<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "ead.dtd">
<ead relatedencoding="MARC21">
	<eadheader audience="internal" countryencoding="iso3166-1" dateencoding="iso8601"
		langencoding="iso639-2b" repositoryencoding="iso15511" scriptencoding="iso15924">
		<eadid countrycode="US" encodinganalog="852$a" mainagencycode="TxU-Hu"
			>urn:taro:utexas.hrc.00378</eadid>
		<!--DO NOT MODIFY ANY OF THE BOILERPLATE TEXT ABOVE THIS LINE-->
		<!-- revised 8 July 2008 -->
		<filedesc>
			<titlestmt>
				<titleproper>Aldous Huxley:</titleproper>

				<subtitle>An Inventory of His Collection in the Manuscript Collection at the Harry
					Ransom Humanities Research Center</subtitle>
				<author encodinganalog="245$c">Finding aid created by Katherine Mosley</author>
			</titlestmt>
			<publicationstmt>
				<publisher encodinganalog="260$b">Harry Ransom Humanities Research Center, </publisher>
				<date encodinganalog="260$c" calendar="gregorian" era="ce">2006</date>
			</publicationstmt>
		</filedesc>
		<profiledesc>
			<creation>Finding aid encoded by Stephen Mielke, <date calendar="gregorian" era="ce">13
					August 2008</date>
			</creation>
			<langusage>Finding aid written in <language>English</language></langusage>
		</profiledesc>
	</eadheader>
	<archdesc level="collection">
		<did>
			<repository encodinganalog="852$a">
				<corpname>The University of Texas at Austin, <subarea> Harry Ransom Humanities
						Research Center</subarea></corpname>
			</repository>
			<origination label="Creator:">
				<persname source="lcnaf" encodinganalog="100">Huxley, Aldous, 1894-1963</persname>
			</origination>
			<unittitle encodinganalog="245$a" label="Title:">Aldous Huxley Collection</unittitle>

			<unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian"
				label="Dates:" normal="1915/1973">1915-1973</unitdate>

			<physdesc label="Extent:" encodinganalog="300$a">
				<extent>6 boxes (2.52 linear feet)</extent>
			</physdesc>

			<abstract label="Abstract:" encodinganalog="520$a">The Aldous Huxley materials date from
				1915 to 1973 and include his manuscripts, proofs, contracts, and correspondence.</abstract>

			<langmaterial label="Language: ">
				<language langcode="eng">English</language>
				<language/>
			</langmaterial>
			<unitid encodinganalog="099" label="RLIN Record ID: ">TXRC06-A25</unitid>

		</did>
		<bioghist encodinganalog="545">
			<head>Biographical Sketch</head>
			<p>Novelist Aldous Huxley was born July 26, 1894, in Godalming, Surrey, England, to
				Leonard and Julia Huxley. He attended Eton College and hoped to become a doctor
				until an eye infection left him blind for nearly eighteen months. After his eyesight
				recovered enough, he went on to study at Balliol College, Oxford, where he received
				his B.A. in English in 1916. However, his poor eyesight disqualified him from
				serving in World War I and the medical profession. He worked as a schoolmaster at
				Eton from 1917 to 1919, but from then on made a career from his writing. Besides
				novels, essays, and short stories, he also produced poetry, travel writing, and
				filmscripts.</p>

			<p>Huxley married Maria Nys in 1919; they had one son, Matthew, who was born in 1920.
				Huxley worked as an editor at the <title render="italic">Athenaeum</title> and as a
				drama critic for the <title render="italic">Westminster Gazette</title> from 1919
				until 1924. Beginning in 1923, publishing contracts with Chatto &amp; Windus
				provided him with financial security.</p>

			<p>Huxley published three volumes of poetry before publishing his first fiction, <title
					render="italic">Limbo</title> (1920), a collection of short stories and one
				play. His first two novels, <title render="italic">Crome Yellow</title> (1921) and
					<title render="italic">Antic Hay</title> (1923), were social satires, as was
					<title render="italic">Point Counter Point</title> (1928), one of his most
				regarded works. These early novels struck a chord with the post-war generation, and
				Huxley became a popular literary figure in England. <title render="italic">Brave New
					World</title>, a broader satire of values in modern technological society, was
				published in 1932 and brought him international recognition.</p>

			<p>Huxley’s later writings, such as <title render="italic">Eyeless in Gaza</title>
				(1936), were more mystical and philosophical. After having lived in Italy during
				much of the 1920s, the Huxleys, along with Gerald Heard, moved to California in
				1937. There Huxley became interested in Hindu philosophy, parapsychology, and
				mind-altering drugs. <title render="italic">The Perennial Philosophy</title> (1954)
				discussed the ideas of the world’s great mystics. Huxley described his experiences
				with hallucinogenic drug use in <title render="italic">The Doors of
				Perception</title> (1954). In <title render="italic">Literature and Science</title>
				(1963), he reflected on the relationship between the two disciplines. His later
				novels <title render="italic">Ape and Science</title> (1948), <title render="italic"
					>The Genius and the Goddess</title> (1955), and <title render="italic"
				>Island</title> (1962) were apologues and less successful due to their expository
				style.</p>

			<p>Maria Huxley died of cancer in 1955, and Huxley married Laura Archera in 1956. Aldous
				Huxley died of cancer in Los Angeles, California, on November 22, 1963.</p>

