Don DeLillo:
A Preliminary Inventory of His Papers at the Harry Ransom
Humanities Research Center
| | |
|
| Creator: | DeLillo, Don, 1936- |
| Title: | Don DeLillo's
Papers |
| Dates: | ca. 1959-2003 |
| Abstract: | This collection
contains notes, research materials, typescript drafts, and proofs for DeLillo's
novels through 2003 (
Amazons,
Americana,
The Body Artist,
Cosmopolis,
End Zone,
Great Jones Street,
Libra,
Mao II,
The Names,
Ratner's Star,
Running Dog,
Underworld, and
White Noise), as well as associated
editorial correspondence and reviews; manuscripts and related production and
performance materials for the plays
The Day Room,
The Engineer of Moonlight, and
Valparaiso and the screenplay
Game 6; drafts, proofs, and related
correspondence for short works of fiction and non-fiction, including a novella,
playlets, articles and essays; and career-related conference papers, materials
demonstrating his support for Salman Rushdie, and ephemera connected to his
winning of the Jerusalem Prize. Other papers include correspondence with
editors, translators, other authors, his agent, parties interested in film and
theatrical versions of his work, friends, and his wife; fan mail; and
periodicals containing the published texts of his shorter works. |
| RLIN Record #: | None |
| Extent: | 120 boxes, 4 periodical
boxes, 1 oversize box, 1 oversize folder, 8 galley folders (52 linear
feet) |
| Language: | Most material in English with some material in
German and Norwegian. |
| Repository: | The University of Texas at Austin, Harry Ransom
Humanities Research Center |
The papers of American novelist Don
DeLillo consist of manuscripts and related materials for most of his novels,
plays, short fiction and non-fiction works, his professional and personal
correspondence files, as well as a collection of published versions of his
short works. The collection is arranged in three series: I. Works, 1971-2003
(92 boxes); II. Correspondence, 1959-2003 (28 boxes), and III. Publications,
1960-2003 (4 periodical boxes).
Series I. Works makes up the bulk of the collection and is divided
into three subseries: Subseries A. Full-Length Novels and Plays; Subseries B.
Short Works; and Subseries C. Career-Related. The works are arranged
alphabetically by title in each subseries; materials for individual works, in
turn, are generally arranged in creation order. Subseries A. includes notes,
research materials, multiple typescript drafts, and proofs, along with
associated editorial correspondence and reviews for DeLillo's novels (and
excerpts) through 2003:
Amazons (1980);
Americana (1971);
The Body Artist (2001);
Cosmopolis (2003);
End Zone (1972);
Great Jones Street (1973);
Libra (1988);
Mao II (1991);
The Names (1982);
Ratner's Star (1976);
Running Dog (1978);
Underworld (1997); and
White Noise (1985). Research materials for
the novels range from dozens upon dozens of news clippings to pamphlets on
nuclear fallout to airline emergency procedure booklets. This subseries also
includes manuscripts and related production and performance materials for
DeLillo's plays
The Day Room (1986),
The Engineer of Moonlight (1979), and
Valparaiso (1999), as well as a
screenplay,
Game 6.
The Short Works in Subseries
B. are both fiction and non-fiction, and include short stories, a novella,
playlets, articles, and essays, as documented through correspondence, drafts,
and proofs. Subseries C. contains Career-Related materials such as papers
regarding a conference held for translators who worked on
Underworld; materials demonstrating
DeLillo's support for Salman Rushdie; and ephemera connected to the Jerusalem
Prize that was awarded to DeLillo in 1999.
While some editorial
correspondence is located in the Works series, a substantial amount of
DeLillo's correspondence with his editors is found in Series II.
Correspondence. The sizeable correspondence files that make up this series are
arranged in three subseries, matching DeLillo's original filing system: A.
Alphabetical Files, B. Professional Correspondence, and C. Chronological Files.
The Alphabetical Files contain large runs of correspondence from a few
individuals such as Gordon Lish, Tom Grimes, and Frank Lentrrichia. There are
few instances of outgoing correspondence from DeLillo in the collection, but
among the notable exceptions are exchanges between DeLillo and fellow authors
Jonathan Franzen and David Foster Wallace concerning
Underworld and the art of writing. Other
prominent correspondents include Nelson Algren, Paul Auster, Russell Banks, Ann
Beattie, Harold Brodkey, Robert Coover, Frederick Exley, Norman Mailer, Rick
Moody, and Philip Roth.
The Professional Correspondence in Subseries B.
includes letters concerning DeLillo's published works, mainly from his editors
and translators, but also from those interested in film and theatrical versions
of his works. There are many pieces of correspondence between DeLillo and his
longtime editor Nan Graham, as well as his agent, Lois Wallace. There is an
interesting selection of correspondence concerning the translation of DeLillo's
works, made up of jocular notes between DeLillo and the translators, as well as
many lists of the precise meaning of the vernacular of his characters and
prose. These lists were generally written as responses to a translator's
specific questions from the text.
The Chronological Files in Subseries
C., beginning in 1971 and continuing through 2003, consist primarily of fan
mail. However, there are also many letters from friends of DeLillo and his
wife, Barbara, as well as copies of responses written by DeLillo.
Series
III. Publications includes four boxes of periodicals which contain the
published texts of DeLillo's shorter works. These publications range from
The New Yorker to
Sports Illustrated and contain articles,
essays, short stories, and playlets by DeLillo.
Audio and video
recordings, as well as books received with the papers were transferred to
appropriate departments within the Ransom Center.
In the following folder
list, DeLillo's own identifications of manuscripts and drafts, when available,
have been used and appear in quotation marks.
Access:
Open for research
Purchase, 2004 (R 15237)
Katherine Haack and Liz Murray, 2004
Don DeLillo Papers--Folder List
| | | | | | | | | | | | | |
| |
Series I. Works,
1971-2003
|
| | | Subseries A. Full-Length Novels and Plays |
| | | | Amazons (novel,
1980) |
| Box | Folder |
| 1 | 1-4 | | | | Setting copy |
| 5-6 | | | | Galleys, author's set, lightly corrected,
photocopy |
| | | | | Correspondence |
| Box | Folder |
| 2 | 1 | | | | | Buck, Sue (collaborator), including
typescripts |
| 2 | | | | | Wallace, Lois and Tom |
| 3 | | | | | Lawsuit |
| 4 | | | | Dust jackets and publicity |
| 5 | | | | Reviews |
| | | | Americana (novel,
1971) |
| | | | | Corrected typescripts |
| Box | Folder |
| 2 | 6 | | | | | "Americana
1" |
| 7 | | | | | | Part 3 Ch. 7-12 |
| 8 | | | | | | Part 3 Ch. 8-11 |
| Box | Folder |
| 3 | 1 | | | | | "1st
version" |
| 2 | | | | | "Revisions" |
| 3 | | | | | "Revisions I and
II" |
| Box | Folder |
| 4 | 1 | | | | | "Revisions 3 and
4" |
| 2 | | | | | "1st Revision - carbon
1" |
| Box | Folder |
| 5 | 1 | | | | | "1st Revision - carbon
2" |
| * | | | | Author's proofs, three sets, Dec. 15, 1970; Jan. 26,
1971; n.d. [*removed to galley files] |
| 2-3 | | | | "Setting copy, Houghton
Mifflin edition 1977" |
| 4 | | | | "Setting copy, 1990
Penguin edition" |
| Box | Folder |
| 6 | 1 | | | | Penguin revised edition, correspondence,
1988- 1989 |
| 2 | | | | Reviews |
| | | | The Body Artist (novel,
2001) |
| Box | Folder |
| 6 | 3 | | | | Research material |
| 4 | | | | "Time" notes and
research materials |
| 5 | | | | Notes in notebook |
| 6-8 | | | | First draft, ribbon copy, heavily revised,
Sept. 8, 1998; Jan. 5, 2000 |
| Box | Folder |
| 7 | 1-2 | | | | First draft, cont'd |
| 3 | | | | Re revisions, handwritten notes in notebook, ca.
