Peter Garland:
A Preliminary Inventory of His Papers and Soundings Records in the Manuscript Collection at the Harry Ransom
Humanities Research Center
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Creator: |
Garland, Peter, 1952- |
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Title: |
Peter Garland Papers and Soundings Records |
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Dates: |
1920s-1997 (bulk 1968-1997) |
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Abstract: |
The Peter Garland Papers and Soundings Records contain materials related to
Garland's various endeavors as an author, avant-garde composer, and publisher.
Notable Garland works present include his first book of essays, Americas, and the shadow puppet theatre work, Conquest of Mexico. It also has a large volume of
correspondence from family, friends, and colleagues. Many composers who were
published in Soundings are represented by scores and
other writings. |
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Extent: |
74 document boxes, 27 serials boxes, 6 oversize boxes, 4 oversize folders
(43.24 linear feet) |
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Language: |
English |
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Repository: |
The University of Texas at Austin, Harry Ransom Humanities
Research Center |
The Peter Garland Papers and Soundings Records
contain materials related to Garland's various endeavors as an author, avant-garde
composer, and publisher. Notable Garland works present include his first book of
essays, Americas, and the shadow puppet theatre work,
Conquest of Mexico. It also has a large volume of
correspondence from family, friends, and colleagues. Many composers who were
published in Soundings are represented by scores and
other writings. The collection is divided into six series: I. Works, 1968-1995; II.
Soundings Press, 1971-1997; III. Correspondence, 1968-1997; IV. Personal and
Career-Related, 1968-1997; V. Serials, 1969-1997; and VI. Works of Others and
Related Material, ca. 1920s-1997.
Series I. Works is divided into three subseries: A. Books, B. Shorter Works, and C.
Music. Subseries A. is primarily comprised of longer, non-fiction works written by
Garland and published by Soundings Press. There are drafts, early versions, and
production materials relating to two of Garland's books of essays: Americas and In Search of
Silvestre Revueltas. There is a full typescript draft of Gone Walkabout, a collection of autobiographical essays
written by Garland during his world travels from 1991 to 1995, and later published
by Frog Peak Music. This subseries also contains materials for two works edited by
Garland and published by Soundings Press. The most notable of these is Jaime de Angulo: The Music of the Indians of Northern
California.
Subseries B. contains many shorter articles, essays, and reviews written by Garland
in the course of his career. The bulk of the materials are handwritten and typed
drafts. Similar published pieces by Garland are located in Series V., in periodicals
such as OP and Institute for
Studies in American Music Newsletter.
Subseries C. Music covers Garland's musical output from 1968 to 1994 with the bulk of
the scores from the 1970s and early 1980s. Many of the earliest compositions are
graphic scores, which consist primarily of pictures and written instructions. Some
of the works represented have been recorded by other performers, including Guy
Klucevsek and Aki Takahashi. The two largest individual groups of materials in the
subseries are for Garland's two theatre productions, The
Conquest of Mexico and The Bone Show. For
these, there are drafts, scores, and production materials related to the shows,
including some photos of the puppets and staging.
Series II. Soundings Press, is divided into three subseries. Subseries A. Soundings Issues, contains small amounts of drafts and
publication materials for all but two issues of Soundings. Most of the correspondence with contributors has been removed to
the Correspondence series, and most of the scores for each issue have been removed
to the Works of Others section of the collection.
Subseries B. Production Material is comprised of production materials related to
various Soundings Press publications. These include catalogs of works published by
the press, as well as the handwritten mailing lists for Soundings.
Subseries C. Business Papers contains account statements, invoices, and other
materials relating to the business side of Soundings Press. There are a large number
of maps and other materials that were in Garland's desk when he closed Soundings
Press.
Series III. Correspondence is divided into three subseries. Subseries A. contains
outgoing correspondence, organized by date. There are copies of some letters to the
editor that Garland sent to local newspapers, some responses to articles by other
writers, and a few letters regarding grant applications. There is very little
outgoing correspondence of a personal nature.
Subseries B. Incoming, Alphabetical, contains correspondence of both a personal and
business nature. Many modern composers and musicians from around the world are
represented, including John Luther Adams, Harold Budd, John Cage, Lou Harrison,
violinist and composer Malcolm Goldstein, pianist Herbert Henck, Larry Polansky,
James Tenney, and pianist Aki Takahashi. Many of the composers submitted works to
Soundings and were also friends of Garland.
Particularly notable is correspondence from the composer Conlon Nancarrow,
best-known for his works for player piano. Garland helped to return Nancarrow to
American music by publishing his collected works, both in Soundings and as separate Soundings Press volumes. There is also
correspondence with Paul Bowles. Garland published some of his previously
unpublished musical works. Extensive correspondence with Betty Freeman, a
philanthropist who helped to support Garland and Soundings Press through regular
monetary grants, is also present.
Subseries C. Incoming, Chronological, is comprised of correspondence from various
correspondents. Some of the represented correspondents include the composer and
author Pauline Oliveros, pianist Yvar Mikhashoff, composers Lois Vierk (1988), Mary
Jane Leach, and Alvin Lucier, and pianist Bennet Lerner (1983).
Series IV. Personal and Career-Related comprises various materials collected by Peter
Garland throughout his career. Included are clippings and reviews concerning Garland
and his works, as well as programs and concert announcements relating to Garland
and/or his works. In addition to Garland-related programs, there are also numerous
programs of concerts related to others, some of which Garland attended. Also
noteworthy are photographs of many composers that were used in Soundings and other Soundings Press publications.
Series V. Serials includes a full set of Soundings, as
well as various other music-related publications. Some of these are single issues
that include works by friends of Garland.
Series VI. Works of Others and Related Materials primarily consists of musical scores
and writings of others, some of which were submitted to and used in Soundings. Several composers are particularly
well-represented, including John Luther Adams, Paul Bowles, Henry Cowell, David
Mahler, Conlon Nancarrow, Larry Polansky, James Tenney, and Joseph Weber. Some other
notable composers who are represented are Lou Harrison, Peggy Glanville-Hicks, Ruth
Crawford, and Alejandro Caturla.
