RDN scenes removed 93.2 15 August 1995 revisions, RDN scenes only; with RDN notes 21 August 1995 revisions, RDN scenes only 93.3 Unmarked pages 93.4 With RDN notes 93.5 20 September 1995 revisions 93.6 Scene H88, revisions of 13 and 28 February 1996; with RDN notes Production materials 93.7 Make-up/hair continuity Polaroids and photographs Mary Shelley’s Frankenstein -- see Frankenstein Mean Streets (1973) Screenplays 93.8 "Season of the Witch," by Martin Scorsese, Mardik Martin, and Ethan Edwards "Mean Streets" 93.9 By Scorsese, Taplin Productions 93.10 By Scorsese and Martin, with RDN notes Production materials 94.1 Shooting schedule, cast and crew lists, revised script pages with RDN notes Publicity materials Posters * Films playing at Bleecker Street Cinema, including "Mean Streets" (*removed to oversize folder) * One-sheet posters (*removed to oversize flat files) 94.2 Press kit with photographs and cast biographies 94.3 Publicity stills Meet the Fockers (2004) Screenplays, various screenwriters 22 March 2002, by Jim Herzfeld; rewrite by Chris Weitz and Paul Weitz 94.4 No RDN notes 94.5 With RDN notes 94.6 Undated revision, with RDN notes 12 December 2002, by David O. Russell and Jeff Baena 94.7 No RDN notes; lacks title page 94.8 With RDN notes 95.1 17 July 2003, first draft, revisions by Tim Rasmussen and Vince Di Meglio; with RDN notes 95.2 18 July 2003, "Larry [Stuckey] and Jay [Roach]" draft; with RDN notes 95.3 5 September 2003, with RDN notes 95.4 31 October 2003, with RDN notes 95.5 14 November 2003, "read-through draft," with cast list; no RDN notes Revisions by John Hamburg 4 March 2004, "Hamburg partial draft" 95.6 No RDN notes 95.7 With RDN notes Undated, unpaginated version 95.8 No RDN notes 96.1 With RDN notes "Hamburg first ‘full’ draft" 96.2-3 22 March 2004, no RDN notes 96.4 26 March 2004, with RDN notes 96.5 26 March 2004,"Hamburg read-thru," no RDN notes 96.6 5 April 2004, partial draft, pages 1-45; with RDN notes and cover note from Jay Roach 6 April 2004, "Hamburg draft," through page 84 96.7 With RDN notes and note from Roach 97.1 With RDN notes 11 April 2004 scripts 97.2 With RDN notes and note from Roach 97.3 With RDN notes and corrections in another’s hand 97.4-5 16 April 2004, no RDN notes 97.6 19 April 2004, rough draft Act 3, pages 98-132, with RDN notes 97.7-8 20 and 21 April 2004, "Hamburg read-thru draft"; with RDN notes 23 April 2004 scripts 97.9 17 May 2004 revisions, no RDN notes 26 July 2004 revisions 192 Final script, with RDN notes; binder cover imprinted "Jack Byrnes" 98.1 Half-size format, no RDN notes 98.2 No RDN notes 98.3-4 Draft revision sections, some with RDN notes, 1 August 2003 to 19 September 2004 98.5 Re-shoot scripts, 22 September to 4 October 2004; with RDN notes 98.6 Custom leather binder for script; binding by Ronnie Gousman Production materials 99.1 Call sheets, 19 April to 10 August 2004 99.2-4 Call sheets for RDN with corresponding script pages, 26 April to 3 August 2004; three photographs of RDN and Dustin Hoffman 99.5 Cast, contact, and crew lists 99.6 Correspondence, cast and crew 99.7 Production reports, 7 April to 10 August 2004 99.8 Prop inventory (photographs) 100.1 Quick guides and post-production schedules 192 Wardrobe continuity lists and photographs, with script revised through 26 July 2004 100.2 Publicity, correspondence Meet the Parents (2000) Screenplays by Jim Herzfeld; revisions by John Hamburg, Alexander Payne, and Jim Taylor 100.3 Script synopsis 100.4 3 June 1999, "director’s revised," with RDN notes; typed note from Kevin Misher 100.5 August 1999, script outlines and cast list 13 August 1999, "director’s revised" 100.6 No RDN notes 100.7 With text-editing strike-throughs 100.8 16 September 1999, "John Hamburg’s 1rst draft"; no RDN notes 100.9 15 October 1999, "Hamburg pages 1-401," with remaining pages "blue revised 10/3/99"; no RDN notes 100.10 25 October 1999, "director’s interim draft"; with RDN notes 101.1 26 October 1999, "pink draft revised"; with RDN notes 101.2 1 November 1999, "yellow interim"; with RDN notes 101.3 13 December 1999, "ivory interim"; no RDN notes; note from "Jay and Shauna" 13 January 2000, revised script 101.4 No RDN notes 101.5 With RDN notes, bound script with inserted re-shoot pages 102.1 Custom leather binder for script; binding by Ronnie Gousman Production materials 102.2 Call sheets, casting invoices, list of reels/scenes, and one-liner schedules 102.3 Correspondence, Jay Roach Photographs 102.4 Make-up/hair, RDN and cast 102.5 RDN eyeglass tests 102.6 RDN "on telephone" tests 102.7 Wardrobe continuity pages with Polaroids [facsimile] and lists; several half-size format script pages 102.8 Wardrobe tests, RDN 103.1-2 Wardrobe tests, RDN and cast 103.3 Video (DVD and VHS) artwork design and production Publicity materials * One-sheet posters (*removed to oversize flat files) 103.4 Public appearances 103.5-7* Publicity and reviews (*oversize reviews removed to oversize box 211) Research materials, bound volume 208 Rozakis, Laurie E. The Complete Idiot’s Guide to Dealing with In-Laws (1998) Men of Honor (2000) Screenplays titled "Navy Diver," by Scott Marshall Smith; all without RDN notes unless otherwise stated 104.1 June 1995, "first draft" 104.2 17 December 1998, "second revised draft" 104.3-4 17 March 1999, "third revision," two copies 20 April 1999, "fourth revision" 104.5 No RDN notes 104.6 With RDN notes 27 July 1999 104.7 "Not correct 7/27 version" 104.8 "Locked white draft," lacking pages 38-52 "Shooting script" 105.1-3 4 August 1999 revisions, three copies 105.4 7 September 1999 revisions, bound copy; with RDN notes 105.5 Script revisions, various dates, with RDN notes; correspondence and script synopsis Production materials 105.6 Automated dialogue replacement (ADR) notes and revisions; script supervisor’s one-liner list 105.7 Call sheets 106.1 Casting 106.2 Correspondence and photographs from divers 106.3 Invoices for limousine services Photographs 106.4 Make-up 106.5-8 Wardrobe and make-up 106.9 Speech and dialogue phonetic transcriptions 106.10 Tattoo designs and photographs 194 Wardrobe continuity Polaroids and production material, facsimile Publicity materials 107.1 Fact breakdown, press junket schedule, quotes, and review 107.2 Photographs, RDN and Cuba Gooding, Jr. Posters * One-sheet posters (*removed to oversize flat files) 211 Proof Research materials 107.3 Divers Institute of Technology program catalog and RDN’s "Professional Commerical Diver" diploma, 5 August 1999 193 "Men’s period hair research in the U. S. Navy, 1940’s-1960’s," two copies 107.4 U. S. Navy. Bureau of Ships Diving Manual, photocopy, pages 512-end 209 U. S. Navy Diving Manual, volume one, Air Diving (1993) Midnight Run (1988) Screenplays, by George Gallo; both without RDN notes 107.5 31 July 1987, "revised draft" 107.6 21-23 October 1987, revised script pages Production materials 107.7 Correspondence