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<ead> 
  <eadheader relatedencoding="MARC21">
	 <eadid countrycode="US"
	  mainagencycode="TxU-Hu">urn:taro:utexas.hrc.00298</eadid> 
	 <filedesc> 
		<titlestmt> 
		  <titleproper>Carlton Lake: </titleproper> 
		  <subtitle>An Inventory of Music in His Collection at the Harry Ransom
			 Humanities Research Center</subtitle> 
		  <author>Finding aid created by Dell Hollingsworth, Lisa Jones, Monique
			 Daviau, Richard Workman, and Catherine Stollar</author> 
		  <sponsor>Collection cataloged with financial assistance from the Andrew
			 W. Mellon Foundation.</sponsor> 
		</titlestmt> 
		<publicationstmt> 
		  <publisher>Harry Ransom Humanities Research Center, </publisher> 
		  <date>2004</date> 
		</publicationstmt> 
	 </filedesc> 
	 <profiledesc> 
		<creation>Finding aid encoded in EAD 2002 on 
		  <date>July 14, 2004</date></creation> 
		<langusage>Finding aid written in <language
		  langcode="eng">English</language>.</langusage> 
	 </profiledesc> 
  </eadheader> 
  <archdesc level="collection"> 
	 <did> 
		<repository> 
		  <corpname>The University of Texas at Austin, <subarea>Harry Ransom
			 Humanities Research Center</subarea></corpname></repository> 
		<origination label= "Creator:"> 
		  <persname>Lake, Carlton</persname></origination> 
		<unittitle>Music in the Carlton Lake Collection</unittitle> 
		<unitdate label="Inclusive Dates:" type="inclusive" normal="1817/1987"
		 encodinganalog="245$f">1817-1987 </unitdate> 
		<unitdate label ="Bulk Dates:" type="bulk" encodinganalog="245$g">(bulk 1870-1963)</unitdate> 
		<physdesc>264 items, interfiled with the Lake literary
		  manuscripts</physdesc> 
		<abstract>The Carlton Lake Collection of Manuscripts encompasses a large
		  number of mostly French manuscript and printed musical works from the
		  nineteenth and twentieth centuries with particular emphasis on such early
		  twentieth-century classical composers as Debussy, Dukas, Faur&#x00E9;, Ravel,
		  and Roussel.</abstract> 
		  <unitid label="RLIN Record #:">TXRC06-A21</unitid>
<note><p>We gratefully acknowledge the assistance of the Andrew W. Mellon Foundation, which provided funds for the processing and cataloging of this collection.</p></note>		  
	 </did> 
	 <scopecontent encodinganalog="520"> 
		<head>Scope and Contents</head><p>The Carlton Lake Collection of
		  Manuscripts encompasses a large number of mostly French manuscript and printed
		  musical works from the nineteenth and twentieth centuries. This guide to the
		  music holdings is arranged in two series: I. Manuscript Music, 1817-1947, and
		  II. Printed Music, 1920-1987.</p> 
		<p>Approximately one hundred composers are represented by works in the
		  collection. The earliest manuscripts are sketches for lieder by Carl Maria von
		  Weber dating from about 1817, and the most recent manuscript is Henri Sauguet's
		  1961 song, 
		<title render="doublequote">Au pays.</title> Printed items range from a
		1920 edition of a portion of Florent Schmitt's incidental music for 
		<title render="italic">Antony and Cleopatra</title> to Gavin Bryars's
		1987 tribute to Marcel Duchamp, 
		<title render="doublequote">Pr&#x00E9;lude &#x00E0; la Rrose
		  (quoi?): <emph render="singlequote">Sot ne rit de la Rrose,
		  croit</emph>.</title> Printed works are usually present in the collection
		because they were inscribed by the composer or they were kept among the papers
		of the composer or lyricist.</p><p>The collection is strongest in early
		  twentieth-century French classical music manuscripts. Composers represented by
		  significant holdings include Georges Auric, Ernest Chausson, Henri
		  Cliquet-Pleyel, Claude Debussy, Paul Dukas, Gabriel Faur&#x00E9;, Hector
		  Fraggi, Charles Gounod, Reynaldo Hahn, Paul Ladmirault, Raoul Laparra, Franz
		  Liszt, Jules Massenet, Federico Mompou, Jacques Offenbach, Maurice Ravel,
		  Albert Roussel, Camille Saint-Sa&#x00EB;ns, Erik Satie, Charles
		  Sering&#x00E8;s, Igor Stravinsky, and Frank Turner. Especially important are
		  the rich collections of works by Debussy, Dukas, Faur&#x00E9;, Ravel, and
		  Roussel.</p><p>Items of particular interest include the manuscript score from
		  which Liszt conducted the premiere of his 
		<title render="italic">Gaudeamus Igitur</title>; Stravinsky's
		orchestration of Chopin's 
		<title>Grand valse brilliante in Eb</title> for the ballet 
		<title render="italic">Les sylphides</title>; two songs by Franz
		Schubert; a copy by Clara Schumann of Johannes Brahms's 
		<title render="italic">Twelve Songs and Romances for Female
		  Voices</title>; Debussy's score for the ballet 
		<title render="italic">Khamma</title>; Dukas's scores for 
		<title render="italic">L'apprenti sorcier</title> and 
		<title render="italic">La peri</title>; Faur&#x00E9;'s orchestral score
		for 
		<title render="italic">Masques et bergamasques</title>; Ravel's
		manuscripts for 
		<title render="italic">Daphnis et Chlo&#x00EB;</title>, 
		<title render="italic">Gaspard de la nuit</title>, 
		<title render="italic">L'heure espagnol</title>, 
		<title render="italic">Introduction et allegro</title>, 
		<title render="italic">Ma m&#x00E8;re l'oye</title>, 
		<title render="italic">Rapsodie espagnol</title>, 
		<title render="italic">Sh&#x00E9;h&#x00E9;razade</title>, the piano trio,
		and 
		<title render="italic">Valses nobles et sentimentales</title>, in
		addition to numerous songs; Roussel's opera 
		<title render="italic">Aeneas</title>, the ballet 
		<title render="italic">Bacchus et Ariadne</title>, the piano concerto, 
		<title render="italic">Evocations</title>, 
		<title render="italic">Le festin de l'araign&#x00E8;e</title>, 
		<title render="italic">La naissance de la lyre</title>, the opera-ballet 
		<title render="italic">Padm&#x00E2;v&#x00E2;ti</title>, 
		<title render="italic">Rapsodie flamande</title>, and 
		<title> Symphony no. 2</title>, as well as many songs; and Satie's 
		<title render="italic">Rel&#x00E2;che</title>.</p><p>The Lake Collection
		  as a whole offers myriad possibilities for enhancing the study of the scores by
		  consulting other primary source materials within the collection. For example, a
		  fascinating exchange of letters between Chausson and Debussy in 1893-1894
		  discussing their creative struggles on 
		<title render="italic">Le Roi Arthus</title> and 
		<title render="italic">Pell&#x00E9;as et M&#x00E9;lisande</title>
		complement the scores and sketches for these works.</p><p><emph render="bold">A
		  note on terminology</emph></p><p>This guide adopts the standard terminology for
		  description of music as set out in 
		<title render="italic">Anglo-American Cataloguing Rules</title>, 2d ed.
