TABLE OF CONTENTS
Biographical Sketch
Scope and Contents
Restrictions
Index Terms
Administrative Information
Sources:
Description of Series
I. Works
II. Personal Papers, Journals, and Diaries
III. Correspondence
IV. Laurence Pollinger General Files
V. Laurence Pollinger Copyright Assignment
Files
Index
Index
|
Graham Greene:
An Inventory of His Collection at the Harry Ransom Humanities
Research Center
| | |
|
| Creator: | Greene, Graham,
1904-1991 |
| Title: | Graham Greene Collection
|
| Dates: | 1924-1998 |
| Abstract: | The collection consists primarily of
holograph and typescript manuscripts for many of Greene's major works, personal
diaries and datebooks, and correspondence. Also present are files kept by
Greene's publisher Laurence Pollinger, including correspondence and records of
contract negotiations. |
| RLIN Record #: | TXRC02-A2 |
| Extent: | 96 boxes (40 linear
feet), 7 galley folders, and 3 oversize folders |
| Repository: | Harry Ransom Humanities Research Center,
The University of Texas at Austin |
Born in Berkhamstead, England, in 1904, Henry Graham Green was the
fourth of six children born to Charles Henry and Marion Raymond Greene. Greene
led a fairly typical childhood for the time, raised largely by nurses and
nannies in the nursery and spending relatively little time with his parents.
His father held a position as a headmaster at the Berkhamstead School giving
Graham an early taste of divided loyalties when he entered the school in 1915.
At the age of sixteen Graham had a mental crisis during which he ran away from
home and school. Coming on top of several questionable suicide attempts and
exaggerated illnesses, his parents sent him for six months of
psychoanalysis.
In 1925 Greene took a second class degree at Oxford and published a
book of poetry,
Babbling April. Between 1925 and 1927 he
courted Vivienne Dayrell-Browning, pursuing her with almost obsessive
eagerness. Many critics credit Greene's conversion to Catholicism as a tactic
to gain Vivien's favor. Regardless of his motives, Greene joined the Catholic
church in 1926 and married Vivien in 1927.
Before his marriage Greene took a position as a literary journalist
with
The Times where he worked his way up to an
editorship. However, when his first novel,
The Man Within, was published in 1929 he
took the almost unheard of step of resigning his position to become a full-time
author. His next two books were not well received but
Stamboul Train (1935; published as
Orient Express in the United States,
1936), his first spy thriller, gained him a popular audience. His next two
novels,
It's a Battlefield (1934) and
England Made Me (1935) illustrated
Greene's ongoing fixation with betrayal, man's inner conflict between good and
evil, and innocence as accessory to corruption.
Greene's marriage was ultimately unsuccessful. After the birth of two
children, Greene found the house too noisy to write in. He carried on several
less-than-discreet long-term affairs as well as regular assignations with
prostitutes. He and Vivien finally separated in 1948 but never divorced.
Over the course of his life Greene traveled extensively, often to
political hotspots such as Vietnam, Kenya, Liberia, and Cuba. He served in the
British Intelligence Service during World War II, operating in Sierra Leone.
His travels satisfied his taste for adventure while providing background for
his works.
Greene's prolific and popular writing allowed him to live comfortably
in London, Antibes, and Capri. Towards the end of his life he lived in Vevey,
Switzerland where he died in 1991.
Return to the Table of Contents
Holograph and typescript manuscripts, diaries, and publisher's
correspondence comprise the majority of the Graham Greene Collection,
1924-1998. The collection is organized into five series: Series I. Works,
1924-1977 (35 boxes); Series II. Personal Papers, Journals, and Date Books,
1926-1984 (5.5 boxes); Series III. Correspondence, 1925-1991 (3.5 boxes);
Series IV. Laurence Pollinger General Correspondence Files, 1950-1991 (43.5
boxes); and Series V. Laurence Pollinger Copyright Files, 1928-1998 (6.5
boxes). A portion of this collection was previously accessible through a card
catalog, but has been re-cataloged as part of a retrospective conversion
project.
The Works series contains typescripts and page proofs for most of
Greene's major works. Holograph manuscripts are also available for several
works including
A Burnt-Out Case,
Cheap in August,
The Comedians,
The Honorary Consul, and
Our Man in Havana. Many of the novels are
also present in screenplay form or edited for different editions.
England Made Me,
Travels with My Aunt,
The Human Factor, and
Our Man in Havana are particularaly well
represented. A complete list of Greene's works present in the collection is
available in the Index of Works as the end of this guide.
The Personal Papers, Journals and Date Books series contains six
notebooks Greene used over many years to record his dreams, as well as some 74
small spiral date books with appointments and notes jotted in them. Also
present are works by other authors found among Greene's papers, an address
book, and publicity schedules for two of his books.
The Correspondence series is largely composed of personal letters
written by Greene as well as a few letters to Greene and a small amount of
third-party correspondence. Most of Greene's letters to newspapers and
magazines are "letters to the Editor" and include drafts as well as final
typescripts. Perhaps most interesting are letters written by Greene to Vivianne
Dayrell-Browning between 1925 and 1927 during their courtship. A complete list
of correspondents can be found in the Index of Correspondents at the end of
this guide.
The Laurence Pollinger General Correspondence Files series comprises
files kept by Greene's long time publisher Laurence Pollinger. Generally the
letters in this series are requests for publication, stage, or film use of
various of Greene's works. Regular status lists of the rights for various
materials are also included in the files. The files have been maintained in
their orignal order, arranged chronologically, with an occasional folder
labeled topically, such as "British Publishers." A small amount of duplication
occurs where recipients returned copies of letters attached to their
responses.
The Laurence Pollinger Copyright Files series holds records of
contract negotiations for rights for use of Greene's works and is arranged by
media type: audio (radio and books on tape); film (includes contracts for "film
and TV" rights); publishing; stage; and television (contracts solely for TV
broadcast rights). Within the subseries materials are organized alphabetically
by contracting company. Names of individuals from contracting companies are not
included in the Index of Correspondents. There are a few folders that contain
general contract materials for a given title and those are listed by the work's
title. Some of the correspondence in this series duplicates letters found in
the previous General Correspondence Files series.
A fairly large quantity of thermo-faxes included in the Laurence
Pollinger series were fading towards illegibility and the best photocopies
possible have been made for preservation purposes and to facilitate use.
Other materials associated with Greene may be found in the following
collections at the Ransom Center:
- Barker, George
- Blunden, Edmund Charles
- Bowen, Elizabeth
- Church, Richard
- Connolly, Cyril
- Conrad, Joseph
- Cunard, Nancy
- Fitzgibbon, Constantine
- Ford, Ford Maddox
- Grigson, Geoffrey
- Hamilton, G.
-
Harpers
- Hutchinson, Mary
- Jameson, Storm
- Lehmann, John
- Lindsay, Philip
-
London Magazine
- Lownders, Marie Adelaide Belloc
- Mackenzie, Compton
- Maclaren-Ross, Julian
- Maugham, William Somerset
- Morrell, Ottoline Violet Anne Cavendish Bentinck, Lady
- Owen, Peter
- Palmer, Herbert Edward
- Patmore, Derek
- PEN
- Plomer, William Charles Franklyn
- Pound, Ezra Loomis
- Priestly, John Boynton
- Pritchett, VS
- Scott-James, Rolfe Arnold
- Sitwell, Edith, Dame
- Stanford, Derek
- Strong, Leonard Alfred George
- Warner, Rex
- Waugh, Evelyn
Return to the Table of Contents
Access:
Open for research
Return to the Table of Contents
| | |
|
|
| |
| People |
| | Burns, Tom (Thomas F.). |
| | Greene, Vivienne Dayrell-Browning.
|
| | Hayward, John, 1945-1965. |
| Subjects |
| | Africa--Travel and description. |
| | Authors--England--20th century. |
| | Catholics--England--Fiction. |
| | England--Social life and customs--20th
century. |
| Document Types |
| | Diaries. |
| | Galley Proofs. |
| | Journals. |
Return to the Table of Contents
http://www.hrc.utexas.edu/research/fa/greene.g.hp.html
Gifts and purchases, 1964-1997
Chelsea Dinsmore, 2002
The majority of the Graham Greene manuscript materials were acquired
in the early 1970s while various individual items and small groups were
purchased between 1964 and 1997. The Laurence Pollinger correspondence files
were obtained as part of a separate purchase in 1994.
