<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "ead.dtd">
<ead relatedencoding="MARC21"> 
  <eadheader audience="internal" countryencoding="iso3166-1"
	dateencoding="iso8601" langencoding="iso639-2b" repositoryencoding="iso15511"
	scriptencoding="iso15924"> 
	 <eadid countrycode="US" encodinganalog="852$a"
	  mainagencycode="TxU-Hu">urn:taro:utexas.hrc.00397</eadid> 
	 <filedesc> 
		<titlestmt> 
		  <titleproper>Dashiell Hammett:</titleproper> 
		  <subtitle>An Inventory of His Papers at the Harry Ransom Humanities
			 Research Center</subtitle> 
		  <author encodinganalog="245$c">Finding aid created by Bob
			 Taylor</author> 
		</titlestmt> 
		<publicationstmt> 
		  <publisher encodinganalog="260$b">Harry Ransom Humanities Research
			 Center, </publisher> 
		  <date encodinganalog="260$c" calendar="gregorian" era="ce">2007</date> 
		</publicationstmt> 
	 </filedesc> 
	 <profiledesc> 
		<creation>Finding aid encoded by Hope Donovan Rider, 
		  <date calendar="gregorian" era="ce">February 2007</date> </creation> 
		<langusage>Finding aid written in
		  <language>English.</language></langusage> 
	 </profiledesc> 
  </eadheader> 
  <archdesc level="collection"> 
	 <did> 
		<repository encodinganalog="852$a"> 
		  <corpname>The University of Texas at Austin, <subarea> Harry Ransom
			 Humanities Research Center</subarea></corpname></repository> 
		<origination label="Creator:"> 
		  <persname source="lcnaf" encodinganalog="100">Hammett, Dashiell,
			 1894-1961</persname> </origination> 
		<unittitle encodinganalog="245$a" label="Title:">Dashiell Hammett
		  Papers</unittitle> 
		<unitdate type="inclusive" encodinganalog="245$f" era="ce"
		 calendar="gregorian" label="Dates:" normal="1923/1974">1923-1974</unitdate> 
		<physdesc label="Extent:" encodinganalog="300$a"><extent>2 boxes (.84
		  linear feet)</extent></physdesc> 
		<abstract label="Abstract:" encodinganalog="520$a">The papers of Dashiell
		  Hammett include drafts of short stories, several unpublished and some
		  incomplete, along with drafts of 
		  <title render="italic">The Thin Man</title>, the film version of 
		  <title render="italic">Watch on the Rhine</title>, and the unfinished
		  novels, The Secret Emperor and Tulip. The collection also includes personal
		  correspondence, along with a small group of miscellaneous notes.</abstract>
		<langmaterial label="Language: "><language langcode="eng">English</language>.
		</langmaterial> 
		<unitid encodinganalog="099" label="RLIN Record #: ">TXRC 06-A0</unitid> 
	 </did> 
	 <bioghist encodinganalog="545"> 
		<head>Biographical Sketch</head> 
		<p>Samuel Dashiell Hammett was born in St. Mary's County, Maryland on May
		  27, 1894 to a family long in the county. After working as a youth to help
		  support his family, he left home in 1914 and worked as a detective before
		  enlisting in the U.S. Army during World War I. His contraction of influenza in
		  1918 led to tuberculosis, for which Hammett was treated in military hospitals
		  on the west coast.</p> 
		<p>In one of these hospitals he met and married a nurse, Josephine (Jose)
		  Dolan. Following his discharge in 1921 they moved to San Francisco, where he
		  found work as an advertising copy writer. Soon he began writing fiction for
		  publication, quickly gaining a following for his gritty detective writing in 
		<title render="italic">Black Mask</title> magazine. Due to a relapse of
		tuberculosis, Hammett began living apart from his wife and two children, but
		continued with his increasingly well-received writing career.</p> 
		<p>In 1930 Knopf published Hammett's 
		<title render="italic">The Maltese Falcon</title>, and his fame as an
		American author was made. He met Lillian Hellman in 1931, and though both were
		married at the time, they began a relationship that lasted until Hammett's
		death. His 
		<title render="italic">The Thin Man</title> (1934) is in some sense a
		roman &#x00E0; clef based on their life together. Following the publication of 
		<title render="italic">The Thin Man</title> Hammett's literary production
		essentially ceased, for reasons still debated.</p> 
		<p>In the years between 1935 and 1941 Hammett's life was marked by
		  creative false starts, leftist activism, and increasingly severe alcohol abuse.