		as follows:</p><p>Close Score: A musical score giving all the parts on a
		  minimum number of staves, normally two, as with hymns.</p><p>Condensed Score: A
		  musical score giving only the principal musical parts on a minimum number of
		  staves generally organised by instrumental sections.</p><p>Piano Score: A
		  reduction of an orchestral score to a version for piano on two
		  staves.</p><p>Score: A series of staves on which all the different instrumental
		  and/or vocal parts of a musical work are written, one under the other in
		  vertical alignment, so that the parts may be read simultaneously.</p><p>Short
		  Score: A sketch made by a composer for an ensemble work, with the main features
		  of the composition set out on a few staves.</p><p>Vocal Score: A score showing
		  all vocal parts, with accompaniment, if any, arranged for keyboard
		  instrument.</p> 
	 </scopecontent> 
	 <acqinfo encodinganalog="541" id="a19"> 
		<head>Acquisition: </head> 
		<p>Purchase and gift, 1965-1998</p> 
	 </acqinfo> 
	 <accessrestrict encodinganalog="506" id="a14"> 
		<head>Access: </head> 
		<p>Open for research.</p> 
	 </accessrestrict> 
	 <processinfo encodinganalog="583" id="a20"> 
		<head>Processed by: </head> 
		<p>Dell Hollingsworth and Lisa Jones, 1989; Monique Daviau, Richard
		  Workman, and Catherine Stollar, 2004</p> 
	 </processinfo> 
	 <controlaccess id="a12"> 
		<head>Index Terms</head> 
		<controlaccess> 
		  <head>Composers</head> 
		  <persname encodinganalog="700" source="lcnaf">Auric, Georges,
			 1899- .</persname> 
		  <persname encodinganalog="700" source="lcnaf">Chausson, Ernest,
			 1855-1899.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Cliquet-Pleyel, Henri,
			 1894-1963.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Debussy, Claude,
			 1862-1918.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Dukas, Paul,
			 1865-1935.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Faur&#x00E9;, Gabriel,
			 1845-1924.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Fraggi, Hector.</persname>
		  
		  <persname encodinganalog="700" source="lcnaf">Gounod, Charles,
			 1818-1893.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Hahn, Reynaldo,
			 1875-1947.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Ladmirault, Paul,
			 1877-1944.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Laparra, Raoul,
			 1876-1943.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Liszt, Franz,
			 1811-1886.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Massenet, Jules,
			 1842-1912.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Mompou, Federico,
			 1893-1987.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Offenbach, Jacques,
			 1819-1880.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Ravel, Maurice,
			 1875-1937.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Roussel, Albert,
			 1869-1937.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Saint-Sa&#x00EB;ns,
			 Camille, 1835-1921.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Satie, Erik,
			 1866-1925.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Sering&#x00E8;s,
			 Charles.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Stravinsky, Igor,
			 1882-1971.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Turner, Frank,
			 1896- .</persname> 
		</controlaccess> 
		<controlaccess> 
		  <head>Subjects</head> 
		  <subject encodinganalog="650" source="lcsh">Music.</subject> 
		  <subject encodinganalog="650" source="lcsh">Music, French.</subject> 
		</controlaccess> 
		<controlaccess> 
		  <head>Document Types</head> 
		  <genreform source="aat" encodinganalog="655">Scores.</genreform> 
		  <genreform source="aat" encodinganalog="655">Sheet music.</genreform> 
		</controlaccess> 
	 </controlaccess> 
	 <relatedmaterial id="a6" encodinganalog="544 1"> 
		<p>The study of music in the Lake Manuscripts Collection is also
		  supported by published scores included in the Lake Collection of books housed
		  in the Ransom Center Library and by materials in the Lake Collection within
		  the Photography Collection and the Art Collection at the Center.</p> 
	 </relatedmaterial><dsc type="combined"> 
		<head>Music in the Carlton Lake Collection--Folder List</head> 
		<c01 level="series"> 
		  <did> 
			 <unittitle>Series I. Manuscript Music, </unittitle> 
			 <unitdate>1817-1961</unitdate> 
		  </did> 
		  <c02> 
			 <did> 
				<unittitle>Adam, Adolphe</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">1.2</container> 
				  <unittitle> 
					 <title render="doublequote">Pastorale,</title> manuscript short
					 score for instrumental ensemble, 2pp on 1 leaf, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Albert-Birot, Germaine</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">1.11</container> 
				  <unittitle> 
					 <title render="doublequote">Lettres d'enfants, no. 1: Simone
						&#x00E0; Papa,</title> 3pp of manuscript music for voice (unaccompanied
					 melody), nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">8.10</container> 
				  <unittitle> 
					 <title>Les mamelles de Tir&#x00E9;sias</title>, proofs of
					 manuscript score for voices, piano, and other instruments, 9pp on glossy paper
					 interleaved with page proofs, 1918. Incidental music to play by Apollinaire,
					 from publication by Editions SIC.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">2.5</container> 
				  <unittitle> 
					 <title>Matoum et T&#x00E9;vibar </title>(marionette play), 2
					 manuscript excerpts, melody only, signed "Germaine de Surville," 1929. Slightly
					 variant version of that published in 
					 <title render="italic">SIC</title>, no. 42-43, 1919 as
					 movements I and XII.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">1.11</container> 
				  <unittitle>Unidentified, 2pp of manuscript music,
					 1922</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Amad&#x00E9;, Auguste</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 2</container> 
				  <unittitle> 
					 <title render="italic">Danse allemande</title>, signed
					 manuscript score for orchestra, 21pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Archainbaud, J.</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.1</container> 
				  <unittitle> 
					 <title>Les diff&#x00E9;rences,</title> 4pp of manuscript music
					 for voice and piano in hand of Vincent Gambau, 1941. Text by Paul Fort, music
					 by Archainbaud and Vincent Gambau.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Aubin, Tony</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 4</container> 
				  <unittitle> 
					 <title render="italic">Cressida</title>, signed incomplete (?)
					 manuscript short score for orchestra and narrator with 2pp notes, 52pp,
					 1934-1936. Sections numbered I, III, IV, IV.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 5</container> 
				  <unittitle> 
					 <title render="doublequote">Seguidilla,</title> signed
					 manuscript score for voice and piano, 3pp, Sept. 1929 (date from
					 inscription)</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 5</container> 
				  <unittitle> 
					 <title render="doublequote">Le sommeil d'Iskender,</title> 3pp
					 of music for piano on 3 staves, signed, Jan. 1936. Included with this:
					 manuscript musical fragment.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Auric, Georges</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 6</container> 
				  <unittitle> 
					 <title render="italic">Les joues en feu: Trois po&#x00E8;mes de
						Raymond Radiguet</title>, signed manuscript score for voice and piano, 12pp,
					 June-July 1920. Inscribed to Ir&#x00E8;ne Lagut.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 6</container> 
				  <unittitle> 
					 <title render="doublequote">Petite surprise de jour de
						l'an,</title> signed manuscript score for voice and piano, 2pp, Sept. 1, 1920.
					 A birthday song for Ir&#x00E8;ne Lagut, based on a poem by Jean
					 Cocteau.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 6</container> 
				  <unittitle> 
					 <title render="italic">La symphonie pastorale: No. VII, Le
						pasteur et Gertrude</title>, 8pp of manuscript music for piano on 3 staves,
					 signed, 1946</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">11.8</container> 
				  <unittitle>Untitled, 1p signed musical fragment in the form of a
					 letter to Valentine and Jean Hugo, June 29, 1922</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Barri&#x00E8;re, P.</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.1</container> 
				  <unittitle> 
					 <title>Complainte du roi et de la reine</title>,
					 photoreproduction of manuscript music (no lyrics) in the hand of
					 Barri&#x00E8;re, nd. Text by Paul Fort.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Beckett, Suzanne</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">19.14</container> 
				  <unittitle> 
					 <title render="doublequote">J'aurai seize ans aux fleurs
						nouvelles...,</title> 1p of manuscript music with lyrics, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Bellini, Vincenzo</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">16.15</container> 
				  <unittitle> 
					 <title render="doublequote">Cor mundum,</title> manuscript
					 score for 2 voices and organ, 3pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Berlioz, Hector</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 9</container> 
				  <unittitle> 
					 <title render="italic">Benvenuto Cellini: </title> 
					 <title>Esquisse de l'air <emph render="doublequote">Sur les
						monts les plus sauvages,</emph></title> signed manuscript short score for voice
					 and orchestra, 2pp on 1 leaf, 1838</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Beydts, Louis</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 10</container> 
				  <unittitle> 
					 <title render="doublequote">Eau printani&#x00E8;re,</title> op.
					 18, signed manuscript score for voice and piano, 7pp, March 31,
					 1923</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 10</container> 
				  <unittitle> 
					 <title render="doublequote">La fontaine de
						piti&#x00E9;,</title> op. 11, signed manuscript score for voice and piano, 6pp,
					 July 1922</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Brahms, Johannes</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">25.4</container> 
				  <unittitle> 
					 <title render="italic">Twelve songs and romances for female
						voices,</title> op. 44, manuscript score in hand of Clara Schumann, 16pp,
					 nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Cafagna, Maria Pia</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 22</container> 
				  <unittitle> 
					 <title render="doublequote">&#x00CE;les,</title> signed
					 manuscript score for voice and piano, 4pp, 1929. Text by Jean
					 Cocteau.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 22</container> 
				  <unittitle> 
					 <title render="doublequote">Plain-chant,</title> manuscript
					 score for voice and piano, 4pp, May 4, 1928. Text by Jean Cocteau.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder"> os folder 22</container> 
				  <unittitle> 
					 <title render="doublequote">Voici Jean Cocteau!</title> signed
					 manuscript score for voice and piano, 7pp, 1929. Text by Giroflet de
					 Barbeville.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Cagna, Enrico</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">28.1</container> 
				  <unittitle> 
					 <title render="italic">L&#x00E9;gendes d'or, </title>26pp of
					 manuscript music for piano, signed, Nov. 1937</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Caplet, Andr&#x00E9;</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 59</container> 
				  <unittitle> 
					 <title render="italic">For&#x00EA;t</title>, photostat of
					 incomplete manuscript score for orchestra, 1p, 1921 (copyright
					 date)</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Casella, Alfredo</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">30.2</container> 
				  <unittitle>Unidentified, 1p signed manuscript musical fragment,
					 nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Chaminade, C&#x00E9;cile</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">37.6</container> 
				  <unittitle> 
					 <title render="doublequote">Air de ballet,</title> 1p signed
					 manuscript musical fragment, Oct. 1902, included with letter to unidentified
					 correspondent</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">37.6</container> 
				  <unittitle>Untitled, 1p signed manuscript musical fragment, nd,
					 included with letter to unidentified correspondent</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Chanoine Davranches, R.</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">37.6</container> 
				  <unittitle>Untitled, 1p signed manuscript musical fragment
					 inscribed to Solange Daniel, 1p, May 16, 1910</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Chausson, Ernest</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 12-14</container> 
				  <unittitle> 
					 <title render="italic">Le roi Arthus</title>, op. 23, opera in
					 3 acts, manuscript vocal score with revisions and workings, 322pp, Feb.