Feb. 23 - July 7, 2000 |
| 4 | | | | "Original typescript,
3/12/2000" |
| 5 | | | | "Master copy,
3/12/2000," uncorrected photocopy |
| | | | | Revised typescript |
| | | | | | Ribbon copy |
| Box | Folder |
| 7 | 6 | | | | | | pp. 1-125 |
| Box | Folder |
| 8 | 1 | | | | | | pp. 126-244 |
| | | | | | Photocopy |
| Box | Folder |
| 8 | 2 | | | | | | pp. 1-122 |
| 3 | | | | | | pp. 123-244 |
| 4 | | | | Notes and correspondence re revisions; selected
corrected typescript pages |
| 5 | | | | Handwritten and typescript notes, chapter outlines,
draft fragments |
| | | | | Galleys |
| Box | Folder |
| 8 | 6 | | | | | Large type version, "Don's copy, hold for readings" |
| 7 | | | | | Lightly corrected |
| 8 | | | | Dust jacket designs and correspondence |
| Box | Folder |
| 9 | 1 | | | | Correspondence with translators |
| 2-3 | | | | Reviews, U.S. |
| 4-5 | | | | Reviews and articles, international |
| | | | Cosmopolis (novel,
2003) |
| Box | Folder |
| 9 | 6-9 | | | | Notes in notebooks |
| Box | Folder |
| 10 | 1 | | | | General loose notes and research
material |
| | | | | Research material |
| Box | Folder |
| 10 | 2 | | | | | Billionaires and globalism / time |
| 3 | | | | | Icarus and protest |
| 4 | | | | | Rap and setting / car |
| 5 | | | | | Streets, etc. and technology |
| 6 | | | | | General |
| | | | | First draft "work-in-progress" |
| Box | Folder |
| 10 | 7-8 | | | | | April 2000 |
| Box | Folder |
| 11 | 1-4 | | | | | April 2000, cont'd. |
| 5 | | | | | Sept. 2001 |
| Box | Folder |
| 12 | 1-3 | | | | | Sept. 2001, cont'd. |
| | | | | Corrected typescript |
| Box | Folder |
| 12 | 4 | | | | | Part one |
| 5 | | | | | Part two |
| | | | | "Fair
copy-original" |
| Box | Folder |
| 13 | 1 | | | | | Part one |
| 2 | | | | | Part two |
| | | | | Photocopy,
May 2002 |
| Box | Folder |
| 13 | 3 | | | | | Part one |
| 4 | | | | | Part two |
| | | | | Correspondence |
| Box | Folder |
| 13 | 5-6 | | | | | Adamson, Carter, comments with
typescript |
| 7 | | | | | Translators, with replies from DeLillo |
| Box | Folder |
| 14 | 1 | | | | Jacket designs and copy; text changes and book
titles |
| 2 | | | | Publicity |
| | | | | Reviews and interviews |
| Box | Folder |
| 14 | 3 | | | | | U.S. |
| 4* | | | | | International |
| 5 | | | | | | Primarily U.K. and Ireland |
| 6 | | | | | | Primarily Germany [*oversize removed to box
125] |
| 7 | | | | "The Border of Fallen
Bodies," (excerpt,
Esquire April 2003),
typescripts, proofs, publication |
| 8 | | | | Excerpts, various publications |
| | | | The Day Room (early titles
"Motel TV,"
"Semi- Private,"
"Counterintelligence," play,
1986) |
| Box | Folder |
| 15 | 1-3 | | | | Handwritten notes |
| | | | | Typescripts |
| Box | Folder |
| 15 | 4 | | | | | "Motel TV" |
| 5 | | | | | "Semi-Private" |
| 6-7 | | | | | Drafts |
| 8 | | | | | Draft, discarded pages |
| Box | Folder |
| 16 | 1 | | | | | Drafts |
| 2 | | | | | Corrected typescript |
| 3 | | | | | "Latest version Knopf
8/29," photocopy |
| 4 | | | | | Playwright Horizons, typescript,
Jan. 1985 |
| | | | | Sundance |
| Box | Folder |
| 16 | 5 | | | | | Notebook, "Sundance,
July 1985" |
| 6 | | | | | Handwritten and typescript draft,
"Sundance July 1985" |
| Box | Folder |
| 17 | 1 | | | | | "Sundance July
1985," second copy |
| 2 | | | | | "Changes - Sundance and
after July, August 1985" |
| 3 | | | | | "Post Sundance August
1985, copy sent to Brustein, 9/18/1985," ribbon copy |
| | | | | Cambridge |
| Box | Folder |
| 17 | 4 | | | | | "Early version /
Cambridge corrections" |
| 5 | | | | | Cambridge version, Feb. 13, 1986; corrections
March 10, 1986; update
March 23, 1986 |
| 6 | | | | | Rehearsal script, Cambridge,
March-April 1986 |
| Box | Folder |
| 18 | 1 | | | | | "Post - Cambridge,
American Theater Magazine, April 21, 1986, and revisions for the Loeb, Dec.
1986" |
| 2 | | | | Author's galleys |
| 3 | | | | Published versions |
| | | | | Performances |
| Box | Folder |
| 18 | 4 | | | | | Programs, various performances |
| 5 | | | | | Manhattan Theater Club in-house reading,
Nov. 26, 1984 |
| 6 | | | | | American Repertory Theatre, 1986-1987, including
Robert Brustein correspondence |
| 7 | | | | | Manhattan Theatre Club, Winter
1987 |
| 8 | | | | | Remains Theatre, Chicago,
May 1993 |
| Box | Folder |
| 19 | 1 | | | | | Woolly Mammoth Theatre Company, Washington, D.C.,
Dec. 2002 |
| 2 | | | | German translation with correspondence |
| 3* | | | | Dutch Foundation "Awareness Day," photo [*oversize removed to box
125] |
| 4 | | | | Reviews |
| | | | End Zone (original title
"The Self-Erasing Word,"
novel,
1972) |
| | | | | Typescripts |
| Box | Folder |
| 20 | 1 | | | | | "The Self-Erasing
Word" |
| 2 | | | | | "First
draft" |
| 3 | | | | | "First draft - Modes
#1," 1968-1970 |
| Box | Folder |
| 21 | 1 | | | | | "Carbon
#1" |
| * | | | | Galleys, 1972 [*removed to galley files] |
| 2* | | | | "Game Plan," excerpt
working proof [*oversize removed to box 125] |
| 3 | | | | Reviews |
| | | | The Engineer of Moonlight (play,
1979) |
| Box | Folder |
| 22 | 1 | | | | Notes in notebook |
| | | | | Typescript |
| Box | Folder |
| 22 | 2 | | | | | Draft "Act
1" |
| 3 | | | | | Draft "Act
2" |
| 4 | | | | | "Final
draft" |
| 5-6 | | | | Manuscript, ca. 1979, and copy |
| | | | Game 6 (screenplay,
1991) |
| | | | | Typescripts |
| Box | Folder |
| 23 | 1-3 | | | | | "First draft
material" |
| 4 | | | | | "Corrected draft - June
18, 1991" |
| 5 | | | | | Draft # One |
| Box | Folder |
| 24 | 1 | | | | | "Corrected draft #2,
Sept. 1991" |
| 2 | | | | | Corrected draft, n.d. |
| 3 | | | | | "Revised"
screenplay, notes,
Sept. 17, 1991 |
| 4 | | | | | Screenplay, comments from Neil Jordan,
Sept. 19, 1991 |
| 5 | | | | | Screenplay,
Sept. 19, 1991 |
| | | | Great Jones Street (novel,
1973) |
| | | | | Typescript drafts |
| Box | Folder |
| 25 | 1 | | | | | "#1" |
| 2 | | | | | "#2" |
| Box | Folder |
| 26 | 1 | | | | | pp. 1-131 |
| 2 | | | | | pp. 132-344 |
| * | | | | Galleys, 1972 [*removed to galley files] |
| 3 | | | | Reviews |
| | | | Libra (novel,
1978) |
| | | | | Research materials |
| Box | Folder |
| 27 | 1* | | | | | Articles and assassination ephemera [*oversize
removed to box 125] |
| 2-4 | | | | | Notebooks |
| 5 | | | | | "Branch" |
| 6 | | | | | "Carlos Marcello / Gen.