re Golden Globe nomination 211 Production photograph 107.8 Shooting schedules, preliminary staff and crew list for New York shoot Publicity materials 107.9-10 Advertisements, articles, interviews, and reviews 107.11 Premiere invitation and screening card Research materials 108.1 Articles about bounty hunters, WMAT police badge sticker, "Posture and Physical Conditioning" by Karin Dehio; poetry and short story "The Hunter" by Ralph Thorson 108.2 City of New York police observer applications Bound volumes 210* Burton, Bob. Bounty Hunter (1984) (*annotated by RDN) 211 Keane, Christopher. The Hunter (1980) 212 Remsberg, Charles. Street Survival: Tactics for Armed Encounters (1980) 213 Stevenson, Bob. Skip Tracing (1984), inscribed by the author 214 Zoglio, Michael. Tracing Missing Persons (1980) The Mission (1986) 108.3 "Guarani, a suggestion for an original screenplay by Robert Bolt," typescript, January 1975 Screenplays by Bolt 23 September 1984, second revised version 108.4 No RDN notes 108.5 With RDN notes 198 Shooting script revised through 30 March 1985; with extensive RDN notes and correspondence from Anthony Lawn, S.J. laid in Production materials 108.6 Call sheets, 16 May 1985 216 Costume designs, clerical garments 108.7* Guidebooks, Columbia (*aerial view of Iguazu Falls, Argentina, removed to oversize folder) 108.8* Production photographs and location shots (*oversize prints removed to box 216) Publicity materials 108.9 Correspondence from Penguin Books to RDN re cover design of Bolt’s novelization of screenplay; includes two photographs 108.10 Photographs of cast greeted by Queen Sofia of Spain 108.11 Press kits and screening card 108.12 Reviews and articles, including letter from Daniel Berrigan, S.J. Research materials, bound volumes and photocopies Bound volumes 215 Berrigan, Daniel, S.J. The Mission: A Film Journal (1986), inscribed by the author 216 Bolt, Robert. The Mission (1986) 217 Descola, Jean. The Conquistadors (1957) 218 Métraux, Alfred. The History of the Incas (1969) 219 Radin, Paul. The Indians of South America (1946) Photocopies of books, selected pages 109.1 Caraman, Philip. The Lost Paradise (1975) 109.2 Casas, Bartolomé de las. The Tears of the Indians (1656) 109.3 Clarke, S. J. G. The Congo Mercenary (1968) 109.4 Courson, R. de. The Jesuits (1879) 109.5 Cowan, Marian. The Spiritual Exercises of St. Ignatius of Loyola (1982) 109.6 Foss, Michael. The Founding of the Jesuits (1969) 110.1 Gilbert, Henry. The Conquerors of Peru (1913) 110.2 Goldwert, Marvin. Psychic Conflict in Spanish America (1982) 110.3 Haring, Clarence H. The Spanish Empire in America (1963) 110.4 Harney, Martin P. The Jesuits in History (1941) 110.5 Hennessey, C. A. M. The Frontier in Latin American History (1978) 110.6 Kazantzakis, Nikos. The Fratricides (1964) 110.7 Lang, James. Conquest and Commerce (1975) 110.8 Mariani, A. F. The Life of St. Ignatius Loyola (1848) 111.1 Millar, Gilbert J. Tudor Mercenaries and Auxiliaries (1980) 111.2 Mockler, Anthony. The Mercenaries (1970) 111.3 Palmer, Stuart. The Psychology of Murder (1962) 111.4 Parry, John H. The Spanish Theory of Empire (1940) 111.5 Prescott, William H. The Conquest of Mexico [and] Peru (1966) 111.6 Purcell, Mary. The First Jesuit (1957) 112.1 Rose, Stewart. St. Ignatius Loyola (1891) 112.2 Schlight, John. Monarchs and Mercenaries (1968) 112.3 Taylor, Isaac. Loyola and Jesuitism in Its Rudiments (1849) Excerpts and related material, photocopy 112.4 Davie, John C. Letters from Paraguay (1805) 112.5 "Jesuits in Spanish America, a time line," typescript 113.1 Levene, Ricardo. A History of Argentina (1937) 113.2 Mörner, Magnus. Political and Economic Activities of the Jesuits (1968) 113.3-4 Brief excerpts, authors F-W 113.5-6 Excerpts from books and subject lists prepared for RDN by the production office of Goldcrest Mission Limited Mistress (1992) Screenplays, by Barry Primus and Jonathan Lawton; all without RDN notes unless otherwise stated 114.1 27 April 1988 114.2 8 November 1988, with RDN notes 114.3 5 June 1989 114.4 December 1990 114.5 May 1990 and subsequent revisions 114.6 14 February 1991 114.7 18 February 1991 115.1 18 March 1991 115.2 13 April 1991, with RDN notes and Primus correspondence re revised script pages Production materials 115.3 Automated dialogue sound effects cue sheets, with one page of additional dialogue laid in, September 1991 115.4 Correspondence re casting and production, with RDN notes; congratulatory and cast correspondence 115.5 Photograph of RDN on set 115.6 Research report summarizing test screening and recruited audience preview Publicity materials 115.7 Advertising postcards, France 115.8 Correspondence 115.9 Interview schedules, European tour * One-sheet posters (*removed to oversize flat files) 115.10 Programs for Italian premiere 115.11 Reviews and articles New York, New York (1977) Screenplays, by Earl Mac Rauch 116.1 "Original screenplay," undated; with RDN notes 116.2 Undated script, lacks title page; with RDN notes and notes in another’s hand 116.3 14 April 1976, copy 19; with RDN notes 12 May 1976 scripts 116.4 "As shot 6/14-11/4/76"; copy 138, with camera angle notation 215 Shooting script, with script revisions and RDN notes; production material laid in Production materials 117.1 One-liner schedule, staff and crew list, sheet music 219-220; 223-224 Production photographs in binders 117.2 Stationery, production company letterhead and envelopes bearing "New York, New York" title and images of RDN and Liza Minnelli Publicity materials 117.3-4* Articles and reviews (*Newsweek cover, 16 May 1977, laminated on wood, removed to oversize box 211) 117.5 Publicity booklet, Japan 211 Screening card 117.6 Stills Research and related material, bound volumes 220 First and Second Year: Saxophone (1930) 221 Rauch, Earl Mac, New York, New York (1977) 222-223* Simon, George T. The Big Bands (1974), two copies (*loose item withdrawn from BV222; BV223 annotated by RDN) 224* Walker, Leo. The Wonderful Era of the Great Dance Bands (1972) (*annotated by RDN) Night and the City (1992) Screenplays, by Richard Price; all without RDN notes unless otherwise stated 11 October 1989, second draft 117.7-8 No RDN notes, two copies 117.9 With RDN notes 118.1 12 September 1991, with RDN notes 118.2 25 September 1991, with RDN notes 29 October 1991 scripts 118.3 Annotated with shooting days 118.4 Marked with make-up notes; production lists inserted 118.5 Shooting script, "revised draft 9/25/91" with revised pages through 29 October 1991; includes time continuity plot and one-liner schedule of 20 December 1991; with RDN notes 118.6 Script fragments Production materials 118.7 Automated dialogue replacement (ADR) cue sheets, casting sheets, cast and crew lists, time continuity plot with RDN notes; related production material 118.8 Call sheets 118.9 Congratulatory note from Roger Birnbaum and Joe Roth to RDN Photographs, continuity