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		<eadid countrycode="US" encodinganalog="852$a" mainagencycode="TxU-Hu"
			>urn:taro:utexas.hrc.00318</eadid>
		<!--DO NOT MODIFY ANY OF THE BOILERPLATE TEXT ABOVE THIS LINE-->
		<!-- revised 8 July 2008 -->
		<filedesc>
			<titlestmt>
				<titleproper>George Eliot: </titleproper>

				<subtitle>An Inventory of Her Collection in the Manuscript Collection at the Harry
					Ransom Humanities Research Center</subtitle>
				<author encodinganalog="245$c">Finding aid created by Patricia Monticello and
					Stephen Cooper</author>

			</titlestmt>
			<publicationstmt>
				<publisher encodinganalog="260$b">Harry Ransom Humanities Research Center, </publisher>
				<date encodinganalog="260$c" calendar="gregorian" era="ce">2004 and 2005</date>
			</publicationstmt>
		</filedesc>
		<profiledesc>
			<creation>Finding aid encoded by Gabriela Redwine, <date calendar="gregorian" era="ce"
					>30 September 2008</date>
			</creation>
			<langusage>Finding aid written in <language>English.</language></langusage>
		</profiledesc>
	</eadheader>
	<archdesc level="collection">
		<did>
			<repository encodinganalog="852$a">
				<corpname>The University of Texas at Austin, <subarea> Harry Ransom Humanities
						Research Center</subarea></corpname>
			</repository>
			<origination label="Creator:">
				<persname source="lcnaf" encodinganalog="100">Eliot, George, 1819-1880</persname>
			</origination>
			<unittitle encodinganalog="245$a" label="Title:">George Eliot Collection</unittitle>

			<unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian"
				label="Dates:" normal="1854/1880">1854-1880</unitdate>
			<physdesc label="Extent:" encodinganalog="300$a">
				<extent>11 boxes (4.62 linear feet)</extent>
			</physdesc>

			<abstract label="Abstract:" encodinganalog="520$a">Galley proofs, page proofs, or
				printed copies for ten of Eliot’s books, all with the author’s handwritten
				corrections, make up the bulk of this collection. </abstract>

			<langmaterial label="Language: ">
				<language langcode="eng">English</language>
			</langmaterial>
			<unitid encodinganalog="099" label="RLIN Record ID: ">TXRC05-A10004</unitid>
		</did>
		<bioghist encodinganalog="545">
			<head>Biographical Sketch</head>
			<p>Born Mary Ann Evans in 1819, George Eliot was the daughter of a land agent who
				managed estates in the rural midlands, a formative experience that gave her an
				insight into country society that later greatly influenced and enriched her first
				works of fiction. At different times of her life, she also spelled her name as Mary
				Anne, Marian, and Marianne, adopting the pen-name of Eliot only after her first work
				of fiction was published in 1857.</p>
			<p>Eliot was brought up in a narrow religious tradition, and at school she became a
				convert to Evangelicalism. Charles Bray, a free thinking manufacturer, influenced
				her skepticism of orthodox beliefs, although she never strayed from the ethical
				teachings of her childhood religion. Her works contain themes of love and duty, and
				affectionate portraits of clergymen and dissenters. She began her literary career
				with translations from the German of two works of religious speculation, of which
				Strauss’s <title render="italic">Life of Jesus</title> was published in 1846 without
				her name.</p>
			<p>In 1849, after the death of her father, she moved to London and quickly became
				involved in literary circles. In 1851 John Chapman made her the assistant editor of
				the <title render="italic">Westminster Review</title> although she had been
				contributing articles and reviews to the periodical for only a year. It was through
				Chapman’s influence that she met G. H. Lewes, who was then separated from his wife.
				She began living with him without a legal union in 1854, an arrangement that caused
				her some anxiety and strife with friends and family, but one that ultimately proved
				both long lasting and beneficial to her literary career. Only after meeting him did
				she begin writing works of fiction, and Lewes remained a strong supporter of her
				work until his death in 1878.</p>
			<p><title render="doublequote">The Sad Fortunes of the Rev. Amos Barton,</title> one of
				three stories brought together in <title render="italic">Scenes of Clerical
				Life</title> (1858), appeared in <title render="italic">Blackwood’s Magazine</title>
				in 1857 under the name of George Eliot, the first work that bore this pseudonym.
				These stories were praised for domestic realism, pathos, and humor, and caused
				speculation about the identity of George Eliot, who many believed was a clergyman or
				a clergyman’s wife. <title render="italic">Scenes</title> marked the beginning as
				well of a long relationship with Blackwood Press, which would publish all of her
				works save <title render="italic">Romola</title>.</p>
			<p>Begun in 1858, <title render="italic">Adam Bede</title> (1859) established her as a
				leading English novelist, praised by readers as diverse as James H. Turgenev and
				Queen Victoria. Following <title render="italic">Bede</title> were a series of
				novels, including <title render="italic">The Mill on the Floss</title> (1860),
					<title render="italic">Silas Marner</title> (1861), <title render="italic"
					>Romola</title> (1862-3), <title render="italic">Felix Holt</title>, (1866),
					<title render="italic">Middlemarch</title> (1871-2), and <title render="italic"
					>Daniel Deronda</title> (1876). Until <title render="italic">Romola</title>, a
				historical novel about society in Florence, Italy, her novels had concerned country
				life. In 1879, a collection of her most successful <title render="italic"
					>Westminster Review</title> essays, entitled <title render="italic">The
					Impressions of Theophrastrus Such</title>, was published. In 1880, she married
				John Walter Cross, her financial advisor and friend who was twenty years younger
				than she. Eliot died seven months later.</p>