Edwin Walker" |
| 7 | | | | | "Clippings and
periodicals" |
| 8 | | | | | "Conspirators I /
Conspiracy I" |
| Box | Folder |
| 28 | 1 | | | | | "Conspirators II /
Ferrie, Banister" |
| 2 | | | | | "Elko, Rayme,
Vasquez" |
| 3 | | | | | "Jack Ruby / George
DeMohrenschildt" |
| 4 | | | | | "Oswald" |
| 5 | | | | | "Oswald
II" |
| 6 | | | | | "Zapruder" |
| 7 | | | | | General |
| | | | | First draft [completed
Sept. 25, 1987] |
| Box | Folder |
| 29 | 1 | | | | | Ch. 1 |
| 2 | | | | | Ch. 2 |
| 3 | | | | | Ch. 3 |
| 4-5 | | | | | Ch. 4 |
| 6 | | | | | Ch. 5 |
| Box | Folder |
| 30 | 1 | | | | | Ch. 5, cont'd. |
| 2 | | | | | Ch. 6 |
| 3 | | | | | Ch. 7-8 |
| 4 | | | | | Ch. 9 |
| 5 | | | | | Ch. 10 |
| Box | Folder |
| 31 | 1 | | | | | Ch. 11 |
| 2 | | | | | Ch. 12 |
| 3 | | | | | Ch. 13 |
| 4 | | | | | Ch. 14 |
| 5 | | | | | Ch. 15 |
| 6 | | | | | Ch. 16 |
| Box | Folder |
| 32 | 1 | | | | | Ch. 17 |
| 2 | | | | | Ch. 18 |
| 3 | | | | | Ch. 19-20 |
| 4 | | | | | Ch. 21; "Legends" |
| 5 | | | | | Ch. 22 |
| 6 | | | | | Ch. 23 |
| 7 | | | | | Ch. 24 |
| | | | | Typescript |
| Box | Folder |
| 33 | 1 | | | | | pp. 1-198 |
| 2 | | | | | pp. 199-411 |
| 3 | | | | | pp. 412-649 |
| 4 | | | | | pp. 650-833 |
| 5 | | | | | pp. 834-978 |
| 6 | | | | | pp. 979-1128 |
| Box | Folder |
| 34 | 1-5 | | | | "Printer's
typescript" |
| 6 | | | | Final draft |
| Box | Folder |
| 35 | 1-6 | | | | Final draft, cont'd. |
| 7-8 | | | | Galleys, "author's
set" |
| Box | Folder |
| 36 | 1 | | | | "Legal"
correspondence, author's notes, character alterations for purposes of
legality |
| 2 | | | | Correspondence, index created by Bob Tindall, jacket
cover, comments |
| 3 | | | | Publicity photo of DeLillo |
| | | | | Reviews |
| Box | Folder |
| 36 | 4 | | | | | U.S.,
1988 |
| 5 | | | | | British and Canadian,
1988-1989 |
| 6 | | | | | European,
1988-1990 |
| 7 | | | | "Esquire cuts,"
typescript, photocopies, proofs for excerpts |
| | | | | Stage adaptation |
| Box | Folder |
| 36 | 8 | | | | | "Draft," Nov. 30, 1993 |
| 9 | | | | | Scripts, Feb. 3, 1994, n.d. |
| Box | Folder |
| 37 | 1 | | | | | Script, May 10, [1994?] |
| 2 | | | | | Author's script with notes,
April 4, 1994 |
| 3 | | | | | "Interrogations" |
| 4 | | | | | "Chicago,"
notebook; notes and cards from fans |
| | | | | | Steppenwolf Theater Company production (Chicago,
1994) |
| Box | Folder |
| 37 | 5 | | | | | | Script notes, calendar |
| 6 | | | | | | Notes, cast list, script
April 25, 1994 |
| * | | | | | | Production poster [*removed to oversize
folder] |
| 7 | | | | | | Reviews |
| | | | Mao II (novel,
1991) |
| Box | Folder |
| 38 | 1 | | | | Notes in notebooks |
| 2 | | | | Legal pads with rough draft notes |
| | | | | Research materials |
| Box | Folder |
| 38 | 3 | | | | | "Art and
Terror" |
| 4 | | | | | "Beruit" |
| 5 | | | | | "Characters" |
| 6 | | | | | "China and
Mao" |
| 7 | | | | | "General" |
| 8 | | | | | "London and
Cyprus" |
| 9 | | | | | "Moonies" |
| 10 | | | | | "Photographs" |
| 11 | | | | | "Waste" |
| | | | | First draft |
| Box | Folder |
| 39 | 1 | | | | | "Prologue at Yankee
Stadium" |
| 2 | | | | | Ch. 1-2 |
| 3 | | | | | Ch. 3-4 |
| 4 | | | | | Ch. 5-7 |
| Box | Folder |
| 40 | 1-2 | | | | | Ch. 8-10 |
| 3 | | | | | Ch. 11 |
| 4 | | | | | Ch. 12 |
| 5 | | | | | Ch. 13-14 |
| 6 | | | | | "Epilogue in
Beirut" |
| Box | Folder |
| 41 | 1 | | | | "Annotated Moonies,
9/25/90," typescript page |
| | | | | Typescript "Mao II
Original" |
| Box | Folder |
| 41 | 2 | | | | | Ch. 1-6 |
| 3 | | | | | Ch. 7-11 |
| 4 | | | | | Ch. 12-14 |
| | | | | Typescript |
| Box | Folder |
| 41 | 5 | | | | | Part one |
| 6 | | | | | Part two |
| | | | | Printer's typescript |
| Box | Folder |
| 42 | 1 | | | | | Part I, including letter from Courtney Hodell,
Penguin |
| 2 | | | | | Part II |
| 3 | | | | "Typographical Errors -
partial list" |
| | | | | Reviews |
| Box | Folder |
| 42 | 4 | | | | | European |
| 5 | | | | | U.K./Canada |
| 6 | | | | | U.S. |
| 7 | | | | "The Shooting of Bill
Gray," (excerpt,
Esquire, 1990), handwritten
note from Will Blythe (editor); typescript; galleys, photocopy |
| | | | The Names (novel,
1982) |
| Box | Folder |
| 43 | 1-4 | | | | Source materials |
| 5-8 | | | | Research materials |
| 9 | | | | Notebooks |
| | | | | First draft |
| Box | Folder |
| 44 | 1-3 | | | | | Part one,
Oct. 1979 |
| 4-6 | | | | | "Part one
(2)" |
| Box | Folder |
| 45 | 1-4 | | | | | Part two |
| 5-8 | | | | | Part three,
Nov. 1981 |
| | | | | Typescript draft |
| | | | | | Part one |
| Box | Folder |
| 46 | 1 | | | | | | Outline, ch. 1-2 |
| 2 | | | | | | Ch. 3 |
| 3 | | | | | | Ch. 4 |
| 4 | | | | | | Ch. 5 |
| | | | | | Part two |
| Box | Folder |
| 46 | 5 | | | | | | Outline, ch. 6-7 |
| 6 | | | | | | Ch. 8 |
| 7 | | | | | | Ch. 9 |
| 8 | | | | | | Ch. 10 |
| | | | | | Part three |
| Box | Folder |
| 46 | 9 | | | | | | Outline, ch. 11 |
| 10 | | | | | | Ch. 12 |
| 11 | | | | | | Ch. 13, epilogue |
| | | | | Final draft |
| Box | Folder |
| 47 | 1 | | | | | "The
Island" |
| 2 | | | | | "The
Mountain" |
| 3 | | | | | "The
Desert" |
| | | | | Setting copy |
| Box | Folder |
| 47 | 4 | | | | | "The
Island" |
| 5 | | | | | "The
Mountain" |
| 6 | | | | | "The
Desert" |
| 7 | | | | Publicity photo of DeLillo |
| 8 | | | | "Reviews" |
| | | | Players (novel,
1977) |
| Box | Folder |
| 48 | 1 | | | | Research notes, annotations on draft
pages |
| | | | | First draft |
| Box | Folder |
| 48 | 2-3 | | | | | Part one |
| 4 | | | | | Part two |
| | | | | Typescript |
