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<ead relatedencoding="MARC21"> 
	  <eadheader audience="internal" langencoding="ISO639-2b"> 
			 <eadid encodinganalog="852$a"
			  countrycode="US">urn:taro:utexas.hrc.000236</eadid> 
			 <filedesc> 
					<titlestmt> 
						  <titleproper>Anne Sexton: </titleproper> 
						  <subtitle>An Inventory of Her Art Collection at the Harry
								 Ransom Humanities Research Center</subtitle> 
					</titlestmt> 
			 </filedesc> 
			 <profiledesc> 
					<creation>Text converted by SPI Content Sciences Inc., 
						  <date>July 2003</date>.</creation> 
					<langusage>Finding aid written in
						  <language>English</language>.</langusage> 
			 </profiledesc> 
	  </eadheader> 
	  <archdesc level="collection"> 
			 <did> 
					<repository label="Repository:" encodinganalog="852$a"> 
						  <corpname><subarea>Harry Ransom Humanities Research Center,
								 </subarea>University of Texas at Austin</corpname> </repository> 
					<origination label="Creator:" encodinganalog="100"> 
						  <persname>Sexton, Anne, 1928-1974</persname></origination> 
					<unittitle label="Title:" encodinganalog="245">Anne Sexton Art
						  Collection 
						  <unitdate label="Dates:" encodinganalog="245$f"
							normal="1967">1967, n.d.</unitdate></unittitle> 
					<abstract encodinganalog="520$a">The Anne Sexton Art Collection
						  consists of fifteen oil paintings by Anne Sexton, and eight lithographic proofs
						  of the same image by Barbara Swan. The paintings by Sexton, all undated, were
						  created as a part of her therapy.</abstract> 
					<physdesc label="Extent:" encodinganalog="300$a">3 boxes, 8
						  oversize folders (23 items)</physdesc> 
			 </did> 
			 <acqinfo encodinganalog="541"> 
					<head>Acquisition:</head> 
					<p>Gifts (G621, G859), 1980</p> 
			 </acqinfo> 
			 <accessrestrict encodinganalog="506"> 
					<head>Access:</head> 
					<p>A minimum of twenty-four hours is required to pull art
						  materials to the Reading Room.</p> 
			 </accessrestrict> 
			 <processinfo encodinganalog="583"> 
					<head>Processed by:</head> 
					<p>Helen Young, 2002</p> 
			 </processinfo> 
			 <bioghist encodinganalog="545"> 
					<head>Biographical Sketch</head> 
					<p>Born Anne Gray Harvey, Anne Sexton (1928-1974) was the
						  youngest of three daughters born to a well-off couple in Weston, Massachusetts.
						  Sexton's father owned and ran a wool business and her mother, well educated and
						  intelligent, maintained an active social schedule of parties and charity
						  events. The sisters were not close, each vying for the attention of their busy
						  parents and pursuing their own interests. Anne's behavior as a child, seemingly
						  always in motion, making noise, and looking disheveled, excluded her from many
						  of the family's social activities.</p> 
					<p>In junior high school Sexton lost her awkwardness and became
						  the center of a gang of girlfriends. Her first attempt at poetry resulted from
						  a breakup with long-time boyfriend Jack McCarthy. During her senior year in
						  high school Sexton wrote more poetry, some of which was published in the school
						  paper. When Sexton's mother essentially accused her of plagiarizing the poems,
						  Sexton stopped writing poetry altogether for ten years.</p> 
					<p>After high school, in 1947, Sexton attended finishing school
						  at the Garland School in Boston. While there, she became engaged and began
						  planning a big wedding. However, in 1948, Sexton met and fell in love with
						  Alfred Muller Sexton II, nicknamed Kayo. In August of the same year, afraid
						  that she was pregnant, Sexton and Kayo, on the advice of her mother, eloped to
						  North Carolina. Returning from their honeymoon, the young couple spent the next
						  few years moving back and forth between their parents' homes. Kayo dropped his
						  pre-med studies after a few months and found work with a wool firm. In 1951,
						  Kayo was shipped overseas with the naval reserves, and in the fall of 1952,
						  Sexton joined him in San Francisco, where his ship was being overhauled, and
						  almost immediately became pregnant. They returned to Massachusetts for the