Return to the Table of Contents
| | |
|
Dictionary of Literary Biography -- Volume 15:
British Novelists, 1930-1959, part 1, A-L. Bernard Oldsey, Ed.
(Detroit: Gale Research Company, 1983).
Shelden, Michael.
Graham Greene: The Man Within. (London:
Heinemann, 1994).
Sherry, Norman.
The Life of Graham Greene: Volume 1
1904-1939. (London: Jonathon Cape, Ltd, 1989).
--.
The Life of Graham Greene: Volume II
1939-1955. (New York: Viking Penguin, 1995).
|
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
I. Works
|
| Box | Folder |
| 1 | 1 | | A-B; Unidentified |
| | | Brighton Rock (novel) |
| Box | Folder |
| 1 | 2 | | | Introduction, holograph and typescript with author
revisions, 14pp,
1962 |
| 3-4 | | | Page proofs with author corrections, 336pp,
1969 |
| | | Brighton Rock
(screenplay) |
| Box | Folder |
| 1 | 5 | | | Typescript with typed inserts and author revisions,
82pp,
n.d. |
| 6 | | | Typescript copy with inserts and author revisions,
114pp,
n.d. |
| | | A Burnt-Out Case |
| Box | Folder |
| 1 | 7 | | | Introduction, holograph with author revisions, 4pp,
1963 |
| 8 | | | Holograph with inserts and author revisions, 126pp,
1959 |
| 9 | | | Typescript and carbon copy pages with author
revisions, 182pp,
n.d. |
| 10 | | | Typescript with author inserts and revisions, 311pp,
n.d. |
| Box | Folder |
| 2 | 1 | | | Typescript with author inserts and revisions, 327pp,
n.d. |
| 2 | | | Proof copy with author revisions, 264pp,
1961 |
| 3-4 | | | Proof copy with author revisions, 274pp,
1974 |
| 5 | | C |
| | | Carving A Statue: A Play in Two
Acts |
| Box | Folder |
| 2 | 6 | | | Holograph with typescript inserts and author
revisions, 34pp,
1963-64 |
| 7 | | | Act I, two typescripts with author revisions, 45pp,
1964 |
| 8 | | | Typescript with author revisions, 51pp,
1963-64 |
| Box | Folder |
| 3 | 1-2 | | | Two typescripts with author revisions, 162pp,
1963-64 |
| 3 | | | Typescript revisions, 18pp,
1964 |
| 4 | | | Three sets of galley proofs with author inserts and
revisions, 115pp,
n.d. |
| 5 | | | Two sets of page proofs with author inserts and
revisions, 172pp,
1964 |
| 6-9 | | | Five production copies, four with author revisions,
and inserts, 344pp,
n.d. |
| Box | Folder |
| 4 | 1 | | Cheap in August, holograph,
typescript, and bound carbon copy with author revisions, 100pp,
n.d. |
| 2 | | The Collected Edition of the Works of
Graham Greene: Introduction, holograph and typescript draft with author
revisions, 97pp,
n.d. |
| | | Collected Essays |
| Box | Folder |
| 4 | 3-4 | | | Holograph, typescript, and printed pages with author
comments and revisions, 200pp, various dates |
| 5-7 | | | Typescript and printed materials, 356pp,
n.d. |
| Box | Folder |
| 5 | 1 | | | Page proofs with author corrections, 463pp,
1968 |
| 2 | | | Proof copy with author corrections, 463pp,
1968 |
| | | Collected Stories |
| Box | Folder |
| 5 | 3 | | | Introduction, holograph and typescript with author
corrections, 13pp,
n.d. |
| 4-6 | | | Page proofs with author corrections, 562pp,
1972 |
| Box | Folder |
| 6 | 1-2 | | | Printed copy with author corrections, removed from
binding, 200pp,
ca. 1971 |
| | | The Comedians (novel) |
| Box | Folder |
| 6 | 3 | | | Journal notes, holograph and typescript with author
revisions, 51pp,
1963 |
| 4 | | | Holograph first draft with author corrections, 194pp,
n.d. |
| 5-8 | | | Typescript with author revisions, 421pp,
n.d. |
| 9 | | | Typescript with author revisions, 63pp,
1964 |
| Box | Folder |
| 7 | 1-2 | | | Typescript with author revisions, 487pp,
n.d. |
| 3-5 | | | Two carbon copies with author revisions, 487pp,
n.d. |
| Box | Folder |
| 8 | 1 | | | Two carbon copies, cont. |
| | | | Viking Press edition |
| Box | Folder |
| 8 | 2-3 | | | | Proof copy with author revisions, 194pp,
n.d. |
| Folder |
| * | | | | | Galley proofs with author revisions, 100pp,
[* removed to Galley Folder
1] 1965 |
| | | | Bodley Head edition |
| Box | Folder |
| 8 | 4 | | | | Proof copy with author revisions, 194pp,
1965 |
| 5 | | | | Printed copy with author revisions, 313pp,
1966 |
| 6 | | | Book blurb, holograph and typescript drafts, 4pp,
1965 |
| | | The Comedians (Collected
Edition) |
| Box | Folder |
| 9 | 1-2 | | | Page proofs with author revisions, 367pp,
1975 |
| | | The Comedians (film
play) |
| Box | Folder |
| 9 | 3 | | | Four story lines, holograph and typescript drafts with
author revisions, 109pp,
n.d. |
| 4 | | | Holograph and typescript, first version, 293pp,
n.d. |
| 5 | | | Typescript with author revisions, 91pp,
n.d. |
| | | The Comedians (motion
picture) |
| Box | Folder |
| 9 | 6 | | | Typescript rough draft with author revisions, 272pp,
n.d. |
| Box | Folder |
| 10 | 1 | | | Typescript rough draft with author revisions, 227pp,
n.d. |
| 2 | | | Typescript rough draft with author revisions, 143pp,
n.d. |
| 3 | | | Screenplay, 165pp,
n.d. |
| 4-6 | | | Three screenplays with author insertions and
revisions, 516pp,
1966 |
| Box | Folder |
| 11 | 1 | | | Holograph and typescript fragments with author
revisions, 192pp,
n.d. |
| | | The Complaisant Lover
(play) |
| Box | Folder |
| 11 | 2 | | | Typescript with insertions, 77pp,
n.d. |
| Box |
| * | | | | Galley proofs, 31pp,
[*galleys removed to Galley folder
2] n.d. |
| | | The Confidential Agent |
| Box | Folder |
| 11 | 3 | | | Holograph draft with author insertions and revisions,
118pp,
n.d. |
| 4 | | | Introduction, holograph and typescript versions with
author revisions, 12pp,
n.d. |
| 5-6 | | | Page proofs with author revisions, 297pp,
1970 |
| 7 | | | Bound volume, uniform edition with author revisions,
247pp,
1970 |
| 8 | | Convoy to West Africa, bound
volume with author revisions, 220pp,
n.d. |
| Box | Folder |
| 12 | 1 | | D |
| 2 | | E-H |
| | | The End of the Affair |
| Box | Folder |
| 12 | 3 | | | Introduction, holograph with author revisions, 4pp,
1963 |
| 4 | | | Page proofs with author corrections, 221pp,
1974 |
| | | England Made Me |
| Box | Folder |
| 12 | 5 | | | Holograph with author revisions and insertions, 175pp,
1933 |
| 6 | | | Introduction, holograph and typescript versions with
author revisions, 9pp,
1962 |
| 7 | | | Page proofs with author revisions, 285pp,
1969 |
| 8 | | For Vivienne: A Private Book, holograph volume with
drafts, fair copies, and paste-ins, 49pp,
1926-32 |
| | | A Gun For Sale |
| Box | Folder |
| 13 | 1 | | | Introduction, holograph with author revisions, 5pp,
1962 |
| 2 | | | Holograph with author revisions, 132pp,
n.d. |
| 3* | | | Page proofs with author corrections, 238pp,
(*4 sheets of galley proofs removed
to Galley Folder 3) 1972 |
| 4 | | | Introduction, three typescript drafts with author
revisions, 19pp,
1972 |
| | | The Heart of the
Matter |
| Box | Folder |
| 13 | 5 | | | Introduction, holograph with author revisions, 4pp,
1963 |
| 6 | | | Printed volume (Uniform Edition) with author
revisions, 340pp,
n.d. |
| 7-8 | | | Page proofs with author revisions, includes holograph
and typescript drafts for Introduction, 338pp,
1971 |
| 9 | | The Heart of the Matter
(dramatization), holograph and typescript fragments, 7pp,
n.d. |
| 10 | | A House of Reputation: A Play in Three
Acts, holograph and typescript drafts with author revisions and
inserts, 112pp,
n.d. |
| | | The Honorary Consul |
| Box | Folder |
| 14 | 1 | | | Holograph notes in two notebooks and fragments, 34pp,
n.d. |
| 2 | | | Holograph with author revisions, 157pp,
1970-72 |