					 1895</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Chopin, Fr&#x00E9;d&#x00E9;ric</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">281.14</container> 
				  <unittitle> 
					 <title>Grande valse brilliante in Eb</title>, op. 18,
					 orchestrated by Igor Stravinsky for 
					 <title render="italic">Les Sylphides</title> (Ballets Russes,
					 1909), signed manuscript score for orchestra, March 31, 1909. With extensive
					 reworkings and conducting annotations (unidentified conductors). Stamp of Serge
					 Lifar.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Cliquet-Pleyel, Henri</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 17</container> 
				  <unittitle> 
					 <title render="doublequote">Chanson,</title> signed manuscript
					 score for voice and piano, 4pp, April 30, 1928</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 17</container> 
				  <unittitle> 
					 <title render="doublequote">Ermenonville,</title> 5pp of
					 manuscript music for piano, signed, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 17</container> 
				  <unittitle> 
					 <title render="italic">Mazurkas</title>, 4pp and 2pp of
					 manuscript music for piano, signed, Nov. 7, 1923</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 17</container> 
				  <unittitle> 
					 <title render="doublequote">Le pacte,</title> signed manuscript
					 score for voice and piano, 4pp, Dec. 27, 1928</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 17</container> 
				  <unittitle> 
					 <title render="doublequote">Le tombeau de Satie,</title> 3pp of
					 manuscript music for piano, signed, Nov. 16, 1926</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Courbet, Anne</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.1</container> 
				  <unittitle> 
					 <title render="doublequote">La corde,</title> manuscript score
					 for voice and piano in the hand of Courbet, 4pp, nd. Text by Paul
					 Fort.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Debussy, Claude</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 26</container> 
				  <unittitle> 
					 <title render="doublequote">Estampes: La soir&#x00E9;e dans
						Grenade,</title> 1p manuscript musical fragment, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 27</container> 
				  <unittitle> 
					 <title render="italic">Fantaisie pour piano et
						orchestre</title>, 2-piano reduction by Gustave Samazeuilh, page proofs with
					 manuscript corrections by Samazeuilh, 44pp, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 28</container> 
				  <unittitle> 
					 <title render="italic">F&#x00EA;tes galantes: En
						sourdine</title>, manuscript score for voice and piano with signed inscription
					 to Catherine Stevens, 5pp, May 1892. Text by Paul Verlaine.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">54.8</container> 
				  <unittitle> 
					 <title render="italic">Iberia</title>, 1p manuscript musical
					 fragment, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">295</container> 
				  <unittitle> 
					 <title render="italic">Khamma</title>, ballet, manuscript score
					 for orchestra with revisions, 80 leaves, 1911-1912. Leaves 1-10 orchestrated by
					 Debussy; leaves 11-80 orchestrated by Charles Koechlin in
					 1912-1913.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 29</container> 
				  <unittitle> 
					 <title render="italic">[La Mer:] Mer belle aux &#x00EE;les
						sanguinaires, </title> title and key signature on music paper, 1p,
					 nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">P&#x00E9;lleas et
						M&#x00E9;lisande</title></unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">os folder 30</container> 
					 <unittitle>Manuscript score fragments and sketches, all from
						Act I, 3pp, nd</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">54.8</container> 
					 <unittitle>Manuscript short score fragment for orchestra,
						perhaps a preliminary draft of an interlude, 1p, nd</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">295</container> 
				  <unittitle> 
					 <title render="italic">Printemps</title>, manuscript score for
					 women's chorus and 2 pianos with revisions and annotations, 38 leaves, Feb. 23,
					 1887</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>D&#x00E9;libes, L&#x00E9;o</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">56.3</container> 
				  <unittitle> 
					 <title render="italic">Coppelia: Valse de la
						poup&#x00E9;e,</title> 1p signed manuscript musical fragment, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Delvincourt, Claude</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 32</container> 
				  <unittitle> 
					 <title render="doublequote">Les demoiselles d'Avignon,</title>
					 signed manuscript score for voice and piano, 3pp, nd. Text by Ren&#x00E9;
					 Chalupt.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Dobler, Th&#x00E9;odore</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">59.3</container> 
				  <unittitle>Untitled, 1p signed musical fragment, Sept. 29,
					 1851</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Dodane, Charles</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 33</container> 
				  <unittitle> 
					 <title render="italic">Comtois - Rends-toi!,</title> signed
					 manuscript vocal score, 8pp, Oct. 19, 1946 (date from stamp)</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Dukas, Paul</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">L'apprenti sorcier</title></unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">296.1</container> 
					 <unittitle>Signed manuscript score for orchestra with revisions
						and additions, 58pp, May 1897</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">296.1</container> 
					 <unittitle>Signed 2-piano score with revisions and additions,
						22pp, nd</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">296.2</container> 
				  <unittitle> 
					 <title render="italic">La peri</title>, manuscript score for
					 orchestra with revisions, 118pp, 1911-1912</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">296.3</container> 
				  <unittitle> 
					 <title render="italic">Polyeucte</title>, manuscript score for
					 orchestra with notes and annotations, 47pp, 1891</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">296.4</container> 
				  <unittitle> 
					 <title>Sonate </title>for piano, 41 leaves of manuscript music
					 with revisions, signed, Sept. 1900</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">296.5</container> 
				  <unittitle> 
					 <title render="italic">Variations, interlude et finale sur un
						th&#x00E8;me de J. Ph. Rameau</title>, 20pp of manuscript music for piano with
					 revisions, signed, 1899-1902?</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">296.6</container> 
				  <unittitle> 
					 <title render="italic">Villanelle</title>, signed manuscript
					 score for horn solo and piano or orchestral accompaniment, 14 leaves, June
					 1906. Horn part requires both simple and chromatic horns.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Faur&#x00E9;, Gabriel</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.1</container> 
				  <unittitle> 
					 <title>Barcarolle</title>, no. 11, op. 105, 1p fragment of
					 manuscript music for piano, signed, 1913</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.2</container> 
				  <unittitle> 
					 <title>Barcarolle</title>, no. 13, op. 116, 7pp of manuscript
					 music for piano, signed, Feb. 1921</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.3</container> 
				  <unittitle> 
					 <title render="doublequote">C'est la paix!,</title> op. 114,
					 signed manuscript score for voice and piano, 5pp, Dec. 8, 1919. Text by
					 Georgette Debladis.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 35</container> 
				  <unittitle> 
					 <title render="italic">La chanson d'Eve</title>: 
					 <title render="doublequote">O mort, poussi&#x00E8;re
						d'&#x00E9;toiles,</title> signed manuscript score for voice and piano with
					 revisions, 6pp, 1906-1910</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.4</container> 
				  <unittitle> 
					 <title render="italic">Chant fun&#x00E9;raire</title>,
					 manuscript score for wind ensemble, 10pp; manuscript condensed score, 7pp, and
					 soprano and sopranino saxophone parts, 1p, laid in; March 31, 1921. Scores in
					 hand of the arranger, Guillaume Balay.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 36</container> 
				  <unittitle> 
					 <title>Fugue &#x00E0; trois parties, </title>signed
					 manuscript score for unspecified voices, 3pp on 1 folded sheet, nd. Written on
					 verso of Kyrie eleison.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.5</container> 
				  <unittitle> 
					 <title>Impromptu</title> no. 6, op. 86a., 14 leaves of
					 manuscript music for piano, 1913. Signature and title at head of p.1 in
					 Faur&#x00E9;'s hand. Originally written for harp (op. 86) in 1904.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.6</container> 
				  <unittitle> 
					 <title render="doublequote">Le jardin clos,</title> op. 106,
					 manuscript score for voice and piano with revisions, 40pp, 1914. Text by
					 Charles van Lehrberghe.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 36</container> 
				  <unittitle> 
					 <title>Kyrie eleison, </title>manuscript short score for voice
					 and unspecified instruments, 1p, nd. Written on verso of last page of 
					 <title>Fugue &#x00E0; trois
						parties.</title></unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.7</container> 
				  <unittitle> 
					 <title render="italic">Masques et bergamasques</title>, op.
					 112, signed manuscript score for orchestra with revisions and annotations,
					 94pp, 1919. Text by Ren&#x00E9; Fauchois. Orchestration in part by Marcel
					 Samuel-Rousseau.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.8</container> 
				  <unittitle> 
					 <title render="doublequote">Po&#x00E8;me d'un jour,</title>
					 op.21, manuscript score for voice and piano with revisions, 16pp, 1878. Text by
					 Charles Grandmougin. Enharmonic transposition of 13 bars of "Adieu" (1 leaf)
					 laid in; not in Faur&#x00E9;'s hand.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.9</container> 
				  <unittitle> 
					 <title>Septuor, </title>by Camille Saint-Sa&#x00EB;ns, op. 65,
					 transcribed for piano, 4 hands by Faur&#x00E9;, manuscript score with
					 revisions, 40pp, nd. Cartoons and caricatures of Saint-Sa&#x00EB;ns by
					 Faur&#x00E9; in score. Composed by Saint-Sa&#x00EB;ns in 1881.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.10</container> 
				  <unittitle> 
					 <title render="italic">Suite alg&#x00E9;rienne</title>, by
					 Camille Saint-Sa&#x00EB;ns, op. 60, transcribed for piano, 4 hands by
					 Faur&#x00E9;, manuscript score with revisions, 45pp, nd. Composed by
					 Saint-Sa&#x00EB;ns in 1880.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.11</container> 
				  <unittitle> 
					 <title>Tantum ergo</title>, manuscript vocal score with
					 revisions, 4pp, 1904. Three lines on cover sheet in Faur&#x00E9;'s
					 hand.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.12</container> 
				  <unittitle> 
					 <title>Tu es Petrus</title>, manuscript vocal score, 5pp,
					 1872</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Ferrier, J.</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 37</container> 
				  <unittitle> 
					 <title render="doublequote">S&#x00E9;r&#x00E9;nade,</title>
					 manuscript score for voice and piano, 7pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Fraggi, Hector</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 41</container> 
				  <unittitle> 
					 <title render="doublequote">Jeux de beaut&#x00E9;,</title> 2pp