						  Christmas holidays and Sexton remained at her parents' home for the remainder
						  of her pregnancy. Linda Gray Sexton was born on July 21, 1953, and shortly
						  thereafter the Sextons bought a house in Newton Lower Falls, MA, and Kayo
						  accepted a position with his father-in-law's wool company. Two years later,
						  Joyce Ladd Sexton was born on August 4, 1955.</p> 
					<p>Shortly after Joyce's birth, Sexton began a year-long slide
						  into the depression that would plague her for the rest of her life. Feeling
						  disoriented and agitated, she sought help from Dr. Martha Brunner-Orne who
						  diagnosed post-partum depression and prescribed medication. After five months
						  of treatment Sexton developed a paralyzing fear of being alone with her
						  children. She became increasingly prone to attacks of blinding rage which often
						  led to abusive behavior towards Linda. Afraid that she would actually kill the
						  child, Sexton finally confided some of her problems to her family and they
						  rallied to support her. During Kayo's business trips, his sister would stay
						  with her, and Kayo's father offered to help cover some of the expenses of
						  therapy. Sexton's parents sent their housemaid to help with the housework and
						  also sent money. However, this practical help did not solve Sexton's problems
						  and in July of 1956 she entered Westwood Lodge, a private hospital, for three
						  weeks. While at Westwood Lodge, Sexton met Dr. Brunner's son, Dr. Orne, who was
						  to be her psychiatrist for the next eight years.</p> 
					<p>Sexton was released from Westwood Lodge on August 3, 1956,
						  but her condition continued to decline. Dr. Orne placed her in Glenside Mental
						  Institution after she took an overdose of Nembutal in November. Sometime in
						  1956, Sexton began writing poetry. She showed the poems to Orne who vigorously
						  encouraged her to continue writing. Over the course of 1957, Sexton brought
						  over 60 completed poems to Orne for approval. In the fall of 1957, she began
						  attending an adult education poetry workshop taught by John Holmes. By the end
						  of the year, Holmes suggested that Sexton seek publication. In April of 1958, 
					<title render="italic">The Fiddlehead Review</title> published 
					<title render="doublequote">Eden Revisited.</title></p> 
					<p>Sexton continued to attend Holmes' seminar through 1958. It
						  was there that she met and became close friends with Maxine Kumin. That same
						  year, Sexton attended the Antioch Writer's Conference, where she worked with
						  W.D. Snodgrass, and took a graduate poetry writing seminar with Robert Lowell.
						  In 1959 she received a Robert Frost Scholarship to attend the Bread Loaf
						  Writer's Conference in Vermont. In 1960 this work culminated in the publication
						  of a collection of poems, 
					<title render="italic">To Bedlam and Partway Back</title>. Well
					received, 
					<title render="italic">Bedlam</title> was the first of ten
					collections of verse Sexton published in her lifetime.</p> 
					<p>In 1961 Sexton received a Radcliffe Institute fellowship as
						  did her friend Maxine Kumin (1961-1963). The two women became part of a circle
						  of close friends that included the fiction writer Tillie Olsen and the painter
						  Barbara Swan. Sexton bought one of Swan's first lithographs, and the two later
						  collaborated on various projects, including some broadsides, jackets for three
						  works ( 
					<title render="italic">Live or Die</title>, 
					<title render="italic">The Book of Folly</title>, and 
					<title render="italic">The Death Notebooks</title>), and
					illustrations for 
					<title render="italic">Transformations</title>.</p> 
					<p>Over the next fourteen years Sexton wrote poetry, short
						  stories, a major theatrical production, and presented her poetry at readings,
						  alone and with musical accompaniment. She taught poetry courses at Boston
						  University, Oberlin, and Wayland High School. She became a major presence in
						  the American poetry scene and helped earn respect for women poets in general.