Polaroids 119.1 Hair continuity 119.2 Make-up/hair/wardrobe continuity; wardrobe cards and time continuity plot marked for make-up/hair 119.3 Production reports 119.4 Wardrobe inventory lists Publicity materials 119.5 Correspondence, press junket schedules, and reviews 119.6 Press kit and screening invitation 119.7 Research, observations made at the New York State Court building re lawyers and jurors Once Upon a Time in America (1984) 120.1 Treatment, bound typescript (photocopy); lacks title page and writer attribution; no RDN notes Screenplays, without screenwriter attribution, undated; with RDN notes 120.2 Script in 155 scenes (260 pages) 120.3 Script in 151 scenes (291 pages); extra scenes laid in 121.1 Script in 149 scenes (291 pages); revised pages added Screenplays with dates; all with RDN notes unless otherwise stated 121.2 June 1981, first draft, no screenwriter attribution "English version by David Mills, c1982" 121.3-4 With RDN notes 122.1 No title page, with RDN notes 122.2 No title page, no RDN notes 122.3 With title page, no RDN notes 122.4 "List of things to do" re screenplay revisions, typescript Production materials 123.1 Casting 227 Photographs, make-up/hair and production 123.2 Production designs and location photographs, including drawings; typescript of Sergio Leone’s description of the film, October 1981; work authorization papers 123.3 RDN notes re dialogue and production 123.4 Shooting schedule with RDN notes; list of reels and contents Publicity and research materials Bound volumes, research 226 De Fornari, Oreste. Tutti i Film di Sergio Leone (1984), inscribed to RDN by Leone 227 Fried, Albert. The Rise and Fall of the Jewish Gangster in America (1980) 123.5 Magazine article on the film; transcript of Leone interview, 24 November 1980; research article on Jewish gangsters; outline for a work by Lorenzo Ricciardi re Once Upon a Time in America * One-sheet posters (*removed to oversize flat files) 123.6 Photographs, including stills and an informal shot of RDN, Muhammad Ali, and Sergio Leone Raging Bull (1980) Screenplays [titles vary], by Mardik Martin and Paul Schrader 124.1 Dialogue excerpted from Raging Bull by Jake LaMotta, with Joseph Carter and Peter Savage (Award Books, 1970), duplicated typescript 124.2 "The Raging Bull," first draft (long version), undated screenplay by Emmett Clary, rights reserved by Peter Savage; no RDN notes 124.3-5 Three intermediary drafts; no RDN notes 124.6 Untitled, undated, rough first draft in three acts; typescript with notes by RDN and Mardik Martin 125.1 "Fighter (Raging Bull)," incomplete screenplay by Martin; with RDN notes 125.2 15 April 1978, "Raging Bull," second draft by Martin; no RDN notes 125.3 "Raging Bull," undated screenplay by Paul Schrader; with RDN notes 125.4 5 July 1978, revised draft; no RDN notes 125.5 Intermediary draft, lacks title page; with RDN notes 125.6 1 November 1978, "Prize Fighter," second draft, "M.S., R.D.N."; with RDN notes 125.7 Copy 7, with RDN notes 126.1-2 Copies 10 and 31, no RDN notes 1 February 1979, "Raging Bull ... M.S., R.D.N."; all without RDN notes unless otherwise stated 126.3 Copy 15 126.4 "Final" script 126.5 19 April 1979 cumulative revision 199 Master script "as shot pre-hiatus 8/17/79" Shooting script, with RDN notes 200 Facsimile script 229 Original script; available only by arrangement with Ransom Center’s Film Curator 126.6 Correspondence and RDN notes re scripts -- see also RDN’s notebook in box 44.4 Production materials 126.7 Cast and crew lists; shooting schedules Correspondence 126.8 Congratulatory telegrams and letters 126.9 Production and post-production correspondence and associated material 127.1 Make-up continuity book, with RDN annotations 127.2-3* Production photographs (*oversize photographs removed to oversize boxes 195-197, 201, 228) 127.4-6 Storyboards, fight scenes Post-production materials, 1981 127.7 Academy Awards program, 30 March 1981; RDN "Best Actor" 201 Award, Motion Picture Hall of Fame Annual Award, RDN "Best Actor," 31 July 1981, wood plaque 127.8 Transcript of RDN’s deposition re Joe LaMotta, 9 March 1981 Publicity materials 128.1 Argentina publicity tour, RDN's binder; scheduling and background information, March 1980 128.2-3* Articles about the film (*oversize articles removed to oversize box 201) * One-sheet posters (*removed to oversize flat files) 128.4 Radio broadcasts, excerpts 128.5 Screening cards Research material on Jake LaMotta and boxing 128.6-7* Articles about Jake LaMotta (*oversize clippings scrapbook and boxing magazines removed to oversize box 202) 128.8-129.1 Court transcripts, Jake LaMotta vs. The State of Florida, 1957 129.2 "Jake LaMotta: Middleweight Champion of the World...," typescript; list of fights, 1941-1954 LaMotta photographs 129.3-7 Boxing and related group photographs 130.1-5 General photographs of private life, night club, celebrities, film appearances, etc. 205 LaMotta family album Research materials, bound volumes 228-229 Andre, Sam and Nat Fleischer. A Pictorial History of Boxing (1959, 1975), two editions 230 Bennett, George and Pete Hamill. Fighters (1978) 231 Carpenter, Harry. Boxing: A Pictorial History (1975) 232 Cox, William D. Boxing in Art and Literature (1935) 233 Edwards, William. Art of Boxing and Manual of Training (1888) 234-235* LaMotta, Jake, with Joseph Carter and Peter Savage. Raging Bull: My Story (1970), two copies (*BV235 inscribed by LaMotta to RDN, and annotated by RDN) 236 Odd, Gilbert. The Great Champions (1974) 237 Patterson, Floyd, with Bert Randolph Sugar. Inside Boxing (1974) 238 Sheed, Wilfrid. Muhammad Ali (1975) Rent (2005, RDN producer) 152.1 Screenplay adaptation by Stephen Chbosky, third draft, 24 June 2001, with song list and script revisions; no RDN notes Ronin (1998) Screenplays, by J. D. Zeik; with RDN notes unless otherwise stated 20 July 1997 scripts 131.1 "Preliminary shooting script" 131.2 26 July 1997, draft 6b, "final draft"; no RDN notes 131.3 12 September 1997, typed script notes by Zeik 131.4 30 September 1997, draft 7 131.5 26 October 1997, draft 8 Screenplays by Zeik and Richard Weisz [David Mamet] 131.6 11 November 1997, marked for make-up/hair; no RDN notes 13 February 1998 scripts 131.7 No RDN notes 206 Shooting script with inserted script revisions and notes re plot and character development Production materials 132.1 Correspondence, personal and congratulatory Photographs 132.2-4 Location photographs (color photocopies) mounted on file folders 132.5 Make-up/hair continuity Polaroids 132.6-8 Production photographs 132.9 Wardrobe/hair/make-up test 132.10 Wardrobe Polaroids, photocopies Publicity materials 132.11 Polaroid image of theatrical standee and magazine review Posters * One-sheet posters (*removed to oversize flat files) 211 Proofs Sam’s Song -- see The Swap The Score (2001) Screenplays by Daniel E. Taylor, revised by Ebbe Roe Smith, Kario Salem, Lem