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TABLE OF CONTENTS


Scope and Contents

Restrictions

Administrative Information

Sources:

Description of Series

Series I. Works, circa 1926-1950

Series II. Photographs of Lynes & Exhibitions, 1930s-1940s

Series III. Manuscript Materials, 1934-1997 1934-1997

Index

University of Texas, Harry Ransom Humanities Research Center

George Platt Lynes:

An Inventory of His Collection at the Harry Ransom Center



Creator: George Platt Lynes, 1907-1955
Title: George Platt Lynes Collection
Dates: 1926-1997 (bulk 1930s-1940s)
Abstract: The George Platt Lynes Collection consists of 134 photographs, including portrait, fashion, nude, and theatrical photography, documentation of the evolution of Paul Cadmus' painting Conservation Piece (1940) and images of Lynes. Also included are manuscript materials and a piece of needlepoint.
Call Number: Photography Collection PH-1920
Extent: 8 boxes (134 gelatin silver prints, 1 needlepoint)
Language: English
Repository: The University of Texas at Austin, Harry Ransom Center

Biographical Sketch

George Platt Lynes was born April 15th, 1907, in East Orange, New Jersey, to Joseph Russell and Adelaide Sparkman Lynes. Lynes spent his childhood in New Jersey, but attended the Berkshire School in Massachusetts as a teenager. During high school, Lynes demonstrated a great interest in becoming a writer but was generally not successful in school. In 1925 Lynes was sent to Paris in hope of better preparing him for college. While in Paris, he became acquainted with Gertrude Stein and her circle of friends, including Glenway Wescott and Monroe Wheeler.

Lynes returned to the United States intent on pursuing a literary career. He dabbled in publishing and even opened a bookstore in Englewood, New Jersey in 1927. That same year Lynes received training from a local professional photographer. Although not interested in pursuing photography as a career, Lynes began taking portraits of his friends and family and exhibiting his work in the bookstore.

In 1928 Lynes again traveled to France, this time accompanied by Wescott and Wheeler. For the next few years Lynes traveled around Europe, all the while honing his photography skills. He developed friendships with numerous artists and patrons including Pavel Tchelitchew, Jean Cocteau, and the influential art dealer and critic Julien Levy. Lynes eventually returned to the United States, and in 1932 opened his first photo studio. That same year, Levy exhibited Lynes' work alongside that of Walker Evans at his gallery in New York City.

Levy's promotional efforts, combined with Lynes' innovative style and mastery of lighting, made Lynes one of the most sought after photographers in the country. By 1934 he was receiving regular commissions from Harper's Bazaar, Town & Country, and Vogue, and in 1935 he was invited to document the principal dancers and productions of Lincoln Kirstein's and George Balanchine's newly founded American Ballet company (now the New York City Ballet). Throughout the remainder of the 1930s and the early 1940s Lynes continued to shoot fashion photographs, getting accounts with such major clients as Bergdorf Goodman and Saks Fifth Avenue. In addition to his commercial work, Lynes began a series of photographs which interpreted characters and stories from Greek mythology.

By the mid-1940s Lynes began to lose interest in his commercial fashion photography and grew disillusioned with New York. In 1946 he left for Hollywood where he took the post of Chief Photographer for the Vogue studios. There he photographed major figures in the film industry, including Katharine Hepburn, Rosalind Russell, Gloria Swanson and Orson Welles, as well as leading figures of the arts and literature, among them Aldous Huxley, Igor Stravinsky and Thomas Mann. After just two years Lynes ran into financial trouble, and in 1948 his friends helped sponsor his move back to New York.

Lynes returned to a post-war New York where new photographers, such as Richard Avedon and Irving Penn, had taken his place in the fashion world. This fact, coupled with Lynes' increasing disinterest in commercial work, meant he was never able to regain the successes he once had. Lynes spent most of his time focusing on homoerotic imagery, and he began working with Dr. Alfred Kinsey and his Institute in Bloomington, Indiana. Lynes' financial troubles persisted, and twice he was forced to declare bankruptcy.

In May of 1955 Lynes was diagnosed terminally ill with lung cancer. He closed his studio and even destroyed much of his print and negative archives. After a final trip to Europe, Lynes returned to New York City where he died December 6, 1955.