| 3 | | | Typescript with author revisions, 154pp,
1970 |
| 4-5 | | | Typescript with author revisions, 278pp,
1971 |
| 6 | | | Typescript with author revisions, 298pp,
n.d. |
| Box | Folder |
| 15 | 1 | | | Typescript cont. |
| 2-3 | | | Typescript with author revisions, includes newspaper
clippings and maps, 295pp,
n.d. |
| 4-5 | | | Typescript with author revisions, 302pp,
1972 |
| Box | Folder |
| 16 | 1 | | | Typescript with author revisions, 98pp,
n.d. |
| 2-3 | | | Typescript with author revisions, 350pp,
1972 |
| 4 | | | Galley proofs with author revisions, 298pp,
1973 |
| 5-6 | | | Page proofs with author revisions, 335pp,
1973 |
| | | The Human Factor |
| Box | Folder |
| 17 | 1 | | | Notes, holograph, 11pp,
n.d. |
| 2 | | | Introduction and author's message, holograph and
typescript, 5pp,
1977 |
| 3 | | | "The Cold Fault," typescript
with author revisions, 59pp,
n.d. |
| 4-5 | | | "Sense of Security,"
holograph and typescript with author revisions, 206pp,
1966-67 |
| 6 | | | "The Human Tie," holograph
with author revisions, 85pp,
1976 |
| 7 | | | Typescript with author revisions, 220pp,
1975 |
| 8 | | | Typescript with author revisions, 406pp,
1976-77 |
| Box | Folder |
| 18 | 1-2 | | | Typescript with author revisions, 402pp,
1977 |
| 3 | | | Galley proofs with author revisions, 219pp,
1977 |
| 4 | | | Page proofs with author revisions, 339pp,
1977 |
| Box | Folder |
| 19 | 1 | | I-J |
| | | An Impossible Woman: The Memories of
Dottoressa Moor of Capri |
| Box | Folder |
| 19 | 2 | | | Typescript with author revisions, 248pp,
1975 |
| 3 | | | Page proofs with author revisions, 205pp,
1975 |
| | | In Search of a Character: Two African
Journals |
| | | | "Congo Journal" |
| Box | Folder |
| 19 | 4 | | | | Holograph with author additions, 62pp,
1959 |
| 5 | | | | Typescript with author revisions and title page,
58pp,
n.d. |
| 6 | | | "Convoy to West Africa,"
holograph notebook, 64pp,
1941 |
| 7 | | | Page proofs with author revisions, 121pp,
1961 |
| 8 | | Introductions to various works |
| | | It's a Battlefield |
| Box | Folder |
| 20 | 1 | | | Holograph with author inserts and revisions, 130pp,
1932-33 |
| 2 | | | Typescript with author revisions and draft
introduction, 135pp,
n.d. |
| 3 | | | Page proofs with author revisions, 237pp,
1969 |
| 4-6 | | Journals with fragments and partially complete stories
and notes,
1940-1964 |
| | | Journey without Maps |
| Box | Folder |
| 20 | 7 | | | Holograph notes, 80pp,
n.d. |
| 8 | | | Introduction, holograph with author revisions, 5pp,
1963 |
| 9 | | Journey without Maps: The Mapless
Journey, holograph with author revisions, 183pp,
n.d. |
| Box | Folder |
| 21 | 1 | | L |
| | | The Lawless Road |
| Box | Folder |
| 21 | 2 | | | Travel journal, holograph, 127pp,
n.d. |
| housed at end of collection | | | Bound typescript with author revisions, 342pp,
nd |
| 3 | | The Little Horse Bus: A Tale of Startling
Adventure, two holograph drafts with author revisions, 60pp,
n.d. |
| 4 | | The Little Steam Roller: A Story of
Adventure, Mystery, and Detection, holograph draft, 36pp,
n.d. |
| 5 | | The Little Train, holograph draft,
44pp,
n.d. |
| 6-8 | | The Living Room
(script) |
| 6 | | | Holograph notes on end pages of
Devotional Poets of the XVII
Century (London: Thomas Nelson & Sons, Ltd,
), 2pp,
n.d.n.d. |
| 7-8 | | | Three typescript copies, 241pp,
1952 |
| | | The Living Room
(screenplay) |
| Box | Folder |
| 22 | 1 | | | Holograph notes and fragments, 21pp,
n.d. |
| 2-5 | | | Three typescript copies, some with author revisions,
394pp,
1952-1961 |
| | | Lord Rochester's
Monkey |
| Box | Folder |
| 22 | 6 | | | Holograph and typescript notes and fragments with
author revisions, 15pp,
n.d. |
| 7-8 | | | Typescript with author revisions, 288pp,
1973 |
| Box | Folder |
| 23 | 1-2 | | | Typescript copy with author revisions, 337pp,
n.d. |
| removed to oversize folders
1-2 | | | Page proofs with author revisions, 226pp,
1974 |
| Folder |
| * | | | | Galley proofs with author revisions, 61pp,
[* removed to Galley Folder
4] nd |
| Box | Folder |
| 23 | 3 | | | Bibliography, holograph and typescript copy, 21pp,
n.d. |
| 4 | | Loser Takes All, printed copy with
author revisions, 119pp,
n.d. |
| 5 | | M |
| | | The Man Within |
| Box | Folder |
| 23 | 6-7 | | | Holograph version with author revisions, 165pp,
n.d. |
| 8 | | | Introduction, holograph with author revisions, 6pp,
1962 |
| 9 | | | Page proofs with author revisions, 240pp,
1975 |
| 10 | | | Printed copy with author revisions and inserts, 209pp,
n.d. |
| Box | Folder |
| 24 | 1 | | | Printed copy with author revisions, 316pp,
n.d. |
| | | The Ministry of Fear |
| Box | Folder |
| 24 | 2 | | | Introduction, holograph with author revisions, 7pp,
1962; three typescripts with author revisions, 26pp, 1972 |
| 3 | | | Holograph with author revisions and inserts, 141pp,
1942 |
| 4-5* | | | Page proofs with author revisions, 271pp,
[*6 pages of galley proofs removed to
Galley Folder 5] 1972 |
| 6 | | | Manuscript case with author's inscription |
| 7 | | "Mr. Conway's Congress,"
holograph and typescript drafts with author revisions, 58pp,
1962 |
| 8 | | "Moment of Truth," holograph
and typescript drafts with author revisions, includes a review article, 14pp,
n.d. |
| 9 | | N |
| Box | Folder |
| 25 | 1 | | The Name of Action, holograph in
bound notebook with author revisions and illustrations, 175pp,
1929-30 |
| 2 | | No Man's Land, holograph and typescript film story with
author revisions, unpublished, 79pp,
n.d. |
| 3 | | O |
| | | Our Man in Havana
(novel) |
| Box | Folder |
| 25 | 4 | | | Typescript draft blurb with author revisions, nd, 1pp;
Introduction, holograph and typescript versions with author revisions, 26pp,
1965 |
| 5 | | | Holograph draft with author revisions and inserts,
89pp,
n.d. |
| 6-7 | | | Composite holograph and typescript draft with author
revisions, 331pp,
n.d. |
| 8 | | | Bound carbon copy typescript with author revisions,
298pp,
1957-58 |
| Box | Folder |
| 26 | 1 | | | Page proofs with author revisions, 280pp,
1969 |
| | | Our Man in Havana
(screenplay) |
| Box | Folder |
| 26 | 2 | | | Composite holograph and proof sheets with author
revisions, 212pp,
n.d. |
| 3 | | | Typescript with inserts, 173pp,
1959 |
| 4 | | P |
| 5 | | The Pleasure Dome, Introduction,
holograph and typescript versions with author revisions, 13pp,
1972 |
| 6-8 | | The Potting Shed (script), three
typescripts, bound with author revisions, 325pp,
ca. 1957-58 |
| | | The Power and the
Glory |
| Box | Folder |
| 27 | 1 | | | Dedication, holograph with author revisions, 1p,
1955 |
| 2 | | | Introduction, three typescript drafts with author
revisions, 14pp,
1962 |
| 3 | | | Holograph draft with author revisions, 138pp,
n.d. |
| 4-5 | | | Page proofs with author revisions and printer's notes,
303pp,
1970-71 |
| 6 | | | Printed version (Uniform edition) with author
revisions, 290pp,
1970 |
| 7 | | Prologue to Pilgrimage, typescript
with author revisions, 243pp,
1924 |
| | | The Quiet American |
| Box | Folder |
| 28 | 1 | | | Introduction, one holograph and three typescript
drafts with author revisions, 73pp,
1963-72 |
| 2* | | | Page proofs with author revisions, 221pp,
[*15 pages of galley proofs removed
to Galley Folder 6] 1972 |
| 3 | | R |
| 4 | | "Reading at Night," holograph
draft, two typescripts, and a bound copy, all with author revisions, 32pp,
n.d. |
| | | The Return of A.J.