Dobbs, and Scott Marshall Smith; without RDN notes unless otherwise stated 28 August 1999 scripts 133.1 No RDN notes 133.2 With RDN notes 133.3 2 December 1999 script 133.4 24 March 2000, with RDN notes 133.5 28 March 2000, with RDN notes 133.6 1 May 2000 script 133.7 25 July 2000, noted as "beat sheet script" 133.8 5 August 2000, "3rd white revision" pages only, two copies Production materials 134.1* Correspondence, including letters from cast and crew (*gift poster of Cape Dorset removed to oversize folder) 134.2 Memos and documents re accounting, immigration/work permits, tax waivers, RDN’s drivers’ résumés 134.3 Montreal accommodations and travel information 134.4 Photographs, stills, Montreal crew group shot, and photo of Jazz Club inscribed to RDN by Frank Oz 134.5-6 Prop books 134.7 Schedules 134.8 Script pages and correspondence 134.9* Set designs and location photography (*architectural drawings for the Jazz Club removed to oversize folder) 134.10 Storyboards 209 Wardrobe continuity book, facsimile Publicity materials 135.1 Memo re press conference and Canadian magazine articles re Toronto International Film Festival * One-sheet poster (*removed to oversize flat files) 135.2 Research on burglars and heists 135.3* Shark Tale (2004), script pages with RDN notes (*script pages mounted on cardboard removed to oversize boxes 210, 213-214, 217) Showtime (2002) Screenplays, by Keith Sharon, with revisions by Ben Ramsey, Vince McKewin, Alfred Gough, Miles Millar, Marc Hyman, Gary Ross, and John Hamburg; all without RDN notes unless otherwise stated 2 November 2000, first draft 135.4 117 pages 135.5 129 pages, "Mitch" dialogue highlighted; actor’s directions crossed out 135.6 11 December 2000, second draft 135.7 21 January 2001, revised outline from Tom Dey 135.8 11 February 2001 script 135.9 22 February 2001, pages 1-34 135.10 1 March 2001, first act, pages 1-23 22 March 2001, with subsequent revisions 135.11-12 30 March 2001, pages 1-62; two copies, one with a single RDN note 136.1 3 April 2001, "Hamburg," new script pages, pages 1-80 136.2 9 April 2001, "JH," pages 35-95; with RDN notes 136.3 13 April 2001, "Hamburg," pages 1-101 136.4-5 15 April 2001, two scripts 136.6 29 May 2001 script 136.7 6 June 2001 script 136.8-137.2 Script pages, fragments of various dates; with RDN notes Production materials 137.3 Correspondence from Tom Dey and John Crosby 137.4* Photographs of Mitch Preston props and "Street Sweeper" gun (*Street Sweeper images removed to oversize box 211) 137.5 Shooting schedules; staff and crew list 209 Wardrobe continuity book, RDN’s dresser Marci Olivi’s copy, with copy of the script revised through 29 May 2001, facsimile of wardrobe continuity pages * Wardrobe photographs mounted on foamcore (*removed to oversize folder) Publicity materials * One-sheet posters (*removed to oversize flat files) 137.6 Premiere tickets and RDN photographic montage Sleepers (1996) Screenplays, by Barry Levinson April 14, 1995, with subsequent revisions 137.7 6 June 1995 script 137.8 31 July 1995, Father Bobby scenes only; with RDN notes 137.9 30 August 1995, "working script" 137.10 20 September 1995, Father Bobby scenes only; with RDN notes 138.1 Various script pages, with RDN notes Production materials 138.2 Miscellany, including notecard from associate producer Gerrit van der Meer and CAA Reader’s Report Photographs 138.3 Make-up/hair tests and continuity 138.4 Production stills Research materials, bound volume 239* Carcaterra, Lorenzo. Sleepers (1995) (*annotated by RDN) Stanley and Iris (1990) Screenplays, by Harriet Frank, Jr. and Irving Ravetch; all without RDN notes unless otherwise stated 17 August 1987, second revised draft 138.5 Copy 27, half-size format 138.6 Title page missing, half-size format 11 April 1988, cumulative revisions 138.7-8 With scene numbers added, two copies 218 Shooting script, with RDN notes; inserted production and research material, several revised script pages through 6 October 1988, wardrobe lists and Polaroids Production materials 138.9 Correspondence, contact list, list of RDN scenes, script pages for 11 August 1989, and shooting schedules 138.10 Drawings on location by John Coburn 139.1 Publicity materials, including magazine article, clippings re Jane Fonda, correspondence re print campaign, and RDN biographical sheet Research materials 139.2-4 Clippings, correspondence, lists of tapes, notes, and Connecticut road map 139.5 Rejected research material 139.6 The Swap (1969), aka Sam’s Song; production photographs Taxi Driver (1976) Screenplay, by Paul Schrader 221 29 April 1975, shooting script, with revisions to 29 May 1975; shooting schedule and extensive RDN notes throughout; one page of RDN notes re wolves in back pocket Production materials 139.7 Correspondence, telegram from Julia [Phillips] 139.8 Photographs, production and publicity stills Publicity materials 139.9 Press kits, preview invitation, and screening cards 139.10* Reviews and film listings (*film listing for Taxi Driver in Cologne, Germany, October 1976, removed to oversize folder) Research materials 139.11 RDN’s receipt for "City of New York Hack Driver’s Filing Fee" and "Taxicab Driver’s License" issued 23 September 1974 Bound volumes 240 Elman, Richard. Taxi Driver (1976) 241 Kolker, Robert Phillip. A Cinema of Loneliness (1988); with "Travis Bickle" cover photo This Boy’s Life (1993) Screenplays, by Robert Getchell; all without RDN notes unless otherwise stated 140.1 8 April 1991, first draft Revised first drafts 140.2 2 September 1991 11 November 1991, pagination varies 140.3-4 No RDN notes, two versions 140.5-6 With RDN notes, two versions 141.1 4 January 1992 scripts 141.2-3 21 January 1992 revisions incorporated, two versions 20 February 1992 revisions incorporated 141.4 "Editor’s marked up script," photocopy 141.5 No RDN notes, with photographs of author Tobias Wolff in front pocket of binder 141.6 With RDN notes Production materials 142.1 Call sheets 142.2* Cast and crew lists; schedules (*binder of production lists, schedules, and Vancouver information, prepared for RDN, removed to oversize box 222) 142.3 Casting and related personnel material 142.4-6 Dialogue and loop notes; comments by Sam Chwat Wardrobe materials and research 142.7* Correspondence, wardrobe receipts, and list of RDN’s scenes with wardrobe annotations by Richard Hornung (*cloth samples and print material re Boy Scout badges and uniforms removed to oversize box 211) 143.1 Sears catalog sections, men’s clothing, 1953-1958 Publicity materials 143.2 Correspondence, guest list for screening, junket schedule, production synopsis, and reviews * One-sheet posters (*removed to oversize flat files) Research materials, bound volumes 242-243* Wolff, Tobias. This Boy’s Life, a Memoir (1989, 1990), paperback and hardcover editions (*BV243 annotated by RDN) Thunderheart (1992) [RDN, producer] Screenplays, by John Fusco; with RDN