TABLE OF CONTENTS
Scope and Contents
Restrictions
Administrative Information
Description of Series
I. Works
II. Career-Related and Personal
III. Works of Others
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Terrence McNally:
A Preliminary Inventory of His Papers at the Harry Ransom Humanities
Research Center
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Creator: |
McNally, Terrence, 1939- |
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Title: |
Terrence McNally Papers |
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Dates: |
1950s-2002 |
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Abstract: |
The papers, which document McNally's career as a
dramatist, include all of his major works for stage, screen, and television, as well
as correspondence, posters, production photographs, programs, and reviews. Articles
by and about McNally, awards, and photographs are present in the papers. His public
appearances, which include benefit performances, conferences, lectures, speeches,
tributes, and memorials, are also represented. |
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Extent: |
60 boxes, 2 oversize boxes, 2 oversize
folders (26.8 linear feet) |
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Repository: |
Harry Ransom Humanities Research Center, University of
Texas at Austin |
This collection of Terrence McNally's papers includes all his major works for stage,
screen, and television, as well as unproduced works, correspondence, and
career-related material. McNally's achievements include numerous plays, operas, and
musicals such as Corpus Christi; Dead Man Walking; Frankie and
Johnny in the Clair de Lune; The Full
Monty; Kiss of the Spider Woman; Lips Together, Teeth Apart; The
Lisbon Traviata; Love! Valour!
Compassion!; Master Class; A Perfect Ganesh; Ragtime; The Rink; The Ritz; and The Visit. His
collaborations with John Kander, Fred Ebb, and Jake Heggie, as well as his long-time
association with the Manhattan Theatre Club, have been particularly productive and
rewarding. Early in his career he was the recipient of two Guggenheim fellowships,
followed by numerous awards, including four Tony Awards, an Emmy Award for "Andre's Mother," and Drama Desk and Lucille Lortel
Awards, among others. McNally's generous gift of his papers to the Ransom Center
incorporates material previously held at the Wisconsin Historical Society. In all,
the collection dates from McNally's high school years through the present.
The collection is organized in three series: I. Works; II. Career-Related and
Personal; and III. Works of Others.
The works in Series I are arranged alphabetically by title. Unless described
otherwise, the works are stage plays. Within titles, scripts are presented in order
of creation, followed by correspondence, posters, production photographs, programs,
and reviews. Translations and international productions are grouped separately,
under each title.
The Career-Related and Personal material in Series II includes articles by and about
McNally, awards, correspondence, interviews, papers and notes from high school and
college years, and photographs, including an early series by Richard Avendon.
Correspondence is arranged chronologically from 1955-2002. McNally's many public
appearances, including benefit performances, conferences, lectures, speeches,
tributes, and memorials, are also well-represented. His love of the opera is
reflected in the opera-related projects and writings including his long-standing
participation in the Metropolitan Opera Radio Network's "Opera News on the Air," as well as articles written on the subject.
Series III contains articles and programs collected by McNally but not directly
related to his work, as well as writings by Tom Bywaters, Steven Lyons, and Royce
Ryton.
Numerous books, serials, audio tapes, videos, compact discs, and memorabilia received
with the papers have been transferred to appropriate departments within the Ransom
Center.
