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	  <eadheader audience="internal" langencoding="ISO639-2b"> 
			 <eadid countrycode="US" mainagencycode="TxU-Hu">urn:taro:utexas.hrc.00227p1</eadid> 
			 <filedesc> 
					<titlestmt> 
						  <titleproper>Playscripts and Promptbooks Collection:
								 </titleproper> 
						  <subtitle>An Inventory of the Collection at the Harry
								 Ransom Humanities Research Center</subtitle>
					</titlestmt> 
			 </filedesc> 
			 <profiledesc> 
					<creation>Text converted by SPI Content Sciences Inc., 
						  <date>July 2003</date>.</creation> 
					<langusage>Finding aid written in
						  <language>English</language>.</langusage> 
			 </profiledesc> 
	  </eadheader> 
	  <archdesc level="collection"> 
			 <did> 
					<unittitle label="Title:" encodinganalog="245">Playscripts and
						  Promptbooks Collection 
						  </unittitle><unitdate label="Inclusive Dates:" type="inclusive" normal="1795/1978" encodinganalog="245$f">1795-1978 </unitdate> 
						  <unitdate label="Bulk Dates:" type="bulk" normal="1870/1915" encodinganalog="245$f">bulk 1870-1915</unitdate>
					
					<physdesc label="Extent:" encodinganalog="300$a">17 document
						  boxes, 1 oversize box (7.39 linear feet)</physdesc> 
					<unitid label="RLIN Record #:" encodinganalog="099">TXRC02-A0</unitid> 
					<repository label="Repository:" encodinganalog="852$a"> 
						  <corpname encodinganalog="110"><subarea>Harry Ransom
								 Humanities Research Center, </subarea>The University of Texas at
								 Austin</corpname> </repository> 
					<origination label="Creator: ">
						  <corpname>Playscripts and Promptbooks Collection
								 </corpname>(Performing Arts)</origination>
					<abstract encodinganalog="520$a">The collection contains
						  promptbooks, stage managers' workbooks, preparation and rehearsal copies, and
						  unused scripts. The majority of the items are marked copies that appear to have
						  been used in the production process. Prominent authors and theatrical managers
						  represented are John Philip Kemble, Charles Frohman, Arthur Wing Pinero,
						  Lillian Hellman, and Dion Boucicault.</abstract>
			 </did> 
			 <acqinfo encodinganalog="541"> 
					<head>Acquisition:</head> 
					<p>Assembled from various Performing Arts collections, including
						  the Albert Davis and Messmore Kendall Collections and others</p> 
			 </acqinfo> 
			 <accessrestrict encodinganalog="506"> 
					<head>Access:</head> 
					<p>Open for research. Due to the fragile condition of the
						  original, a preservation photocopy of the promptbook for 
					<title render="italic">The Children's Hour</title> must be used
					unless permission to use the original is obtained from the Research
					Librarian.</p> 
			 </accessrestrict> 
		<arrangement> 
		<head>Arrangement</head><p>The finding aid for the Playscripts and
		  Promptbooks Collection is a conflation of the original inventory created in
		  2000-2001, and of a small <extref href="http://www.lib.utexas.edu/taro/uthrc/00227/hrc-00227p2.html"
		  show="new" actuate="onrequest">addition</extref> that was catalogued in 2006. Currently the
		  addition is described only by a Box List which has been appended to the
		  original inventory, using the arrangement established with the original
		  inventory and continuing the box numbering sequence. The Scope and Contents
		  note and Index of Authors and Production Personnel do not make reference to the
		  addition, and the RLIN record for the collection summarizes the material in the
		  original inventory only.</p><p> 
		  Playscripts and Promptbooks
			 Collection--Original Inventory [This Page]</p> 
		<p> <extref href="http://www.lib.utexas.edu/taro/uthrc/00227/hrc-00227p2.html"
		  show="new" actuate="onrequest">Playscripts and Promptbooks Collection--Addition</extref></p> 
	 </arrangement> 
			 
			 <processinfo encodinganalog="583"> 
					<head>Processed by:</head> 
					<p>Helen Baer, 2000-2001</p> 
			 </processinfo> 
		
			 <controlaccess>
					<head>Index Terms</head>
					<controlaccess>
						  <head>People</head>
						  <persname encodinganalog="700">Barrett, Wilson,
								 1848-1904</persname>
						  <persname encodinganalog="700">Boucicault, Dion,
								 1820-1890</persname>
						  <persname encodinganalog="700">Burnside, R.H.,
								 1870-1952</persname>
						  <persname encodinganalog="700">Collins, Arthur,
								 1863-1932</persname>
						  <persname encodinganalog="700">Frohman, Charles</persname>
						  <persname encodinganalog="700">Hellman, Lillian,
								 1906-</persname>
						  <persname encodinganalog="700">Hiam, Frank</persname>
						  <persname encodinganalog="700">Kemble, John Philip,
								 1757-1823</persname>
						  <persname encodinganalog="700">Payne, B. Iden</persname>
						  <persname encodinganalog="700">Pinero, Arthur Wing, Sir,
								 1855-1934</persname>
					</controlaccess>
					<controlaccess>
						  <head>Organizations</head>
						  <corpname encodinganalog="710">Adelphi Theatre (London,
								 England)</corpname>
						  <corpname encodinganalog="710">Covent Garden
								 Theatre</corpname>
						  <corpname encodinganalog="710">Drury Lane
								 Theatre</corpname>
						  <corpname encodinganalog="710">Empire Theatre (New York,
								 N.Y.)</corpname>
						  <corpname encodinganalog="710">Portsmouth Theatre
								 (Portsmouth, England)</corpname>
					</controlaccess>
					<controlaccess>
						  <head>Subjects</head>
						  <subject encodinganalog="650">Promptbooks</subject>
						  <subject encodinganalog="650">Theater, England
								 History</subject>
						  <subject encodinganalog="650">Theater, United States
								 History</subject>
						  <subject encodinganalog="650">Theatrical producers and
								 directors, England</subject>
						  <subject encodinganalog="650">Theatrical producers and
								 directors, United States</subject>
					</controlaccess>
					<controlaccess>
						  <head>Document Types</head>
						  <genreform source="aat" encodinganalog="655">Prompt
								 books</genreform>
						  <genreform source="aat" encodinganalog="655">Scores</genreform>
						  <genreform source="aat" encodinganalog="655">Scripts</genreform>
					</controlaccess>
			 </controlaccess>
			 <scopecontent encodinganalog="520"> 
					<head>Scope and Contents</head> 
					<p>The Playscripts and Promptbooks Collection, 1795-1978 (bulk
						  1870-1915), contains promptbooks, stage managers' workbooks, preparation and
						  rehearsal copies, and unused scripts for 100 dramas, comedies, musical
						  comedies, and other dramatic works, many of which were staged in New York or
						  London. The majority of the items in this collection are marked copies that
						  appear to have been used in the production process. Among the prominent authors
						  and theatrical managers represented are John Philip Kemble, Charles Frohman,
						  Arthur Wing Pinero, Lillian Hellman, and Dion Boucicault. Items document
						  stagings at Covent Garden, Drury Lane, and the Adelphi and Portsmouth Theatres
						  in England, and at the Empire Theatre in New York. Organized alphabetically by
						  author, the collection can also be accessed via the Index of Authors and
						  Production Personnel following the folder list.</p> 
					<p>Many of the materials in this collection can be linked to the
						  stage of production at which they were created or used. Cuts and alterations to
						  the text are found in preparation copies, which record the director's ideas
						  before any further work has been done, and in rehearsal copies. Promptbooks and
						  stage managers' workbooks contain notes for cues, calls, scene shifts, effects,
						  and other warnings necessary to coordinate a stage performance. Some of the
						  promptbooks are probably final or souvenir promptbooks, made up afterward as a
						  record of the production. Also included are unused typescripts, often with
						  plots and ground plans, in which the stage directions are underlined in red but
						  which lack warnings, cues, or other features of full promptbooks.</p> 
					<p>The collection is dominated by material associated with a
						  handful of managers and producers. Two promptbooks marked in John Philip
						  Kemble's hand record his Covent Garden stagings of 
					<title render="italic">A Cure for the Heartache</title> (1805)
					and 
					<title render="italic">Guy Mannering</title> (1816). The office
					of the American producer Charles Frohman was the source of typescripts, mostly
					unmarked, for eighteen plays, many of which were produced at the Empire Theatre
					in New York or in London between 1901 and 1913. It seems likely that a few
					other scripts in the collection passed through Frohman's office, though they
					are not marked with his stamp. Also included are promptbooks and preparation
					copies for Arthur Collins' productions at Drury Lane, piano scores and
					promptbooks owned by the British theater manager Frank Hiam, and scripts linked
					to stagings by Wilson Barrett, Annie E. F. Horniman, and R. H. Burnside.</p> 
					<p>Other noteworthy material relates to playwrights and
						  theaters. Arthur Wing Pinero is represented by a heavily revised copy of 
					<title render="italic">The Profligate;</title> Lillian Hellman,
					by a souvenir promptbook for 
					<title render="italic">The Children's Hour;</title> Dion
					Boucicault, by an incomplete holograph manuscript for 
					<title render="italic">Janet Pride;</title> and Lord Edward
					Bulwer-Lytton by a promptbook for 
					<title render="italic">Money</title>. Other authors include
					Augustin Daly, W. Somerset Maugham, J. M. Barrie, Cecil Raleigh, Benjamin
					Webster, and Richard Rodgers. In addition to the John Philip Kemble and Arthur
					Collins promptbooks for Covent Garden and Drury Lane, the collection holds an
					1803 promptbook for 
					<title render="italic">Delays and Blunders</title> that is
					marked for both Covent Garden and the Portsmouth Theatre, and two Adelphi
					Theatre promptbooks for 
					<title render="italic">The Enchanted Isle</title> and 
					<title render="italic">Belphegor the Mountebank</title>.</p> 
					<p>Concluding this finding aid is an Index of Authors and
						  Production Personnel that lists authors, adaptors, translators, managers,
						  producers, directors, stage managers, and actors. The index does not include
						  persons whose role in a specific production is unknown.</p> 
					<p>Promptbooks can also be found in the Department of
						  Manuscripts and Archives, in the Promptbooks Collection. Published playscripts,
						  some annotated, are located in the Theater Arts Library.</p> 
			