notes unless otherwise stated 143.3 5 October 1990, fourth draft; no RDN notes 143.4 22 November 1990, working draft 143.5 21 December 1990, revised draft 143.6 29 April 1991, "director-producer draft" 144.1 10 May 1991, revised draft "numbered," half-size format, in binder with one-liner schedule; no RDN notes Production materials 144.2 Correspondence, box office estimates, daily log sheets, distribution statement, notes on director’s cut, RDN notes, screen credits storyboards Publicity materials 144.3 Correspondence re benefit screening, reviews, screening invitations and schedules * One-sheet posters (*removed to oversize flat files) Research materials 144.4 Clippings, correspondence, and photographs 244* Mails, Thomas E. Fools Crow (1979), inscribed to RDN, with a drawing on the flyleaf, by the author (*loose items withdrawn) True Confessions (1981) Screenplays, by John Gregory Dunne and Joan Didion 29 November 1979, third draft and subsequent revisions 144.5 28 January 1980 script 144.6 30 April 1980, with RDN notes; additional production material and photograph of RDN included with script Production materials 144.7* List of cast and credits, production notes, production stills, several script pages with RDN notes, shooting schedules, staff and crew list, and wardrobe lists (*oversize stills and contact sheets removed to boxes 225-226) Publicity materials 145.1 Cast, director, and producer biographies; handbook of production information; and press information packet, with photographs Research materials 145.2-3 Excerpts from published works on Roman Catholic liturgical rites; transcripts of interviews with clergy 145.4 Notes by technical director Henry Fehren on Dunne’s True Confessions with several pages of excerpts; research notes on confession, hyperventilation, and the symbolism of the desert; "Should You Become a Priest?" by Terence Tierney Bound volumes 245 Dunne, John Gregory. True Confessions (1977) 246 Harris, Charles W. Your Father’s Business (1978) The Untouchables (1987) Screenplays, by David Mamet; without RDN notes unless otherwise stated 145.5 Undated (early) and incomplete script, with RDN notes 22 July 1986 script, with subsequent revisions 145.6 26 September 1986 145.7 23 October 1986 Production materials, photographs 146.1-7 Make-up/hair continuity 146.8 Wardrobe Polaroids, suit fabric swatches, and measurements Publicity materials 146.9 Photographs, premiere invitation, screening card 146.10 Reviews and articles Research materials 147.1-4 Capone-related material from various sources, mostly photocopies, arranged by subject Photographs 147.5 Al Capone, several with RDN notes 147.6-7 Prohibition-era criminals; some photographs signed and annotated by "Chuck Low" on verso Published works 148.1 Dictionary of American Underworld Lingo, (1950) photocopy 247-248* Elliott, Neil. My Years with Capone (1985), two copies (*BV248 annotated by RDN) 249 Kobler, John. Capone (1971), stamped "D. Mamet, Cabot, Vt."; with handwritten notes in Mamet’s hand throughout text 148.2 "X Marks the Spot," pamphlet with photocopies laid in Wag the Dog (1997) Screenplays, by David Mamet; all with RDN notes 148.3 2 January 1997, partial script 148.4 31 January 1997, complete bound script Production materials 148.5 Call sheet with half-size script pages, contact sheet of RDN make-up/wardrobe photographs, correspondence, crew lists, photographs of Woody Harrelson, and product loan agreement 149.1 Wardrobe continuity book [facsimile] Publicity materials * One-sheet posters (*removed to oversize flat files) 149.2 Press book of reviews 149.3 The Wedding Party (1969), undated shooting script, with RDN notes; June 1964 calendar marked with scenes We’re No Angels (1989) Screenplays, by David Mamet December 1987, first draft, with subsequent revisions 150.1 Title page lacking, no RDN notes 150.2 With RDN notes 150.3 31 October 1988 revisions, with RDN notes 150.4 9 November 1988 revisions, with RDN notes 19 January 1989, third draft 150.5 With extensive RDN notes 150.6 Half-size format, no RDN notes 151.1 31 January 1989 revisions, half-size format; annotated for shooting schedule Production materials 151.2 Call sheets, casting, correspondence, costume inventory for RDN, location and production photographs, shooting and one-liner schedules, storyboards; miscellaneous documents 151.3 Publicity materials including press kit draft and screening card Series II. De Niro Projects, 1960s-2003 152.2 Affirmative Action, screenplay by Mark Frost; director’s draft, 13 February 1997; with RDN notes 152.3 Ahab, undated screenplay by Philip Kerr, with correspondence and RDN notes 250 Meville, Herman. Moby Dick (Bantam Classic, 1981) 152.4 All That Jazz (1979), screenplay by Robert Alan Aurthur and Bob Fosse, revised 1 October 1976 152.5 American Gigolo (1980), undated screenplay by Paul Schrader, first draft 152.6 Anna Pavlova, undated screenplay by Yuli Nikolin and Michael Powell 152.7 Apocalypse Now (1979), screenplay draft by Francis Ford Coppola (based on original screenplay by John Milius), 3 December 1975; RDN notes on title page 153.1 The Battling Spumonti Brothers, outline for revised draft by Charles Robert Carner, 17 November 1989 153.2-6 Beyond the Aegian, screenplay by Elia Kazan, 1983 153.7 Blackout, letter re film project from "John [Dahl] and Rick" to RDN re main character, Frank; 16 August 1997 153.8 Blue Collar (1978), screenplay by Paul and Leonard Schrader, revised to 24 January 1977 154.1 "The Booster," screenplay by Ken Friedman, September 1972; with typescript "first revision outline," 1 June 1973, and one page of RDN notes 154.2 A Bridge Too Far (1977), screenplay by William Goldman, first draft, 10 November 1975; with RDN notes 154.3 By the Sea of Crystal, script for HBO by Paul Schrader, first draft, 1 February 1993 Clockers, screenplay and bound volumes 154.4 Screenplay by Richard Price, "one millionth draft," 1 September 1993 Price, Richard. Clockers 251* Hardcover, 1992 (*loose items withdrawn) 252 Paperback, 1993 154.5 "The Death of the Kitchen Table in Our Fair City," undated screenplay by Michael Vincente Gazzo 154.6 "Dino," screenplay, 14 August 1998, lacks title page; screenwriter not given 155.1 A Double Life (1947), undated screenplay titled "Imagination," by Ruth Gordon and Garson Kanin; with RDN notes and notes in another’s hand 155.2-3 Fingers (1978), screenplay by James Toback, two undated versions, one with RDN notes on title page 155.4 The Fountainhead, undated screenplay by Michael Cimino Gangs of New York (2002) Screenplays, by Jay Cocks & Martin Scorsese 155.5 8 June 1979, revised first draft by Cocks 155.6 31 March 1993, third draft, lacks title page 156.1 31 March 1999, fourth draft by Cocks and Scorsese 156.2 27 September 1999, draft 7, with RDN notes and scene int/ext synopsis Research materials 253* Before Hollywood: Turn-of-the Century Film from American Archives (1986) (*loose