TABLE OF CONTENTS
Scope and Contents
Restrictions
Administrative Information
Description of Series
Series I. Works, 1959-2005, undated
Series II. Correspondence and Career-Related, 1958-2005, undated
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A. C. H. Smith:
A Preliminary Inventory of His Papers in the Manuscript Collection at the
Harry Ransom Humanities Research Center
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Creator: |
Smith, A. C. H., 1935- |
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Title: |
A. C. H. Smith Papers |
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Dates: |
1958-2005, undated |
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Abstract: |
Correspondence, typescript and
handwritten drafts, notes, programs, photographs, research, film stills, drawings,
and publicity materials document the work of A. C. H. Smith from the late 1950s
through the mid-2000s. |
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Extent: |
26 document boxes, 2 oversize boxes, 1 galley folder, 1 oversize folder
(21.92 linear feet) |
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Language: |
English |
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Repository: |
The University of Texas at Austin, Harry Ransom Humanities
Research Center |
Correspondence, typescript and handwritten drafts, notes, programs, photographs,
research, film stills, drawings, and publicity materials document the work of A. C.
H. Smith from the late 1950s through the mid-2000s. The papers are arranged into two
series: I. Works, 1959-2005, undated; and II. Correspondence and Career-Related,
1958-2005, undated.
Series I., Works, is divided into two subseries: A. Books, consisting of materials
related to his original and novelized works of fiction, and B. Plays and
Screenplays, containing his writings for stage and screen. Both subseries are
arranged alphabetically by title of work. Most of the manuscripts in this series
show the progress of his writing, especially the early, heavily-edited manuscripts
which are well represented. Also contained here is correspondence directly related
to the publication and production of Smith's novels, plays, and screenplays, as well
as letters from fans. Notable are his collaborations with playwright Tom Stoppard,
with whom Smith co-wrote the play Albert's Bridge,
and with Jim Henson, with whom he novelized the film The Dark
Crystal. The series is rounded-out by research notes for his
historically-based works such as Wagner, Sebastian the Navigator, and Up
the Feeder, Down the Mouth, as well as a small number of play posters.
Series II., Correspondence and Career-Related, consists of the majority of Smith's
correspondence from friends and collaborators and is arranged alphabetically by the
name of the correspondent. (Correspondence related to specific works and productions
is interfiled in Series I.) Smith's correspondence includes letters from a variety
of notable artists such as Stoppard, Jim Henson, John Boorman, Malcolm Bradbury,
John Cleese, E. M. Forster, Allen Ginsberg, Michael Frayn, Patricia Highsmith, Ted
Hughes, Terry Jones, John Le Carré, and others. Copies of interviews and reviews of
Smith's works are also contained in this series, as well as two talks he delivered
at the Ransom Center in 1994 and 2005.
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Access:
Open for research
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Purchases, 2005-2007 (R15361, 16489)
Hope Rider, Monique Daviau, Stephen Cooper, 2007
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Series I. Works, 1959-2005, undated |
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Subseries A. Books, 1959-1998, undated |
| Box |
Folder |
| 1 |
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The Crowd (novel, 1965)
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1 |
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Typed and handwritten manuscript with
emendations |
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2 |
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Handwritten and typed additons and notes |
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3 |
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Typescript |
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4 |
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Variant typescript |
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5 |
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Variant typescript with handwritten notes |
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6 |
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Correspondence re: Australian film, 1973-1979 |
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The Dangerous Memoir of Citizen
Sade (novel, 2000) |
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7-8 |
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Handwritten and typed notes |
| Box |
Folder |
| 2 |
1 |
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Handwritten and typed notes, continued |
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2 |
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First handwritten draft, circa 1990-1991 |
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3-4 |
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First typescript |
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5-6 |
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Second typescript |
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7 |
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Third typescript, 1998 |
| Box |
Folder |
| 3 |
1-2 |
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Proofs with editorial comments, letter from Tom
Stoppard |
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The Dark Crystal (movie
novelization, 1982) |
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3 |
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Screenplay with fragments by David Odell and Jim Henson,
1981 |
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4 |
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Screenplay fragments |
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5-7 |
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Research materials |
| Box |
Folder |
| 4 |
1 |
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Slides from movie |
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2 |
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Novelization manuscript |
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3-4 |
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Typescript and notes from Jim Henson |
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5 |
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Proofs, "NY Edition,"
photocopy |
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6 |
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Correspondence, 1981-1982 |
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* |
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NY typescript with editorial queries and amendments
(*removed to oversize box 27) |
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Dickens of London (biography,
ghosted for Wolf Mankowitz, 1976) |
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7 |
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Handwritten draft |
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8 |
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Typescript carbon |
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9 |
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Correspondence, 1975-1976 |
| Box |
Folder |
| 5 |
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Edward and Mrs. Simpson
(television novelization, 1978) |
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1-7 |
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Teleplays by Simon Raven, episodes 1-7 |
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8 |
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Notes, television show-related material |
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9 |
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Handwritten manuscript |
| Box |
Folder |
| 6 |
1 |
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Typescript |
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2 |
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Correspondence, 1977-1982 |
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3 |
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Uncorrected proof |
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* |
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Galleys (*galleys removed to galley file) |
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Extra Cover (novel,
1981) |
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4 |
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Handwritten manuscript |
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5 |
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Uncorrected proof |
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6 |
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Correspondence, 1977-1981 |
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7 |
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Gavotte (unfinished novel,
1959), typescript and correspondence |
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The Jericho Gun (novel,
1977) |
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8 |
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Notes and research |
| Box |
Folder |
| 7 |
1 |
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Handwritten manuscript |
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2 |
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Typescript |
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3 |
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Correspondence and royalty statements,
1976-1979 |
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Labyrinth (movie novelization,
1986) |
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4-6 |
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Storyboards, photocopies |
