Texas Archival Resources Online

TABLE OF CONTENTS


Biographical Sketch

Scope and Contents

Restrictions

Administrative Information

Sources:

Description of Series

I. Works by Miguel Covarrubias, 1925-1951, n.d.

II. Works by Other Artists, 1930-1954, n.d.

University of Texas, Harry Ransom Humanities Research Center

Nickolas Muray:

An Inventory of His Collection of Mexican Art at the Harry Ransom Humanities Research Center



Creator: Muray, Nickolas, 1892-1965
Title: Nickolas Muray Collection of Mexican Art
Dates: 1925-1954
Abstract: The collection contains 102 pieces of artwork assembled by Nickolas Muray. Ninety of the works are by Miguel Covarrubias including his works as an artist, caricaturist, book illustrator, and ballet set designer. The rest of the collection is composed of works by Frida Kahlo, Rufino Tamayo, and several other Mexican artists.
Extent: 9 boxes, 11 framed paintings, 1 framed drawing, 2 flat-file folders (102 items)
Repository: Harry Ransom Humanities Research Center, The University of Texas at Austin

Biographical Sketch

Nickolas Muray was born February 15, 1892, in Szeged, Hungary. He attended a graphic arts school in Budapest, where he studied lithography, photoengraving, and photography. After earning an International Engraver's Certificate, Muray took a three-year course in color photoengraving in Berlin, where, among other things, he learned to make color filters. At the end of his course he went to work for the publishing company Ullstein.

In 1913, with the threat of war in Europe, Muray sailed to New York City, and was able to find work immediately in Brooklyn as a color printer. He was soon working for Condé Nast as a photoengraver working with color separations and half-tone negatives.

By 1920, Muray had opened a portrait studio at his home in Greenwich Village, while still working at his union job as an engraver. In 1921 he received a commission from Harper's Bazaar to do a portrait of the Broadway actor Florence Reed; soon after he was having photographs published each month in Harper's Bazaar, and was able to give up his engraving job. Muray quickly became recognized as an important portrait photographer, and his subjects included most of the celebrities of New York City. In 1926, Vanity Fair sent Muray to London, Paris, and Berlin to photograph celebrities, and in 1929 hired him to photograph movie stars in Hollywood. He also did fashion and advertising work. Muray's images were published in many other publications, including Vogue, Ladies' Home Journal, and The New York Times.

When Muray signed a contract with Ladies' Home Journal in 1930 to produce color fashion photographs, he traveled to Germany to purchase the equipment to convert his studio into one of the first color labs in the United States. He became known as a master in the carbro color process.

In the early 1920s, Muray was introduced by Carl Van Vechten to Miguel Covarrubias, who had come to New York in 1923 on a scholarship from the Mexican government. Covarrubias drew caricatures for Vanity Fair (1924-36) and The New Yorker (1925-50), and was also a writer, and illustrated his own books and many books by other authors. Covarrubias studied and wrote about non-Western cultures, and also developed an interest in dance and museology. Muray and Covarrubias became friends and for a time shared lodgings on MacDougall Street, where they hosted parties on Wednesday nights. Among their guests were Martha Graham, Ruth St. Denis, Sinclair Lewis, Paul Robeson, and Carl Van Vechten.

Muray also became friends with some of the other Mexican artists who had found their way to New York City. Frida Kahlo (1907-1954) and her husband Diego Rivera (1886-1957) were close friends with Muray; indeed Kahlo and Muray were having an affair when Rivera filed for divorce in 1939. Rufino Tamayo (1899-1991) and his wife, Olga, were in Muray's circle in the 1940s and 1950s. Tamayo, an internationally-known painter, sculptor, and printmaker, was born in Oaxaca, and studied in Mexico City. After 1936 he lived part of the time in New York City, usually staying there in the winters, and then in Mexico City in the summers.

Muray also contributed reviews for Dance magazine. In 1927 he won the National Sabre Championship, and in 1928 and 1932 he was on the United States Olympic Team. During World War II, Muray was a flight lieutenant in the Civil Air Patrol. He died in 1965.