			 <p><emph render="bold">Note on the Folder List</emph></p> 
					<p>Because many of the marked copies in this collection are
						  linked to a specific production, it is sometimes possible to identify who
						  actually used them. More often, there is a rehearsal copy, for example, but the
						  particulars of the staging, or even whether an actual performance occurred, are
						  not known. The fullest possible identification is necessarily based on a blend
						  of evidence and inference such as that employed by Charles Shattuck in 
					<title render="italic">The Shakespeare Promptbooks: A
						  Descriptive Catalog</title>. The Format/Description part of the folder list is
					modeled after Shattuck and organized as follows: (a) format, including the
					presence of ground plans, plots, and other productional material included in
					the script; (b) when discernable, what sort of document it appears to be, the
					specific production to which it is linked, and the name of the previous owner;
					(c) materials pasted or laid in, such as playbills, letters, sketches, and
					working papers.</p> 
			  </scopecontent> 
			 <acqinfo encodinganalog="541"> 
					<head>Provenance</head> 
					<p>The Playscripts and Promptbooks Collection was assembled by
						  Performing Arts staff from a variety of sources, chiefly the Albert Davis and
						  Messmore Kendall Collections. Other sources were W. H. Crain, Benjamin Blom,
						  Lester Sweyd, and the University of Texas drama professors Coleman A. Jennings
						  and Ellsworth P. Conkle. The Covent Garden promptbooks belonged to an Arthur
						  Williams.</p> 
			 </acqinfo> 
			 <dsc type="in-depth"> 
<head>Playscripts and Promptbooks Collection--Folder List</head>

<c01> 
  <did> 
 <container type="Box">1</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Ainsworth, Ford
(adapt.)</origination> 
 <unittitle> 
<title render="italic">The Second Shepherd's
  Play</title> (later titled 
<title render="italic">The Sheep
  Thief</title>)</unittitle> 
 <unitdate>1964</unitdate> 
   
  <physdesc> 
 Typescript, in modern English, with ground
plan. 
  </physdesc> </did>
</c01> 
<c01> 
  <did> 
 <container type="Box">1</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Akins, Zo&#x00EB; (after Louis
Verneuil)</origination> 
 <unittitle> 
<title render="italic">Parakeets</title></unittitle> 
 <unitdate>1926</unitdate> 
  
  <physdesc> 
 Typescripts for Act I (19 July); Act II (7 July);
and Acts II and III, nd, with ground plan for Act III. Rehearsal copy, checked
for Maica in pencil with other characters checked in ink.
  </physdesc> </did> 
</c01> 
<c01> 
  <did> 
 <container type="Box">16</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Andreyev,
Leonid</origination> 
 <unittitle> 
<title render="italic">He Who Gets
  Slapped</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  
  <physdesc> 
 Acting edition pasted into a workbook with ground
plans; costume, scenic, and makeup sketches; and property, light, sound, and
costume plots. Stage manager's workbook, marked through Act I; property of Jack
A. Freeman.
  </physdesc> </did> 
</c01> 
<c01> 
  <did> 
 <container type="Box">1</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Arabian,
Michael</origination> 
 <unittitle> 
<title render="italic">Trespassers Will Be
  Prosecuted</title></unittitle> 
 <unitdate>ca. 1908</unitdate> 
  <physdesc>Typescript. Lightly marked copy for Annie E. F.
Horniman's production at the Gaiety Theatre (Manchester) in which B. Iden Payne
participated, presumably playing Oscar Eckersley. Property of Joseph Williams
Ltd.</physdesc> </did>
</c01> 
<c01> 
  <did> 
 <container type="Box">16</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Ashton, Michael, and David
Heneker (after Ben Travers)</origination> 
 <unittitle> 
<title render="italic">The Girl from Up the
  Road</title></unittitle> 
 <unitdate>1971</unitdate> 
 <physdesc>(a) One complete typescript and one fragment, n.d.;
song lyrics. Fragment slightly revised.
  </physdesc></did> 
</c01> 
<c01> 
  <did> 
 <container type="Box">16</container> 
 <container type="Folder">3-4</container> 
 <origination label="Author">Ashton, Michael, and David
Heneker (after Ben Travers)</origination> 
 <unittitle> 
<title render="italic">The Girl from Up the
  Road</title></unittitle> 
 <unitdate>1972</unitdate> 
 
 <physdesc>(b) Retitled 
 <title render="italic">Popkiss,</title> with
 additional music by John Addison. Typescript with inserts; song lyrics and
 working papers. Heavily marked promptbook for the production at the Globe
 Theatre directed by Richard Cottrell (London, 22 Aug.). Song lyrics lightly
 corrected.</physdesc>  </did> 
</c01> 
<c01> 
  <did> 
 <container type="Box">1</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Barefield,
Jason</origination> 
 <unittitle> 
<title render="italic">Tinder
  Box</title></unittitle> 
 <unitdate>1950</unitdate> 
  
 <physdesc>Typescript with ground plans, property and costume
plots, and cast, crew, and understudy lists. Production manager Shirley
Freudenfall's heavily marked production book for the premiere (9 Feb.) directed
by Hedley Gordon Graham.
  </physdesc>  </did>
</c01> 
<c01> 
  <did> 
 <container type="Box">1</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Barrett, Wilson (after
Hall Caine)</origination> 
 <unittitle> 
<title render="italic">The
  Manxman</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript with scene, property, music, and light
plots. Lightly marked copy, presumably for Barrett's production (1894-95).</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">1</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Barrie, J.
M.</origination> 
 <unittitle> 
<title render="italic">What Every Woman
  Knows</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript with property plot, property of Charles
Frohman and presumably for one of his productions in 1908.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">1</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Bernstein,
Henry</origination> 
 <unittitle> 
<title render="italic">M&#x00E9;lo</title> (trans.
William A. Drake)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript. Preparation copy, marked through Act I,
scene i; property of A. H. Woods.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">2</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Bernstein,
Henry</origination> 
 <unittitle> 
<title render="italic">Samson</title></unittitle>
 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript in French, property of Charles Frohman
and presumably for one of his productions in 1908/1909.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">16-17</container> 
 <container type="Folder">5, 1</container> 
 <origination label="Author">Boucicault,
Dion</origination> 
 <unittitle> 
<title render="italic">Janet
  Pride</title></unittitle> 
 <unitdate>1853</unitdate> 
  <physdesc>Holograph manuscripts: (a) Acts I and II, inscribed