Return to the Table of Contents
Access:
Open for research
Return to the Table of Contents
Gifts, 1999-2003 (Gift no. 11458, 11513, 11686, 11870, 12188)
Liz Murray, Emily Barker, Sean Castilla, 2003
Return to the Table of Contents
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I. Works |
| Box |
Folder |
| 1 |
1 |
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All Together Now, script drafts with
notes, n.d. |
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And Things That Go Bump in the Night |
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Early versions, variant titles |
| Box |
Folder |
| 1 |
2 |
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"Mmm!" |
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3 |
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"There Is Something Out There" |
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4-7 |
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Scripts |
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8 |
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Broadway production script, annotated |
| Box |
Folder |
| 2 |
1 |
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Minneapolis production, 1964, reviews and associated
material |
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2 |
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Broadway, Royale Theatre production, 1965, opening night
telegrams and correspondence |
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3 |
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Articles about |
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Andre's Mother, teleplay, American
Playhouse, 1989 |
| Box |
Folder |
| 2 |
4 |
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Script, first draft, Jan. 22,
1989 |
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5 |
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Correspondence and reviews |
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6 |
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Apple Pie (three one-act plays for
television: "Tour,""Next," and "Botticelli"), 1968, correspondence,
production photographs, and reviews |
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Bad Habits |
| Box |
Folder |
| 2 |
7-10 |
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Scripts, "Dunelawn" and
"Ravenswood" |
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11 |
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Rewrite during Manhattan Theatre Club rehearsals,
March 1990 |
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12 |
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Production photographs, Booth Theater,
1974 |
| Box |
Folder |
| 3 |
1 |
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Programs, reviews, and related material |
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2 |
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Television treatments |
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3 |
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"Ravenswood," teleplay, first
draft, 1979 |
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4-5 |
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Banana Peels, screenplay, drafts,
1990 |
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6 |
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Better and Worse, television
pilot |
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Bingo!, musical |
| Box |
Folder |
| 3 |
7 |
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Scene outline, lyrics, "Blanco!" script, holograph notes |
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8-9 |
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Scripts, 1987 |
| Box |
Folder |
| 4 |
1 |
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Scripts, cont'd |
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2 |
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Boo!, film outline |
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3-4 |
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Botticelli, teleplay script and play
reviews, 1969 |
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Broadway, Broadway (originally Bye Bye Broadway) |
| Box |
Folder |
| 4 |
5-9 |
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Scripts |
| Box |
Folder |
| 5 |
1-3 |
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Scripts, cont'd |
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4 |
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Programs and reviews, 1978 |
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By the Sea, By the Sea, By the Beautiful Sea
(Dusk) |
| Box |
Folder |
| 5 |
5-8 |
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Scripts, 1995-96 |
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9 |
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Reviews and programs, Bay Street Theatre and Manhattan
Theatre Club, 1995-96 |
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Central Park (The Food of Love), opera
with Robert Beaser |
| Box |
Folder |
| 6 |
1 |
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Script and score, 1999 |
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2-3 |
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Programs and reviews |
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4 |
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Unused libretto for composer Aaron Jay Kernis,
1998 |
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Common Ground ( Mr. Roberts), teleplay |
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Scripts |
| Box |
Folder |
| 6 |
5 |
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First draft, Jan. 1999 |
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6 |
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Edited pages, April 1999 |
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7 |
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Third draft, May 1999 |
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8 |
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Advertising with cast list, SHOWTIME premiere, Jan.
2000 |
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Corpus Christi |
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Scripts |
| Box |
Folder |
| 6 |
9 |
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First draft, Labor Day, 1997 |
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10 |
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"Original," Sept. 1997 |
| Box |
Folder |
| 7 |
1 |
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First revision |
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2 |
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Undated, uncorrected draft |
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3 |
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North Carolina School of the Arts (NCSA), draft,
Dec. 1997 |
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4 |
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Rehearsal script, mid-way, McNally's copy |
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5 |
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Manhattan Theatre Club, spring 1998 draft |
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6 |
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Grove Press proofs, 1998 |
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7 |
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German published edition, 1999 |
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8 |
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Correspondence, 1998 |
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9 |
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Reviews and general articles, various performances [oversize
removed to Box 61] |
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10 |
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Bailiwick Arts Center, Chicago, 2001 |
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Manhattan Theatre Club, 1998 |
| Box |
Folder |
| 7 |
11 |
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Production photographs |
| Box |
Folder |
| 8 |
1 |
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Programs |
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2-3 |
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Reviews |
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4 |
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New Conservatory Theatre Center, San Francisco,
2000 |
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5-6 |
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International productions |
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Cuba Si |
| Box |
Folder |
| 8 |
7 |
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Script |
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8 |
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Reviews, 1968 |
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9 |
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Screenplay |
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Dead Man Walking, opera |
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San Francisco Opera |
| Box |
Folder |
| 8 |
10 |
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Vocal/piano score, n.d. |
| Box |
Folder |
| 9 |
1 |
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Vocal/piano score, Nov.