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Scope and Contents

The collection comprises 102 pieces of artwork assembled by Nickolas Muray. Ninety of the works are by Muray's close friend Miguel Covarrubias; the remainder of the collection is made up of important works by Frida Kahlo, Rufino Tamayo, and several other Mexican artists. The collection is organized into two series: I. Works by Miguel Covarrubias, and II. Works by Other Artists.

Covarrubias' works in the Muray Collection reflect his output as an artist, caricaturist, book illustrator, and ballet set designer. The Works by Miguel Covarrubias are subdivided into three subseries: A. Book Illustrations, B. Magazine Illustrations, and C. Other Works. In the following list, titles of Covarrubias' works appearing in quotation marks were taken from the published works.

Subseries A. includes numerous drawings and paintings created to illustrate the following books: Bernal Diaz del Castillo's The Discovery and Conquest of Mexico (1942), René Maran's Batouala (1932), Herman Melville's Typee (1935), W. H. Prescott's The Conquest of Mexico (1949), and John Riddell's In the Worst Possible Taste (1932), as well as Covarrubias' own book, Island of Bali (1937). The Island of Bali illustrations include several unpublished drawings of Balinese subjects. Works in this subseries are arranged by book author, and subsequently by accession number.

The Magazine Illustrations, which include many celebrity caricatures done for Vanity Fair and The New Yorker, are listed chronologically under the title of the publication. The Other Works subseries includes miscellaneous paintings, drawings, caricatures, and one set design by Covarrubias.

Series II., Works by Other Artists, includes two oil paintings and one drawing by Muray's friend and lover, Frida Kahlo: [Self-Portrait with Thorn Necklace and Hummingbird]; Still Life (with Parrot and Fruit); andDiego y Yo. Also present are four works by Muray's friend, Rufino Tamayo, including an oil painting, a portrait drawing of Nickolas Muray, and two woodcuts. The remainder of the series is made up of paintings by Fernando Castillo, Guillermo Meza, Roberto Montenegro, Rafael Navarro, and Juan Soriano. Works in this series are listed by artist, and subsequently by accession number.

The Ransom Center's Art Collection has a number of other works by Miguel Covarrubias:

Alfred A. Knopf, Inc. Collection: three caricatures of Alfred Knopf, Blanche Knopf, and Joseph Hergesheimer, and a set of reproductions of Covarrubias' Pacific House mural maps at the Golden Gate International Exposition;

Spud Johnson Collection: a caricature of Carl Van Vechten;

Thomas Mabry Cranfill Collection: a drawing of a Tehuantepec Indian;

George Macy Companies, Inc. Collection: 33 drawings, a group of preliminary design materials for the 1948 Limited Editions Club edition of All Men are Brothers;

Edward Larocque Tinker Collection: a portfolio with a set of reproductions of the Pacific House mural maps, with other materials laid in, including Covarrubias' Pageant of the Pacific (1940), a poster for the Pacific House exhibition of the Golden Gate International Exhibition, and a reproduction of Covarrubias' caricature, The United Nations, for War and for Peace.

The Art Collection also has works by Frida Kahlo's husband, Diego Rivera, in the Diego Rivera Collection (a group of eight works), and the Carlton Lake Art Collection (a portrait drawing by Rivera).

Elsewhere in the Ransom Center, the Manuscripts Collection has three collections with Diego Rivera related items: Francis John Clarence Westenra Plantaganet Hastings [Jack Hastings] Collection; Kenneth and Emma-Stina Prescott Collection of Ben Shahn; Nicola Sacco Collection. The Photography Collection holds a small group of photographs by Muray.

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Restrictions

Access:

A minimum of twenty-four hours is required to pull art materials to the Reading Room.

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Administrative Information

Acquisition:

Purchase, 1965 (R2738)

Processed by:

Helen Young, 2002

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Sources:

Muray, N. (1978). Muray's Celebrity Portraits of the Twenties and Thirties. New York: Dover.

