James Jones:
An Inventory of His Papers at the Harry Ransom Humanities
Research Center [Part 1]
| | |
|
| Creator: | Jones, James, 1921-1977 |
| Title: | James Jones Papers
|
| Dates: | 1890-1981 |
| Abstract: | The papers contain Jones' manuscripts,
proofs, film scripts, correspondence, financial records, photographs, works in
manuscript by other persons, and biographical materials. Also included are most
of his shorter prose writings and personal material such as address books,
appointment books, various ID records, and a collection of family history
materials including a large collection of photographic prints and negatives.
|
| Extent: | 153 boxes, 16 galley
files, 5 oversize flat files (64 linear feet) |
| Repository: | Harry Ransom Humanities Research Center,
The University of Texas at Austin |
James Ramon Jones was born to Ramon and Ada Blessing Jones on November
6, 1921. He enlisted in the United States Army upon graduation from high school
in his native Robinson, Illinois, in 1939 and was sent to Hawaii, where he
served in the 27th Infantry. After the Japanese attack on Pearl Harbor in
December 1941 Jones studied at the University of Hawaii while awaiting his
regiment's combat assignment. At the end of 1942 his unit landed on
Guadalcanal, where he was wounded in January 1943.
Transferred to a military hospital in Memphis for extended treatment,
Jones received an honorable discharge from the army in 1944 and returned to
Illinois to live with Lowney Handy and her husband Harry. Jones began to pursue
a literary career, moving to New York in early 1945 to attend New York
University. There he met Maxwell Perkins of Scribner's and was sufficiently
encouraged to submit a novel entitled
"They Shall Inherit the Laughter" in
early 1946. Perkins turned the manuscript down but gave Jones an advance on a
story idea about the pre-WWII army in Hawaii.
Back in Illinois, Jones wrought his army experiences into a novel,
From Here to Eternity, published by
Scribner's in 1951. The astonishing critical and popular success of
Eternity launched his career, and
virtually guaranteed a market for his subsequent work. Part of the proceeds
from
Eternity were used by Jones to help the
Handys establish a writers' colony in Marshall, Illinois.
After his marriage to Gloria Mosolino and the publication, to mixed
reviews, of
Some Came Running, Jones left Illinois for
New York and, eventually, Paris, where the couple settled in 1959. Their Paris
sojourn became an extended residence, and James and Gloria were central figures
in the postwar European literary scene. In the early 1960s Jones published
The Pistol and (in continuation of
Eternity)
The Thin Red Line. He also began a
subsidiary career as a script writer for motion pictures.
Responding to an attractive multi-book contract offer from Dell, Jones
left Scribner's at the end of 1964. In the following years he published
Go to the Widow-maker and
The Ice-cream Headache and Other Stories,
but work on the final volume of his military trilogy was interrupted twice to
produce
The Merry Month of May and
A Touch of Danger. In the years after 1964
Jones served as a European talent scout for Dell and spent considerable time
critiquing and encouraging young writers.
Following a reportorial trip to Viet Nam in early 1973 Jones published
Viet Journal and began to think seriously
of a return to the United States. In 1974 he accepted a one-year teaching
position at Florida International University in Miami, and wrote the text for
the illustrated history
WWII. At the end of his FIU tenure, James
Jones moved to Sagaponack, Long Island, and began again to work on
Whistle, the culmination of the story
begun with
From Here to Eternity. Struggling with
increasing health problems, Jones worked in 1976 and early 1977 to complete
Whistle. Following his death on May 9,
1977, his friend Willie Morris added an outline of the unfinished final
chapters of the novel, which was published in 1978.
James Jones' papers span the years 1890 to 1981 and embrace
manuscripts, proofs, correspondence, financial records, photographs, personal
documents, works in manuscript by other persons, and biographical materials.
The papers are largely in their original order, particularly those created
between the early 1960s and 1974. The materials are arranged in six series:
Series I. Works, 1945-78; Series II. Correspondence, 1930-81; Series III.
Personal Papers, 1890-1978; Series IV. Works by Others, 1948-78; Series V.
Lowney Handy and the Writers' Colony, 1942-57; and Series VI. Printed Matter,
1944-76.
The Works Series comprises nearly a third of the papers and includes
manuscripts of Jones' books from
Go to the Widow-maker on, as well as
numerous film scripts and most of his shorter prose writings. For most of the
later novels discarded and retyped pages, along with notes and plotting ideas
are present; for several of these works annotated galleys are also held. Of the
earlier novels,
Some Came Running and
The Pistol are present in typescript, the
former novel including some "notes on characters." There are film adaptations
by James Jones of
The Pistol and
The Thin Red Line.
The Correspondence Series represents almost half of the Jones papers
and contains his working personal and professional correspondence as well as
files on travel, entertainment, housing, and avocational interests. The
majority of these files (from about 1959 to 1974) are in their original order,
and those files post-1974 have been arranged insofar as possible to continue
this pattern. Much of his earlier correspondence was placed by James Jones in
the Beinecke Rare Book and Manuscript Library at Yale University.
Jones' correspondents include his brother Jeff and aunt Mollie Haish,
fellow writers (William Styron, Irwin Shaw, and Willie Morris particularly),
film people, lawyers, agents, and editors. Avocational correspondents include
ocean divers, knifemakers, artists, and military men. Carbons of many of James
Jones' letters are interfiled with the correspondence. The carbons vary from
the perfunctory but polite to the expansive and frank, depending on available
time and the extent to which the correspondent piqued Jones' interest.
The Personal Papers series includes a large group of address books,
appointment books, various ID records, as well as a collection of family
memorabilia and family history materials. A large collection of photographic
prints and negatives, as well as art works of Kaylie and Jamie Jones as
youngsters, is present. Detailed tax and financial records for the years
1964-74 are found in the series and are retained in their original
organizational scheme.
The Works by Others series includes manuscripts by friends and
contemporaries of James Jones, including biographical material on him. Many of
the works are novels, but short stories, poetry, nonfiction, and essays are
present. Biographical pieces on Jones, together with an extensive group of
interviews (printed and typescript) conducted with him from 1951 onward are
arranged in separate subseries. In a number of cases these interviews appear
never to have appeared in print in their present form.
The series on Lowney Handy and the Writers' Colony embraces a small
and mixed collection of correspondence, records, and clippings. The material is
too scant to document any aspect of the colony or its creator's life but does
serve--more than anything else--to provide a window on Lowney Handy's opinions
and unique personality.
A collection of printed matter in the form of periodical and newspaper
issues, together with various clippings and fragments comprises the final
series of the James Jones Papers.
Sound recordings, including Florida International University class
discussions and several interviews, have been withdrawn to the Sound Recordings
Collection. The Vertical File retains various theatrical programs and art
exhibition catalogs, as well as publications on funeral industry procedures and
minor publications removed from the papers.
Other repositories that have significant James Jones holdings include
the University of Illinois at Springfield, where the original manuscript of
From Here to Eternity and the papers of
the Handy Writers' Colony are to be found. The Beinecke Rare Book and
Manuscript Library holds the manuscript of
"They Shall Inherit the Laughter,"
along with the publication file of
Some Came Running.
Access:
Open for research
Purchases and gifts, 1964-1996 (R2254, R2382, G8110, R9451, G1686,
G4001, G5067, R13361, R13397, G10501)
Bob Taylor, 2002
Other Finding Aid
| | |
|
Garrett, George.
James Jones. New York: Harcourt Brace
Jovanovich, 1984.
Hendrick, George, ed.
To Reach Eternity: the Letters of James
Jones. New York: Random House, 1989.
MacShane, Frank.
Into Eternity: the Life of James Jones, American
Writer. New York: Houghton Mifflin, 1985.
|
Series Descriptions
| | | | | | | | | | | | | |
| |
Series I. Works, 1945-78, 48 boxes.
|
| The Works Series benefits from the unusual care with
which James Jones preserved his manuscripts, especially from the mid-1960s on.
The books subseries is the major part of the series and comprises both fiction
and non-fiction. The novels
Go to the Widow-maker,The Merry Month of May,A Touch of Danger, and
Whistle are represented with plot and
character notes, outlines, and, for the last three, a systematic retention of
discarded pages. The effort Jones put into achieving his artistic goals in
these novels is made manifest by these files. |
| The publication files of
Jones' collected short stories,
The Ice-cream Headache and Other
Stories, as well as the non-fiction
Viet Journal and
WWII are also found in this subseries.
All film scripts developed from Jones' novels, whether realized or not and
whether by him or others are filed here with the novel upon which they were
based. |
| Film scripts written or revised by Jones follow the major long
prose works in a separate subseries. The subseries embracing his short works is
subdivided into a general file of short prose and poetry from all periods and a
second smaller file identified here as
"Early Works in Typescript" which
he maintained during his residence in Marshall, Illinois. Cross references in
the general file lead to all titles present in the
Early Works file. A subseries
including commonplace books, story ideas, and creative fragments completes the
series. |
| | | Subseries A. Books,
1951-78 |
| | | | From Here to Eternity (1951) |
| Box | Folder |
| 1 | 1 | | | | Ch. 10 (typescript, with handwritten
notes) |
| | | | | Ch. 15, 16 [fragments filed in 143.15] |
| 2 | | | | Notes on characters |
| | | | | Page proofs on galleys [removed to Galley
Files] |
| | | | Go to the Widow-Maker (1967) |
| | | | | Typescript (mimeo) |
| 3 | | | | | Ch. 1-21 |
| 4 | | | | | Ch. 22-38 |
| Box | Folder |
| 2 | 1 | | | | Forematter--typescript with handwritten
notes |
| | | | | Typescript (photocopy) |
| 2 | | | | | Forematter and Ch. 1-4 |
| 3 | | | | | Ch. 5-11 |
| 4 | | | | | Ch. 12-18 |
| 5 | | | | | Ch. 19-24 |
| 6 | | | | | Ch. 25-29 |
| Box | Folder |
| 3 | 1 | | | | | Ch. 30-33 |
| 2 | | | | | Ch. 34-38 |
| 3 | | | | Notes for printer's typescript |
| | | | | Galley proofs, with author's revisions [removed to
Galley Files] |
| 4 | | | | "Uncorrected proof," in two volumes |
| 5 | | | | Trial page settings and proof dust
jackets |
| 6-8 | | | | Screenplay treatment, typescript,
14 Dec. 1964 (3 copies) |
| 9 | | | | Correspondence |
| | | | The Ice-cream Headache and Other
Stories (1968) |
| | | | | Stories revised for Dell,
1965 (carbon) |
| Box | Folder |
| 4 | 1-5 | | | | | Sect. 1-5 |
| 6 | | | | Six stories |
| 7 | | | | "A Sorry Tale" (3 carbons)
and
"The Ice-cream Headache"
(photocopy) |
| 8 | | | | "The Ice-cream Headache" (2
carbons) |
| | | | | Typescript with corrections |
| Box | Folder |
| 5 | 1 | | | | | To p.160 |
| 2 | | | | | p. 161-340 |
| 3 | | | | | p. 341-end |
| | | | | Typescript with attached memo |
| 4 | | | | | To p. 213 |
| 5 | | | | | p. 214-end |
| | | | | Galley proofs, with author's revisions [removed to
Galley Files] |
| 6 | | | | The Way It Is, "uncorrected
advance proofs" also cataloged as PS 3560 O49 W323,
1966 |
| | | | The Merry Month of May (1971) |
| | | | | Riots file (research material,
May-June
1968) |
| Box | Folder |
| 6 | 1 | | | | | Political pamphlets and handbills |
| 2 | | | | | Clippings on Paris riots |
| 3 | | | | | Clippings on Robert F. Kennedy |
| 4 | | | | Correspondence and documents |
| 5 | | | | "Riots novel" notebook and
small notebook |
| | | | | | (See also "Random notes" in
Whistle 1967 notebooks,
36.7) |
| 6 | | | | Outline and notes |
| 7 | | | | Correction sheets and notes |
| Box | Folder |
| 7 | 1 | | | | Draft of ch. 1-3 and miscellaneous
fragments |
| | | | | "Harry Gallagher's Paris
Revolution" |
| 2 | | | | | Typescript |
| 3 | | | | | Revised pages |
| | | | | Original typescript |
| 4 | | | | | Ch. 1-6 |
| 5 | | | | | Ch. 7-14 |
| 6 | | | | | Ch. 15-23 |
| 7 | | | | | Ch. 24-29 |
| | | | | Reject pages |
| Box | Folder |
| 8 | 1 | | | | | No. 1 (Ch. 1-4) |
| 2 | | | | | No. 2 (Ch. 2, 3) |
| 3 | | | | | No. 3 (Ch. 2-6) |
| 4 | | | | | No. 4 (Ch. 3, 4, 7-11) |
| 5 | | | | | No. 5 (Ch. 12-18) |
| 6 | | | | | No. 6 (Ch. 19-29) |
| | | | | Galley proofs, with editorial revisions [removed to
Galley Files] |
| Box | Folder |
| 9 | 1 | | | | "Uncorrected advance proofs" (Collins) ("Jones
master copy") |
| | | | The Pistol (1959) |
| 2 | | | | Typescript (mimeo), with notations |
| 3 | | | | Bound galleys |
| 4 | | | | Screenplay (carbon) by JJ |
| 5 | | | | Screenplay (mimeo) by and for BBC-TV |
| | | | Some Came Running (1958) |
| | | | | Typescript (carbon) |
| | | | | | Book 1 |
| 6 | | | | | | Ch. 1-6 |
| Box | Folder |
| 10 | 1 | | | | | | Ch. 7-15 |
| | | | | | Book 2 |
| 2 | | | | | | Ch. 16-23 |
| 3 | | | | | | Ch. 24-30 |
| | | | | | Book 3 |
| 4 | | | | | | Ch. 31-37 |
| 5 | | | | | | Ch. 38-42 |
| Box | Folder |
| 11 | 1 | | | | | | Ch. 43-44 |
| | | | | | Book 4 |
| Box | Folder |
| 11 | 1 | | | | | | Ch. 45-49 |
| 2 | | | | | | Ch. 50-55 |
| 3 | | | | | | Ch. 56-60 |
| | | | | | Book 5 |
| 4 | | | | | | Ch. 61-67 |
| 5 | | | | | | Ch. 68-70 |
| 6 | | | | | | Ch. 71-76 and Epilogue |
| Box | Folder |
| 12 | 1 | | | | Ch. 1-29 (partial typescript, with handwritten
notes) |
| 2 | | | | Notes on characters |
| 3 | | | | Screenplay, by J. Patrick and A.
