TABLE OF CONTENTS
Scope and Contents
Restrictions
Index Terms
Separated Material
Administrative Information
Description of Series
Series I. Works and Associated Material,
1942-1997
Series II. Career-Related and Personal,
1935-2005
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Thomas Fiske:
A Preliminary Inventory of His Collection of Norman Mailer at
the Harry Ransom Humanities Research Center
| | |
|
| Creator: | Fiske, Thomas |
| Title: | Thomas Fiske Collection
of Norman Mailer |
| Dates: | 1935-2005 |
| Abstract: | Reflecting a long and
prolific literary career, this collection of Norman Mailer, assembled by
collector Thomas Fiske, includes typescript drafts, playscripts, screenplays,
galleys and proofs, dust jackets, posters, lobby cards, publicity, poems, sheet
music, articles by and about Mailer, correspondence, interviews, campaign
materials, personal papers, photographs, programs, and speeches. |
| RLIN Record #: | None |
| Extent: | 8 document
boxes, 10 serials boxes, 3 oversize boxes, 3 oversize folders, 1 galley folder
(10.75 linear feet) |
| Language: | English.
|
| Repository: | The University of Texas at Austin, Harry Ransom
Humanities Research Center |
Reflecting a long and prolific literary career, this collection of
Norman Mailer, assembled by collector Thomas Fiske, includes typescript drafts,
playscripts, screenplays, galleys and proofs, dust jackets, posters, lobby
cards, publicity, poems, sheet music, articles by and about Mailer,
correspondence, interviews, campaign materials, personal papers, photographs,
programs, and speeches. The collection is organized in two series: I. Works and
Associated Material, 1942-1997; and II. Career-Related and Personal,
1935-2005.
The works series contains material for film, fiction and non-fiction
works, plays, and other writings. Films represented are
Beyond the Law (1968),
The Deer Park (1982),
The Executioner's Song (1982),
King Lear (1987),
Maidstone (1970),
Ragtime (1981),
Tough Guys Don't Dance (1986),
Town Bloody Hall: A Dialogue on Women's
Liberation (1979), and
Wild 90 (1967). Mailer's fiction and
nonfiction works include
Cannibals and Christians (1966);
The Executioner's Song (1979);
"The Foundation" (1942), working title
for the novella
"A Calculus at Heaven" (Cross-Section, 1944);
The Gospel According to the Son (1997);
Harlot's Ghost (1991);
The Prisoner of Sex (1971);
The White Negro (1959); and
Why Are We in Vietnam? (1967). Two plays,
The Deer Park and
Strawhead, are also present. Other
writings include two published contributions,
"The Last Draft of The
Deer Park" and
"Rounding Camelot, 1958-1967."
Published excerpts and other short works are also found in numerous serials
included with the collection.
Series II. Career-Related and Personal includes articles by and about
Mailer, correspondence, interviews, personal papers, photographs and
portraiture, and programs related to public appearances. The correspondence
dates from 1946-1996. Included are Mailer's outgoing letters to Peter Arthurs,
Tom Fiske, and Howard Sounes. Of particular interest is a 1946 letter to Angus
Cameron, an editor at Little, Brown, concerning the editing of profanity in
The Naked and the Dead. A number of Mailer
print and television interview transcripts are present, including the newspaper
Exposé (1956), William F. Buckley, Jr.
(1979), David Frost (1992), Charlie Rose (1993 and 1997), and Sean Abbott for
At Random (1997). Also present are
writings by Mailer scholar and archivist, J. Michael Lennon, especially his
edited volume of correspondence,
Norman Mailer's Letters on An American Dream,
1963-1969 (2004).
Testifying to Mailer's eclectic career, this series also contains
material on Mailer's unsuccessful 1969 campaign with Jimmy Breslin for New York
City municipal leadership. The programs and print material related to public
appearances range from his 1943 Harvard commencement program to conferences,
symposia, literary festivals, debates, readings, benefits, and events at the
92nd Street Y Poetry Center. Mailer's speeches include his acceptance speech
for the 1969 National Book Award and the 1995 spring commencement address at
Wilkes University.