items withdrawn) 156.3 Civil War draft riots; fires, gangs, illustrations from contemporary periodicals, and politics 156.4 Professional criminals of 1886 (photocopied mug shots) Glengarry Glen Ross, by David Mamet Playscript 156.5 Typescript draft July 1983 254 Published version, 1983 156.6 Screenplay, first draft, 1 March 1987 Hoffa (1992) Screenplays, by David Mamet 157.1 February 1990; list of actors and reading schedule 157.2 June 1990, with RDN notes 157.3 Home Movie, original film treatment by Brian De Palma, circa 1970; with single RDN note Imagination -- see A Double Life It Happened in Paradise -- see Trapped in Paradise 157.4 Julian’s Father, undated screenplay by Matthew Jacobs 157.5 Killing for Laughs, screenplay by Seth Greenland, July 1995 157.6-7 King Vidor’s ‘The Actor,’ undated screenplay and treatment by King Vidor and Kate Finley 157.8 Knives, playscript by John Cassavetes, June 1977 157.9 L. A. Confidential (1997), letter from Curtis Hanson; article and script pages, 1996 255-256* L. A. Confidential, by James Ellroy; two copies (*loose items withdrawn from BV256) The Last Temptation of Christ (1988) Screenplays, by Paul Schrader 158.1 25 March 1982 script 158.2 12 August 1983, third revision 158.3 Publicity and research, itinerary for Israel tour, research footnotes, and Time magazine article 158.4 Lermontov: A Hero of Our Time, undated screenplay by Michael Powell and Columba Powell 158.5 Magic (1978), screenplay by William Goldman, first draft, July 1976 158.6 The Mambo Kings (1992), screenplay by Cynthia Cidre, undated draft lacks title page and page 5; with RDN notes on first page 158.7 The Man Who Cried (2000), screenplay by Sally Potter, 5 April 1999 158.8 The Meaning of Life (1983), "The Middle of the Film," by Monty Python, scenes 37-52, March 1982 The Mitchell Brothers, screenplays by Henry Bean 159.1 8 April 1993, partial script, lacks title page; with RDN notes 159.2 21 August 1993, titled "Too Much of a Good Thing"; with RDN notes 159.3 25 January 1995; with RDN notes 159.4-5 14 May 1996, two versions 159.6 Article re Mitchell brothers trial The Night Watchman -- see Street Kings 159.7 The October Night of Tommy Zero, playscript by Michael V. Gazzo, circa 1969 159.8 Proud Dreamer, screenplay by Michael Cimino, second draft, [1981] 257-258* Wolf, George and Joseph DiMona. Frank Costello: Prime Minister of the Underworld (1974); uncorrected proofs and hardcover (*loose items withdrawn from BV257) 160.1 Regiment of Women, screenplay by John Hancock and Dorothy Tristan, March 1976 160.2 The Resistible Rise of Arturo Ui, playscript by Bertolt Brecht, undated typescript 160.3 Typescript version marked "De Niro copy," lacks title page, and copy of printed version; both contain RDN notes Rule #3, screenplay by Robert Kuhn; revisions by Harold Ramis, Marc Hyman, and Kuhn; most lack title pages 160.4 Running title "first 95, 6-8"; pages 1-95 only; with RDN notes 160.5-7 19 July 2002, third rewrite; three copies 161.1 13 January 2003, with RDN notes 161.2 18 June 2003 161.3 2 July 2003, pages 1-83 only 161.4 Shining Through (1992), screenplay by David Seltzer; second draft, November 1989; with RDN notes 161.5 Silence, screenplay by Jay Cocks and Martin Scorsese, 13 January 1995 161.6 The Silence of the Lambs (1989), screenplay by Ted Tally, second draft, 28 July 1989 161.7 "Sisterella," interoffice memo from Neil Sacker, 11 April 1996 161.8 Sisters (1973), screenplay by Brian DePalma and Louisa Rose, circa 1970; with RDN notes 162.1 Speed-the-Plow (1988), playscript by David Mamet, June 1987, with RDN notes on dedication page 162.2 "The Story," untitled film treatment by Jean-Luc Godard, circa 1978 Street Kings (released 2008), from screenplay titled The Night Watchman, by James Ellroy 162.3 28 April 1999, third draft; with RDN notes 162.4 30 April 1999 script 162.5 Sweet Eros (1968), undated playscript by Terrence McNally 162.6 Trapped in Paradise (1994), screenplay titled "It Happened in Paradise," by George Gallo, 25 March 1992 162.7 "The Virgin of Las Vegas," screenplay by Barry Devlin, sixth draft, September 2003 162.8 Waterfront, playscript by Budd Schulberg, revised to 19 July 1983 163.1 We Two Alone, undated playscript by Mai Zetterling * We Will Rock You (2002), signed poster for the musical’s premiere at the Dominion Theatre, London, on 14 May 2002; produced by Tribeca Theatrical Productions, and others (*removed to oversize folder) Weeds (1987) Screenplays and working drafts by Dorothy Tristan and John Hancock 163.2-4 1979, three copies (two with RDN notes) 163.5 5 May 1980, with RDN notes 163.6-164.2 1 June 1980, draft fragments 164.3-4 July 1980, two copies (one with RDN notes) 164.5 21 July 1980, with RDN notes Production materials 164.6 Correspondence, 1979-1980 164.7 List of scenes, 11 April 1980 164.8 Novel excerpts, 1 July 1980 165.1-2 Transcripts of discussions, John Hancock and Dorothy Tristan, with Barbara Bladen and Rick Cluchey, March 1980 Research materials on inmates and the arts, primarily photocopied clippings of articles 165.3 "Arts in Corrections" booklet on Project Culture; "Scan" [radio show] transcript; "Squires of San Quentin" film guide; notes and clippings, 1975-1980 165.4-5 "The Family" project, Theatre for the Forgotten, Theatre without Bars, and others, 1967-1980; poetry manuscripts by Clifford Grosvenor, 1977 165.6 Research notes prepared by Gail Mutrux; project proposal by Patrick Saunders re review of federal law enforcement; articles about Denmark Vesey and Ernest Gaines 165.7 "Tapes/Films" re workshop and performance tapes from the Street Theatre; lists, notes, and correspondence, 1980 165.8 Tattoo drawings and photographs; photocopies of articles and published stories re tattoos 165.9* Theatre for the Forgotten brochure and history; inmate correspondence (*poster removed to oversize folder) 166.1-2 Transcripts of prison interviews, transcriptions of inmate correspondence Bound volumes 259 Fellowes, C. H. The Tattoo Book (1971) 260 Irwin, John. The Felon (1970) 261* Jackson, Bruce. In the Life: Versions of the Criminal Experience (1972) (*loose items withdrawn) 262 Lyon, Danny. Conversations with the Dead (1971) 263 Minton, Robert J., Jr. Inside: Prison American Style (1971) 264 Pepper, Art and Laurie. Straight Life: The Story of Art Pepper (1979) 265 Sheehan, Susan. A Prison and a Prisoner (1978) 266 Vassi, Marco. Spider Webb’s Pushing Ink: The Fine Art of Tattooing (1979) 166.3 Witness, playscript by Terrence McNally, undated 166.4 Witness to the Mob (1998), script for television titled "Sammy the Bull," by Stanley Weiser, first draft, 18 August 1997; with RDN notes Series III. Early Career and Career-Related, 1960s-2000 166.5 "American Museum of the Moving Image Salutes Robert De Niro," programs, 9 March 1991 166.6-7 Articles about RDN in magazines and newspapers, 1977-2000 230 Awards, Certificates of Nomination from the