1999 |
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2 |
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Script, revised 3/13/00 |
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3 |
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Photographs, McNally at reception; with Jake Hegge and
Sister Helen Prejean |
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4-7 |
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Programs and reviews |
| Box |
Folder |
| 10 |
1 |
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Reviews and articles |
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2 |
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Programs and reviews, various performances |
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3 |
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New York City Opera, 2002 |
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4 |
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International productions |
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5 |
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The Education of Young Harry Bellair,
Esq. or The Way of the World,
pilot script, [also
includes "Teacher's Break," pilot
script, copy, revised 8/2/84] 1983-84 |
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6-7 |
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Faith, Hope & Charity, "Hope" scripts, programs, and reviews,
1988 |
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8 |
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The Five Forty Eight, teleplay based on
the story by John Cheever, script, revised July
1979 |
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Frankie and Johnny in the Clair de Lune |
| Box |
Folder |
| 11 |
1-3 |
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First drafts, Nov.-Dec.
1986 |
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4-7 |
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Second drafts, Feb.-May
1987 |
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8-9 |
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Production drafts, 1987 |
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Translations |
| Box |
Folder |
| 11 |
10 |
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Danish, 1988 |
| Box |
Folder |
| 12 |
1 |
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French, 1991 |
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2 |
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Italian |
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3 |
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Japanese |
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4 |
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Romanian, 1997 |
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5 |
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Spanish |
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6 |
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Correspondence |
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Posters [removed to oversize folder] |
| Box |
Folder |
| 12 |
7-8 |
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Programs and reviews, various performances |
| Box |
Folder |
| 13 |
1 |
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Belasco Theater, New York, 2002 |
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2 |
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Boston Post Road Stage Company, 1990 |
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3-6 |
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Manhattan Theater Club/Westside Arts Theater
(Bates/Welsh), 1987-89 |
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7 |
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Mark Taper Forum, Los Angeles, 1988 |
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8 |
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Syracuse Stage, 1988 |
| Box |
Folder |
| 14 |
1 |
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Westside Arts Theater, New York (Weitz/Kane),
1988 |
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2 |
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International productions |
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3 |
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Comedy Theatre, London, 1989 |
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4 |
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Ittre, Belgium, 1990 |
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Screenplay |
| Box |
Folder |
| 14 |
5 |
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Rough treatment, May
1989 |
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6 |
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First draft, March 1990 |
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7-8 |
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Revision, June-July
1990 |
| Box |
Folder |
| 15 |
1-2 |
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Revised first drafts, Sept.
1990-Feb. 1991 |
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3 |
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Pacino rewrites, Oct.
1990 |
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4 |
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Shooting script, Jan.
1991 |
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5 |
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Rewrites, Feb.-March
1991 |
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6 |
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Casting |
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7 |
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Shooting schedule |
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8 |
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Draft press kit |
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9-10 |
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Publicity, correspondence, and reviews |
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The Full Monty, musical |
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Scripts |
| Box |
Folder |
| 16 |
1-2 |
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First drafts, with correspondence |
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3-4 |
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New York City Workshop draft and final, Feb.