Access:
Open for research
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Audio recordings, books, and personal effects received with the manuscript collection
were transferred to the appropriate HRC departments. |
Purchase, 1997 (R 13989)
Dan Seriff and Hope Rider, 2002 and 2006
Folder List
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Series I. Works, 1968-1995 |
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Subseries A. Books, 1973-1995
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| Box |
Folder |
| 1 |
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Americas: Essays on American Music and
Culture, 1973-1980 (1982) |
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1-2 |
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Notebooks, early drafts |
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3-4 |
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Notes and drafts, handwritten and typed |
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5-6 |
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Draft, handwritten |
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7-9* |
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Paste-ups (*oversize book cover removed to oversize
folder) |
| Box |
Folder |
| 2 |
1-3 |
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Paste-ups, cont'd |
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4-6 |
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Paste-ups, with photographs |
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7 |
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The Glacial Blush (1973),
printed copy |
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Gone Walkabout: Essays, 1991-1995 |
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8 |
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Typescript segment, 1992 |
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9-11 |
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Typescript, 1991-1995 |
| Box |
Folder |
| 3 |
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In Search of Silvestre Revueltas:
Essays 1978-1990 (1991) |
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1 |
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Preface, drafts |
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2 |
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Draft fragment, Lorca article photocopy |
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3-4 |
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Typescript |
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Revueltas chapter |
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5 |
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"Original first
draft," typescript, 1987-1988 |
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6 |
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Spanish translation with correspondence and reviews,
1994-1995 |
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7-8 |
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Production materials |
| Box |
Folder |
| 4 |
1-3 |
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Production materials, cont'd |
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4-5 |
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Page layouts |
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6-7 |
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Blue lines |
| Box |
Folder |
| 5 |
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Jaime de Angulo: The Music of the
Indians of Northern California (1988), ed. by PG
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1-2 |
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de Angulo original materials, photocopies from Gui de
Angulo (daughter) |
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3 |
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Typescript photocopies |
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4-5 |
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Paste-ups |
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6 |
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Book jacket proofs |
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7 |
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Magic Animals (1975), ed. by
PG and Victoria Brown, hand-lettered draft, printed version
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Subseries B. Short Works, 1969-[1991]
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8 |
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"The appeal of fantasy: J. R. R.
Tolkien's The Lord of the
Rings," typescript, 1969 |
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9 |
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Bowles, Paul. Concerto for two pianos,
winds, and percussion, introduction by PG, 1989
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10 |
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[Comics collage] |
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11 |
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"Concepts of non-literate music
and the western musical tradition," typescript, 1970
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12 |
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"Conlon Nancarrow: American
keyboard pioneer," handwritten draft, photocopy,
typescript, undated |
| Box |
Folder |
| 6 |
1 |
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Cowell, Henry. Songs, PG notes
for a proposed volume, ca. 1987 |
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2-3 |
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Diary/draft notebooks, ca. 1972-1977 |
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4 |
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Discographies/reviews written for OP, typescripts |
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5 |
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Essays, drafts |
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6 |
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"How I write,"
1975 |
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7 |
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New Grove Dictionary of Music in the
United States, composer biographies by PG, 1982
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8 |
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Notes and drafts, fragments |
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9 |
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"Piano: reflections on a poem by
D. H. Lawrence," 1970 |
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10 |
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Press releases, typescripts |
| Box |
Folder |
| 7 |
1 |
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Program and composition notes |
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2 |
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Reviews and articles by PG, typescripts |
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3 |
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Reviews, articles, letters to the editor, clippings
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4 |
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Songs from the Border, liner
notes and correspondence re recording, production |
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5 |
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[Untitled] typescript, 1971 |
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Subseries C. Musical Scores, 1968-1994
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6 |
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"Anāhata," 1970 |
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7 |
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"And willows line the river's
edge," undated |
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8* |
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"Arcanum," ca. 1972
(*oversize score removed to box 102) |
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9 |
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"Balade,"
1970-1971 |
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The Bone Show,
1987-1989 |
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10 |
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Draft fragments, notes for performers |
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11 |
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Score, handwritten and photocopies |
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12 |
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Working performance script, bound |
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13-14 |
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Promotional materials, grant proposals |
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15 |
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"A children's piece,"
1970 |
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16 |
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"The Club Nada Polka,"
1987-1988 |
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Conquest of Mexico, ca.
1973-1985 |
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17 |
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Early drafts, sketches, research |
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18 |
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Staging directions, 1973-1975 version |
| Box |
Folder |
| 8 |
1 |
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"Frieze (Dance of
Huitzilopochtli)" |
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2 |
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"Mayacamas Songs,"
fragments |
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3 |
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Script and narratives |
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4 |
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Stage set-up drawings, photographs |
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* |
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Posters and poster paste-ups (*removed to oversize box
105) |
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5 |
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Press materials, participant information,
programs |
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6 |
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Reviews, clippings |
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7-8 |
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Financial, correspondence and budgets |
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9 |
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"Dance of La Malinche, no.
3," unfinished, undated |
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* |
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"The days run away like wild
horses over the hills...," 1971 (*removed to oversize box
102) |
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10 |
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Drafts and sketches, various fragments |
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11 |
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"Dreaming of immortality in a
thatched cottage," 1977 |
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12 |
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"Drinking wine,"
1989 |
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13 |
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"The fall of Quang Tri,"
original and offprints, 1972 |
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14 |
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"Flor de muertos,"
1978 |
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15 |
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"Flowers for Tina,"
1994 |
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16* |
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"Hsiao" 1972 (*oversize
score removed to box 102) |
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17 |
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"Hummingbird songs,"
1974-1975 |
| Box |
Folder |
| 9 |
1 |
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"Jornada del muerto,"
1987 |
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2* |
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"Labyrinths for Horae readers and others,"
1969 (*oversize drawing removed to oversize folder) |
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3 |
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"Lay your sleeping head, my love .