 <title render="doublequote">Theatre Royal, Adelphi,
1853</title>; Acts IV and V, nd. Lightly to heavily marked with cuts and
 alterations; "arranged for [William E.] Burton's Chambers Street Theatre by
 Thomas M[illeg.]". (b) Summary of stage business and list of cues for Act III,
 nd; cue list revised to reflect cuts. (c) Actors's sides for Janet, Bernard,
 Richard, Minnie Grey, and George, n.d., with alterations.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">2</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Brecht,
Bertolt</origination> 
 <unittitle> 
<title render="italic">The Good Woman of
  Setzuan</title> (trans. Eric Bentley)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript with ground plan. Rehearsal copy,
checked for the Old Whore.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">2</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Brough, Robert B., and
William Brough</origination> 
 <unittitle> 
<title render="italic">The Enchanted Isle; or,
  Raising the Wind</title></unittitle> 
 <unitdate>[1848?]</unitdate> 
  <physdesc>Acting edition with interleaves. Promptbook for a
production at the Adelphi Theatre.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">2</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Bulwer-Lytton, Edward
George E. Lytton</origination> 
 <unittitle> 
<title render="italic">Money</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Acting edition pasted in a workbook. Stage
manager's heavily marked promptbook for a production in which John Hare played
Sir John Vesey. Given to Cyril Maude by Hare.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">2</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Burnside, R. H., and
Raymond Hubbell</origination> 
 <unittitle> 
<title render="italic">Happy
  Days</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript (two copies)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">2</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Burnside, R. H., and
Raymond Hubbell</origination> 
 <unittitle> 
<title render="italic">Miss
  Millions</title></unittitle> 
 <unitdate>1927</unitdate> 
  <physdesc>Typescript (10 Mar.), "copyright 1919"; presumably
for Burnside's production at the Punch and Judy Theatre (9 Dec. 1919).</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">2</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Burnside, R. H., John
Philip Sousa, Irving Berlin, and John Golden</origination> 
 <unittitle> 
<title render="italic">Everything</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">17</container> 
 <container type="Folder">2-3</container> 
 <origination label="Author">Caine, Hall</origination> 
 <unittitle> 
<title render="italic">The Prodigal
  Son</title></unittitle> 
 <unitdate>1905</unitdate> 
  <physdesc>Typescript. Lightly marked preparation copy for
Arthur Collins' production at Drury Lane (7 Sept.). Letter from Caine to
Collins (7 June). Collins' notes in reply, n.d.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">3</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Carr&#x00E1;
Lawrence</origination> 
 <unittitle> 
<title render="italic">The Great
  Magician</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript with costume specifications and ground
plan. Studybook, checked for Elpino.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">3</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Carton, R.
C.</origination> 
 <unittitle> 
<title render="italic">Wheels within
  Wheels</title></unittitle> 
 <unitdate>[1899]</unitdate> 
  <physdesc>Typescript with ground plans, property and lighting
plots, and cast list. Promptbook for the production at Hoyt's Theatre [11
Dec.], property of Daniel Frohman.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">3</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Chiarelli,
Luigi</origination> 
 <unittitle> 
<title render="italic">The Mask and the
  Face</title> (trans. W. Somerset Maugham)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript, property of Gilbert Miller.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">3</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Claretie,
Jules</origination> 
 <unittitle> 
<title render="italic">The
  Million</title></unittitle> 
 <unitdate>1911</unitdate> 
  <physdesc>Typescript (21 Dec.), property of Charles
Frohman.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">3</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Crain, W. H.</origination>
 