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7 |
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Screenplay, first draft (not by ACHS) |
| Box |
Folder |
| 8 |
1 |
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Screenplay, second draft, 1984 |
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2 |
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Screenplay, third draft |
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3 |
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Handwritten manuscript and notes (incomplete per
ACHS) |
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4-5 |
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Typescript 2 |
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6-7 |
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Typescript 3 |
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* |
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First typescript with editorial notes (*removed to
oversize box 28) |
| Box |
Folder |
| 9 |
1 |
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Page proofs |
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Lady Jane (movie novelization,
1985) |
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2 |
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Screenplay |
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3 |
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Film stills, Tower of London guide |
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4 |
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Transcript |
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5 |
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Proofs |
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6 |
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Correspondence, 1985 |
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Orghast at Persepolis
(nonfiction, 1972) |
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7 |
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Typescript with notes |
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8 |
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Bound proof with handwritten corrections |
| Box |
Folder |
| 10 |
1 |
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Photographs with book jacket |
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2 |
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Photographs |
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3-4 |
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Correspondence, 1972-1980 |
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5 |
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Pencil drawing by Jean Monod |
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Set design by Jean Monod (*removed to galley
file) |
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Paper Voices: The Popular Press and
Social Change, 1935-1965 (nonfiction, 1975) |
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Bound typescript |
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6 |
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Chapters 1-3 |
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7 |
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Chapters 4-5 |
| Box |
Folder |
| 11 |
1 |
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Chapters 6-9 |
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2 |
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Chapters 10-12, appendix, bibliography |
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3 |
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Proofs |
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4-5 |
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Correspondence, 1969-1977, and royalty
statements |
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Sebastian the Navigator
(novel, 1985) |
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6-7 |
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Research notes |
| Box |
Folder |
| 12 |
1-2 |
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Research notes, continued |
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3 |
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Handwritten draft |
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4 |
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Typescript with handwritten corrections |
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5 |
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Typescript photocopy |
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6 |
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Typesetting proofs |
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7 |
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Correspondence, 1982-1985 |
| Box |
Folder |
| 13 |
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Treatment (novel,
1976) |
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1 |
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Handwritten manuscript and typed notes |
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2 |
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Proofs, photocopy |
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3 |
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Correspondence |
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Wagner (movie novelization,
1983) |
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4-6 |
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Screenplay |
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7 |
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Notes and film stills |
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8 |
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Handwritten draft |
| Box |
Folder |
| 14 |
1 |
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Typescript |
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2 |
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Correspondence, 1982-1984 |
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Zero Summer (novel,
1971) |
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3 |
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Notes and fragments |
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4-5 |
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Handwritten draft |
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6 |
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Typescript |
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7 |
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Correspondence 1969-1972 |
| Box |
Folder |
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Subseries B. Plays and Screenplays, 1965-2005 |
| Box |
Folder |
| 15 |
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Albert's Bridge (play,
1978) |
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1 |
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Radio script by Tom Stoppard, 1967 |
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2 |
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Screenplay working papers |
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3 |
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Extended outline screen treatment |
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4 |
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First draft screenplay with handwritten notes |
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5 |
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Second draft stage version |
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6 |
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Third stage version |
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Albert's Bridge: The Musical
(play, 1998) |
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7-9 |
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Working papers |
| Box |
Folder |
| 16 |
1 |
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Partial draft, May-June 1998 |
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2 |
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Typescript draft, July 1998 |
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3 |
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Typescript draft, October 1998 |
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4 |
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Extended correspondence, 1969-1971, 1978; Edinburgh
Festival program |
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5 |
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Correspondence, 1992-1999 |
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Battle of Britain (play,
1977) |
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6 |
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Research notes and script fragments |
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7 |
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Script photocopy; programs |
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8 |
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The Black Man (play, 1965),
program |
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Breathless Hush (screenplay,
1999) |
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9 |
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Correspondence and treatment |
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10 |
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Drafts and shooting scripts |
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Doctor of Love (play,
2001) |
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11 |
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First draft, working papers, correspondence with
composer |
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12 |
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Typescript drafts, February/March/May, 2001 |
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13 |
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Typescript draft, 2001 |
| Box |
Folder |
| 17 |
1 |
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Typescript drafts, 2003 |
