Robert Rubens:
An Inventory of His Papers in the Manuscript Collection at the Harry
Ransom Humanities Research Center
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Creator: |
Rubens, Robert, 1937-1998 |
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Title: |
Robert Rubens Papers |
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Dates: |
1952-1990 |
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Abstract: |
The papers of Robert Rubens consist
of handwritten and typed manuscripts, loose notes and notebooks, printed materials,
galley proofs, correspondence, clippings, and photographs. |
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RLIN Record ID: |
TXRC03-A3 |
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Extent: |
7 boxes, 1 oversize folder, 1 galley folder (2.9 linear feet) |
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Language: |
English |
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Repository: |
The University of Texas at Austin, Harry Ransom Humanities
Research Center |
Robert Rubens was born in 1937 as Robert Gilbert Ruben--adding the 's' to his name
later in life. He attended high school at the Quaker-run Friends Select School in
Philadelphia, serving on the school's newspaper and the editorial board for the
school's literary magazine. He graduated in 1955, then attended Bard College in New
York State. After graduating from Bard he worked for a short period in a
Philadelphia book store before moving to London in 1961 to pursue a literary career.
In London Rubens worked as a reader for a publishing firm and as an editor on the
Transatlantic Review. In 1963 his first short
story to appear in print, "Two Weeks beyond
Shoreditch," was published in Winters Tale 9.
That same year he edited an anthology of short stories entitled Voices and worked to complete his first novel The Operator (1964).
In 1965 Rubens began collaborating with the famed Russian dancer and choreographer
Leonide Massine as editor of Massine's autobiography My Life
in Ballet (1968). He continued to publish short stories and wrote
articles and reviews that appeared in Auction, Contemporary Review, PEN
Broadsheet, The Queen Magazine, The Sunday Telegraph, and Vogue.
Rubens' second novel, The Cosway Miniature, did not
appear until 1980, but was soon followed by four more novels: A Night at the Odeon (1981), Artist
Unknown (1985), A Shadow between Us (1987),
and North of the Park (1990).
Rubens died in London of pancreatic cancer in 1998 at the age of 61.
The papers of Robert Rubens consist of handwritten and typed manuscripts, loose notes
and notebooks, printed materials, galley proofs, correspondence, clippings, and
photographs. The papers are organized in two series: I Works, 1952-1990, nd (6
boxes); and II. Other Papers, 1964-1987, nd (1 box). All materials are in English
and are generally in good condition.
Series I. Works, 1952-1990, nd
The Works series is divided into two subseries: A. Fiction and B. Non-fiction.
The Fiction subseries contains the bulk of the materials in Rubens' papers and
includes working notebooks, loose notes, and handwritten and typed manuscripts
for five of his six published novels: The Cosway
Miniature (1980), A Night at the
Odeon (1981), Artist Unknown (1985),
A Shadow between Us (1987), and North of the Park (1990). Material for his first
published novel, The Operator (1964), consists
only of dust jackets and a preliminary leaf. Rubens' first published short
story, "Two Weeks beyond Shoreditch" (1963), is
documented only with photocopies of two published versions. Also represented are
eight other works of varying lengths and two complete but unidentified pieces.
The Non-fiction subseries consists primarily of drafts and proofs of articles and
book reviews, many of which were published in Contemporary Review and PEN
Broadsheet (later PEN Magazine). Also
present are materials relating to My Life in
Ballet (1968), an autobiography of the Russian dancer and choreographer
Leonide Massine. Rubens collaborated with Massine on the book, and the materials
are especially revealing of Rubens' preliminary research. Included are journal
entries of Rubens' stay at Massine's home in Naples, Italy, in 1965; letters
between Massine and Rubens giving details of Massine's life; and ballet
programs, photographs, and newspaper clippings relating to Massine's work. The
manuscript for the autobiography is represented by a handwritten draft of only
one chapter, although related notes are located in Series II. Other Papers under
the heading "Notes and Notebooks." Of particular note in the Massine material is
a 1960 choreography script for his Comedia Umana,
and Massine's 1952 synopsis and notes for the ballet Donald of the Burthens. These are also the earliest dated materials
in Rubens' papers, with the majority of items dating from the mid 1960s to the
late 1980s.
Materials are arranged alphabetically in both subseries. Handwritten notes and
manuscripts drafts similar to those in the Works series are also found with the
notes and notebooks located in Series II.
Series II. Other Papers, 1964-1987, nd
The majority of Series II is comprised of five notebooks containing handwritten
outlines, drafts, and notes related to various Rubens works. Included are
materials for unidentified and unpublished pieces. Each notebook is undated and
contains writings for more than one work. Several works, such as My Life in Ballet, are represented in more than one
notebook.