Deschin, J. (1965, October). Nickolas Muray. Popular Photography, 57(4), pp. 40, 113-116.

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Nickolas Muray Collection of Mexican Art--Item List

 

I. Works by Miguel Covarrubias, 1925-1951, n.d.

A. Book Illustrations, 1932-1949, n.d.
Covarrubias, Miguel. Island of Bali (1937)
Box Folder
1 1 66.2.1
"Movements of the Baris": [dancer with knees bowed and ankles crossed; p. 226]. 1937?
drawing (ink and wash) 31.8 x 24.1 cm.
2 66.2.2
"Movements of the Baris": [dancer with knees bowed; p. 226]. 1937?
drawing (ink and wash) 30.1 x 23.7 cm.
3 66.2.3
"Movements of the Baris": [dancer with knees bowed and palms open; p. 226]. 1937?
drawing (ink and wash) 29.1 x 24.2 cm.
4 66.2.4
"Movements of the Baris": [dancer with one arm extending up, one arm bent; p. 226]. 1937?
drawing (ink wash) 24.1 x 32 cm.
5 66.2.5
"Movements of the Baris": [dancer holding up spear; p. 226]. 1937?
drawing (ink and wash) 32 x 24.1 cm.
6 66.2.6
"Movements of the Baris": [dancer with one knee up; p. 226]. 1937?
drawing (ink and wash) 31.8 x 24.1 cm.
7 66.2.7
"Movements of the Baris": [dancer with arms extended; p. 226]. 1937?
drawing (ink wash) 33.7 x 24.3 cm.
8 66.2.8
"Movements of the Baris": [dancer with right arm pointing down; p. 226]. 1937?
drawing (ink) 30.7 x 24.2 cm.
9 66.2.9
[Profile of man's head with hat; p. 139]. 1937?
drawing (ink) 28 x 21.6 cm.
10 66.2.13
"The Abuang": [man and woman dancing with arms outstretched; p. 22]. 1937?
painting (watercolor) 27.8 x 21.5 cm.
11 66.2.14
"The Ardja, Romantic Balinese Opera": [two dancing figures; p. 237]. 1937?
drawing (ink), 21.4 x 28.1 cm.
12 66.2.18
[Female nude sitting in water, with hands held in front of face; cover and p. 117]. 1937?
drawing (ink) 27.9 x 21.5 cm.
Unpublished drawings:
Box Folder
1 13 66.2.12
[Balinese man seated on platform, drinking from a charatan]. 1937?
drawing (ink) 27.9 x 20.9 cm.
Box. Folder
2 1 66.2.15
[Head and upper torso of young Balinese woman with earrings]. 193-
drawing (ink) 27.8 x 21.5 cm.
Box Folder
2 2 66.2.16
[Seated half nude Balinese woman, with head turned in profile, wearing large earring]. 193-
drawing (ink) 27.8 x 21.5 cm
3 66.2.17
[Seated half nude Balinese woman with hands on knees]. 193-
drawing (ink) 27.7 x 21.4 cm.
4 66.2.19
[Female Balinese dancer with headdress]. 193-
drawing (ink) 27.8 x 21.8 cm.
Box Folder
5 1 66.2.41
[Three Balinese women with basket of grain, bananas, and bottles]. 193-
drawing (ink wash) 36.9 x 25.5 cm.
66.2.97
[ "Balinese landscape"]. [title from dealer's list] n.d.
painting (oil on canvas) 45.7 x 59.3 cm. Long-term loan
Diaz del Castillo, Bernal. The Discovery and Conquest of Mexico (1942)
Box Folder
2 5 66.2.24
[Market scene; p. 118]. 1942?
drawing (ink) 21.5 x 27.8 cm.
6 66.2.26
[Aztec man with headdress and cape, followed by man carrying basket: Montezuma's tax gatherer with slave; p. 53]. 1942?
drawing (watercolor and ink) 27.8 x 21.5 cm.
7 66.2.27
[Spanish soldier, in armor, and Aztec warrior in battle; p. 10]. 1942?
drawing (watercolor and ink) 27.8 x 21.5 cm.
8 66.2.28