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Don Quixote (unfinished screenplay,
1968) |
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2 |
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Research |
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3 |
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Script by Denis Cannan, photocopy, 1968 |
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4 |
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Correspondence, 1968-1970 |
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5 |
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Face Value (play, 1977), scenario;
drafts; correspondence |
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God's Wonderful Railway (play,
1985) |
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6-8 |
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Research |
| Box |
Folder |
| 18 |
1-5 |
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Research, continued |
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6 |
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Scenario notes |
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7 |
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"Drafts &
revisions," fragments |
| Box |
Folder |
| 19 |
1 |
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Partial original draft |
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2 |
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Script copy |
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3 |
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Script, revised as performed, 1985 |
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4 |
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Correspondence and publicity material,
1985-1986 |
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The Hellfire Club (screenplay,
1995) |
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5 |
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Treatment, notes, research |
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6 |
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Typescript |
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7 |
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Script, second draft |
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8 |
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Bound script with corrections |
| Box |
Folder |
| 20 |
1-3 |
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Notes, scenario, draft script |
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4 |
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Correspondence, 1995-1996 |
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5 |
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Masters of Letters (play, 1976),
working papers, typescript |
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Pericles (adapted play,
1987) |
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6 |
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Research notes, production notes, partial
drafts |
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7 |
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Manuscript of first draft |
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8 |
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Typescript with handwritten changes |
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9 |
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Script photocopy with highlighting changes |
| Box |
Folder |
| 21 |
1 |
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Script photocopy |
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2 |
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"SOS production" |
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3 |
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Correspondence and publicity materials,
1985-1992 |
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4 |
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"Rewriting Shakespeare"
talk, Cheltenham Festival, 1988 |
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* |
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Play posters, Theatre Emory and The Hen and Chicken
(*removed to oversize folder) |
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5 |
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Prostitutes (play, 1976), handwritten
and typed drafts |
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The Redcliffe Hermit (play,
2005) |
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6-9 |
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Notes, draft fragments |
| Box |
Folder |
| 22 |
1 |
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Notes, draft fragments, continued |
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2 |
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"First draft,"
typescript, 2003 |
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3 |
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"Second draft,"
typescript, 2003 |
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4 |
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Typescript draft |
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Typescripts |
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5 |
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November 2003 |
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6 |
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February 2004 |
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7 |
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July 2004 |
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8 |
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November 2004 |
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9 |
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April 2005, corrected typescript |
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10 |
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July 2005 |
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11 |
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Rehearsal draft, August 2005 |
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12 |
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Rehearsal script, August 2005, notes |
| Box |
Folder |
| 23 |
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Up The Feeder, Down the Mouth (play,
2007, 2001) |
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1-4 |
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Source material |
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5-7 |
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Research, interviews |
| Box |
Folder |
| 24 |
1 |
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Research, interviews, continued |
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2 |
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Scenario notes |
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3-8 |
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Working papers, "1997
chaos" |
| Box |
Folder |
| 25 |
1-4 |
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Working papers, "1997
chaos" continued |
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5 |
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Fifth draft, partial typescript, March 1997 |
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6-7 |
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"Seventh draft plus,"
typescript with handwritten changes, April 1997 |
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8 |
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Typescript, "as performed May
1997" |
| Box |
Folder |
| 26 |
1 |
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Typescript, 1999 version |
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2-3 |
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"Typescript chaos" |
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4 |
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Typescript draft, September 2001 |
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5 |
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Correspondence, administration, and planning,
1992-1996 |
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6 |
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Correspondence, publicity, miscellaneous,
1997-2001 |
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7 |
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Fan mail and press, 1997-2001 |
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* |
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Play poster, Bristol Old Vic (*removed to oversize
folder) |
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Series II. Correspondence and Career-Related, 1958-2005, undated |
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Subseries A. Correspondence, 1958-2005 |
| Box |
Folder |
| 26 |
8 |
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A-H, 1958-2000 |
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9 |
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J-W, 1958-2000 |
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10 |
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Stoppard, Tom, 1986-2005 |
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Subseries B. Career-Related, 1971-2005, undated |
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11 |
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Typescript of talk, February 16, 1994, Ransom Center, on
Stoppard, Ghose, and Johnson |
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12 |
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Typescript of talk, "The Better
Maker," February 25, 2005, Ransom Center |
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13 |
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Reviews and interviews, clippings, 1971-1997, undated |
| Box |
| 27-28 |
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Oversize materials
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Return to the Table of Contents
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