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		<eadid countrycode="US" encodinganalog="852$a" mainagencycode="TxU-Hu"
			>urn:taro:utexas.hrc.00386</eadid>
		<!--DO NOT MODIFY ANY OF THE BOILERPLATE TEXT ABOVE THIS LINE-->
		<!-- revised 8 July 2008 -->
		<filedesc>
			<titlestmt>
				<titleproper>Pío Baroja:</titleproper>

				<subtitle>An Inventory of His Papers in the Manuscript Collection at the Harry
					Ransom Humanities Research Center</subtitle>
				<author encodinganalog="245$c">Finding aid created by Delaney Hall</author>

			</titlestmt>
			<publicationstmt>
				<publisher encodinganalog="260$b">Harry Ransom Humanities Research Center, </publisher>
				<date encodinganalog="260$c" calendar="gregorian" era="ce">2006</date>
			</publicationstmt>
		</filedesc>
		<profiledesc>
			<creation>Finding aid encoded by Katy Hill, <date calendar="gregorian" era="ce">21 July
					2008</date>
			</creation>
			<langusage>Finding aid written in <language>English.</language></langusage>
		</profiledesc>
	</eadheader>
	<archdesc level="collection">
		<did>
			<repository encodinganalog="852$a">
				<corpname>The University of Texas at Austin, <subarea> Harry Ransom Humanities
						Research Center</subarea></corpname>
			</repository>
			<origination label="Creator:">
				<persname source="lcnaf" encodinganalog="100">Baroja, Pío, 1872-1956</persname>
			</origination>
			<unittitle encodinganalog="245$a" label="Title:">Pío Baroja Papers</unittitle>

			<unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian"
				label="Dates:" normal="1921/1948">1921-1948, undated</unitdate>
			<physdesc label="Extent:" encodinganalog="300$a">
				<extent>4 boxes (1.68 linear feet)</extent>
			</physdesc>

			<abstract label="Abstract:" encodinganalog="520$a">The Pío Baroja Papers consist of his
				manuscripts for three novellas, four novels, one published pamphlet, and one
				unidentified text. </abstract>

			<langmaterial label="Language: "><language langcode="eng">English</language> and
					<language langcode="spa">Spanish</language>
			</langmaterial>
			<unitid encodinganalog="099" label="RLIN Record ID: ">TXRC06-A1</unitid>