Raffles |
| Box | Folder |
| 28 | 5 | | | Holograph with author revisions, 44pp,
1974 |
| 6-7 | | | Typescript drafts with author revisions and
insertions, 94pp,
n.d. |
| 8-9 | | | Typescripts with author revisions, 115pp,
n.d. |
| 10 | | | Galley proofs with author revisions, 43pp,
1975 |
| Folder |
| * | | | | Page mock-ups with author notes, 399pp,
nd [*removed to oversize folder
3] |
| Box | Folder |
| 28 | 11-12 | | | Two sets of page proofs, preliminary pages, and
inserts, with author revisions, 176pp,
1975 |
| 13 | | | Holograph rehearsal notes in a stapled notebook, 11pp,
n.d. |
| Box | Folder |
| 29 | 1 | | Reviews of various works |
| 2 | | "The Revolver in the Corner Cupboard:
An Autobiographical Sketch," holograph draft in bound notebook, 3pp,
n.d. |
| | | Rochester: A Restoration Portrait: Being
the Life of John Wilmot, Second Earl of Rochester |
| Box | Folder |
| 29 | 3 | | | Holograph notes with author revisions, ca 150pp,
n.d. |
| 4 | | | "Dorimant," holograph with
author revisions, 160pp,
1931 |
| 5-9 | | | Volumes 1-5, typescript with author revisions, 389pp,
n.d. |
| 10 | | The Root of All Evil, two typescripts with author
revisions, 37pp,
n.d. |
| 11 | | Rumour at Nightfall: A New Novel,
holograph with author revisions, 164pp,
1930-31 |
| Box | Folder |
| 30 | 1 | | S |
| 2-3 | | Saint Joan, by George Bernard
Shaw, screenplay adaptation by Greene, three composite holograph and typescript
drafts with author revisions, produced, 233pp,
1957 |
| | | A Sense of Reality |
| Box | Folder |
| 30 | 4 | | | "A Discovery in the Woods,"
bound typescript with author revisions, 38pp,
n.d. |
| 5 | | | "Dream of a Strange Land,"
bound typescript with author revisions, 26pp,
n.d. |
| 6 | | | "Under the Garden," bound
typescript with author revisions, 111pp,
n.d. |
| 7 | | | "A Visit to Morin," bound
typescript with author revisions, 27pp,
n.d. |
| Box | Folder |
| 31 | 1 | | | Holograph drafts with author revisions, 81pp,
n.d. |
| 2 | | | Typescript drafts with author revisions, 109pp,
n.d. |
| 3 | | | Page proofs with author revisions, 140pp,
1963 |
| | | A Sort of Life |
| Box | Folder |
| 31 | 4 | | | Holograph and typescript drafts with author revisions,
50pp,
n.d. |
| 5 | | | Holograph and typescript drafts with author revisions,
85pp,
n.d. |
| 6 | | | Typescript and copies with author revisions, 45pp,
n.d. |
| 7 | | | Holograph and typescript pages with author revisions,
101pp,
n.d. |
| 8 | | | Typescript with holograph pages and author revisions,
142pp,
n.d. |
| 9 | | | Typescript with holograph pages and author revisions,
187pp,
n.d. |
| Box | Folder |
| 32 | 1 | | | Typed copy with author revisions, 183pp,
n.d. |
| 2 | | | Typed copy with author revisions, 176pp,
n.d. |
| 3 | | | Typescript with author revisions, 182pp,
n.d. |
| 4-5 | | | Typescript with author revisions, 248pp,
n.d. |
| Box | Folder |
| 33 | 1-2 | | | Typescript with author revisions, 246pp,
n.d. |
| 3 | | | Galley proofs with revisions and inserts, 129pp,
1970 |
| 4 | | | Page proofs with revisions, 256pp,
1970 |
| 5 | | | Insert for future editions, holograph with author
revisions, 3pp,
1971 |
| | | Stamboul Train |
| Box | Folder |
| 33 | 6 | | | Holograph with author revisions, 135pp,
1932 |
| 7 | | | Introduction, holograph with author revisions, 5pp,
1962 |
| 8-9 | | | Page proofs with author revisions, 271pp,
1974 |
| Box | Folder |
| 34 | 1 | | | Bound typescript with inscription to Rupert
Hart-Davis, 322pp,
n.d. |
| 2 | | T-Z |
| 3 | | "The Tenth Man," typed copy,
90pp,
n.d. |
| | | The Third Man (script) |
| Box | Folder |
| 34 | 4 | | | Draft typed copy, 128pp,
n.d. |
| 5 | | | Draft typed copy, 98pp,
1948 |
| 6 | | | Release script, typed copy, 173pp,
n.d. |
| Box | Folder |
| 35 | 1 | | | Treatment, typed copy, 120pp,
n.d. |
| | | The Third Man (story) |
| Box | Folder |
| 35 | 2 | | | Typed copy, 127pp,
1948 |
| 3 | | | Printed copy with author revisions, 110pp,
n.d. |
| 4 | | | Printed copy (Penguin edition) with author revisions,
119pp,
n.d. |
| 5-6 | | | Page proofs for the Collected Edition, with author
revisions and includes
Loser Takes All, 219pp,
1975 |
| | | Travels with My Aunt |
| Box | Folder |
| 35 | 7 | | | Holograph notes in a notebook and loose pages, 34pp,
n.d.; additional holograph notes dated
1969 |
| 8 | | | Holograph 'author's blurb,' 1p,
n.d. |
| 9 | | | Holograph with author revisions, 147pp,
n.d. |
| Box | Folder |
| 36 | 1-2 | | | Typescript with author revisions, 291pp,
n.d. |
| 3-4 | | | Typescript and copied pages with author revisions and
inserts, 331pp,
n.d. |
| 5-6 | | | Galley proofs with author revisions, two sets, 197pp
each,
1969 |
| | | | Bound galley proofs with author revisions, 197pp,
1969 Shelved at end of collection
|
| Folder |
| * | | | "The Virtue of Disloyalty,"
galley proofs with author revisions, 5pp,
[*removed to Galley Folder
7] n.d. |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
II. Personal Papers, Journals, and Diaries
|
| Box | Folder |
| 37 | 1 | | Diaries, two holograph notebooks, 367pp,
1932-33 |
| 2 | | Notebook, holograph and tipped in pages,
1936 |
| | | Dream Diaries |
| Box | Folder |
| 37 | 3 | | | Holograph notebook, 99pp,
1964-65 |
| 4 | | | Holograph notebook, 200pp,
1965-66 |
| Box | Folder |
| 38 | 1 | | | Holograph notebook, 500pp,
1972-74 |
| 2 | | | Holograph notebook with inserts, 47pp,
1979 |
| 3 | | | Photocopy of holograph notebook, 54pp,
1981 |
| 4 | | | Holograph notebook, 120pp,
1983-84 |
| Box | Folder |
| 39-41 | * | | Date books, holograph notes in 74 small spiral
notebooks,
1957-1977 |
| Box | Folder |
| 42 | 1 | | Notes and dance card,
1926-76 |
| 2 | | Address book, holograph notebook,
1967-1973 |
| 3 | | Publicity schedules for
The Return of A.J. Raffles and
The Comedians (film),
1966-1975 |
| 4 | | Various works by other or unidentified
authors |
| 5 | | Greene, Hugh Carleton, Sir, legal document relating to
his estate,
1987 |
| 6 | | Various folders and envelopes with Greene's notations,
n.d. |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
III. Correspondence
|
| Box | Folder |
| 42 | 7 | | Letters to Graham Greene, A-Z |
| | | Letters from Graham Greene |
| Box | Folder |
| 42 | 8 | | | A-Z |
| 9 | | | Burns, Tom F.,
1975-1990 |
| 10 | | | Crossley-Holland, Kevin,
1987 |
| 11 | | | Greene, R.N (Uncle Bob),
n.d. |
| | | | Greene, Vivienne |
| Box | Folder |
| 42 | 12-13 | | | | July 1925, n.d. |
| 14-15 | | | | Aug.-Sept.