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Scope and Contents

The George Platt Lynes Collection consists of photographs, manuscript materials, and a piece of needlepoint collected by Dora Maxwell Harrison, Lynes' assistant from 1936 to 1944. The materials are divided into three series: I. Works, circa 1926-1950, II. Photographs of Lynes & Exhibitions, 1930s-40s, and III. Manuscript Materials, 1934-1997.

The works by George Platt Lynes are comprised of 122 gelatin silver prints (98 loose, 23 in a disbound album, 1 framed) and one needlepoint. The loose prints, a combination of exhibition and work prints, provide a good representation of most genres of Lynes' work: portrait, fashion, nude, and theatrical photography. Notable subjects include Jean Cocteau, Marsden Harley, Katharine Hepburn, W. Somerset Maugham, Rosalind Russell, and Diana Vreeland. The Subject Index at the end of this guide lists all sitters featured in this collection. The album documents the evolution of Paul Cadmus' painting Conservation Piece (1940), a portrait of Lynes and his two long-time friends and lovers Monroe Wheeler and Glenway Wescott.

The second series, Photographs of Lynes & Exhibitions, consists of 12 loose gelatin silver prints. While several of these prints were taken by unidentified photographers, there are also works by Cecil Beaton, George Hoyningen-Huene, and Janet Taylor. The photographs include both formal portraits and candid shots of Lynes, and two photographs taken at the 1941 exhibition "Two Hundred Portraits by George Platt Lynes" at the Pierre Matisse Gallery in New York City.

The third series, Manuscript Materials, is comprised of tear sheets, clippings, Lynes exhibition announcements and Christmas cards. The tear sheets, a mixture of articles about Lynes and pages featuring his photography, also include an article by Lynes which appeared in the April 1937 issue of Bachelor magazine. The clippings are about Lynes' friends and/or subjects, with Diana Vreeland featured heavily. The Christmas cards feature artwork by Jean Cocteau and James Thurber.

Notes Concerning the Item List

Photograph titles were taken from the versos of the prints. Additional identification information, which appears in brackets, and all dates were found in tear sheets within the collection and/or the published sources previously cited in the Biographical Sketch of this finding aid.

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Restrictions

Access:

Open for research

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Administrative Information

Acquisition:

Gifts, 2002, 2003 (G12176, G12351)

Provenance:

All items were donated by Dora Maxwell Harrison, Lynes' assistant from 1936 to 1944, except one item (2003:0035:0001) which was donated by Richard Avedon who took over Lynes' studio after his death.

Processed by:

Trish Nugent and Mary Alice Harper, 2003

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Sources:

Crump, James. George Platt Lynes: Photographs from the Kinsey Institute. Boston: Bullfinch Press, 1993.

Leddick, David.

  • George Platt Lynes. New York: Taschen, 2000.
  • Intimate Companions: a Triography of George Platt Lynes, Paul Cadmus, Lincoln Kirstein, and Their Circle. New York: St. Martin's Press, 2000.

Woody, Jack. Portrait: The Photographs of George Platt Lynes, 1927-1955. Santa Fe: Twin Palms Publishers, 1994.

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Item List

 

Series I. Works, circa 1926-1950

Box
1 Accession Number 2002:0045:0013
Paul Cadmus. 1941 or earlier.
 
Box
1 Accession Number 2002:0045:0014
Fidelma Cadmus Kirstein, sister of Paul Cadmus. 1941.
 
Box
1 Accession Number 2002:0045:0015
Marsden Hartley. 1943.
 
Box
1 Accession Number 2002:0045:0016
John Gunther. Undated.
 
Box
1 Accession Number 2002:0045:0017
Katherine Anne Porter. Undated.
 
Box
1 Accession Number 2002:0045:0018
Gracie Allen [double exposure; 1939 handwritten letter to Dora Maxwell on verso of photograph]. 1938.
 
Box
1 Accession Number 2002:0045:0019
[W.] Somerset Maugham. 1941.
 
Box
1 Accession Number 2002:0045:0020
Mrs. Vincent Sheehan [sic, Sheean]. Undated.
 
Box
1 Accession Number 2002:0045:0021
Mrs. Harrison Williams [a.k.a., Mona von Bismarck]. 1941 or earlier.
 
Box
1 Accession Number 2002:0045:0022
Hope Hampden. Undated.
 