| Box | Folder |
| 48 | 5 | | | | | Part one |
| 6 | | | | | Part two |
| | | | | Setting copy |
| Box | Folder |
| 49 | 1 | | | | | Index, part one |
| 2 | | | | | Part two |
| * | | | | Author's galley proofs, 1977 [*removed to galley
files] |
| 3 | | | | Reviews,
1977-1978 |
| 4 | | | | "Esquire cut and proofs,
1977" |
| | | | Ratner's Star (novel,
1976) |
| | | | | Research materials, clippings |
| Box | Folder |
| 50 | 1 | | | | | "People, History,
Setting, Space" |
| 2 | | | | | "The Body, Drugs,
Developments, Animals" |
| 3 | | | | | "Earth Systems,
General" |
| 4 | | | | | Scientific American, May
& Sept. 1975 issues |
| 5 | | | | | "Part I,"
clippings |
| Box | Folder |
| 51 | 1 | | | | Notebooks (7) |
| | | | | "Early drafts by
chapter" |
| Box | Folder |
| 51 | 2 | | | | | Ch. 1,
Feb. 9, 1973 |
| 3 | | | | | Ch. 2 |
| 4 | | | | | Ch. 3-4 |
| 5 | | | | | Ch. 5 |
| 6 | | | | | Ch. 6 |
| Box | Folder |
| 52 | 1 | | | | | Ch. 7 |
| 2 | | | | | Ch. 8 |
| 3 | | | | | Ch. 9 |
| 4 | | | | | Ch. 10 |
| 5 | | | | | Ch. 11 |
| 6 | | | | | Ch. 12 |
| 7 | | | | | "Logicon Project Minus
One," Oct.-Nov., 1974 |
| | | | | Eleven sections, no chapter indicated |
| Box | Folder |
| 52 | 8 | | | | | 1-4 |
| Box | Folder |
| 53 | 1 | | | | | 5-11 |
| 2 | | | | | "Adventures: Field
Experiment Number One" |
| | | | | Typescripts |
| Box | Folder |
| 53 | 3 | | | | | Ch. 1-5 |
| 4 | | | | | Ch. 6-10 |
| 5 | | | | | Ch. 11-12 |
| 6 | | | | | "Logicon Project Number
One" |
| Box | Folder |
| 54 | 1-2 | | | | | "Typescript
1" |
| 3-4 | | | | | "Typescript
2" |
| 5 | | | | | "Original typescript and
setting copy 1" |
| Box | Folder |
| 55 | 1 | | | | | "Original typescript and
setting copy 1," cont'd. |
| 2-3 | | | | | "Original typescript and
setting copy" |
| 4 | | | | Reviews |
| 5 | | | | "Esquire cut" [
1975] |
| | | | Running Dog (novel,
1978) |
| Box | Folder |
| 55 | 6 | | | | Research materials, clippings, notebook |
| 7 | | | | Typescript with handwritten notes |
| Box | Folder |
| 56 | 1-3 | | | | Typescript draft |
| 4-6 | | | | Typescript draft, annotated |
| 7 | | | | Final draft,
1978 |
| Box | Folder |
| 57 | 1-2 | | | | Final draft, 1978, cont'd. |
| 3-5 | | | | "Ms. typesetter's
copy" |
| 6-7 | | | | Reviews |
| | | | Underworld (novel,
1997) |
| | | | | Research materials, clippings |
| Box | Folder |
| 58 | 1-2 | | | | | "Baseball" |
| 3 | | | | | "The Bomb," 1990s |
| 4 | | | | | "The Bomb," 1990s-2001 |
| 5 | | | | | "Cyberspace" |
| 6-7 | | | | | "Garbage" |
| Box | Folder |
| 59 | 1 | | | | | "General" |
| 2 | | | | | "Moscow,"
"Kazakhstan" |
| 3 | | | | | "Phoenix,"
"Prologue,""Part
One" |
| 4 | | | | | "Part
2" |
| 5 | | | | | "Part
3" |
| 6-7 | | | | | "Part
4" |
| 8 | | | | | "Part
5" |
| 9 | | | | | "Part 6,"
"Epilogue" |
| 10 | | | | | "Personal Computing"
advertising supplement,
New York Times,
1993, 1994 |
| Box | Folder |
| 60 | 1-3 | | | | Notebooks |
| 4-5 | | | | Notebooks |
| | | | | Typescript, "Work in
progress" |
| Box | Folder |
| 61 | 1-2 | | | | | "Prologue
1" |
| 3-4 | | | | | "Prologue
2" |
| | | | | | Part one |
| Box | Folder |
| 61 | 5 | | | | | | Ch. 1 |
| Box | Folder |
| 62 | 1 | | | | | | Ch. 1, cont'd. |
| 2 | | | | | | Ch. 2-3 |
| | | | | | Part two |
| Box | Folder |
| 62 | 3 | | | | | | Ch. 4 |
| 4 | | | | | | Ch. 5 |
| 5 | | | | | | Ch. 6 |
| 6 | | | | | | Ch. 7 |
| | | | | | Manx Martin |
| Box | Folder |
| 62 | 7 | | | | | | Ch. 1 |
| Box | Folder |
| 63 | 1 | | | | | | Ch. 2 |
| 2 | | | | | | Ch. 3 |
| | | | | | Part two |
| Box | Folder |
| 63 | 3 | | | | | | Ch. 1-2 |
| 4-5 | | | | | | Ch. 3 |
| 6 | | | | | | Ch. 4 |
| Box | Folder |
| 64 | 1 | | | | | | Ch. 5 |
| 2 | | | | | | Ch. 6 |
| 3 | | | | | | Ch. 7 |
| 4-5 | | | | | | Ch. 8 |
| 6 | | | | | | Ch. 9-10 |
| | | | | | Part three |
| Box | Folder |
| 64 | 7 | | | | | | Ch. 1 |
| Box | Folder |
| 65 | 1-2 | | | | | | Ch. 1, cont'd. |
| 3 | | | | | | Ch. 2 |
| 4 | | | | | | Ch. 3 |
| | | | | | Part four |
| Box | Folder |
| 65 | 5 | | | | | | Ch. 1 |
| Box | Folder |
| 66 | 1-2 | | | | | | Ch. 5 [DeLillo's original sequence] |
| 3 | | | | | | Ch. 2 |
| 4-5 | | | | | | Ch. 3 |
| 6 | | | | | | Ch. 4 |
| | | | | | Part five |
| Box | Folder |
| 66 | 7 | | | | | | Ch. 1 [?] |
| Box | Folder |
| 67 | 1 | | | | | | Ch. 2[?] |
| 2 | | | | | | Ch. 3[?] |
| 3 | | | | | | Ch. 4 |
| 4 | | | | | | Ch. 5 |
| 5 | | | | | | Ch. 6 |
| 6 | | | | | | Ch. 7 |
| | | | | | Part six |
| Box | Folder |
| 67 | 7 | | | | | | Typescript pages from Ch. 1, 2, 3 |
| 8 | | | | | | Ch. 1 [?] |
| Box | Folder |
| 68 | 1 | | | | | | Ch. 2-3 [?] |
| 2 | | | | | | Ch. 4 |
| 3 | | | | | | Ch. 5 |
| 4 | | | | | | Ch. 6-8 [7?] |
| 5-6 | | | | | | "Epilogue" |
| | | | | Second draft |
| Box | Folder |
| 69 | 1 | | | | | Prologue |
| 2 | | | | | Manx Martin 1-3 |
| 3-4 | | | | | Part one |
| 5-6 | | | | | Part two |
| 7 | | | | | Part three |
| Box | Folder |
| 70 | 1 | | | | | Part three, cont'd. |
| | | | | | Part four |
| Box | Folder |
| 70 | 2 | | | | | | Ch. 1 |
| 3 | | | | | | Ch. 2 |
| 4 | | | | | | Ch. 3-4 |
| 5 | | | | | | Ch. 5 |
| | | | | | Part five |
| Box | Folder |
| 70 | 6 | | | | | | Ch. 1-2 |
| 7 | | | | | | Ch. 3-4 |
| 8 | | | | | | Ch. 5-6 |
| 9 | | | | | | Ch. 7 |
| | | | | | Part six |
| Box | Folder |
| 71 | 1 | | | | | | Ch. 1-3 |
| 2 | | | | | | Ch. 4-6 |
| 3 | | | | | | Ch. 7-8 |
| 4 | | | | | | Epilogue |
| | | | | "Original
ms" |
| Box | Folder |
| 71 | 5 | | | | | Prologue |
| 6 | | | | | Part one / Manx 1 |
| | | | | | Part two |