 <unittitle> 
<title render="italic">Courtly
  Love</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">3</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Daly,
Augustin</origination> 
 <unittitle> 
<title render="italic">Under the
  Gaslight</title></unittitle> 
 <unitdate>1867</unitdate> 
  <physdesc>Acting edition. Appears to be a rehearsal copy.
  </physdesc></did> 
</c01> 
<c01> 
  <did> 
 <container type="Box">3</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Davis, Hubert
Henry</origination> 
 <unittitle> 
<title render="italic">A Single
  Man</title></unittitle> 
 <unitdate>1911</unitdate> 
  <physdesc>Typescript (8 Mar.), property of Charles Frohman
and presumably for his production at the Empire Theatre (4 Sept.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">4</container> 
 <container type="Folder">1</container> 
 <origination label="Author">De Mille, Henry C., and
David Belasco</origination> 
 <unittitle> 
<title render="italic">Governor Rodman's
  Daughter</title> (later titled 
<title render="italic">Men and
  Women</title>)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript with a few cues in the last scene.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">4</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Deval,
Jacques</origination> 
 <unittitle> 
<title render="italic">Etienne</title> (trans.
Gilbert Wakefield)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>(a) Typescript with translator's notes. Apparently,
a working draft prepared for Gilbert Miller by Wakefield.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">4</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Deval,
Jacques</origination> 
 <unittitle> 
<title render="italic">Etienne</title> (trans.
Gilbert Wakefield)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>(b) Untranslated typescript in French, property of
Gilbert Miller.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">4</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Fazekas,
Imre</origination> 
 <unittitle> 
<title render="italic">Altona</title> (trans. S.
I. Greenberger)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript, property of Charles Frohman.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">4</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Ferrier, Paul, and Henri
Hirchmann</origination> 
 <unittitle> 
<title render="italic">Little
  Bohemia</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript with two versions of Act II.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">4</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Fields,
Joseph</origination> 
 <unittitle> 
<title render="italic">The
  Doughgirls</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Acting edition pasted into a workbook. Stage
manager's workbook, property of Garrison Sherwood.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">5</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Flexner, Anne Crawford
(after Ferdinand Bruckner)</origination> 
 <unittitle> 
<title render="italic">Criminals</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">5</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Florence, William
J.</origination> 
 <unittitle> 
<title render="italic">Nary a
  Brogue</title></unittitle> 
 <unitdate type="inclusive">1865-1866</unitdate> 
  <physdesc>Holograph manuscript. Promptbook, copied by William
H. Daly, prompter at McVicker's Theatre (Chicago, Dec. 1865) and marked and
corrected by Thomas B. Radcliffe, stage manager at Pike's Opera House
(Cincinnati) for S. N. Pike's production (11 Jan. 1866). Playbills for Pike's
Opera House (19 Jan. 1866, n.d.) pasted in.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">5</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Gordon, Julian, Richard H.
Barker, Jr., Michael Furneaux, Greatrex Newman, and Victor
Gilbert</origination> 
 <unittitle> 
<title render="italic">The Blue
  Diamond</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript, "copyrighted by R. H. Burnside."</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">5</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Hayden, John (after Mark
Hellinger)</origination> 
 <unittitle> 
<title render="italic">Warden's
  Orders</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">5</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Hellman,
Lillian</origination> 
 <unittitle> 
<title render="italic">The Children's
  Hour</title></unittitle> 
 <unitdate>1934</unitdate> 
  <physdesc>(a) Typescript with ground plans. Souvenir
promptbook for the premiere at Maxine Elliott's Theatre (20 Nov.), signed by
cast and crew and given to producer Herman Shumlin by stage manager Harry M.
Cooke.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">5</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Hellman,
Lillian</origination> 
 <unittitle> 
<title render="italic">The Children's
  Hour</title></unittitle> 
  <physdesc>(b) Preservation photocopy</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">5</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Howard,
Sidney</origination> 
 <unittitle> 
<title render="italic">Alien
  Corn</title></unittitle> 
 <unitdate>1931</unitdate> 
  <physdesc>Typescript. Clean copy into which a partial cast
was pencilled and then erased. Inscribed "Howard B[re?]tt 8-21-35."</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">5</container> 
 <container type="Folder">8</container> 
 <origination label="Author">Jerome, Jerome
K.</origination> 
 <unittitle> 
<title render="italic">Miss
  Hobbs</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">6</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Jones, John
Joseph</origination> 
 <unittitle> 
<title render="italic">Bitter
  Grapes</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript "reader's copy."</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">6</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Jones, John
Joseph</origination> 
 <unittitle> 
<title render="italic">Sturt</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript (Act II) with one scene very lightly
annotated.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">6</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Kaufman, George S., and
Leueen MacGrath</origination> 
 <unittitle> 
<title render="italic">Fancy Meeting You
  Again</title></unittitle> 
 <unitdate>[1951]</unitdate> 
  <physdesc>Typescript. Lightly marked workbook, apparently for
Kaufman's production at the Locust St. Theatre (25 Dec.). Flier for that
production.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">6</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Kern, Jerome, and Otto
Harbach</origination> 
 <unittitle> 
<title render="italic">The Cat and the
  Fiddle</title></unittitle> 
 <unitdate>1931</unitdate> 
  <physdesc>Typescript treatment by Jerry Sackheim (10
Nov.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">6</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Kidder, Edward
E.</origination> 
 <unittitle> 
<title render="italic">Two Girls and One
  Man</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript. Heavily marked stage manager's
workbook.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">6</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Lawrence, Eddie, and Moose
Charlap</origination> 
 <unittitle> 
<title render="italic">Kelly</title></unittitle> 
 <unitdate type="inclusive">1964-1965</unitdate> 
  <physdesc>Typescript comprised of segments dated 30 Dec. 1964
to 11 Jan. 1965. Heavily marked rehearsal copy (house copy) for the premiere at
the Broadhurst Theatre (7 Feb. 1965) directed by Herbert Ross.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">6</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Mason, A. E.
W.</origination> 
 <unittitle> 
<title render="italic">Marjory
  Strode</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript, property of Charles Frohman and
presumably for his production at the Empire Theatre (27 Aug. 1908.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">6-7</container> 
 <container type="Folder">8, 1</container> 
 <origination label="Author">Maugham, W.
Somerset</origination> 
 <unittitle> 
<title render="italic">Jack
  Straw</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript with property plot, property of Charles
Frohman and presumably for his production at the Vaudeville Theatre (London, 26
Mar. 1908). Working papers for Act III.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">7</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Middleton, George (after
Edouard Bourdet)</origination> 
 <unittitle> 
<title render="italic">The Other
  Rose</title></unittitle> 
 <unitdate>[1923]</unitdate> 
  <physdesc>Belasco edition (Act III). Lightly marked
preparation or rehearsal copy.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">17</container> 
 <container type="Folder">4-5</container> 
 <origination label="Author">Mills, Mark, and Fred
Eplett</origination> 
 <unittitle> 
<title render="italic">Beauty and the
  Beast</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Holograph manuscripts: (a) Piano score, "produced
under the direction of Frank Hiam"; (b) promptbook, also the property of Frank
Hiam.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">7</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Moeller,
Philip</origination> 
 <unittitle> 
<title render="italic">Wretched
  Woman</title></unittitle> 
 <unitdate>1928</unitdate> 
  <physdesc>Typescript, property of Charles Frohman.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">7</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Molnar,
[Ferenc]</origination> 
 <unittitle> 
<title render="italic">Carnival</title> (trans.
Melville Baker)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript, property of Charles Frohman; used as a
studybook and checked for Nikolaus.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">7</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Morton,
Thomas</origination> 
 <unittitle> 
<title render="italic">A Cure for the
  Heartache</title></unittitle> 
 <unitdate>1805</unitdate> 
  <physdesc>Acting edition with interleaves. Promptbook marked
in John Philip Kemble's hand. Another hand identifies this book as a "C[ovent]
Garden Prompt Copy." In a third hand: "Played for [Samuel] Phelps benefit at
Sadlers Wells, 25 Mar. 1858."</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">7</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Offenbach, Jacques, and
Arthur Clements</origination> 
 <unittitle> 
<title render="italic">The Two Blinds</title>
(also titled 
<title render="italic">A Mere
  Blind</title>)</unittitle> 
 <unitdate>1874</unitdate> 
  <physdesc>Holograph manuscript. Clean copy of the libretto
for John Hollingshead's production at the Gaiety Theatre (London, 31 Aug.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">7</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Oldham, R. C., Henri
Jaxon, and D. G. Hall</origination> 
 <unittitle> 
<title render="italic">Old King
  Cole</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Printed edition pasted into a workbook. Lightly
marked preparation or rehearsal copy.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">8</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Pinero, Arthur
Wing</origination> 
 <unittitle> 
<title render="italic">The
  Profligate</title></unittitle> 
 <unitdate>1887</unitdate> 
  <physdesc>Privately printed edition (June) with interleaves.
Heavily marked with autograph corrections and an alternate ending, presumably
for John Hare's production at the Garrick Theatre (London, 24 Apr. 1889.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">18</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Raleigh,
Cecil</origination> 
 <unittitle> 
<title render="italic">The Best of
  Friends</title></unittitle> 
 <unitdate>[1902/1904]</unitdate> 
  <physdesc>Typescript pasted into a workbook. Promptbook,
apparently for Arthur Collins' production at Drury Lane (London, 18 Sept.
1902). TLS from Bland Holt to Collins (1904) bearing Collins' notes in reply on
verso. Collins' notes about the play, [1904?]</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">8</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Raleigh, Cecil, and Henry
Hamilton</origination> 
 <unittitle> 
<title render="italic">The
  Hope</title></unittitle> 
 <unitdate>1911</unitdate> 
  <physdesc>Typescript with scenery plot (25 Oct.). Clean copy,
apparently for Arthur Collins' production at Drury Lane (14 Sept.). Belonged to
Barry Duncan.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">8</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Raleigh, Cecil, and Henry
Hamilton</origination> 
 <unittitle> 
<title render="italic">The White
  Heather</title></unittitle> 
 <unitdate>1901</unitdate> 
  <physdesc>(a) Typescript (Act IV, 1 Aug.). Heavily marked