		</bioghist>

		<controlaccess>
			<head>Index Terms</head>
			<controlaccess>
				<head>People</head>
				<persname encodinganalog="700" source="lcnaf">Allen, Rita. </persname>
				<persname encodinganalog="700" source="lcnaf">Anthony, Joseph, 1912-1993. </persname>
				<persname encodinganalog="700" source="lcnaf">Arányi, Jelly d', 1893-1966.</persname>
				<persname encodinganalog="700" source="lcnaf">Bedford, Sybille, 1911-2006.</persname>
				<persname encodinganalog="700" source="lcnaf">Brook, Clive, 1887-1974.</persname>
				<persname encodinganalog="700" source="lcnaf">Carrington, Dora de Houghton,
					1893-1932.</persname>
				<persname encodinganalog="700" source="lcnaf">De Liagre, Alfred, 1904- .</persname>
				<persname encodinganalog="700" source="lcnaf">Harper, Allanah,1904- .</persname>
				<persname encodinganalog="700" source="lcnaf">Heard, Gerald, 1889-1971.</persname>
				<persname encodinganalog="700" source="lcnaf">Herlitschka, Herberth E., 1893- .</persname>
				<persname encodinganalog="700" source="lcnaf">Isherwood, Christopher, 1904-1986.</persname>
				<persname encodinganalog="700" source="lcnaf">Loos, Anita, 1893-1981. </persname>
				<persname encodinganalog="700" source="lcnaf">Neveux, Jeanne.</persname>
				<persname encodinganalog="700" source="lcnaf">Pearson, Malcolm.</persname>
				<persname encodinganalog="700" source="lcnaf">Robinson, G. Sidney.</persname>
				<persname encodinganalog="700" source="lcnaf">Sackville-West, Edward, Hon.,
					1901-1965.</persname>
				<persname encodinganalog="700" source="lcnaf">Smith, Grover Cleveland, 1923- .</persname>
				<persname encodinganalog="700" source="lcnaf">Wendel, Beth.</persname>
			</controlaccess>
			<controlaccess>
				<head>Organizations</head>
				<corpname encodinganalog="710" source="lcnaf">Fosters' Agency Ltd.</corpname>
				<corpname encodinganalog="710" source="lcnaf">J. B. Pinker and Sons. </corpname>
				<corpname encodinganalog="710" source="lcnaf">William Morris Agency.</corpname>
			</controlaccess>
			<controlaccess>
				<head>Subjects</head>
				<subject encodinganalog="650" source="lcsh">Authors, English.</subject>
			</controlaccess>
			<controlaccess>
				<head>Document Types</head>
				<genreform encodinganalog="655" source="aat">Contracts.</genreform>
			</controlaccess>
		</controlaccess>
		<scopecontent encodinganalog="520">
			<head>Scope and Contents</head>
			<p>Aldous Huxley materials date from 1915 to 1973 and include his manuscripts, proofs,
				contracts, and correspondence. The materials are arranged in two series: I. Works
				and Career-Related, 1929-1938, 1955, 1957, undated; and II. Correspondence,
				1915-1973, undated. Series I is divided into two subseries, A. Works, 1929-1936,
				undated; and B. Career-Related Material, 1931-1938, 1955, undated. This collection
				was previously accessible through a card catalog, but has been re-cataloged as part
				of a retrospective conversion project.</p>

			<p>Huxley’s works are arranged alphabetically. Notable manuscripts include a bound
				corrected typescript of <title render="italic">Brave New World</title>, with
				handwritten inserts; bound corrected page proofs of <title render="italic">Eyeless
					in Gaza</title>, a corrected playscript with handwritten stage directions for
					<title render="italic">The Genius and the Goddess</title>, and corrected
				playscripts of <title render="italic">Now More than Ever</title> and <title
					render="italic">The World of Light</title>. Corrected typescripts, page proofs,
				and galley proofs of many essays written for <title render="italic">Nash’s Pall-Mall
					Magazine</title> are also present. Two bound volumes (<title
					render="doublequote">Seventeen Essays</title> and <title render="doublequote"
					>Sixty-two Short Essays</title>) contain typescripts of essays, many with
				corrections. Typescripts of various poems are also present. An index of works is
				located at the end of this inventory. </p>

			<p>Career-related materials include publishing contracts from 1931 to 1938 and a 1955
				production contract for <title render="italic">The Genius and the Goddess</title>,
				as well as a typescript interview with corrections made by Huxley and a handwritten
				questionnaire of interview questions with Huxley’s handwritten responses, both
				undated.</p>

			<p>Correspondence is primarily outgoing; notable letters include those to Jelly
				d’Arányi, Alannah Harper, literary agents J. B. Pinker and Sons, Naomi Mitchison,
				and Kethevan Hotinski Roberts. Correspondence relating to the playscript <title
					render="italic">The Genius and the Goddess</title> includes letters with Rita
				Allen, Joseph Anthony, co-author Beth Wendel, and the William Morris Agency, as well
				as Wendel’s correspondence with Rita Allen, Courtney Burr, Frank Hauser, and
				numerous others about the play and its production. Grover Smith edited a collection
				of Huxley’s letters, <title render="italic">Letters of Aldous Huxley</title> (1969),
				and letters to him from various individuals regarding Huxley are also present. A
				complete list of correspondents may be found in the Index of Correspondents at the
				end of this inventory.</p>

		</scopecontent>
		<acqinfo encodinganalog="541">
			<head>Acquisition: </head>
			<p>Purchases and gifts, 1964-1989 (R1205, R1364, R2260, R2382, R3324, R3599, R3732,
				R4228, R4289, R4786, R6625, R6921, R11910)</p>
		</acqinfo>
		<accessrestrict encodinganalog="506">
			<head>Access: </head>
			<p>Open for research</p>
		</accessrestrict>
		<processinfo encodinganalog="583">
			<head>Processed by: </head>
			<p>Katherine Mosley, 2006</p>
		</processinfo>
		<relatedmaterial encodinganalog="544 1">
			<p>Other manuscripts relating to Aldous Huxley at the Ransom Center may be found in the
				Sybille Bedford, Judson Crews, Allanah Harper, Mary Hutchinson, Nicolas Nabokov,
				James B. Pinker, Frederic Prokosch, Nancy Wilson Ross, Leonard Russell, Evelyn
				Scott, Swami Vidyatmananda, and Mike Wallace papers.</p>

		</relatedmaterial>
		<dsc type="combined">
			<head>Folder List</head>
			<c01 level="series">
				<did>
					<unittitle>Series I. Works and Career-Related, <unitdate era="ce"
							calendar="gregorian" type="inclusive">1929-1938, 1955, 1957,
						undated</unitdate>
					</unittitle>
				</did>
				<c02 level="subseries">
					<did>

