James Salter:
A Preliminary Inventory of His Papers at the
Harry Ransom Humanities Research Center
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Creator: |
Salter, James,
1925- |
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Title: |
James Salter
Papers
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Dates: |
1953-2000 |
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Abstract: |
The collection contains drafts
and production material for Salter's novels and correspondence with other
writers, actors, agents, producers, publishers, editors, and
friends. |
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Extent: |
37 boxes, 1
oversize folder, 1 galley file (15.54 linear feet) |
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Repository: |
Harry Ransom Humanities Research Center,
The University of Texas at Austin |
This collection of works and papers of American novelist and
short story writer James Salter spans nearly fifty years of his writing career
from 1953-2000. Arranged by title, the collection contains drafts and
production material for his novels:
The Hunters (1956),
The Arm of Flesh (1961),
Light Years (1975),
Solo Faces (1979),
A Sport and a Pastime (1980), and
Cassada (2000). The screenplays
include
The Appointment (Omar Sharif,
Anouk Aimée, and Lotte Lenya, 1969),
The Blue Clown, Downhill Racer (Robert Redford
and Gene Hackman, 1969),
Lighthouse, Solo Faces, Three (Charlotte Rampling, Robie
Porter, and Sam Waterston, directed by Salter, 1969), and
Threshold (Donald Sutherland and
Jeff Goldblum, 1981). Also present is Salter's book of recollections
Burning the Days (1997),
Dusk and Other Stories (1990),
and a play
The Death Star. Correspondence is
interspersed throughout, and includes writers, actors, agents, producers,
publishers, editors, and friends such as Saul Bellow, Robert Creeley, Peter
Coyote, Joseph Fox, Robert Fulton, Brendan Gill, Robert Emmett Ginna, Peter
Glenville, Graham Greene, David Halberstam, Michael Herr, Christopher
Mankiewicz, Michael Mewshaw, Edna O'Brien, Robert Parrish, George Plimpton,
Martin H. Poll, Margaret Ramsay, Maxmillian Schell, Irwin Shaw, Ben Sonnenberg,
Jr., and Diana Trilling.
Two books received with the manuscript collection were
transferred to the HRC Library.
Additional material is expected.
Access:
Open for research
Purchase, 2000 (Reg. no. 14628)
Liz Murray, 2001
James Salter Papers--Folder List
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I. Works |
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The Appointment,
screenplay |
| Box |
Folder |
| 1 |
1 |
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Typescript of novel by Leone Antonio
Viola, with JS's notes |
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2 |
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Paperback version of novel, annotated
for film |
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Script drafts, holograph and
typescript |
| Box |
Folder |
| 1 |
3 |
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July
1965 |
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4 |
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Sept.
1965 |
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5 |
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Oct.
1965 |
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6-8 |
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Nov.
1967 |
| Box |
Folder |
| 2 |
1 |
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Nov. 1967, cont'd |
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2 |
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Breakdown sheets |
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3 |
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Production material,
Feb. 1968 |
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4 |
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Production photographs |
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5 |
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Clippings, includes film project
"Three" |
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6 |
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Correspondence, includes
"Three",
1963-1969 |
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The Arm of Flesh,
novel
(1961) |
| Box |
Folder |
| 2 |
7 |
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Original typescript and
notes |
| Box |
Folder |
| 3 |
1-3 |
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Original typescript,
cont'd |
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4-5 |
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Copy-edited typescript with author's
corrections |
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6 |
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Galleys |
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The Blue Clown,
screenplay |
| Box |
Folder |
| 4 |
1 |
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Film proposal based on Winston
Brebner's novel
"Doubting
Thomas" |
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1 |
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Film breakdown [removed to oversize
flat files] |
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Treatments |
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2 |
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Holograph notebook,
April
1967 |
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3 |
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Typescript, with revisions;
April 1967 |
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4 |
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Typescript, revised |
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Scripts |
| Box |
Folder |
| 4 |
5 |
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Holograph notebooks,
Oct.
1967 |
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6 |
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Typescript,
Oct.
1967 |
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7 |
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April
1971 |
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8 |
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July
1971 |
| Box |
Folder |
| 5 |
1 |
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July 1971, cont'd |
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2 |
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Associated material, notes,
correspondence, and clippings |
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Burning the Days,
Recollection (1997) |
| Box |
| 5 |
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"Pronaos" |
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3 |
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Outline and notes |
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4 |
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Drafts |
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"You
Must" |
| Box |
Folder |
| 5 |
5 |
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Early draft, notes, and
research |
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6 |
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Original typescript, and
correspondence;
Oct. 1991 |
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Esquire
article |
| Box |
Folder |
| 5 |
7 |
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Notes and drafts,
July
1992 |
| Box |
Folder |
| 6 |
1 |
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Typescript and photocopy of
article,
Dec.