| Box | Folder |
| 71 | 7 | | | | | | Ch. 1-6 |
| 8 | | | | | | Ch. 7-10 |
| Box | Folder |
| 72 | 1 | | | | | Part three |
| 2 | | | | | Part four ch. 1-2 / Manx 2 |
| 3 | | | | | Part four ch. 3-5 |
| 4 | | | | | Part five ch. 1-4 |
| 5 | | | | | Part five ch. 5-7 / Manx 3 |
| | | | | | Part six |
| Box | Folder |
| 72 | 6 | | | | | | Ch. 1-5 |
| 7 | | | | | | Ch. 6-8, epilogue |
| | | | | Uncorrected galleys |
| Box | Folder |
| 73 | 1 | | | | | Prologue, Part one |
| 2 | | | | | Part two |
| 3 | | | | | Part three |
| 4 | | | | | Part four |
| 5 | | | | | Part five |
| 6 | | | | | Part six |
| 7 | | | | | Epilogue |
| | | | | Corrected galleys |
| Box | Folder |
| 74 | 1 | | | | | Prologue, Part one |
| 2 | | | | | Part two |
| 3 | | | | | Part two |
| 4 | | | | | Part four |
| 5 | | | | | Part five |
| 6 | | | | | Part six |
| 7 | | | | | Epilogue |
| 8 | | | | Correspondence, corrections,
1997-1998 |
| Box | Folder |
| 75 | 1 | | | | Cover design, international editions, Brazilian
review |
| 2* | | | | Cover designs, copy-editing correspondence, cover
art, poster [*oversize removed to oversize folder] |
| 3 | | | | "Interviews" |
| | | | | Reviews |
| Box | Folder |
| 75 | 4-5 | | | | | General |
| 6 | | | | | Britain, Ireland |
| 7-8 | | | | | Germany |
| Box | Folder |
| 76 | 1 | | | | | Germany, cont'd. |
| 2 | | | | | Europe, Canada, Latin America |
| 3 | | | | | France / Quebec |
| 4 | | | | | Italy |
| 5 | | | | | Dutch, publicity materials
[international] |
| 6 | | | | Articles and excerpts |
| | | | Valparaiso (early titles
"The Play,"
"The Mysteries," play,
1999) |
| | | | | First drafts |
| Box | Folder |
| 77 | 1-3 | | | | | Act I |
| 4-7 | | | | | Act II |
| Box | Folder |
| 78 | 1 | | | | Early draft typescript,
Jan. 22, 1991 |
| 2 | | | | Early typescript |
| 3 | | | | Typescript |
| 4 | | | | Drafts, notes, letter from American Repertory
Theatre |
| 5 | | | | General notes |
| 6 | | | | "Revised original
typescript - does not incorporate Cambridge changes," Aug. - Oct. 1998 |
| 7 | | | | Revisions, "mid-1999" |
| | | | | Scribner proofs, correspondence |
| Box | Folder |
| 78 | 8 | | | | | Dec. 1998 |
| Box | Folder |
| 79 | 1 | | | | | June 1999 |
| 2 | | | | "Revised two
copies," June 1999 |
| 3 | | | | "Copy edited ms
(uncorrected)" |
| | | | | Steppenwolf Theatre Company |
| Box | Folder |
| 79 | 4 | | | | | Script drafts, correspondence,
1999-2000 |
| 5 | | | | | Reviews, script notes, correspondence,
2000 |
| 6 | | | | | Page proofs, catalogue text, bound script,
Dramatists Play Services, Inc. |
| 7* | | | | American Repertory Theatre, Lincoln Center,
production related materials, 1999-2001 [*oversize set renderings removed to
oversize folder] |
| Box | Folder |
| 80 | 1 | | | | German translation,
1999 |
| 2 | | | | "Germany / Austria"
press, production ephemera, correspondence |
| 3 | | | | Foreign press coverage, production ephemera,
correspondence,
1999-2003 |
| 4 | | | | "Programs and reviews
U.S." |
| 5 | | | | U.S. / foreign production ephemera and
correspondence,
1999-2002 |
| 6 | | | | "Letters / miscellaneous,
Elliot Norton award, correspondence" |
| | | | White Noise (early title
"Panasonic," novel,
1985) |
| Box | Folder |
| 81 | 1 | | | | Research clippings, notebook, notes, typescript
drafts of correspondence |
| | | | | First draft |
| Box | Folder |
| 81 | 2-3 | | | | | Part one,
Dec. 1982 - Feb. 1984 |
| 4-6 | | | | | Part two |
| 7-8 | | | | | Part three |
| Box | Folder |
| 82 | 1 | | | | | Part three, cont'd. |
| 2-4 | | | | | Part four |
| | | | | Typescript |
| Box | Folder |
| 82 | 5 | | | | | Sections 1-15 |
| 6 | | | | | Sections 16-22 |
| 7 | | | | | Sections 23-40 |
| | | | | Working copy |
| Box | Folder |
| 82 | 8 | | | | | Ch. 1-8 |
| Box | Folder |
| 83 | 1 | | | | | Ch. 9-19 |
| 2 | | | | | Ch. 20-21 |
| 3 | | | | | Ch. 22-27 |
| 4 | | | | | Ch. 28-34 |
| 5 | | | | | Ch. 35-40 |
| | | | | "Photocopy final
draft" |
| Box | Folder |
| 83 | 6 | | | | | Ch. 1-18 |
| Box | Folder |
| 84 | 1 | | | | | Ch. 19-28 |
| 2 | | | | | Ch. 29-40 |
| | | | | Galleys |
| Box | Folder |
| 84 | 3 | | | | | Ch. 1-20 |
| 4 | | | | | Ch. 21-29 |
| 5 | | | | | Ch. 30-40 |
| | | | | Reviews |
| Box | Folder |
| 84 | 6 | | | | | "U.S." |
| 7 | | | | | "Foreign" |
| 8 | | | | "Airborne Toxic Event,"
(excerpt,
Esquire, 1984), handwritten
note from Rust Hills (editor); multiple drafts |
| | | Subseries B. Short Works |
| | | | Fiction |
| Box | Folder |
| 85 | 1 | | | | [
The Angel]
"Esmeralda - the excerpt"
(short story,
Esquire, 1994), drafts,
photocopies, excerpt copy |
| 2-3 | | | | "Baader-Meinhof" (short
story,
The New Yorker, 2002), draft
with annotations, research, correspondence, typescript, proof |
| 4 | | | | "The Black and White Ball"
(short story / excerpt,
The New Yorker, 1996), drafts,
proofs |
| 5 | | | | "Creation" (short story,
Antaeus, 1979),
drafts |
| | | | | "Human Moments in World War
III" (short story,
Esquire,
1983) |
| Box | Folder |
| 85 | 6 | | | | | Research clippings |
| 7 | | | | | First draft |
| Box | Folder |
| 86 | 1-2 | | | | | Typescripts, proofs |
| 3 | | | | "In the Men's Room of the 16th
Century" (short story,
Esquire's Big Book of Fiction,
2002), excerpt, proof |
| | | | | "The Ivory Acrobat" (short
story,
Granta,
1989) |
| Box | Folder |
| 86 | 4 | | | | | Photos and notes, research materials |
| 5 | | | | | Typescript drafts |
| 6 | | | | One Minute Plays (One Minute Play Festival, American
Repertory Theatre), drafts and correspondence for: I.