						<unittitle>
							<emph render="bold">Subseries A. Works, </emph>
							<unitdate era="ce" calendar="gregorian" type="inclusive">
								<emph render="bold">1929-1936, 1957, undated</emph>
							</unitdate>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Box">1</container>
							<container type="Folder">1</container>
							<unittitle><title render="doublequote">Abroad in England,</title>
								corrected typescript and corrected page proofs for <title
									render="italic">Nash’s Magazine</title>, 1931, bound together.
								With <title render="doublequote">Sight-seeing in Alien
								Englands</title>
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">1</container>
							<container type="Folder">2</container>
							<unittitle>[<title render="doublequote">Almeria</title> (poem)],
								handwritten manuscript, undated (see also <title
									render="doublequote">Pagan Year,</title> folder 4.11)
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">1</container>
							<container type="Folder">3</container>
							<unittitle><title render="doublequote">The Angry Ape,</title> corrected
								typescript, page layout, page proof, and galley proof for <title
									render="italic">Nash’s Magazine</title>, 1931, all bound
								together. With unbound duplicate galley proof and page proof
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">1</container>
							<container type="Folder">4</container>
							<unittitle><title render="doublequote">Beyond the Mexique Bay,</title>
								bound corrected typescript, [1934] </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">1</container>
							<container type="Folder">5</container>
							<unittitle>[Blurb for Karin Leyden paintings], facsimile of handwritten
								manuscript on printed invitation to Leicester Galleries exhibition,
								undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">1</container>
							<container type="Folder"/>
							<unittitle>
								<title render="italic">Brave New World</title>
							</unittitle>
						</did>
						<c04>
							<did>
								<container type="Box">1</container>
								<container type="Folder">6</container>
								<unittitle>Corrected typescript with handwritten inserts, bound in
									three volumes, undated </unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Box">2</container>
								<container type="Folder">1</container>
								<unittitle>Corrected typescript (continued) </unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Box">2</container>
								<container type="Folder">2</container>
								<unittitle>Bound corrected proofs, 1932 </unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Box">2</container>
							<container type="Folder">3</container>
							<unittitle><title render="doublequote">Bullfights,</title> corrected
								typescript titled <title render="doublequote">Bullfights and
									Democracy,</title> page layout, page proof, and galley proof for
									<title render="italic">Nash’s Magazine</title>, 1932, all bound
								together. With unbound duplicate page proof </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">2</container>
							<container type="Folder"/>
							<unittitle><title render="doublequote">Christ and the Present
								Crisis</title>--see <title render="doublequote">If Christ Should
									Come [Today!]</title>
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">2</container>
							<container type="Folder">4</container>
							<unittitle><title render="doublequote">The Cult of the
								Infantile,</title> corrected typescript and page proof from <title
									render="italic">Nash’s Magazine</title>, 1933, bound together.
								With unbound duplicate page proof </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">2</container>
							<container type="Folder">5</container>
							<unittitle><title render="doublequote">The Cunning of the
								Oriental,</title> corrected typescript, page proof, and galley proof
								for <title render="italic">Nash’s Magazine</title>, 1932, all bound
								together. With unbound duplicate page proof </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">2</container>
							<container type="Folder">6</container>
							<unittitle><title render="doublequote">Drugs,</title> corrected
								typescript and galley proof for <title render="italic">Nash’s
									Magazine</title>, 1931, bound together. With unbound duplicate
								galley proof </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">3</container>
							<container type="Folder"/>
							<unittitle>
								<title render="italic">Eyeless in Gaza</title>
							</unittitle>
						</did>
						<c04>
							<did>
								<container type="Box">3</container>
								<container type="Folder">1</container>
								<unittitle>Bound corrected page proofs, undated. Bound with letter
									from Huxley to E. C. M. Joad, 7 June 1936 </unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Box">3</container>
								<container type="Folder">2</container>
								<unittitle>Bound corrected page proofs, 1936</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Box">3</container>
							<container type="Folder">3</container>
							<unittitle><title render="doublequote">Forewarned Is Not
								Forearmed,</title> corrected typescript, page proof, and galley
								proof for <title render="italic">Nash’s Magazine</title>, 1932, all
								bound together </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">3</container>
							<container type="Folder"/>
							<unittitle><title render="italic">The Genius and the Goddess</title>
								(playscript by Huxley and Betty Wendel, based on Huxley’s novel)
							</unittitle>
						</did>
						<c04>
							<did>
								<container type="Box">3</container>
								<container type="Folder">4</container>
								<unittitle>Corrected typescript, with handwritten stage directions,
									Oct.-Nov. 1957. With Jane Surrey’s resume, memorandum from
									Huxley to Wendel, 24 Nov. 1957, and furniture and dressing plot,
									15 Nov. 1957 </unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Box">3</container>
								<container type="Folder">5</container>
								<unittitle>Corrected typescript fragment, undated</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Box">3</container>
							<container type="Folder">6</container>
							<unittitle><title render="doublequote">Good Conversation,</title>
								corrected typescript, page proof, and galley proof for <title
									render="italic">Nash’s Magazine</title>, 1931, all bound
								together </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">3</container>
							<container type="Folder">7</container>
							<unittitle><title render="doublequote">Greater and Lesser
								London,</title> corrected typescript, page layout, page proofs, and
								galley proof fragment for <title render="italic">Nash’s
								Magazine</title>, 1931, all bound together </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">3</container>
							<container type="Folder">8</container>
							<unittitle><title render="doublequote">Hyde Park on Sunday,</title>
								corrected typescript and layout page, [1931], bound together. With
								unbound page proof for <title render="italic">Nash’s
								Magazine</title>, 1931 </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">1</container>
							<unittitle><title render="doublequote">If Christ Should Come
								[Today!]</title> [symposium contribution], corrected typescript
								titled <title render="doublequote">Christ and the Present
								Crisis,</title> page proof fragment, and galley proof fragment,
								1932, all bound together. With typescripts by G. K. Chesterton, J.
								B. S. Haldane, and Dean Inge </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder"/>
							<unittitle>
								<title render="italic">Jesting Pilate: The Diary of a
								Journey</title>
							</unittitle>
						</did>
						<c04>
							<did>
								<container type="Box">4</container>