		</did>
		<bioghist encodinganalog="545">
			<head>Biographical Sketch</head>
			<p>Pío Baroja, considered one of the most prolific novelists of twentieth century
				Spanish literature, was born on December 28, 1872, to Serafin Baroja y Zarnoza and
				Carmen Nessi y Goni. Baroja had two brothers, Dario and Ricardo, and a sister,
				Carmen. The family eventually moved from San Sebastian, located on the northern
				Basque coast of Spain, to Madrid, where Baroja, at age fifteen, began to study
				medicine. He received his degree in 1893 after presenting his doctoral thesis on
				psycho-physical aspects of pain and moved to Cestona to work as a country doctor. He
				left the practice after only a year--tired, he said, of small-town life and the
				trivial rivalries of the profession--and moved back to Madrid to manage his aunt's
				bakery. In Madrid he began writing more seriously, contributing regularly to a
				journal called <title render="italic">Revista Nueva</title>. When the bakery failed
				in 1902, Baroja devoted himself full-time to writing, often publishing more than two
				books a year until his death in 1956.</p>
			<p>Baroja published <title render="italic">Vidas sombrías</title> (<title
					render="italic">Dark Lives</title>), a collection of short stories, and <title
					render="italic">La casa de Aizgorri</title> (<title render="italic">The House of
					Aizgorri</title>), his first novel, in 1900. <title render="italic">La casa de
					Aizgorri</title>, <title render="italic">El mayorazgo de Labraz</title> (<title
						render="italic">The Lord of Labraz</title>), and <title render="italic">Zalacaín
						el aventurero</title> (<title render="italic">Zalacaín the Adventurer</title>)
				form Baroja's first trilogy, <title render="italic">Tierra Vasca</title> (<title
					render="italic">Basque Country</title>), completed in 1909. Baroja clustered
				many of his novels into cycles and series, the largest being the twenty-two volume
				<title render="italic">Memorias de un hombre de acción</title> (<title
					render="italic">Memories of a Man of Action</title>). Most consider <title
						render="italic">El árbol de la ciencia</title> (first published in 1900, and
				translated as <title render="italic">The Tree of Knowledge</title> in 1922) to be
				Baroja's greatest work. The semi-autobiographical bildungsroman details the life of
				Andres Hurtado, a young medical student who searches for meaning, confronts life's
				injustices, and ultimately commits suicide. </p>
			<p>Like many Spanish novelists, Baroja wrote in a pessimistic and picaresque style. Most
				critics agree that Baroja belonged to the Generation of 1898, a loosely linked group
				of young writers preoccupied with Spain's social and political deterioration at the
				turn of the century. Much of Baroja's writing--characterized by its simplicity,
				directness, and use of colloquial language--focuses on the difficulties of modern
				city life for the Spanish underclass. Although Baroja practiced medicine for only a
				short time, his medical experiences left deep and abiding impressions. Baroja
				scholars estimate that 200 physicians appear in his collected works. </p>
			<p>Baroja lived a fairly quiet and sedentary life in Spain, but would occasionally
				travel through Europe, especially to France, England, and Italy. During his travels
				he met other literary luminaries like Oscar Wilde and Spanish poet Antonio Machado,
				and he accumulated an impressive library of books about witchcraft and the occult.
				In July 1936, at the start of the Spanish Civil War, Baroja was imprisoned as "an
				enemy of tradition." Even though a member of the army recognized Baroja as a famous
				author and released him after a single night in jail, Baroja was outraged and moved
				to France. He didn't return until the end of the war in 1939.</p>
			<p>Back in Madrid, Baroja published his memoirs. The six volume <title render="italic"
					>Memorias</title> (<title render="italic">Memories</title>) appeared between
				1944 and 1949. In his old age Baroja suffered from arteriosclerosis and memory loss.
				He died in Madrid on October 30, 1956, and family, friends, and writers attended his
				funeral. Ernest Hemingway, an admirer, was asked to be a pallbearer but declined,
				saying he felt unworthy of such an honor. </p>

		</bioghist>
		<bibliography>
			<head>Sources:</head>
			<p>Baroja, Pío Caro, ed. <title render="italic">Guia de Pío Baroja: el mundo
				barojiano</title>. Madrid: Caro Raggio: Catedra, 1987.</p>
			<p>Patt, Beatrice P. <title render="italic">Pío Baroja</title>. New York: Twayne
				Publishers, 1971.</p>
			<p><title render="doublequote">Pío Baroja.</title>
				<title render="italic">Contemporary Authors Online</title>,
				http://galenet.galegroup.com (accessed 20 February 2006).</p>
		</bibliography>
		<controlaccess>
			<head>Index Terms</head>
			<controlaccess>
				<head>Subjects</head>
				<subject encodinganalog="650" source="lcsh">Authors, Spanish -- 20th century.</subject>