"The Rapture of the Athlete
Assumed into Heaven," 1990; II.
"The Mystery in the Middle of
Ordinary Life," 1992, 2000-2001 |
| | | | | "Pafko at the Wall"
(novella,
Harper's,
1992) |
| Box | Folder |
| 86 | 7 | | | | | "Prologue to a
work-in-progress (1)" |
| 8 | | | | | "Harper's galley 1
(2)" |
| Box | Folder |
| 87 | 1 | | | | | Fan letters, clippings "(3)" |
| 2 | | | | | "Scribner 2001"
galley, correspondence with editor |
| * | | | | | Cover art [*oversize, removed to box
125] |
| * | | | | | Norton Anthology proofs
[*oversize, removed to box 125] |
| 3 | | | | "The Runner" (short story,
Harper's, 1988),
correspondence, draft, proof |
| | | | | "The Sightings" (short
story,
Weekend Magazine,
1979) |
| Box | Folder |
| 87 | 4 | | | | | First draft |
| 5 | | | | | Typescript draft,
1975-1977 |
| 6 | | | | "Sputnik" (short story /
excerpt,
The New Yorker, 1997),
correspondence, proofs |
| 7 | | | | "Videotape" (short story /
excerpt,
Antaeus, 1994),
correspondence, proofs |
| | | | Non-Fiction |
| | | | | "American Blood: A
Journey…" (article,
Rolling Stone,
1983) |
| Box | Folder |
| 88 | 1 | | | | | Notebooks, typescript drafts |
| 2 | | | | | Typescript draft |
| 3* | | | | | Published article [*galley removed to oversize
folder] |
| 4 | | | | "The Artist Naked in a
Cage" (article,
The New Yorker, 1997),
research materials, drafts, proofs |
| | | | | "Don DeLillo: The Word, The Image,
and The Gun" (film,
1991) |
| Box | Folder |
| 89 | 1 | | | | | Omnibus correspondence and outlines |
| 2 | | | | | Omnibus drafts |
| 3 | | | | "Female Nude by Louise Nevelson,
1932" (article,
The Paris Review, 2003),
drafts, proofs, correspondence |
| 4 | | | | "The Fictional Man"
(article,
Novel History, 2001), drafts,
proofs, correspondence,
2000 |
| | | | | "In the Ruins of the
Future" (essay,
Harper's,
2001) |
| Box | Folder |
| 89 | 5 | | | | | Research clippings, correspondence |
| 6 | | | | | Notes, drafts |
| 7 | | | | | Drafts and copy-edits |
| | | | | "The Power of History"
(article,
New York Times Magazine,
1997) |
| Box | Folder |
| 90 | 1 | | | | | Drafts, notes |
| 2 | | | | | Drafts, correspondence, galley proof |
| 3 | | | | "Silhouette City: Hitler, Manson,
and the Millennium" (article,
Dimensions, 1988), research,
drafts, final typescript, correspondence |
| 4 | | | | "That Day in Rome"
(article,
The New Yorker, 2003), drafts,
proofs, correspondence |
| | | Subseries C. Career-Related, ca.
1984-2003 |
| | | | "Don DeLillo: The Art of
Fiction," interview by Alan Begley for
The Paris Review |
| Box | Folder |
| 91 | 1 | | | | Correspondence, transcripts, drafts,
1993 |
| 2 | | | | Corrections |
| 3 | | | | Final draft, corrections |
| 4 | | | | "Don DeLillo, City Arts &
Lectures, San Francisco, 10/16/97," transcript of address |
| 5 | | | | Jerusalem Prize [1999], ephemera, correspondence,
acceptance speech pamphlets |
| * | | | | Publicity poster, Picador Books DeLillo poster
[*removed to oversize folder] |
| 6* | | | | Rushdie, Salman, 1984-1994, clippings, drafts of
protest letter, correspondence on behalf of Rushdie |
| | | | | Translations |
| | | | | | Underworld |
| Box | Folder |
| 91 | 7 | | | | | | "UW Interviews /
travel" |
| 7 | | | | | | Translator's conference, queries,
correspondence,
1997-1998 |
| Box | Folder |
| 92 | 1 | | | | | | Correspondence, list of vernacular explanations,
notes, photocopies |
| 2 | | | | | "General," 1985-2003 |
| | | | | | | | | | | | | |
| |
Series II. Correspondence,
1959-2003
|
| | | Subseries A. Alphabetical Files,
1962-2003 |
| | | | Individual correspondents |
| Box | Folder |
| 93 | 1 | | | | Algren, Nelson, 1964-1972, n.d. |
| 2 | | | | Auster, Paul,
1984-2003; |
| | | | | Banks, Russell,
1988-2003; |
| | | | | Beattie, Ann,
1984-1997 |
| 3 | | | | Benedict, Elizabeth,
1987-1991 |
| | | | | Britton, Burt |
| Box | Folder |
| 93 | 4 | | | | | 1976-1991 |
| 5 | | | | | 1992 |
| 6 | | | | | 1993-1994 |
| 7 | | | | | 1995-1997 |
| Box | Folder |
| 94 | 1 | | | | Brodkey, Harold,
1964-1972; |
| | | | | Buck, Sue,
1977-2003 |
| 2 | | | | Caponegro, Mary, 1999-2000, n.d. |
| 3 | | | | Coover, Robert,
1991-1996 |
| | | | | Corbett, Bill |
| Box | Folder |
| 94 | 4 | | | | | 1994-2001 |
| 5 | | | | | Aug. 2001-2003, n.d. |
| 6 | | | | Dabney, Dick,
1973-1976 |
| 7 | | | | Dexter, Pete,
1988, 1992 |
| Box | Folder |
| 95 | 1 | | | | Echlin, Kim,
1998-2001 |
| 2 | | | | Exley, Frederick,
1972-1984 |
| 3 | | | | Foer, Jonathan Safran |
| 4 | | | | Franzen, Jonathan, with replies from DeLillo,
1995-2001 |
| 5 | | | | Gervais, Paul,
2001-2003 |
| 6 | | | | Goerner Lee,
1976-1994 |
| 7 | | | | Govrin, Michal,
1999-2002 |
| | | | | Grimes, Tom |
| Box | Folder |
| 95 | 8 | | | | | 1985-1994 |
| 9 | | | | | 1995-2003 |
| 10 | | | | Hollander, John, 1998, n.d. |
| 11 | | | | Howard, Richard,
1987-1988 |
| 12 | | | | Hustvedt, Siri,
1987-2003 |
| Box | Folder |
| 96 | 1 | | | | Karr, Mary,
1993-1998 |
| 2 | | | | Lauterbach, Ann,
1991-1997 |
| | | | | LeClair, Thomas |
| Box | Folder |
| 96 | 3 | | | | | 1979-1984 |
| 4 | | | | | 1985-1988 |
| 5 | | | | | 1989-1991 |
| 6 | | | | | 1992 |
| 7 | | | | | 1993-1994 |
| 8 | | | | | 1995-1996 |
| 9 | | | | | 1997-1999 |
| 10 | | | | | 2000-2001 |
| 11 | | | | | 2002-2003 |
| | | | | Lentricchia, Frank |
| Box | Folder |
| 97 | 1 | | | | | 1988-1989 |
| 2 | | | | | 1990-1991 |