2000 |
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5 |
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San Diego rehearsal script, April
2000 |
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6-7 |
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Revisions, post opening night, June
2000 |
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8 |
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Rewrites |
| Box |
Folder |
| 17 |
1-2 |
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Articles and reviews, 2001-02 |
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3 |
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Programs, various performances |
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4 |
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International programs and reviews |
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5-6 |
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Goin' to the Chapel, screenplay,
1986 |
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Here's Where I Belong, musical based on
Steinbeck's East of Eden |
| Box |
Folder |
| 17 |
7 |
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Script |
| Box |
Folder |
| 18 |
1-2 |
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Programs, reviews, and sheet music,
1968 |
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3 |
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Honkytonk, musical film, story outline
and songs |
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4 |
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House, written with Jon Robin Baitz, play
reviews |
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5 |
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Iris and Luigi Meet the Wolfman,
screenplay, revised first draft, 1980 |
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It's Only a Play (originally Broadway, Broadway) |
| Box |
Folder |
| 18 |
6 |
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Script |
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7 |
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Programs and reviews |
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8 |
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Manhattan Theatre Club, 1986 |
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9 |
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UCLA Doolittle Theatre, 1992 |
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10 |
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"Ken," short story |
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Kiss of the Spider Woman,
musical |
| Box |
Folder |
| 19 |
1-6 |
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First draft and revisions, 1988-89 |
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7-9 |
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Rehearsal version, SUNY Purchase,
1990 |
| Box |
Folder |
| 20 |
1-8 |
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Scripts and rewrites, 1990-1993 |
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9 |
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Proofs, Samuel French edition,
1996 |
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10 |
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Correspondence, 1990-95 |
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Poster, Broadhurst Theatre, signed by cast [removed to
oversize folder] |
| Box |
Folder |
| 21 |
1 |
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Programs and reviews, various performances |
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2 |
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Broadhurst Theatre, New York, 1992 |
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3 |
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SUNY Purchase, 1990 |
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4 |
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International productions |
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5 |
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London, 1992 |
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6 |
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Toronto, 1992 |
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7 |
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The Lady of the Camellias, adapted from
the novel by Alexandre Dumas, program and reviews |
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8 |
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Last Gasps, teleplay, script,
1969 |
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9-10 |
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The Last Mile, teleplay, scripts, notes,
working papers, and reviews, 1992 |
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11 |
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Let it Bleed, scripts and
program |
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Lips Together, Teeth Apart |
| Box |
Folder |
| 22 |
1-6 |
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Scripts, various drafts,
1991 |
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7 |
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Published version, setting copy, NAL/Dutton,
1992 |
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Translations |
| Box |
Folder |
| 23 |
1 |
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French |
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2 |
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German, 1992 |
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3 |
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Italian, 1993 |
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4 |
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Correspondence, 1991-93 |
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Posters [removed to oversize folder] |
| Box |
Folder |
| 23 |
5-6 |
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Programs and reviews, various performances [oversize removed
to Box 61] |
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7 |
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Alley Theatre, 1993 |
| Box |
Folder |
| 24 |
1-2 |
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Manhattan Theatre Club, 1991 |
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3 |
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Market Theatre, Albany, New York,
1992 |
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4 |
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Theatre in the Square, Marietta, Georgia,
1993 |
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5 |
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International productions |
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The Lisbon Traviata |
| Box |
Folder |
| 24 |
6 |
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Notes and script fragments |
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Scripts |
| Box |
Folder |
| 24 |
7 |
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Undated early version |
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8 |
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Original typescript |
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9-11 |
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Revision, May-June
1985 |
| Box |
Folder |
| 25 |
1-2 |
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Revision, cont'd May-June
1985, |
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Manhattan Theatre Club |
| Box |
Folder |
| 25 |
3 |
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Rehearsal draft, spring
1989 |
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4-7 |
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Revisions: 4/24, 5/17 and
6/2/89 |
| Box |
Folder |
| 26 |
1-2 |
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Revisions, cont'd: 6/15 and
6/30/89 |
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3-6 |
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Mark Taper Forum, Los Angeles, 9/4-11/8/90 |
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7 |
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Published "final" version |
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Translations |
| Box |
Folder |
| 27 |
1 |
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French |
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2 |
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German |
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3 |
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Italian |
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4 |
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Swedish |
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5 |
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Programs and reviews, various performances |
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6 |
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Bailiwick Repertory, Chicago, 1991 |
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7-8 |
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Manhattan Theatre Club, 1989 |
| Box |
Folder |
| 28 |
1 |
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Manhattan Theatre Club, cont'd |
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2 |
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Marines Memorial Theater, San Francisco,
1990 |
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3 |
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Mark Taper Forum, Los Angeles, 1990 |
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4 |
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Theatre Off Park, New York, 1985 |
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5-8 |
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International productions |
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Love! Valour! Compassion! |
| Box |
Folder |
| 28 |
9 |
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Research and notes |
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10 |
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Preliminary draft |
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Scripts |
| Box |
Folder |
| 28 |
11 |
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First draft, Dec. 1993 |
| Box |
Folder |
| 29 |
1-6 |
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Revisions, March-Aug.