		</bioghist>
		<bibliography>
			<head>Sources:</head>
			<p><title render="doublequote">Eliot, George,</title>
				<title render="italic">The Bloomsbury Guide to English Literature</title>, ed.
				Marion Wynne-Davies. New York: Prentice Hall General Reference, 1990. </p>
			<p><title render="doublequote">Eliot, George,</title>
				<title render="italic">The Oxford Companion to English Literature</title>, 5th ed.
				Oxford: Oxford University Press, 1985. </p>
		</bibliography>
		<controlaccess>
			<head>Index Terms</head>
			<controlaccess>
				<head>People</head>
				<persname encodinganalog="700" source="lcnaf">Ward, Elizabeth Stuart Phelps,
					1844-1911</persname>
			</controlaccess>
			<controlaccess>
				<head>Subjects</head>
				<subject encodinganalog="600" source="lcsh">Fiction--19th century</subject>
			</controlaccess>
		</controlaccess>
		<scopecontent encodinganalog="520">
			<head>Scope and Contents</head>
			<p>The Ransom Center's collection of George Eliot materials is arranged in two series:
				I. Works, 1860-1880 (10 boxes), and II. Letters, 1854-1880 (1 box), with items
				arranged alphabetically where possible. The majority of the collection was acquired
				from Blackwood Press in London, the original publisher of all but one of Eliot's novels.
				This collection was previously accessible through a card catalog, but has been
				re-cataloged as part of a retrospective conversion project.</p>
			<p>Galley proofs, page proofs, or printed copies for ten of Eliot’s books, all with the
				author’s handwritten corrections, make up the bulk of this collection. Several of
				the volumes are print copies corrected by the author for subsequent editions, such
				as the Blackwood edition of <title render="italic">Romola</title>, which was
				originally published by Smith London. (Eliot's proof copy from Smith's original
				publication of <title render="italic">Romola</title> is also included in this
				collection.) Other books appear in "cheap copies": proof copies of the novels
				gathered loosely in brown paper covers. Still other works are unbound, the longest
				of which is the page proof copy of <title render="italic">Middlemarch</title>,
				composed of nearly 4,000 loose sheets.</p>
			<p>The Letters series is composed of two loose letters and a bound volume of letters
				from Eliot to American writer Elizabeth Stuart Phelps Ward. In addition to the
				letters, the volume includes engraved portraits of Charles Dickens, William
				Makepeace Thackeray, Herbert Spencer, and Eliot herself. The letters are variously
				signed "M. E. Lewes" and "M. A. Cross," demonstrating even within such a small
				collection the multiple ways in which Eliot referred to herself on paper.</p>
		</scopecontent>
		<acqinfo encodinganalog="541">
			<head>Acquisition: </head>
			<p>Purchase, 1976 (R 7034)</p>

		</acqinfo>
		<accessrestrict encodinganalog="506">
			<head>Access: </head>
			<p>Open for research</p>
		</accessrestrict>
		<processinfo encodinganalog="583">
			<head>Processed by: </head>
			<p>Patricia Monticello, 2004; Stephen Cooper, 2005</p>
		</processinfo>
		<relatedmaterial encodinganalog="544 1">
			<p>Additional George Eliot letters in the Ransom Center are located in two bound
				collections of manuscript letters: Hanley II D555 Ef, vol. 3, and Stark 1355.</p>