Sheekman |
| | | | The Thin Red Line (1962) |
| | | | | Typescript |
| 4 | | | | | Ch. 1 |
| 5 | | | | | "Mass grave scene" for "proposed...reading in
Germany" (parts of ch. 1 and 2) |
| | | | | Galley proofs [removed to Galley Files] |
| 6 | | | | Screenplay (first draft, "Property of Security
Pictures, Inc.") by JJ |
| 7 | | | | Screenplay by JJ |
| | | | A Touch of Danger (1973) |
| 8-9 | | | | Notebooks |
| Box | Folder |
| 13 | 1 | | | | Notebooks |
| 2 | | | | Research materials |
| 3 | | | | Notes on plot and character |
| 4 | | | | Typescript draft of ch. 1-4 and 6;
Dec. 20, 1971 |
| | | | | Typescript,
July 23, 1972 |
| 5 | | | | | Ch. 1-18 |
| 6 | | | | | Ch. 19-39 |
| 7 | | | | | Ch. 40-61 |
| | | | | Tsatsos Hippy Murders final draft carbon |
| Box | Folder |
| 14 | 1 | | | | | Ch. 1-18 |
| 2 | | | | | Ch. 19-36 |
| 3 | | | | | Ch. 37-54 |
| 4 | | | | | Ch. 55-61 |
| | | | | Reject pages
[thru 23 July 1972] |
| 5 | | | | | No. 1 (Ch. 1-4, 6, 7) |
| 6 | | | | | No. 2 (Ch. 7-15) |
| Box | Folder |
| 15 | 1 | | | | | No. 3, pt. 1 (Ch. 16-21) |
| 2 | | | | | No. 3, pt. 2 (Ch. 22-25) |
| 3 | | | | | No. 4, pt. 1 (Ch. 26, 27) |
| 4 | | | | | No. 4, pt. 2 (Ch. 29-31) |
| 5 | | | | | No. 5, pt. 1 (Ch. 32-34) |
| 6 | | | | | No. 5, pt. 2 (Ch. 37, 38) |
| 7 | | | | | No. 6, pt. 1 (Ch. 13, 39-42) |
| Box | Folder |
| 16 | 1 | | | | | No. 6, pt. 2 (Ch. 42, 43, 46) |
| 2 | | | | | No. 7 (Ch. 46-55) |
| 3 | | | | | No. 8 (Ch. 56-61) |
| | | | | Typescript (final), with notations |
| 4 | | | | | Ch. 1-17 |
| 5 | | | | | Ch. 18-36 |
| 6 | | | | | Ch. 37-54 |
| Box | Folder |
| 17 | 1 | | | | | Ch. 55-61 |
| | | | | Typescript with notes |
| 2 | | | | | Ch. 1-16 |
| 3 | | | | | Ch. 17-31 |
| 4 | | | | | Ch. 32-49 |
| 5 | | | | | Ch. 50-61 |
| | | | | Typescript with notes |
| 6 | | | | | Ch. 1-16 |
| 7 | | | | | Ch. 17-32 |
| Box | Folder |
| 18 | 1 | | | | | Ch. 33-48 |
| 2 | | | | | Ch. 49-61 |
| | | | | Typescript for printer (Doubleday) |
| 3 | | | | | To p. 150 |
| 4 | | | | | p. 151-300 |
| 5 | | | | | p. 301-450 |
| 6 | | | | | p. 451-581 |
| Box | Folder |
| 19 | 1 | | | | | Corrections for final draft & title
ideas |
| | | | | Galley proofs [removed to Galley Files] |
| 2 | | | | Bound galleys (Doubleday) |
| | | | | Typescript for printer (Collins) |
| 3 | | | | | To p. 235 |
| 4 | | | | | p. 236-431 |
| 5 | | | | | p. 432-581 |
| Box | Folder |
| 20 | 1 | | | | "Uncorrected advance proofs" (Collins) |
| 2 | | | | p. 1-32, uncut (2 copies) |
| | | | | Film script, first treatment,
1972 |
| 3 | | | | | "Hippy murders film" notebook |
| 4 | | | | | Script skeleton outline |
| 5 | | | | | Treatment and outline reject pages |
| 6 | | | | | To p. 150 |
| 7 | | | | | p. 151 to end |
| 8 | | | | | Revised |
| 9 | | | | | Revised (carbon) |
| Box | Folder |
| 21 | 1 | | | | Script, edited version for Frankenheimer,
Feb. 4, 1972 |
| 2 | | | | Untitled original screen treatment for
Frankenheimer-Lewis Productions |
| 3 | | | | Partial shooting script,
Oct. 1972 |
| 4 | | | | Solo TV series story outlines |
| | | | | Screenplay by Paul Jarrico and JJ,
1975-76 |
| 5 | | | | | Synopsis and outline notes,
1974-76 |
| 6 | | | | | Typescript, ca. May 1975, with
correspondence |
| 7 | | | | | Photocopy, ca. May 1975, with
revisions |
| 8 | | | | | Typescript revised pages,
2-24 March
1976 |
| 9 | | | | | Photocopy, pages 1-36,
ca. March 1976 |
| Box | Folder |
| 22 | 1 | | | | | Typescript with revisions to
26 March 1976 |
| 2 | | | | | Typescript,
26 March 1976 |
| 3 | | | | | Mimeo, 26 March 1976, and related materials,
including correspondence |
| 4 | | | | | Typescript carbon,
26 March 1976 |
| | | | Viet Journal (1974) |
| 5 | | | | Correspondence |
| 6 | | | | Travel-related material |
| | | | | Notes and notebooks |
| 7 | | | | | Notes on section titles; other brief
notes |
| Box | Folder |
| 23 | 1 | | | | | Viet notes, Paris and Viet journal |
| 2 | | | | | Viet Nam trip and Military; The North |
| 3 | | | | | The North and Dak Pek notes |
| 4 | | | | | III Corps & the Delta and Saigon, last 2
days |
| 5 | | | | | Saigon, last 2 days; Impression notes and Ideas
for title |
| 6-8 | | | | Research materials (printed matter) |
| Box | Folder |
| 24 | 1 | | | | Negatives and contact sheets |
| 2 | | | | Maps |
| 3 | | | | Typescript, inscribed "Original manuscript, 30
October 1973, James Jones" |
| 4-5 | | | | Typescript (carbon), inscribed "Original carbon, 30
October 1973, James Jones" |
| Box | Folder |
| 25 | 1-2 | | | | Typescript copy |
| | | | | Typescript (carbon) for printer |
| 3 | | | | | To p. 200 |
| 4 | | | | | p. 201-end |
| 5 | | | | | Correction sheets |
| | | | | Typescript (photocopy), bound |
| 6 | | | | | No. 1 of 11 copies; "kept by author" |
| Box | Folder |
| 26 | 1 | | | | | No. 2 of 11 copies; "kept by author" |
| 2-3 | | | | Page proofs |
| 2 | | | | | Photocopy with handwritten corrections |
| 3 | | | | | Correction sheets |
| | | | | Trial dust jacket |
| 4 | | | | | Photostatic enlargement with black
border |
| 5 | | | | | Alternate jacket with red back |
| | | | | Articles for the
New York Times |
| 6 | | | | | 1st and 3rd articles (typescript) |
| 7 | | | | | 1st, 2nd, and 3rd articles (carbon) |
| | | | | Drafts and fragments |
| 8 | | | | | "Hawaiian Recall"
typescript (photocopy) |
| 9-10 | | | | | Draft fragments |
| | | | Whistle (1978) |
| Box | Folder |
| 27 | 1 | | | | Earliest notes and plot ideas,
Oct. 1966-June
1967 |
| | | | | Draft begun May 1967 ["new novel"] |
| | | | | | Typescript |
| 2 | | | | | | Section 1
(Dec. 1967-Jan.
1968) |
| 3 | | | | | | Section 1 (1st carbon) |
| 4 | | | | | | Section 1 (2nd carbon) |
| 5 | | | | | | Section 2
(March 1968) |
| 6 | | | | | | Section 2 (1st carbon) |
| 7 | | | | | | Section 2 (2nd carbon) |
| | | | | | Old drafts |
| 8 | | | | | | Section 1
(May-Dec.
1967) |
| 9 | | | | | | Section 2
(Jan.-March
1968) |
| 10 | | | | | | Sections 1 and 3
(July 1967-May
1968) |
| | | | | Draft begun Sept. 1970 ["new re-write"] |
| | | | | | Typescript |
| Box | Folder |
| 28 | 1 | | | | | | Ch. 1
(Oct. 1970-Sept.
1971) |
| 2 | | | | | | Ch. 1-3 (retyped by K. Weissberger) |
| 3 | | | | | | Ch. 1-3 (1st carbon) |
| 4 | | | | | | Ch. 1-3 (2nd carbon) |
| 5 | | | | | | Ch. 1-3 (photocopy) |
| 6 | | | | | | Ch. 4
(June-July
1971) |
| | | | | | Reject pages |
| 7 | | | | | | Ch. 1, 2
(Sept.-Nov.
1970) |
| 8 | | | | | | Ch. 2, 3
(Nov. 1970-May
1971) |
| 9 | | | | | | Ch. 3-5
(April-Sept. 1971) |
| | | | | Draft begun
Oct. 1972 |
| Box | Folder |
| 29 | 1 | | | | | Ch. 1-3 |
| | | | | Draft begun
Jan. 1973 |
| 2 | | | | | Prefatory note
(16 Feb. 1973) |
| 3 | | | | | Prefatory note reject pages
(Jan.-Feb.
1973) |
| 4 | | | | | Ch. 1, 2 |
| 5 | | | | | Ch. 1 and prefatory note (carbon) |
| | | | | Draft,
ca.
1973-1977 |
| | | | | | Book 1 (draft begun
Oct. 1973) |
| 6 | | | | | | Introduction
(15 Nov. 1973) |
| 7 | | | | | | Ch. 4 fragment |
| 8-9 | | | | | | Typescript (2 copies) |
| | | | | | | Reject pages |
| 10 | | | | | | | Ch. 3, 4
(Nov.-Dec.
1973) |
| 11 | | | | | | | Ch. 4-6
(Dec. 1973-Jan.
1974) |
| 12 | | | | | | | Ch. 6, 7
(Jan.-Feb.
1974) |
| | | | | | Book 2 |
| | | | | | | Typescript |
| Box | Folder |
| 30 | 1-3 | | | | | | | Ch. 8-11 (3 copies) |
| 4-5 | | | | | | | Ch. 12-14 (2 copies) |
| 6 | | | | | | | Ch. 14 |
| | | | | | | Reject pages |
| 7 | | | | | | | Ch. 8, 9
(March-April
1974) |
| 8 | | | | | | | Ch. 10, 11
(April-May
1974) |
| 9 | | | | | | | Ch. 12-14
(May-June
1974) |
| | | | | | Book 3 |
| | | | | | | Typescript |
| Box | Folder |
| 31 | 1 | | | | | | | Photocopy |
| 2 | | | | | | | Ch. 18 (carbon) for Willie Morris |
| | | | | | | Reject pages |
| 3 | | | | | | | Ch. 15, 16
(March-June
1975) |
| 4 | | | | | | | Ch. 16-19
(June-Sept.
1975) |
| 5 | | | | | | | Ch. 18, 19
(Aug. 1975-May
1976) |
| 6 | | | | | | | Ch. 19
(May 1976) |
| Box | Folder |
| 32 | 1 | | | | | | | Ch. 19-21
(May-June
1976) |
| 2 | | | | | | | Ch. 21
(June 1976) |
| | | | | | Book 4 |
| | | | | | | Typescript |
| 3 | | | | | | | Ch. 26-28 (carbon) |
| | | | | | | Reject pages |
| 4 | | | | | | | Ch. 22
(July-Aug.
1976) |
| 5 | | | | | | | Ch. 22, 23
(July-Sept.
1976) |
| 6 | | | | | | | Ch. 23
(Sept. 1976) |
| 7 | | | | | | | Ch. 23, 24
(Sept.-Oct.
1976) |
| 8 | | | | | | | Ch. 24
(Sept.-Oct.
1976) |
| Box | Folder |
| 33 | 1 | | | | | | | Ch. 25, 26
(Oct.-Nov.
1976) |
| 2 | | | | | | | Ch. 27
(Nov. 1976) |
| 3 | | | | | | | Ch. 28
(Nov.-Dec.
1976) |
| | | | | | Book 5 |
| | | | | | | Typescript |
| 4-5 | | | | | | | Ch. 29-31 (photocopy) (2 copies) |
| 6 | | | | | | | Ch. 30
(Jan.-March
1977) |
| | | | | | | Reject pages |
| 7 | | | | | | | Ch. 29
(Dec. 1976-Jan.
1977) |
| 8 | | | | | | | Ch. 30
(Jan.-March
1977) |
| | | | | Final draft |
| Box | Folder |
| 34 | 1 | | | | | Book 1 |
| 2 | | | | | Book 2 |
| 3 | | | | | Book 3 |
| 4 | | | | | Book 4 |
| 5 | | | | | Book 5 |
| | | | | Final draft (carbon) |
| Box | Folder |
| 35 | 1 | | | | | Book 1 |
| 2 | | | | | Book 2 |
| 3 | | | | | Book 3 |
| 4 | | | | | Book 4 |
| 5 | | | | | Book 5 |
| | | | | Final draft (photocopy marked for
printer) |
| 6 | | | | | Book 1 |
| Box | Folder |
| 36 | 1 | | | | | Book 2 |
| 2 | | | | | Book 3 |
| 3 | | | | | Book 4 |
| 4 | | | | | Book 5 |
| 5 | | | | Layout designs for novel (photocopy) |
| | | | | Working notes |
| 6-7 | | | | | 1967 (see also
A Touch of Danger notebook,
12.9) |
| Box | Folder |
| 37 | 1 | | | | | 1971-72 (two notebooks; one with notes on "Irwin's
novel,
Feb. 1972") |
| 2 | | | | | Undated notes |
| 3 | | | | | "An outline in the form of a film treatment,"
Jan. 1973 |
| 4 | | | | | 1974 |
| 5 | | | | | Book 3 notes, begun
7 Mar. 1975 |
| 6 | | | | | Book 4 notes |
| 7 | | | | | Book 5 notes, in part by W. Morris (see also
Homefront notes, 41.7) |
| 8 | | | | | W. Morris' notes and transcription,
1977 |
| 9 | | | | | Loose notes and fragments |
| | | | WWII (1975) |
| | | | | Typescript (final), with notations |
| 10 | | | | | p. 1-175 |
| 11 | | | | | p. 176-324 |
| | | | | Typescript final (carbon) |
| Box | Folder |
| 38 | 1 | | | | | p. 1-175 |
| 2 | | | | | p. 176-324 |
| | | | | Typescript final (photocopy) |
| 3 | | | | | p. 1-175 |
| 4 | | | | | p. 176-324 |
| | | | | Reject pages |
| 5 | | | | | Through 14 Oct. 1974 |
| 6 | | | | | 15 Oct.-19 Dec.