Academy of Motion Picture Arts and Sciences for Best Actor in a Leading Role for Awakenings, The Deer Hunter, Raging Bull and Taxi Driver; The New York Film Critics Circle Award for Best Actor in Raging Bull; and The British Academy Awards for Best Actor in a Leading Role for Goodfellas Bound volumes, general film/project research and gifts 267 Cerf, Christopher and Victor Navasky. The Experts Speak (1984), signed by the author 268 Charles, Ann and Roger DeAnfrasio. The History of Hair (1970) 269 Crews, Harry. The Knockout Artist (1988), gift from, and inscribed by, Sean Penn and Madonna 270 Dinneen, Joseph F. Underworld U. S. A. (1956) 271 O’Brien, Joseph F. and Andris Kurins. Boss of Bosses (1991) 272 Sennett, Ted. Your Show of Shows (1977) 225 Tesser, Neil. The Playboy Guide to Jazz (1998) 273 Wolf, Marvin J. and Katherine Mader. Rotten Apples: True Stories of New York Crime and Mystery, 1689 to the Present (1991) 166.8 Contracts, Actors’ Equity Association and Screen Actors Guild, 1969-1970 Correspondence 166.9 A - F 167.1 G - M 167.2 O - R 167.3 S 167.4 T - Z 167.5-6 Fifteenth International Film Festival, Moscow, 6-17 July 1987 (RDN was chairman of the jury for feature films); correspondence, RDN notes, photographs, and festival-related material 167.7 George magazine, photocopy of contents page for the December 1995 issue; with undated, handwritten letter from John F. Kennedy, Jr. (*cover proof image of RDN as George Washington removed to oversize, box 211) 167.8 Invitations to 1993 Presidential Inaugural events 167.9 Liberty Weekend [Ellis Island], RDN voice-over dialogue, 1986 167.10 National Film Theatre programme, February 1985; features RDN film series Photographs, 1960s-1980s? Casting/résumé head shots and photographs; some prints contain four different images, 1960s-early 1970s 167.11 Earliest head shot; résumé includes The Wedding Party and theatrical training through 1963 167.12* Head shot, photocopied and printed with play review of Tchin-Tchin at the Barn Dinner Theatre, 1967; with contact prints; RDN’s handwritten address on verso of several prints (*oversize prints removed to oversize box 211) 167.13-14 Photographs attached to successive résumés listing Greetings, Sam’s Song Is Just Another Song ("to be released in June 1969"), Actors’ Equity and Screen Actors Guild memberships; play reviews also attached to prints, circa 1967-1968 168.1-10 Photographs, extra résumé prints and additional head shots including two images used in Bloody Mama (1970) and Mean Streets studio publicity; with contact prints Photographs, RDN in character for audition and résumé; includes contact sheets 168.11 As gangster 168.12 As policeman 169.1 Wearing plaid work shirt, various hair styles 169.2* Informal photographs, various locations and dates, including interviews and appearances in Germany and Poland; RDN photographed with Vaclav Havel, Harvey Keitel, Dustin Hoffman, and others (*oversize prints removed to box 203) 169.3 Print ad for Bank Americard; RDN is maître d’ Plays and television, circa 1961-1987 169.4 Performance photographs, various plays and dates 169.5 The Boor (Chekhov), The National Theatre Company; programs and photographs, 9 March 1968 169.6 Cry in the Street (Rolf Lauckner), Theatre of the Grotesque, Hunter College Playhouse; program, circa 1961 or 1962 274* Dear America: Letters Home from Vietnam (1987, television documentary; RDN narrator; based on Edelman, Bernard, ed. Dear America: Letters Home from Vietnam (1985) (*loose items withdrawn) 169.7 Generation (William Goodhart), Pineville Country Dinner Theatre of Charlotte, North Carolina, 1967; correspondence, photographs, and program 169.8 The Girl on the Via Flaminia (Alfred Hayes); performance photographs 169.9 Glamour, Glory & Gold (Jackie Curtis), Playwright’s Workshop; programs, July-August 1968? 169.10 God Wants What Men Want, undated playscript by Arthur Sainer; RDN played the "Sheriff" in the off-Broadway Bridge Theatre production, 1967 169.11 A Hatful of Rain (Michael V. Gazzo); published version of play with numerous pages of RDN’s handwritten notes inserted 169.12 Kool Aid (Merle Molofsky), The Repertory Theater of Lincoln Center (The Forum); program, circa 1971 169.13 One Night Stands of a Noisy Passenger (Shelley Winters); performance photographs of RDN and Diane Ladd 169.14 Search for Tomorrow (CBS), script for episode #4957, air date 28 September 1970, RDN as "Young Man"; script annotated with RDN notes 169.15 Tchin-Tchin (Sidney Michael), The Barn Dinner Theatre, Mathews, North Carolina; program, 1967, with carbon of typed letter from RDN to the Daily Tarheel, University of North Carolina, requesting copies of the paper’s play review; with published copy of the play, heavily annotated by RDN 169.16 The World of Günter Grass, adapted for the stage by Dennis Rosa; playscript with RDN notes, programs, cast/crew list (including Elaine Anderson and Charles Durning), and an additional page of RDN notes "questions to director," circa 1966? 169.17 Remarks by RDN honoring Richard Pryor at 1993 Apollo Hall of Fame show 169.18 Résumé, circa 1971-1972 169.19 Theatre Productions Inc., RDN application, 5 April 1967 170.1-4 Withdrawn loose items from bound volumes used in film research listed in Series I. 171-230 Oversize boxes Index of Selected Correspondents

All correspondence is written to RDN unless otherwise indicated.

Affleck, Ben -- 134.1 Aldredge, Theoni V. -- 166.9 Alford, Walter -- 65.3 Allen, Steve (to Martin Scorsese) -- 37.3 Armani, Giorgio -- 166.9 Auerbach, Norbert (United Artists) -- 126.8 Bacall, Lauren -- 166.9 Baker, Albie -- 126.8 Baker, Joe Don -- 25.7 Baldwin, Alec -- 91.6 Barnes, Johnny -- 126.9 Bean, Henry -- 159.2-3 Bearden, Milt -- 206 Beerman, Robert -- 139.7 Begelman, David -- 126.8 Bellini, Jacques -- 126.8 Berliner, Jane (Creative Artists Agency, Inc.) -- 75.3 Berlusconi, Silvio -- 70.8 Bernhard, Sandra -- 86.8 Berrigan, Daniel, S.J. -- 108.12 Birch, Matt (to Jane Rosenthal) -- 170.4 (from BV251) Birnbaum, Roger -- 118.9 Blake, Yvonne -- 21.3 Bolt, Robert -- 166.9 Bono (Paul David Hewson) -- 162.7 Borgnine, Ernest -- 115.4 Bovasso, Julie -- 166.9 Bowman, Rob -- 161.1 Branagh, Kenneth -- 56.4-5, 166.9 Brenneman, Amy -- 76.6 Brown, Edmund G., Jr. -- 126.8 Brown, Gareth T. (Penguin Books Ltd.) -- 108.9 Brubaker, Jim -- 126.8 Bruno, Richard -- 126.8 Bunker, Edward (Eddie) -- 76.6 Burstyn, Ellen -- 166.9 Buzby, Zane -- 126.8 Cahn, Sammy -- 166.9 Cahn, Tita -- 166.9 Carelli, Joann -- 126.8 Carrillo, Laura -- 74.3 Cassavetes, Gena Rowlands -- 166.9 Cauley, Eve -- 147.3 Chwat, Sam (New York Speech Improvement Services, P.C.) -- 25.9, 142.6 Cimino, Michael -- 126.8, 166.9 Cleese, John -- 56.5 Coburn, John -- 138.10 Colasanto, Nick -- 126.8 Coppola, Francis Ford -- 56.4-5, 56.4 (to Kenneth Branagh), 166.9 Corman, Cis -- 126.8 Corman, Richard -- 43.4 Courtright, Hernando -- 65.3 Cristofer, Michael -- 43.4 