1925 |
| Box | Folder |
| 43 | 1-2 | | | | Nov. 1925 |
| 3 | | | | Dec. 1925 |
| 4-5 | | | | Jan.-Feb.
1926 |
| 6 | | | | March-April
1926 |
| 7 | | | | May-June
1926 |
| 8 | | | | July-Aug.
1926 |
| Box | Folder |
| 44 | 1 | | | |
(cont.) July-Aug. 1926 |
| 2-3 | | | | Sept.-Oct.
1926 |
| 4-5 | | | | Nov.-Dec.
1926 |
| 6-7 | | | | Jan.-Feb.
1927 |
| 8 | | | | March 1927 |
| Box | Folder |
| 45 | 1 | | | | April-May
1927 |
| 2 | | | | June-Sept.
1927 |
| 3 | | | Hayward, John,
1931-1963 |
| 4 | | | Moré, Marcel,
1950 |
| 5 | | | Richey, Michael,
1954-1991 |
| 6 | | | Russo, George,
1981 |
| 7 | | | Spence, --, Mr. (printer),
n.d. |
| 8 | | Third-party correspondence, A-Z |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
IV. Laurence Pollinger General Files
|
| Box | Folder |
| 46 | 1 | | 1950 |
| | | 1951 |
| Box | Folder |
| 46 | 2 | | | Jan.-March |
| 3 | | | April-Aug. |
| 4 | | | Sept.-Dec. |
| | | 1952 |
| Box | Folder |
| 46 | 5 | | | Jan.-April |
| 6 | | | May-July |
| Box | Folder |
| 47 | 1 | | | Aug.-Dec. |
| | | 1953 |
| Box | Folder |
| 47 | 2 | | | Jan.-June |
| 3 | | | July-Dec. |
| | | 1954 |
| Box | Folder |
| 47 | 4 | | | Jan.-June |
| Box | Folder |
| 48 | 1 | | | July-Dec. |
| | | 1955 |
| Box | Folder |
| 48 | 2 | | | Jan.-June |
| 3 | | | July-Oct. |
| 4 | | | Nov.-Dec. |
| | | 1956 |
| Box | Folder |
| 49 | 1 | | | Jan.-March |
| 2 | | | April-July |
| 3 | | | Aug.-Dec. |
| | | 1957 |
| Box | Folder |
| 49 | 4 | | | English Publishers |
| 5 | | | Film Rights |
| | | | Foreign Publishers |
| Box | Folder |
| 49 | 6 | | | | Jan.-March |
| 7 | | | | April-Aug. |
| 8 | | | | Sept.-Dec. |
| | | 1958 |
| Box | Folder |
| 50 | 1 | | | Jan.-March |
| 2 | | | April-July |
| 3 | | | Aug. |
| 4 | | | Sept. |
| 5 | | | Oct. |
| Box | Folder |
| 51 | 1 | | | Nov. |
| 2 | | | Dec. |
| | | 1959 |
| Box | Folder |
| 51 | 3 | | | Jan. |
| 4 | | | Feb.-March |
| 5 | | | April-May |
| 6 | | | June-July |
| Box | Folder |
| 52 | 1 | | | Aug.-Sept. |
| 2 | | | Oct.-Nov. |
| 3 | | | Dec. |
| | | 1960 |
| Box | Folder |
| 52 | 4 | | | Jan.-March |
| 5 | | | April-May |
| 6 | | | June-July |
| 7 | | | Aug. |
| Box | Folder |
| 53 | 1 | | | Sept. |
| 2 | | | Oct. |
| 3 | | | Nov. |
| 4 | | | Dec. |
| | | 1961 |
| Box | Folder |
| 53 | 5 | | | Jan. |
| 6 | | | Feb. |
| 7 | | | March |
| Box | Folder |
| 54 | 1 | | | April |
| 2 | | | May |
| 3 | | | June |
| 4 | | | July |
| 5 | | | Aug. |
| 6 | | | Sept. |
| Box | Folder |
| 55 | 1 | | | Oct. |
| 2 | | | Nov. |
| 3 | | | Dec. |
| | | 1962 |
| Box | Folder |
| 55 | 4 | | | Jan. |
| 5 | | | Feb. |
| 6 | | | March |
| Box | Folder |
| 56 | 1 | | | April |
| 2 | | | May |
| 3 | | | June |
| 4 | | | July-Aug. |
| 5 | | | Sept.-Oct. |
| 6 | | | Nov. |
| Box | Folder |
| 57 | 1 | | | Dec. |
| | | 1963 |
| Box | Folder |
| 57 | 2 | | | Jan. |
| 3 | | | Feb. |
| 4 | | | March |
| 5 | | | April |
| 6 | | | May |
| Box | Folder |
| 58 | 1 | | | June |
| 2 | | | July |
| 3 | | | Aug. |
| 4 | | | Sept.-Oct. |
| 5 | | | Nov.-Dec. |
| | | 1964 |
| Box | Folder |
| 59 | 1 | | | Jan.-March |
| 2 | | | April-June |
| 3 | | | July-Aug. |
| 4 | | | Sept.-Oct. |
| 5 | | | Nov.-Dec. |
| | | 1965 |
| Box | Folder |
| 59 | 6 | | | Jan.-Feb. |
| Box | Folder |
| 60 | 1 | | | March-April |
| 2 | | | May |
| 3 | | | June-July |
| 4 | | | Aug.-Sept. |
| 5 | | | Oct.-Nov. |
| 6 | | | Dec. |
| | | 1966 |
| Box | Folder |
| 60 | 7 | | | Jan. |
| Box | Folder |
| 61 | 1 | | | Feb. |
| 2 | | | March |
| 3 | | | April-May |
| 4 | | | June-July |
| 5 | | | Aug.-Sept. |
| 6 | | | Oct.-Nov. |
| Box | Folder |
| 62 | 1 | | | Dec. |
| | | 1967 |
| Box | Folder |
| 62 | 2 | | | Jan.-Feb. |
| 3 | | | March-April |
| 4 | | | May-June |
| 5 | | | July-Aug. |
| Box | Folder |
| 63 | 1 | | | Sept.-Oct. |
| 2 | | | Nov.-Dec. |
| | | 1968 |
| Box | Folder |
| 63 | 3 | | | Jan. |
| 4 | | | Feb. |
| 5 | | | March |
| 6 | | | April-May |
| Box | Folder |
| 64 | 1 | | | June-July |
| 2 | | | Aug.-Sept. |
| 3 | | | Oct. |
| 4 | | | Nov.-Dec. |
| | | 1969 |
| Box | Folder |
| 64 | 5 | | | Jan.-Feb. |
| Box | Folder |
| 65 | 1 | | | March-April |
| 2 | | | May-June |
| 3 | | | July-Aug. |
| 4 | | | Sept.-Oct. |
| Box | Folder |
| 66 | 1 | | | Nov.-Dec. |
| | | 1970 |
| Box | Folder |
| 66 | 2 | | | Jan.-Feb. |
| 3 | | | March-April |
| 4 | | | May-June |
| Box | Folder |
| 67 | 1 | | | July |
| 2 | | | Aug. |
| 3 | | | Sept. |
| 4 | | | Oct. |
| 5 | | | Nov.-Dec. |
| | | 1971 |
| Box | Folder |
| 67 | 6 | | | Jan.-March |
| Box | Folder |
| 68 | 1 | | | April-May |
| 2 | | | June |
| 3 | | | July |
| 4 | | | Aug. |
| 5 | | | Sept.-Oct. |
| Box | Folder |
| 69 | 1 | | | Nov.-Dec. |
| | | 1972 |
| Box | Folder |
| 69 | 2 | | | Jan.-Feb. |
| 3 | | | March-April |
| 4 | | | May-June |
| 5 | | | July-Aug. |
| Box | Folder |
| 70 | 1 | | | Sept.-Oct. |
| 2 | | | Nov.-Dec. |
| | | 1973 |
| Box | Folder |
| 70 | 3 | | | Jan.-Feb. |
| 4 | | | March |
| 5 | | | April-May |
| Box | Folder |
| 71 | 1 | | | June-July |
| 2 | | | Aug.-Sept. |
| 3 | | | Oct.-Dec. |
| | | 1974 |
| Box | Folder |
| 71 | 4 | | | Jan.-Feb. |
| Box | Folder |
| 72 | 1 | | | March-April |
| 2 | | | May-July |
| 3 | | | Aug.-Oct. |
| 4 | | | Nov.-Dec. |
| | | 1975 |
| Box | Folder |
| 72 | 5 | | | Jan.-Feb. |
| Box | Folder |
| 73 | 1 | | | March-April |
| 2 | | | May-July |
| 3 | | | Aug.-Oct. |
| 4 | | | Nov.-Dec. |
| | | 1976 |
| Box | Folder |
| 73 | 5 | | | Jan.-Feb. |
| Box | Folder |
| 74 | 1 | | | March-June |
| 2 | | | July-Oct. |
| 3 | | | Nov.-Dec. |
| | | 1977 |
| Box | Folder |
| 74 | 4 | | | Jan.-April |
| 5 | | | May-June |
| 6 | | | July-Aug. |
| Box | Folder |
| 75 | 1 | | | Sept.-Oct. |
| 2 | | | Nov.-Dec. |
| | | 1978 |
| Box | Folder |
| 75 | 3 | | | Jan. |
| 4 | | | Feb.-March |
| 5 | | | April-May |
| Box | Folder |
| 76 | 1 | | | June-July |
| 2 | | | Aug.-Oct. |
| 3 | | | Nov.-Dec. |
| | | 1979 |
| Box | Folder |
| 76 | 4 | | | Jan.-Feb. |
| 5 | | | March-April |
| Box | Folder |
| 77 | 1 | | | May-June |
| 2 | | | July-Aug. |
| 3 | | | Sept.-Oct. |
| 4 | | | Nov.-Dec. |
| | | 1980 |
| Box | Folder |
| 77 | 5 | | | Jan. |
| 6 | | | Feb.-March |
| Box | Folder |