					 of manuscript music for piano, signed, Sept. 1929</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 42</container> 
				  <unittitle> 
					 <title render="italic">Les mille et une nuits</title>, signed
					 manuscript piano score for voices and orchestra, 71pp, May 1, 1929. Included
					 with this: printed article; signed handwritten letter from Fraggi to
					 unidentified recipient, Oct. 16, 1938; initialed manuscript, 9pp, June 20,
					 1929</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Gambau, Vincent</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.1</container> 
				  <unittitle> 
					 <title render="doublequote">Les diff&#x00E9;rences,</title>
					 manuscript score for voice and piano written in hand of Gambau, 4pp, 1941. Text
					 by Paul Fort, music by J. Archainbaud and Gambau.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Gounod, Charles</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">87.6</container> 
				  <unittitle> 
					 <title render="doublequote">La fauvette,</title> signed
					 manuscript score for voice and orchestra, 13pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Grovlez, Gabriel</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 48</container> 
				  <unittitle> 
					 <title render="italic">La vengeance des fleurs</title>, signed
					 manuscript piano score, 9pp, Aug. 1910</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Guilmant, Alexandre</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">91.5</container> 
				  <unittitle> 
					 <title render="doublequote">Offertoire sur
						<emph render="singlequote">O Filii,</emph></title> 2pp of manuscript music for
					 organ with inscription to Jeanne Poitrineau, Sept. 30, 1879. Included with
					 this: 
					 <title render="doublequote">Sujet de fugue,</title> signed
					 manuscript musical fragment, 1p, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Hahn, Reynaldo</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 49</container> 
				  <unittitle> 
					 <title render="doublequote">Ciboulette: fantaisie
						s&#x00E9;lection sur les motifs de la c&#x00E9;l&#x00E8;bre
						op&#x00E9;rette,</title> 29pp of manuscript music for piano, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 49</container> 
				  <unittitle> 
					 <title render="doublequote">Couplets,</title> manuscript score
					 for voice and piano with revisions and notes, 7pp, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 49</container> 
				  <unittitle> 
					 <title render="doublequote">Hymne!!</title> signed manuscript
					 score for voice and piano, 14pp, July 18-19, 1890</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 49</container> 
				  <unittitle> 
					 <title render="doublequote">L'incredule,</title> signed
					 manuscript score for voice and piano, 4pp, March 6, 1893</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 49</container> 
				  <unittitle> 
					 <title render="doublequote">Lied,</title> signed manuscript
					 score for voice and piano, 4pp, June 30, 1890</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 49</container> 
				  <unittitle> 
					 <title render="doublequote">Polka du Muguet,</title> 3pp of
					 manuscript music for piano, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 49</container> 
				  <unittitle> 
					 <title render="doublequote">Ressemblance,</title> signed
					 manuscript score for voice and piano, 5pp, March 21, 1889</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Humel, Charles</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.2</container> 
				  <unittitle> 
					 <title render="doublequote">Les piafs de Paris,</title>
					 manuscript score for voice and piano in hand of Humel, 1p, nd. Text by Paul
					 Fort. Includes typescript of Humel's adaptation of Paul Fort's poem and
					 handwritten letter of Aug. 22, 1958, to Fort.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Izambard, Georges</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 51</container> 
				  <unittitle> 
					 <title render="doublequote">Revelation</title> and other songs
					 and musical workings, 44pp of manuscript music fragments and drafts,
					 nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Jekyll, Joe</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 53</container> 
				  <unittitle> 
					 <title render="doublequote">Lento,</title> manuscript score for
					 voice and piano, 8pp, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 53</container> 
				  <unittitle> 
					 <title render="doublequote">Rencontre,</title> 3pp of
					 manuscript music for piano, signed, July 26, 1928</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Ladmirault, Paul</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 54</container> 
				  <unittitle> 
					 <title>Quatuor en la mineur, </title> signed manuscript score,
					 28pp, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 54</container> 
				  <unittitle> 
					 <title render="italic">Tristan en Morois: po&#x00E8;me
						symphonique</title>, signed manuscript piano score, 30pp, June 24,
					 1920</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 55</container> 
				  <unittitle> 
					 <title render="italic">Variations sur un choral</title>, 3
					 scores for piano and winds: signed manuscript score with inscription, 28pp, nd;
					 manuscript score, 25pp, nd; manuscript parts, 20pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Laparra, Raoul</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">151.2</container> 
				  <unittitle> 
					 <title render="doublequote">Chants de la mer:
						Autrefois,</title> manuscript score for voice and piano, 3pp, Aug. 1,
					 1924</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">151.2</container> 
				  <unittitle> 
					 <title render="doublequote">El&#x00E9;gie,</title> manuscript
					 score for voice and piano, 4pp, Sept. 20, 1924</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">151.2</container> 
				  <unittitle> 
					 <title render="doublequote">Le joli jeu,</title> manuscript
					 score for voice and piano, 2pp, May 22, 1924</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">151.2</container> 
				  <unittitle> 
					 <title render="doublequote">Musique sur l'eau,</title>
					 manuscript score for voice and piano, 4pp, April 14, 1926</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">151.2</container> 
				  <unittitle> 
					 <title render="doublequote">Retour de la ville,</title>
					 manuscript score for voice and piano, 4pp, July 12, 1924</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">151.2</container> 
				  <unittitle> 
					 <title render="doublequote">La tristesse du diable,</title>
					 manuscript score for voice and piano, 5pp, Sept. 13, 1926 (?)</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">151.2</container> 
				  <unittitle> 
					 <title render="doublequote">Le vin des amants,</title>
					 incomplete manuscript score for voice and piano, 2pp, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">151.2</container> 
				  <unittitle>Miscellaneous manuscript score drafts and notes, 12pp,
					 1914, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">151.3</container> 
				  <unittitle>Untitled incomplete manuscript score drafts,
					 fragments, and notes, 37pp, 1924-1925</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Lenormand, Ren&#x00E9;</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">154.6</container> 
				  <unittitle> 
					 <title render="doublequote">Cette Anne si belle,</title> signed
					 manuscript score for voice and piano, 3pp, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">154.6</container> 
				  <unittitle> 
					 <title render="doublequote">La nuit,</title> signed manuscript
					 score for voice and piano, 6pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Leroux, Xavier</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 56</container> 
				  <unittitle> 
					 <title render="doublequote">Chant donn&#x00E9;,</title>
					 manuscript score for 4 unspecified instruments, 3pp, 1914</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Liszt, Franz</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 62</container> 
				  <unittitle> 
					 <title render="italic">Gaudeamus igitur</title>, signed
					 manuscript score for orchestra, 30pp, Jan. 13, 1870 (premiere performance).
					 With Liszt's conducting annotations.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Lou&#x00FF;s, Pierre</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">171.5</container> 
				  <unittitle>Untitled, 1p musical fragment, nd. Lou&#x00FF;s's name
					 written in pencil at bottom, not in his hand.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Malipiero, Gian Francesco</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 65</container> 
				  <unittitle> 
					 <title render="italic">Tre poesie di G. Jean-Aubry</title>,
					 signed manuscript scores for voice and piano, 8pp, Sept. 1, 1918. Titles: 
					 <title render="doublequote">Light,</title> 
					 <title render="doublequote">Song,</title> 
					 <title render="doublequote">Stream.</title></unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Martin&#x00B0;u, Bohuslav</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">182.1</container> 
				  <unittitle> 
					 <title render="doublequote">Inventiones,</title> signed
					 incomplete manuscript score for piano, strings, and winds, 1p, May
					 1937</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Massenet, Jules</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">bv13</container> 
				  <unittitle> 
					 <title render="italic">Ch&#x00E9;rubin</title>,
					 <emph render="italic">com&#x00E9;die chant&#x00E9;e</emph> in 3 acts,
					 manuscript score, 394pp bound, 1905, <emph render="doublequote">Premier
					 manuscrit d'orchestre.</emph> Orchestral draft (no vocal parts) written largely
					 on blank versos of his fair copy of Gris&#x00E9;lidis (1901). Inscribed to
					 Louis Schneider, Nov. 10, 1910.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Mathis, Edmond</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 22</container> 
				  <unittitle> 
					 <title render="italic">Le th&#x00E9;&#x00E2;tre de Jean
						Cocteau</title>, signed manuscript piano score with narrator, 4pp, nd; signed
					 manuscript score for orchestra and narrator, 8pp, Oct. 1927</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Missa, Edmond</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">189.1</container> 
				  <unittitle> 
					 <title render="doublequote">La lettre au petit,</title>
					 manuscript score for voice and piano, 4pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Mompou, Federico</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">189.7</container> 
				  <unittitle> 
					 <title render="doublequote">Pr&#x00E9;lude pour la main
						gauche,</title> 2pp of manuscript music for piano, signed, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 66</container> 
				  <unittitle> 
					 <title render="doublequote">Sc&#x00E8;nes d'enfants,</title>
					 14pp of manuscript music for piano, signed, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 66</container> 
				  <unittitle>Untitled sketches, 7pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Nautuy, Yves</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">267.7</container> 
				  <unittitle> 
					 <title render="doublequote">Vitrine,</title> signed manuscript
					 musical fragment, 1p, nd. Text by Andr&#x00E9; Salmon.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Neuville, V. (Valentin)</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 68</container> 
				  <unittitle> 
					 <title render="doublequote">R&#x00E9;cital d'amour,</title> 2
					 manuscript scores for voice and piano, one signed, 3pp, 4pp, Dec.