| 3 | | | | | 1992-1994 |
| 4 | | | | | 1995, 1997 |
| 5 | | | | | 1998-2000 |
| 6 | | | | | 2000-2003 |
| 7 | | | | | Undated |
| 8 | | | | | DeLillo to Lentricchia |
| 9 | | | | Lentricchia, Melissa (Malouf), 1988-1997,
n.d. |
| 10 | | | | Lightman, Alan,
1994-2002 |
| | | | | Lish, Gordon |
| Box | Folder |
| 98 | 1 | | | | | 1975-1984 |
| 2 | | | | | 1985-1986 |
| 3 | | | | | 1987-1989 |
| 4 | | | | | 1990-1992 |
| 5 | | | | | 1993-1994 |
| | | | | | 1995 |
| Box | Folder |
| 98 | 6 | | | | | | Jan. - April |
| 7 | | | | | | May - Oct. |
| 8 | | | | | | Nov. - Dec. |
| | | | | | 1996 |
| Box | Folder |
| 99 | 1 | | | | | | Jan. - May |
| 2 | | | | | | June - Aug. |
| 3 | | | | | | Oct. - Dec. |
| | | | | | 1997 |
| Box | Folder |
| 99 | 4 | | | | | | Jan. - Feb. |
| 5 | | | | | | March - May |
| 6 | | | | | | June - Nov. |
| 7 | | | | | 1998 |
| Box | Folder |
| 100 | 1 | | | | | 1999 |
| 2 | | | | | 2000 |
| 3 | | | | | 2001-2003 |
| 4 | | | | | Undated |
| 5 | | | | Mailer, Norman, 1984-2001, n.d. |
| 6 | | | | Maraini, Dacia,
2000-2002 |
| 7 | | | | Martone, Michael,
1984-1985 |
| 8 | | | | Matthiessen, Peter,
1984-2001 |
| 9 | | | | McCaffery, Larry, 1986-2001, n.d. |
| 10 | | | | McElroy, Joseph,
1988, 1997 |
| 11 | | | | Moody, Rick,
2000-2002 |
| 12 | | | | Morrow, Brad,
1992-2000 |
| 13 | | | | Moss, Sylvia,
1989 |
| 14 | | | | Ng, Fae Myenne,
1997 |
| Box | Folder |
| 101 | 1 | | | | O'Hara, J. D.,
1976-1980 |
| 2 | | | | Ondaatje, Michael,
1988-2000 |
| 3 | | | | Passaro, Vince,
1990-2000 |
| 4 | | | | Plante, David,
2000-2003 |
| 5 | | | | Powe, B. W.,
1992 |
| 6 | | | | Roth, Philip,
1988-2000 |
| 7 | | | | Rudman, Mark,
1990-2001 |
| 8 | | | | Schwamm, Ellen,
1979-1980 |
| 9 | | | | Shainberg, Lawrence,
1995-2002 |
| 10 | | | | Wallace, David Foster, with replies from DeLillo,
1992-2003, n.d. |
| 11 | | | | Williams, Joy,
1987-2003 |
| | | | | Miscellaneous correspondents |
| Box | Folder |
| 102 | 1 | | | | | A - B |
| 2 | | | | | C - D |
| 3 | | | | | E - F |
| 4 | | | | | G |
| 5 | | | | | H |
| 6 | | | | | J - K |
| 7 | | | | | L |
| 8 | | | | | M - Mc |
| 9 | | | | | Me - Mz |
| 10 | | | | | N - P |
| 11 | | | | | Q - S |
| 12 | | | | | T - Z |
| 13 | | | | | Unidentified |
| | | Subseries B. Professional Correspondence,
1959-2003 |
| | | | Correspondence re individual works |
| Box | Folder |
| 103 | 1 | | | | Americana,
1965-1976 |
| 2-5 | | | | Libra, 1988-1993,
n.d. |
| 6 | | | | Ratner's Star, re mathematics,
1978-1982 |
| | | | Correspondence with editors |
| | | | | General and early editorial files |
| | | | | | Alphabetical file |
| Box | Folder |
| 104 | 1 | | | | | | Andreou, George, 2000-2003, n.d.; |
| | | | | | | Blyth, Will,
1993-1995; |
| | | | | | | Gottlieb, Robert,
1972, 1975; |
| | | | | | | Hodell, Courtney,
1996-1998; |
| | | | | | | Joseph, Ellen,
1982; |
| | | | | | | Maschler, Tom,
1990-1991; |
| | | | | | | Mehta, Sonny,
1996-1998; |
| | | | | | | Plimpton, George,
1990-2000; |
| | | | | | | Slovak, Paul, 1988, n.d. |
| | | | | | Chronological files |
| Box | Folder |
| 104 | 2 | | | | | | 1971-1991 |
| 3 | | | | | | 1993-2003, n.d. |
| 4 | | | | | "Early Stories," 1959-1972 |
| 5 | | | | Buford, Bill,
1982-2001 |
| 6 | | | | Fisketjon, Gary, 1980-2000, n.d. |
| | | | | Foreign editors |
| Box | Folder |
| 104 | 7 | | | | | 1977-1990 |
| 8 | | | | | 1991-1998 |
| Box | Folder |
| 105 | 1 | | | | | 1999-2001 |
| 2 | | | | | 2002-2003, n.d. |
| 3 | | | | | Italian editor / publisher,
1990-1991 |
| 4 | | | | | Wallace Agency accepted, 2001-2003,
n.d. |
| 5 | | | | Graham, Nan, 1989-2003, n.d.;
"Letters to Nan Graham" forwarded to
DeLillo |
| 6 | | | | Hills, Rust, 1962-2002, n.d. |
| 7-8 | | | | Howard, Gerald, 1991-2002, n.d. |
| Box | Folder |
| 106 | 1 | | | | Malin, Irving, 1997-2003, n.d. |
| 2 | | | | Marzorati, Gerald, 1990-2003, n.d. |
| 3 | | | | Mayer, Peter,
1989-2002 |
| 4 | | | | Remnick, David,
1998-2003 |
| 5-6 | | | | Sifton, Elisabeth, 1984-2001, n.d. |
| 7 | | | | Tonelli, Bill,
2000-2003 |
| | | | Correspondence re film |
| Box | Folder |
| 107 | 1 | | | | General,
1987-2003 |
| 2 | | | | Brooks - Korte |
| 3 | | | | Luddy, Tom |
| 4 | | | | McAuliffe - Swaim |
| | | | Correspondence re theater |
| Box | Folder |
| 107 | 5 | | | | General, 1984-1985, 1990, 1994, n.d. |
| 6 | | | | Blakemore - Wheeler |
| 7 | | | | Brustein, Robert, 1985-2003, n.d. |
| | | | | Lavey, Martha |
| Box | Folder |
| 107 | 8 | | | | | 2000 |
| 9 | | | | | 2001 |
| Box | Folder |
| 108 | 1 | | | | | 2002 |
| 2 | | | | | 2003 |
| 3 | | | | "Requests," 1979-2003 |
| | | | | Sundance Theatre Laboratory |
| Box | Folder |
| 108 | 4 | | | | | General,
1985-1998 |
| 5 | | | | | Berkman, Len,
1985-1987 |
| 6 | | | | | Fant - McKearney |
| 7 | | | | | Phillips - Stanley |
| | | | Other correspondence |
| Box | Folder |
| 109 | 1 | | | | Brown Project on Information, Technology, War, and
Peace,
2002 |
| 2 | | | | Bellcap Visitor, Princeton,
2001-2002 |
| 3 | | | | Professional correspondence, comments including
replies from DeLillo,
1985-2003 |
| | | Subseries C. Chronological Files,
1971-2003 |
| Box | Folder |
| 109 | 4 | | | 1971-1972 |
| 5 | | | 1973-1975 |
| 6 | | | 1976 |
| 7 | | | 1977 |
| 8 | | | 1978-1979 |
| 9 | | | 1980-1981 |
| 10 | | | 1982 |
| Box | Folder |
| 110 | 1 | | | 1983 |
| 2 | | | 1984 |
| | | | 1985 |
| Box | Folder |