1994 |
| Box |
Folder |
| 30 |
1-2 |
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Revisions, Sept.-Oct.
1994 |
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3 |
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Pre-Broadway production |
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4 |
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Translations, French and Spanish |
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5 |
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First night correspondence, Manhattan Theatre
Club |
| Box |
Folder |
| 31 |
1-2 |
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Reviews and programs, various performances |
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3-6 |
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Walter Kerr Theatre, New York, 1995 |
| Box |
Folder |
| 32 |
1-2 |
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International productions |
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3-5 |
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Film version, reviews |
| Box |
Folder |
| 33 |
1-3 |
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Mama Malone, scripts for television
pilot, 1982 |
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A Man of No Importance,
musical |
| Box |
Folder |
| 33 |
4-8 |
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Scripts, June 2000-Aug.
2002 |
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9 |
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Programs, Lincoln Center Theater at the Newhouse,
2002 |
| Box |
Folder |
| 34 |
1 |
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Man to Man, preliminary script,
1984 |
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Master Class |
| Box |
Folder |
| 34 |
2-4 |
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Scripts, 1995 |
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Translations, 1996 |
| Box |
Folder |
| 34 |
5-7 |
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French |
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8 |
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Italian |
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9 |
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Japanese |
| Box |
Folder |
| 35 |
1 |
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Correspondence, 1995-96 |
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Posters [removed to oversize folder] |
| Box |
Folder |
| 35 |
2 |
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Production photographs, various performances |
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3-5 |
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Programs and reviews [oversize removed to Box 61] |
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6 |
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Golden Theatre, New York, 1995 |
| Box |
Folder |
| 36 |
1 |
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Mark Taper Forum, Los Angeles, 1995 |
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2 |
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Plays and Players Theatre, Philadelphia,
1996 |
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3-4 |
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Stage Theatre, Denver, 1999 |
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5-7 |