					 1897</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>No&#x00EB;l, Marcel</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">194.9</container> 
				  <unittitle> 
					 <title render="italic">Le po&#x00EB;me de la vie
						ant&#x00E9;rieure</title>, signed manuscript score for voice and piano, 26pp,
					 nd </unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Obey, Andr&#x00E9;</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">291.7</container> 
				  <unittitle>Untitled, signed musical fragments written as parts of
					 letters to Emile Vuillermoz, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Offenbach, Jacques</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">195.4</container> 
				  <unittitle> 
					 <title render="italic">Reminiscences de la Lucie</title>,
					 signed manuscript score for orchestra, 22pp bound, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Poulenc, Francis</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">48.3</container> 
				  <unittitle> 
					 <title render="doublequote">Toreador,</title> 2pp of 2 signed
					 manuscript musical fragments in 2 letters to Jean Cocteau, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">199.10</container> 
				  <unittitle>Untitled, 1p signed manuscript musical fragment on
					 postcard to Valentine Hugo, 1924</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Pratella, Francesco Balilla</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">200.1</container> 
				  <unittitle> 
					 <title render="doublequote">Deformazione lirica,</title> 1p
					 manuscript music for piano, incomplete, signed, nd</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">200.1</container> 
				  <unittitle> 
					 <title render="doublequote">Notte-passione,</title> signed
					 incomplete manuscript score for oboe and piano, 1p, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Puget, Lo&#x00ED;sa</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 70</container> 
				  <unittitle> 
					 <title render="doublequote">Le dot d'Auvergne,</title>
					 manuscript score for voice and piano, 3pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Ravel, Maurice</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Chansons mad&#x00E9;casses</title>, text
					 by Evariste D&#x00E9;sir&#x00E9; de Parny</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">302.1</container> 
					 <unittitle>Signed manuscript score for voice and piano, 14pp,
						July 1926.</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">302.2</container> 
					 <unittitle>Signed manuscript score for voice, flute, cello and
						piano with revisions and annotations, 11pp, April 1925-April 1926.</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Cinq melodies populaires
						grecques</title>, text in Greek and French, translated by Michel-Dmitri
					 Calvocoressi.</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">302.3</container> 
					 <unittitle>Signed manuscript score for orchestra, 14pp,
						1904-1906. Includes first and fifth songs only.</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">302.4</container> 
					 <unittitle>Manuscript score for voice and piano with revisions
						and annotations (14pp) and separate vocal parts (9pp), 1904-1906. All five
						songs present.</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">299</container> 
				  <unittitle> 
					 <title render="italic">Daphnis et Chlo&#x00EB;</title>, signed
					 manuscript score for orchestra with revisions, annotations, and ballet
					 directions, 186pp, April 5, 1912. Bound in vellum and in binder from Studio
					 Lipnitzki, Paris.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">302.5</container> 
				  <unittitle> 
					 <title render="italic">Don Quichotte &#x00E0;
						Dulcin&#x00E9;e</title>, manuscript score for orchestra with revisions, 21
					 leaves, 1932-1933. Text by Paul Morand. Parts of score inked in over
					 pencil.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">300</container> 
				  <unittitle> 
					 <title render="italic">Gaspard de la nuit</title>, 18pp of
					 manuscript music for piano with revisions, signed, Sept. 5, 1908</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 71</container> 
				  <unittitle> 
					 <title render="doublequote">Les grands vents venus
						d'outremer...,</title> proof of score for voice and piano with manuscript
					 corrections, 4pp, 1907</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">301</container> 
				  <unittitle> 
					 <title render="italic">L'heure espagnol</title>, signed
					 manuscript score for orchestra with revisions and annotations, 212pp,
					 1907-1909. Text by Maurice Legrand.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">302.6</container> 
				  <unittitle> 
					 <title render="italic">Histoires naturelles</title>, signed
					 manuscript score for voice and piano, 16pp, Oct.-Dec. 1906. Text by Jules
					 Renard.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">302.7</container> 
				  <unittitle> 
					 <title render="italic">Introduction et allegro</title>,
					 manuscript score for orchestra with revisions (22pp) and harp part (7pp), 1905.
					 Additional harp part (14pp) in copyist's hand.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">302.8</container> 
				  <unittitle> 
					 <title render="italic">Ma m&#x00E8;re l'oye</title>, manuscript
					 score for orchestra with revisions and annotations, 38pp, 1911</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">300</container> 
				  <unittitle> 
					 <title render="italic">Rapsodie espagnole</title>, signed
					 manuscript score for orchestra with revisions and annotations [65pp], Feb. 1,
					 1908</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">302.9</container> 
				  <unittitle> 
					 <title render="italic">Sh&#x00E9;h&#x00E9;razade</title>,
					 manuscript score for voice and orchestra with revisions, 41pp, 1903. Text by
					 Tristan Klingsor (L&#x00E9;on Lecl&#x00E8;re).</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">302.10</container> 
				  <unittitle> 
					 <title>Sonate for violin and cello</title>, signed manuscript
					 score with revisions, 16pp, April 1920-Feb. 1922. The first movement, Allegro,
					 is wanting.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">302.11</container> 
				  <unittitle> 
					 <title render="italic">Sur l'herbe</title>, signed manuscript
					 score for voice and piano with annotations, 3pp, June 6, 1907. Text by Paul
					 Verlaine.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">302.12</container> 
				  <unittitle> 
					 <title>Trio</title>, signed manuscript score for piano, violin,
					 and cello with annotations, 40pp, 1914</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Trois chansons</title>: 
					 <title render="doublequote">Nicolette,</title> 
					 <title render="doublequote">Trois beaux oiseaux du
						paradis,</title> 
					 <title render="doublequote">Ronde.</title> Text by
					 Ravel.</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">302.13</container> 
					 <unittitle>Signed manuscript score for mixed chorus with
						revisions, 9pp, Dec. 1914-Feb. 1915</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">302.14</container> 
					 <unittitle>Manuscript score for piano and voice with revisions,
						11pp, December 1914</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Trois po&#x00E8;mes de St&#x00E9;phane
						Mallarm&#x00E9;</title></unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">302.15</container> 
					 <unittitle>Manuscript score for voice and chamber ensemble with
						corrections, 16pp, April 2-Aug. 1913</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">302.16</container> 
					 <unittitle>Manuscript score for voice and piano with revisions,
						11pp, May 1913</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">300</container> 
				  <unittitle> 
					 <title render="italic">Valses nobles et sentimentales</title>,
					 signed manuscript score for orchestra with revisions, 58pp, 1912</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Riadis, Emile</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 74</container> 
				  <unittitle> 
					 <title render="doublequote">Cette fille elle est morte,</title>
					 manuscript score for voice and piano, 2pp on 1 leaf, nd. Text by Paul Fort.
					 Authorship confirmed by Jean-Michel Nectoux.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 74</container> 
				  <unittitle> 
					 <title render="doublequote">Les courlis dans les
						roseaux,</title> manuscript score for voice and piano, 2pp on 1 leaf, nd. Text
					 by Jean Mor&#x00E9;as. Authorship confirmed by Jean-Michel Nectoux.</unittitle>
				  
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 74</container> 
				  <unittitle> 
					 <title render="doublequote">Une jeune fille parle,</title>
					 manuscript score for voice and piano, 2pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Roger-Ducasse</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 59</container> 
				  <unittitle>Unidentified signed incomplete manuscript score for
					 orchestra with notations and inscription, 2pp on 1 leaf, 1928</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Roussel, Albert</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 60</container> 
				  <unittitle> 
					 <title render="doublequote">L' accueil de muses,</title>
					 photostat of 2pp of music for piano written "pour le tombeau de Claude
					 Debussy," Sept. 4, 1920</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Aeneas</title>, op. 54. Libretto by
					 Joseph Weterings.</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">304</container> 
					 <unittitle>Signed manuscript score for orchestra with ballet
						directions, 168pp, 1935. Laid in score: title page sketch (1p); typescript and
						handwritten ballet synopsis (1p); handwritten sketch of performance
						announcement (1p) with corrections; 3 handwritten errata, one
						signed.</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">309.1</container> 
					 <unittitle>Signed manuscript score for chorus and piano with
						revisions, 35pp, 1935</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">309.2</container> 
				  <unittitle> 
					 <title>Andante et scherzo</title>, op. 51, manuscript score for
					 flute and piano, 7pp, 1934</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">309.3</container> 
				  <unittitle> 
					 <title render="italic">Bacchus et Ariadne</title>, op. 43,
					 manuscript piano score with ballet directions, 44pp, 1930. Two notes to
					 engraver tipped into coversheets.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">309.4</container> 
				  <unittitle> 
					 <title render="italic">Le Bardit des Francs</title>, signed
					 manuscript score for male chorus, brass, and percussion, 11pp, 1926. Text by
					 Chateaubriand.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">304</container> 
				  <unittitle> 
					 <title>Concert</title>, op. 34, signed manuscript score for
					 small orchestra with revisions, 36pp, Feb. 12, 1927</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle>Concerto, op. 36</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">304</container> 
					 <unittitle>Signed manuscript score for piano and orchestra with
						revisions, 83pp, 1927</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">309.5</container> 
					 <unittitle>Signed manuscript score for 2 pianos with revisions,
						35pp, 1927</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">309.6</container> 
				  <unittitle> 
					 <title render="italic">Deux idylles</title>, op. 44, signed
					 manuscript score for voice and piano, 6pp, 1931. Titles: 
					 <title render="doublequote">Le
						K&#x00E9;riokl&#x00E8;pte,</title> 
					 <title render="doublequote">Pan aimant Ekh&#x00F3;.</title>
					 Text translated by Leconte de Lisle from Theocritus's Idyll XIX and Moskhos's
					 Idyll VI.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">309.7</container> 
				  <unittitle> 
					 <title render="italic">Deux m&#x00E9;lodies</title>, op. 19,
					 signed manuscript score for voice and piano, 7pp, Aug. 10-17, 1918. No. 1, 
					 <title render="doublequote">Light,</title> text by Georges
					 Jean-Aubry; no. 2, 
					 <title render="doublequote">A farewell,</title> text by E.
					 Oliphant. </unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Deux m&#x00E9;lodies</title>, op.
					 20</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <unittitle>No. 1, 
						<title render="doublequote">Le bachelier de
						  Salamanque,</title> text by Ren&#x00E9; Chalupt.</unittitle> 
				  </did> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">310.9</container> 
						<unittitle>Signed manuscript score for voice and orchestra,
						  4pp, 1919-1927. Included with 5 other scores in a common
						  coversheet.</unittitle> 
					 </did> 
				  </c05> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">309.8</container> 
						<unittitle>Signed manuscript score for voice and piano with
						  revisions, 3pp, Feb. 2-March 19, 1919</unittitle> 
					 </did> 
				  </c05> 
				</c04> 
				<c04> 
				  <did> 
					 <unittitle>No. 2, 
						<title render="doublequote">Sarabande,</title> text by
						Ren&#x00E9; Chalupt</unittitle> 
				  </did> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">310.9</container> 
						<unittitle>Signed manuscript score for voice and orchestra,
						  6pp, 1919-1927. Included with 5 other scores in a common
						  coversheet.</unittitle> 
					 </did> 
				  </c05> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">309.8</container> 
						<unittitle>Signed manuscript score for voice and piano with
						  revisions, 4pp, Feb. 2-March 19, 1919</unittitle> 
					 </did> 
				  </c05> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">309.9</container> 
				  <unittitle> 
					 <title render="italic">Deux m&#x00E9;lodies</title>, op. 50,
					 signed manuscript score for voice and piano, 8pp, Dec. 15, 1933. No. 1, 
					 <title render="doublequote">L'heure du retour</title>; no. 2, 
					 <title render="doublequote">Coeur en p&#x00E9;ril.</title> Text
					 by Ren&#x00E9; Chalupt</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">309.10</container> 
				  <unittitle> 
					 <title render="italic">Deux m&#x00E9;lodies</title>, op. 55,
					 signed manuscript score for voice and piano, 4pp, Sept.-Oct. 1935. No. 1, 
					 <title render="doublequote">Vieilles cartes, vieilles
						mains</title>; no. 2, 
					 <title render="doublequote">Si quelquefois tu pleurs.</title>
					 Text by George Ville.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Deux po&#x00E8;mes chinois</title>, op.