[Two soldiers, one with raised dagger, restraining half nude kneeling woman, fire at side, similar to illustration on p. 189]. 194-?
drawing (watercolor and ink) 21.5 x 27.7 cm.
9 66.2.29
[Group of Aztec men holding soldier as one man puts dagger in the soldier's chest; p. 172]. 1942?
drawing (ink and crayon) 20.8 x 27.3 cm.
Maran, René. Batouala (1932)
Box Folder
2 10 66.2.30
[Bird with Snake; p. 116]. 1932
drawing (ink) 18.2 x 23.6 cm.
Box. Folder
5 2 66.2.42
[Large figure clothed in straw, surrounded by nude female dancers; p. 57]. 1932?
painting (gouache and ink) 46.1 x 35.6 cm.
Melville, Herman. Typee (1935)
Box Folder
2 11 66.2.11
[Three women using mallets to beat sheets of bark; p. 235]. 1935?
painting (watercolor) 20.7 x 29.8 cm.
Box Folder
5 3 66.2.46
[Idol leaning against tree in the jungle; p. 284]. 1935?
painting (black ink and colored ink wash) 22.6 x 27.4 cm.
Prescott, W. H. The Conquest of Mexico (1949)
Box Folder
2 12 66.2.25
[Group of men holding soldier as one man puts dagger in his chest; p. 488]. 1949?
drawing (ink) 21.7 x 28 cm.
Riddell, John. In the Worst Possible Taste (1932)
Box Folder
5 4 66.2.48
[Edna Ferber; p. 32]. 1932?
drawing (ink and wash) 36.8 x 26.7 cm.
5 66.2.56
William Faulkner [p. 88]. 1932?
drawing (ink wash and white) 28 x 35.6 cm.
6 66.2.59
Floyd Gibbons [p. 190]. 1932?
drawing (ink wash) 38.7 x 26.9 cm.
7 66.2.64
Rockwell Kent [p. 58]. 1932?
drawing (ink and wash) 38.7 x 27.4 cm.
B. Magazine Illustrations, 1925-1938
Vanity Fair, 1925-1935
Box Folder
4 1 66.2.92
Socialist / Editor [ "The Horrors of Fifth Avenue Society--At Both Ends"; group of 10 people having conversations in small room; May 1925]. 1925
drawing (ink and wash) 24 x 33.5 cm.
Box Folder
5 8 66.2.86
[ "The Idol Rich: The Pugilist"; caricature of boxer in ring; Feb. 1927]. 1927
drawing (ink wash) 31.5 x 40.3 cm.
Box Folder
6 1 66.2.51
[William Beebe, "Home at Last;" Oct 1928]. 1928
drawing (ink, wash, and gouache) 25.3 x 35.4 cm.
2 66.2.68
Joan Lowell [ "The Cradle of the Duped;" June 1929]. 1929
drawing (ink wash) 35.4 x 25.4 cm.
3 66.2.45
[ "Tourist Saved by Cheap Chinese Labor;" caricature of woman in rickshaw; Mar. 1931]. 1931
painting (watercolor, gouache, and ink) 25.5 x 35 cm.
4 66.2.71
Huey Long [Huey Long vs. Benito Mussolini; illustration for "Impossible Interviews;" Mar. 1932]. 1932
painting (gouache) 33.9 x 27.7 cm.
5 66.2.82
James J. Walker [Mayor of New York City; Apr. 1932]. 1932
painting (gouache) 40.7 x 28 cm.
6 66.2.85
Helen Wills [Aug. 1932]. 1932
painting (gouache and ink) 40.5 x 29 cm.
7 66.2.55
Sen Brookhart + Marlene Dietrich [Sen. Smith W. Brookhart vs. Marlene Dietrich; illustration for "Impossible Interviews;" Sept. 1932]. 1932
painting (gouache and ink) 32.7 x 38.8 cm.
8 66.2.52
[Al Capone vs. Chief Justice Charles Evan Hughes; illustration for "Impossible Interviews;" Oct. 1932]. 1932
painting (gouache) 28.8 x 35.3 cm.
Box Folder
7 1 66.2.58
[Clark Gable vs. Edward, Prince of Wales; illustration for "Impossible Interviews;" Nov. 1932]. 1932
painting (gouache and ink) 27.5 x 32.7 cm.