. .," undated |
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4 |
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"Memorandum, (after Nanao
Sakaki)," unfinished, undated |
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5 |
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"The midnight polka and the Club
Nada rag," 1987 |
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6* |
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"The momo," 1972 (*oversize
score removed to box 102) |
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* |
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"The moon and the yew
tree," 1971 (*removed to oversize box 102) |
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7 |
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[Movement 3] for Conlon Nancarrow, 1989 |
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8 |
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"The omens,"
1979 |
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9 |
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"Piece 3," 1970 |
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10 |
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"Poisoned wheat, part I,"
1968 |
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11 |
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"Quartet,"
undated |
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12 |
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"Scenes from the life of Saint
Francis," 1970 |
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13 |
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"Sea fever," performance
instructions, correspondence with
Source re publication, 1970 |
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14 |
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[Signaling tortoise navigation], show fragments, undated
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15 |
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"A song," mock-up, with
photographs by James Garland, 1974 |
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16 |
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"Southern Cross,"
1976 |
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17 |
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"Sweet," 1970 |
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18 |
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"Three songs of mad
coyote," 1973 |
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19 |
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"Three strange angels,"
1972 |
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20 |
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"To Cid Corman,"
1970 |
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21 |
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"To Huitzilopochtli,"
1972-1973 |
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* |
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[Transcriptions of medieval music], undated (*removed to
oversize box 102) |
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22 |
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"Two pieces,"
undated |
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23 |
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"Two songs: Star-spangled nails
and the pumpkin tide,""Milk for the ducks," and "Feasting and drinking went on far into the
night," 1969-1970 |
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24 |
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"Tumbling strains: April
1972-," 1972 |
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25 |
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"Vancouver,"
1972 |
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* |
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Various performance copies (*removed to oversize box 104)
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26 |
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"Willows (after T'ao
Ch'ien)," 1971 |
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27 |
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[Untitled] for two violins and harp, unfinished, undated
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28 |
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[Untitled] for three dijeridu and percussion,
undated |
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29 |
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[Untitled] for violin, viola, cello, and piano,
undated |
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Series II. Soundings Press, 1971-1997 |
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Subseries A. Soundings Issues, 1971-1990
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| Box |
Folder |
| 10 |
1* |
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No. 1, draft fragments, 1972 (*oversize cover art removed to
box 102) |
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2 |
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No. 2, draft fragments, 1972 |
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3 |
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No. 3/4, typescript draft sections, 1972 |
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4-5 |
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No. 5, typescripts, 1973 |
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6 |
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No. 6, proofs, 1973 |
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7 |
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No. 7/8, table of contents typescript, 1973 |
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8 |
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Ives, Ruggles, Varèse special
issue, typescript, 1974 |
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9 |
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No. 9, hand-lettered and typescript drafts, 1975 |
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10* |
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No. 10, handwritten fragments, cover art 1976 (*oversize
cover art removed to box 102) |