						  In 1965 she was made a Fellow of the Royal Society of Literature and in 1967
						  she received both the Shelley Memorial Award and the Pulitzer Prize for 
					<title render="italic">Live or Die</title> (1966). In 1968
					Sexton was awarded honorary membership in the Harvard chapter of Phi Beta
					Kappa, the first woman to receive this award, and in 1969 she was made a member
					of the Radcliffe chapter. She received honorary doctorates from Tufts
					University and Fairfield University in 1970, and from Regis College in
					1973.</p> 
					<p>Despite these and other accolades, Sexton continued to
						  struggle with her mental illness, taking pills and drinking heavily to combat
						  her fears. To the dismay of many, but perhaps the surprise of none, she took
						  her own life on October 4, 1974. Sexton's daughters and friends published
						  several volumes of poems and letters after her death, including 
					<title render="italic">45 Mercy Street</title> (1975), 
					<title render="italic">Anne Sexton: A Self-Portrait in
						  Letters</title> (1977), and 
					<title render="italic">Words for Dr. Y.: Uncollected Poems with
						  Three Short Stories</title> (1978).</p> 
			 </bioghist> 
			 <bibliography> 
					<head>Sources: </head> 
					<bibref> 
						  <persname>Middlebrook, Diane Wood. </persname> 
						  <title render="italic">Anne Sexton: A Biography.
								 </title><imprint> 
						  <geogname> New York:</geogname> 
						  <publisher>Vintage Books, </publisher> 
						  <date>1991.</date></imprint></bibref> 
					<bibref> 
						  <persname>Cowart, David. </persname> 
						  <title>Anne Sexton. </title> 
						  <title>Dictionary of Literary Biography, Vol. 5: American
								 Poets since World War II, Part 2, L-Z. </title> 
						  <persname>Donald J. Genner, ed. </persname><imprint> 
						  <geogname>Detroit: </geogname> 
						  <publisher>Gale Research Company, </publisher> 
						  <date>1980.</date></imprint></bibref> 
			 </bibliography> 
			 <scopecontent encodinganalog="520"> 
					<head>Scope and Contents</head> 
					<p>The Anne Sexton Art Collection consists of fifteen oil
						  paintings by Anne Sexton, and eight lithographic proofs of the same image by
						  Barbara Swan. The paintings by Sexton, all undated, were created as a part of
						  her therapy. Seven of the proofs by Barbara Swan represent states of a
						  broadside publication of Sexton's poem 
					<title render="doublequote">For the Year of the Insane</title>
					(1967). The eighth proof is for a poster for Sexton's 1967 appearance at the
					International Poetry Forum. The works are divided into two series: I. Paintings
					by Anne Sexton, and II. Prints by Barbara Swan for 
					<title render="doublequote">For the Year of the Insane.</title>
					They are arranged by accession number. Titles of the paintings were supplied by
					the cataloger.</p> 
					<p>The Ransom Center also has extensive Anne Sexton materials in
						  its Manuscripts Collection, its Library, its Photography Collection, and its
						  Personal Effects Collection.</p> 
			 </scopecontent> 
			 <dsc type="in-depth"> 
					<head>Anne Sexton Art Collection--Item List</head> 
					<c01 level="series"> 
						  <did> 
								 <unittitle>Series I. Paintings by Anne Sexton, 
										<unitdate>n.d.</unitdate></unittitle> 
						  </did> 
						  <c02> 
								 <did> 
										<container type="Box">1</container> 
										<container type="Folder">1</container> 
										<unitid>81.128.1</unitid> 
										<unittitle>[Landscape with purple mountain,
											  water, and trees along shore line].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>30.1 x 40.5 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">1</container> 
										<container type="Folder">2</container> 
										<unitid>81.128.2</unitid> 
										<unittitle>[Fireplace with fire].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>30.1 x  40.5 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">1</container> 
										<container type="Folder">3</container> 
										<unitid>81.128.3</unitid> 
										<unittitle>[Landscape with lighthouse, shore, and
											  water, in fog].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>35.3 x 45.5 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">1</container> 
										<container type="Folder">4</container> 
										<unitid>81.128.4</unitid> 
										<unittitle>[Landscape with bare tree and rock
											  wall in foreground, field, trees with autumn foliage in
											  background].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>35.3 x 45.5 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">1</container> 
										<container type="Folder">5</container> 
										<unitid>81.128.5</unitid> 
										<unittitle>[Bust portrait of young woman with
											  blond hair].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas paper
											  <dimensions>50.8 x 40.7 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box.">2</container> 
										<container type="Folder">1</container> 
										<unitid>81.128.6</unitid> 
										<unittitle>[Still life with white penguin and
											  deer figurines].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas paper
											  <dimensions>40.7 x 50.8 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">2</container> 