								<container type="Folder">2</container>
								<unittitle>Corrected typescript, undated</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Box">4</container>
								<container type="Folder">3</container>
								<unittitle>Corrected typescript, with four typescript fragments,
									undated </unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">4</container>
							<unittitle><title render="italic">Joyce, the Artificer: Two Studies of
									Joyce’s Method</title> (with Stuart Gilbert), corrected
								typescript foreword and corrected typescript, both undated
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">5</container>
							<unittitle><title render="doublequote">Love: A Fashion Forecast,</title>
								corrected typescript and galley proof for <title render="italic"
									>Nash’s Magazine</title>, 1932, bound together. With unbound
								duplicate galley proof </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">6</container>
							<unittitle><title render="doublequote">The Moor (After Seeing Paul
									Robeson’s Performance of Othello)</title> (poem), corrected
								typescript, undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">7</container>
							<unittitle><title render="doublequote">The New Salvationism,</title>
								handwritten manuscript, undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">8-9</container>
							<unittitle><title render="italic">Now More Than Ever</title>
								(playscript), corrected typescript, undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">10</container>
							<unittitle><title render="doublequote">On Being the Right Size,</title>
								corrected typescript, page proof, and galley proof for <title
									render="italic">Nash’s Magazine</title>, 1932, all bound
								together </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">11</container>
							<unittitle><title render="doublequote">Pagan Year</title> (poem),
								corrected typescript, with <title render="doublequote"
								>Almeria,</title> undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">12</container>
							<unittitle><title render="doublequote">Perils of the Small Hours</title>
								(poem), typescript, with <title render="doublequote">Return to an
									Old Home,</title> undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">13</container>
							<unittitle><title render="doublequote">The Rest Cure,</title>
								typescript, page proofs, and galley proofs, 1929, all bound together
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">14</container>
							<unittitle><title render="doublequote">Seventeen Essays,</title> bound
								handwritten and typescript essays, undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">4</container>
							<container type="Folder">*</container>
							<unittitle><title render="doublequote">Sight-seeing in Alien
								Englands,</title> corrected typescript, layout page, and page
								proofs, all bound together (*bound with <title render="doublequote"
									>Abroad in England,</title> folder 1.1) </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">5</container>
							<container type="Folder">1</container>
							<unittitle>[<title render="doublequote">Sixty-two Short Essays</title>]
									<title render="doublequote">A Collection of Typescripts of
									Two-page Essays,</title> bound typescripts, many with
								corrections, undated </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">5</container>
							<container type="Folder">2</container>
							<unittitle><title render="italic">Texts and Pretexts: An Anthology with
									Commentaries</title>, bound incomplete corrected typescript,
								[1932] </unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">5</container>
							<container type="Folder">3</container>
							<unittitle>[<title render="doublequote">What Is History?</title>],
								corrected typescript, undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">5</container>
							<container type="Folder">4</container>
							<unittitle><title render="italic">The World of Light: A Comedy in Three
									Acts</title> (playscript), bound corrected typescript, 1931
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">5</container>
							<container type="Folder">5</container>
							<unittitle>[Untitled article on slow movement of Beethoven’s Quartet in
								A Minor used in dramatization of <title render="italic">Point
									Counter Point</title>], handwritten manuscript, undated
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">5</container>
							<container type="Folder">6</container>
							<unittitle>[Untitled poem] <title render="doublequote">Myrrhine, we have
									often sung...,</title> handwritten manuscript, undated
							</unittitle>
						</did>
					</c03>
				</c02>
				<c02 level="subseries">
					<did>
						<container type="Box">5</container>
						<container type="Folder"/>
						<unittitle>
							<emph render="bold">Subseries B. Career-Related, </emph>
							<unitdate era="ce" calendar="gregorian" type="inclusive">
								<emph render="bold">1931-1938, 1955, undated</emph>
							</unitdate>
						</unittitle>
					</did>
					<c03>
						<did>
							<container type="Box">5</container>
							<container type="Folder">7</container>
							<unittitle>Contracts, 1931-1938, 1955</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">5</container>
							<container type="Folder">8</container>
							<unittitle>Interview, corrected typescript [by Louise Morgan for <title
									render="italic">Everyman</title>] with additional corrections by
								Huxley, titled <title render="doublequote">Aldous Huxley: Who Wrote
									His First Novel in Complete Darkness,</title> undated
							</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Box">5</container>
							<container type="Folder">9</container>
							<unittitle>Questionnaire, handwritten manuscript of questions [by Louise
								Morgan for <title render="italic">Everyman</title>], with Huxley’s
								handwritten responses, undated </unittitle>
						</did>
					</c03>
				</c02>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series II. Correspondence, <unitdate era="ce" calendar="gregorian"
							type="inclusive">1915-1973, undated</unitdate>
					</unittitle>
				</did>
				<c02>
					<did>
						<container type="Box">5</container>
						<container type="Folder">10</container>
						<unittitle>A-Z, 1915-1963, undated</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Box">5</container>
						<container type="Folder">11</container>
						<unittitle>Arányi, Jelly d’, [1915]-1918, undated</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Box">5</container>
						<container type="Folder">12</container>
						<unittitle>Roberts, Kethevan Hotinski, 1930-1941, undated</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Box">5</container>
						<container type="Folder">13</container>
						<unittitle>Smith, Grover, 1948-1967</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Box">6</container>
						<container type="Folder">1</container>
						<unittitle>Titus, Edward W., 1929-1930</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Box">6</container>
						<container type="Folder">2-3</container>
						<unittitle>Wendel, Beth <emph render="doublequote">Betty,</emph> 1954-1973,
							undated</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Box">6</container>
						<container type="Folder">4</container>
						<unittitle>Bound volume of letters, primarily to J. B. Pinker &amp;
							Sons, 1920-1934 </unittitle>
					</did>
				</c02>
			</c01>
		</dsc>
		<odd type="index">
			<head>Index of Correspondents</head>
			<p>Box and folder numbers are followed by a number in parentheses which indicates the
				number of items by that person. A single item is indicated where there is no number
				in parentheses following the box and folder number. Where there is correspondence
				from Aldous Huxley, the number in parentheses is followed by the phrase "from
				Huxley." So in the example: </p>