1992 |
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2 |
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Galleys |
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"Icarus,"
outline and drafts,
1992-1993 |
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"The Captain's
Wife" |
| Box |
Folder |
| 6 |
7 |
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Original typescript and
Esquire
article |
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8 |
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Notes and drafts |
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"A Single Daring
Act" |
| Box |
Folder |
| 6 |
9 |
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Corrected typescripts and
correspondence |
| Box |
Folder |
| 7 |
1 |
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Air &
Space article and correspondence |
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2-5 |
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"Forgotten
Kings," typescript drafts,
Esquire
article, and file on Irwin Shaw,
1983 |
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6-7 |
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"Europa,"
drafts and
Esquire
article |
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"Ukiyo" |
| Box |
Folder |
| 7 |
8 |
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First drafts |
| Box |
Folder |
| 8 |
1-2 |
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Corrected typescripts and
notes |
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3 |
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Final corrected
typescript |
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"Dîners en
Ville" |
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4 |
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Original corrected
typescript |
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5 |
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Corrected typescript and
notes |
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6-8 |
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Final typescript,
Nov. 1996 |
| Box |
Folder |
| 9 |
1 |
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Foreword, typescript drafts, and
notes,
April 1997 |
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2 |
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Notes for galleys or copy edited
manuscript,
1997 |
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3-4 |
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Draft revisions, for Vintage and
foreign editions;
March 1998 |
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5 |
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New Yorker
article
"Passionate
Falsehoods," 1997 |
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6 |
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Post-publication reviews, events, book
tours, and readings |
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7-8 |
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Reviews, interviews, and
articles |
| Box |
Folder |
| 10 |
1 |
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Post-publication comments |
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2 |
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Correspondence with Kate Medina,
Random House, and others |
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Cassada, novel
(2000) |
| Box |
Folder |
| 10 |
3 |
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Notes and outline |
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4-5 |
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Holograph draft,
Nov. 1998 |
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6 |
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Copy of
"The Arm of
Flesh," uncorrected |
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7 |
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Corrected first edition of
"The Arm of
Flesh" |
| Box |
Folder |
| 11 |
1 |
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Typescript with author's corrections,
July 2000 |
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2-3 |
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First pass page proofs,
Aug. 2000 |
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4 |
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Cowboys, story,
typescript drafts and correspondence |
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The Death Star
(formerly
"The General"),
play |
| Box |
Folder |
| 11 |
5-6 |
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Outline, notes, and
clippings |
| Box |
Folder |
| 12 |
1-2 |
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Outline, etc., cont'd |
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3 |
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Material and clippings on medicine and
doctors |
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4-6 |
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Theater-related clippings and printed
material |
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Scripts |
| Box |
Folder |
| 13 |
1-2 |
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Holograph notebooks |
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3 |
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Staged reading,
Nov.
1973 |
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4 |
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Revised,
1974 |
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5 |
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Uncorrected typescript,
n.d. |
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6-7 |
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Correspondence,
1971-1975 |
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Downhill Racer,
screenplay |
| Box |
Folder |
| 14 |
1-4 |
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Research material |
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5 |
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Research and production-related
material |
| Box |
Folder |
| 15 |
1-2 |
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Research, cont'd |
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3 |
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Litigation, notes, and
correspondence |
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4 |
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Notes, holograph notebook |
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Treatments |
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5 |
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Aug.
1967 |
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6-7 |
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Sept.
1967 |
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8-9 |
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Oct. 1967 and associated
material |
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Scripts |
| Box |
Folder |
| 15 |
10 |
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holograph draft,
June 1968 |
| Box |
Folder |
| 16 |
1 |
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typescript,
June 1968 |
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2-4 |
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drafts,
Sept. 1968 |
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Dusk and Other
Stories (1990) |
| Box |
Folder |
| 16 |
5 |
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Holograph notebooks containing drafts
of
"The
Cinema,""Cowboys,""The Mechanical
Bird," and
"The Destruction
of the Goetheanum" |
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6 |
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"Am Strand von
Tangier [Tanger]," uncorrected holograph draft and carbon
typescript |
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"American
Express" |
| Box |
Folder |
| 16 |
7 |
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Typescript drafts |
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8 |
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Drafts, notes, and
correspondence |
| Box |
Folder |
| 17 |
1 |
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"Goodbye,
Bear" film script related to
"American
Express" |
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"The
Cinema" |
| Box |
Folder |
| 17 |
2 |
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Holograph notebook |
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3 |
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Typescript drafts and
correspondence |
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4 |
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"The Destruction
of Goetheanum," corrected typescripts and correspondence |
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5 |
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"Via
Negativa," holograph drafts, typescript, proofs, and
correspondence |
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The Hunters, novel
(1956) |
| Box |
Folder |
| 17 |
6-7 |
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First submitted draft, originally
titled
"A Patron of
Tokoshi's" by John Eden (Salter pseudonym),
Dec. 1953 |
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8 |
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Lobby card,
1958 |
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9 |
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Review of revised edition,
1997 |
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Light Years, novel
(1975) |
| Box |
Folder |
| 17 |
10 |
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Notes and research
material |
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Holograph drafts |
| Box |
Folder |
| 18 |
1-3 |
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Jan.