										<container type="Folder">2</container> 
										<unitid>81.128.7</unitid> 
										<unittitle>[Still life with animal figurine and
											  branch with leaves].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas paper
											  <dimensions>50.8 x 40.7 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">2</container> 
										<container type="Folder">3</container> 
										<unitid>81.128.8</unitid> 
										<unittitle>[Still life with male bust sculpture
											  on drapery].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas paper
											  <dimensions>50.8 x 40.7 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">2</container> 
										<container type="Folder">4</container> 
										<unitid>81.128.9</unitid> 
										<unittitle>[Bust portrait of woman with obscured
											  face, green blouse].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>50.5 x 40.3 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">2</container> 
										<container type="Folder">5</container> 
										<unitid>81.128.10</unitid> 
										<unittitle>[Self portrait: bust portrait with
											  blue blouse].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>50.5 x 40.3 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">2</container> 
										<container type="Folder">6</container> 
										<unitid>81.128.11</unitid> 
										<unittitle>[Landscape with red mountains, blue
											  water, blue sky].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>40.3 x 50.5 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">3</container> 
										<container type="Folder">1</container> 
										<unitid>81.128.12</unitid> 
										<unittitle>[Landscape with hills, two figures, at
											  dusk].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>40.2 x 50.6 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">3</container> 
										<container type="Folder">2</container> 
										<unitid>81.128.13</unitid> 
										<unittitle>[Still life with round vase, Japanese
											  fan, and dish].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>40.4 x 50.5 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">3</container> 
										<container type="Folder">3</container> 
										<unitid>81.128.14</unitid> 
										<unittitle>[Bent street light on corner (with
											  Japanese characters?)].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>50.7 x 40.3 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Box">3</container> 
										<container type="Folder">4</container> 
										<unitid>81.128.15</unitid> 
										<unittitle>[Abstract of angry woman's head and
											  angry man's head angrily confronting each other].</unittitle> 
										<unitdate>n.d.</unitdate> 
										<physdesc>oil on canvas board
											  <dimensions>40.7 x 50.2 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
					</c01> 
					<c01 level="series"> 
						  <did> 
								 <unittitle>II. Prints by Barbara Swan for 
										<title render="doublequote">For the Year of the
											  Insane,</title> 
										<unitdate>1967</unitdate></unittitle> 
						  </did> 
						  <c02> 
								 <did> 
										<container type="Folder">FF 1.1</container> 
										<unitid>81.128.16</unitid> 
										<unittitle>International Poetry Forum presents
											  Anne Sexton, October 24, 1967, 8:30 p.m., Carnegie Lecture Hall [broadside with
											  Swan's double head portrait of Sexton holding rosary beads, 
											  <title render="doublequote">Artist's
													 Proof</title>].</unittitle> 
										<unitdate>1967</unitdate> 
										<physdesc>lithograph
											  <dimensions>65 x 45 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Folder">FF 1-1</container> 
										<unitid>81.128.17</unitid> 
										<unittitle>[For the Year of the Insane: a Prayer;
											  with Swan's double head portrait of Sexton holding rosary beads. 
											  <title render="doublequote">Trial Proof 2nd
													 State</title> without text].</unittitle> 
										<unitdate>1967</unitdate> 
										<physdesc>lithograph
											  <dimensions>45.2 x 58 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Folder">FF 1-1</container> 
										<unitid>81.128.18</unitid> 
										<unittitle>[For the Year of the Insane: a Prayer;
											  with Swan's double head portrait of Sexton holding rosary beads. 
											  <title render="doublequote">Artist's Trial
													 Proof 1st State</title> without text].</unittitle> 
										<unitdate>1967</unitdate> 
										<physdesc>lithograph
											  <dimensions>48.2 x 52.5 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
						  <c02> 
								 <did> 
										<container type="Folder">FF 1-1</container> 
										<unitid>81.128.19-23</unitid> 
										<unittitle>For the Year of the Insane: a Prayer.
											  Boston: Impressions Workshop [5 broadsides; with Swan's double head portrait of
											  Sexton holding rosary beads. 
											  <title render="doublequote">Poet's
													 Proof</title> 6/10-10/10].</unittitle> 
										<unitdate>1967</unitdate> 
										<physdesc>5 lithographs
											  <dimensions>75.1 x 53.7 cm.</dimensions> </physdesc> 
								 </did> 
						  </c02> 
					</c01> 
			 </dsc> 
	  </archdesc> 
</ead> 