			<p>Doran, George H. (George Henry), 1869-1956--5.10 (2 from Huxley), 6.4 </p>

			<p>there are two letters from Huxley to Doran in box 5, folder 10, and one letter from
				Doran to Huxley in box 6, folder 4.</p>

			<list>
				<item><persname>Ably, Jean, b. 1889</persname>--6.4 (with note from Huxley)</item>
				<item><persname>Aldington, Richard, 1892-1962</persname>--5.10 (2 from Huxley, re.
					D. H. Lawrence) </item>
				<item><persname>Allen, Rita</persname>--5.10 (2), 6.2 (9 to Beth Wendel, 2 from
					Wendel)</item>
				<item><corpname>American Arbitration Association</corpname>--6.3 (to Weissberger
					&amp; Frosch)</item>
				<item><persname>Anthony, Joseph, 1912-1993</persname>--5.10 (2)</item>
				<item><persname>Arányi, Jelly d’, 1893-1966</persname>--5.11 (23 from Huxley)</item>
				<item><persname>Arzner, Dorothy, 1900-1979</persname>--6.2 (2) </item>
				<item><persname>Bagnold, Enid</persname>--5.13 (to Grover Smith)</item>
				<item><persname>Barton, __</persname>--6.4 (from Huxley)</item>
				<item><persname>Bedford, Sybille, 1911-2006</persname>--5.10 (from Huxley), 6.2 (2
					to Beth Wendel)</item>
				<item><persname>Bernhard Tauchnitz Verlag (Curt Otto)</persname>--6.4 (to J. B.
					Pinker and Sons)</item>
				<item><title render="italic">Bookman’s Journal</title>--5.10 (from Huxley)</item>
				<item><corpname>British Broadcasting Company</corpname> (Michael Barry)--6.2 (to
					Fosters’ Agency)</item>
				<item><persname>Brook, Clive, 1887-1974</persname>--6.2 (11 to Beth Wendel, 3 from
					Wendel)</item>
				<item><persname>Burr, Courtney</persname>--6.2 (3 to Beth Wendel, 1 from Wendel),
					6.3 (5 from Weissberger &amp; Frosch, 2 from William Morris Agency)</item>
				<item><persname>Carpentier, Pierre</persname>--6.4 (to J. B. Pinker and Sons)</item>
				<item><persname>Carrington, Dora de Houghton, 1893-1932</persname>--5.10 (5 from
					Huxley)</item>
				<item><corpname>Chatto &amp; Windus (Firm)</corpname> (C. H. C. Prentice)--6.4
					(1 to Eric Pinker, 2 to J. Ralph Pinker)</item>
				<item><corpname>Christopher Mann Management Ltd.</corpname> (Aubrey Blackburn)--6.2
					(to Alfred De Liagre)</item>
				<item><persname>Clark, G. N. (George Norman), Sir, 1890- </persname>--5.13 (to
					Grover Smith)</item>
				<item><persname>Clark, Kenneth, Sir</persname>--5.13 (to Grover Smith)</item>
				<item><corpname>Constable (Firm)</corpname> (Michael Sadleir)--6.4 (1 to Huxley, 1
					to Eric Pinker)</item>
				<item><persname>Cummings, Constance, 1910- </persname>--6.2 (to Beth Wendel)</item>
				<item><persname>De Liagre, Alfred, 1904- (<emph render="doublequote"
					>Delly</emph>)</persname>--6.2 (9 to Beth Wendel, 6 from Wendel, 1 from
					Christopher Mann Management Ltd.)</item>
				<item><persname>Doran, George H. (George Henry), 1869-1956</persname>--5.10 (2 from
					Huxley), 6.4 </item>
				<item><corpname>Dramatists Guild</corpname> (Justin Menus, Mills Ten Eyck, Jr.)--6.3
					(2 from Weissberger &amp; Frosch)</item>
				<item><persname>Dyson, __</persname>-- 6.4 (from Huxley)</item>
				<item><persname>Forster, E. M. (Edward Morgan), 1879-1970</persname>--5.13 (to
					Grover Smith)</item>
				<item><corpname>Fosters’ Agency Ltd.</corpname> (Max Kester, Gladys Toyne)--6.2 (19
					to Beth Wendel, 4 from Wendel, 11 to William Morris Agency)</item>
				<item><corpname>Fountain Press</corpname> (James R. Wells)--6.4 (to J. Ralph Pinker)</item>
				<item><persname>Gallup, __</persname>--5.10 (from Huxley)</item>
				<item><persname>Gillman, Elias</persname>--5.10 (from Huxley)</item>
				<item><persname>Gottlieb, Morton</persname>--6.3 (also from Albert Seldon, to Beth
					Wendel)</item>
				<item><persname>Graves, Robert, 1895-1985</persname>--5.13 (to Grover Smith)</item>
				<item><corpname>H. M. Tennent Ltd.</corpname> (Hugh Beaumont)--6.2 (2 to Beth
					Wendel)</item>
				<item><persname>Harper, Allanah, 1904- </persname>--5.10 (from Huxley)</item>
				<item><persname>Hartley, L. P. (Leslie Poles), 1895-1972</persname>--5.13 (to Grover
					Smith)</item>
				<item><persname>Hauser, Frank, 1922- </persname>--see Meadow Players Limited</item>
				<item><persname>Heard, Gerald, 1889-1971</persname>--5.13 (to Grover Smith)</item>
				<item><persname>Herlitschka, Herberth E., 1893- </persname>--6.2 (to Beth Wendel),
					6.4 </item>
				<item><persname>Houseman, John</persname>--6.2 (to Beth Wendel)</item>
				<item><persname>Huxley, Julian, 1887-1975</persname>--6.4 (to unidentified
					recipient)</item>
				<item><persname>Isherwood, Christopher, 1904-1986</persname>--5.13 (to Grover Smith)</item>
				<item><corpname>J. B. Pinker and Sons</corpname> (Eric Pinker, J. Ralph Pinker, F.
					L. Wicken)--6.4 (1 from Pierre Carpentier, 3 from Chatto &amp; Windus, 1
					from Constable (Firm), 1 from Fountain Press, 289 from Huxley, 1 from Melantrich
					(Firm), 1 from <title render="italic">Nash’s Magazine</title>, 1 from <title
						render="italic">New York American</title>, 1 from Bernhard Tauchnitz Verlag)</item>
				<item><persname>Jackson, W.</persname>--5.10 (from Huxley)</item>
				<item><persname>Joad, C. E. M. (Cyril Edwin Mitchinson), 1891-1953</persname>--3.1
					(from Huxley)</item>