		  After Pearl Harbor, however, he enlisted in the army and served for most of the
		  war years in Alaska, a time that is generally regarded as one of personal
		  contentment for Hammett, even though his literary work was limited to editing a
		  serviceman's newspaper in the Aleutians.</p> 
		<p>Upon his discharge from military service in 1945 Hammett returned to
		  New York, where his attempts at resuming a writing career were hampered by
		  political persecution, poor health, and his drinking problem. Following a
		  prison term in 1951 for refusing to answer questions posed by the congressional
		  House Committee on Un-American Activities he lived a retired life, supported by
		  Lillian Hellman and other friends. Dashiell Hammett died at New York's Lenox
		  Hill Hospital on January 10, 1961.</p> 
	 </bioghist> 
	 <bibliography> 
		<head>Sources:</head> 
		<p>Hammett, Jo. 
		<title render="italic">Dashiell Hammett: a Daughter Remembers</title>.
		New York: Carroll &amp; Graf, 2001.</p> 
		<p>Johnson, Diane. 
		<title render="italic">Dashiell Hammett, a Life</title>. New York: Random
		House, 1983.</p> 
		<p>Layman, Richard, ed. 
		<title render="italic">Selected Letters of Dashiell Hammett</title>.
		Washington, D.C.: Counterpoint, 2001.</p> 
	 </bibliography> 
	 <controlaccess> 
		<head>Index Terms</head> 
		<controlaccess> 
		  <head>People</head> 
		  <persname encodinganalog="700" source="lcnaf">Hellman, Lillian, 1906-
			 .</persname> 
		  <persname encodinganalog="700" source="lcnaf">Kober, Margaret
			 Frohnknecht, 1913-1951.</persname> 
		</controlaccess> 
		<controlaccess>
		<head>Document Types</head>
		<genreform encodinganalog="655">Photocopies.</genreform>
		 </controlaccess>
		 <controlaccess>
		 		  <head>Subjects</head> 
		  <subject encodinganalog="650" source="lcsh">Novelists, American--20th
			 century--Biography.</subject> 
		</controlaccess> 
	 </controlaccess> 
	 <scopecontent encodinganalog="520"> 
		<head>Scope and Contents</head> 
		<p>The papers of Dashiell Hammett include manuscripts and personal
		  correspondence, along with a small group of miscellaneous notes. The material
		  dates from the years 1923 to 1974 and has been arranged into two series, I.
		  Works and II. Correspondence.</p> 
		<p>Included among the manuscripts comprising Series I. are numerous
		  drafts of short stories written between 1923 and the early 1930s, several of
		  which remain unpublished. The Secret Emperor, an unfinished novel present in
		  the series, is written on the versos of discarded manuscript pages of a number
		  of Hammett's short stories. Accompanying The Secret Emperor are plot summaries
		  and descriptions of characters. Tulip, another unfinished novel, dates from
		  about 1952 and is the author's latest known surviving literary effort.</p> 
		<p>Hammett's 1942 manuscript for the film version of Lillian Hellman's 
		<title render="italic">Watch on the Rhine</title> is to be found here; it
		is the draft which was subsequently revised by Hellman for the 1943 film
		production.</p> 
		<p>Also present in the series is 
		<title render="italic">The Continental Op</title>, a 1974 short story
		collection edited by Steven Marcus which does not duplicate the contents of the
		1945 collection of the same title. The drafts present in the Hammett papers
		comprise typescripts of Marcus' introduction along with photocopies of pages
		from earlier published editions of the stories. Galleys and page proofs of this
		1974 collection are located in the Lillian Hellman Papers.</p> 
		<p>Series II. consists, in the main, of letters Hammett wrote to Lillian
		  Hellman between 1935 and 1958 and to Margaret Frohnknecht Kober in the years
		  1942 to 1951. Many of these letters were written during Hammett's wartime
		  service in Alaska as an enlisted man in the U.S. Army and detail his
		  experiences in and observations of that remote theater of operations. Other
		  letters, some of which are present in facsimile, are addressed to Kermit
		  Bloomgarden, Nancy Bragdon, Jo Hammett, and Herman Shumlin. Carbons of letters
		  to 
		<title render="italic">Black Mask</title> and 
		<title render="italic">The Forum</title>, both from 1925 or 1926, were
		recycled by Hammett in typing The Secret Emperor.</p> 
	 </scopecontent> 
	 <acqinfo encodinganalog="541"> 
		<head>Acquisition: </head> 
		<p>Gifts and purchase, 1967-1975 (R3521)</p> 
	 </acqinfo> 
	 <accessrestrict encodinganalog="506"> 
		<head>Access: </head> 
		<p>Open for research</p> 
	 </accessrestrict> 
	 <processinfo encodinganalog="583"> 
		<head>Processed by: </head> 
		<p>Bob Taylor, 2006</p> 
	 </processinfo> 
	 <relatedmaterial encodinganalog="544 1"> 
		<p>Other collections in the Ransom Center holding materials relating to
		  Dashiell Hammett include those of Diane Johnson and Lillian Hellman. Ms.