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Access:
Open for research
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|
| |
| People |
| | Cameron, Angus (Donald
Angus). |
| | Lennon,
Michael. |
| | Mailer, Norman. |
| Document Types |
| | Programs. |
| | Screenplays. |
| | Serials. |
| | Typescripts. |
Return to the Table of Contents
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|
Audio cassettes, books, film (including original film prints for
"Wild 90,"
"Maidstone," and
"Beyond the Law"), and personal effects
(including campaign buttons and a small section of "Vertical City" made from Lego Blocks) received with
this collection were transferred to appropriate departments within the Ransom
Center.
|
Return to the Table of Contents
Purchase, 2005 (Reg. no. 15385)
Hope Donovan Rider and Liz Murray, 2005
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| | | | | | | | | | | | | |
| |
Series I. Works and Associated Material,
1942-1997
|
| | | Beyond the Law (1968) |
| Box | Folder |
| 1 | 1 | | | Film treatment, photocopy of uncorrected typescript,
with notes by Jan Welt |
| Box | Folder |
| * | | | Lobby card and posters (*removed to oversize folder)
|
| | | "A Calculus at Heaven" see
"The Foundation" |
| Box | Folder |
| 1 | 2 | | Cannibals and Christians (1966),
proof, Dial Press |
| | | The Deer Park: A Play
(1967) |
| Box | Folder |
| 1 | 3 | | | Playscript, no. 23, 1967 |
| Box | Folder |
| * | | | Poster, Theatre de Lys, 1967 (*removed to oversize
folder) |
| Box | Folder |
| 1 | 4 | | | Programs, Theatre de Lys, 1967 |
| 5 | | | Screenplay by Joan Didion and John Gregory Dunne,
undated |
| 6 | | Dust jackets, various works |
| | | The Executioner's Song (novel, 1979) |
| Box | Folder |
| 1 | 7 | | | Typescript |
| Box | Folder |
| 2 | 1-6 | | | Typescript, cont'd |
| Box | Folder |
| 3 | 1-5 | | | Typescript, cont'd |
| 6 | | | Publisher's press release packet |
| | | | Screenplay drafts, 1981 |
| Box | Folder |
| 4 | 1 | | | | Corrected second draft, 15 April |
| 2 | | | | Feature draft, 1 August |
| 3 | | | | Principal photography draft, 25 August |
| 4 | | | | Shooting draft, 25 September |
| * | | | | Poster (*removed to oversize folder) |
| 5 | | | | Production stills |
| 6 | | "The Foundation," May 1942,
Harvard class project, mimeographed (working version for the novella
"A Calculus at Heaven"
published in
Cross-Section, 1944) |
| 7 | | Gargoyle, Guignol, False Closet,
broadside, extract from a correspondence, July 1964 |
| 8 | | The Gospel According to the Son
(1997), uncorrected proof, with publisher's publicity |
| | | Harlot's Ghost (1991) |
| Box | Folder |
| 5 | 1 | | | Printer's text block dummy |
| Box | Folder |
| * | | | Publicity (*cardboard display removed to oversize
folder) |
| * | | | "How Writers Write: Norman
Mailer," poster, 1971 (*removed to oversize folder) |
| | | King Lear (1987), Godard
film |
| Box | Folder |
| * | | | Poster (*removed to oversize folder) |
| Box | Folder |
| 5 | 2 | | | Publicity material, including production
stills |
| Box | Folder |
| * | | "The Last Draft of
The Deer Park," in Thomas McCormack (ed.),
Afterwords, Novelists on Their
Novels (1969), galleys (*removed to galley files) |
| * | | Maidstone (1970), film poster and
lobby card (*removed to oversize folder) |
| * | | Poems, in
Act IV Portfolio, 1966 (*photocopy
removed to oversize folder) |
| Box | Folder |
| 5 | 3 | | The Prisoner of Sex (1971), unused
handwritten page |
| 4 | | Publicity material, various works |
| Box | Folder |
| * | | Ragtime (1981), film poster
(*removed to oversize folder) |
| Box | Folder |
| 5 | 5 | | "Rounding Camelot, 1958-1967,"
in
A Century of Arts and Letters,
typescript draft, 1996 |
| 6 | | Short pieces, excerpts |
| 7-9 | | Strawhead, playscripts, 1986 and
n.d. |
| | | Tough Guys Don't Dance,
screenplay, 1986 |
| Box | Folder |
| 6 | 1 | | | First draft, 1 May |
| 2 | | | Draft, 23 August |
| 3 | | | Draft 4.2, 11 October |
| 4 | | | Draft 5, 28 October |
| Box | Folder |
| * | | | Poster (*removed to oversize folder) |
| Box | Folder |
| 6 | 5 | | | Publicity packet, Cannon Films, with production
stills |
| Box | Folder |
| * | | Town Bloody Hall: A Dialogue on Women's
Liberation (1979), documentary film poster (*removed to oversize
folder) |
| Box | Folder |
| 6 | 6 | | The White Negro (1959), proof,
City Lights Books |
| | | Why Are We in Vietnam?