Also in the series are incoming and a few outgoing letters, mostly related to
Ruben's literary works and dating from 1965 to 1987. Rubens' correspondence with
Leonide Massine is located in the Works series under My
Life in Ballet. Correspondence and other materials related to
Rubens' involvement with PEN is filed in Series II under the PEN heading.
Arrangement in the series is alphabetical by subject heading.
Access:
Open for research
Purchase (R12577), 1992
Rebecca Romanchuk, Patti Wardell, 2000; Stephen Mielke, 2003
Container List
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Series I. Works, 1952-1990, nd |
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Subseries A. Fiction, 1963-1990, nd |
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Artist Unknown (1985) [working title
The Blue Mini] |
| Location |
| 1.1 |
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Handwritten manuscript fragments and notes,
nd |
| Location |
| 1.2-4 |
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Handwritten manuscript, nd |
| Location |
| 1.5 |
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Typed manuscript with corrections, nd |
| Location |
| 1.6 |
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Page proofs and layouts, 1984 |
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The Cosway Miniature (1980) [working
title Bonnie and Clive] |
| Location |
| 2.1; of |
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Handwritten manuscript fragments and notes,
nd |
| Location |
| 2.2 |
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Typed manuscript fragments with corrections,
nd |
| Location |
| 2.3 |
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Typed manuscript with corrections, nd |
| Location |
| 2.4 |
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Typed synopsis with corrections, nd |
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Page proofs with corrections, nd |
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"Country Cousin" |
| Location |
| 2.5; of |
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Handwritten manuscript fragments, nd |
| Location |
| 2.5 |
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Composite manuscript, nd |
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Typed manuscript with corrections, nd |
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Carbon copy manuscript with corrections, nd |
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"Day of the Wedding" |
| Location |
| 2.6 |
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Typed manuscript fragment with corrections,
nd |
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"For Those Who Believe" |
| Location |
| 2.7 |
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Typed manuscript with corrections, nd |
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Carbon copy with corrections, nd |
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"Foreign Ground" |
| Location |
| 2.8 |
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Typed manuscript with corrections, nd |
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"In the Bush" |
| Location |
| 2.9 |
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Typed manuscript with corrections, nd |
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A Night at the Odeon (1981) [working
title Blue Movie] |
| Location |
| 2.10 |
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Handwritten manuscript and notes, nd |
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Typed manuscript fragments with corrections,
nd |
| Location |
| 2.11 |
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Typed manuscript with corrections, nd |
| Location |
| 2.12 |
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Dust jacket layout and biographical note, nd |
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North of the Park (1990) |
| Location |
| 3.1 |
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Notes and clippings, nd |
| Location |
| 3.2-3 |
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Handwritten manuscript, nd |
| Location |
| 3.4-5 |
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Typed manuscript with corrections, nd |
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The Operator (1964) |
| Location |
| 3.6 |
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Dust jackets and preliminary leaf, nd |
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A Shadow between Us
(1987) |
| Location |
| 3.7 |
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Handwritten manuscript fragment and notes, nd |
| Location |
| 3.8 |
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Handwritten manuscript, nd |
| Location |
| 3.9 |
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Typed manuscript fragments with corrections,
nd |
| Location |
| 4.1-2 |
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Typed manuscripts with corrections, nd |
| Location |
| 4.3 |
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Typed and carbon copy manuscript fragments with
corrections, nd |
| Location |
| 4.4 |
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Carbon copy manuscript with corrections, nd |
| Location |
| 4.5-6; 5.1 |
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Photocopies of typed manuscripts with corrections,
nd |
| Location |
| 5.2 |
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Photocopy of typed manuscript fragment and handwritten
corrections list, nd |
| Location |
| 5.3 |
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Handwritten and typed synopsis, nd |
| Location |
| 5.4 |
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Page proof fragments, nd |
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"Stolen Matinees" |
| Location |
| 5.5 |
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Handwritten notes and manuscript, nd |
| Location |
| 5.6 |
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Typed manuscript with corrections, nd |
| Location |
| 5.7 |
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Carbon copies of typed synopsis with corrections,
nd |
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"Tea in a Tooth Mug" |
| Location |
| 5.8 |
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Composite manuscript fragment with corrections,
nd |
| Location |
| 5.9 |
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Typed and photocopy manuscripts with corrections,
nd |
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"Too Clever by Half" |
| Location |
| 6.1 |
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Composite and typed manuscripts with corrections,
nd |
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"Two Weeks beyond
Shoreditch" (1963) |
| Location |
| 6.2 |
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Photocopy from Winter's Tale
9, 1963 |
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Photocopy from later reprint, nd |
| Location |
| 6.3 |
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Unidentified, typed manuscripts with corrections for two
short stories, nd |
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Subseries B. Non-fiction, 1952-1983, nd |
| Location |
| 6.4 |
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"Ann Jellicoe and Donald
McWhinnie," The Transatlantic Review, photocopy,
nd |
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"The Archduke Louis Salvatore in
Majorca," Contemporary Review, v. 233,
no.1352, handwritten, typed, and carbon copy manuscript drafts,
1978 |
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"The Backward Glance--A
Contemporary Taste for Nostalgia," Contemporary Review , v. 239, no.