1974 |
| Box | Folder |
| 39 | 1 | | | | Draft fragments |
| 2 | | | | Uncorrected advance proof |
| 3 | | | | Uncorrected advance proof (photocopy) |
| 4 | | | | "Casualties" section in proof (photocopy) with
notes |
| | | | | Galley proofs of
"The Evolution of a
Soldier" section for
Playboy [removed to Galley
Files] |
| 5 | | | | Proof, with illustrations (photocopy) |
| 6 | | | | Complete text, in unsewn gatherings |
| 7 | | | | Michael Braun's proposal for TV
documentary |
| 8 | | | | Working notes in two notebooks |
| 9 | | | | Notes and source material |
| 10 | | | | Rhodia notebook containing
WWII and
Whistle ideas |
| Box | Folder |
| 40 | 1 | | | | Notes on war art by A. Weithas and
others |
| 2 | | | | Press kits |
| | | | | Art reproductions |
| 3 | | | | | Howard Brodie |
| 4-5 | | | | | Various artists |
| | | Subseries B. Film and TV Scripts and Outlines,
1953-76 |
| | | | Blind Journey (written with Dennis Berry) |
| Box | Folder |
| 40 | 6 | | | | Screenplay treatment and notes |
| 7 | | | | Screenplay treatment, carbon |
| 8 | | | | Second draft screenplay treatment |
| Box | Folder |
| 41 | 1 | | | | Screenplay |
| 2 | | | Deaf Moore (screenplay outline by JJ, for Paul
Heller) |
| 3 | | | Film file: projects (brief notes) |
| | | | Golfer Story |
| 4 | | | | Original outline and notes |
| 5 | | | | Script outline |
| 6 | | | | Script |
| | | | Homefront (treatment by JJ; script by Robert A.
Aurthur) |
| 7 | | | | Notes [includes notes on
Whistle] |
| 8 | | | | "Jones/Sternberg transcript,
10/5/75 (2 copies) |
| 9 | | | | "Some of what J.J. wants the series to convey to the
viewer" (2 copies) |
| 10 | | | | "World War II pilot story outline" |
| 11 | | | | Treatment |
| Box | Folder |
| 42 | 1 | | | | Treatment, expanded |
| 2 | | | | Pilot script (2 copies) |
| | | | The Island, JJ's rewrite of Barbet Schroeder's
screenplay |
| 3 | | | | Schroeder's treatment and script,
contract |
| 4 | | | | Scenes revised by JJ |
| 5 | | | | Script as revised by JJ |
| 6 | | | Jud Kinberg script (notes for revision,
1970) |
| 7 | | | The Killing Frost, screenplay for Lancaster and Hecht,
1953 |
| | | | Liberty Party (TV show) |
| 8 | | | | Story ideas and notes, with notes by
Lowney |
| Box | Folder |
| 43 | 1 | | | | Scripts |
| | | | The Love Cage (screenplay) |
| 2 | | | | Script, with JJ's revisions |
| 3 | | | | Revised pages and notes |
| 4 | | | Munich, Just Before the War ("Chaplin/Howard film"),
notes and script outline |
| 5 | | | Safari, script outline for film |
| 6 | | | Sullivan [name of protagonist], outlines and
notes |
| 7 | | | Summer Project, film outline |
| | | | Under Western Eyes, Western script with Nicholas
Ray |
| 8 | | | | Notes, outlines, changes, revisions |
| 9 | | | | Treatment with working title Sunburst! |
| Box | Folder |
| 44 | 1 | | | | Film treatment |
| 2 | | | | Film treatment, second draft |
| 3 | | | | Transcription from tapes |
| 4 | | | | Final treatment |
| | | Subseries C. Short Works,
1945-76 |
| Box |
| 44 | | | | General file |
| | | | | Amateur's Report (written for
Playboy) |
| 5 | | | | | Typescript |
| 6 | | | | | Final typescript and correspondence |
| 7 | | | | Articles on artists (
"Loom of the Future " also
at 45.8) |
| | | | | "L'Auteur, James Jones, en Plongée
à la Jamaïque " [removed to Galley Files] |
| 8 | | | | Black November |
| 9 | | | | Cage of the Puma |
| 10 | | | | Don Fink |
| 11 | | | | Don't Monkey Around with Death (Lyric by
JJ) |
| Box | Folder |
| 45 | 1 | | | | Esquire Letters (La Guerre en
Suisse, Sons of Hemingway) (Sons of Hemingway also at 69.14) |
| 2 | | | | "Father, Dear Father, Come Home
with Me" |
| 3 | | | | Foreword [for D. E. Henry]
(1973) |
| 3 | | | | In the 12 years I lived in Paris... [for Sargent
Shriver] (at 96.21 (Shriver, Sargent)) |
| 4 | | | | Intro for Rust Hills Anthology
(1974) |
| 4 | | | | Introduction for
Stencil 50 (at
77.11) |
| 5 | | | | James Jones recipe |
| 6-7 | | | | Jazz People (typescript of Ole
Brask's study, with JJ's introduction) |
| 6-7 | | | | Let us not give up (or throw out) tradition (first
line of poem, at 90.9) |
| 6-7 | | | | Letters Home--see
Esquire Letters |
| 8 | | | | "Loom of the
Future" |
| 9 | | | | Magic Photoplay |
| 10 | | | | "Phony War Films"--see also
at 71.2 |
| 11 | | | | Poems and brief prose pieces |
| 12 | | | | Preface to
James Jones: a
Checklist |
| | | | | "Re-enlistment Blues,"
revised 8th stanza [removed to oversize materials at 153.2] |
| 13 | | | | Response to J. Donald Adams' review of
Some Came Running, 26 Jan. 1958 |
| 14 | | | | A Return to Storytelling |
| 15 | | | | A Sorry Tale |
| 16 | | | | "Sunday
Allergy" |
| 17 | | | | Surviving Summer
(1975) |
| 18 | | | | Talk at Southampton
(1976) |
| 19 | | | | They Shall Inherit the Wind (fragment, with
handwritten notes) |
| 20 | | | | To the Survivors of Hiroshima |
| 21 | | | | Whistle, a
Work-in-Progress |
| 22 | | | | Whither Now, Frau? |
| 22 | | | | Why are my Books Popular? (at
New York Times Book Review
correspondence, 67.2) |
| 22 | | | | "Why They Invade the
Sea" |
| 23 | | | | Typescript and carbon |
| | | | | Galley proofs [removed to Galley Files] |
| | | | Early Works in Typescript |
| Box | Folder |
| 46 | 1 | | | | "Bottle of
Cream" |
| 2 | | | | Carbons of sold stories [
"The King, ""None Sing so Wildly, " and
"Two Legs for the Two of
Us"] |
| 3 | | | | Cavalier |
| 4 | | | | Ford Times article [
"Marshall,
Illinois"] |
| 5 | | | | "Greater Love" [They Shall
Inherit, ch. 8] |
| 6 | | | | The Grossest Amateur |
| 7 | | | | "Just like the
Girl" |
| 8 | | | | Larches Need the Wind |
| 9 | | | | Love is Lonely, Friend |
| 10 | | | | Miscellaneous pieces [On Libraries and review of
Paths of Glory] |
| 11 | | | | Nothing in his Hand [They Shall Inherit, ch.
19] |
| 12 | | | | Old versions of stories [
"Secondhand
Man"] |
| 13 | | | | Original manuscripts of published stories [
"Just Like the Girl,""The King"] |
| 14 | | | | Original manuscripts of sold stories [
"Bottle of Cream, ""Greater Love, ""None Sing so
Wildly"] |
| 15 | | | | The Pistol [unfinished short story] |
| 16 | | | | Poetry [I am Getting Older, Love] |
| 17 | | | | Snow White and the Seven Dwarfs |
| 18 | | | | Stories to be reworked (1st draft) [Halloween, and
two untitled stories] |
| 19 | | | | Story ideas |
| 20 | | | | Story material [All the Way, The Gallows Blues,
There are Men Still Living Who Saw Lincoln] |
| 21 | | | | "Sunday
Allergy" |
| 22 | | | | Sweet Mystery [and The Maladjusted] |
| 23 | | | | "The Tennis
Game" |
| 24 | | | | Unsold stories [
"Secondhand
Man"] |
| 25 | | | | "The Valentine"
(carbon) |
| 26 | | | | The Warrior Born |
| | | Subseries D. Commonplace Books and Story Ideas,
1948-77 |
| | | | Material Related to Projected Fiction and
Nonfiction |
| Box | Folder |
| 47 | 1 | | | | Ideas for novels (several envelopes, all empty save
for "Memphis novel" and "Combat novel (3rd of trilogy)") |
| 2 | | | | Florida novel (notes and ideas) |
| 3 | | | | No Peace I Find [Django Reinhardt] |
| 4 | | | | Pornographic novel and/or undertaker novel
(notes) |
| 5 | | | | Robinson novel (notes) |
| 6 | | | | Books to read & notes on Robinson
novel |
| 7 | | | | Undertaker novel (notes) |
| 8-9 | | | | Story ideas |
| | | | Commonplace Books and Notebooks |
| 10 | | | | Esquire letter
material |
| 11 | | | | Gloriaisms |
| 12 | | | | Literary & other notes |
| 13 | | | | Literary fragments |
| Box | Folder |
| 48 | 1 | | | | Small notebooks |
| 2 | | | | Trip to Memphis with Lowney; books to
read |
| 3 | | | | Cast lists of popular movies,
1933-45 (from Dell) |
| 4 | | | | Cuba materials (from Roberto Fabricio and
others) |
| 5 | | | | John Leonard pieces for article,
March-April
1977 |
| 6 | | | | Memphis notes (collected by Elmore
Richmond) |
| 7 | | | | Vocabulary cards |
| | | | | | | | | | | | | |
| |
Series II. Correspondence, 1930-81 (bulk 1941-78), 64 boxes
|
| The files before the Joneses' move to Paris in 1959
are fragmentary, apart from the extensive correspondence with James' relatives,
Lowney Handy, and with Scribner's and its law firm. These materials are
arranged alphabetically--by person or subject--under two broad chronological
headings, 1939-56 and 1957-58. These headings correspond to the general
arrangement of the files as received by the Center and also to Jones' periods
of residence in Illinois and New York. The Paris and post-Paris files are
extensive, emcompassing Jones' active files of ongoing professional and
personal affairs including--but extending well beyond--correspondence in the
narrow sense. Materials related to personal hobby and sporting interests,
travel, photography, housing and housekeeping, press relations and fan interest
are also present in nearly every annually-arranged file sequence. The "Notes on
Archival System" (Folder 104.1) outlines the basic pattern by which these later
files were created and used. |
| Most of the correspondence files are
topically named, but some are filed under personal or corporate names. Headings
that refer to legal representation include Goldstein, Judd & Gurfein;
Jerome S. Morris; George Schiffer; Schwartz & Freeman; Staehelin &
Giezendanner; and Weil, Gotshal & Manges. Jones' Paris lawyers (John P.