rehearsal promptbook, apparently for Arthur Collins' production at Drury Lane
(16 Aug.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">8</container> 
 <container type="Folder">4-6</container> 
 <origination label="Author">Raleigh, Cecil, and Henry
Hamilton</origination> 
 <unittitle> 
<title render="italic">The White
  Heather</title></unittitle> 
 <unitdate>1897</unitdate> 
  <physdesc>(b) Typescript with plots for scenery, gas,
limelights, properties, and calls (Acts I-III, May). Lightly marked, clean
copy, presumably for the same production.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">8</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Raphael, John N. (after
Miguel Zamacois)</origination> 
 <unittitle> 
<title render="italic">The
  Jester</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">9</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Raphaelson,
Samson</origination> 
 <unittitle> 
<title render="italic">Accent on
  Youth</title></unittitle> 
 <unitdate>1934</unitdate> 
  <physdesc>Typescript with ground plans, property and light
plots, electrical inventory, and cast list. Unmarked "Stage manager's copy" for
Crosby Gaige's production at the Plymouth Theatre (25 Dec.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">9</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Ratcliffe,
Sharon</origination> 
 <unittitle> 
<title render="italic">Tom, Dick, and
  Harry</title></unittitle> 
 <unitdate>1978</unitdate> 
  <physdesc>Typescript</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">9</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Reynolds,
Frederick</origination> 
 <unittitle> 
<title render="italic">Delays and
  Blunders</title></unittitle> 
 <unitdate>1795/1803</unitdate> 
  <physdesc>Acting edition (1803). The cover, inscribed "Thomas
Colli[ns]" (manager?) and "Collins Davies," was previously used at the
Portsmouth Theatre (Eng.) to hold a copy of 
 <title render="italic">Such Things Are</title> (1795).
 Promptbook, marked for Covent Garden and corrected in the same hand for the
 Portsmouth Theatre (1803), as explained in a note in a second hand. Date of use
 at Portsmouth is supplied in a third hand; cuts are restored in a fourth
 hand.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">9</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Richman,
Arthur</origination> 
 <unittitle> 
<title render="italic">The Awful
  Truth</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript with scene and property plots</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">9</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Rodgers, Richard, Stephen
Sondheim, and Arthur Laurents</origination> 
 <unittitle> 
<title render="italic">Do I Hear a
  Waltz?</title></unittitle> 
 <unitdate>[1965]</unitdate> 
  <physdesc>Typescript. Lighting designer's workbook,
apparently for the premiere at 46th Street Theatre [18 Mar.] directed by John
Dexter. Belonged to Beverly Daniels.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">17</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Rogers, John
William</origination> 
 <unittitle> 
<title render="italic">Westward
  People</title></unittitle> 
 <unitdate>1936</unitdate> 
  <physdesc>Typescript (June)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">9</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Rose, Edward E.
(adapt.)</origination> 
 <unittitle> 
<title render="italic">To Have and to
  Hold</title></unittitle> 
 <unitdate>[1901]</unitdate> 
  <physdesc>Typescript [4 Mar.]. Lightly marked copy,
apparently for Charles Frohman's production at the Knickerbocker Theatre.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">9</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Rostand,
Edmond</origination> 
 <unittitle> 
<title render="italic">Chantecler</title></unittitle> 
 <unitdate>1911</unitdate> 
  <physdesc>Typescript with cast list, timings, and light,
sound, property, and flight plots (8 May), property of Charles Frohman and
presumably for his production at the Knickerbocker Theatre (23 Jan.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">10</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Rostand,
Maurice</origination> 
 <unittitle> 
<title render="italic">The Man I Killed</title>
(trans. Reginald Berkeley)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescripts. Two copies stamped "No. 3" and "No.
6", respectively, property of Gilbert Miller.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">10</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Sardou,
Victorien</origination> 
 <unittitle> 
<title render="italic">La Tosca</title> (adapt.
F. C. Grove and Henry Hamilton?)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>(a) Typescript (Acts II, III). Heavily marked
rehearsal promptbook, property of Olga Brandon.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">10</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Sardou,
Victorien</origination> 
 <unittitle> 
<title render="italic">La Tosca</title> (adapt.
F. C. Grove and Henry Hamilton?)</unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>(b) Typescript (Acts I, II, IV). Rehearsal copy,
checked for Tosca, apparently for the same production.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">10</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Schisgal,
Murray</origination> 
 <unittitle> 
<title render="italic">Jimmy
  Shine</title></unittitle> 
 <unitdate>[1968]</unitdate> 
  <physdesc>Typescript [5 Dec.]. Preparation copy, apparently
for the premiere at the Brooks Atkinson Theatre directed by Donald Driver.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">10</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Shakespeare, Stephen, and
Frank Dunn</origination> 
 <unittitle> 
<title render="italic">Seba Ben
  Zaric</title></unittitle> 
 <unitdate type="inclusive">1895-1896</unitdate> 
  <physdesc>Typescript (12 Oct. 1895). Preparation copy?
Inscribed "S.S. / S.R.C. Jan. 4 1896"</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">10</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Shea, Dennis
J.</origination> 
 <unittitle> 
<title render="italic">The
  Informer</title></unittitle> 
 <unitdate>1912</unitdate> 
  <physdesc>Typescript. Rehearsal copy, checked for Phelim
O'Hara</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">11</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Shirley, Arthur, and
Sutton Vane</origination> 
 <unittitle> 
<title render="italic">None but the
  Brave</title></unittitle> 
 <unitdate>1905/1907</unitdate> 
  <physdesc>Holograph manuscript. Heavily marked promptbook,
apparently for the performance at the New Theatre, Cambridge (Eng.) in which
Stanley Bedwell played Lal Ray. Copied by Bedwell (4 Dec. 1905) and stamped by
a typewriting agency (3 Aug. 1907). Also belonged to George Shirley. Clipped
review of the New Theatre production.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">11</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Sothern, E.
H.</origination> 
 <unittitle> 
<title render="italic">The Light that Lies in
  Woman's Eyes</title></unittitle> 
 <unitdate>[1904]</unitdate> 
  <physdesc>Typescript. Virginia Harned's rehearsal copy for
Charles Frohman's production at the Criterion [25 Jan.], lightly marked in Act
II.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">11</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Stagg,
Katherine</origination> 
 <unittitle> 
<title render="italic">A Daughter of Old
  Glory</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript with corrections.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">11</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Stange, Stanislaus, and
Reginald de Koven</origination> 
 <unittitle> 
<title render="italic">The Snowman</title> (later
titled 
<title render="italic">The Girls of
  Holland</title>)</unittitle> 
 <unitdate>[1907]</unitdate> 
  <physdesc>Typescript, property of R. H. Burnside and
presumably for his production at the Lyric Theatre, [18 Nov.]</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">11</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Stein, Leo, A. M. Willner,
and Leo Fall</origination> 
 <unittitle> 
<title render="italic">The Doll Girl</title>
(trans. Harry B. Smith)</unittitle> 
 <unitdate>1913</unitdate> 
  <physdesc>Typescript with partial cast list (4 Aug.),
property of Charles Frohman and presumably for his production at the Globe
Theatre (25 Aug.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">11</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Stephens, Clement
W.</origination> 
 <unittitle> 
<title render="italic">Beauty and the Beast; or,
  The Enchanted Flagon, the Wishes Three, and the Magic Branch of the Withered
  Tree.</title></unittitle> 
 <unitdate>nd</unitdate> 
  <physdesc>Holograph manuscript with dramatis personae from a
printed edition pasted inside front cover; plot of entrances, exits, and
properties laid in. Appears to be a souvenir promptbook. Belonged to Frank
Hiam.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">17</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Stephens, Clement W., Fred
Eplett, and George Le Brunn</origination> 
 <unittitle> 
<title render="italic">The Yellow Dwarf; or, The
  Pretty Princess, the Magic Spell, and the Silver Bee of the Mystic
  Dell.</title></unittitle> 
 <unitdate type="inclusive">1883-1884</unitdate> 
  <physdesc>Holograph manuscripts: (a) Piano score, property of
Frank Hiam; (b) one page of what appears to be the promptbook, n.d.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">12</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Stone, Peter, and Sherman
Edwards</origination> 
 <unittitle> 
<title render="italic">1776</title></unittitle> 
 <unitdate>1968</unitdate> 
  <physdesc>Typescript (Dec.). Unmarked "rehearsal script"
("Early script with songs later cut"), presumably for the premiere at 46th
Street Theatre (16 Mar. 1969) directed by Peter Hunt.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">12</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Straight, Willard, David
Eddy, Arthur Goodman, and J. Albert Fracht</origination> 
 <unittitle> 
<title render="italic">The Athenian
  Touch</title></unittitle> 
 <unitdate>1964</unitdate> 
  <physdesc>Typescript. Rehearsal copy, checked for the
Citizens and otherwise lightly annotated. Belonged to Ronn Hansen.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">12</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Terry, Daniel (after Sir
Walter Scott)</origination> 
 <unittitle> 
<title render="italic">Guy
  Mannering</title></unittitle> 
 <unitdate type="inclusive">1816-1834</unitdate> 
  <physdesc>Acting edition, n.d., with interleaves. Promptbook
for the 1815-16 season, heavily marked in John Philip Kemble's hand, presumably
for the premiere at Covent Garden (12 Mar. 1816). In another hand are stage
directions, timings, and interpolations for various performances between 1820
and 1834. A third hand attributes these notes to the Covent Garden stage
manager.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">12</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Tuttle, Day</origination> 
 <unittitle> 
<title render="italic">No
  Answer</title></unittitle> 
 <unitdate>1954/1981</unitdate> 
  <physdesc>Typescript (1954). Preparation or rehearsal copy
(1981), "greatly cut and expanded" from the version staged at Yale Drama School
in 1936.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">12</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Unger, Gladys (after
Robert de Flers and Gaston-Arman de Caillavet)</origination> 
 <unittitle> 
<title render="italic">Inconstant
  George</title></unittitle> 
 <unitdate>1909</unitdate> 
  <physdesc>Typescript (26 July), property of Charles Frohman
and presumably for his staging at the Empire Theatre (20 Sept.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">12-13</container> 
 <container type="Folder">6, 1</container> 
 <origination label="Author">Unger, Gladys (after
Robert de Flers and Gaston-Arman de Caillavet)</origination> 
 <unittitle> 
<title render="italic">Love
  Watches</title></unittitle> 
 <unitdate>1908</unitdate> 
  <physdesc>(a) Typescript (Aug.), property of Charles Frohman
and presumably for his production at the Lyceum Theatre (27 Aug.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">13</container> 
 <container type="Folder">2-3</container> 
 <origination label="Author">Unger, Gladys (after
Robert de Flers and Gaston-Arman de Caillavet)</origination> 
 <unittitle> 
<title render="italic">Love
  Watches</title></unittitle> 
 <unitdate>1909</unitdate> 
  <physdesc>(b) Typescript (Mar.). Lightly marked copy,
property of Charles Frohman and presumably for his production at Haymarket
Theatre (London, 11 May.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">13</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Vane, Sutton</origination>
 