					 35, text by Henri Pierre Roch&#x00E9;</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">309.11</container> 
					 <unittitle>No. 1, 
						<title render="doublequote">Des fleurs font une
						  broderie,</title> signed manuscript score for voice and piano, 4pp, June 25,
						1927. Note concerning lyrics tipped inside coversheet.</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <unittitle>No. 2, 
						<title render="doublequote">R&#x00E9;ponse d'une
						  &#x00E9;pouse sage</title> </unittitle> 
				  </did> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">310.9</container> 
						<unittitle>Signed manuscript score for voice and orchestra,
						  5pp, 1919-1927. Included with 5 other scores in a common
						  coversheet.</unittitle> 
					 </did> 
				  </c05> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">309.11</container> 
						<unittitle>Signed manuscript score for voice and piano, 3pp,
						  June 25, 1927. Note concerning lyrics tipped inside coversheet.</unittitle> 
					 </did> 
				  </c05> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">309.12</container> 
				  <unittitle> 
					 <title render="italic">Deux po&#x00E8;mes de Ronsard</title>,
					 op. 26, signed manuscript score for voice and flute, 7pp, April 3-14, 1924. No.
					 1, 
					 <title render="doublequote">Rossignol, mon mignon</title>; no.
					 2, 
					 <title render="doublequote">Ciel aer et vens.</title> Text by
					 Pierre de Ronsard.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">309.13</container> 
				  <unittitle> 
					 <title render="doublequote">Doute,</title> 1p manuscript music
					 for piano with revisions, Oct. 30, 1919</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">309.14</container> 
				  <unittitle> 
					 <title>Duo </title>for bassoon and double bass, manuscript
					 score, 7pp, June 12, 1929. Included with this: copy of score in hand of Fernand
					 Oubradous, 8pp; handwritten letter from Arthur Hoer&#x00E9;e concerning score,
					 April 13, 1979.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">310.1</container> 
				  <unittitle> 
					 <title render="italic">Elp&#x00E9;nor</title>, op. 59,
					 photocopy of manuscript score for flute and string quartet with annotations,
					 9pp, 1937/1947</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">&#x00C9;vocations</title>, op.
					 15</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <unittitle>No. 1, 
						<title render="doublequote">Les dieux dans l'ombre des
						  cavernes</title></unittitle> 
				  </did> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">303</container> 
						<unittitle>Signed manuscript score for orchestra with
						  revisions, 51pp, July 1910. Handwritten title sheet laid in.</unittitle> 
					 </did> 
				  </c05> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">310.2</container> 
						<unittitle>Signed manuscript score for 2 pianos with
						  revisions, 15pp, 1910</unittitle> 
					 </did> 
				  </c05> 
				</c04> 
				<c04> 
				  <did> 
					 <unittitle>No. 2, 
						<title render="doublequote">La ville rose</title></unittitle>
					 
				  </did> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">303</container> 
						<unittitle>Signed manuscript score for orchestra with
						  revisions, 57pp, September 1910</unittitle> 
					 </did> 
				  </c05> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">310.2</container> 
						<unittitle>Signed manuscript score for 2 pianos with
						  revisions, 17pp, 1910</unittitle> 
					 </did> 
				  </c05> 
				</c04> 
				<c04> 
				  <did> 
					 <unittitle>No. 3, 
						<title render="doublequote">Aux bords du fleuve
						  sacr&#x00E9;</title> </unittitle> 
				  </did> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">303</container> 
						<unittitle>Signed manuscript score for orchestra and chorus
						  with revisions, 89pp, July 30, 1911. Text by Michel-Dmitri
						  Calvacoressi.</unittitle> 
					 </did> 
				  </c05> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">310.2</container> 
						<unittitle>Signed manuscript score for 2 pianos and chorus
						  with revisions, 35pp, 1911. Text by Michel-Dmitri Calvacoressi.</unittitle> 
					 </did> 
				  </c05> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">310.3</container> 
				  <unittitle> 
					 <title render="italic">Fanfare pour un sacre
						pa&#x00EF;en</title>, manuscript score for brass and percussion, 4pp,
					 1921</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">307</container> 
				  <unittitle> 
					 <title render="italic">Le festin de l'araign&#x00E9;e</title>,
					 op. 17, signed manuscript orchestral score with revisions, 183pp, Feb. 2, 1913.
					 Photocopy of p. 104 laid in.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">310.4</container> 
				  <unittitle> 
					 <title render="doublequote">A flower given to my
						daughter,</title> 2 manuscript scores for voice and piano, one with revisions,
					 3pp and 5pp, 1931. Text by James Joyce.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 77</container> 
				  <unittitle> 
					 <title render="italic">A glorious day</title>, op. 48, signed
					 manuscript score for military band with revisions, 36pp, Dec. 31,
					 1932</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">310.5</container> 
				  <unittitle> 
					 <title>Impromptu</title>, op. 21, 8pp of music for harp,
					 signed, 1919</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">310.6</container> 
				  <unittitle> 
					 <title render="italic">Jazz dans la nuit</title>, op. 38,
					 signed manuscript score for voice and piano, 5pp, Dec. 30, 1928. Text by
					 Ren&#x00E9; Dommange.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">310.7</container> 
				  <unittitle> 
					 <title render="italic">Joueurs de fl&#x00FB;te</title>, op. 27,
					 signed manuscript score for flute and piano with revisions, 15pp,
					 1924</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">310.8</container> 
				  <unittitle> 
					 <title render="italic">Madrigal aux muses</title>, op. 25,
					 signed manuscript score for vocal trio, 6pp, Oct. 20, 1923. Text by Gentil
					 Bernard.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">310.10</container> 
				  <unittitle> 
					 <title render="italic">La naissance de la lyre</title>, op. 24,
					 signed manuscript piano score with harp and voices, with revisions and stage
					 and ballet directions, 72pp, Sept. 14, 1923. Text by Th&#x00E9;odore Reinach.
					 Page 21 partly obliterated by large ink splotch.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">310.11</container> 
				  <unittitle> 
					 <title render="doublequote">O bon vin, o&#x00F9; as-tu
						cr&#x00FB;?,</title> signed manuscript score for voice and piano, 1 leaf, 1928.
					 "Recueill&#x00E9;e par Mme G. D&#x00E9;vignes."</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Odes anacr&#x00E9;ontiques</title>, text
					 translated by Leconte de Lisle</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <unittitle>Op. 31</unittitle> 
				  </did> 
				  <c05> 
					 <did> 
						<unittitle>No. 1, 
						  <title render="doublequote">XVI, Sur
							 lui-m&#x00EA;me</title></unittitle> 
					 </did> 
					 <c06> 
						<did> 
						  <container type="Box-Folder">310.9</container> 
						  <unittitle>Signed manuscript score for voice and orchestra,
							 4pp, 1919-1927. Included with 5 other scores in a common
							 coversheet.</unittitle> 
						</did> 
					 </c06> 
					 <c06> 
						<did> 
						  <container type="Box-Folder">310.12</container> 
						  <unittitle>Signed manuscript score for voice and piano,
							 2pp, 1926</unittitle> 
						</did> 
					 </c06> 
				  </c05> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">310.12</container> 
						<unittitle>No. 2, 
						  <title render="doublequote">XIX, Qu'il faut boire,</title>
						  signed manuscript score for voice and piano, 1p, 1926</unittitle> 
					 </did> 
				  </c05> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">310.12</container> 
						<unittitle>No. 3, 
						  <title render="doublequote">XX, Sur une jeune
							 fille,</title> signed manuscript score for voice and piano, 2pp,
						  1926</unittitle> 
					 </did> 
				  </c05> 
				</c04> 
				<c04> 
				  <did> 
					 <unittitle>Op. 32</unittitle> 
				  </did> 
				  <c05> 
					 <did> 
						<unittitle>No. 1, 
						  <title render="doublequote">XXVI, Sur
							 lui-m&#x00EA;me</title></unittitle> 
					 </did> 
					 <c06> 
						<did> 
						  <container type="Box-Folder">310.9</container> 
						  <unittitle>Signed manuscript score for voice and orchestra,
							 2pp, 1919-1927. Included with 5 other scores in a common
							 coversheet.</unittitle> 
						</did> 
					 </c06> 
					 <c06> 
						<did> 
						  <container type="Box-Folder">310.12</container> 
						  <unittitle>Signed manuscript score for voice and piano,
							 2pp, 1926</unittitle> 
						</did> 
					 </c06> 
				  </c05> 
				  <c05> 
					 <did> 
						<unittitle>No. 2, 
						  <title render="doublequote">XXXIV, Sur une jeune
							 fille</title></unittitle> 
					 </did> 
					 <c06> 
						<did> 
						  <container type="Box-Folder">310.9</container> 
						  <unittitle>Signed manuscript score for voice and orchestra,
							 6pp, 1919-1927. Included with 5 other scores in a common
							 coversheet.</unittitle> 
						</did> 
					 </c06> 
					 <c06> 
						<did> 
						  <container type="Box-Folder">310.12</container> 
						  <unittitle>Signed manuscript score for voice and piano, 1p,
							 1926</unittitle> 
						</did> 
					 </c06> 
				  </c05> 
				  <c05> 
					 <did> 
						<container type="Box-Folder">310.12</container> 
						<unittitle>No. 3, 
						  <title render="doublequote">XLIV, Sur une songe,</title>
						  signed manuscript score for voice and piano, 3pp, 1926</unittitle> 
					 </did> 
				  </c05> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">305-6</container> 
				  <unittitle> 
					 <title render="italic">Padm&#x00E2;vat&#x00EE;</title>, op. 18,
					 opera-ballet in 2 acts, signed manuscript score for orchestra with revisions,
					 annotations, and stage and ballet directions, 505pp in 2 bound volumes, July 2,
					 1918. Libretto by Louis Laloy. Signed note tipped into vol. 1; signed note laid
					 into vol. 2. Also laid into vol. 2: leaf of manuscript with instructions for
					 preparing two suites based on the opera, and cover sheet.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">311.1</container> 
				  <unittitle> 
					 <title render="doublequote">Petit canon
						perp&#x00E9;tuel,</title> facsimile of 1 leaf of music for piano, 1913.