		  Johnson's papers include materials collected for her 
		<title render="italic">Dashiell Hammett, a Life</title>, and the Hellman
		papers include letters written her by Hammett as well as documents related to
		her acquisition of Hammett's literary estate. Other Hammett correspondence is
		located in the Alfred A. Knopf, Inc. Records and the Ross Russell Papers.</p> 
	 </relatedmaterial><dsc type="combined"> 
		<head>Dashiell Hammett Papers--Folder List</head> 
		<c01 level="series"> 
		  <did> 
			 <unittitle>Series I. Works, 
				<unitdate era="ce" calendar="gregorian"
				 type="inclusive">1923-1974</unitdate> </unittitle> 
		  </did> 
		  <c02> 
			 <did> 
				<container type="Box">1</container> 
				<container type="Folder">1</container> 
				<unittitle>A-H</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="italic">Continental Op</title></unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box">1</container> 
				  <container type="Folder">2</container> 
				  <unittitle>Photocopy</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box">1</container> 
				  <container type="Folder">3-4</container> 
				  <unittitle>Setting copy</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">1</container> 
				<container type="Folder">5</container> 
				<unittitle>I</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">1</container> 
				<container type="Folder">6</container> 
				<unittitle>K-R</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">1</container> 
				<container type="Folder">7</container> 
				<unittitle>S-Sep</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">1</container> 
				<unittitle>Sev-Tim</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">2</container> 
				<unittitle>The Sign of the Potent Pills</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">3-4</container> 
				<unittitle> 
				  <title render="italic">The Thin Man</title>, carbon typescript
				  setting copy</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">5</container> 
				<unittitle>Tulip (novel fragment)</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">6</container> 
				<unittitle>Two-W</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">7-8</container> 
				<unittitle> 
				  <title render="italic">Watch on the Rhine</title>, handwritten
				  manuscript</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">9</container> 
				<unittitle>Untitled</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">10</container> 
				<unittitle>Miscellaneous notes, including underworld
				  jargon</unittitle> 
			 </did> 
		  </c02> 
		</c01> 
		<c01> 
		  <did> 
			 <unittitle>Series II. Correspondence, 
				<unitdate>1935-1958</unitdate></unittitle> 
		  </did> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">11</container> 
				<unittitle>B-S</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">12</container> 
				<unittitle>Hellman, Lillian, 1935-1958</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="Box">2</container> 
				<container type="Folder">13</container> 
				<unittitle>Kober, Maggie, 1942-51</unittitle> 
			 </did> 
		  </c02> 
		</c01></dsc> 
	 <odd type="index"> 
		<head>Dashiell Hammett Papers--Index of Works</head> 
		<list> 
	
		  <item> 
			 <title>Action and the Quiz Kid</title>--1.1</item> 
		  <item> 
			 <title render="doublequote">Bodies Piled Up</title>--see Including
			 Murder</item> 
		  <item> 
			 <title render="doublequote">The Boundaries of Science and
				Philosophy</title>--1.1</item> 
		  <item> 
			 <title>The Breech-born</title>--1.1</item> 
		  <item> 
			 <title render="italic">City Streets</title>--see 
			 <title>The Kiss-off</title></item> 
		  <item> 
			 <title render="italic">The Continental Op</title> (Random House,
			 1974)--1.2-4</item> 
		  <item> 
			 <title render="doublequote">The Creeping Siamese</title>
			 [fragments]--see 
			 <title>The Secret Emperor</title></item> 
		  <item> 
			 <title>The Croaker</title>--1.1</item> 
		  <item> 