 <unittitle> 
<title render="italic">Outward
  Bound</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript, property of William Harris, Jr. and
presumably for his production at the Ritz Theatre (7 Jan. 1924.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">13</container> 
 <container type="Folder">5</container> 
 <origination label="Author">[Viereck, George
Sylvester], after Friedrich Schiller</origination> 
 <unittitle> 
<title render="italic">The Maid of
  Orleans</title></unittitle> 
 <unitdate>[1909]</unitdate> 
  <physdesc>Typescript. Heavily marked stage manager's
workbook, property of Charles Frohman, for his production at Harvard Stadium
[22 June.]</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">13</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Webster,
Benjamin</origination> 
 <unittitle> 
<title render="italic">Belphegor the Mountebank;
  or, The Pride of Earth</title></unittitle> 
 <unitdate>[1848]</unitdate> 
  <physdesc>Acting edition with interleaves. Promptbook for a
production at the Adelphi Theatre.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">13</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Wills, W. G.</origination>
 
 <unittitle> 
<title render="italic">Ninon</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Holograph manuscript. Clean copy of what appears to
be a promptbook. Belonged to Norman Forbes-Robertson.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">13</container> 
 <container type="Folder">8</container> 
 <origination label="Author">Worrall, Lechmere (after
Roberto Bracco)</origination> 
 <unittitle> 
<title render="italic">Eve and the
  Serpents</title></unittitle> 
 <unitdate>1913</unitdate> 
  <physdesc>Typescript (29 Sept.), property of Charles
Frohman.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">14</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Unidentified
author</origination> 
 <unittitle> 
<title render="italic">The Broadway
  Belles</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript with original cast. Names of two
alternates (?) pencilled in next to cast.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">14</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Unidentified
author</origination> 
 <unittitle> 
<title render="italic">Cherry and Fair Star; or,
  The Children of Cyprus</title></unittitle> 
 <unitdate type="inclusive">1840-1841</unitdate> 
  <physdesc>Holograph manuscript. Promptbook, "copied for W. W.
Broadfoot, Theatre Royal, Edinburgh, Mar. 1840" and "marked and corrected" for
R[obert William] Honner, Sadler's Wells (London), 1841. Playbill pasted on
cover. Also owned by N. Younge.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">14</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Unidentified
author</origination> 
 <unittitle> 
<title render="italic">The Foolish
  Virgin</title></unittitle> 
 <unitdate>1910</unitdate> 
  <physdesc>Typescript (July), property of Charles Frohman and
presumably for his production at the Knickerbocker Theatre (19 Dec.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">14</container> 
 <container type="Folder">4</container> 
 <origination label="Author">Unidentified
author</origination> 
 <unittitle> 
<title render="italic">The Gay
  Lieutenant</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Actor's side for Capt. George Fairweather. Amply
marked with alterations and, on verso of last 2 pp, what appear to be song
lyrics.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">14</container> 
 <container type="Folder">5</container> 
 <origination label="Author">Unidentified
author</origination> 
 <unittitle> 
<title render="italic">Gulf
  Stream</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript, property of Thomas Mitchell and very
lightly corrected.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">14</container> 
 <container type="Folder">6</container> 
 <origination label="Author">Unidentified
author</origination> 
 <unittitle> 
<title render="italic">The
  Landlord</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Holograph manuscript. Heavily marked rehearsal copy
or stage manager's workbook.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">14</container> 
 <container type="Folder">7</container> 
 <origination label="Author">Unidentified
author</origination> 
 <unittitle> 
<title render="italic">Leonardo</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript, property of R. H. Burnside; lightly
corrected.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">14</container> 
 <container type="Folder">8</container> 
 <origination label="Author">Unidentified
author</origination> 
 <unittitle> 
<title render="italic">Mexico</title></unittitle>
 
 <unitdate>1826</unitdate> 
  <physdesc>Holograph manuscript (3 Dec.)</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">14</container> 
 <container type="Folder">9</container> 
 <origination label="Author">Unidentified adaptor
(after Dickens)</origination> 
 <unittitle> 
<title render="italic">Oliver Twist; or, The
  Story of a London Orphan</title></unittitle> 
 <unitdate>1877</unitdate> 
  <physdesc>(a) Acting edition, nd, pasted into a workbook.
Promptbook, signed by J. B. Roberts.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">15</container> 
 <container type="Folder">1</container> 
 <origination label="Author">Unidentified adaptor
(after Dickens)</origination> 
 <unittitle> 
<title render="italic">Oliver Twist; or, The
  Story of a London Orphan</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>(b) Acting edition pasted into a workbook.
Promptbook, property of F. C. Wemyss. Playbill and prints pasted in.</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">15</container> 
 <container type="Folder">2</container> 
 <origination label="Author">Unidentified
author</origination> 
 <unittitle> 
<title render="italic">Playing First Fiddle in
  the Bow Belles</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Holograph manuscript. Rehearsal copy?</physdesc></did></c01> 
<c01> 
  <did> 
 <container type="Box">15</container> 
 <container type="Folder">3</container> 
 <origination label="Author">Unidentified
author</origination> 
 <unittitle> 
<title render="italic">[Still-Life]</title></unittitle> 
 <unitdate>n.d.</unitdate> 
  <physdesc>Typescript</physdesc></did></c01> 
 </dsc>
 <odd type="index">
			