Crosby, John -- 137.3 Crystal, Billy -- 12.4 Dahl, John -- 153.7 Daly, Robert A. (Warner Bros.) -- 126.8 Damon, Mark (Producers Sales Organization) -- 88.2 Dayan, Moshe and Rachel -- 126.8 De Fina, Barbara - 25.7, 25.10, 33.1 Demme, Jonathan -- 166.9 De Niro, Robert -- 16.3, 25.6, 51.9, 139.2, 167.5, 169.15 (outgoing letters) De Palma, Brian, 145.5, 147.1 Depeche Mode -- 56.5 Dey, Thomas R. -- 135.7, 137.3 Digiaimo, Lou -- 126.8 Diller, Barry -- 65.3, 166.9 Diller, Leonard (NYU Medical Center) -- 54.4 Dinkins, David N. (The City of New York, Office of the Mayor) -- 166.9 Dixon, Pam (Paramount Pictures Corporation) -- 126.8 Dreyfuss, Richard -- 166.9 Dugan, Leslie -- 126.8 Dunne, Dominick -- 166.9 Dunne, Griffin -- 166.9 Fanning, Dakota -- 81.5 Farmer, Gary -- 134.1 Field, David -- 126.8 Finerman, Wendy -- 170.3 (from BV84) Fonda, Jane -- 126.8, 166.9 Ford, Barry -- 65.3 Forman, Milos -- 166.9 Foster, David (The Turman-Foster Company) -- 126.8, 166.9 Frankenheimer, John -- 132.1 Friedman, Robert G. -- 211 Friesen, Melanie -- 29.4-6, 30.6-9, 30.11, 170.1-2 (from BV30, BV32, BV36, BV42, BV56) Fusco, John (to Jane Rosenthal) -- 144.2 Gallo, Mario -- 126.6 Ganis, Sidney (Paramount Pictures Corporation) -- 151.2 Gifford, Gloria -- 126.8 Glazer, Mitch -- 73.1 Goldberg, Whoopi -- 167.1 Grazer, Brian -- 17.6 Greenhut, Bob -- 126.8 Grosbard, Ulu -- 46.5 Hancock, John -- 160.1, 164.6 Hanson, Curtis -- 157.9, 167.1 Harris, Mark -- 177 Hart, Bill -- 43.4 Hayden, Tom (Tom Hayden for U. S. Senate) -- 167.1 Herman, Ilona -- 28.2-3, 37.3, 53.3, 56.5, 142.7 Herman, Paul -- 43.4 Herzfeld, John -- 1.6-8, 2.2, 3.2 Hift, Fred (United Artists) -- 126.8 Hinsche, William "Billy" -- 17.6 Hornung, Richard -- 142.7, 211 Horovitz, Israel -- 167.1 Howard, Ron -- 17.6, 167.1 Huppert, Isabelle -- 167.1 Jackson, Janet -- 167.1 Jenson, Vicky -- 135.3 Joffé, Roland - 151.2, 167.1, 198 Jones, Quincy -- 167.1 Jones, Tommy Lee -- 43.4 Josephson, Barry -- 79.5 Judd, Ashley -- 37.3 Kamen, Martin -- 126.8 Kamen, Stan -- 65.3 Kanin, Garson -- 167.1 Kasdan, Lawrence -- 167.1 Kazan, Elia -- 89.2, 153.2, 167.1 Keats, Mary -- 126.8 Keitel, Harvey -- 167.1 Kennedy, John F., Jr. -- 167.7 Kennedy, Kathleen -- 25.7 Kerr, Philip (to Jane Rosenthal) -- 152.3 Kilmer, Val -- 76.6, 167.1 Knight, Tuesday -- 115.4 Kollek, Teddy (Mayor of Jerusalem) -- 167.1 Kopeikin, Lawrence M. -- 37.3 La Motta, Jake -- 126.8 La Motta, Vikki -- 126.6, 126.8 Landau, Martin -- 167.1 Lang, Caroline (Time Warner Inc.) -- 71.2 Lange, Jessica - 25.7 Lawn, Anthony, S.J. -- 198 Leno, Jay -- 5.11 Leonard, Nanette (United Artists) -- 126.8 Leone, Carla, and family-- 167.1 Lewis, Ellen (to Martin Scorsese) -- 32.5 Liotta, Ray -- 70.8 Loncraine, Richard -- 10.5, 11.3 Loss, Christine -- 201 Lucas, George -- 167.1 Luis Entin, José -- 167.1 Macchio, Ralph -- 43.4 Machnik, Paul -- 134.1 Mails, Thomas E. -- 170.4 (from BV244) Malden, Karl (Academy of Motion Picture Arts and Sciences) -- 230 Mamet, David -- 148.5, 167.1 Mancuso, Frank G. (Paramount Pictures Corporation) -- 151.2 Mancuso, Tony -- 126.9 Mangold, Jim -- 41.4 Mann, Michael -- 76.7, 78.1 Marin, Mindy -- 2.2 Marshall, Frank -- 25.7 Marshall, Penny -- 75.3, 167.1 Martin, Mardick -- 126.6 Marx, Michelle -- 115.4 Mason, Marsha -- 167.1 Max, Peter -- 167.1 Mazursky, Paul -- 151.8 McCray, Felicia -- 126.8 McElhone, Natascha -- 132.1 Medavoy, Mike (Orion Pictures) -- 126.8 Miller, Judith -- 148.5 Minkin, Bill and Ina -- 126.8 Minnelli, Liza -- 126.8, 167.1 Misher, Kevin -- 100.4 Moriarty, Cathy -- 126.8 Murray, Bill -- 91.6 Negron, Olivia -- 43.4 Newman, Paul -- 126.8 Ngo, Vincent -- 52.2 Nichols, Mike -- 65.3 Nicholson, Jack -- 126.8 Norman, Zack -- 126.8 Orth, Robert (Mid-America Film Archive, Ltd.) -- 126.8 Ovitz, Michael S. -- 25.7, 167.2 Oz, Frank -- 134.8-9 Pacino, Al -- 126.8, 167.2 Palminteri, Chazz -- 151.8 Papp, Joseph -- 43.4-5, 167.2 Pariser, Marc (Creative Artists Agency, Inc.) -- 107.7 Pauley, Jane -- 167.2 Penn, Sean -- 147.3 Pesci, Joe -- 37.3 Phillips, Julia -- 65.3, 139.7 Phillips, Michael -- 65.3, 126.8 Pileggi, Nicholas -- 31.5 and 32.3 (to Martin Scorsese), 34.3, 36.6, 37.1, 135.2 Pinter, Harold -- 167.2 Planco, Johnnie (William Morris Agency) -- 43.4 Pollock, Thomas P. -- 167.2 Polson, John -- 79.7, 80.4 Povod, Reinaldo -- 43.4 Powell, Michael -- 43.4, , 88.2, 167.2 Powell, Thelma -- 43.4, 88.2 Price, Richard -- 154.4 Primus, Barry -- 115.2, 115.4 Pryor, Richard -- 167.2 Ptak, John -- 65.3 Puttnam, David -- 167.2 Ralph, Sheryl Lee -- 115.4 Ramis, Harold -- 8.1, 10.6, 12.8 Ramos, Vic -- 65.3 Raskin, Francesca -- 43.4 Reno, John -- 132.1 Reynolds, Burt -- 167.2 Richardson, Tony (Woodfall Limited ) -- 167.2 Richmond, Roxanne -- 126.8 Rickles, Barbara and Don -- 37.3 Ritt, Martin (Twentieth Century-Fox Film Corporation) -- 167.2 Ritter, Bruce, Fr. (Covenant House) -- 43.4 Roach, Jay -- 96.6-7, 97.2, 100.5, 101.3, 102.3 Robertson, Cliff -- 167.2 Robertson, Shauna -- 101.3 Rooney, Mickey -- 126.8 Roos, Fred -- 65.3 Rosenberg, Joe -- 37.3 Rosenthal, Jane -- 144.2, 152.3 (to Yoshimitsu Honda) Ross, Steven J. -- 167.2 Roth, Joe -- 118.9 Rowen, Jennifer -- 126.8 Ryack, Rita -- 25.7 Ryan, Cynthia -- 218 Sacker, Neil (to Harvey Weinstein) -- 161.7 Sacks, Oliver -- 16.3, 167.3 Sands, Stephen A. (Columbia University) -- 81.7 Savage, Pete -- 126.8-9 Schoonmaker, Thelma - 25.7, 36.2, 37.2 Schrader, Paul -- 125.3, 126.8, 153.8, 154.3, 167.3 Schwartz, Harold -- 126.8 Scorsese, Martin -- 31.6, 32.3, 33.6, 37.1, 37.3, 86.3, 91.6, 126.8, 167.3 Scott, Tony -- 48.2, 52.1 Serrano, Nestor -- 43.4 Shalit, Gene -- 167.3 Sheinberg, Sid -- 44.5 Sivero, Frank -- 126.8 Smith, Gary -- 167.8 Smith, Hy (United Artists) -- 126.8 Smith, Scott Marshall -- 105.5 Smith, Todd - 37.3 Sorvino, Paul -- 167.3 Spielberg, Steven -- 25.6, 152.3, 167.3 Spikings, Barry - -- 126.8 Sroloff, Sheldon -- 37.3 Stander, Lionel -- 167.3 Stark, Ray -- 16.3, 126.8 Stevens, Russell -- 65.3 Stiller, Ben -- 99.6 Stone, Sharon -- 37.3, 167.3 Strasberg, Anna -- 43.4 Strasberg, Lee (The Actors Studio) -- 167.3 Streep, Meryl -- 126.8 Streisand, Barbra -- 167.3 Strick, Wesley -- 25.7 Swanson, Virginia -- 126.8 Tanen, Ned -- 126.8 Thaler, Todd M. -- 144.2 Tharp, Twyla -- 43.4 Thompson, Emma -- 56.5, 167.4 Tucker, Camille -- 134.1 Turman, Lawrence -- 65.3, 126.8 Tyner, Paul -- 167.4 Ufland, Harry (The Ufland Agency) -- 164.6 Valenti, Jack -- 25.7, 65.3, 126.8, 167.4 Van der Meer, Gerrit -- 138.2 Walken, Christopher -- 43.4 Warner, Frank -- 126.8 Weber, Bruce -- 91.6 Weide, Robert B. -- 89.6 Weinstein, Bob -- 167.4 Weinstein, Harvey -- 151.8, 115.4, 167.4 Williams, Robin -- 167.4 Winkler, Henry -- 167.4, 170.3 (from BV157), 170.4 (from BV222) Winkler, Irwin -- BV222, 167.4 Winters, Shelley -- 167.4 Wolff, Tobias -- 143.2 Wong, Janna (The American Film Institute) -- 126.8 Woods, James -- 37.3, 167.4 Zaillian, Steven - 167.4 Zeffirelli, Franco -- 167.4 Zimmerman, Paul D. -- 87.4