				<item><persname>Koestler, Arthur, 1905-1983</persname>--5.13 (2 to Grover Smith)</item>
				<item><persname>Knebel, Herbert A.</persname>--5.10 (from Huxley)</item>
				<item><persname>Knight, __</persname>--5.10 (from Huxley)</item>
				<item><persname>Loos, Anita, 1893-1981</persname>--6.2 (5 to Beth Wendel) </item>
				<item><persname>Mainbocher, 1891-1976</persname>--6.3 (4 to Beth Wendel)</item>
				<item><corpname>Meadow Players Limited</corpname> (Frank Hauser)--6.3 (10 to Beth
					Wendel)</item>
				<item><corpname>Melantrich (Firm)</corpname>--6.4 (to J. B. Pinker and Sons)</item>
				<item><persname>Mitchison, Naomi, 1897- </persname>--5.10 (2 from Huxley)</item>
				<item><persname>Moeller, Philip, 1880-1958</persname>--5.10 (from Huxley)</item>
				<item><persname>Monro, Harold, 1879-1932</persname>--5.10 (3 from Huxley)</item>
				<item><persname>Morgan, Louise</persname>--5.10 (2 from Huxley) </item>
				<item><title render="italic">Nash’s Magazine</title> (E. Atkins)--6.4 (to J. B.
					Pinker and Sons)</item>
				<item><persname>Neveux, Jeanne</persname>--6.3 (5 to Beth Wendel, 1 from Wendel)</item>
				<item><title render="italic">New York American</title> (Earl Conteau)--6.4 (to J. B.
					Pinker and Sons)</item>
				<item><persname>Pearson, Malcolm</persname> (<title render="doublequote"
					>Squire</title>)--6.3 (2 to Beth Wendel)</item>
				<item><persname>Rangoolam, S.</persname>--5.10 (from Huxley)</item>
				<item><persname>Roberts, F. Warren</persname>--5.10 (from Huxley)</item>
				<item><persname>Roberts, Kethevan Hotinski</persname>--5.12 (20 from Huxley)</item>
				<item><persname>Robinson, G. Sidney</persname>--5.10 (3 from Huxley)</item>
				<item><persname>Rose, Ralph</persname>--5.10 (10 from Huxley)</item>
				<item><persname>Russell, Bertrand, 1872-1970</persname>--5.13 (to Grover Smith re.
					T. S. Eliot)</item>
				<item><corpname>S. Fischer Verlag</corpname> (Dr. Bermann-Fischer, Stefani
					Hunzinger)--6.3 (from Beth Wendel, to Wendel)</item>
				<item><persname>Sackville-West, Edward, Hon., 1901-1965</persname>--5.13 (2 to
					Grover Smith)</item>
				<item><persname>Sagan, __</persname>--6.4 (from Huxley)</item>
				<item><corpname>Secker &amp; Warburg</corpname> (Martin Secker)--6.4 (to Chatto
					&amp; Windus)</item>
				<item><persname>Selden, Albert</persname>--6.3 (to Wendel, also from Morton
					Gottlieb)</item>
				<item><persname>Smith, Grover Cleveland, 1923- </persname>--5.13 (1 from G. N.
					Clark, 1 from Kenneth Clark, 1 from E. M. Forster, 1 from Robert Graves, 1 from
					L. P. Hartley, 1 from Gerald Heard, 1 from Huxley, 1 from Christopher Isherwood,
					2 from Arthur Koestler, 1 from Bertrand Russell, 2 from Edward Sackville-West, 1
					from Alix Strachey, 1 from James Strachey), 6.3 (from Beth Wendel)</item>
				<item><persname>Sokal, H. R. (Henry R.)</persname>--6.2 (3 to Fosters’ Agency, 1
					from Fosters’ Agency)</item>
				<item><persname>Squire, John Collings, Sir, 1884-1958</persname>--5.10 (from Huxley)</item>
				<item><persname>Strachey, Alix, 1892-1973</persname>--5.13 (to Grover Smith)</item>
				<item><persname>Strachey, James</persname>--5.13 (to Grover Smith)</item>
				<item><persname>Strachey, Lytton, 1880-1932</persname>--5.10 (5 from Huxley)</item>
				<item><persname>Tábori, Paul, 1908-</persname> --6.4 </item>
				<item><persname>Theis, __</persname>--5.10 (2 from Huxley)</item>
				<item>Titus, Edward W., b. 1880--6.1 (3 from Huxley, 4 to Huxley, 1 to Madame
					Lawrence)</item>
				<item><corpname>Weissberger &amp; Frosch</corpname> (Arnold Weissberger)--6.3 (5
					to Courtney Burr, 5 to Huxley, 5 to Beth Wendel, 2 from Wendel, 2 from William
					Morris Agency)</item>
				<item><persname>Wendel, Beth <emph render="doublequote"
					>Betty</emph></persname>--5.10 (2 from Rita Allen to Huxley and Wendel, 12 from
					William Morris Agency to Huxley and Wendel), 6.2 (9 from Rita Allen, 2 to Rita
					Allen, 2 from Dorothy Arzner, 2 from Sybille Bedford, 11 from Clive Brook, 3 to
					Clive Brook, 3 from Courtney Burr, 1 to Courtney Burr, 1 from Constance
					Cummings, 9 from Alfred De Liagre, 6 to Alfred De Liagre, 19 from Fosters’
					Agency, 4 to Fosters’ Agency, 2 from H. M. Tennent, 1 from Herberth E.
					Herlitschka, 1 from John Houseman, 6 to Huxley, 3 from Huxley, 1 from Anita
					Loos, 4 from Mainbocher, 10 from Meadow Players Limited, 5 from Jeanne Neveux, 1
					to Jeanne Neveux, 2 from Malcolm Pearson, 1 from S. Fischer Verlag, 1 to S.
					Fischer Verlag, 1 from Albert Selden and Morton Gottlieb, 1 from Grover Smith, 5
					from Weissberger &amp; Frosch, 2 to Weissberger &amp; Frosch, 28 from
					William Morris Agency, 7 to William Morris Agency) </item>
				<item><corpname>William Morris Agency</corpname> (Sid Berkowitz, Helen Harvey, Alice
					Jones, Alice N. Katz, Robert Youdelman)--5.10 (14), 6.2 (11 from Fosters’
					Agency), 6.3 (2 to Courtney Burr, 2 to Weissberger &amp; Frosch, 28 to Beth
					Wendel, 7 from Beth Wendel)</item>
				<item>Unidentified--6.4 (to Huxley), 5.10 (2 from Huxley)</item>
			</list>
		</odd>
		<odd type="index">
			<head>Index of Works</head>
			<list>
				<item>
					<emph render="underline">By Huxley</emph>
					<list>