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International productions, various |
| Box |
Folder |
| 37 |
1 |
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International productions, cont'd |
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2 |
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Australia |
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3 |
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Canada |
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4 |
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France |
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5 |
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Germany |
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6 |
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Italy |
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7 |
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Book version, publicity |
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8 |
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Screenplay by Leonard Foglia, fourth draft,
1998 |
| Box |
Folder |
| 38 |
1 |
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McNally's Talleys, script for Circle
Repertory Company benefit |
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2 |
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Musicals, untitled, with Skip Kennon [?], drafts of
scripts |
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3 |
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Native Tomatoes/Local Peaches, television
comedy pilot, 1988 |
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Next |
| Box |
Folder |
| 38 |
4 |
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Scripts |
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5-6 |
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Programs and reviews, various performances |
|
7 |
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Berkshire Theatre Festival, with production photographs,
1968 |
|
8 |
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Television pilot, final draft,
1976 |
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Noon |
| Box |
Folder |
| 38 |
9 |
|
|
Scripts |
|
10 |
|
|
Programs and reviews for "Morning,
Noon, and Night," 1968-69 |
|
11-12 |
|
|
Screenplay, first draft including
early treatment "Juicy," 1970,n.d. |
| Box |
Folder |
| 39 |
1 |
|
Pal Joey, musical concert adaptation,
programs and reviews, 1995-98 |
|
2-3 |
|
Paying Up, script collaboration,
1993 |
|
|
|
A Perfect Ganesh |
| Box |
Folder |
| 39 |
4-8 |
|
|
Scripts, 1992-93 |
| Box |
Folder |
| 40 |
1 |
|
|
Fragments |
|
2 |
|
|
Spanish translation |
|
3 |
|
|
Correspondence, 1993-98 |
|
4-5 |
|
|
Programs and reviews |
|
6 |
|
|
|
International productions |
|
7 |
|
|
Screenplay, first draft,
1996 |
|
8 |
|
Plaisir d'Amour, scripts and program for
benefit |
|
9 |
|
The Play of Malcome, script based on
James Purdy's novel, 1964 |
| Box |
Folder |
| 41 |
1-2 |
|
Positively 10th Street, television pilot
drafts, 1978-79 |
|
3 |
|
Prelude and Liebestod, notes, programs,
reviews, 1987-89 |
|
4 |
|
Prelude, Fugues, & Rifts, script,
programs, and reviews, 1991 |
|
5-8 |
|
Puccini, screenplay drafts, 1986-97 |
|
|
|
Ragtime, musical |
|
|
|
|
Scripts |
| Box |
Folder |
| 41 |
9 |
|
|
|
1994 |
| Box |
Folder |
| 42 |
1-4 |
|
|
|
1995 |
|
5-7 |
|
|
|
1996 |
| Box |
Folder |
| 43 |
1-3 |
|
|
|
1997-98 |
|
4 |