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11* |
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No. 13, art work for issue, 1984 (*oversize paste-ups removed
to box 102) |
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12* |
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No. 14/15, typescript and production materials, 1986
(*oversize paste-ups removed to box 102) |
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13* |
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No. 16, production materials (*oversize paste-ups removed to
box 102) |
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14 |
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Unpublished issue re video opera, fragments, undated
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Subseries B. Production Materials, circa 1981-1991
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| Box |
Folder |
| 11 |
1 |
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Advertisement paste-ups, re upcoming issues and other
Soundings Press publications |
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2-4 |
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Catalogs: typescripts, paste-ups, printed
versions |
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5 |
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Font samples from Casa Sin Nombre |
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6-7 |
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Mailing lists, handwritten |
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8-9 |
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Paper stock sample books |
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* |
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Paste-ups, various issues and catalogs (*removed to oversize
box 104) |
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Subseries C. Business Papers, 1972-1997
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Account statements |
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10 |
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1986 |
| Box |
Folder |
| 12 |
1 |
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1986, cont'd |
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2-3 |
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1987 |
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4-5 |
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1988 |
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6-7 |
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1989 |
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8 |
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1990 |
| Box |
Folder |
| 13 |
1 |
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1990, cont'd |
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2-3 |
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1991 |
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4 |
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Business registration certificates |
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5 |
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Check registers, 17 July 1985-19 May 1988 |
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6 |
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Copyright certificates, 1972-1987 |
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7-8 |
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Correspondence with Edwards Brothers Inc., 1976-1993
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Deposit slips |
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9 |
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1986 |
| Box |
Folder |
| 14 |
1 |
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1988 |
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2 |
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1989 |
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Desk contents |
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3 |
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Address book and business cards |
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4 |
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Check register and receipt book |
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5 |
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Guidebooks and maps |
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6 |
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Maps |
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7 |
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Print materials, various |
| Box |
Folder |
| 15 |
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Invoices and receipts |
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1 |
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1981, 1986-1988 |
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2 |
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1989 |
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3-4 |
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1990 |
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5-6 |
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1991 |
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7 |
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1993-1997 |
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8-10 |
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Order forms, remittance slips, 1975-1991 (bulk 1990-1991)
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| Box |
Folder |
| 16 |
1-3 |
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Order forms, cont'd |
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4 |
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Publication orders (bulk 1987-1988) |
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5 |
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Receipts, 1991 |
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6 |
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Shipping forms, outgoing, carbon copies, 1991 |
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7 |
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Tax forms, State of New Mexico |