		<head>Playscripts and Promptbooks Collection--Index of Authors
  and Production Personnel</head> 
<p>Names in <emph render="bold">bold</emph> appear in the RLIN
  record.</p> 
  <p>Material from the <extref href="http://www.lib.utexas.edu/taro/uthrc/00227/hrc-00227p2.html"
		  show="new" actuate="onrequest">Addition</extref> is not included in this index.</p><list> 
<item> 
  <persname>Addison, John, 1920- </persname>--16.3-4 
</item> 
<item> 
  <persname>Ainsworth, Ford</persname>--1.1 
</item> 
<item> 
  <persname>Akins, Zoe, 1886-1958</persname>--1.2 
</item> 
<item> 
  <persname>Andreyev, Leonid, 1871-1919</persname>--16.1 
</item> 
<item> 
  <persname>Arabian, Michael</persname>--1.3 
</item> 
<item> 
  <persname>Ashton, Michael</persname>--16.2-4 
</item> 
<item> 
  <persname>Baker, Melville</persname>--7.4 
</item> 
<item> 
  <persname>Barefield, Jason</persname>--1.4 
</item> 
<item> 
  <persname>Barker, Richard H., Jr.</persname>--5.3 
</item> 
<item> 
  <persname><emph render="bold">Barrett, Wilson,
 1848-1904</emph></persname>--1.5 
</item> 
<item> 
  <persname>Barrie, J. M. (James Matthews),
 1860-1937</persname>--1.6 
</item> 
<item> 
  <persname>Bedwell, Stanley</persname>--11.1 
</item> 
<item> 
  <persname>Belasco, David, 1853-1931</persname>--4.1, 7.2 
</item> 
<item> 
  <persname>Bentley, Eric, 1916- </persname>--2.2 
</item> 
<item> 
  <persname>Berkeley, Reginald</persname>--10.1 
</item> 
<item> 
  <persname>Berlin, Irving, 1888- </persname>--2.7 
</item> 
<item> 
  <persname>Bernstein, Henry, 1876-1953</persname>--1.7-2.1 
</item> 
<item> 
  <persname><emph render="bold">Boucicault, Dion,
 1820-1890</emph></persname>--16.5-17.1 
</item> 
<item> 
  <persname>Bourdet, Edouard, 1887-1945</persname>--7.2 
</item> 
<item> 
  <persname>Bracco, Roberto, 1862-1943</persname>--13.8 
</item> 
<item> 
  <persname>Brecht, Bertolt, 1898-1956</persname>--2.2 
</item> 
<item> 
  <persname>Broadfoot, W. W.</persname>--14.2 
</item> 
<item> 
  <persname>Brough, Robert B. (Robert Barnabas),
 1828-1860</persname>--2.3 
</item> 
<item> 
  <persname>Brough, William, 1826-1870</persname>--2.3 
</item> 
<item> 
  <persname>Bruckner, Ferdinand, 1891-1958</persname>--5.1 
</item> 
<item> 
  <persname><emph render="bold">Burnside, R. H.,
 1870-1952</emph></persname>--2.5-7, 5.1, 11.4, 14.7 
</item> 
<item> 
  <persname>Burton, William E. (William Evans),
 1802-1860</persname>--16.5-17.1 
</item> 
<item> 
  <persname>Caillavet, G.-A. de (Gaston-Arman de),
 1869-1915</persname>--12.5-13.3 
</item> 
<item> 
  <persname>Caine, Hall, Sir, 1853-1931</persname>--1.5,
 17.2-3 
</item> 
<item> 
  <persname>Carra, Lawrence</persname>--3.1 
</item> 
<item> 
  <persname>Carton, R. C. (Richard Claude),
 1856-1928</persname>--3.2 
</item> 
<item> 
  <persname>Charlap, Moose, 1928- </persname>--6.6 
</item> 
<item> 
  <persname>Chiarelli, Luigi, 1880-1947</persname>--3.3 
</item> 
<item> 
  <persname>Claretie, Jules, 1840-1913</persname>--3.4 
</item> 
<item> 
  <persname>Clements, Arthur</persname>--7.6 
</item> 
<item> 
  <persname><emph render="bold">Collins, Arthur,
 1863-1932</emph></persname>--8.3-6, 17.2-3, 18.1 
</item> 
<item> 
  <persname>Collins, Thomas, fl. 1791</persname>--9.3 
</item> 
<item> 
  <persname>Cooke, Harry M.</persname>--5.5-6 
</item> 
<item> 
  <persname>Cottrell, Richard, 1936- </persname>--16.3-4 
</item> 
<item> 
  <persname>Crain, W. H.</persname>--3.5 
</item> 
<item> 
  <persname>Daly, Augustin, 1838-1899</persname>--3.6 
</item> 
<item> 
  <persname>Daly, William H.</persname>--5.2 
</item> 
<item> 
  <persname>Davis, Hubert Henry</persname>--3.7 
</item> 
<item> 
  <persname>De Koven, Reginald, 1859-1920</persname>--11.4 
</item> 
<item> 
  <persname>De Mille, Henry Churchill,
 1850-1893</persname>--4.1 
</item> 
<item> 
  <persname>Deval, Jacques, 1894- </persname>--4.2-3 
</item> 
<item> 
  <persname>Dexter, John, 1925-1990</persname>--9.5 
</item> 
<item> 
  <persname>Dickens, Charles, 1812-1870</persname>--14.9-15.1
  
</item> 
<item> 
  <persname>Drake, William A., b. 1899</persname>--1.7 
</item> 
<item> 
  <persname>Driver, Donald</persname>--10.4 
</item> 
<item> 
  <persname>Dunn, Frank</persname>--10.5 
</item> 
<item> 
  <persname>Eddy, David</persname>--12.2 
</item> 
<item> 
  <persname>Edwards, Sherman</persname>--12.1 
</item> 
<item> 
  <persname>Eplett, Fred</persname>--17.4-5, 17.7 
</item> 
<item> 
  <persname>Fall, Leo, 1873-1925</persname>--11.5 
</item> 
<item> 
  <persname>Fazekas, Imre</persname>--4.4 
</item> 
<item> 
  <persname>Ferrier, Paul, 1843-1920</persname>--4.5 
</item> 
<item> 
  <persname>Fields, Joseph A., 1895-1966</persname>--4.6 
</item> 
<item> 
  <persname>Flers, Robert de, 1872-1927</persname>--12.5-13.3
  
</item> 
<item> 
  <persname>Flexner, Anne Crawford, 1874-1955</persname>--5.1
  
</item> 
<item> 
  <persname>Florence, William Jermyn,
 1831-1891</persname>--5.2 
</item> 
<item> 
  <persname>Forbes-Robertson, Norman</persname>--13.7 
</item> 
<item> 
  <persname>Fracht, J. Albert (Jack Albert), 1904-
 </persname>--12.2 
</item> 
<item> 