Heinzen and René de Chambrun) are filed under Paris Lawyer(s). Jones'
accountants over the years were Aaron Fuchs & Co. and Arthur Andersen; his
artistic agents were Alain Bernheim, Hope Leresche & Steele, and MCA
Artists, Ltd. |
| Jones' most extensive professional correspondence was with
Charles Scribner's Sons and, later, with Delacorte/Dell, as well as with
Esquire and
Playboy. The Dell files for the later
1960s include his correspondence with and on behalf of young writers whose work
he encouraged. His and Gloria's personal correspondence is wide-ranging and
extensive, including such figures as Cecile Bazelon, Eugene Braun-Munk, Betty
Comden, Beauford Delaney, Maxwell Geismar, Leslie Hannon, Paul Jenkins,
Burroughs Mitchell, and Norman Rosten. |
| In general the files in the
Correspondence Series have recurring titles giving a clear indication of
contents, but there are a few that might be pointed out. In addition to the
story ideas ideas found in the Works Series, there are additional ones found
here in folders entitled
"Research notes on necrophilia,""Film script ideas (drugs, Chief
Pontiac)," and
"Sex therapy play idea." Likewise
the correspondence generated between 1962 and 1967 to recover the original
manuscript of
"From Here to Eternity" is found in
Folder 82.7. The correspondence between Jones and Herbert Ruhm relating to
Ruhm's ultimately unsuccessful effort to publish a critical work on Jones is
found in the correspondence of the years between 1964 and 1969. |
| The
folders "Paris Social" contain little formal correspondence, but give an idea
of the Joneses' social life during the Paris years via invitations, theatrical
programs, announcements of art exhibitions, and the like. The
"Marshall, Illinois" folders
initially dealt with Jones' efforts to have Sylvia Ritter Millhouse sell his
house there but later became repositories of his occasional contacts with
Illinois through Ms. Millhouse. |
| | | Subseries A. Correspondence,
1930-57 |
| | | | Jones family to James Jones |
| Box | Folder |
| 48 | 8 | | | | Haish, Mollie,
1945-56 |
| 9 | | | | Jones, Ada B.,
1939-40 |
| 10 | | | | Jones, Charles,
1944-56 |
| | | | | Jones, Jeff |
| Box | Folder |
| 49 | 1 | | | | | 1941-45 |
| 2 | | | | | 1946-56 |
| 3 | | | | | JJ to Jeff Jones,
1949-56 |
| | | | | Jones, Marianne |
| 4 | | | | | 1941-48 |
| 5 | | | | | JJ to Marianne Jones,
1946-51 |
| 6 | | | | Jones, Ramon,
1940-42 |
| 7 | | | | Third party correspondence (Jones family
related) |
| | | | Business correspondence |
| 8 | | | | A-G |
| Box | Folder |
| 50 | 1-2 | | | | Banking (statements, etc.) |
| 3 | | | | H-K |
| 4 | | | | House in Robinson,
1953-55 |
| 5 | | | | L-O |
| 6 | | | | P-W |
| | | | Fan mail |
| Box | Folder |
| 51 | 1 | | | | Anonymous and A-G |
| 2 | | | | H-R |
| 3 | | | | S-Z |
| 4 | | | James Jones outgoing correspondence,
1947-56 |
| | | | James Jones incoming correspondence |
| 5 | | | | Unidentified, A |
| 6 | | | | Appleman, Mark,
1952-54 |
| Box | Folder |
| 52 | 1 | | | | B |
| 2 | | | | C-Col |
| | | | | Charles Scribner's Sons |
| 3 | | | | | 1946-48 |
| 4 | | | | | 1949-51 |
| 5 | | | | | 1952-56 |
| Box | Folder |
| 53 | 1 | | | | | Fiscal records,
1946-56 |
| 2 | | | | Com-Cur |
| 3 | | | | D-E |
| 4 | | | | F |
| 5 | | | | G-H |
| 6 | | | | Handy, Lowney,
1949-57 |
| 7 | | | | Honeymoon correspondence,
1957 |
| Box | Folder |
| 54 | 1 | | | | I-J-K |
| 2 | | | | L |
| 3 | | | | Life, 1954-56 |
| 4 | | | | M-Max |
| 5 | | | | MCA Artists,
1951-56 |
| 6 | | | | Mailer, Norman,
1955-56 |
| 7 | | | | Mea-Mul |
| Box | Folder |
| 55 | 1 | | | | N-O |
| 2 | | | | P-Piz |
| 3 | | | | Play-Pur |
| 4 | | | | Q-R |
| 5 | | | | S-Sh |
| 6 | | | | Si-Sw |
| Box | Folder |
| 56 | 1 | | | | T |
| 2 | | | | U-Z |
| | | | | Weil, Gotshal & Manges |
| 3 | | | | | 1951-53 |
| 4 | | | | | 1954-56 |
| | | Subseries B. Correspondence, Marshall, Illinois and New
York City, 1957-58 |
| Box | Folder |
| 56 | 5 | | | Anonymous, A-B |
| Box | Folder |
| 57 | 1 | | | Bills and related |
| 2 | | | C-H |
| 3 | | | Handy Colony members |
| 4 | | | I-M |
| 5 | | | Marshall, Ill. correspondence |
| 6 | | | N-R |
| 7 | | | New York apartment |
| 8 | | | Postal chess tournaments |
| Box | Folder |
| 58 | 1 | | | Postal chess tournaments (recorder albums) |
| 2 | | | Reprint correspondence |
| 3 | | | S-Z |
| 4 | | | Circulars, form letters, misc. |
| 5 | | | Fan mail |
| 6 | | | Outgoing correspondence |
| | | Subseries C. Correspondence,
1959-81(Paris and Later) |
| | | | 1959 |
| Box | Folder |
| 58 | 7 | | | | Chase Manhattan Bank |
| 8 | | | | Crédit Suisse |
| 9 | | | | Bills, paid (Klosters) |
| 10 | | | | Bills, paid (Paris) |
| | | | | Correspondence, miscellaneous |
| Box | Folder |
| 59 | 1 | | | | | Unidentified, A-C |
| 2 | | | | | D-J |
| 3 | | | | | K-O |
| 4 | | | | | P-W |
| 5 | | | | Fan mail |
| Box | Folder |
| 60 | 1 | | | | First foreign files, England |
| 2 | | | | Jazz |
| | | | | Jones (Gloria) correspondence,
1958-59 |
| 3 | | | | | Unidentified, A-J |
| 4 | | | | | M-W |
| 5 | | | | MCA Artists, Ltd. (Ned Brown) |
| 6 | | | | Marshall, Illinois |
| 7 | | | | Medical bills & astrological charts |
| 8 | | | | Paris Review
interview |
| 9 | | | | Paris social |
| 10 | | | | Paris social (correspondence) |
| Box | Folder |
| 61 | 1 | | | | Portofino (correspondence with Mrs.
Crosse) |
| 2 | | | | Press clippings and miscellany |
| 3 | | | | Publisher, German (Fischer) |
| 4 | | | | Charles Scribner's Sons |
| 5 | | | | Staehelin & Giezendanner |
| 6 | | | | Weil, Gotshal & Manges |
| | | | 1960 |
| 7 | | | | Accounts (New York) |
| 8 | | | | Accounts (Paris & London) |
| 9 | | | | Accounts, miscellaneous |
| 10 | | | | Automobile |
| 11 | | | | Cat Club de Paris |
| | | | | Correspondence, miscellaneous |
| 12 | | | | | Unidentified, A-L |
| Box | Folder |
| 62 | 1 | | | | | M-W |
| 2 | | | | Employees |
| 3 | | | | Aaron Fuchs & Co. (I. Cantor) |
| 4 | | | | Hold file,
1958-60 |
| 5 | | | | Insurance |
| 6 | | | | Jones (Gloria) personal correspondence |
| 7 | | | | Jones (James) family correspondence |
| 8 | | | | MCA Artists, Ltd. (Ned Brown) |
| 9 | | | | Marshall, Illinois |
| 10 | | | | Medical |
| 11 | | | | Miscellany (memorabilia & social life,
1958-60) |
| 12 | | | | Paris apartment |
| Box | Folder |
| 63 | 1 | | | | Paris lawyers (Baugas, Heinzen, Le Mée) |
| 2 | | | | Paris social |
| 3 | | | | Publisher, English (Collins) |
| 4 | | | | Publisher, German (Fischer) |
| 5 | | | | Publishers' correspondence, misc. |
| 6 | | | | Charles Scribner's Sons (B. Mitchell) |
| 7 | | | | Charles Scribner's Sons (royalty reports,
etc.) |
| 8 | | | | Staehelin & Giezendanner |
| 9 | | | | Weil, Gotshal and Manges |
| | | | 1961 |
| 10 | | | | Accounts (New York) |
| 11 | | | | Accounts (Paris & London) |
| 12 | | | | Automobile |
| 13 | | | | Chase Manhattan Bank |
| 14 | | | | Crédit Suisse |
| Box | Folder |
| 64 | 1 | | | | Bazelon, Cecile Gray |
| 2 | | | | Bernheim, Alain |
| 3 | | | | Bills, paid |
| 4 | | | | Cat Club de Paris |
| 5 | | | | Cercle Rive Gauche |
| | | | | Correspondence |
| 6 | | | | | A-E |
| 7 | | | | | F-K |
| 8 | | | | | L-R |
| 9 | | | | | S-Z |
| 10 | | | | Employees |
| 11 | | | | Fan mail |
| 12 | | | | Film: Darryl F. Zanuck Productions |
| 13 | | | | Foote, Shelby |
| 14 | | | | Aaron Fuchs & Co. (I. Cantor) |
| 15 | | | | Hawaii |
| 16 | | | | Insurance |
| 17 | | | | Jenkins (Paul) and Alice Baber |
| Box | Folder |
| 65 | 1-2 | | | | Jones (Gloria) personal correspondence |
| 3 | | | | Jones (James) family correspondence |
| 4 | | | | Jones, Kaylie |
| 5 | | | | Marshall, Illinois |
| 6 | | | | Medical |
| 7 | | | | Miscellany (memorabilia & social
life) |
| 8 | | | | Paris apartment |
| 9 | | | | Paris lawyer (John P. Heinzen) |
| 10 | | | | Paris social |
| 11 | | | | Playboy |
| 12 | | | | Publisher, English (Collins) |
| 13 | | | | Publisher, French (Presses de la Cité) |
| Box | Folder |
| 66 | 1 | | | | Publisher, German (Fischer) |
| 2 | | | | Publishers |
| 3 | | | | Charles Scribner's Sons (B. Mitchell) |
| 4 | | | | Charles Scribner's Sons (royalty reports,
etc.) |
| 5 | | | | Sports: knives (W.D. Randall) |
| 6 | | | | Sports: skin diving (James Dugan) |
| 7 | | | | Staehelin & Giezendanner |
| 8 | | | | Weil, Gotshal and Manges |
| 9 | | | | Yugoslav trip (Material for article on) |
| 10 | | | | Yugoslavia |
| | | | 1962 |
| 11 | | | | Accounts (New York) |
| 12 | | | | Accounts (Paris & London) |
| 13 | | | | Chase Manhattan Bank |
| 14 | | | | Crédit Suisse |
| 15 | | | | Royal Bank of Canada (Jamaica) |
| 16 | | | | Bazelon, Cecile Gray |
| 17 | | | | Bernheim, Alain |
| 18 | | | | Cameras |
| | | | | Correspondence |
| Box | Folder |
| 67 | 1 | | | | | A-H |
| 2 | | | | | J-Y |
| 3 | | | | Correspondence, misc. |
| 4 | | | | Employees |
| 5 | | | | Fan mail |
| 6 | | | | Film: Darryl F. Zanuck Productions |
| 7 | | | | Aaron Fuchs & Co. (I. Cantor) |
| 8 | | | | Jamaica: bills paid |
| 9 | | | | Jamaica: correspondence, minor |
| 10 | | | | Jamaica material (correspondence) |
| 11-12 | | | | Jamaican junket I-II (correspondence, negatives,
contact sheets, slides & prints) |
| Box | Folder |
| 68 | 1 | | | | Jones (Gloria) personal correspondence |
| 2 | | | | Jones (James) family correspondence |
| 3 | | | | Hope Leresche & Steele |
| 4 | | | | Marshall, Illinois |
| 5 | | | | Medical |
| 6 | | | | Miscellany (memorabilia & social
life) |
| 7 | | | | Paris apartment |
| 8 | | | | Paris lawyer (John P. Heinzen) |
| 9 | | | | Paris social |
| 10 | | | | Publisher, English (Collins) |
| 11 | | | | Publisher, French (Stock) |
| 12 | | | | Publisher, German (Fischer) |
| 13 | | | | Publishers: foreign & U.S. magazines |
| 14 | | | | Charles Scribner's Sons (B. Mitchell) |
| 15 | | | | Charles Scribner's Sons (royalty reports,
etc.) |
| 16 | | | | Sports: skin diving |
| 17 | | | | Staehelin & Giezendanner |
| 18 | | | | Styron, William |
| 19 | | | | The Thin Red Line: comments
& correspondence |
| 20 | | | | Weil, Gotshal & Manges |
| | | | 1963 |
| Box | Folder |
| 69 | 1 | | | | Accounts (New York) |
| 2 | | | | Accounts (Paris & London) |
| 3 | | | | Chase Manhattan Bank |
| 4 | | | | Crédit Suisse |
| 5 | | | | Bazelon, Cecile Gray |
| 6 | | | | Bernheim, Alain |
| 7 | | | | Calder, Alexander |
| 8 | | | | Cat Club de Paris |
| | | | | Correspondence |
| 9 | | | | | A-E |
| 10 | | | | | F-K |
| 11 | | | | | L-R |
| 12 | | | | | S-W |
| 13 | | | | Employees |
| 14 | | | | Esquire |
| 15 | | | | Fan mail |
| Box | Folder |
| 70 | 1 | | | | Film: Paul M. Heller Productions |
| 2 | | | | Aaron Fuchs & Co. (I. Cantor) |
| 3 | | | | Insurance |
| 4 | | | | Jones (Gloria) personal correspondence |
| 5 | | | | Jones (James) family correspondence |
| 6 | | | | Jones, Kaylie |
| 7 | | | | Hope Leresche & Steele |
| 8 | | | | Marshall, Illinois |
| 9 | | | | Medical |
| 10 | | | | Miscellany (memorabilia & social
life) |
| 11 | | | | Morris, Jerome S. |
| 12 | | | | Paris apartment |
| 13 | | | | Paris lawyers (Heinzen & de
Chambrun) |
| 14 | | | | Paris social |
| 15 | | | | Paris social (correspondence) |
| 16 | | | | Publicity: correspondence |
| 17 | | | | Publisher, English (Collins) |
| 18 | | | | Publisher, French (Stock) |
| 19 | | | | Publisher, German (Fischer) |
| Box | Folder |
| 71 | 1 | | | | Publishers: foreign & U.S. magazines |
| 2 | | | | The Saturday Evening
Post |
| 3 | | | | Schiffer, George |
| 4 | | | | Schwartz & Freeman (A. Grossman) |
| 5 | | | | Charles Scribner's Sons (B. Mitchell) |
| 6 | | | | Charles Scribner's Sons (royalty reports,
etc.) |
| 7 | | | | Staehelin & Giezendanner |
| 8 | | | | Styron, William |
| 9 | | | | Travel |
| 10 | | | | Weil, Gotshal & Manges |
| | | | 1964 |