|
|
Correspondence, 1996-98 |
|
5 |
|
|
Production photographs |
|
6 |
|
|
Programs and reviews, various performances [oversize removed
to Box 61] |
|
7-8 |
|
|
|
Ford Center for the Performing Arts, New York, 1996-98 |
| Box |
Folder |
| 44 |
1-2 |
|
|
|
Shubert Theatre, Los Angeles, 1997 |
|
3 |
|
|
Livent promotional materials |
|
|
|
The Rink, musical |
| Box |
Folder |
| 44 |
4-8 |
|
|
Scripts and rewrites, 1983-95 |
|
9 |
|
|
Correspondence, 1983-84 |
| Box |
Folder |
| 45 |
1 |
|
|
Programs and reviews, various performances, 1988-96 |
|
2 |
|
|
|
Martin Beck Theatre, New York, 1984 |
|
3 |
|
|
|
International productions |
|
4 |
|
|
|
|
Cambridge Theatre, London, 1988 |
|
|
|
The Ritz (originally The Tubs) |
| Box |
Folder |
| 45 |
5-7 |
|
|
Scripts for The Tubs,
n.d. |
| Box |
Folder |
| 46 |
1-6 |
|
|
Scripts, cont'd, 1974 |
| Box |
Folder |
| 47 |
1-2 |
|
|
Scripts, cont'd |
|
3 |
|
|
Programs, reviews, and production photographs for The Tubs, Yale Repertory Theatre,
1974 |
|
4-7 |
|
|
Scripts and revisions for The
Ritz, 1974-75 |
| Box |
Folder |
| 48 |
1 |
|
|
Programs and reviews, various performances, 1974-97 |
|
2 |
|
|
Screenplay, second draft,
1976 |
|
3 |
|
|
Film reviews |
|
4 |
|
The Roller Coaster, script,
1960 |
|
5 |
|
Sam Found Out or the Queen of Mabababwe,
teleplay written with Wendy Wasserstein, scripts and reviews,
1988 |
|
6 |
|
Sand between the Sheets, teleplay, first
draft, 1991 |
|
7 |
|
Sex and Love, programs and reviews,
Caracas, poster removed to oversize file
folder 2000; |
|
8 |
|
Some Christmas Letters, text and
programs, benefit concert 1999 |
|
9 |
|
Some Easter, play for Circle Repertory
gala, script and programs 1987 |
|
|
|
Sweet Eros and Witness |
| Box |
Folder |
| 48 |
10-13 |
|
|
Scripts |
|
14 |
|
|
Production photographs |
| Box |
Folder |
| 49 |
1 |
|
|
Reviews, 1968-69 |
|
2 |
|
|
Screenplay, first draft |
|
3 |
|
Television script ideas |
|
4 |
|
Terrence McNally: Five Short Plays,
program and reviews, 1996 |
|
5 |
|
This Side of the Door, script,
1963 |
|
6 |
|
Time Framed (2:00 PM), script for The
First Annual Playwrights Support Fund Benefit, May 9,
1983 |
|
7 |
|
Tour in " Collision Course," scripts and reviews,
1968 |
|
8 |
|
Trying Times II: L/S/M/F/T, teleplay
scripts, 1989 |
|
9-10 |
|
XXIII Skidoo, scripts,
1983 |
|
11 |
|
Two-Thousand Sixty-Eight, play for Circle
Repertory Company's 20th anniversary benefit,
script and program 1988, |
|
12 |
|
"Untitled" corrected playscript; notes
for plays |
|
|
|
Up in Saratoga |
| Box |
Folder |
| 49 |
13-14 |
|
|
Scripts, 1988 |
| Box |
Folder |
| 50 |
1-2 |
|
|
Scripts, cont'd, 1988-892 |
|
3 |
|
|
Programs and reviews, Old Globe Theatre, San Diego,
1989 |
|
4-5 |
|
Urban Blight, scripts, programs and
reviews, 1988 |
|
|
|
The Visit, musical |
| Box |
Folder |
| 50 |
6-9 |
|
|
Scripts, with Frank Galati's notes
and editing 1999, |
| Box |
Folder |
| 51 |
1-3 |
|
|
Scripts, cont'd, 2000 |
|
4 |
|
|
Correspondence, Angela Lansbury and Frank Galati |
|
5 |
|
|
Programs and reviews |
|
|
|
Where Has Tommy Flowers Gone? |
| Box |
Folder |
| 51 |
6-9 |
|
|
Scripts, 1969-70 |
| Box |
Folder |
| 52 |
1-3 |
|
|
Scripts, cont'd |
|
4 |
|
|
Programs and reviews, 1971 |
|
5 |
|
|
|
Yale Repertory Theatre |
|
6 |
|
|
|
New York, various venues |
|
|
|
Whiskey |
| Box |
Folder |
| 52 |
7 |
|
|
Scripts |
|
8 |
|
|
Production photographs |
|
9 |
|
|
Programs and reviews, 1973 |