2 66.2.90
[Beach scene with various figures; background for "Malibu Beach, Hollywood;" Aug. 1933]. 1933
drawing (ink and wash) 21.6 x 28 cm.
3 66.2.63
[ "Mills--Now Open for Future Bookings"; caricature of Ogden Mills as Al Jolson; Sept 1933]. 1933
drawing (ink wash) 25.5 x 35.5 cm.
Box Folder
4 2 66.2.75
Roosevelt [ "F.D.R.--Everybody up now! Sing!;" illustration for "Potomac Singers;" Sept. 1933]. 1933
drawing (ink and wash) 35.5 x 25.5 cm.
Box. Folder
7 4 66.2.89
[ "Once a Kidnapper, Always a Nursemaid"; caricature of boy pointing gun at man; illustration for "New Jobs for Old Meanies;" Oct. 1933]. 1933
drawing (ink wash) 37.3 x 27 cm.
Box Folder
7 5 66.2.87
[ "Rico the Rat turns Peruvian Bond Expert;" caricature of a stockbroker smoking cigar and holding ticker tape; illustration for "New Jobs for Old Meanies;" Oct. 1933]. 1933
drawing (ink wash) 37 x 27.2 cm.
Box Folder
4 3 66.2.74
[Franklin D. Roosevelt, "Picture Frames á la Baroque;" Feb. 1934, p. 17]. 1934
drawing (ink and watercolor) 27.3 x 23.2 cm.
4 66.2.93
Panther men sacrificing a victim [ "Part-time Panther in Daloa;" May, 1935]. 1935
drawing (ink and wash) 25.3 x 36.2 cm.
The New Yorker, 1926-1938
Box Folder
7 6 66.2.76
[ "The Grand Street Apothecary," Albert Carroll, Harold Minier, and Dorothy Sands, in The Apothecary; Apr 10, 1926]. 1926
drawing (ink wash) 38 x 31.2 cm.
7 66.2.49
[Alfred Lunt and Clare Eames in Ned McCobb's Daughter; Dec. 18, 1926]. 1926
drawing (ink and wash with gouache over pencil) 31.5 x 38.9 cm.
Box Folder
4 5 66.2.60
[George Bernard Shaw wearing robe, seated on cloud; Dec. 25, 1926]. 1926
drawing (ink) 25 x 19.9 cm.
Box Folder
7 8 66.2.50
[Ethel Barrymore and Frank Conroy in The Constant Wife; Jan. 1, 1927]. 1926
drawing (ink and wash with gouache) 38.8 x 32.1 cm.
Box Folder
8 1 66.2.80
Henry Travers, Lynn Fontanne [in Pygmalion; Mar. 26, 1927]. 1927
drawing (ink wash) 37 x 31.8 cm.
2 66.2.53
Helen Ford [ "On the Wings of Dream;" Helen Ford and Lulu McConnell in Peggy-Ann; Apr. 16, 1927]. 1927
drawing (ink and wash) 28 x 37.2 cm.
3 66.2.61
Jeane [sic, Jeanne] Eagels & Leslie Howard in Her Cardboard Lover [May 7, 1927]. 1927
drawing (ink and wash) 39.4 x 31.1 cm.
Box Folder
4 6 66.2.79
Mrs. Fiske and Sydney Toler in "Mrs. Bumstead Leigh" [Minnie Maddern Fiske and Sidney Toler in Mrs. Bumstead-Leigh; Apr. 27, 1929, p. 29]. 1929
drawing (ink and wash) 30.5 x 25.4 cm.
Box. Folder
8 4 66.2.83
[George White and Frances Williams in George White's Scandals; Dec. 14, 1929]. 1929
drawing (ink wash and watercolor) 35.6 x 26.7 cm.
Box Folder
8 5 66.2.70
[Alfred Lunt, Lynn Fontanne and Helen Westley in Reunion in Vienna; Dec. 26, 1931]. 1931
drawing (ink and wash) 31.9 x 26.9 cm.
Box Folder
4 7 66.2.73
Lily Pons [ "Mlle. Lily Pons;" Jan. 16, 1932, p. 20]. 1932
drawing (ink) 37.6 x 26.8 cm.
Box Folder
8 6 66.2.81
Ernest Truex [in Whistling in the Dark; Feb. 27, 1932]. 1922
drawing (ink wash) 37 x 29.4 cm.
7 66.2.67
Jim Londos [prize fighter; Mar. 5 1932]. 1932
drawing (ink and wash) 36.8 x 28.8 cm.
8 66.2.62
[Brigadier-General Hugh Johnson; Aug. 25, 1934]. 1934