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Series III. Correspondence, 1968-1997 |
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Subseries A. Outgoing, 1970s-1997
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| Box |
Folder |
| 16 |
8 |
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1970s |
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9 |
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1980s |
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10 |
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1990-1997 |
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Subseries B. Incoming, Alphabetical, 1970-1997
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| Box |
Folder |
| 17 |
1-2 |
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Adams, John Luther, 1983-1996 |
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3 |
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Aharonián, Coriún and Graciela Paraskevaídis, 1985-1997
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4 |
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Alvarez, Antonio, 1985-1996 |
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5 |
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American Academy and Institute of Arts and Letters,
1981-1982, 1991 |
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6-7 |
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Amirkhanian, Charles, 1972-1991 |
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8-9 |
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Asian Cultural Council, 1991-1997 |
| Box |
Folder |
| 18 |
1-2 |
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BMI (Broadcast Music Inc.), 1982-1997 |
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3 |
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Blake, Michael, 1988-1990 |
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4-5 |
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Bowen, Eugene, 1973-1996 |
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Bowles, Paul |
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6 |
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Correspondence photocopies, 1973-1990 |
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7 |
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Original letters, 1990-1994, undated, from cassette cases
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8 |
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Correspondence re PB from various |
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9 |
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Brandi, John, 1981-1997 |
| Box |
Folder |
| 19 |
1-2 |
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Brandi, John, cont'd |
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3 |
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Briece, Jack, 1983-1987; re JB, 1988-1993 |
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4-6 |
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Brown, Victoria, 1972, 1976-1991 |
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7-8 |
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Bruder, Karl and Monika, 1987-1995 |
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9 |
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Brunton, Alan and Sally Rodwell, 1987-1997 |
| Box |
Folder |
| 20 |
1-3 |
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Brunton, Alan and Sally Rodwell, cont'd |
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4 |
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Bryars, Gavin, 1974-1985 |
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5-8 |
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Budd, Harold, 1972-1997 |
| Box |
Folder |
| 21 |
1-4 |
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Byron, Michael, 1972-1986, 1996-1997 |
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5-6 |
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Cage, John, 1973-1991 |
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7 |
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CalArts Alpert award, 1994 |
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8 |
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California Arts Council, 1977-1979 |
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9 |
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Childs, Barney, 1972-1973, 1980, 1986 |
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10 |
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Cho, Song-On, 1984-1990 |
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11 |
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Cloud, David, 1977-1982, 1988 |
| Box |
Folder |
| 22 |
1 |
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Contrasts in Contemporary Music (non-profit), 1977-1985 (bulk
from Charles Schwartz) |
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2-5 |
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Corner, Philip, 1971-1993 |
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6-8 |
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Cowell, Sidney, 1973-1995 |
| Box |
Folder |
| 23 |
1 |
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Curran, Alvin, 1974-1994 |
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2 |
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DAAD (Deutscher Akademischer Austauschdienst), 1985,
1991-1994 |
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3 |
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Davis, Christopher, 1978-1989 |
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4 |
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|
de Angulo, Gui, 1980-1996 |
|
5 |
|
|
DeFord, Robert, 1970-1986 |
|
6 |
|
|
Dresher, Paul, 1978-1997 |
|
7 |
|
|
Erickson, Robert, 1984-1985 |
|
8 |
|
|
Erickson, Ronald, 1982, 1988-1989 |
|
9 |
|
|
Eshleman, Clayton, 1981-1992 (bulk 1981-1984) |
|
10 |
|
|
Farley, Alice, 1980-1994 |
| Box |
Folder |
| 24 |
1 |
|
|
Forman, Joanne, 1983-1990 |
|
2 |
|
|
Foundation for Contemporary Performance Arts, Inc., 1987,
1990 |
|
3 |
|
|
Fox, Jim, 1980-1985 |
|
4 |
|
|
Franceschini, Romulus, at the Edwin A. Fleisher Collection of