| 11 | | | | Accounts (London & Dublin) |
| 12 | | | | Accounts (New York) |
| 13 | | | | Accounts (Paris) |
| 14 | | | | Arthur Andersen & Co. |
| 15 | | | | Ashley Famous Agency (re Dell contract) |
| 16 | | | | Automobile |
| 17 | | | | Bazelon, Cecile Gray |
| 18 | | | | Bernheim, Alain |
| | | | | Correspondence |
| 19 | | | | Unidentified, A-E |
| 20 | | | | F-K |
| Box | Folder |
| 72 | 1 | | | | L-R |
| 2 | | | | S-W |
| 3 | | | | Delaney, Beauford |
| 4 | | | | Dell Publishing Co. |
| 5 | | | | Employees |
| 6 | | | | Esquire |
| 7 | | | | Fan mail |
| 8 | | | | Film: Paul M. Heller Productions |
| 9 | | | | Insurance |
| 10 | | | | Jones (Gloria) personal correspondence |
| 11 | | | | Jones (James) family correspondence |
| 12 | | | | Jones, Jamie |
| 13 | | | | Jones, Kaylie |
| 14 | | | | Hope Leresche & Steele |
| Box | Folder |
| 73 | 1 | | | | Marshall, Illinois |
| 2 | | | | Material for future |
| 3 | | | | Miscellany (memorabilia & social
life) |
| 4 | | | | Morris, Jerome S. |
| 5 | | | | Paris apartment |
| 6 | | | | Paris lawyer (John P. Heinzen) |
| 7 | | | | Paris social |
| 8 | | | | Photographs (negatives & contact
sheets) |
| 9 | | | | Politics |
| 10 | | | | Politics: Americans Abroad for Johnson |
| 11 | | | | Publicity: critical studies |
| 12 | | | | Publicity: interviews, photos, etc. |
| Box | Folder |
| 74 | 1 | | | | Publicity: requests for comments |
| 2 | | | | Publicity: write-ups |
| 3 | | | | Publisher, English (Collins) |
| 4 | | | | Publisher, French (Stock) |
| 5 | | | | Publisher, German (Fischer) |
| 6 | | | | Publishers: foreign & U.S. magazines |
| 7 | | | | Schwartz & Freeman (A. Grossman) |
| 8 | | | | Charles Scribner's Sons (B. Mitchell) |
| 9 | | | | Charles Scribner's Sons (royalty reports,
etc.) |
| 10 | | | | Sports: skeet & hunting |
| 11 | | | | Staehelin & Giezendanner |
| 12 | | | | Styron, William |
| | | | 1965 |
| 13 | | | | Accounts, paid |
| 14 | | | | Ashley Famous Agency |
| 15 | | | | Automobile |
| 16 | | | | Bazelon, Cecile Gray |
| 17 | | | | Bernheim, Alain |
| 18 | | | | Biarritz |
| | | | | Correspondence, misc. |
| 19 | | | | | A-E |
| Box | Folder |
| 75 | 1 | | | | | F-K |
| 2 | | | | | L-R |
| 3 | | | | | S-Y |
| 4 | | | | Dell Publishing Co. |
| 5 | | | | Dell editorial: correspondence with and about
authors |
| 6 | | | | Dell contracts |
| 7 | | | | Employees |
| 8 | | | | Esquire |
| 9 | | | | Fan mail |
| 10 | | | | Aaron Fuchs & Co. (I. Cantor) |
| 11 | | | | Goldstein, Judd & Gurfein (H. Hyde) |
| Box | Folder |
| 76 | 1 | | | | Health insurance |
| 2 | | | | Insurance |
| 3 | | | | Jones (Gloria) personal correspondence |
| 4 | | | | Jones (James) family correspondence |
| 5 | | | | Jones, Jamie |
| 6 | | | | Jones, Kaylie |
| 7 | | | | Hope Leresche & Steele |
| 8 | | | | Marshall, Illinois |
| 9 | | | | Material for future |
| 10 | | | | Miscellany (memorabilia & social
life) |
| 11 | | | | Morris, Jerome S. |
| 12 | | | | Paris apartment |
| 13 | | | | Paris lawyer (John P. Heinzen) |
| 14 | | | | Paris social, I |
| Box | Folder |
| 77 | 1 | | | | Paris social, II |
| 2 | | | | Photographs (negatives, contact sheets &
prints) |
| 3 | | | | Politics |
| 4 | | | | Publicity: critical studies |
| 5 | | | | Publicity: interviews, lectures, etc. |
| 6 | | | | Publicity: requests for comments |
| 7 | | | | Publicity: write-ups |
| 8 | | | | Publisher, English (Collins) |
| 9 | | | | Publisher, French (Stock) |
| 10 | | | | Publisher, German (Fischer) |
| 11 | | | | Publishers: foreign & U.S. magazines |
| 12 | | | | Schwartz & Freeman (A. Grossman) |
| 13 | | | | Charles Scribner's Sons |
| Box | Folder |
| 78 | 1 | | | | Sports: chess |
| 2 | | | | Sports: skeet & hunting |
| 3 | | | | Staehelin & Giezendanner |
| 4 | | | | Styron, William |
| 5 | | | | Travel |
| 6 | | | | Weil, Gotshal & Manges |
| | | | 1966 |
| 7 | | | | Accounts, paid (New York) |
| 8 | | | | Accounts, paid (other) |
| 9 | | | | Automobile |
| 10 | | | | Bazelon, Cecile Gray |
| 11 | | | | Bernheim, Alain |
| | | | | Correspondence, misc. |
| 12 | | | | | A-E |
| 13 | | | | | F-K |
| 14 | | | | | L-R |
| Box | Folder |
| 79 | 1 | | | | | S-Y |
| 2 | | | | Dell Publishing Co. |
| | | | | Dell editorial |
| 3 | | | | | Correspondence with authors |
| 4 | | | | | Correspondence about authors |
| 5 | | | | Dell contracts |
| 6 | | | | Employees |
| 7 | | | | Esquire |
| 8 | | | | Fan mail |
| 9 | | | | Goldstein, Judd & Gurfein (H. Hyde) |
| 10 | | | | Insurance |
| 11 | | | | Jones (Gloria) personal correspondence |
| 12 | | | | Jones (James) family correspondence |
| Box | Folder |
| 80 | 1 | | | | Jones, Jamie |
| 2 | | | | Jones, Kaylie |
| 3 | | | | Hope Leresche & Steele |
| 4 | | | | Marshall, Illinois |
| 5 | | | | Material for future |
| 6 | | | | Medical: lab reports &
correspondence |
| 7 | | | | Miscellany (memorabilia & social
life) |
| 8 | | | | Paris apartment |
| 9-10 | | | | Paris social |
| 11 | | | | Photographs |
| 12 | | | | Politics |
| 13 | | | | Publicity: critical studies (H. Ruhm) |
| 14 | | | | Publicity: interviews, photos, etc. |
| Box | Folder |
| 81 | 1 | | | | Publicity: requests for comments |
| 2 | | | | Publicity: write-ups |
| 3 | | | | Publisher, English (Collins) |
| 4 | | | | Publisher, French (Presses de la Cité) |
| 5 | | | | Publisher, French (Stock) |
| 6 | | | | Publisher, German (Fischer) |
| 7 | | | | Publishers: foreign & U.S. magazines |
| 8 | | | | Charles Scribner's Sons (B. Mitchell) |
| 9 | | | | Staehelin & Giezendanner |
| 10 | | | | Styron, William |
| 11-12 | | | | Travel |
| 13 | | | | Weissberger, Kathryn. Research notes on
necrophilia |
| | | | 1967 |
| 14 | | | | Accounts, paid (Klosters) |
| 15 | | | | Accounts, paid (London & New York) |
| 16 | | | | Accounts, paid (Paris) |
| 17 | | | | Automobile |
| 18 | | | | Bazelon, Cecile Gray |
| 19 | | | | Bernheim, Alain |
| | | | | Correspondence, misc. |
| Box | Folder |
| 82 | 1 | | | | | A-E |
| 2 | | | | | F-K |
| 3 | | | | | L-N |
| 4 | | | | | O-R |
| 5 | | | | | S |
| 6 | | | | | T-Z |
| 7 | | | | Correspondence on
Eternity manuscript,
1962-67 |
| Box | Folder |
| 83 | 1 | | | | Dell Publishing Co. |
| 2 | | | | Dell editorial: correspondence with and about
authors |
| 3 | | | | Dell contracts |
| 4 | | | | Fan mail |
| | | | | Goldstein, Judd & Gurfein (H. Hyde) |
| 5 | | | | | Correspondence |
| 6 | | | | | Correspondence on manuscript valuation |
| 7 | | | | Insurance |
| 8 | | | | International Club du Lys |
| 9 | | | | Jones (Gloria) personal correspondence |
| 10 | | | | Jones (James) family correspondence |
| 11 | | | | Jones, Jamie |
| 12 | | | | Jones, Kaylie |
| 13 | | | | Hope Leresche & Steele |
| 14 | | | | Marshall, Illinois |
| 15 | | | | Miscellany (memorabilia & social
life) |
| Box | Folder |
| 84 | 1 | | | | Paris apartment |
| 2 | | | | Paris lawyer (John P. Heinzen) |
| 3-4 | | | | Paris social |
| 5 | | | | Parr, Rita (correspondence & works) |
| 6 | | | | Photographs (negatives & contact sheets;
slides) |
| 7 | | | | Politics |
| 8 | | | | Publicity: interviews, lectures, etc. |
| 9 | | | | Publicity: requests for comments |
| 10 | | | | Publicity: write-ups |
| Box | Folder |
| 85 | 1 | | | | Publisher, English (Collins) |
| 2 | | | | Publisher, French (Presses de la Cité) |
| 3 | | | | Publisher, French (Stock) |
| 4 | | | | Publisher, German (Fischer) |
| 5 | | | | Publishers: foreign & U.S. magazines |
| 6 | | | | Charles Scribner's Sons (B. Mitchell) |
| 7 | | | | Staehelin & Giezendanner |
| 8 | | | | Styron, William |
| 9 | | | | Travel |
| 10 | | | | Widow-Maker file (libel in
Britain) |
| 11 | | | | Widow-Maker presentation copy
list |
| 12 | | | | Widow-Maker correspondence
& reviews |
| | | | 1968 |
| 13 | | | | Accounts, paid (London & New York) |
| 14 | | | | Accounts, paid (Paris) |
| 15 | | | | Automobile |
| 16 | | | | Bazelon, Cecile Gray |
| 17 | | | | Bernheim, Alain |
| | | | | Correspondence, misc. |
| 18 | | | | | A-D |
| Box | Folder |
| 86 | 1 | | | | | F-K |
| 2 | | | | | L-R |
| 3 | | | | | S-Z |
| 4 | | | | Dell Publishing Co. |
| | | | | Dell editorial |
| 5 | | | | | Correspondence with and about authors |
| 6 | | | | | Re Priaulx-Ungar manuscript |
| 7 | | | | Employees |
| 8 | | | | Esquire |
| Box | Folder |
| 87 | 1 | | | | Fan mail |
| 2 | | | | Goldstein, Judd & Gurfein (H. Hyde) |
| 3 | | | | Insurance |
| 4 | | | | International Club du Lys |
| 5 | | | | Jones (Gloria) personal correspondence |
| 6 | | | | Jones (James) family correspondence |
| 7 | | | | Jones, Jamie |
| 8 | | | | Hope Leresche & Steele |
| 9 | | | | Medical: lab reports &
correspondence |
| 10 | | | | Miscellany (memorabilia & social
life) |
| 11 | | | | Paris apartment |
| 12 | | | | Paris lawyer (John P. Heinzen) |
| 13 | | | | Paris social |
| 14 | | | | Photographs (negatives & contact
sheets) |
| Box | Folder |
| 88 | 1 | | | | Politics |
| 2 | | | | Publicity: interviews, lectures, etc. |
| 3 | | | | Publicity: requests for comments |
| 4 | | | | Publicity: write-ups |
| 5 | | | | Publisher, English (Collins) |
| 6 | | | | Publisher, French (Stock) |
| 7 | | | | Publishers: foreign & U.S. magazines |
| 8 | | | | Charles Scribner's Sons (B. Mitchell) |
| 9 | | | | Sports |
| 10 | | | | Styron, William |
| 11 | | | | Travel |
| | | | 1969 |
| 12 | | | | Accounts, paid (New York) |
| 13 | | | | Accounts, paid (Paris) |
| 14 | | | | American College in Paris revolt |
| 15 | | | | Automobile |
| 16 | | | | Bazelon, Cecile Gray |
| 17 | | | | Bernheim, Alain |
| | | | | Correspondence, misc. |
| 18 | | | | | A-E |
| Box | Folder |
| 89 | 1 | | | | | F-K |
| 2 | | | | | L-R |
| 3 | | | | | S-Z |
| 4 | | | | Dean, Loomis.
"Left Bank Americans"
(captions only) |
| 5 | | | | Dell Publishing Co. |
| 6 | | | | Dell editorial: correspondence with and about
authors |
| 7 | | | | Dell contracts |
| Box | Folder |
| 90 | 1 | | | | Employees |
| 2 | | | | Esquire |
| 3 | | | | Fan mail |
| 4 | | | | Film: Saturn Pictures Corp. |
| 5 | | | | Goldstein, Gurfein, Shames & Hyde (H.
Hyde) |
| 6 | | | | Insurance |
| 7 | | | | International Club du Lys |
| 8 | | | | Jones (Gloria) personal correspondence |
| 9 | | | | Jones (James) family correspondence |
| 10 | | | | Jones, Jamie |
| 11 | | | | Jones, Kaylie |
| 12 | | | | Hope Leresche & Steele |
| 13 | | | | Marshall, Illinois |
| 14 | | | | Medical: lab reports &
correspondence |
| 15 | | | | Miscellany (memorabilia & social
life) |
| 16 | | | | Paris apartment |
| 17 | | | | Paris lawyer (John P. Heinzen) |
| Box | Folder |
| 91 | 1 | | | | Paris social |
| 2 | | | | Photographs (negatives & contact sheets;
prints) |
| 3 | | | | Politics |
| 4 | | | | Publicity: interviews, lectures, etc. |
| 5 | | | | Publicity: requests for comments |
| 6 | | | | Publicity:
Widow excerpt for Whit
Burnett |
| 7 | | | | Publicity: write-ups |
| 8 | | | | Publisher, English (Collins) |
| 9 | | | | Publisher, German (Fischer) |
| 10 | | | | Publishers: foreign & U.S. magazines |
| 11 | | | | Charles Scribner's Sons (B. Mitchell) |
| 12 | | | | Styron, William |
| 13 | | | | Travel |
| | | | 1970 |
| 14 | | | | Accounts, paid (London) |
| 15 | | | | Accounts, paid (New York) |
| 16 | | | | Accounts, paid (Paris) |
| 17 | | | | Automobile (garage bills, tickets) |
| 18 | | | | Bazelon, Cecile Gray |
| 19 | | | | Bernheim, Alain |
| | | | | Correspondence, misc. |
| Box | Folder |
| 92 | 1 | | | | | Unidentified, A-E |
| 2 | | | | | F-K |
| 3 | | | | | L-R |
| 4 | | | | | S-Z |
| 5 | | | | Dell Publishing Co. |
| 6 | | | | Dell editorial: correspondence with and about
authors |
| 7 | | | | Employees |
| 8 | | | | Esquire |
| 9 | | | | Fan mail |
| 10 | | | | Film script ideas (drugs, Chief Pontiac) |
| 11 | | | | Goldstein, Gurfein, Shames & Hyde (H.