Box
1 Accession Number 2002:0045:0023
Debutante in Waldolf Astoria for Town & Country. 1941 or earlier.
 
Box
1 Accession Number 2002:0045:0024
[Unidentified man]. Undated.
 
Box
1 Accession Number 2002:0045:0025
Bill Harris [for] Marshall Field, Chicago. 1941 or earlier.
 
Box
1 Accession Number 2002:0045:0026
[Betty McLaughlin with child, a.k.a. "Evening Gown"]. Circa 1950.
 
Box
1 Accession Number 2002:0045:0027
Countess Castelbarco in Harper's Bazaar or Town & Country. Undated.
 
Box
2 Accession Number 2002:0045:0028
[Unidentified woman]. Undated.
 
Box
2 Accession Number 2002:0045:0029
Fernanda Munn. Undated.
 
Box
2 Accession Number 2002:0045:0030
[Foresta Wood, wife of National Geographic explorer Walter Abbott Wood]. Undated.
 
Box
2 Accession Number 2002:0045:0031
[Olympic skier Helen Boughton-Leigh and Carroll P. Reed]. Circa 1937.
 
Box
2 Accession Number 2002:0045:0032
[Ruth Ford? and George Platt Lynes?]. Undated.
 
Box
2 Accession Number 2002:0045:0033
Nicki Magdalones [sic, Magallanes] & ? [probably Marie-Jeanne]. 1941 or earlier.
 
Box
2 Accession Number 2002:0045:0034
[Male nude, possibly Jonathan Tichenor]. 1944?.
 
Box
2 Accession Number 2002:0045:0035
Alicia Markova, English ballerina. Undated.
 
Box
2 Accession Number 2002:0045:0036-0037
Ruth Ford. Undated.
 
Box
2 Accession Number 2002:0045:0038-0040
[Helen] Bennett, model. Undated.
 
Box
2 Accession Number 2002:0045:0041
Ros [i.e., Rosalind] Russell. Undated.
 
Box
2 Accession Number 2002:0045:0042
Rosalind Russell & Clara La Roche made up to look like each other. Undated.
 
Box
2 Accession Number 2002:0045:0043
Barbara Mortimer, 2nd Cushing sister [sic, Betsey Cushing Roosevelt Whitney]. Undated.
 
Box
2 Accession Number 2002:0045:0044
Cushing sister [either Betsey or Barbara Cushing]. Undated.
 
Box
2 Accession Number 2002:0045:0045
Mrs. Vincent Astor (one of them), the third Cushing sister (Minnie). Undated.
 
Box
2 Accession Number 2002:0045:0046-0049
Gloria Swanson. Circa 1939.
 
Box
2 Accession Number 2002:0045:0050-0051
K. [Katharine] Hepburn. Circa 1939.
 
Box
2 Accession Number 2002:0045:0052
Mr. & Mrs. Courtney [sic, Courtlandt] Barnes. Undated.
 
Box
2 Accession Number 2002:0045:0053
Mrs. Courtland [sic, Courtlandt] Barnes. Undated.
 
Box
2 Accession Number 2002:0045:0054-0057
Ballerina wearing Muriel King dress. Undated.
 
Box
3 Accession Number 2002:0045:0058
Muriel King, dress designer. Undated.
 
Box
3 Accession Number 2002:0045:0059-0061
Marianne Moore, poet. Circa 1945.
 
Box
3 Accession Number 2002:0045:0062
Laurie Douglas [wearing] earrings made by Fulco di Verdura. Undated.
 
Box
3 Accession Number 2002:0045:0063-0066
Laurie Douglas [nude]. 1940.
 
Box
3 Accession Number 2002:0045:0067-0073
Diana Vreeland at her home. Circa 1938.
 
Box
3 Accession Number 2002:0045:0074-0075
[Two unidentified women]. Undated.
 
Box
3 Accession Number 2002:0045:0076-0082
[Unidentified woman]. 1941 or earlier.
 
Box
4 Accession Number 2002:0045:0083-0085
[Unidentified woman and man]. 1941 or earlier.
 
Box
4 Accession Number 2002:0045:0086-0091
Ezio Pinza as Don Giovanni. 1941 or earlier.
 