						<item><title render="doublequote">Abroad in England</title>--1.1, 4.14</item>
						<item><title render="doublequote">Abroad, Sweet Abroad</title>--5.1</item>
						<item><title render="doublequote">Afternoon at Cholula, An</title>--4.14</item>
						<item><title render="doublequote">Almeria</title> (poem)--1.2, 4.11, 5.10
							(Theis letter)</item>
						<item><title render="doublequote">Angry Ape, The</title>--1.3</item>
						<item><title render="doublequote">Best Sellers</title>--5.1</item>
						<item><title render="doublequote">Beyond the Mexique Bay</title>--1.4</item>
						<item>Blurb for Karin Leyden paintings--1.5</item>
						<item><title render="doublequote">Books without End</title>--5.1</item>
						<item><title render="italic">Brave New World</title>--1.6, 2.1-2</item>
						<item><title render="doublequote">Bullfights</title>--2.3</item>
						<item><title render="doublequote">By Fifties in a Cave</title>--5.1</item>
						<item><title render="doublequote">Cars and Babies</title>--5.1</item>
						<item><title render="doublequote">Cars, Trains, and Psychology</title>--5.1</item>
						<item><title render="doublequote">Ceremonial</title>--4.14</item>
						<item><title render="doublequote">Child as Artist, The</title>--5.1</item>
						<item><title render="doublequote">Comfort</title>--5.1</item>
						<item><title render="doublequote">Compulsion to Co-operate, The</title>--5.1</item>
						<item><title render="doublequote">Conquest of Nature</title>--5.1</item>
						<item><title render="doublequote">Country, The</title>--4.14</item>
						<item><title render="doublequote">Cruelty</title>--5.1</item>
						<item><title render="doublequote">Cult of the Infantile, The</title>--2.4</item>
						<item><title render="doublequote">Cunning of the Oriental, The</title>--2.5</item>
						<item><title render="doublequote">Dangers of Intelligence and the Dangers of
								Emotion, The</title>--5.1</item>
						<item><title render="doublequote">Declarations of Independence</title>--5.1</item>
						<item><title render="doublequote">Decline of Speech, The</title>--5.1</item>
						<item><title render="doublequote">Doctors and Doctoring</title>--5.1</item>
						<item><title render="doublequote">Drugs</title>--2.6</item>
						<item><title render="doublequote">Experiment in [with] Time,
							An</title>--4.14</item>
						<item><title render="italic">Eyeless in Gaza</title>--3.1-2</item>
						<item><title render="doublequote">Fear</title>--5.1</item>
						<item><title render="doublequote">Fiction and Fact</title>--4.14</item>
						<item><title render="doublequote">Forewarned Is Not Forearmed</title>--3.3</item>
						<item>Foreword to unidentified work--5.10 (Louise Morgan letter)</item>
						<item><title render="doublequote">Fruits of Education, The</title>--5.1</item>
						<item><title render="doublequote">General Knowledge</title>--5.1</item>
						<item><title render="italic">Genius and the Goddess, The</title>
							(play)--3.4-5</item>
						<item><title render="doublequote">German Bonfire</title>--5.1</item>
						<item><title render="doublequote">Good conversation</title>--3.6</item>
						<item><title render="doublequote">Greater and Lesser London</title>--3.7</item>
						<item><title render="doublequote">Hundred Best Books, The</title>--5.1</item>
						<item><title render="doublequote">Hyde Park on Sunday</title>--3.8</item>
						<item><title render="doublequote">Ideas Are Infectious</title>--5.1</item>
						<item><title render="doublequote">Idolatry</title>--4.14</item>
						<item><title render="doublequote">If Christ Should Come
							[Today!]</title>--4.1</item>
						<item><title render="doublequote">Illegal Humor</title>--5.1</item>
						<item><title render="doublequote">Importance of being Stupid,
							The</title>--5.1</item>
						<item><title render="doublequote">Insect’s-Eye View</title>--5.1</item>
						<item><title render="italic">Jesting Pilate; The Diary of a
							Journey</title>--4.2-3</item>
						<item><title render="doublequote">Jonah and Politics</title>--5.1</item>
						<item><title render="doublequote">Joyce the Artificer; Two Studies of
								Joyce’s Method</title>--4.4</item>
						<item><title render="doublequote">Leisure</title>--5.1</item>
						<item><title render="doublequote">Love: A Fashion Forecast</title>--4.5</item>
						<item><title render="doublequote">Machines That Matter</title>--5.1</item>
						<item><title render="doublequote">Medical Fashions</title>--5.1</item>
						<item><title render="doublequote">Mental Weather</title>--4.14</item>
						<item><title render="doublequote">Modern Amusements</title>--4.14</item>
						<item><title render="doublequote">Moor, The (After Seeing Paul Robeson’s
								Performance of Othello)</title>--4.6</item>
						<item><title render="doublequote">Music at Night</title>--6.4 (extracts, p.
							148)</item>
						<item><title render="doublequote">Music Industry, The</title>--5.1</item>
						<item><title render="doublequote">New Salvationism, The</title>--4.7</item>
						<item><title render="doublequote">Night Out, A</title>--5.1</item>
						<item><title render="italic">Now More Than Ever</title>--4.8-9</item>
						<item><title render="doublequote">Old Age in a Changing World</title>--5.1</item>
						<item><title render="doublequote">On Being the Right Size</title>--4.10</item>