			 <title>The Darkened Face. Part one: The Unlocked
				Door</title>--1.1</item> 
		  <item> 
			 <title render="doublequote">Dead Yellow Women</title>
			 [fragments]--see 
			 <title>The Secret Emperor</title></item> 
		  <item> 
			 <title>December First</title>--1.1</item> 
		  <item> 
			 <title>Devil's Playground</title>--1.1</item> 
		  <item> 
			 <title>Dynamite Carson </title>[untitled]--2.9</item> 
		  <item> 
			 <title>Faith</title>--1.1</item> 
		  <item> 
			 <title>Fragments of Justice</title>--1.1</item> 
		  <item> 
			 <title render="doublequote">The Gatewood Caper</title>--see 
			 <title>Including Murder</title></item> 
		  <item> 
			 <title render="doublequote">The Golden Horseshoe</title>--see
			 <title>Including Murder</title></item> 
		  <item> 
			 <title>The Good Meal: a Play in Three Acts</title>--1.1</item> 
		  <item> 
			 <title>The Gutting of Couffignal </title>[fragments]--see 
			 <title>The Secret Emperor</title></item> 
		  <item> 
			 <title>The Hunter</title>--1.1</item> 
		  <item> 
			 <title>An Inch and a Half of Glory</title>--1.5</item> 
		  <item> 
			 <title>Including Murder: Bodies Piled Up</title>--1.5</item> 
		  <item> 
			 <title>Including Murder: The Gatewood Caper</title>--1.5</item> 
		  <item> 
			 <title>Including Murder: The Golden Horseshoe</title>--1.5</item> 
		  <item> 
			 <title>Including Murder: Night Shots</title>--1.5</item> 
		  <item> 
			 <title>Including Murder: Women, Politics and
				Murder</title>--1.5</item> 
		  <item> 
			 <title render="doublequote">Itchy</title>--1.5</item> 
		  <item> 
			 <title>The Kiss-off</title> [film treatment for 
			 <title render="italic">City Streets</title>]--1.6</item> 
		  <item> 
			 <title>The Lovely Strangers</title>--1.6</item> 
		  <item> 
			 <title>Magic</title>--1.6; see also 
			 <title>The Secret Emperor</title></item> 
		  <item> 
			 <title render="doublequote">A Man Named Thin</title>--1.6</item> 
		  <item> 
			 <title>Monk and Johnny Fox</title>--1.6</item> 
		  <item> 
			 <title>The Murderer Who Thought Twice</title>--1.6</item> 
		  <item> 
			 <title>Nelson Redline</title> [untitled]--2.9</item> 
		  <item> 
			 <title render="doublequote">Night Shots</title>--see 
			 <title>Including Murder</title></item> 
		  <item>[Review of] 
			 <title render="italic"> Desperate Men</title> by James D.
			 Horan--1.6</item> 
		  <item> 
			 <title>The Secret Emperor</title>--1.7</item> 
		  <item> 
			 <title>September 20, 1938</title>--1.7</item> 
		  <item> 
			 <title>Seven Pages</title>--2.1</item> 
		  <item> 
			 <title>The Sign of the Potent Pills</title>--2.2</item> 
		  <item> 
			 <title>So I Shot Him </title>[untitled]--2.9</item> 
		  <item> 
			 <title render="doublequote">They Can Only Hang You
				Once</title>--2.1</item> 
		  <item> 
			 <title>They Die Too</title>--2.1</item> 
		  <item> 
			 <title render="italic">The Thin Man</title>--2.3-4</item> 
		  <item> 
			 <title render="doublequote">This Little Pig</title>--2.1</item> 
		  <item> 
			 <title>Three Dimes</title>--2.1</item> 
		  <item> 
			 <title>A Throne for the Worm</title>--2.1</item> 
		  <item> 
			 <title>Time to Die</title>--2.1</item> 
		  <item> 
			 <title render="doublequote">Tulip</title>--2.5</item> 
		  <item> 
			 <title render="doublequote">Two Sharp Knives</title>--2.6</item> 
		  <item> 
			 <title>[Two Sharp Knives] <emph render="doublequote">To a Sharp
				Knife</emph></title>--2.6</item> 
		  <item> 
			 <title>The Ungallant</title>--2.6</item> 
		  <item> 
			 <title>The Unlocked Door</title>--see 
			 <title>The Darkened Face</title></item> 
		  <item> 
			 <title render="italic">Watch on the Rhine</title>--2.7-8</item> 
		  <item> 
			 <title>Week-end</title>--2.6</item> 
		  <item> 
			 <title>Women Are a Lot of Fun Too</title>--2.6</item> 
		  <item> 
			 <title render="doublequote">Women, Politics and Murder</title>--see 
			 <title>Including Murder</title></item> 
		</list> 
	 </odd> 
  </archdesc> </ead>