Box
4 Accession Number 2002:0045:0092
"GPL, 1938," [drawn portrait of George Platt Lynes] by Paul Cadmus. 1938 or later.
 
Box
4 Accession Number 2002:0045:0093
"George Platt Lynes" [drawn portrait] by Paul Cadmus. Undated.
 
Box
4 Accession Number 2002:0045:0094
[George Platt Lynes reclining on couch, 1937, drawing], by Paul Cadmus. 1937 or later.
 
Box
4 Accession Number 2002:0045:0095
"Adelaide Lynes" [drawn portrait] by Paul Cadmus. 1941 or later.
 
Box
4 Accession Number 2002:0045:0096
"Monroe Wheeler, 1937," [drawing] by Paul Cadmus. 1937 or later.
 
Box
4 Accession Number 2002:0045:0097
"Aviator, 1941 and '42," [drawing] by Paul Cadmus. 1942 or later.
 
Box
4 Accession Number 2002:0045:0098
"Glenway Wescott, 1926," [drawing] by Jean Cocteau. 1926 or later.
 
Box
5 Accession Number 2002:0045:0099
Frederick [sic, Frederic] Prokosch, author. Undated.
 
Box
5 Accession Number 2002:0045:0100
Betty McLaughlin, Powers model, w[ith] George Platt Lynes exhibition as background, for Harper's Bazaar. 1941.
 
Box
5 Accession Number 2002:0045:0101
George Platt Lynes & Dora Harrison. Undated.
 
Box
5 Accession Number 2002:0045:0102
Casper Reardon, jazz harpist. Undated.
 
Box
5 Accession Number 2002:0045:0103
George Tichenor. 1941 or earlier.
 
Box
5 Accession Number 2002:0045:0104
E. McKnight Kauffer, illustrator. Undated.
 
Box
5 Accession Number 2002:0045:0105
Vera Zorina. Undated.
 
Box
5 Accession Number 2002:0045:0106
Liz Gibson [sic, Gibbons], Powers model. Undated.
 
Box
5 Accession Number 2002:0045:0107
Betty McLaughlin. Circa 1950.
 
Box
5 Accession Number 2002:0045:0108
Lisa Fonssagrives [for Marshall Field and Company]. 1940.
 
Box
5 Accession Number 2002:0045:0109
Jimmie [sic, Jimmy] Daniels. Undated.
 
Box
5 Accession Number 2002:0045:0110
Jean Cocteau. 1936.
 
Box
6 Accession Number 2002:0045:0111
["Conversation Piece, 1940," painting by Paul Cadmus]. 1940 or later.
 
Box
6 Accession Number 2002:0045:0112-0122
[Studies for "Conversation Piece, 1940," by Paul Cadmus]. 1940 or earlier.
 
Box
7 Accession Number 2002:0045:0123-0133
[Details of "Conversation Piece, 1940," by Paul Cadmus]. 1940 or later.
 
Box
8 Accession Number 2002:0045:0134
[Needlepoint wedding gift for Dora Maxwell Harrison]. 1944.
 
Box
8 Accession Number 2003:0035:0001
Gertrude Stein [framed print with stamped inscription and initials of Richard Avedon on mount verso]. Undated.
 

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Series II. Photographs of Lynes & Exhibitions, 1930s-1940s

Box
1 Accession Number 2002:0045:0001
Beaton, Cecil. G.P.L. [i.e., George Platt Lynes]. 1937 or earlier.
 
Box
1 Accession Number 2002:0045:0002
Hoyningen-Huene, George. G.P.L. [i.e., George Platt Lynes]. 1930s?.
 
Box
1 Accession Number 2002:0045:0003
[Unidentified photographer]. [George Platt Lynes]. 1940s?.
 
Box
1 Accession Number 2002:0045:0004
[Unidentified photographer]. G.P.L. [i.e., George Platt Lynes] watching Liz [Gibbons do her] makeup. 1930s?.
 
Box
1 Accession Number 2002:0045:0005
Taylor, Janet. Fun while doing a fashion shoot for Marshall Field, Chicago. 1930s?.
 
Box
1 Accession Number 2002:0045:0006-0008
[Unidentified photographer]. [George Platt Lynes and assistants photographing Paul Cadmus]. 1941 or earlier.
 