		</relatedmaterial>
		<dsc type="combined">
			<head>Container List</head>
			<c01 level="series">
				<did>
					<unittitle>Series I. Works, <unitdate era="ce" calendar="gregorian"
							type="inclusive">1860-1880</unitdate>
					</unittitle>
				</did>
				<c02>
					<did>
						<unittitle><title render="italic">Adam Bede</title> (1859), printed copy
							with handwritten corrections, 1861</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">1.1</container>
							<unittitle>Volume One</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">1.2</container>
							<unittitle>Volume Two</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">2.1</container>
						<unittitle><title render="italic">Daniel Deronda</title> (1874-1876), page
							proofs with handwritten corrections, 1876, bound</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<unittitle><title render="italic">Impressions of Theophrastus Such</title>
							(1879), page proofs with handwritten corrections</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">1.3</container>
							<unittitle>1879</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">1.4</container>
							<unittitle>1880</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle><title render="italic">Middlemarch</title> (1871-72)</unittitle>
					</did>
					<c03>
						<did>
							<unittitle>Page proofs with handwritten corrections, 1871</unittitle>
						</did>
						<c04>
							<did>
								<container type="Container">3.1</container>
								<unittitle>Book I</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">3.2-3.3</container>
								<unittitle>Book II</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">3.4-3.5</container>
								<unittitle>Book III</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">4.1-4.2</container>
								<unittitle>Book IV</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">4.3-4.4</container>
								<unittitle>Book V</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">4.5-5.1</container>
								<unittitle>Book VI</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">5.2-5.3</container>
								<unittitle>Book VII</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">5.4</container>
								<unittitle>Book VIII</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">5.5</container>
								<unittitle>Miscellaneous pages from Volume 2, Book XIII</unittitle>
							</did>
						</c04>
					</c03>
					<c03>
						<did>
							<container type="Container">6.1</container>
							<unittitle>Page proofs with handwritten corrections, 1871-1872,
							bound</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">7.1</container>
							<unittitle>Printed copy with handwritten corrections,
							undated</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle><title render="italic">The Mill on the Floss</title>
						(1860)</unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">8.1</container>
							<unittitle>Page proofs with handwritten emendations, undated</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<unittitle>Printed copy with handwritten corrections,
							undated</unittitle>
						</did>

						<c04>
							<did>
								<container type="Container">7.2</container>
								<unittitle>Volume One</unittitle>
							</did>
						</c04>
						<c04>
							<did>
								<container type="Container">7.3</container>
								<unittitle>Volume Two</unittitle>
							</did>
						</c04>
					</c03>
				</c02>
				<c02>
					<did>
						<unittitle><title render="italic">Romola</title> (1862-1863), page proofs
							with handwritten corrections, 1877 </unittitle>
					</did>
					<c03>
						<did>
							<container type="Container">9.1</container>
							<unittitle>Volume One</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">9.2</container>
							<unittitle>Volume Two</unittitle>
						</did>
					</c03>
					<c03>
						<did>
							<container type="Container">8.2</container>
							<unittitle>Single volume copy</unittitle>
						</did>
					</c03>
				</c02>
				<c02>
					<did>
						<container type="Container">9.3</container>
						<unittitle><title render="italic">Scenes of Clerical Life</title>, page
							proofs with handwritten corrections, 1860</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">10.1</container>
						<unittitle><title render="italic">Silas Marner</title> (1861), printed copy
							with handwritten corrections, 1861</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">10.2</container>
						<unittitle><title render="italic">Silas Marner</title>, <title
								render="doublequote">The Lifted Veil</title> (1859), and <title
								render="doublequote">Brother Jacob</title> (1864), page proofs with
							handwritten corrections, 1878 </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">10.3</container>
						<unittitle><title render="italic">The Spanish Gyspy</title> (1868), galley
							proofs with handwritten corrections, 1878 </unittitle>
					</did>
				</c02>
			</c01>
			<c01 level="series">
				<did>
					<unittitle>Series II. Letters, <unitdate era="ce" calendar="gregorian"
							type="inclusive">1854-1880</unitdate>
					</unittitle>
				</did>
				<c02>
					<did>
						<container type="Container">11.1</container>
						<unittitle>Unidentified recipient, 1854</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">11.2</container>
						<unittitle>Macmillan &amp; Co. (firm), 1877</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Container">11.3</container>
						<unittitle>Ward, Elizabeth Stuart Phelps, 1873-1880, bound</unittitle>
					</did>
				</c02>
			</c01>
		</dsc>
	</archdesc>
</ead>