drawing (ink and wash) 36.8 x 29.1 cm.
Box. Folder
4 8 66.2.65
Ray Bolger, Bert Lahr, Frances Williams, Luella Gear [in Life Begins at 8:40; Oct. 13, 1934, p. 36]. 1934
drawing (ink and wash) 26.7 x 25.4 cm.
Box Folder
8 9 66.2.84
[Marie Burke, Guy Robertson, and Marion Claire, in The Great Waltz; Nov. 24, 1934]. 1934
drawing (watercolor, ink, and white gouache) 33.4 x 27.6 cm.
Box Folder
9 1 66.2.69
Idiot Delight, Lunt & Fontanne [ "Reunion in Vienna," Alfred Lunt and Lynn Fontanne in Idiot's Delight; Apr. 11, 1936]. 1936
drawing (ink and wash) 37.8 x 27.7 cm.
2 66.2.88
[ "Dexter Fellows," Ringling Brother's Publicity Director; Apr. 10, 1937]. 1937
drawing (ink) 36.5 x 25.7 cm.
Box. Folder
4 9 66.2.54
Walter Damrosch [May 8, 1937]. 1937
drawing (ink and wash) 27.9 x 24.1 cm.
Box Folder
4 10 66.2.57
[ "Joseph Medill Patterson;" Aug. 13, 1938]. 1938
drawing (ink and wash) 29 x 22.6 cm.
C. Other Works, 193-? - 1951, n.d.
Paintings
Box Folder
3 1 66.2.20
[Squatting man with hat]. n.d.
painting (watercolor) 27.8 x 20.9 cm.
2 66.2.33
[Trees in forest, "MC" over heart carved into tree trunk, butterfly]. n.d.
painting (watercolor and gouache) 17.4 x 14 cm.
3 66.2.34
[Four women at Mexican market]. n.d.
painting (watercolor) 27.2 x 20.7 cm.
Box. Folder
9 3 66.2.40
[Head portrait of man wearing hibiscus on side of head]. n.d.
painting (gouache) 25.5 x 35.5 cm.
Box Folder
9 4 66.2.43
[Couple dancing on beach, with three percussionists in background]. n.d.
painting (gouache) 26.1 x 28.4 cm.
5 66.2.44
[Seated Mexican woman with hands together in lap, wearing ribbon in hair; dancing couples in background]. n.d.
painting (gouache) 25.2 x 38.1 cm.
66.2.77
[ "Nubian Woman"]. 193-?
painting (oil on canvas) 43.2 x 35.5 cm. FAC Vault F10-D, side b
Drawings
Box Folder
3 4 66.2.10
[Squatting nude female holding up cloth]. n.d.
drawing (ink) 28.1 x 21.5 cm.
5 66.2.22
[Seated female nude, hands holding breasts]. n.d.
drawing (ink) 26.9 x 20.8 cm.
6 66.2.23
[Seated female nude]. n.d.
drawing (ink wash) 27.7 x 20.8 cm.
7 66.2.32
[ "Harlem Dandy;" African American man (head & shoulders) wearing hat with tilted brim]. n.d.
drawing (litho crayon) 27.7 x 21.3 cm.
8 66.2.35
[Standing female nude, view from rear]. n.d.
drawing (ink and crayon) 20.5 x 12.7 cm.
9 66.2.36
[Nine dancing figures]. n.d.
drawing (ink) 28.1 x 21.7 cm.
10 66.2.37
[Standing half-nude African woman wearing bangles around neck, one arm around tree]. n.d.
drawing (ink) 26.8 x 20.9 cm.
11 66.2.38
[Reclining female nude]. n.d.
drawing (ink) 20.9 x 27.7 cm.
Box Folder
9 6 66.2.47
[Three Mariachi musicians]. n.d.
drawing (felt tip marker) 25.7 x 27.8 cm.
Caricatures, Unpublished
Box Folder
9 7 66.2.72
PERON [caricature of Juan Perón as Nazi puppet]. n.d.
painting (watercolor and ink) 40.5 x 29 cm.
8 66.2.78
[Hideki Tojo, Japanese war minister and prime minister]. 194-?
drawing (ink) 31.2 x 22.6 cm.
Set Design
Box Folder
9 9 66.2.39
[Pyramid with half nude female on top; set design for Carlos Chavez's ballet, Los cuatro soles, 1951]. 1951
painting (gouache) 22.6 x 27 cm.