Orchestra Music of the Free Library of Philadelphia, 1981-1987
|
|
5-8 |
|
|
Freeman, Betty, 1971-1994 |
| Box |
Folder |
| 25 |
1-2 |
|
|
Freeman, Betty, cont'd |
|
3 |
|
|
Freeman, Robin, 1986-1987 |
|
4 |
|
|
Fürst-Heidtmann, Monika, 1981-1985 |
|
5 |
|
|
Gann, Kyle, 1986-1988, 1994 |
|
6-9 |
|
|
Garland, Elizabeth Tracy (mother), 1978-1993 |
| Box |
Folder |
| 26 |
1-2 |
|
|
Garland, Elizabeth Tracy, cont'd |
|
3 |
|
|
Garland, Elizabeth Tracy, re estate, 1993-1994 |
|
4-7 |
|
|
Garland, James P. (brother), 1977-1997 |
| Box |
Folder |
| 27 |
1-4 |
|
|
Garland, Nancy (sister), 1977-1997 |
|
5-6 |
|
|
Garland, Peter (father) and Larry (step-mother), 1985-1994
|
|
7 |
|
|
Gillespie, Don, 1982-1996 |
| Box |
Folder |
| 28 |
1-2 |
|
|
Gillespie, Don, cont'd |
|
3 |
|
|
Glanville-Hicks, Peggy, 1982-1984 |
|
4-8 |
|
|
Goldstein, Malcolm, 1974-1997 |
| Box |
Folder |
| 29 |
1 |
|
|
Goode, Daniel, 1980-1997 |
|
2 |
|
|
Grants and awards, general |
|
3 |
|
|
Harlan, Calvin, 1987 |
|
4 |
|
|
Harrison, Lou, 1970-1990 (bulk photocopies) |
|
5-6 |
|
|
Henck, Herbert, 1983-1993 |
|
7 |
|
|
Herrmann, Irene, 1991, 1995-1996 |
|
8-9 |
|
|
Higgins, Dick, 1971-1990, 1995 |
| Box |
Folder |
| 30 |
1 |
|
|
Hughes, Robert, 1986-1991 |
|
2 |
|
|
Hunt, Jerry, 1985-1988 |
|
3-6 |
|
|
Institute for Studies in American Music, 1975-1996
|
|
7-9 |
|
|
John Simon Guggenheim Memorial Foundation, 1985-1997
|
|
10 |
|
|
Johnston, Ben, 1978-1984 |
| Box |
Folder |
| 31 |
1-3 |
|
|
Kakinuma, Toshie, and Mamoru Fujieda, 1986-1997 |
|
4 |
|
|
Kaminski, Bob, and Judy Sierra, 1983-1992 |
|
5-6 |
|
|
Klucevsek, Guy, 1973-1996 |
|
7 |
|
|
Knowles, Alison, 1974-1984 |
|
8 |
|
|
Koller, James, 1980-1997 |
| Box |
Folder |
| 32 |
1 |
|
|
Koller, James, cont'd |
|
2 |
|
|
Kosviner, David, 1982-1994 (bulk 1982-1983) |
|
3 |
|
|
Kronos Quartet, 1982, 1986, 1994 |
|
4 |
|
|
Lawless, Gary, 1980-1985 |
|
5 |
|
|
Leeds-Hurwitz, Wendy, 1981-1982 |
|
6 |
|
|
Lentz, Daniel, 1972-1986, 1997 |
|
7 |
|
|
Ligeti, György, 1984-1986 |
|
8-11 |
|
|
Mahler, David, 1973-1997 |
| Box |
Folder |
| 33 |
1 |
|
|
Mahler, David, cont'd |
|
2 |
|
|
Mann-Gagné, Pita and Juan, 1978-1987 |
|
3 |
|
|
Marshall, Ingram, 1971-1996 |
|
4 |
|
|
Masotti, Franco, 1981-1982, 1990 |
|
5 |
|
|
Mexic-Arte grant application, 1991 |
|
6-8 |
|
|
Miller, Jeffrey, 1983-1993 |
|
9 |
|
|
Mitchell, Danlee, and Cris Forster, re Harry Partch
1973-1977, 1988 |
|
10 |
|
|
Mumma, Gordon, 1971-1989 |
|
11 |
|
|
Nancarrow, Annette; Charles Nancarrow, 1981 |
| Box |
Folder |
| 34 |
|
|
|
Nancarrow, Conlon |
|
1-4 |
|
|
|
1974-1994 |
|
5 |
|
|
|
Empty envelopes |
|
6 |
|
|
|
Loose enclosures, newspaper clippings |
|
7 |
|
|
National Endowment for the Arts, 1977-1992 |
|
8 |
|
|
New England Conservatory of Music, re Nancarrow, 1989
|
| Box |
Folder |
| 35 |
1 |
|
|
New Mexico Arts Division, applications, 1982-1989 |
|
2 |
|
|
Nies, Otfried, re Nancarrow, 1982 |
|
3-5 |
|
|
Nixon, Tom, 1971-1981, 1991 |
|
6-7 |
|
|
Ohori, Susan, 1974-1976, 1979, 1991-1994 |
| Box |
Folder |
| 36 |
1 |
|
|
Oja, Carol, 1986-1997 |
|
2 |
|
|
Partch, Harry, 1970-1973 |
|
3 |
|
|
Patterson, James, 1988-1997 |
|
4 |
|
|
Perlis, Vivian, 1975-1988 |
|
5 |
|
|
Peters, Nancy (at City Lights Bookstore),
1981-1984 |
|
6 |
|
|
Peters, Steven, 1981-1996 |
|
7-8 |
|
|
Plonsky, Peter, 1988-1991 |
|
9 |
|
|
Plush, Vincent, 1982-1994 |
|
10 |
|
|
Polansky, Larry and Jody Diamond, 1980-1997 |
| Box |
Folder |
| 37 |
1-3 |
|
|
Polansky, Larry and Jody Diamond, cont'd |
|
4 |
|
|
Reich, Steve, 1973, 1981-1982 |
|
5-6 |
|
|
Revueltas, Rosaura, 1972-1995 |
|
7 |
|
|
Richards, Deborah, 1985, 1992-1993 |
|
8-9 |
|
|
Richards, Eric, 1983-1992 |
| Box |
Folder |
| 38 |
1 |
|
|
Roche, David, and Cathy Adachi, 1978-1991 |
|
2-3 |
|
|
Rogers, Wendy, 1987-1996 |
|
4 |
|
|
Rosemont, Franklin, 1980-1984 |
|
5 |
|
|
Rosenboom, David, 1981-1991 |
|
6-9 |
|
|
Rudhyar, Dane, and Layla Rael, 1970-1985, 1987 |
| Box |
Folder |
| 39 |
1 |
|
|
Sakurai, Makiko, 1994-1997 |
|
2 |
|
|
Santa Fe arts groups, re grants, 1984-1990 |
|
3 |
|
|
Schmidt, Daniel, 1973-1987 |
|
4 |
|
|
Schneemann, Carolee, 1972, 1983-1991 (includes materials re
James Tenney, Soundings 13)
|
|
5 |
|
|
Schott Publishing, 1987-1991 |
|
6 |
|
|
Schultz, Tom, 1990-1991 |
|
7 |
|
|
Sculthorpe, Peter, 1982-1992 |
|
8 |
|
|
Skempton, Howard, 1976-1986 |
|
9 |
|
|
Slonimsky, Nicolas, 1972-1973 |
|
10 |
|
|
Slusky, Joseph, 1978-1985 |
|
11 |
|
|
Smith, Stuart and Sylvia, 1982-1993 |
|
12 |
|
|
Soltes, Eva, 1982-1987 |
|
13 |
|
|
Source, 1971-1972 |
| Box |
Folder |
| 40 |
1-3 |
|
|
Takahashi, Aki, 1986-1997 |
|
4 |
|
|
Teitelbaum, Richard, 1972-1993 (bulk 1982-1985) |
|
5-7 |
|
|
Tenney, James and Anne Holloway, 1973-1994 (see also Carolee
Schneemann) |
|
8 |
|
|
Thomson, Virgil, 1977, 1982-1987 |
|
9 |
|
|
Universidad Nacional Autónoma de México, 1982; Universidad
Complutense de Madrid, 1984 |
|
10 |
|
|
Varèse, Louise, 1972-1973 |
| Box |
Folder |
| 41 |
1 |
|
|
Vennum, Thomas, 1977-1997 (bulk 1977-1987) |
|
2 |
|
|
Waldman, Anne, 1985-1988 |
|
3 |
|
|
Weisberg, Laurence, 1973-1989 |
|
4 |
|
|
Whittington, Stephen, 1987-1996 |
|
5-6 |
|
|
Winant, William, 1981-1993 |
|
7 |
|
|
Wolf, Daniel, 1984-1990 |
|
8-9 |
|
|
Wood, Charles, 1990-1997 |
|
10 |
|
|
Wood, Harold, 1973-1974 |
| Box |
Folder |
| 42 |
1 |
|
|
Woodburn, Charles (Chuck), 1978-1981 |
|
2 |
|
|
Zimmermann, Walter, 1979-1997 |
|
3 |
|
|
Zvonar, Richard, 1985-1991 |
|
|
|
Subseries C. Incoming, Chronological, 1968-1997
|
| Box |
Folder |
| 42 |
4 |
|
|
1968-1971 |
|
5 |
|
|
1972 |
|
6 |
|
|
1973 |
|
7 |
|
|
1974 |
|
8 |
|
|
1975-1976 |
|
9 |
|
|
1977 |
|
10 |
|
|
1978-1979 |
| Box |
Folder |
| 43 |
1 |
|
|
1980 |
|
2-3 |
|
|
1981 |
|
4-5 |
|
|
1982 |
|
6-8 |
|
|
1983 |
|
9 |
|
|
1984 |
| Box |
Folder |
| 44 |
1-3 |
|
|
1984, cont'd |
|
4-7 |
|
|
1985 |
|
8-9 |
|
|
1986 |
| Box |
Folder |
| 45 |
1-2 |
|
|
1986, cont'd |
|
3-8 |
|
|
1987 |
| Box |
Folder |
| 46 |
1-2 |
|
|
1987, cont'd |
|
3-8 |
|
|
1988 |
|
9 |
|
|
1989 |
| Box |
Folder |
| 47 |
1-4 |
|
|
1989, cont'd |
|
5-8 |
|
|
1990 |
| Box |
Folder |
| 48 |
1-8 |
|
|
1990, cont'd |
| Box |
Folder |
| 49 |
1-7 |
|
|
1991 |
|
8-9 |
|
|
1992 |
| Box |
Folder |
| 50 |
1-3 |
|
|
1993 |
|