(1967) |
| Box | Folder |
| 6 | 7 | | | Uncorrected proof |
| 8 | | | Play fragment |
| | | Wild 90 (1967) |
| Box | Folder |
| 6 | 9 | | | Screenplay typescript with corrections and sound
notations, 1967 |
| Box | Folder |
| * | | | Poster and lobby card (*removed to oversize folder)
|
| Box | Folder |
| 6 | 10 | | "You'll Come Back (You Always
Do)," sheet music, words by Mailer, 1988 |
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| | | | | | | | | | | | | |
| |
Series II. Career-Related and Personal,
1935-2005
|
| Box | Folder |
| 7 | 1 | | Articles by and about Mailer (see
also serials in boxes 9-18 and oversize boxes 19-21) |
| 2 | | Autograph book, Public School 161, New York City, with
Mailer's handwritten entry, 1935 |
| 3 | | Correspondence, general, 1946-1996 |
| 4 | | Interviews for print and television,
1956-1997 |
| | | Lennon, J. Michael |
| Box | Folder |
| 7 | 5 | | | Norman Mailer's Letters on An American
Dream, 1963-1969, unbound signatures, 2004 |
| 6 | | | Works on Mailer |
| 7* | | Mayoral campaign materials, 1969 (*campaign poster
removed to oversize folder) |
| 8-10 | | Monroe, Marilyn, 1974 calendars and
datebooks |
| 11 | | Personal papers related to National Service Life
Insurance, 1947-1952 |
| | | Photographs and portraiture |
| Box | Folder |
| 7 | 12 | | | Photographs of Mailer, 1948-2000s |
| 13 | | | "Portrait of Norman Mailer,"
reproduction of a collage by Larry Rivers, 1998 |
| 14 | | | Self portraits, Mailer drawings |
| Box | Folder |
| 8 | 1-4* | | Programs and print material related to public
appearances, 1943-2005 (*oversize poster removed to oversize folder)
|
| 5 | | Speeches, typescripts |
| Box | Folder |
| * | | Serials (*oversize removed to boxes 19-21) |
| Box |
| 9 | | | | America and the Intellectuals -
The Cornhill Magazine
|
| Box |
| 10 | | | | Cosmopolitan -
Esquire |
| Box |
| 11 | | | | Esquire, cont'd -
George |
| Box |
| 12 | | | | Harper's Magazine -
Mediums |
| Box |
| 13 | | | | Michigan Quarterly Review -
Newsweek |
| Box |
| 14 | | | | Nugget Magazine -
Pharaon |
| Box |
| 15 | | | | Playboy -
Publishers Weekly |
| Box |
| 16 | | | | Puritan -
Stone Age |
| Box |
| 17 | | | | Story -
Vanity Fair |
| Box |
| 18 | | | | Vanity Fair, cont'd -
Writer's Digest |
| Box |
| 19-21 | | | Oversize |
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