1388, photocopy typescript and galley proof, 1981 |
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"Edith
Wharton, a Biography by R. W. B. Lewis," PEN Broadsheet, no. 2,
handwritten, typed, and carbon copy manuscripts with corrections,
1976 |
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"Emerson and
Literary Change by David Porter," PEN Broadsheet, no. 2, carbon
copy manuscript, 1979 |
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"Enquiry: Is the 'Writers in
Residence' Scheme Succeeding?" PEN Broadsheet, no. 3 |
| Location |
| 6.4 |
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Handwritten, typed, and carbon copy manuscripts with
corrections, 1977 |
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Photocopy page proof, 1977 |
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Research materials, 1975-1976, nd |
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"The King We Lost: Edward VIII by Frances
Donaldson," handwritten and carbon copy manuscripts with
corrections, nd |
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"A Little
Order by Evelyn Waugh," PEN Broadsheet, no. 5, carbon
copy manuscript, 1978 |
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My Life in Ballet (1968) |
| Location |
| 6.5 |
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"Chapter XX: The
1960s," carbon copy manuscript fragment with corrections,
nd |
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Choreography script for Comedia
Umana, 1960 |
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Synopses and notes for Donald of
the Burthens, 1952 |
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Notes, clippings, and ballet programs |
| Location |
| 6.6 |
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Photographs (10), nd |
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Correspondence, 1965-1968, nd |
| Location |
| 6.7 |
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"Old words, new meanings,"
typed manuscript with corrections, nd |
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"The Pope's Visit to Spain," Contemporary Review, v. 242, no.
1406, 1983 |
| Location |
| 6.7 |
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Handwritten, typed, and photocopy manuscripts with
corrections, nd |
| Location |
| gf |
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Galley proof, 1983 |
| Location |
| 6.7 |
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"Power and order: Henry Adams and the Naturalist Tradition in
American Fiction by Harold Kaplan,"
photocopies of typed manuscript with corrections, nd |
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"A Prince of Our Disorder: The Life of T. E. Lawrence by John E.
Mack," PEN Broadsheet, no. 3,
1977 |
| Location |
| 6.7 |
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Typed and carbon copy manuscripts with corrections,
nd |
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Photocopy page proof, nd |
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"Profile: Denton Welch
(1915-1948)," PEN Broadsheet, no. 4,
1977 |
| Location |
| 6.7 |
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Eric Oliver interview typescript, 1977 |
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Handwritten notes and manuscript, 1977 |
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Typed and carbon copy manuscript with corrections,
1977 |
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"Profile: Elizabeth Bowen," PEN Broadsheet, no. 2,
handwritten, typed and carbon copy manuscripts with corrections,
1976 |
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"Ronald
Firbank, Memoirs and Critiques edited by Mervyn
Horder," PEN Broadsheet, no. 4, typed and
carbon copy manuscripts with corrections, 1977 |
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"Sherlock Holmes revisited," Contemporary Review, v. 235, no.
1362, 1979 |
| Location |
| 6.7 |
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Handwritten, typed and carbon copy manuscripts with
corrections, 1979 |
| Location |
| gf |
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Galley proof, 1979 |
| Location |
| 6.7 |
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"The Soul's
Gymnasium and Other Stories by Harold Action," PEN Broadsheet, no.13, photocopy
typed manuscript, 1982 |
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"Stephen Spender speaks to PEN," PEN Broadsheet, no. 2,
handwritten and carbon copy manuscript with corrections,
1976 |
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"A Taste of Broadway," The Sunday Telegraph, clipping,
1962 |
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"Television in the 1980's--The
Medium in Maturity," Contemporary Review, v. 211, no.