  <persname>Freudenfall, Shirley</persname>--1.4 
</item> 
<item> 
  <persname><emph render="bold">Frohman, Charles</emph></persname>--1.6,
 2.1, 3.4, 3.7, 4.4, 6.7-7.1, 7.3-4, 9.6-7, 11.2, 11.5, 12.5-13.3, 13.5, 13.8,
 14.3 
</item> 
<item> 
  <persname>Frohman, Daniel, 1851-1940</persname>--3.2 
</item> 
<item> 
  <persname>Furneaux, Michael</persname>--5.3 
</item> 
<item> 
  <persname>Gaige, Crosby, 1882-1949</persname>--9.1 
</item> 
<item> 
  <persname>Gilbert, Victor</persname>--5.3 
</item> 
<item> 
  <persname>Golden, John, 1874-1955</persname>--2.7 
</item> 
<item> 
  <persname>Goodman, Arthur</persname>--12.2 
</item> 
<item> 
  <persname>Gordon, Julian</persname>--5.3 
</item> 
<item> 
  <persname>Graham, Hedley Gordon</persname>--1.4 
</item> 
<item> 
  <persname>Greenberger, S. I.</persname>--4.4 
</item> 
<item> 
  <persname>Grove, F. C.</persname>--10.2-3 
</item> 
<item> 
  <persname>Hall, D. G.</persname>--7.7 
</item> 
<item> 
  <persname>Hamilton, Henry, 1853?-1918</persname>--8.2-6,
 10.2-3 
</item> 
<item> 
  <persname>Harbach, Otto, 1873-1963</persname>--6.4 
</item> 
<item> 
  <persname>Hare, John, 1844-1921</persname>--2.4, 8.1 
</item> 
<item> 
  <persname>Harned, Virginia</persname>--11.2 
</item> 
<item> 
  <persname>Harris, William, 1884-1946</persname>--13.4 
</item> 
<item> 
  <persname>Hayden, John</persname>--5.4 
</item> 
<item> 
  <persname>Hellinger, Mark, 1903-1947</persname>--5.4 
</item> 
<item> 
  <persname><emph render="bold">Hellman, Lillian,
 1906-</emph> </persname>--5.5-6 
</item> 
<item> 
  <persname>Heneker, David</persname>--16.2-4 
</item> 
<item> 
  <persname><emph render="bold">Hiam, Frank</emph></persname>--11.6,
 17.4-5, 17.7 
</item> 
<item> 
  <persname>Hirchmann, Henri, 1872-1961</persname>--4.5 
</item> 
<item> 
  <persname>Hollingshead, John, 1827-1904</persname>--7.6 
</item> 
<item> 
  <persname>Holt, Bland</persname>--18.1 
</item> 
<item> 
  <persname>Honner, Robert William,
 1809-1852</persname>--14.2 
</item> 
<item> 
  <persname>Horniman, Annie Elizabeth Fredericka,
 1860-1937</persname>--1.3 
</item> 
<item> 
  <persname>Howard, Sidney Coe, 1891-1939</persname>--5.7 
</item> 
<item> 
  <persname>Hubbell, Raymond, 1879-1954</persname>--2.5-6 
</item> 
<item> 
  <persname>Hunt, Peter H.</persname>--12.1 
</item> 
<item> 
  <persname>Jaxon, Henri</persname>--7.7 
</item> 
<item> 
  <persname>Jerome, Jerome K. (Jerome Klapka),
 1859-1927</persname>--5.8 
</item> 
<item> 
  <persname>Jones, John Joseph, 1930- </persname>--6.1-2 
</item> 
<item> 
  <persname>Kaufman, George S. (George Simon),
 1889-1961</persname>--6.3 
</item> 
<item> 
  <persname><emph render="bold">Kemble, John Philip,
 1757-1823</emph></persname>--7.5, 12.3 
</item> 
<item> 
  <persname>Kern, Jerome, 1885-1945</persname>--6.4 
</item> 
<item> 
  <persname>Kidder, Edward E.</persname>--6.5 
</item> 
<item> 
  <persname>Laurents, Arthur</persname>--9.5 
</item> 
<item> 
  <persname>Lawrence, Eddie, 1919</persname>---6.6 
</item> 
<item> 
  <persname>Le Brunn, George</persname>--17.7 
</item> 
<item> 
  <persname>Lytton, Edward Bulwer Lytton, Baron,
 1803-1873</persname>--2.4 
</item> 
<item> 
  <persname>M[illeg], Thomas</persname>--16.4-5 
</item> 
<item> 
  <persname>MacGrath, Leueen</persname>--6.3 
</item> 
<item> 
  <persname>Mason, A. E. W. (Alfred Edward Woodley),
 1865-1948</persname>--6.7 
</item> 
<item> 
  <persname>Maude, Cyril, 1862-1951</persname>--2.4 
</item> 
<item> 
  <persname>Maugham, W. Somerset (William Somerset),
 1874-1965</persname>--3.3, 6.8-7.1 
</item> 
<item> 
  <persname>Middleton, George, 1880-1967</persname>--7.2 
</item> 
<item> 
  <persname>Miller, Gilbert</persname>--3.3, 4.2-3, 10.1 
</item> 
<item> 
  <persname>Mills, Mark</persname>--17.4-5 
</item> 
<item> 
  <persname>Moeller, Philip, 1880-1958</persname>--7.3 
</item> 
<item> 
  <persname>Molnar, Ferenc, 1878-1952</persname>--7.4 
</item> 
<item> 
  <persname>Morton, Thomas, 1764-1838</persname>--7.5 
</item> 
<item> 
  <persname>Newman, Greatrex</persname>--5.3 
</item> 
<item> 
  <persname>Offenbach, Jacques, 1819-1880</persname>--7.6 
</item> 
<item> 
  <persname>Oldham, R. C.</persname>--7.7 
</item> 
<item> 
  <persname><emph render="bold">Payne, B.
 Iden</emph></persname>--1.3 
</item> 
<item> 
  <persname>Phelps, Samuel, 1804-1878</persname>--7.5 
</item> 
<item> 
  <persname>Pike, S. N.</persname>--5.2 
</item> 
<item> 
  <persname><emph render="bold">Pinero, Arthur Wing, Sir,
 1855-1934</emph></persname>--8.1 
</item> 
<item> 
  <persname>Radcliffe, Thomas B.</persname>--5.2 
</item> 
<item> 
  <persname>Raleigh, Cecil, 1856-1914</persname>--8.2-6, 18.1
  
</item> 
<item> 
  <persname>Raphael, John N.</persname>--8.7 
</item> 
<item> 
  <persname>Raphaelson, Samson, 1896- </persname>--9.1 
</item> 
<item> 
  <persname>Ratcliffe, Sharon</persname>--9.2 
</item> 
<item> 
  <persname>Reynolds, Frederick, 1764-1841</persname>--9.3 
</item> 
<item> 
  <persname>Richman, Arthur, 1886-1944</persname>--9.4 
</item> 
<item> 
  <persname>Roberts, J. B. (James Booth),
 1815-901</persname>--14.9 
</item> 
<item> 
  <persname>Rodgers, Richard, 1902- </persname>--9.5 
</item> 
<item> 
  <persname>Rogers, John William</persname>--17.6 
</item> 
<item> 
  <persname>Rose, Edward Everett, 1862- </persname>--9.6 
</item> 
<item> 
  <persname>Ross, Herbert, 1927- </persname>--6.6 
</item> 
<item> 
  <persname>Rostand, Edmond, 1868-1918</persname>--9.7 
</item> 
<item> 
  <persname>Rostand, Maurice, 1891-1968</persname>--10.1 
</item> 
<item> 
  <persname>Sackheim, Jerry</persname>--6.4 
</item> 
<item> 
  <persname>Sardou, Victorien, 1831-1908</persname>--10.2-3 
</item> 
<item> 
  <persname>Schiller, Friedrich, 1759-1805</persname>--13.5 
</item> 
<item> 
  <persname>Schisgal, Murray, 1926- </persname>--10.4 
</item> 
<item> 
  <persname>Scott, Walter, Sir, 1771-1832</persname>--12.3 
</item> 
<item> 
  <persname>Shakespeare, Stephen</persname>--10.5 
</item> 
<item> 
  <persname>Shea, Dennis J.</persname>--10.6 
</item> 
<item> 
  <persname>Sherwood, Garrison</persname>--4.6 
</item> 
<item> 
  <persname>Shirley, Arthur, 1853-1925</persname>--11.1 
</item> 
<item> 
  <persname>Shumlin, Herman, b. 1898</persname>--5.5-6 
</item> 
<item> 
  <persname>Smith, Harry Bache, 1860-1936</persname>--11.5 
</item> 
<item> 
  <persname>Sondheim, Stephen</persname>--9.5 
</item> 
<item> 
  <persname>Sothern, E. H. (Edward Hugh),
 1859-1933</persname>--11.2 
</item> 
<item> 
  <persname>Sousa, John Philip, 1854-1932</persname>--2.7 
</item> 
<item> 
  <persname>Stagg, Katherine</persname>--11.3 
</item> 
<item> 
  <persname>Stange, Stanislaus, d. 1917</persname>--11.4 
</item> 
<item> 
  <persname>Stein, Leo, 1862-1920</persname>--11.5 
</item> 
<item> 
  <persname>Stephens, Clement W.</persname>--11.6, 17.7 
</item> 
<item> 
  <persname>Stone, Peter, 1930- </persname>--12.1 
</item> 
<item> 
  <persname>Straight, Willard</persname>--12.2 
</item> 
<item> 
  <persname>Terry, Daniel, 1782-1829</persname>--12.3 
</item> 
<item> 
  <persname>Travers, Ben, 1886- </persname>--16.2-4 
</item> 
<item> 
  <persname>Tuttle, Day</persname>--12.4 
</item> 
<item> 
  <persname>Unger, Gladys, d. 1940</persname>--12.5-13.3 
</item> 
<item> 
  <persname>Vane, Sutton, 1888- </persname>--11.1, 13.4 
</item> 
<item> 
  <persname>Verneuil, Louis, 1893-1952</persname>--1.2 
</item> 
<item> 
  <persname>Viereck, George Sylvester,
 1884-1962</persname>--13.5 
</item> 
<item> 
  <persname>Wakefield, Gilbert, 1892-1963</persname>--4.2 
</item> 
<item> 
  <persname>Webster, Benjamin, 1797-1882</persname>--13.6 
</item> 
<item> 
  <persname>Wemyss, F. C. (Francis Courtney),
 1797-1859</persname>--15.1 
</item> 
<item> 
  <persname>Willner, Alfred Maria</persname>--11.5 
</item> 
<item> 
  <persname>Wills, W. G. (William Gorman),
 1828-1891</persname>--13.7 
</item> 
<item> 
  <persname>Woods, A. H. (Albert Herman),
 1870-1951</persname>--1.7 
</item> 
<item> 
  <persname>Worrall, Lechmere</persname>--13.8 
</item> 
<item> 
  <persname>Zamacois, Miguel</persname>--8.7 
</item> 
 
	
	  </list></odd></archdesc> 
</ead> 