|
10 |
|
The Wibbly, Wobbly, Wiggly Dance that Cleopatra
Did, scripts and program,
1993 |
|
11 |
|
Women's Rites, script,
1967 |
|
12 |
|
You and Hugh ( "Hugh and Son"), libretto and program,
1994 |
|
|
|
Collected plays, publicity and reviews |
| Box |
Folder |
| 53 |
1 |
|
|
Collected Plays: Volume II,
1996 |
|
2 |
|
|
15 Short Plays,
1994 |
|
3-4 |
|
|
Three Plays, with setting copy,
1990 |
|
5 |
|
|
Reviews, various titles |
Return to the Table of Contents
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
II. Career-Related and Personal |
| Box |
Folder |
| 53 |
6-8 |
|
Articles about McNally |
| Box |
Folder |
| 54 |
1 |
|
Articles by McNally |
|
|
|
Awards |
|
|
|
|
By play title |
| Box |
Folder |
| 54 |
2 |
|
|
|
A-L |
|
3 |
|
|
|
M-V |
|
|
|
|
By year, playwright |
| Box |
Folder |
| 54 |
4 |
|
|
|
1985-93 |
|
5 |
|
|
|
1994-96 |
|
6-7 |
|
|
|
1998 |
|
8 |
|
|
|
1999-2001 |
|
|
|
|
Tony Awards |
| Box |
Folder |
| 55 |
1 |
|
|
|
Kiss of the Spider Woman 1993, |
|
1 |
|
|
|
Love! Valour! Compassion! 1995, |
|
2 |
|
|
|
Master Class 1996, |
|
3 |
|
|
|
Ragtime 1998, |
|
4 |
|
|
|
The Full Monty
(nominated) 2001, |
|
5-6 |
|
Benefits, 1987-2002 |
|
7 |
|
Career-related writings, primarily for publications |
|
8-9 |
|
|
"Letters from a Playwright,"New York Guide, May-Aug. 1979 |
| Box |
Folder |
| 56 |
1 |
|
Conferences and festivals, 1988-98 |
|
2 |
|
|
OPERA America's 24th annual conference,
including McNally's keynote
address 1994, |
|
3 |
|
|
William Inge Festival, 1994 |
|
|
|
Correspondence |
| Box |
Folder |
| 56 |
4 |
|
|
1955-68 |
|
5 |
|
|
1989-92 |
|
6 |
|
|
1993-97 |
|
7 |
|
|
1998 |
|
8 |
|
|
1999-2002 |
|
9 |
|
|
Undated |
| Box |
Folder |
| 57 |
1 |
|
Daybooks, blank |
|
2 |
|
The Dramatists Guild, 1985 |
|
3 |
|
Guggenheim Fellowships, 1966 and
1969 |
|
4-7 |
|
High school and college papers and writings |
| Box |
Folder |
| 58 |
1 |
|
|
College plays, programs, 1959-1960s |
|
2-3 |
|
Interviews |
|
4 |
|
Lectures and speeches |
|
5 |
|
|
Address to members of the League of American Theaters and
Producers, Toronto, 1991 |
|
6 |
|
|
Juilliard commencement, May 22,
1998 |
|
7 |
|
|
"The Faces of Love: An Evening of Songs
by Jake Heggie," narrated by McNally, Lincoln Center,
May 2000 |
|
8 |
|
Opera-related projects and writings |
|
9-12 |
|
|
Texaco-Metropolitan Opera Radio Network, "Opera News on the Air", 1981-92 |
| Box |
Folder |
| 59 |
1 |
|
|
|
1995-2000 |
|
2 |
|
|
Articles on opera in Horizon,
1985 |
|
3 |
|
|
"Wozzeck," for the Metropolitan
Opera Guild's Great Opera cassette series,
1989 |
|
4-5 |
|
Photographs, including Richard Avendon photos of McNally
[oversize removed to Box 62] |
|
6 |
|
|
McNally with President Bill Clinton at the White House,
1998 |
|
7-9 |
|
Tributes and memorials, including Jimmy Coco, Fred Ebb, Ruth
Goodman Goetz, John Kander, Jimmy Kirkwood, Angela Lansbury, Patricia
Brooks Mann, Leonard Melfi, and Chita Rivera |
Return to the Table of Contents
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
III. Works of Others |
| Box |
Folder |
| 60 |
1 |
|
Articles and clippings about others [oversize removed to Box
61] |
|
2-3 |
|
Bywaters, Tom. "Summer of 1991"
and "Summer of 1993" |
|
4 |
|
Lyons, Steven. "Cockroach
Infestation" |
|
5-6 |
|
Programs, various non-McNally performances |
|
7-9 |
|
Ryton, Royce. "The Unvarnished
Truth" |
| Box |
| 61-62 |
|
|
Oversize |
Return to the Table of Contents
|