1402, photocopy typed manuscript with corrections, 1982 |
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"Theatres in Hammersmith," Contemporary Review, v. 235, no.
1367, 1979 |
| Location |
| 6.7 |
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Carbon copy manuscript with corrections, 1979 |
| Location |
| gf |
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Galley proof, 1979 |
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"T. S. Eliot's The
Family Reunion--Forty years later," Contemporary Review |
| Location |
| 6.8 |
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Handwritten, carbon copy and photocopy typed manuscripts
with corrections, nd |
| Location |
| gf |
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Galley proof, nd |
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The Unknown Majorca |
| Location |
| 6.8 |
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Handwritten notes, nd |
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Typed synopsis and book proposals, nd |
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"The Young Writers' Festival at
the Royal Court Theatre," Contemporary Review, v. 234, no.
1361, 1979 |
| Location |
| 7.1 |
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Research materials and notes, 1979, nd |
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Handwritten, typed, and carbon copy manuscripts with
corrections, nd |
| Location |
| gf |
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Galley proof, 1979 |
| Location |
| 7.2 |
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Unidentified, typed manuscript with annotations,
nd |
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Series II. Other Papers, 1964-1987, nd |
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Correspondence |
| Location |
| 7.3 |
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Incoming literary correspondence, 1973-1987 |
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Outgoing literary correspondence, 1977 |
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Incoming personal correspondence, 1965-1978, nd |
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Outgoing personal correspondence, nd |
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Notes and notebooks |
| Location |
| 7.4 |
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Handwritten notes on various subjects, nd |
| Location |
| 7.5 |
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[Notebook 1], includes drafts for A
Night at the Odeon, a review of Mervyn Horder's Ronald Firbank: Memoirs and Critiques,
and a listing of Rubens' short stories, nd |
| Location |
| 7.6 |
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[Notebook 2], includes drafts for a review of Donat
Gallagher's A Little Order: A Selection from
His Journalism / Evelyn Waugh and The Unknown Majorca, nd |
| Location |
| 7.7 |
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[Notebook 3], includes drafts for "Old Words, New Meanings" and a review of Mervyn Horder's
Ronald Firbank: Memoirs and
Critiques, nd |
| Location |
| 7.8 |
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[Notebook 4], includes notes for My
Life in Ballet, a biography of Antoine Watteau, and a
draft for a review of Giorgio Bassani's The
Garden of the Finzi-Continis, nd |
| Location |
| 7.9 |
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[Notebook 5], include drafts for A
Shadow between Us, a review of Muriel Spark's Mandelbaum Gate, a review of Iris
Murdoch's The Red and the Green, an
unidentified short story and several unidentified reviews, and notes
for My Life in Ballet and a biography
of Antoine Watteau, nd |
| Location |
| 7.10 |
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[Notebook 6], includes notes for My
Life in Ballet, Gerard de Nerval, and "Mr. F," nd
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Subject files |
| Location |
| 7.11 |
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Clippings, 1964-1978, nd |
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PEN |
| Location |
| 7.11 |
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Correspondence, 1976-1978 |
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Brochures and clippings, 1976-1977 |
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Postcard and receipt, 1977, nd |
Names in bold appear in the RLIN record.
- Able, Betty--7.10
- Anderson & Shepard--6.5
- Bachman & Turner--7.10
- Boas, Pamela--7.10
- B.T. Batsford Ltd.--7.10
- Chevalier, Jean-Louis--7.10
- Clancier, Georges Emmanuel, 1914- --7.11
- Collins?, Norman--7.10
-
Contemporary Review--7.10
- Cooper, Lettice Ashley--7.10
- David Higham Associates--7.10
- "Donald"--6.5
- Elstob, Peter, 1916- --7.11
-
Encounter--7.10
- English Centre of International PEN--7.11
- Farmer, David--7.10
- Friends Select School (Philadelphia, Pa.)--7.10
- Harry Ransom Humanities Research Center--7.10
- MacLean, A. D.--7.10
- Macmillan & Co.--7.10
-
Massine, Leonide, 1896- --6.5
- McN__--7.10
- Middletune Graphics--7.10
- National Assoc. of Decorative and Fine Arts Societies--7.10
- Oliver, Eric--7.10
- PEN Club Français--7.11
- Paterson, Elizabeth--7.11
- Pullein-Thompson, Josephine--7.11
- Szgnowski?, David--7.10
- Tatton-Brown, Anthea--7.10
- Tavernier, René--7.10-11
- Thwaite, Anthony--7.10
- Tuite, Simon--7.10
- Wade, Rosalind--7.10-11
- West, Anthony--7.10
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