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II. Works by Other Artists, 1930-1954, n.d.

66.13
La Hija del Pintor. 1950
Artist Castillo, Fernando
painting (oil on canvas) visible image 72.8 x 62.2 cm. HRC 3.210
66.6
[Self-Portrait with Thorn Necklace and Hummingbird]. 1940
Artist Kahlo, Frida
painting (oil on canvas mounted to board) 62.5 x 48 cm. FAC Vault shelf
66.7
Still Life (with Parrot and Fruit) 1951
Artist Kahlo, Frida
painting (oil on canvas) 25.7 x 28.2 cm. FAC Vault shelf
Box Folder
4 11 66.8
Diego y Yo. 1930
Artist Kahlo, Frida
drawing (charcoal on paper) 29.5 x 21.5 cm.
66.9
Baile. n.d.
Artist Meza, Guillermo
painting (oil on paper) visible image 44.5 x 37.8 cm. FAC Vault F 10-D, side b
66.11
[Hand in Surreal Landscape]. n.d.
Artist Montenegro, Roberto
painting (oil on board) 22.9 x 30.5 cm. FAC Vault F 10-D, side b
66.15
[Animals]. 1950
Artist Navarro, Rafael
painting (oil on board) visible image 21.7 x 33.2 cm. HRC 3.210G
66.14
[Female nude (head and torso) with flowers and ribbons in hair, holding yellow cloth]. 1946
Artist Soriano, Juan
painting (gouache) 33.6 x 24.7 cm. FAC Vault F 10-D, side b
66.3
[Nickolas Muray]. 1954
Artist Tamayo, Rufino
drawing (charcoal on white wash on plywood) 102.5 x 77 cm. HRC 3.210
66.4
Cow Swatting Flies. 1951
Artist Tamayo, Rufino
painting (oil on canvas) 79 x 99 cm. HRC 3.210G
Box Folder
4 12 66.5.1
[Virgin of Guadalupe]. n.d.
Artist Tamayo, Rufino
print (woodcut) 20.5 x 15.7 cm.
13 66.5.2
[Mermaids with Lute]. n.d.
Artist Tamayo, Rufino
print (woodcut) 15.5 x 21 cm.

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