					 Included in the art journal 
					 <title render="italic">Montjoie!</title></unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Petite suite</title>, op. 39</unittitle>
				  
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">311.2</container> 
					 <unittitle>Signed manuscript score for orchestra, 38pp, Jan.
						30, 1929</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">311.3</container> 
					 <unittitle>Signed manuscript score for piano, 4 hands with
						revisions, 21pp, 1929</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">311.4</container> 
				  <unittitle> 
					 <title render="italic">Pour une f&#x00EA;te de
						printemps</title>, op. 22, signed manuscript score for 2 pianos (16pp), signed
					 corrections for orchestral score (1 leaf), and errata sheet for orchestral
					 score (1p), 1923-1924. Handwritten note and thermofax copy of errata with
					 handwritten corrections laid in.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">311.5</container> 
				  <unittitle> 
					 <title>Pr&#x00E9;lude et fughetta</title>, op. 41, 5pp of music
					 for organ, signed, 1929</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">311.6</container> 
				  <unittitle> 
					 <title>Pr&#x00E9;lude et fugue</title>, op. 46, 6pp of music
					 for piano, signed, 1932-1933</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">311.7</container> 
				  <unittitle> 
					 <title render="italic">Rapsodie flamande</title>, op. 56,
					 signed manuscript score for orchestra, July 3, 1936</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">S&#x00E9;govia</title>, op.
					 29</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">311.8</container> 
					 <unittitle> 5pp of music for guitar with revisions, signed,
						1925. Fingerings by Andr&#x00E8;s S&#x00E9;govia.</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">311.9</container> 
					 <unittitle> 6pp of music for piano, signed, 1925</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">312.1</container> 
				  <unittitle> 
					 <title render="italic">S&#x00E9;r&#x00E9;nade</title>, op. 30,
					 signed manuscript score for flute, harp, and strings with revisions, 32pp,
					 Sept. 7, 1925</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">312.2</container> 
				  <unittitle> 
					 <title>Suite</title>, op. 33, signed manuscript score for
					 orchestra with annotations, 97pp, Aug. 21, 1926</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">308</container> 
				  <unittitle> 
					 <title>Symphony no. 2</title>, Bb major, op. 23, signed
					 manuscript score for orchestra with revisions, 199pp, 1919-1921</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">312.3</container> 
				  <unittitle> 
					 <title>Trio</title>, op. 40, signed manuscript score for flute,
					 viola, and cello, 19pp, Sept. 22, 1929</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">312.4</container> 
				  <unittitle> 
					 <title>Trio</title>, op. 58, signed manuscript score for
					 violin, viola, and cello, 13pp, July 10, 1937. Written for the Trio
					 Pasquier</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">312.5</container> 
				  <unittitle> 
					 <title render="italic">Trois pi&#x00E8;ces pour piano</title>,
					 op. 49, 8pp of music for piano, signed, 1933</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">312.6</container> 
				  <unittitle> 
					 <title>Violin Sonata no. 2</title>, A major, op. 28, signed
					 manuscript score for violin and piano (26pp) with violin part (8pp),
					 1924</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Saint-Sa&#x00EB;ns, Camille</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">266.9</container> 
				  <unittitle> 
					 <title render="italic">Antigone</title>, 2 signed excerpts, 1p
					 each, 1893. From incidental music for Meurice and Vacquerie's adaptation of
					 Sophocles' drama.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">22.4</container> 
				  <unittitle> 
					 <title render="italic">H&#x00E9;l&#x00E8;ne</title>, dernier
					 tableau, signed manuscript excerpt, 1p, nd. In a notebook collection of
					 autographs, letters, poems, etc. by Mme. Adolph van Bever.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">bv15</container> 
				  <unittitle> 
					 <title render="italic">La nuit</title>, op. 114, signed
					 manuscript score for voice, chorus, and orchestra, 43pp bound, March
					 1900</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.9</container> 
				  <unittitle> 
					 <title>Septuor</title>, op. 65, transcribed for piano, 4 hands
					 by Gabriel Faur&#x00E9;, manuscript score with revisions, 40pp, nd. Cartoons
					 and caricatures of Saint-Sa&#x00EB;ns by Faur&#x00E9; in score. Composed by
					 Saint-Sa&#x00EB;ns in 1881.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">297.10</container> 
				  <unittitle> 
					 <title render="italic">Suite alg&#x00E9;rienne</title>, op. 60,
					 transcribed for piano, 4 hands by Faur&#x00E9;, manuscript score with
					 revisions, 45pp, nd. Composed by Saint-Sa&#x00EB;ns in 1880.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Satie, Erik</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">270.7</container> 
				  <unittitle> 
					 <title render="italic">Parade: </title> 
					 <title render="doublequote">Pr&#x00E9;lude du rideau rouge
						(Hommage &#x00E0; Picasso),</title> manuscript close score for
					 unidentified instruments in hand of Valentine Hugo, 3pp, nd. Includes typed
					 unsigned note about work's origins.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">bv16</container> 
				  <unittitle> 
					 <title render="italic">Rel&#x00E2;che</title>, manuscript score
					 for orchestra, 56pp bound, Nov. 1924. Score for the silent film 
					 <title render="italic">Entr'acte </title>by Ren&#x00E9; Clair,
					 which was shown between acts of the ballet 
					 <title render="italic">Rel&#x00E2;che </title>(scenario and
					 decor by Francis Picabia, choreography by Jean B&#x00E0;&#x00B6;rlin, music by
					 Satie, staged by the Ballets Su&#x00E9;dois at the Th&#x00E9;&#x00E2;tre des
					 Champs-&#x00C9;lys&#x00E9;es on Nov. 29, 1924)</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Sauguet, Henri</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 78</container> 
				  <unittitle> 
					 <title render="doublequote">Au pays,</title> manuscript score
					 for voice and piano, 4pp, 1961. Included with this: Jean Follain, 
					 <title render="doublequote">Au Pays,</title> signed handwritten
					 fair copy of poem, 1p, nd.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 79</container> 
				  <unittitle>Untitled song, "Son costume ordonn&#x00E9; par
					 elle...," signed manuscript score for voice and piano, 6pp (with incomplete 2p
					 draft), Feb. 1947</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Schmitt, Florent</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 80</container> 
				  <unittitle> 
					 <title render="doublequote">Le marriage de la poup&#x00E9;e
						Berthe,</title> manuscript score for piano, 4 hands inscribed to Georges
					 Jean-Aubry, 4pp, 1917</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 59</container> 
				  <unittitle> 
					 <title render="italic">Sonate libre en deux parties
						encha&#x00EE;n&#x00E9;s</title>, manuscript score for violin and piano, 2pp on
					 1 leaf, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Schubert, Franz</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 81</container> 
				  <unittitle>Two songs, 2 manuscript scores for voice and piano,
					 2pp on 1 leaf, nd. Text by Ludwig Theobul Kosegarten, annotations by Johann
					 Wolf. Songs: 
					 <title render="doublequote">Von Ida</title> (D. 228) and 
					 <title render="doublequote">Erinnerung</title> (D. 229).
					 </unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Schumann, Robert</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 61</container> 
				  <unittitle> 
					 <title render="italic">[Etudes symphoniques]</title>, op. 13,
					 early version titled 
					 <title render="doublequote">Fantaisies et finale,</title>
					 photostat of 18pp of manuscript music for piano, Jan. 18, 1835. Original
					 manuscript housed at the Bilioth&#x00E8;que du Mus&#x00E9;e Royale de
					 Mariemont, Morlanwelz-Mariemont, Belgium.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Scotto, Vincent</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">271.5</container> 
				  <unittitle> 
					 <title render="doublequote">Ce soir mon amour,</title> signed
					 manuscript score for voice and piano, 2pp, April 1928. From the operetta 
					 <title render="italic">Violettes
						imp&#x00E9;riales.</title></unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Sering&#x00E8;s, Charles</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 82</container> 
				  <unittitle> 
					 <title render="italic">Pr&#x00E9;lude au jugement
						dernier</title>, manuscript score for orchestra, 22pp, nd. Copy by
					 Naudin.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Simon, C. P.</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 83</container> 
				  <unittitle> 
					 <title render="italic">L'aum&#x00F4;ne de Don Juan</title>,
					 composite manuscript and facsimile score for violin and piano with revisions
					 and notes, 118pp, nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Stravinsky, Igor</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">281.14</container> 
				  <unittitle> 
					 <title>Grande valse brilliante in Eb</title>, op. 18, by
					 Fr&#x00E9;d&#x00E9;ric Chopin, orchestrated by Stravinsky for 
					 <title render="italic">Les Sylphides</title> (Ballets Russes,
					 1909), signed manuscript score for orchestra, March 31, 1909. With extensive
					 reworkings and conducting annotations (unidentified conductors). Stamp of Serge
					 Lifar.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Terrasse, Claude</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 52</container> 
				  <unittitle> 
					 <title render="doublequote">Par la taille,</title> manuscript
					 score for voices and piano, 50pp, Jan. 1899. Text by Alfred Jarry.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Thomson, Virgil</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">274.1</container> 
				  <unittitle> 
					 <title render="doublequote">Georges Hugnet: Po&#x00E8;te et
						homme de lettres,</title> 2pp of manuscript music for violin, signed, Oct. 14,
					 1928. With ink and wash illustration on cover by Maurice Grosser.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Turner, Frank</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">286.1</container> 
				  <unittitle> 
					 <title render="italic">12 pr&#x00E9;ludes pour piano</title>,
					 27pp of manuscript music for piano, signed, May 27, 1929</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Verdi, Giuseppe</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">289.8</container> 
				  <unittitle> 
					 <title render="italic">Alzira</title>, draft of the Act I scena
					 e duetto, 
					 <title render="doublequote">Anima mia ... Qual mai
						prodigio,</title> incomplete manuscript score for voice and keyboard, 2pp,
					 nd</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Weber, Carl Maria von</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 86</container> 
				  <unittitle>Musical phrases and workings, manuscript score for
					 voice and piano, 2pp on 1 leaf, nd. Musical ideas for 5 lieder, two from op.