4-7 |
|
|
1994 |
|
8-9 |
|
|
1995 |
| Box |
Folder |
| 51 |
1-2 |
|
|
1995, cont'd |
|
3-8 |
|
|
1996 |
| Box |
Folder |
| 52 |
1 |
|
|
1996, cont'd |
|
2-4 |
|
|
1997 |
|
5-7 |
|
|
Undated |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Series IV. Personal and Career-Related, 1968-1997 |
| Box |
Folder |
| 52 |
8 |
|
California Institutes of the Arts, diploma holder, empty
|
| Box |
Folder |
| 53 |
1-4 |
|
Catalogs, music and book related |
|
5-8* |
|
Clippings, reviews, and related materials (*oversize clippings
removed to box 106) |
| Box |
Folder |
| 54 |
1 |
|
Clippings, cont'd |
|
2 |
|
Curriculum Vitae, publication
lists |
|
|
|
Financial |
|
3 |
|
|
Income and expenses lists, ca. 1990-1991 |
|
4 |
|
|
Pay stubs for commissions, appearances |
|
5 |
|
Grant proposals, miscellaneous |
|
* |
|
[Mexican folk art, puppets] (*removed to oversize box 107)
|
|
6 |
|
National Endowment for the Humanities, summer seminar at the
University of Texas at Austin, printed materials, 1996 |
|
7 |
|
Notebook, budget and correspondence lists, ca. 1992 |
|
8 |
|
Orcas Conference, related materials and correspondence, 1988
|
|
9 |
|
Passports, expired |
|
|
|
Photographs |
|
10 |
|
|
Composers and artists, various |
|
11* |
|
|
Garland, Peter (*oversize photo removed to box 102)
|
|
12 |
|
|
Nancarrow, Conlon |
|
13 |
|
|
Places, various |
|
14 |
|
|
Puppet photos, "Monkey" and
others |
|
15 |
|
|
Varèse, Edgard |
| Box |
Folder |
| 55 |
1 |
|
Plane tickets, boarding passes |
|
2* |
|
Poster paste-ups, various (*oversize removed to box 104)
|
|
* |
|
Posters, PG and non-PG-related (*removed to oversize box 105,
oversize folders) |
|
3-4 |
|
Print materials, miscellaneous |
|
|
|
Programs, concert announcements |
|
5-7 |
|
|
PG related |
| Box |
Folder |
| 56 |
1-6 |
|
|
PG related, cont'd |
| Box |
Folder |
| 57 |
1-4 |
|
|
PG related, cont'd |
|
5-7 |
|
|
Non-PG related |
| Box |
Folder |
| 58-60 |
|
|
|
Non-PG related, cont'd |
| Box |
Folder |
| 61 |
1-2 |
|
|
Non-PG related, cont'd |
|
3 |
|
|
|
Javanese shadow plays, 1972-1973 |
|
4-7 |
|
|
|
Calendar for New Music, 1985-1997 |
| Box |
Folder |
| 62 |
|
|
Royalty statements |
|
1-3 |
|
|
BMI, 1988-1997 |
|
4 |
|
|
New Albion, 1993-1997 |
|
5 |
|
|
Various |
|
6 |
|
School work and teaching materials |
|
* |
|
Scrapbook (* removed to oversize box 106) |
|
7 |
|
Ticket stubs |
|
8 |
|
Tone Roads West materials, clippings, programs, announcements,
1983 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Series V. Serials, 1969-1997 |
| Box |
| 63 |
|
|
1/1 |
|
|
|
American Book Review |
|
|
|
American Music Center |
|
|
|
Balungan |
|
|
|
Caterpillar |
| Box |
| 64 |
|
|
Caterpillar, cont'd |
|
|
|
Composer Magazine |
| Box |
| 65-69 |
|
|
Conjunctions |
| Box |
| 70 |
|
|
Conjunctions, cont'd |
|
|
|
Down Beat |
|
|
|
Down Home Music |
| Box |
| 71 |
|
|
Down Home Music,
cont'd |
| Box |
| 72 |
|
|
Down Home Music,
cont'd |
|
|
|
EAR |
|
|
|
Encore |
|
|
|
Experimental Music Catalog,
anthologies (see also 93.12) |
|
|
|
Experimental Musical Instruments |
| Box |
| 73 |
|
|
Experimental Music Instruments,
cont'd |
|
|
|
Grateful Dead Almanac |
|
|
|
High Performance |
|
|
|
Institute for Studies in American Music
Newsletter |
| Box |
| 74 |
|
|
Institute for Studies in American
Music, cont'd |
|
|
|
Interval |
|
|
|
Keyboard |
|
|
|
Latitudes |
|
|
|
Life |
|
|
|
Lulu |
| Box |
| 75 |
|
|
Musical Traditions |
|
|
|
Musicworks |
|
|
|
MusikTexte |
| Box |
| 76 |
|
|
Neuland |
| Box |
| 77 |
|
|
Neuland, cont'd |
|
|
|
Numus West |
|
|
|
OP |
| Box |
| 78 |
|
|
OP, cont'd |
|
|
|
Option |
| Box |
| 79 |
|
|
Option, cont'd |
|
|
|
Pages |
|
|
|
Perspectives of New Music |
| Box |
| 80 |
|
|
Perspectives of New Music,
cont'd |
| Box |
| 81 |
|
|
Raise the Stakes |
|
|
|
Sounding Board |
|
|
|
Soundings, 1-7/8 |
| Box |
| 82 |
|
|
Soundings, Ives, Ruggles, Varèse,
9-12 |
| Box |
| 83 |
|
|
Soundings, 13-16 |
|
|
|
Soundscape Newsletter |
|
|
|
Spawning the Medicine River |
|
|
|
Sulfur |
| Box |
| 84-88 |
|
|
Sulfur, cont'd |
| Box |
| 89 |
|
|
Sulfur, cont'd |
|
|
|
Tango |
|
|
|
Zweitschrift |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Series VI. Works of Others and Related Material, circa 1920s-1997 |
| Box |
Folder |
| 90 |
|
|
Adams, John Luther |
|
1 |
|
|
A-G |
|
2 |
|
|
"Coyote builds North
America," five percussion quartets |
|
3 |
|
|
"Dream in white on white" |
|
4 |
|
|
"Dust into dust" |
|
5 |
|
|
"The far country of sleep" |
|
6 |
|
|
"Forest without leaves" |
|
7 |
|
|
Gr-R |
|
8 |
|
Adams, John Robertson, "Rainbow
snow" |
|
9 |
|
Aharonián, Coriún |
|
10* |
|
Alvarez, Antonio (*oversize sketches removed to box 103)
|
|
11* |
|
Amirkhanian, Charles (*oversize scores removed to boxes 103 and
104) |
|
12 |
|
Antheil, George |
|
13 |
|
Balcells, Eugenia, "Sound
works" |
| Box |
Folder |
| 91 |
1 |
|
Becker, John J., "Songs" |
|
2 |
|
Belgrade, Sandia, "Sor Juana,"
libretto |
|
* |
|
Bergamo, John, "On the edge"
(*removed to oversize box 103) |
|
3 |
|
Beyer, Johanna Magdalena, "Three
movements for percussion" |
|
4* |
|
Bowen, Eugene (*oversize score removed to box 104) |
|
|
|
Bowles, Paul |
|
5* |
|
|
Works, miscellaneous (*oversize scores removed to oversize
box 103) |
|
* |
|
|
"12 American folk songs,"
arr. by Bowles for New York City W. P. A. music project (*removed to
oversize box 103) |
|
6 |
|
|
"Little suite" for two
pianos |
|
7 |
|
|
"Music for a farce" |
|
8 |
|
|
"Sonata no. 1" for flute
and piano |
|
9 |
|
|
"Ten Preludes" |
|
10 |
|
|
Clippings from magazines and newspapers |
|
11 |
|
Brandi, John |
|
12 |
|
Briece, Jack |
|
13 |
|
Brunton, Alan and Sally Rodwell |
|
14 |
|
Bryars, Gavin, "Jesus' blood never
failed me yet" |
|
15* |
|
Budd, Harold (*oversize scores removed to box 103) |
|
16* |
|
Byron, Michael (*oversize score removed to box 103) |
|
17 |
|
Cage, John (see also 100.12) |
|
18 |
|
Cardew, Cornelius |
|
19 |
|
Carpentier, Alejo |
| Box |
Folder |
| 92 |
1 |
|
Carrillo, Julián |
|
* |
|
Caturla, Alejandro (*removed to oversize boxes 103 and 104)
|
|
2 |
|
Childs, Barney, "Of place, as
altered" |
|
3-6 |
|
Corner, Philip |
|
* |
|
Couper, Mildred (*removed to oversize box 103) |
|
7-9 |
|
Cowell, Henry (see also 100.12) |
| Box |
Folder |