Hyde) |
| Box | Folder |
| 93 | 1 | | | | Insurance |
| 2 | | | | International Club du Lys |
| 3 | | | | Jones (Gloria) personal correspondence |
| 4 | | | | Jones (James) family correspondence |
| 5 | | | | Jones, Kaylie |
| 6 | | | | Hope Leresche & Steele |
| 7 | | | | Marshall, Illinois |
| 8 | | | | Medical: lab reports &
correspondence |
| 9 | | | | The Merry Month of May list of
galley recipients & correspondence |
| 10 | | | | Miscellany (memorabilia & social
life) |
| 11 | | | | Paris apartment |
| 12 | | | | Paris lawyer (John P. Heinzen) |
| 13 | | | | Paris social |
| 14 | | | | Politics |
| 15 | | | | Publicity: requests for comments |
| 16 | | | | Publicity: write-ups |
| 17 | | | | Publisher, French (Presses de la Cité) |
| 18 | | | | Publisher, French (Stock) |
| 19 | | | | Publisher, German (Fischer) |
| 20 | | | | Publishers: foreign & U.S. magazines |
| 21 | | | | Charles Scribner's Sons (B. Mitchell) |
| 22 | | | | Sports: skeet |
| 23 | | | | Styron, William |
| 24 | | | | Travel |
| 25 | | | | Wines |
| | | | 1971 |
| 26 | | | | Accounts, paid (New York) |
| 27 | | | | Accounts, paid (Paris) |
| 28 | | | | Bazelon, Cecile Gray |
| 29 | | | | Bernheim, Alain |
| | | | | Correspondence, misc. |
| 30 | | | | | A-E |
| Box | Folder |
| 94 | 1 | | | | | F-K |
| 2 | | | | | L-R |
| 3 | | | | | S-Z |
| 4 | | | | Dell Publishing Co. |
| 5 | | | | Dell editorial: correspondence with and about
authors |
| 6 | | | | Employees |
| 7 | | | | Esquire |
| 8 | | | | Fan mail |
| 9 | | | | Film: Golfer Story |
| 10 | | | | Film: Saturn Pictures Corp. |
| 11 | | | | Film:
Widow-Maker |
| Box | Folder |
| 95 | 1 | | | | Goldstein, Shames & Hyde (H. Hyde) |
| 2 | | | | Insurance |
| 3 | | | | International Club du Lys |
| 4 | | | | Jones (Gloria) personal correspondence |
| 5 | | | | Jones (James) family correspondence |
| 6 | | | | Jones, Jamie |
| 7 | | | | Jones, Kaylie |
| 8 | | | | Hope Leresche & Steele |
| 9 | | | | Marshall, Illinois |
| 10 | | | | Medical: lab reports &
correspondence |
| 11 | | | | The Merry Month of May:
reviews & correspondence |
| 12 | | | | Miscellany (memorabilia & social
life) |
| 13 | | | | Paris apartment |
| 14 | | | | Paris lawyer (John P. Heinzen) |
| 15 | | | | Paris social |
| 16 | | | | Paris social: American Center for Students and
Artists |
| 17 | | | | Paris social: American Club of Paris |
| 18 | | | | Photographs (prints) |
| 19 | | | | Photographs (negatives & contact
sheets) |
| 20 | | | | Politics |
| 21 | | | | Publicity: interviews, lectures, etc. |
| 22 | | | | Publicity: requests for comments |
| Box | Folder |
| 96 | 1 | | | | Publicity: write-ups |
| 2 | | | | Publisher, English (Collins) |
| 3 | | | | Publisher, French (Presses de la Cité) |
| 4 | | | | Publisher, French (Stock) |
| 5 | | | | Publisher, German (Fischer) |
| 6 | | | | Publishers: foreign & U.S. magazines |
| 7 | | | | Charles Scribner's Sons (B. Mitchell) |
| 8 | | | | Sex therapy play idea |
| 9 | | | | Skiathos (Greek island),
1962-1970 |
| 10 | | | | Sports: chess |
| 11 | | | | Styron, William |
| 12 | | | | Travel |
| | | | 1972 |
| 13 | | | | Accounts, paid (New York) |
| 14 | | | | Accounts, paid (Paris) |
| 15 | | | | Accounts, paid (U.S.) |
| 16 | | | | Bazelon, Cecile Gray |
| 17 | | | | Bernheim, Alain |
| | | | | Correspondence, misc. |
| 18 | | | | | A-E |
| 19 | | | | | F-K |
| 20 | | | | | L-R |
| 21 | | | | | S-Y |
| Box | Folder |
| 97 | 1 | | | | Dell Publishing Co. |
| 2 | | | | Dell editorial: correspondence with and about
authors |
| 3 | | | | Doubleday & Co. |
| 4 | | | | Employees |
| 5 | | | | Esquire |
| 6 | | | | Fan mail |
| 7 | | | | Film: Doric Films S.A. |
| 8 | | | | Film: Herbert Kline |
| 9 | | | | Film: John Frankenheimer Productions |
| 10 | | | | Film: Saturn Pictures Corp. |
| 11 | | | | Goldstein, Shames & Hyde (H. Hyde) |
| 12 | | | | Insurance |
| 13 | | | | International Club du Lys |
| 14 | | | | Jones (Gloria) personal correspondence |
| 15 | | | | Jones (James) family correspondence |
| 16 | | | | Jones, Kaylie |
| 17 | | | | Hope Leresche & Steele |
| 18 | | | | Marshall, Illinois |
| 19 | | | | Medical: lab reports &
correspondence |
| 20 | | | | The Merry Month of May: French
reviews |
| Box | Folder |
| 98 | 1 | | | | Miscellany (memorabilia & social
life) |
| 2 | | | | Paris apartment |
| 3 | | | | Paris lawyer (John P. Heinzen) |
| 4 | | | | Paris social |
| 5 | | | | Paris social: American Center for Students and
Artists |
| 6 | | | | Paris social: American Club of Paris |
| 7 | | | | Photographs (negatives & contact
sheets) |
| 8 | | | | Politics |
| 9 | | | | Publicity: interviews, lectures, etc. |
| 10 | | | | Publicity: requests for comments |
| 11 | | | | Publicity: write-ups |
| 12 | | | | Publisher, English (Collins) |
| 13 | | | | Publisher, French (Stock) |
| 14 | | | | Publisher, German (Fischer) |
| 15 | | | | Publishers: foreign & U.S. magazines |
| 16 | | | | Schools: correspondence re teaching
positions |
| 17 | | | | Charles Scribner's Sons (B. Mitchell) |
| 18 | | | | Sports: knives (D.E. Henry) |
| 19 | | | | Sports: poker wins & losses |
| 20 | | | | Sports: skeet |
| 21 | | | | Styron, William |
| 22 | | | | Travel |
| | | | 1973 |
| 23 | | | | Accounts, paid (New York) |
| 24 | | | | Accounts, paid (Paris) |
| Box | Folder |
| 99 | 1 | | | | Accounts, paid (Scribner's) |
| 2 | | | | Bazelon, Cecile Gray |
| 3 | | | | Bernheim, Alain |
| 4 | | | | Bruccoli-Clark Publishers |
| | | | | Carter, Steven R. |
| 5 | | | | | Correspondence & bibliography |
| 6 | | | | | Kathryn Weissberger's bibliography |
| | | | | Correspondence, misc. |
| 7 | | | | | B-E |
| 8 | | | | | F-K |
| 9 | | | | | L-R |
| Box | Folder |
| 100 | 1 | | | | | S-Z |
| 2 | | | | Dell Publishing Co.
(Viet Journal) |
| 3 | | | | Dell editorial: correspondence with and about
authors |
| 4 | | | | Doubleday & Co.
(A Touch of Danger) |
| 5 | | | | Employees |
| 6 | | | | Esquire |
| 7 | | | | Fan mail |
| 8 | | | | Film |
| 9 | | | | Film: Robert Lantz |
| 10 | | | | Goldstein, Shames & Hyde (H. Hyde) |
| 11 | | | | Insurance |
| 12 | | | | International Club du Lys |
| 13 | | | | Jones (Gloria) personal correspondence |
| 14 | | | | Jones (James) family correspondence |
| 15 | | | | Jones, Jamie |
| 16 | | | | Jones, Kaylie |
| 17 | | | | Hope Leresche & Steele |
| Box | Folder |
| 101 | 1 | | | | Medical: lab reports &
correspondence |
| 2 | | | | Miscellany (memorabilia & social
life) |
| 3 | | | | Paris apartment |
| 4 | | | | Paris lawyer (John P. Heinzen) |
| 5 | | | | Paris social |
| 6 | | | | Paris social: American Center for Students and
Artists |
| 7 | | | | Paris social: American Club of Paris |
| 8 | | | | Photographs (negatives and contact
sheets) |
| 9 | | | | Politics |
| 10 | | | | Publicity:
A Touch of Danger
reviews |
| 11 | | | | Publicity: interviews, lectures, etc. |
| 12 | | | | Publicity: requests for comments |
| 13 | | | | Publicity: write-ups |
| 14 | | | | Publisher, English (Collins) |
| 15 | | | | Publisher, German (Fischer) |
| 16 | | | | Publishers, French |
| 17 | | | | Publishers: foreign & U.S. magazines |
| 18 | | | | Schools: correspondence re teaching
positions |
| 19 | | | | Charles Scribner's Sons (B. Mitchell) |
| 20 | | | | Sports: knives |
| 21 | | | | Sports: poker wins & losses |
| 22 | | | | Sports: shooting & general |
| Box | Folder |
| 102 | 1 | | | | Staehelin & Giezendanner |
| 2 | | | | Styron, William |
| 3 | | | | Travel |
| | | | 1974 |
| 4 | | | | Accounts, paid |
| 5 | | | | Arthur Andersen & Co. |
| 6 | | | | Automobile |
| 7 | | | | Bazelon, Cecile Gray |
| 8 | | | | Bernheim, Alain |
| 9 | | | | Bills |
| 10 | | | | Bruccoli-Clark Publishers |
| 11 | | | | Cameras |
| 12 | | | | Carter, Steven |
| 13 | | | | Change of address & itinerary,
1974 |
| | | | | Correspondence, misc. |
| 14 | | | | | A-E |
| 15 | | | | | F-K |
| Box | Folder |
| 103 | 1 | | | | | L-R |
| 2 | | | | | S-Z |
| 3 | | | | Dell Publishing Co. |
| 4 | | | | Dell editorial: correspondence with & re
authors |
| 5 | | | | Doubleday |
| 6 | | | | Fan mail |
| 7 | | | | Film |
| 8 | | | | Goldstein, Shames & Hyde (H. Hyde) |
| 9 | | | | Insurance |
| 10 | | | | Jones (Gloria) personal correspondence |
| 11 | | | | Jones (James) family correspondence |
| 12 | | | | Jones family personal |
| 13 | | | | Hope Leresche & Steele |
| 14 | | | | Marshall, Illinois |
| 15 | | | | Medical |
| 16 | | | | Miscellany |
| Box | Folder |
| 104 | 1 | | | | Notes on archival system,
1958-74 |
| 2 | | | | Paris apartment |
| 3 | | | | Paris lawyer (John P. Heinzen) |
| 4 | | | | Paris social |
| 5 | | | | Paris social: American Center for Students and
Artists |
| 6 | | | | Photographs (negatives & contact sheets;
prints) |
| 7 | | | | Politics |
| 8 | | | | Publicity: interviews, lectures, etc. |
| 9 | | | | Publicity: requests for comments |
| 10 | | | | Publicity:
Viet Journal
reviews |
| 11 | | | | Publicity: write-ups |
| 12 | | | | Publisher, English (Collins) |
| 13 | | | | Publisher, French (Stock) |
| 14 | | | | Publishers: foreign & U.S. magazines |
| | | | | Schools |
| 15 | | | | | Correspondence re teaching positions |
| 16 | | | | | Florida International University |
| 17 | | | | | Miscellaneous |
| 18 | | | | Charles Scribner's Sons |
| 19 | | | | Sports: guns & shooting |
| 20 | | | | Sports: knives |
| 21 | | | | Staehelin & Giezendanner |
| 22 | | | | Travel |
| 23 | | | | Wirth, David K. |
| | | | 1975 |
| Box | Folder |
| 105 | 1 | | | | Accounts, paid (U.S.) |
| 2 | | | | Jay Allen Public Relations |
| 3 | | | | Automobile |
| 4 | | | | Banks & bills paid |
| 5 | | | | Bruccoli-Clark Publishers |
| 6 | | | | Carter, Steven |
| | | | | Correspondence, misc. |
| 7 | | | | | A-E |
| 8 | | | | | F-K |
| 9 | | | | | L-R |
| 10 | | | | | S-Y |
| 11 | | | | Fan mail |
| 12 | | | | Film: agents & miscellaneous |
| 13 | | | | Film: Paul R. Reynolds Inc. (Stephen
Sheppard) |
| Box | Folder |
| 106 | 1 | | | | Grosset & Dunlap (promotional tour) |
| 2 | | | | Grosset & Dunlap (
WWII production) |
| 3 | | | | Insurance |
| 4 | | | | Internal Revenue Service |
| 5 | | | | Hope Leresche & Steele |
| 6 | | | | Medical (notebook,
1972-75) |
| 7 | | | | Miscellany |
| 8 | | | | Paris apartment |
| 9 | | | | Paris apartment (Anthony Vischer) |
| 10 | | | | Paris social: American Center for Students and
Artists |
| 11 | | | | Politics |
| 12 | | | | Publicity: interviews, lectures, etc. |
| 13 | | | | Publicity:
WWII interviews &
reviews |
| 14 | | | | Publicity: write-ups |
| 15 | | | | Publisher, English (Collins) |
| 16 | | | | Publishers, American |
| 17 | | | | Publishers: foreign & U.S. magazines |
| | | | | Schools |
| | | | | | Florida International University |
| 18 | | | | | | General and contract |
| 19 | | | | | | Correspondence |
| Box | Folder |
| 107 | 1 | | | | | | Class rolls & correspondence, miscellaneous
material |
| 2 | | | | | | Gloria Miller, literary agent (A. Watkins
Inc.) |
| 3 | | | | | Southampton College |
| 4 | | | | Sports: knives (D.E. Henry) |
| 5 | | | | Weissberger, Kathryn |
| | | | 1976 |
| 6 | | | | Accounts (assets & liabilities) |
| 7 | | | | Automobile |
| 8-9 | | | | Bills, paid |
| 10 | | | | Business: correspondence & misc. |
| | | | | Correspondence, misc. |
| 11 | | | | | A-E |
| 12 | | | | | F-K |
| Box | Folder |
| 108 | 1 | | | | | L-R |
| 2 | | | | | S-W |
| 3 | | | | Correspondence (draft) in steno notebook &
fragments |
| 4 | | | | Correspondence with former FIU students |
| 5 | | | | Credit cards |
| 6 | | | | Deductible, miscellaneous |
| 7 | | | | Fan mail |
| 8 | | | | Fan mail
(WWII) |
| 9 | | | | Film |
| 10 | | | | Goldstein, Shames & Hyde (H. Hyde) |
| 11 | | | | Insurance |
| 12 | | | | Jones (Gloria) personal correspondence |
| Box | Folder |
| 109 | 1 | | | | Jones (James) family correspondence |
| 2 | | | | Jones, Jamie |
| 3 | | | | Jones, Kaylie |
| 4 | | | | Hope Leresche & Steele |
| 5 | | | | Medical |
| 6 | | | | Moving |
| 7 | | | | New house improvements |
| 8 | | | | Paris lawyer (John P. Heinzen) |
| 9 | | | | Pearl Harbor Survivors Association |
| 10 | | | | Politics |
| 11 | | | | Publicity: write-ups |
| 12 | | | | Publishers |
| 13 | | | | Schools: Southampton College |