| 78 | 1 | | | April-May |
| 2 | | | June-July |
| 3 | | | Aug.-Sept. |
| 4 | | | Oct.-Dec. |
| | | 1981 |
| Box | Folder |
| 78 | 5 | | | Jan.-Feb. |
| 6 | | | March-April |
| Box | Folder |
| 79 | 1 | | | May-June |
| 2 | | | July-Aug. |
| 3 | | | Sept.-Oct. |
| 4 | | | Nov.-Dec. |
| | | 1982 |
| Box | Folder |
| 79 | 5 | | | Jan.-Feb. |
| 6 | | | March |
| 7 | | | April |
| Box | Folder |
| 80 | 1 | | | May-June |
| 2 | | | July-Aug. |
| 3 | | | Sept.-Oct. |
| 4 | | | Nov.-Dec. |
| | | 1983 |
| Box | Folder |
| 80 | 5 | | | Jan.-Feb. |
| Box | Folder |
| 81 | 1 | | | March |
| 2 | | | April |
| 3 | | | May |
| 4 | | | June |
| 5 | | | July |
| 6 | | | Aug. |
| 7 | | | Sept.-Oct. |
| Box | Folder |
| 82 | 1 | | | Nov. |
| 2 | | | Dec. |
| | | 1984 |
| Box | Folder |
| 82 | 3 | | | Jan.-Feb. |
| 4 | | | March-April |
| 5 | | | May-June |
| 6 | | | July-Aug. |
| Box | Folder |
| 83 | 1 | | | Sept.-Oct. |
| 2 | | | Nov.-Dec. |
| | | 1985 |
| Box | Folder |
| 83 | 3 | | | Jan.-Feb. |
| 4 | | | March-April |
| 5 | | | May-June |
| Box | Folder |
| 84 | 1 | | | July-Aug. |
| 2 | | | Sept.-Oct. |
| 3 | | | Nov.-Dec. |
| | | 1986 |
| Box | Folder |
| 84 | 4 | | | Jan.-Feb. |
| 5 | | | March-April |
| 6 | | | May-June |
| Box | Folder |
| 85 | 1 | | | July-Aug. |
| 2 | | | Sept.-Oct. |
| 3 | | | Nov.-Dec. |
| | | 1987 |
| Box | Folder |
| 85 | 4 | | | Jan.-Feb. |
| 5 | | | March-April |
| 6 | | | May-June |
| Box | Folder |
| 86 | 1 | | | July-Aug. |
| 2 | | | Sept.-Oct. |
| 3 | | | Nov.-Dec. |
| | | 1988 |
| Box | Folder |
| 86 | 4 | | | Jan.-Feb. |
| 5 | | | March-April |
| 6 | | | May-June |
| Box | Folder |
| 87 | 1 | | | July-Aug. |
| 2 | | | Sept.-Oct. |
| 3 | | | Nov.-Dec. |
| | | 1989 |
| Box | Folder |
| 87 | 4 | | | Jan. |
| 5 | | | Feb. |
| 6 | | | March |
| Box | Folder |
| 88 | 1 | | | April-May |
| 2 | | | June |
| 3 | | | July-Aug. |
| 4 | | | Sept.-Oct. |
| 5 | | | Nov.-Dec. |
| | | 1990 |
| Box | Folder |
| 88 | 6 | | | Jan. |
| 7 | | | Feb. |
| Box | Folder |
| 89 | 1 | | | March-April |
| 2 | | | May |
| 3 | | | June |
| 4 | | | July-Aug. |
| 5 | | | Sept.-Oct. |
| 6 | | | Nov.-Dec. |
| | | 1991 |
| Box | Folder |
| 90 | 1 | | | Jan. |
| 2 | | | Feb. |
| 3 | | | March |
| 4 | | | April |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
V. Laurence Pollinger Copyright Assignment
Files
|
| | | A. Audio Rights |
| Box | Folder |
| 90 | 5 | | | BBC Enterprises Limited, correspondence and contracts
re rights to
The Human Factor,
1989 |
| 6 | | | Caedmon, correspondence and contracts re: rights to
Stamboul Train,
1985 |
| 7 | | | Chivers Audio Books [Chivers Press Ltd],
correspondence and contracts re: rights to
The Quiet American,
Monsignor Quixote,
The Power and the Glory, and
The Captain and the Enemy,
1982-1996 |
| 8 | | | Clio Press, Ltd, correspondence and contracts re:
rights to various works,
1987-1990 |
| 9 | | | Listening Library Inc., correspondence and contracts
re: rights to
Short Stories,
1990 |
| 10 | | | Music for Pleasure Ltd, correspondence and contracts
re: rights to
The Third Man,
1982-1985 |
| 11 | | | Recorded Books, Inc., correspondence and contracts re:
rights to
The Confidential Agent,
This Gun for Hire,
Our Man in Havana, and
The Power and the Glory,
1987 |
| 12 | | | Simon and Schuster, correspondence and contracts re:
rights to
The Heart of the Matter and Monsignor
Quixote,
1985-1986 |
| Box | Folder |
| 91 | 1 | | | The Talking Tape Co. Ltd, correspondence and contracts
re: rights to
"A Visit to Morin,"
"When Greek Meets Greek,"
"Dream of a Strange Land,"
and
"Cheap in August," 1981 |
| 2 | | | Towers of London, correspondence and contracts re:
rights to
The Lives of Harry Lime [based
on
The Third Man],
1951-1952 |
| | | B. Film Rights |
| Box | Folder |
| 91 | 3 | | | Alsatian Reid Limited, correspondence and contracts
re: rights to
A Burnt-Out Case,
1973-1974 |
| 4 | | | Armitage, George B., correspondence and contracts re:
rights to
"The Root of All Evil," 1968 |
| 5 | | | Brighton Rock, correspondence
and contracts re: rights with various companies,
1939-1977 |
| 6 | | | British Broadcasting Corporation, correspondence and
contracts re: rights to
The Third Man,
1961 |
| 7 | | | British Lion Films Limited, correspondence and
contracts re: rights to various works,
1950-1959 |
| 8 | | | Charter Film Productions Ltd, and Rattigan Productions
Ltd, correspondence and contracts re: rights to
Brighton Rock,
1945-1985 |
| 9 | | | The Comedians, correspondence
and contracts re: rights with various companies,
1964-1966 |
| 10 | | | Consolidated Productions Ltd, correspondence and
contracts re: rights to
Doctor Fischer of Geneva,
1980-1984 |
| 11 | | | Dean, Basil, correspondence and contracts re: Greene's
assistance with a screenplay of
The First and the Last by John
Galsworthy,
1936 |
| 12 | | | Dreaming Spires Productions, correspondence and
contracts re: rights to
The Man Within,
1983-1990 |
| 13 | | | Duffell, Peter, correspondence and contracts re:
rights to
The Honorary Consul,
1974 |
| 14 | | | Ealing Studios Ltd, correspondence and contracts re:
rights to
"The Lieutenant Died Last," 1941-42 |
| 15 | | | Figaro, Inc., correspondence and contracts re: rights
to
The Quiet American,
1956-1972 |
| 16 | | | The Film Writers Company, Inc., correspondence and
contracts re: rights to
The Honorary Consul,
1978 |
| 17 | | | Flamingo Pictures, correspondence and contracts re:
rights to
"A Shocking Accident," 1982 |
| 18 | | | Fox Film Corporation, correspondence and contracts re:
rights to
The Orient Express [
Stamboul Train],
1933-72 |
| 19 | | | Fryer, Robert, correspondence and contracts re: rights
to
Travels with My Aunt,
1970-1971 |
| 20 | | | Gamma Productions and Verdant, S.A. Geneva,
correspondence and contracts re: film and television rights to
A Burnt-Out Case,
1967 |
| Box | Folder |
| 92 | 1 | | | Gardner, Gerald and Donald Caruso, correspondence and
contracts re: rights to
"Mortmain," 1968-1969 |
| 2 | | | Geist, Kenneth, correspondence and contracts re:
rights to
"When Greek Meets Greek," 1967-1968 |
| 3 | | | Gor, Inc., correspondence and contracts re: rights to
The Honorary Consul,
1975-1976 |