| 110 | 3 | | | | Jan. - March |
| 4 | | | | April - Oct. |
| 5 | | | | Nov. - Dec. |
| | | | 1986 |
| Box | Folder |
| 110 | 6 | | | | Jan. - April |
| 7 | | | | May - Dec. |
| | | | 1987 |
| Box | Folder |
| 110 | 8 | | | | Jan. - June |
| 9 | | | | July - Dec. |
| | | | 1988 |
| Box | Folder |
| 111 | 1 | | | | Jan. - July |
| 2 | | | | Aug. - Sept. |
| 3 | | | | Oct. - Dec. |
| | | | 1989 |
| Box | Folder |
| 111 | 4 | | | | Jan. - May |
| 5 | | | | June - Dec. |
| | | | 1990 |
| Box | Folder |
| 112 | 1 | | | | Jan. - July |
| 2 | | | | Aug - Dec. |
| | | | 1991 |
| Box | Folder |
| 112 | 3 | | | | Jan. - May |
| 4 | | | | June - July |
| 5 | | | | Aug. - Dec. |
| | | | 1992 |
| Box | Folder |
| 112 | 6 | | | | Jan. - March |
| 7 | | | | April - July |
| Box | Folder |
| 113 | 1 | | | | Aug. - Oct. |
| 2 | | | | Nov. - Dec. |
| | | | 1993 |
| Box | Folder |
| 113 | 3 | | | | Jan. - April |
| 4 | | | | May - July |
| 5 | | | | Aug. - Dec. |
| | | | 1994 |
| Box | Folder |
| 113 | 6 | | | | Jan. - March |
| 7 | | | | April - June |
| Box | Folder |
| 114 | 1 | | | | July - Aug. |
| 2 | | | | Sept. - Dec. |
| | | | 1995 |
| Box | Folder |
| 114 | 3 | | | | Jan. - March |
| 4 | | | | April - July |
| 5 | | | | Aug. - Dec. |
| | | | 1996 |
| Box | Folder |
| 114 | 6 | | | | Jan. - June |
| 7 | | | | July - Dec. |
| | | | 1997 |
| Box | Folder |
| 115 | 1 | | | | Jan. - March |
| 2 | | | | April - Aug. |
| 3 | | | | Sept. |
| 4 | | | | Oct. |
| 5 | | | | Nov. |
| 6 | | | | Dec. |
| | | | 1998 |
| Box | Folder |
| 116 | 1 | | | | Jan. |
| 2 | | | | Feb. |
| 3 | | | | March |
| 4 | | | | April |
| 5 | | | | May - June |
| 6 | | | | July - Sept. |
| 7 | | | | Oct. - Nov. |
| 8 | | | | Dec. |
| | | | 1999 |
| Box | Folder |
| 117 | 1 | | | | Jan. - Feb. |
| 2 | | | | March - April |
| 3 | | | | May - June |
| 4 | | | | July - Aug. |
| 5 | | | | Sept. - Oct. |
| 6 | | | | Nov. - Dec. |
| | | | 2000 |
| Box | Folder |
| 118 | 1 | | | | Jan. - Feb. |
| 2 | | | | March - April |
| 3 | | | | May - July |
| 4 | | | | Aug. - Oct. |
| 5 | | | | Nov. - Dec. |
| | | | 2001 |
| Box | Folder |
| 118 | 6 | | | | Jan. - Feb. |
| 7 | | | | March - April |
| Box | Folder |
| 119 | 1 | | | | May - Aug. |
| 2 | | | | Sept. - Oct. |
| 3 | | | | Nov. - Dec. |
| | | | 2002 |
| Box | Folder |
| 119 | 4 | | | | Jan. - Feb. |
| 5 | | | | March - May |
| 6 | | | | June - Aug. |
| Box | Folder |
| 120 | 1 | | | | Oct. |
| 2 | | | | Nov. - Dec. |
| | | | 2003 |
| Box | Folder |
| 120 | 3 | | | | Jan. - March |
| 4 | | | | April - May |
| 5 | | | | June - Aug. |
| 6 | | | | Sept. - Oct. |
| | | | | | | | | | | | | |
| |
Series III. Publications,
1960-2003
|
| Box | Folder |
| 121 | 1* | | "American Blood" (
Rolling Stone, 1983) [*oversize
removed to box 125] |
| 2 | | "The Angel Esmeralda" (
Esquire,
1994) |
| 3-4 | | "The Artist Naked in a Cage" (
The New Yorker,
1997) |
| 5 | | "Baader-Meinhof" (
The New Yorker,
2002) |
| 6 | | "Baghdad Towers West" (
Epoch,
1968) |
| 7 | | "The Black and White Ball" (
The New Yorker,
1996) |
| 8 | | "The Border of Fallen Bodies" (
Esquire,
2003) |
| 9 | | "The Bucky Wunderlick Story" (
The Atlantic Monthly,
1973) |
| 10 | | "Creation" (
Antaeus,
1979) |
| 11 | | "The Day in Rome" (
The New Yorker,
2003) |
| 12 | | "Day Room" (
American Theater,
1986) |
| 13 | | "The Engineer of Moonlight" (
Cornell Review,
1979) |
| 14 | | "Game Plan" (
The New Yorker,
1971) |
| 15 | | "Human Moments in World War
III" (
Esquire,
1983) |
| Box | Folder |
| 122 | 1 | | "In Den Ruinen der Zukunft"
(pub. Kiepenhaur & Witsch) |
| 2 | | "In the Men's Room of the Sixteenth
Century" (
Esquire,
1971) |
| 3-5 | | "In the Ruins of the Future" (
Harper's,
1992) |
| 6 | | "The Lone Gunman Theory" (
Esquire,
1988) |
| 7* | | "Looking at Meinhof" (
The Guardian, 2002) [*oversize
removed to box 125] |
| | | "The Mystery in the Middle of Ordinary
Life" |
| Box | Folder |
| 122 | 8 | | | Norwegian translation in
Norsk Shakespeare og
Teater-Tidsskrift,
2003 |
| 9 | | | The South Atlantic Quarterly,
2000 |
| 10-11 | | | Zoetrope: All-Story,
2000 |
| Box | Folder |
| 123 | 1 | | "Open Face" (
Harper's,
2001) |
| 2 | | "Oswald in the Lone Star State"
(
Esquire,
1971) |
| 3 | | "Pafko at the Wall" (
Harper's,
1992) |
| 4 | | "Players" (
Esquire,
1977) |
| 5 | | "Pop, Pop, Hit Those People" (
Sports Illustrated,
1972) |
| 6 | | "The Power of History" (
The New York Times Magazine,
1977) |
| | | "The Rapture of the Athlete Assumed
into Heaven" |
| Box | Folder |
| 123 | 7 | | | Harper's,
1990 |
| 8 | | | The Quarterly,
1990 |
| 9 | | | The South Atlantic Quarterly,
1992 |
| 10 | | "The River Jordan" (
Epoch,
1960) |
| 11 | | "The Runner" (
Harper's,
1988) |
| 12 | | "Showdown at Great Hole" (
Esquire,
1976) |
| Box | Folder |
| 124 | 1* | | "The Sightings" (
Weekend Magazine, 1979) [*oversize
removed to box 125] |
| 2-3 | | "Silhouette City" (
Dimensions: A Journal of Holocaust
Studies,
1988) |
| 4 | | "Spaghetti and Meatballs" (
Epoch,
1965) |
| 5 | | "Sputnik" (
The New Yorker,
1997) |
| 6 | | "Take the 'A' Train" (
Epoch,
1962) |
| 7 | | "Tompkin's Square" (
Harper's,
1991) |
| 8 | | "Total Loss Weekend" (
Sports Illustrated,
1972) |
| 9 | | "A Visit from Dr. Bazelon"
[from
The Day Room] (
Harper's,
1986) |
| 10 | | "Walkmen" (
Vanity Fair,
1984) |
| Box |
| 125 | | | Oversize materials |
|