1972 |
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4-6 |
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Jan.
1973 |
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7 |
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Final outline for
"Hirâ" |
| Box |
Folder |
| 19 |
1-3 |
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"Hirâ"
typescript |
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4-6 |
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"Mohenjodaro" typescript |
| Box |
Folder |
| 20 |
1 |
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Pre-publication correspondence and
reader's reports |
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2-4 |
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Setting copy |
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5 |
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Blue lines |
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6 |
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Uncorrected first proof |
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Galleys |
| Box |
Folder |
| 21 |
1 |
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Master set, first pass,
11/25/74 |
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2 |
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Master set, second pass,
1/22/75 |
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3 |
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Final set,
2/14/75 |
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4 |
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Production material and
notes |
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5-7 |
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Reviews |
| Box |
Folder |
| 22 |
1-3 |
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Correspondence |
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Lighthouse,
screenplay |
| Box |
Folder |
| 22 |
4-5 |
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Notes for script and draft,
1979 |
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6-7 |
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Uncorrected scripts,
"Chance" |
| Box |
Folder |
| 23 |
1 |
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Corrected script |
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2 |
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Uncorrected script, top copy
"West
Light" |
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3-4 |
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"Man Is His Own
Star," article on Royal Robbins in
Questwith notes
drafts, typescripts, and correspondence,
March-April
1978 |
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5 |
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"My Lord You,"
[formerly
"The White Dog"
and
"Genius"],
story in
Bearing Witness,
1999 |
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Solo Faces,
screenplay and novel
(1979) |
| Box |
Folder |
| 23 |
6 |
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Research material |
| Box |
Folder |
| 24 |
1-3 |
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Research material, cont'd |
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Screenplay |
| Box |
Folder |
| 24 |
4 |
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Treatment drafts,
1974 |
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5-7 |
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Script drafts |
| Box |
Folder |
| 25 |
1-3 |
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Scripts, cont'd |
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4-5 |
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Travel expenses, includes
"Threshold" |
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Novel |
| Box |
Folder |
| 26 |
1 |
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Holograph outline |
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2-4 |
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Holograph draft |
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5 |
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Notes and revisions |
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6-7 |
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Typescript, first version,
March
1978 |
| Box |
Folder |
| 27 |
1-2 |
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First version,
revised |
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3-6 |
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Second version, two copies,
1979? |
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7-8 |
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Setting copy |
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Galleys [removed to galley
files] |
| Box |
Folder |
| 28 |
1 |
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Jacket cover and
photographs |
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2 |
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Reviews |
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3 |
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Notes on film and book
projects |
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4-6 |
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Correspondence, and associated
material,
1976-1979 |
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7 |
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"Line of
Ascent," article for
Esquire,
June 1979 |
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A Sport and a
Pastime, novel
(1980) |
| Box |
Folder |
| 29 |
1-4 |
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Holograph drafts,
March and Oct.
1965 |
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5-6 |
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Corrected typescript and notes,
Dec. 1965 |
| Box |
Folder |
| 30 |
1-3 |
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Typescripts,
March 1966 |
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4 |
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Correspondence, notes, and
reviews |
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Three, screenplay
based on Irwin Shaw's short story,
"Then We Were
Three" |
| Box |
Folder |
| 30 |
5-7 |
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Scripts, including notes, associated
material, and Shaw's comments |
| Box |
Folder |
| 31 |
1-3 |
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Scripts, cont'd |
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4 |
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Italian version |
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5 |
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Holograph production notes |
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6 |
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Holograph notes for script and
production |
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7 |
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Budget |
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8 |
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Car research |
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9 |
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Correspondence |
| Box |
Folder |
| 32 |
1-4 |
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Production material and
correspondence |
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5-7 |
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Production photographs |
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8 |
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Costuming |
| Box |
Folder |
| 33 |
1-2 |
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Post-production reviews,
correspondence, and associated material |
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Threshold,
(previously titled
"Hearts,""Passage," and
"State of the
Art"), screenplay |
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Scripts |
| Box |
Folder |
| 33 |
3-7 |
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Jan.-April
1977 |
| Box |
Folder |
| 34 |
1 |
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Script completely rewritten for
Pearce & Burns,
March-April
1980 |
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2 |
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April
1980 |
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3-5 |
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with revised pages,
June 1980 |
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6 |
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July
1980 |
| Box |
Folder |
| 35 |
1 |
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July 1980, cont'd |
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2-6 |
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Aug.
1980 |
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Photographs |
| Box |
Folder |
| 36 |
1-2 |
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Informal snapshots, on
location |
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3-7 |
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Casting |
| Box |
Folder |
| 37 |
1-3 |
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Production notes and
correspondence |
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4 |
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Verdun, proposed
opera, never made |
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5 |
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"End of
Carnival," play by Josef Topol, sent to JS for reading, not associated
with his projects |
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