| 4 | | | Graham Greene Productions, Ltd., incorporation
agreement and clarification re: rights to
The Comedians,
1950-1966 |
| 5 | | | Grayson, Ambrose and Godfrey Grayson, correspondence
and contracts re: rights to
"Across the Bridge," 1950-1952 |
| 6 | | | Holborn Literary Company Ltd., correspondence and
contracts re: rights to
Our Man in Havana,
1958 |
| 7 | | | I.F.P. Limited, correspondence and contracts re:
rights to
Loser Takes All and
"Across the Bridge," 1955-1990 |
| 8 | | | Kingsmead and Holborn Literary Company Ltd.,
correspondence and contracts re: rights to
Our Man in Havana,
1958-1967 |
| 9 | | | Lengsfield, Michael (Columbia University),
correspondence re:
The Blue Film, a class project,
1987 |
| 10 | | | Levin, Jack and Israel Berman, correspondence and
contracts re: rights to
England Made Me,
1968 |
| 11 | | | Lewis, David [Coronado Productions Ltd.],
correspondence and contracts re: rights to
The End of the Affair,
1951-1954 |
| 12 | | | London Film Productions, correspondence and contracts
re: rights to
"The Basement Room" [
"The Fallen Idol"],
The Heart of the Matter, and
The Third Man,
1937-1989 |
| 13 | | | Lorrimer Publishing, correspondence and contracts re:
rights to
The Third Man,
"Wild Strawberries," and
The Seventh Seal,
1968-1987 |
| 14 | | | Matthews, Ronald, correspondence and contracts re:
rights to
"Red Sky at Night," 1953 |
| 15 | | | May Day Film Productions, correspondence and contracts
re: rights to
"A Drive in the Country," 1963 |
| 16 | | | Metro-Goldwyn-Mayer, correspondence and contracts re:
rights to
The Comedians,
Travels with My Aunt,
The Tenth Man,
1944-1984 |
| 17 | | | Metro-Goldwyn-Mayer, correspondence and contracts re:
rights to
The Comedians,
1965-1966 |
| 18 | | | Mirage Film Productions Ltd., correspondence and
contracts re: rights to
"The Living Room," 1968 |
| Box | Folder |
| 93 | 1 | | | O'Brian, Liam, correspondence and contracts re: rights
to
May We Borrow Your Husband?,
1963-1964 |
| 2 | | | Paramount Productions, Inc., correspondence and
contracts re: rights to
This Gun for Hire [
Gun for Sale],
1936-1998 |
| 3 | | | Partus Productions Ltd., correspondence and contracts
re: rights to
Shipwrecked [
England Made Me],
1968-1970 |
| 4 | | | Pasture Investment Establissement, correspondence and
contracts re: rights to
The Human Factor and
The Honorary Consul,
1966-1977 |
| 5 | | | Preminger, Otto, correspondence and contracts re:
rights to
A Burnt-Out Case,
1967 |
| 6 | | | RKO Pictures Inc., correspondence and contracts re:
rights to
The Power and the Glory,
1986 |
| 7 | | | Radin, Paul, correspondence and contracts re: rights
to
A Burnt-Out Case,
1962-1963 |
| 8 | | | Rank Film Distributors, Ltd., correspondence and
contracts re: rights to
The Man Within,
1963 |
| 9 | | | Robespierre, Eric, correspondence and contracts re:
rights to
"The End of the Party," 1969-1970 |
| 10 | | | Sigma Productions Inc., correspondence and contracts
re: rights to
The Human Factor,
1978 |
| 11 | | | Status of film rights for various of Graham Greene's
works,
1965-1982 |
| 12 | | | Strand Film Company, correspondence re:
The Confidential Agent,
1940 |
| 13 | | | Tara Productions (Ireland), correspondence and
contracts re: rights to
"Jim Braddon and the War
Criminal," 1983-1990 |
| 14 | | | Theatrecraft Limited, correspondence and contracts re:
rights to
The Man Within,
1944 |
| 15 | | | Tiomkin, Dimitri, correspondence and contracts re:
rights to
May We Borrow Your Husband?,
1966-1981 |
| 16 | | | Van Loewen, Jan, Dr., correspondence and contracts re;
rights to
The Living Room,
1970 |
| 17 | | | Various correspondence and contracts re: rights to
Greene's works,
1940-1961 |
| 18 | | | Verdant, S.A., correspondence and contracts re: rights
to
A Burnt-Out Case,
The Comedians,
Travels with My Aunt, and
various stories,
1966-1973 |
| 19 | | | Warner Bros., Inc., correspondence and contracts re:
rights to
"When Greek Meets Greek," [
"Her Father v. His Uncle"]
and
The Confidential Agent,
1945-1972 |
| 20 | | | Wheel Productions, correspondence and contracts re;
rights to
Saint Joan by George Bernard
Shaw,
1956 |
| 21 | | | Wollangk, F.R., correspondence and contracts re:
rights to
The Little Train,
1955 |
| 22 | | | Wolverine Productions, Inc., correspondence and
contracts re: rights to
Lord Rochester's Monkey,
1977 |
| 23 | | | Yorke, Bruce, correspondence and contracts re: rights
to
England Made Me,
1961 |
| 24 | | | Zemrani, Sophie, correspondence re; rights to
"The End of the Party," 1983 |
| | | C. Publishing Rights |
| Box | Folder |
| 94 | 1 | | | Albatross Verlag G.mb.H., memorandum of agreement re:
Brighton Rock,
1938 |
| 2 | | | Ballantine Books, correspondence and contracts re:
rights to an introduction for
My Silent War,
1981 |
| 3 | | | Bantam Books, correspondence and contracts re: rights
to
A Burnt-Out Case,
1961 |
| 4 | | | Bodley Head, correspondence with William Heinemann
Ltd. (Max Reinhardt),
1964-1966 |
| 5-6 | | | Bodley Head, correspondence and contracts re: rights
for various works,
1952-1991 |
| 7 | | | Book Club Associates of Smith/Doubleday House,
correspondence and contracts re: rights to various works,
1971-1990 |
| 8 | | | Cambridge University Press, correspondence and
contracts re: rights to
"A Discovery in the Woods," 1973 |
| 9 | | | Carcanet Press, Ltd., correspondence and contracts re:
rights to a preface for
The Ford Maddox Ford Reader
edited by Sondra Stang,
1986 |
| 10 | | | Carroll and Graf Publishers, Inc., correspondence and
contracts re: rights to
The Spy's Bedside Book,
1985 |
| 11 | | | Chatto and Windus, Ltd., correspondence re: rights to
Greene's introduction to
The Green Child,
1970 |
| 12 | | | Chivers Press Ltd., correspondence and contracts re:
rights to various works,
1977-1994 |
| 13 | | | Co-Productions Roturman S.A., correspondence and
contracts re: rights to all of Greene's major books,
1961 |
| 14 | | | Edito-Service S.A., correspondence and contracts re:
rights to various works,
1981-1983 |
| 15 | | | Eyre and Spottiswoode Ltd., correspondence and
contracts re: rights to
The Lost Childhood and Other
Essays, and
The Lawless Road,
1944-1967 |