| 93 |
1* |
|
Crawford, Ruth, "Sacco,
Vanzetti," arr. Larry Polansky (*oversize score removed to box
103) |
|
2 |
|
Curran, Alvin |
|
3 |
|
de Angulo, Jaime |
|
4 |
|
Debussy, Claude |
|
5 |
|
Diamond, Jody |
|
6 |
|
Diamond, Jody and Larry Polansky (see also Larry Polansky)
|
|
7 |
|
Drescher, Paul |
|
8-10 |
|
Erickson, Robert |
|
11 |
|
Estrada, Julio |
|
12 |
|
Experimental Music Catalogue,
anthology (see also box 72) |
|
13 |
|
Fariñas, Carlos, "Alta-Gracia" |
|
14 |
|
Feldman, Morton |
|
15 |
|
Fontana, Bill |
|
16 |
|
Fox, Jim |
|
17 |
|
Franceschini, Romulus |
|
18 |
|
Fujieda, Mamoru, "Doubles
III" |
| Box |
Folder |
| 94 |
1* |
|
Gann, Kyle (*oversize scores removed to boxes 103 and 104)
|
|
* |
|
Glanville-Hicks, Peggy (*removed to oversize box 103)
|
|
2-3 |
|
Goldstein, Malcolm |
|
4* |
|
Goode, Daniel (*oversize score removed to box 104) |
|
5 |
|
Grainger, Percy |
|
6* |
|
Harrison, Lou (see also 100.12) (*oversize scores removed to
boxes 103 and 104) |
|
7 |
|
Higgins, Dick |
|
8 |
|
Hopkins, Sarah, "Cello
chi" |
|
9 |
|
Jarvlepp, Jan |
|
10 |
|
Jeffers, Ron, "Sanctus" |
|
11 |
|
Johnson, Tom, "Music for
eighty-eight" |
|
12 |
|
Johnston, Ben, "The corporealism of
Harry Partch" |
|
13 |
|
Jones, Trevor |
|
14 |
|
Kennedy, John and Polansky, Larry, "Total eclipse: The music of Johanna Magdalena Beyer" |
|
15* |
|
Klucevsek, Guy (*oversize score removed to box 103) |
|
16 |
|
Knowles, Alison and Lockwood, Anna, et al, "Women's work" anthology |
|
17 |
|
Kosugai, Takehisa, "Interspersions," exhibit catalog |
|
18 |
|
Lamadrid, Enrique, "The masks of
Judas: Folk and elite tricksters of Holy Week in Michoacan,
Mexico" |
|
19 |
|
Larsson, Michele and Weber, Joseph, "Sor Maria" libretto |
|
* |
|
Leach, Mary Jane (*removed to oversize box 104) |
|
20 |
|
Lentz, Daniel |
|
21 |
|
Luce, Ralph (includes profile of PG for Santa Fean magazine) |
|
22 |
|
Lucier, Alvin, "Klangskulpturen," exhibit catalog |
| Box |
Folder |
| 95 |
|
|
Mahler, David |
|
1 |
|
|
Works, miscellaneous |
|
2 |
|
|
"Fancies" |
|
3 |
|
|
"Pieces for piano solo, organ and
multiple keyboards" |
|
4 |
|
|
"Rags and barbershops" |
|
5 |
|
|
"Songs" |
|
6 |
|
|
"Various instrumental: First
collection" |
|
7 |
|
|
"Various instrumental: Second
collection" |
|
8 |
|
Matthis, Olivia, "Varèse's multimedia
conception of Déserts" |
|
9-10* |
|
McGuire, John (*oversize score removed to box 104) |
|
11 |
|
"Meet the Composer,"
handbooks |
|
12 |
|
Miller, Thomas P., "Saguaro" |
|
13 |
|
Mizelle, Dary John, "Mrdangon" |
|
14 |
|
Molner, Ernest, "The Molner Orchestra
Conductor" |
|
* |
|
Monahan, Gordon (*removed to oversize box 104) |
|
15 |
|
Mumma, Gordon |
|
16 |
|
Murphy, John |
|
* |
|
Na, Hyo-shin (*removed to oversize box 104) |
| Box |
| 96 |
|
|
Nancarrow, Conlon |
|
|
|
|
Piano rolls, unidentified works |
| Box |
Folder |
| 97 |
1* |
|
|
Works, miscellaneous (*oversize scores, production materials
removed to boxes 103 and 104) |
|
2 |
|
|
Collected studies for player piano,
volume 3, study no. 37, title page paste-ups
|
|
3 |
|
|
Collected studies volume 6,
blue line proofs |
|
4 |
|
|
"Sonatina para Piano" |
|
5-7 |
|
|
Clippings and related material |
|
8 |
|
Nixon, Tom |
|
9 |
|
Nordheim, Arne, "Spur" |
|
10-11 |
|
Nougé, Paul, "Music is
Dangerous"; André Breton, "Silence is
golden," photocopies, Soundings Press proofs |
|
12 |
|
Orñerían, Khaleef, "There's hope; In
case of beer call Jim Tenney" |
|
13 |
|
Palestine, Charlemagne |
|
14 |
|
Paraskevaídis, Graciela |
|
15* |
|
Partch, Harry (*oversize score removed to box 103) |
|
16 |
|
Peterson, Thomas, "Reflection for a
pianoforte" |
| Box |
Folder |
| 98 |
1 |
|
Plonsky, Peter, "I hold these truths
to be self-evident" |
|
2-3 |
|
Polansky, Larry (see also 93.1, 93.6, 94.14) |
|
4 |
|
Pomeroy, James |
|
5 |
|
Rathbun, Virginia, "Lou Harrison and
his music" |
|
6 |
|
Reich, Steve, "Clapping
music" |
|
|
|
Revueltas, Silvestre |
|
7-8 |
|
|
Escritos, two copies |
|
9 |
|
|
"Parian" |
| Box |
Folder |
| 99 |
1-3 |
|
|
Related materials |
|
4 |
|
Reynolds, Roger |
|
5* |
|
Richards, Eric (*oversized scores removed to box 104)
|
|
6 |
|
Rosenboom, David, "In the
beginning" |
|
|
|
Rudhyar, Dane |
|
7* |
|
|
Works, miscellaneous, and related materials (*oversize scores
removed to box 103) |
|
8 |
|
|
"Three melodies" |
|
9 |
|
Ruggles, Carl, "Angels" |
|
10 |
|
Rzewski, Frederic, "Coming together
I" |
|
11 |
|
Sakaki, Nanao, "Wildcat
Island" |
|
12 |
|
Satie, Erik |
|
13 |
|
Sawabe, Yukiko |
| Box |
Folder |
| 100 |
1 |
|
Schafer, R. Murray, The Book of
Noise |
|
2 |
|
Schumann, Robert |
|
3 |
|
Simons, David, "The night sky in
October" |
|
4 |
|
Skempton, Howard |
|
5 |
|
Sommer, Barbara, "'Os Absolutos e os
Ausentes': Indigenous society and state policy in the lower Amazon,
1750-1800" |
|
6 |
|
Stockbridge, John |
|
|
|
Tenney, James |
|
7 |
|
|
Works, A-Z |
|
8 |
|
|
"A history of 'consonance' and
'dissonance'" |
|
9 |
|
|
"John Cage and the theory of
harmony" |
|
10 |
|
|
"Three indigenous songs" |
|
11 |
|
|
Related material |
|
12 |
|
Thomson, Virgil, Henry Cowell, John Cage, and Lou Harrison,
Party pieces |
|
13 |
|
Toledo, Marcelo, "Pulso
herido" |
|
14 |
|
Tracey, Andrew |
|
15 |
|
Varèse, Edgard |
|
* |
|
Volans, Kevin (*removed to oversize box 104) |
|
|
|
Weber, Joseph |
|
16 |
|
|
"Music for brass instruments" |
|
17 |
|
|
"Piece for orchestra (untitled)" |
|
* |
|
|
"Sinfonia for keyboard
instruments" (*removed to oversize box 103) |
|
18 |
|
|
"Sister Maria" |
|
19 |
|
|
"Symphony in one movement" |
| Box |
Folder |
| 101 |
1 |
|
|
"Three songs" |
|
2 |
|
|
"Trio concertante" |
|
3 |
|
|
Unidentified |
|
* |
|
|
Works, miscellaneous (*removed to oversize box 103)
|
|
4 |
|
Wolf, Daniel, "P.F.O. new music and
commentary" |
|
5 |
|
Wolff, Christian, "Prose
pieces" |
|
6 |
|
Wood, Charles, "Nothing lives long,
only the earth and the mountains" |
|
7 |
|
Young, La Monte |
|
8 |
|
Zimmermann, Walter, "Baile de la
conquista" |
|
9 |
|
Zorn, Jim, "Road
runner" |
|
|
|
Miscellaneous |
|
10 |
|
|
Basler, Sabra; "Cantos
Revolucionarios"; Lorri Martinez |
|
11 |
|
|
Essays re Mexican classical and popular music |
|
12 |
|
|
Unidentified works of others |
|
13-15 |
|
|
Works, clippings, related materials |
|