						<item><title render="doublequote">On Living through History</title>--5.1</item>
						<item><title render="doublequote">Pagan Year</title> (poem)--4.11</item>
						<item><title render="doublequote">Pea-nuts and Landscape
							Painters</title>--5.1</item>
						<item><title render="doublequote">Pennyworths of Thought</title>--4.14</item>
						<item><title render="doublequote">Perils of the Small Hours</title>
							(poem)--4.12</item>
						<item><title render="doublequote">Pistols and Puritans</title>--5.1</item>
						<item><title render="doublequote">Pleasures of Dieting, The</title>--5.1</item>
						<item><title render="doublequote">Political Murder</title>--5.1</item>
						<item><title render="doublequote">Politics of Clothes, The</title>--5.1</item>
						<item><title render="doublequote">Population and Politics</title>--5.1</item>
						<item><title render="doublequote">Portoferraio</title>--4.14</item>
						<item><title render="doublequote">Psychology of Unemployment</title>--5.1</item>
						<item><title render="doublequote">Race Racket, The</title>--5.1</item>
						<item><title render="doublequote">Racial History</title>--5.1</item>
						<item><title render="doublequote">Rats</title>--5.1</item>
						<item><title render="doublequote">Reality of Progress, The</title>--5.1</item>
						<item><title render="doublequote">Reflections on the Derby</title>--4.14</item>
						<item><title render="doublequote">Religion, Science, and Man</title>--5.1</item>
						<item><title render="doublequote">Rest Cure, The</title>--4.13</item>
						<item><title render="doublequote">Return to an Old Home</title>--4.12</item>
						<item><title render="doublequote">Rules of the Game, The</title>--4.14</item>
						<item><title render="doublequote">Scientific Attitude, The</title>--5.1</item>
						<item>Seventeen Essays--4.14</item>
						<item><title render="doublequote">Sight-seeing in Alien
							Englands</title>--1.1</item>
						<item>Sixty-two Short Essays--5.1</item>
						<item><title render="doublequote">Something for Nothing</title>--5.1</item>
						<item><title render="doublequote">Spiritual Engineering</title>--5.1</item>
						<item><title render="doublequote">Spoken and the Written Word,
							The</title>--5.1</item>
						<item><title render="doublequote">Stimulants and Narcotics</title>--5.1</item>
						<item><title render="doublequote">Strain of Modern Life, The</title>--4.14</item>
						<item><title render="doublequote">Swindlers and Swindlees</title>--5.1</item>
						<item><title render="doublequote">Synthetic Eloquence</title>--5.1</item>
						<item><title render="doublequote">Talk Versus Print</title>--5.1</item>
						<item><title render="doublequote">Telepathy and Clairvoyance</title>--5.1</item>
						<item><title render="doublequote">Tempo</title>--5.1</item>
						<item><title render="doublequote">Texts and Pretexts</title>--5.2</item>
						<item><title render="doublequote">That Future</title>--5.1</item>
						<item><title render="doublequote">Theory of Buses, A</title>--5.1</item>
						<item><title render="doublequote">To Be or Not To Be</title>--5.1</item>
						<item><title render="doublequote">Unending War, The</title>--5.1</item>
						<item><title render="doublequote">Unscientific Spirit, The</title>--5.1</item>
						<item>Untitled article on slow movement of Beethoven’s Quartet in A Minor used
							in dramatization of Point Counter Point]--5.5</item>
						<item>Untitled poem <title render="doublequote">Myrrhine, we have often
								sung…</title>--5.6</item>
						<item><title render="doublequote">Use of Catastrophes, The</title>--5.1</item>
						<item><title render="doublequote">Views of Holland</title>--4.14</item>
						<item><title render="doublequote">Wander-birds</title>--4.14</item>
						<item><title render="doublequote">Water, Water Everywhere</title>--5.1</item>
						<item><title render="doublequote">What Is History?</title>--5.3</item>
						<item><title render="doublequote">Work and Leisure</title>--4.14</item>
						<item><title render="doublequote">World of Light</title>--5.4</item>
					</list>
				</item>
			</list>
			<list>
				<item>
					<emph render="underline">By Other Authors</emph>
					<list>
						<item>Chesterton, G. K. (Gilbert Keith), 1874-1936. <title
								render="doublequote">How Christ Would Solve Modern Problems If He
								Were on Earth Today</title> [contribution to symposium on <title
								render="doublequote">If Christ Should Come Today</title>]--4.1</item>
						<item>Gilbert, Stuart. <title render="doublequote">Joyce the Artificer; Two
								Studies of Joyce’s Method</title>--4.4</item>
						<item>Haldane, J. B. S. (John Burdon Sanderson), 1892-1964. <title
								render="doublequote">If Jesus…</title> [contribution to symposium on
								<title render="doublequote">If Christ Should Come
							Today</title>]--4.4</item>
						<item>Inge, William Ralph, 1860-1954. [Contribution to symposium on <title
								render="doublequote">If Christ Should Come Today</title>]--4.4</item>
						<item>Krishnamurti, J. (Jiddu), 1895-1986. <title render="doublequote">The
								Dissolution of the Order of the Star</title>--5.10 (unidentified
							recipient)</item>
					</list>
				</item>
			</list>
		</odd>
	</archdesc>
</ead>