| 14 | | | | Social |
| 15 | | | | Sports: knives |
| | | | 1977 |
| 16 | | | | Automobile |
| 17 | | | | Banks |
| 18 | | | | Bills, paid: Sagg |
| 19 | | | | Bills, paid: other |
| Box | Folder |
| 110 | 1 | | | | Book lists |
| 2 | | | | Correspondence: get well |
| 3 | | | | Correspondence, misc. |
| 4 | | | | Deductible, miscellaneous |
| 5 | | | | Fan mail |
| 6 | | | | Improvements to Sagg house |
| | | | | Jones (Gloria) correspondence |
| 7 | | | | | A-L |
| 8 | | | | | M-W |
| 9 | | | | Jones, Kaylie |
| Box | Folder |
| 111 | 1 | | | | Hope Leresche & Sayle |
| 2 | | | | Medical expenses |
| 3 | | | | Pearl Harbor Survivors Association |
| 4 | | | | Publicity: interviews, lectures, etc. |
| 5 | | | | Publishers |
| 6 | | | | Publishers:
Whistle |
| 7 | | | | Sports: knives |
| | | | Letters of condolence,
1977 |
| 8 | | | | A-C |
| 9 | | | | D-G |
| 10 | | | | H-L |
| 11 | | | | M-R |
| Box | Folder |
| 112 | 1 | | | | S-Z |
| 2 | | | | Unidentified |
| | | | Correspondence & miscellany, 1978-81 |
| 3 | | | | Bills & miscellaneous |
| 4 | | | | Fan mail |
| 5 | | | | Jones (Gloria) correspondence |
| | | | Publication of
Whistle, 1978 |
| 6 | | | | Publication party (guest list) |
| 7 | | | | Publication party (clippings about) |
| 8 | | | | Reviews |
| | | | | | | | | | | | | |
| |
Series III. Personal Papers, 1890-1978 (bulk 1943-74), 24 boxes
|
| Nearly two-thirds of the series comprises the
financial records kept by James Jones in the years 1964-74, but other materials
related to his family history and daily life that were not part of his
correspondence files are located here. |
| Jones' involvement in the American Center for Students and Artists
is demonstrated in the drafts of correspondence and reports during the early
1970s when he served as a member of the ACSA board of directors and as chairman
of a "committee to study and redefine the Center's objectives in today's
world." These materials document his efforts to encourage a non-radical public
image for the center in the period following the 1968 Paris riots as depicted
in
The Merry Month of May. |
| A number
of early photographs of Jones and his family were given him by his aunt Mollie
Haish, along with a scrapbook of 19th century clippings relating to the White
and Blessing families. Other photographic materials include a considerable
number of negatives of photographs taken by and of the Jones family and friends
in the 1960s. In many cases no prints are available. Folder titles for these
materials were assigned by the archivist and are deliberately broad. |
| The detailed tax records are essentially fiscal in nature but do
embrace material from which biographical nuggets may be gleaned--summaries of
royalties and advances from publishers, for example, or names of persons
entertained by Jones at business luncheons. |
| | | Address books |
| Box | Folder |
| 113 | 1-3 | | | Pocket and octavo format,
1945-75 |
| 4 | | | Large format,
1965-74 |
| 5 | | | Addresses and calling cards |
| | | American Center for Students and Artists |
| Box | Folder |
| 114 | 1 | | | Board minutes and related material,
1968-71 |
| 2 | | | Committee meeting minutes,
1970-71 |
| 3 | | | Reports and related correspondence |
| 4 | | | Franco-American Cultural Center (Project) |
| 5 | | | Publications and ephemera,
1963-73 |
| | | Appointment- and daybooks |
| Box | Folder |
| 115 | 1 | | | 1943 |
| 2 | | | 1954 |
| 3 | | | 1959 |
| 4 | | | 1960 |
| 5 | | | 1962 |
| 6 | | | 1963 |
| 7 | | | 1967 |
| 8 | | | 1968 |
| 9 | | | 1969 |
| 10 | | | 1970 |
| 11 | | | 1971 |
| 12 | | | 1972 |
| 13 | | | 1973 |
| 14 | | | 1974 (small format, 1st-4th quarters) |
| Box | Folder |
| 116 | 1 | | | 1961 |
| 2 | | | 1964, cop. 1 |
| 3 | | | 1964, cop. 2 |
| 4 | | | (octavo format; expenses & purchases)
1974 |
| | | Appointment- and daybooks (Gloria's) |
| Box | Folder |
| 117 | 1 | | | 1959 |
| 2 | | | 1965 |
| 3 | | | 1966 |
| 4 | | | 1967 |
| 5 | | | 1968 |
| 6 | | | 1969 |
| 7 | | | 1970 |
| 8 | | | 1971 |
| 9 | | | 1973 |
| 10 | | | 1974 |
| Box | Folder |
| 118 | 1 | | Children's art (Kaylie and Jamie) |
| | | Family-related material,
1890-1973 |
| 2 | | | Blessing family notes |
| 3 | | | Blessing-White scrapbook |
| | | | Jones, Marianne |
| 4 | | | | 1940 diary |
| 5 | | | | Funeral book |
| 6 | | | | Sympathy cards & personal miscellany |
| 7 | | Passports, IDs, and certificates,
1942-73 |
| 8 | | Phonodiscs (JJ at the Empire State Building, 1939, Jeff
Jones [and his band?]
1940) |
| | | Photographs,
1898-1957 |
| Box | Folder |
| 119 | 1 | | | James Jones,
1928-57 |
| 2 | | | JJ and the Handys (studio portraits) |
| 3 | | | Ramon, Jeff, and Marianne Jones |
| 4 | | | Mollie Haish's family photographs |
| 5 | | | Lowney and the Handy Colony |
| 6 | | | The war and military life,
1941-45 |
| | | Photographs,
1958-78 |
| | | | JJ and family |
| 7 | | | | Les Années Vingt exhibition,
1959 |
| | | | | Kaylie |
| 8 | | | | | At 6 months |
| 9 | | | | | With friends,
ca. 1961 |
| 10 | | | | | At 19 months, with Gloria |
| 11 | | | | | With Gloria,
1962 |
| 12 | | | | | Early 1960s |
| Box | Folder |
| 120 | 1 | | | | | With Gloria,
1963 |
| 2 | | | | Martha's Vineyard,
1970s |
| 3 | | | | 1972-78 |
| | | | Friends |
| 4 | | | | John Berry,
1962 |
| 5 | | | | Peter Clough,
ca. 1961 |
| 6 | | | | Paul Heller,
1961 |
| 7 | | | | Irwin Shaw |
| 8 | | | | Paris and friends,
1960s |
| 9 | | | | Paris and coast,
ca. 1968 |
| 10 | | | | Portofino, Italy,
1959-65 |
| 11 | | | | New York,
ca. 1958 |
| | | | European travel |
| 12 | | | | Austria and Germany,
1960s |
| 13 | | | | Klosters, Austria,
1960s |
| 14 | | | | Normandy beaches,
1961 |
| 15 | | | | Paris and Florence,
1958 |
| 16 | | | | Florence, Italy,
1958 |
| 17 | | | | Italy,
1958 |
| 18 | | | | Yugoslav trip,
1961 |
| | | | The Caribbean |
| Box | Folder |
| 121 | 1 | | | | Caribbean trip,
ca. 1958 |
| 2 | | | | Jamaica (and Paris),
early 1960s |
| 3 | | | | Jamaica,
1962-63 |
| 4-5 | | | | Skin diving |
| 6 | | | | Fishing off Florida with Lou Doherty,
1972 |
| | | | Miscellaneous photographs |
| 7 | | | | Small format,
1960s |
| 8 | | | | Large format,
1959-70 |
| 9 | | | | Very large format |
| 10 | | | | Unidentified |
| | | Tax Records,
1964-74 |
| | | | 1964 |
| Box | Folder |
| 122 | 1 | | | | Aaron Fuchs & Co. (I. Cantor) |
| 2 | | | | Banks |
| 3 | | | | Deductibles |
| 4 | | | | Deposits and disbursements |
| 5 | | | | Lawyers |
| 6 | | | | Miscellaneous |
| | | | 1965 |
| 7 | | | | Arthur Andersen & Co. |
| | | | | Banks |
| 8 | | | | | Chase Manhattan |
| 9 | | | | | Crédit Suisse |
| Box | Folder |
| 123 | 1 | | | | | Morgan Guaranty (New York) |
| 2 | | | | | Morgan Guaranty (Paris) |
| 3 | | | | | Statements |
| 4 | | | | Deductibles |
| 5 | | | | Deposits and disbursements |
| 6 | | | | Expenses, cash (business and household) |
| Box | Folder |
| 124 | 1 | | | | Miscellaneous |
| | | | 1966 |
| 2 | | | | Arthur Andersen & Co. |
| | | | | Banks |
| 3 | | | | | Crédit Suisse |
| 4 | | | | | Morgan Guaranty (New York) |
| 5 | | | | | Morgan Guaranty (Paris) |
| | | | | Deductibles |
| 6 | | | | | New York |
| 7 | | | | | Paris and London |
| Box | Folder |
| 125 | 1 | | | | Deposits and disbursements |
| 2 | | | | Expenses, cash (business and household) |
| 3 | | | | Miscellaneous |
| | | | 1967 |
| 4 | | | | Arthur Andersen & Co. |
| | | | | Banks |
| 5 | | | | | Crédit Suisse |
| 6 | | | | | Morgan Guaranty (New York) |
| 7 | | | | | Morgan Guaranty (Paris) |
| Box | Folder |
| 126 | 1 | | | | | Morgan Guaranty (Paris) special |
| 2 | | | | | Statements |
| 3 | | | | Deductibles |
| 4 | | | | Deposits and disbursements |
| 5 | | | | Expenses, cash (business and household) |
| Box | Folder |
| 127 | 1 | | | | Miscellaneous |
| | | | 1968 |
| 2 | | | | Arthur Andersen & Co. |
| | | | | Banks |
| 3 | | | | | Crédit Suisse |
| 4 | | | | | Morgan Guaranty (New York) |
| 5-6 | | | | | Morgan Guaranty (Paris) |
| 7 | | | | | Pennsylvania National Bank & Trust |
| 8 | | | | | Statements |
| 9 | | | | Deductibles (Paris and London) |
| Box | Folder |
| 128 | 1 | | | | Deductibles (U.S.) |
| 2 | | | | Deposits and disbursements |
| 3 | | | | Expenses, cash (business and household) |
| 4 | | | | Henry Hyde (tax information sent to) |
| 5 | | | | Miscellaneous |
| | | | 1969 |
| Box | Folder |
| 129 | 1 | | | | Arthur Andersen & Co. |
| | | | | Banks |
| 2 | | | | | Crédit Suisse |
| 3 | | | | | Morgan Guaranty (New York) |
| 4 | | | | | Morgan Guaranty (Paris) |
| 5 | | | | | Morgan Guaranty (Paris) check stubs |
| 6 | | | | | Statements |
| | | | | Deductibles |
| 7 | | | | | Dollars |
| 8 | | | | | Francs |
| 9 | | | | Deposits and disbursements |
| | | | | Expenses, cash |
| Box | Folder |
| 130 | 1 | | | | | Business |
| 2 | | | | | Household |
| 3 | | | | Miscellaneous |
| | | | 1970 |
| 4 | | | | Arthur Andersen & Co. |
| | | | | Banks |
| 5 | | | | | Morgan Guaranty (New York) |
| 6 | | | | | Morgan Guaranty (Paris) |
| 7 | | | | | Morgan Guaranty (Paris) check stubs |
| 8 | | | | | Other |
| Box | Folder |
| 131 | 1 | | | | | Statements |
| | | | | Deductibles |
| 2 | | | | | Dollars |
| 3 | | | | | Francs |
| 4 | | | | Deposits and disbursements |
| | | | | Expenses, cash |
| 5 | | | | | Business |
| 6 | | | | | Household |
| Box | Folder |
| 132 | 1 | | | | Miscellaneous |
| | | | 1971 |
| 2 | | | | Arthur Andersen & Co. |
| | | | | Banks |
| 3 | | | | | Crédit Suisse |
| 4 | | | | | Morgan Guaranty (New York) |
| 5 | | | | | Morgan Guaranty (Paris) |
| 6 | | | | | Morgan Guaranty (Paris) check stubs |
| 7 | | | | | Statements |
| | | | | Deductibles |
| 8 | | | | | Dollars |
| 9 | | | | | Francs |
| Box | Folder |
| 133 | 1 | | | | Deposits and disbursements |
| 2 | | | | Expenses, cash (business and household) |
| 3 | | | | Miscellaneous |
| | | | 1972 |
| 4 | | | | Arthur Andersen & Co. |
| | | | | Banks |
| 5 | | | | | Crédit Suisse |
| 6 | | | | | Morgan Guaranty (New York) |
| Box | Folder |
| 134 | 1 | | | | | Morgan Guaranty (Paris) |
| 2 | | | | | Morgan Guaranty (Paris) check stubs |
| | | | | Deductibles |
| 3 | | | | | Dollars |
| 4 | | | | | Francs |
| 5 | | | | Deposits and disbursements |
| | | | | Expenses, cash |
| 6 | | | | | Business and household |
| Box | Folder |
| 135 | 1 | | | | | Petty cash,
1967-72 |
| 2 | | | | Henry Hyde (correspondence with) |
| 3 | | | | Miscellaneous |
| | | | 1973 |
| 4 | | | | Arthur Andersen & Co. |
| | | | | Banks |
| 5 | | | | | Crédit Suisse |
| 6 | | | | | Morgan Guaranty (New York) |
| 7 | | | | | Morgan Guaranty (Paris) |
| 8 | | | | | Morgan Guaranty (Paris) check stubs |
| | | | | Deductibles |
| Box | Folder |
| 136 | 1 | | | | | Dollars |
| 2 | | | | | Francs |
| 3 | | | | Deposits and disbursements |
| 4 | | | | Expenses, cash (business and household) |
| 5-6 | | | | Miscellaneous |
| | | | 1974 |
| Box | Folder |
| 137 | 1 | | | | Banks |
| 2 | | | | Banks: Morgan Guaranty (Paris) check
stubs |
| 3 | | | | Deductibles |
| 4 | | | | Deposits and disbursements |
| | | | | Expenses, cash |
| 5 | | | | | Household |
| 6 | | | | | Petty cash,
1973-74 |
| 7 | | | | Miscellaneous |
| | | | | | | | | | | | | |
| |
Series IV. Works by Others, 1948-78, 10 boxes
|
| The Works by Others series in the James Jones Papers
is an unsystematic but useful collection of manuscripts by people whose lives
intersected that of Jones in various ways. Included is Irwin Shaw's
"Ships, Bulls and the Wind from the
North," which, together with Jones'
"Amateur's Report" (or Arles Trip)
were jointly turned down by
Playboy in June 1965. A prose fiction
fragment entitled
"The Stroke" is a rare example of
the creative writing of Lowney Handy and bears marginal notes suggesting she
may have used it as instructional material at the Handy colony. Rita Parr, who
was one of the younger writers Jones met in Paris, is represented by short
prose pieces and poems she submitted to him before her death in 1968. |
| One
of several critical works on Jones contained in the series is Ben W. Griffith's
"Rear Rank Robin Hood" manuscript,
accompanied by an illuminating 1954-56 correspondence with Jones. |
| | | Subseries A. General Fiction and Nonfiction |
| | | | Adams, Richard P.