					 64, one from op. 65, one from op. 54 (J. 231, J. 208, J. 235, J. 249, and J.
					 238), 1817-1818.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Weingartner, Felix</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">293.1</container> 
				  <unittitle>Untitled, 1p musical fragment enclosed in letter to
					 S&#x00E0;&#x00A1;ndor Forb&#x00E0;&#x00A1;at, 1936</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Widor, Charles Marie</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">293.2</container> 
				  <unittitle>Untitled, 1p signed musical fragment in letter to
					 Ninette P&#x00E9;uin, 1903</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Wi&#x00E9;ner, Jean</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">293.5</container> 
				  <unittitle> 
					 <title render="doublequote">Air d'Oph&#x00E9;lie
						(Blues),</title> signed manuscript score for voice and piano, 5pp, April
					 1925</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		</c01> 
		<c01 level="series"> 
		  <did> 
			 <unittitle>Series II. Printed Music, </unittitle> 
			 <unitdate>1920-1987</unitdate> 
		  </did> 
		  <c02> 
			 <did> 
				<unittitle>Auric, Georges</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 6</container> 
				  <unittitle> 
					 <title>Sonatine, </title>11pp of music for piano. Paris:
					 Rouart, Lerolle &amp; Cie., 1923. Inscribed to Georges Jean-Aubry.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Bassiak, Boris</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">219.8</container> 
				  <unittitle> 
					 <title render="doublequote">Le Tourbillon,</title> score for
					 voice and piano, 4pp. Paris: Tutti, 1962. From the film version of 
					 <title render="italic">Jules et Jim</title>.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Brassens, Georges</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.2</container> 
				  <unittitle> 
					 <title render="doublequote">Si le bon dieu l'avait
						voulu,</title> score for voice and piano, 3 pp, Paris: Editions Musicales,
					 1961. Text by Paul Fort.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Bryars, Gavin</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">60.8</container> 
				  <unittitle> 
					 <title render="doublequote">Pr&#x00E9;lude &#x00E0; la
						Rrose (quoi?): <emph render="singlequote">Sot ne rit de la Rrose,
						croit,</emph></title> original version for 2 pianos and marimba and
					 orchestrated version. S.l.: s.n., 1987. Part of collection of
					 Duchampiana.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Dor&#x00E9;, Ernest</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">57.1</container> 
				  <unittitle> 
					 <title render="doublequote">Dormeuse,</title> score fragment
					 for voice and piano, 1p. Paris: Pacini, nd. Text by Marceline
					 Desbordes-Valmore.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Duchambge, Pauline</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">57.1</container> 
				  <unittitle> 
					 <title render="doublequote">Les ailes d'ange,</title> score for
					 voice and piano, 2pp. S.l.: s.n., nd. Text by Marceline
					 Desbordes-Valmore.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Honegger, Arthur</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.2</container> 
				  <unittitle> 
					 <title render="italic">Trois po&#x00E8;mes</title>, score for
					 voice and piano, 8pp. Paris: Editions Maurice Senart, 1922. Text by Paul
					 Fort.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Jaques-Dalcroze, Emile</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.1</container> 
				  <unittitle> 
					 <title render="doublequote">Le coeur,</title> score for voice
					 and piano, 4 pp. Paris: Heugel, 1924. Text by Paul Fort, from the suite 
					 <title render="italic">Trois ballades
						fran&#x00E7;aises</title>.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Knapik, Harold</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">278.7</container> 
				  <unittitle> 
					 <title render="italic">Three Pieces for Solo Violin</title>,
					 5pp of music for violin. Mankato, MN: Andreas Foundation, 1960.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Lagoan&#x00E8;re, Chevalier</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">57.1</container> 
				  <unittitle> 
					 <title render="doublequote">Je prierai pour eux,</title> score
					 fragment for voice and piano, 1p. Paris: s.n., nd. Text by Marceline
					 Desbordes-Valmore.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Moran&#x00E7;on, Guy</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.1</container> 
				  <unittitle> 
					 <title render="doublequote">Deux chansons dans le vent,</title>
					 score for voice and piano, 2pp. S.l.: s.n., 1958. Text by Paul Fort, printed as
					 New Year's card for Moran&#x00E7;on.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Palix, Jean-Louis</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.1</container> 
				  <unittitle> 
					 <title render="doublequote">L'ecureuil,</title> score for voice
					 and piano, 2pp. Paris: Meridian, 1956. Text by Paul Fort, music by Michel Poggi
					 and Palix.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Parys, Georges van</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.2</container> 
				  <unittitle> 
					 <title render="doublequote">Si tous les gars du monde,</title>
					 2 scores for voice and piano, one with signed inscription to Paul Fort, 2pp.
					 Paris: Meridian, 1956. Text by Marcel Achard, music by Parys, based on work by
					 Paul Fort.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Poggi, Michel</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.1</container> 
				  <unittitle> 
					 <title render="doublequote">L'ecureuil,</title> score for voice
					 and piano, 2pp. Paris: Meridian, 1956. Text by Paul Fort, music by Poggi and
					 Jean-Louis Palix.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Rorem, Ned</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">279.6</container> 
				  <unittitle> 
					 <title render="doublequote">I Am Rose,</title> score for voice
					 and piano, 3pp. New York: Henmar Press, 1963. Text by Gertrude Stein, inscribed
					 to Alice B. Toklas.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Roussel, Albert</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Deux po&#x00E8;mes chinois</title>, op.
					 12, text by Henri Pierre Roch&#x00E9; after the English of Herbert
					 Giles</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">os folder 75</container> 
					 <unittitle>No. 1, 
						<title render="doublequote">A un jeune gentilhomme,</title> 2
						copies of score for voice and piano, 6pp. Paris: Alexis Rouart &amp; Cie,
						nd.</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">os folder 75</container> 
					 <unittitle>No. 2, 
						<title render="doublequote">Amoureux
						  s&#x00E9;par&#x00E9;s,</title> score for voice and piano, 7pp. Paris: Rouart,
						Lerolle &amp; Cie, nd.</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <unittitle> 
					 <title render="italic">Deux po&#x00E8;mes chinois</title>, op.
					 35, text by Henri Pierre Roch&#x00E9; after the English of Herbert
					 Giles</unittitle> 
				</did> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">os folder 75</container> 
					 <unittitle>No. 1, 
						<title render="doublequote">Des fleurs font une
						  broderie...,</title> 2 copies of score for voice and piano, 5pp. Paris: A.
						Durand &amp; Fils, 1927.</unittitle> 
				  </did> 
				</c04> 
				<c04> 
				  <did> 
					 <container type="Box-Folder">os folder 75</container> 
					 <unittitle>No. 2, 
						<title render="doublequote">R&#x00E9;ponse d'une
						  &#x00E9;pouse sage...,</title> 2 copies of score for voice and piano, 4pp.
						Paris: A. Durand &amp; Fils, 1927.</unittitle> 
				  </did> 
				</c04> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 75</container> 
				  <unittitle> 
					 <title render="italic">Deux po&#x00E8;mes chinois</title>, op.
					 47, 2 copies of score for voice and piano, 4pp. Paris: Durand &amp; Cie, 1934.
					 No. 1, 
					 <title render="doublequote">Favorite abandonn&#x00E9;e</title>;
					 no. 2, 
					 <title render="doublequote">Vois, de belles filles.</title>
					 Text by Henri-Pierre Roch&#x00E9; after the English of Herbert
					 Giles.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Schmitt, Florent</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 80</container> 
				  <unittitle> 
					 <title render="italic">Antoine et
						Cl&#x00E9;op&#x00E2;tre</title>, op. 69, 
					 <title render="doublequote">Prologue du VIe acte: Mort de
						Cl&#x00E9;op&#x00E2;tre,</title> 8pp of music for piano. Paris: Durand &amp;
					 Cie, 1920. Inscribed to Georges Jean-Aubry.</unittitle> 
				</did> 
			 </c03> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">os folder 80</container> 
				  <unittitle> 
					 <title render="italic">Musiques intimes</title>, 17pp of music
					 for piano. Paris: A. Z. Mathot, nd.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Teilliere, Claude</unittitle> 
			 </did> 
			 <c03> 
				<did> 
				  <container type="Box-Folder">298.2</container> 
				  <unittitle> 
					 <title render="doublequote">La ronde autour du monde,</title>
					 facsimile score for voice and piano, 1p. S.l.: s.n., nd. Text by Paul
					 Fort.</unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		</c01></dsc> 
  </archdesc></ead>