			</controlaccess>
		</controlaccess>
		<scopecontent encodinganalog="520">
			<head>Scope and Contents</head>
			<p>The Pío Baroja Papers consist of his manuscripts for three novellas, four novels,
				one published pamphlet, and one unidentified text. The manuscripts date from
				1921-1948 and are arranged alphabetically in a single series. All manuscripts are
				written in Spanish.</p>
			<p>The following titles are included: <title render="italic">Los buscadores de
				tesoros</title> (<title render="italic">The Treasure Seekers</title>), <title
					render="italic">La casa de los Rosales</title> (<title render="italic">The
						Rosales Family's House</title>), <title render="italic">Los enigmáticos</title>
					(<title render="italic">The Enigmatic Ones</title>), <title render="italic">El
					estanque verde</title> (<title render="italic">The Green Pool</title>), <title
						render="italic">El cura de Monleón</title> (<title render="italic">The Priest of
							Monleón</title>) from <title render="italic">La juventud perdida</title> (<title
					render="italic">Lost Youth</title>) trilogy, and <title render="italic">El amor,
					el dandismo, y la intriga</title> (<title render="italic">Love, Dandyism, and
					Intrigue</title>) and <title render="italic">Las furias</title> (<title
					render="italic">The Furies</title>), both from <title render="italic">Memorias
						de un hombre de acción</title> (<title render="italic">Memories of a Man of
					Action</title>).</p>
			<p>The unidentified typescript is twenty pages long and begins mid-sentence: "...a comer
				de las bellotas." The characters mentioned include Father Caballeria and Mosen Juan.
				Partway through the typescript a new chapter begins, entitled, "Un cura hechicero."</p>
			<p>The manuscripts are in good condition: legible and firmly bound. Six of the
				manuscripts are typed, with handwritten corrections in the margins. Two of the
				manuscripts are handwritten with typescript inserts. Most of the manuscripts are
				dedicated, in Baroja's hand, to "Dr. Manuel Val y Vera." Manuel Val y Vera was a
				longtime friend of Baroja's and the basis for the recurring character, "Dr.
				Valverde." </p>
		</scopecontent>
		<acqinfo encodinganalog="541">
			<head>Acquisition: </head>
			<p>Purchase, 1978 (R8081)</p>

		</acqinfo>
		<accessrestrict encodinganalog="506">
			<head>Access: </head>
			<p>Open for research</p>
		</accessrestrict>
		<processinfo encodinganalog="583">
			<head>Processed by: </head>
			<p>Delaney Hall, 2006</p>
		</processinfo>
		<relatedmaterial encodinganalog="544 1">
			<p>Additional Pío Baroja materials are located at the Ransom Center in the Alfred A.
				Knopf Records and the Carlton Lake Collection.</p>

		</relatedmaterial>
		<dsc type="combined">
			<head>Container List</head>
			<c01 level="series">
				<did>
					<unittitle>Series I. Novels and Novellas, <unitdate era="ce"
							calendar="gregorian" type="inclusive">1921-1948, undated</unitdate>
					</unittitle>
				</did>
				<c02>
					<did>
						<container type="Container">1.1</container>
						<unittitle><title render="italic">Los buscadores de tesoros</title> (<title
								render="italic">The Treasure Seekers</title>, 1939) and published
							pamphlet of the same title, undated</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.2</container>
						<unittitle><title render="italic">La casa de los Rosales</title> (<title
								render="italic">The Rosales Family's House</title>,
						undated)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.3</container>
						<unittitle><title render="italic">Los enigmáticos</title> (<title
								render="italic">The Enigmatic Ones</title>, 1948)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">1.4</container>
						<unittitle><title render="italic">El estanque verde</title> (<title
								render="italic">The Green Pool</title>, 1943)</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle>&#xA0;</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle><title render="italic">La juventud perdida</title> (<title
								render="italic">Lost Youth</title>), trilogy title</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">2.1</container>
							<unittitle><title render="italic">El cura de Monleón</title> (<title
								render="italic">The Priest of Monleón</title>, 1936)</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle>&#xA0;</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle><title render="italic">Memorias de un hombre de acción</title>
								(<title render="italic">Memories of a Man of Action</title>), series
							title</unittitle>
					</did>
					<c03>
						<did>
							<unittitle><title render="italic">El amor, el dandismo, y la
								intriga</title> (<title render="italic">Love, Dandyism, and
								Intrigue</title>, 1922)</unittitle>
						</did>


						<c04>
							<did>
								<container type="Container">3.1</container>
								<unittitle>Volume I</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">3.2</container>
								<unittitle>Volume II</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">4.1</container>
							<unittitle><title render="italic">Las furias</title> (<title
									render="italic">The Furies</title>, 1921)</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">4.2</container>
						<unittitle>Unidentified typescript, undated</unittitle>
					</did>
				</c02>
			</c01>

		</dsc>

	</archdesc>
</ead>