"Tragedy, and also Romance"
[filed at 60.1] |
| Box | Folder |
| 138 | 1 | | | Anthony, William.
Bible Stories |
| 1 | | | Appleman, Mark J.
Stockade [at 51.6] |
| 2 | | | Aurenche, Jean.
"Epitaph for an
Enemy" |
| 3 | | | Aurthur, Robert A.
All that Jazz |
| 3 | | | Baekeland, Antony.
"The Business Man" [at
75.5] |
| 4 | | | Bazelon, David T.
"Experiments in
Me" |
| 5 | | | Beardmore, George.
"Charlie Pocock's Indian
Bride" |
| 6 | | | Bell, Stuart.
"Sons of Clay" |
| Box | Folder |
| 139 | 1 | | | Berry, John.
"Pig, a Novel" |
| 2 | | | Blier, Bertrand.
Hitler...Connais
Pas! |
| 2 | | | Brask, Ole.
Jazz People [at
45.6-7] |
| 3 | | | Braun, Alan.
"Adagio" |
| 4 | | | Burstein, Patricia. Two short manuscripts |
| 4 | | | Cady, Jack. Review of
A Touch of Danger [at
101.10] |
| 5 | | | Camacho, Sue.
"A Promise to
Keep" |
| 6 | | | Dana, Bill.
"Conference Call" |
| | | | Davidson, Sandra Calder. |
| 7 | | | | Sylvester, the Lead
Frog |
| 8 | | | | Sylvestre |
| 8 | | | Dean, Loomis.
"Left Bank Americans"
[captions only at 89.4] |
| 9 | | | Dougall, Bernard.
"Greater Love" |
| 10 | | | Drew, Robert.
"Happy Holiday" |
| 11 | | | Fuentes, Carlos.
"Le Mexique de
Reichenbach" |
| | | | Gary, Romain. |
| 12 | | | | "Avant propos" [to
The Thin Red Line] |
| 13 | | | | Preface to
The Thin Red Line (English
translation in JJ's hand) |
| 13 | | | Gawron, Tony E.
"Five Days of Freedom" [at
100.3] |
| Box | Folder |
| 140 | 1 | | | Goodson, Felix E.
Sweet Salt |
| 1 | | | Grueff, [].
"On Mysticism and
Psychoanalysis" [at 60.1] |
| 1 | | | Handy, Lowney T.
"The Stroke" [at
147.2] |
| 2 | | | Hardy, Rene. Rough translation of a French
novel |
| 3 | | | Hayim, George. Untitled manuscript |
| 4 | | | Hemingway, Ernest.
The Old Man and the Sea, advance
galley proofs |
| 5 | | | Hepburn, Dick.
The Sudden End of Anne
Cinquefoil |
| 5 | | | Jarrico, Paul.
"La Chanson de la Cigarette
Girl" [at 92.2] |
| 5 | | | Jenkins, Paul.
"Gustave Moreau Museum" [at
71.20] |
| Box | Folder |
| 141 | 1-2 | | | Jones, Gloria.
"Port Carbon" (two
drafts) |
| 3 | | | Jones, Marianne.
"The Third Time You Killed
Me" |
| 4 | | | Larner, Jeremy.
"Jack London: An American
Success" |
| 4 | | | Levin, Robert J.
"Tony Perkins: the Quiet
Rebel" [at 63.5] |
| 4 | | | McGibbon, David. |
| 4 | | | | "Jack" [at 94.5 (McGibbon,
David)] |
| 4 | | | | "The Tidewatchers" [at
94.5] |
| Box | Folder |
| 142 | 1 | | | Mailer, Norman.
The Deer Park (bound
galleys) |
| 1 | | | Manuel, Dennis.
"The Step-back Man" [at
89.6] |
| 2 | | | Mewshaw, Michael.
The Tool (galleys) |
| 2 | | | Midwood, Barton.
"A Short Story" [at
86.8] |
| 2 | | | Miles, Harold
"The Re-enlistment Blues" [a
song setting, at 54.7] |
| | | | Mitchell, Burroughs.
The Education of an
Editor |
| 3 | | | | Draft with title
Associations |
| 4 | | | | Later draft |
| 5 | | | | "Uncorrected
proof" |
| 6 | | | Mosley, Nicholas.
Impossible Object |
| Box | Folder |
| 143 | 1 | | | Nef, John U.
"Questions Science Cannot
Answer" |
| | | | Oakland, Ben.
"The Bitter Beguine" [removed
to oversize materials at 153.10] |
| 2 | | | O'Donovan, Denis.
"Wolf, a Novel" |
| 3 | | | Orme, Geoffrey.
"The Boy and the
Bridge" |
| 3 | | | Parr, Rita. Poems and short fiction [at
84.5] |
| 4 | | | Porter, John H.
"The Midnight Ride of Unckie
Clyde" |
| 5 | | | Priaulx, Allan.
"The Short Fall and Rise of Gaullist
France" [also at, in part, 86.6] |
| 6 | | | Ray, Nicholas.
"The Doctor and the
Devils" |
| 7 | | | Roberts, Ralph.
"Mimosa Memories" |
| 7 | | | Romero, Juan.
"The Snatch" [at
79.3] |
| 8 | | | Ryan, James.
"Lovers' Delights" (two
copies) |
| 8 | | | Sack, John.
"The Confessions of Lt.
Calley" [at 94.7] |
| 9 | | | Sackrider, Don.
"To Spite Your Own
Face" |
| 10 | | | Sassaman, James.
"Donnybrook's Diner"
(excerpt) |
| | | | Shaw, Irwin. |
| 11 | | | | "Ships, Bulls, and the Wind from
the North" |
| 12 | | | | "
Whistle by James
Jones" |
| 13 | | | Smith, Louis C. "Notes for Film Treatment:
Django" |
| 14 | | | Stallman, R. W.
"The Sun Also Rises, but No Bells
Ring" |
| 15 | | | Stirling, Monica.
"The Bracelet" |
| 15 | | | Varona, Lewis.
"La Réveil du Bois!" [removed
to oversize materials at 153.11] |
| 15 | | | Walthall, Melvin C.
Lightning Forward [in part, at
103.2] |
| Box | Folder |
| 144 | 1 | | | Warfield, Joseph W.
"Paris Samedi,
Après-midi" |
| 1 | | | Wheelock, John Hall.
"Eight Sonnets" [at
71.5] |
| | | | Wilder, Thorton |
| 2 | | | | Childhood |
| 3 | | | | Infancy |
| 4 | | | | Someone from
Assisi |
| 5 | | | Wood, Clement Biddle.
"The
Singlehander" |
| 5 | | | Unidentified authors |
| 6 | | | "Article Written for
Sports Illustrated on Deep
Diving" |
| 7 | | | "The Faces of War" (working
script for TV program, 10 Nov. 1957) |
| 8 | | | "The Sun is on the Forehead of the
Young Man Whose Jaw is Shot Away" ("from George Schiffer") |
| 8 | | | "Volunteer Army" (rough draft
of article) [at 106.1 (
New York Times)] |
| | | Subseries B. Criticism and Bibliography of James
Jones |
| Box | Folder |
| 144 | 9 | | | Adams, Richard P. "A Second Look at
From Here to Eternity" [also at
73.11] |
| | | | Carter, Steven R. |
| 10-12 | | | | Typescript,
2 Feb. 1973-11 Feb.
1974 |
| Box | Folder |
| 145 | 1-2 | | | | Photocopy,
20 Feb. 1973-11 Jan.
1974 |
| 3-4 | | | | Dissertation |
| 5 | | | | Thesis & dissertation excerpts |
| 6 | | | Federspiel, Jürg.
"Respektabilität und
Verdammnis" |
| 7 | | | Garrett, George.
James Jones, pt. 1 |
| Box | Folder |
| 146 | 1 | | | Garrett, George.
James Jones, pt. 2 |
| 1 | | | Griffith, Ben W.
"Rear Rank Robin Hood: James Jones'
Folk Hero" [at 53.5 (Griffith, Ben W.)] |
| 2 | | | Hopkins, John R.
James Jones: a
Checklist |
| 3 | | | Miller, Nolan |
| 4 | | | Ruhm, Herbert |
| 5 | | | Wood, Clement Biddle.
"Jim Jones" |
| | | Subseries C. Interviews of James Jones and Related
Material,
1951-77 |
| Box | Folder |
| 146 | 6 | | | Creativity and Mental Health (Q and A session at
Florida Atlantic University,
3 June 1975) |
| 7 | | | Interviews with JJ (typescripts,
1958-75) |
| 8 | | | Interviews (photocopies, 1951-75) and obituaries
(1977) |
| 8 | | | Paris Review interview with JJ,
1959 [at 60.8] |
| 8 | | | Bill Russell interview with JJ, 1960 [at 62.1
(Russell, Bill)] |
| 8 | | | Transcript of taped conversation between Messrs. James
Jones and William Styron, 1963 [at 69.14] |
| 8 | | | A portrait of James Jones, as seen through Marcel
Proust's questionnaire, 1963 [at 70.10] |
| 8 | | | Transcript of taped conversation between JJ and Thomas
E. Sternberg, 1975 [at 41.8-9] |
| | | | | | | | | | | | | |
| |
Series V. Lowney Handy and the Writers' Colony,
1942-57, 1 box
|
| The series contains a scattering of correspondence
from members of the colony and from Lowney Handy's mother and siblings, as well
as from James Jones' sister Marianne. The only letters present that include a
significant number of Lowney's carbons are those from Scribner's and G.P.
Putnam. Lowney's correspondence with Jones is located in the Correspondence
series, where, additionally, her marginalia are to be found on various letters
to Jones. A number of photographs of Lowney and Harry Handy are present in the
Personal Papers series. |
| | | Lowney Handy incoming correspondence |
| Box | Folder |
| 146 | 9 | | | Unidentified, A-N |
| 10 | | | Jones, Marianne,
1944-48 |
| Box | Folder |
| 147 | 1 | | | P-Y |
| 2 | | | Woodford, Jack,
1955-56 |
| 3 | | Lowney Handy outgoing correspondence,
1952-56 |
| | | Third-party correspondence |
| 4 | | | B-V |
| 5 | | | Martha Tucker to Jerry Tschappat,
1954-55 |
| 6 | | Clippings, with Lowney's notes |
| | | Handy Writers' Colony |
| 7 | | | Records and correspondence |
| 8 | | | James Jones Golf Course |
| | | | | | | | | | | | | |
| |
Series VI. Printed Matter, 1944-76, 3 boxes
|
| The printed matter in the series includes research
materials for a story idea (the 1966
"Moor murders" trial in England),
newspaper issues containing columns by fellow writers (Norman Mailer in
The Village Voice and Willie Morris in
the
Washington Star), collected clippings
on an avocational interest (the Fischer-Spassky chess tournament of 1972), as
well as miscellaneous fragments and minor publications from Jones' early years
as a writer. Concluding the series is a collection of periodical issues,
1948-75, containing contributions by Jones. |
| Box | Folder |
| 147 | 9 | | Minor publications and miscellanea,
1944-52 |
| 10 | | Clippings, miscellaneous,
1944-56 |
| Box | Folder |
| 148 | 1 | | Newspaper issues,
1953-56 |
| | | The Robinson Argus, 1949-56 issues
[removed to oversize materials at 153.9] |
| 2-3 | | The Village Voice, Jan.-July 1956
issues |
| 4 | | John F. Kennedy clippings,
1964 |
| 5 | | Washington Star 1976 issues with
columns by Willie Morris |
| Box | Folder |
| 149 | 1 | | Fischer-Spassky chess tournament articles,
1972 |
| 2-21 | | "Moor murders" clippings,
April-Oct. 1966 |
| Box |
| 150-151 | | | Noncirculating photographic materials (negatives and
transparencies) from Boxes 24-121 |
| | | Periodical issues and small monographs with
contributions by JJ |
| Box | Folder |
| 152 | 1 | | | 1948-49 |
| 2 | | | 1950-59 |
| 3 | | | 1960-64 |
| 4 | | | 1965-69 |
| 5 | | | 1970-73 |
| 6 | | | 1974-75 |
| Box |
| 153 | | | Oversize materials removed from Boxes 3-152 |
|