Box
1 Accession Number 2002:0045:0009-0010
[Unidentified photographer]. [George Platt Lynes exhibit at Pierre Matisse Gallery]. 1941.
 
Box
1 Accession Number 2002:0045:0011
[Unidentified photographer]. [George Platt Lynes at Pierre Matisse Gallery]. 1941.
 
Box
1 Accession Number 2002:0045:0012
[Unidentified photographer]. [Pierre Matisse at Pierre Matisse Gallery]. 1941.

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Series III. Manuscript Materials, 1934-1997 1934-1997

Container
1.3* Clippings, 1941, 1984-1997, undated. *These materials are located in the Various Collections Manuscript Materials Box
Container
1.4* Christmas cards, undated. *These materials are located in the Various Collections Manuscript Materials Box
Container
1.5* Exhibition announcements, 1934, 1941, 1981. *These materials are located in the Various Collections Manuscript Materials Box
Container
1.6* Tear sheets, 1936-1937, 1993-1996, undated. *These materials are located in the Various Collections Manuscript Materials Box

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 Index of Subject 

  • Allen, Gracie, 1902-1964--1
  • Astor, Mrs. Vincent--see Fosburgh, Minnie Astor
  • Bennett, Helen, model--2
  • Barnes, Courtlandt D., Jr.--2
  • Barnes, Courtland D., Mrs.--see Barney, Katherine L.
  • Barney, Katherine L.--2
  • Besozzi di Castelbarco, Margherita, 1892-1979--1
  • Bismarck, Mona von, 1897-1983--1
  • Boughton-Leigh, Helen--2
  • Cadmus, Paul, 1904- --1
  • Cadmus, Paul, 1904- (artwork by)--4, 6-7
  • Castelbarco, Countess--see Besozzi di Castelbarco, Margherita
  • Cocteau, Jean, 1889-1963--5
  • Cocteau, Jean, 1889-1963 (artwork by)--4
  • Daniels, Jimmy, 1910- --5
  • Douglas, Laurie, model--3
  • Fonssagrives-Penn, Lisa--5
  • Ford, Ruth, 1915- --2
  • Forbes-Robertson, Diana--1
  • Fosburgh, Minnie Astor--2
  • Gibbons, Elizabeth, model--1, 5
  • Gunther, John, 1901-1970--1
  • Hampden, Hope--1
  • Harris, Bill--1
  • Harrison, Dora Maxwell--5
  • Hartley, Marsden, 1877-1943--1
  • Hepburn, Katharine, 1907-2003--2
  • Kauffer, E. McKnight (Edward McKnight), 1890- --5
  • King, Muriel, 1900-1977--2-3
  • Kirstein, Fidelma Cadmus--1
  • La Roche, Clara--2
  • Lynes, Adelaide (artwork of)--4
  • Lynes, George Platt, 1907-1955--1, 5
  • Lynes, George Platt, 1907-1955 (artwork of)--4, 6-7
  • Magallanes, Nicholas, 1922-1977--2
  • Markova, Alicia, Dame, 1910- --2
  • Matisse, Pierre, 1900-1989--1
  • Maugham, W. Somerset (William Somerset), 1874-1965--1
  • McLaughlin, Betty--1, 5
  • Moore, Marianne, 1887-1972--3
  • Mortimer, Barbara--see Whitney, Betsey Cushing Roosevelt, 1908-
  • Munn, Fernanda Wanamaker--2
  • Pinza, Ezio--4
  • Porter, Katherine Anne, 1890-1980--1
  • Prokosch, Frederic, 1908- --5
  • Reardon, Casper, 1907-1941--5
  • Reed, Carroll P., 1905-1995--2
  • Russell, Rosalind--2
  • Sheean, Mrs. Vincent--see Forbes-Robertson, Diana
  • Stein, Gertrude, 1874-1946--8
  • Swanson, Gloria--2
  • Tichenor, George--5
  • Vreeland, Diana--3
  • Wescott, Glenway, 1901- (artwork of)--4, 6-7
  • Wheeler, Monroe, 1899- (artwork of)--4, 6-7
  • Whitney, Betsey Cushing Roosevelt, 1908- --2
  • Williams, Mrs. Harrison--see Bismarck, Mona von, 1897-1983
  • Wood, Foresta--2
  • Zorina, Vera--5

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