| 16 | | | F.A. Thorpe Ltd., correspondence and contracts re:
rights to
Brighton Rock,
1983 |
| 17 | | | Franklin Library, correspondence and contracts re:
rights to
A Gun for Sale,
The Confidential Agent, and
The Ministry of Fear,
1976-1988 |
| 18 | | | Futura Publications Limited, correspondence and
contracts re: rights to
Lord Rochester's Monkey,
1974 |
| 19 | | | Glover, Dorothy, correspondence and contracts re:
rights to Greene's children's stories,
1945-1955 |
| 20 | | | Hamilton, Hamish, correspondence re: rights to an
introduction,
1964 |
| 21 | | | Heinemann Education Books, correspondence and
contracts re: rights to
Brighton Rock,
A Gun for Sale,
The Power and the Glory,
"The Fallen Idol," and
The Third Man,
1970-1987 |
| 22 | | | Heinemann Ltd./Verdant S.A., general publishing rights
correspondence and contractual statements for various works,
1961-1967 |
| Box | Folder |
| 95 | 1 | | | Horwitz (Australia), correspondence re: rights for an
introduction by Greene,
1967 |
| 2 | | | International Authors N.V., agreement with Roturman
S.A. for soft cover publication of many of Greene's books,
1961 |
| 3 | | | ISIS Large Print - Clio Press Ltd., correspondence and
contracts re: rights to
The Comedians,
The Honorary Consul,
The Lawless Road,
Travels with My Aunt,
1984-1988 |
| 4 | | | Jonathan Cape Limited, correspondence and contracts
re: rights to an introduction for
The Sign of Four by Sir Arthur
Conan Doyle,
1973 |
| 5 | | | Lester and Orpen Dennys Limited, correspondence and
contracts re: rights to
Monsignor Quixote,
1982-1984 |
| 6 | | | The Literary Guild, correspondence and contracts re:
rights to
The Portable Graham Greene,
1973 |
| 7 | | | Longman Group UK Limited, correspondence and contracts
re: rights to
The Captain and the Enemy and
The Lawless Road,
1938-1989 |
| 8 | | | Low, David, correspondence re: an introduction by
Graham Greene,
1972 |
| 9 | | | Lythway Press Limited, correspondence and contracts
re: rights to
"The Fallen Idol,"The Power and the Glory, and
The Third Man,
1975-1976 |
| 10 | | | Marshall Cavendish Limited, correspondence and
contracts re: rights to
The Comedians,
1987 |
| 11 | | | Martin Secker and Warburg, Ltd., correspondence and
contracts re: rights to
The Pleasure Dome and Other
Works,
1970-1989 |
| 12 | | | McGibbon and Kee Ltd., correspondence re: an
introduction to
Kim Philby: My Silent War,
1968 |
| 13 | | | Oberon Books Limited, correspondence and contracts re:
rights to
Travels with My Aunt,
1991 |
| 14 | | | Octopus Books Limited, correspondence and contracts
re: rights to
Brighton Rock and
The End of the Affair,
1988 |
| 15 | | | Oxford University Press, correspondence and contracts
re: rights to various titles,
1979-1989 |
| 16 | | | Pan Books Ltd., correspondence and contracts re:
rights to
Journey Without Maps and
Stamboul Train,
1948-1961 |
| 17 | | | Pavilion Books Ltd., correspondence and contracts re:
rights to
Graham Greene Country,
1985-1988 |
| 18-19 | | | Penguin Books Ltd., correspondence and contracts re:
rights to various works,
1938-1990 |
| 20 | | | Penns in the Rocks Press, correspondence and contracts
re: rights to an essay on 'British Dramatists,'
1941 |
| 21 | | | Playboy, correspondence and contracts re: rights to
Travels with My Aunt,
1969 |
| 22 | | | Pocket Books Division [Simon & Schuster, Inc.],
correspondence and contracts re: rights to
Our Man in Havana,
The End of the Affair, and
21 Stories,
1973 |
| 23 | | | The Rainbird Publishing Group Ltd., correspondence and
contracts re: rights to
Lord Rochester's Monkey,
1973-1988 |
| 24 | | | Random House, Inc. & William Heinemann Ltd.,
correspondence and contracts re: rights to
The Quiet American,
1967 |
| 25 | | | Reinhardt Books, correspondence and contracts re:
rights to various works,
1987-1989 |
| 26 | | | Rupert Hart-Davis Limited, correspondence and
contracts re: rights to
The Spy's Bedside Book,
1956-1993 |
| 27 | | | Simon and Schuster Inc., correspondence and contracts
re: rights to
Monsignor Quixote and
The Other Man: Conversations with Graham
Greene,
1981-1988 |
| 28 | | | Thames and Hudson Ltd., correspondence and contracts
re: rights to use an essay on the 'British Dramatists' in
The Heritage of British
Literature,
1983 |
| 29 | | | Theatreprint Limited, correspondence and contracts re:
rights to
21 Stories,
"I Spy,"
"Alas Poor Maling," and the
right to print
"The Case for the Defense," 1971 |
| 30 | | | Transworld Publishers, Inc., correspondence and
contracts re: rights to
"Proof Positive" in
75 Great Short Stories,
1958 |
| Box | Folder |
| 96 | 1 | | | Trust titles, general assignment of rights and trusts,
1976-1978 |
| 2 | | | The University of Birmingham, correspondence and
contracts re: rights to
The Human Factor,
1981 |
| 3 | | | Verdant S.A., correspondence re: rights to
The Comedians and
The Captain and the Enemy,
1988 |
| 4 | | | Verdant S.A. and Co-Productions Roturman S.A.,
correspondence and contracts re: rights to work by Greene,
1960-1966 |
| 5 | | | The Viking Press, Inc., correspondence and contracts
re: rights to various titles,
1947-1980 |
| 6 | | | W.H. Allen & Co., correspondence and contracts re:
rights to
The Ministry of Fear and
A Burnt-Out Case,
1987 |
| 7-8 | | | William Heinemann, Ltd., correspondence and contracts
re: rights to various works,
1928-1990 |
| | | D. Stage Rights |
| Box | Folder |
| 96 | 9 | | | Agencia Autorska, correspondence and contracts re:
rights to
Our Man in Havana,
1975 |
| 10 | | | Dilia [Czechoslovakia], correspondence and contracts
re: rights to a Czech language version of
Our Man in Havana,
1978 |
| 11 | | | Krupska, Danya, correspondence and contracts re:
rights to
Our Man in Havana,
1986 |
| 12 | | | Lady Chatterley's Lover,
correspondence and contracts re: rights to rights and production of this work
by D.H. Lawrence,
1964 |
| 13 | | | Rostrum Limited, correspondence and contracts re:
rights to
Our Man in Havana,
1962-1963 |
| 14 | | | Thalia Theatre (Hungary), correspondence and contracts
re: rights to
The Quiet American,
The Comedians,
The Heart of the Matter, and
Our Man in Havana,
1971-75 |
| 15 | | | Weinberger, Josef, contract re: rights to
Our Man in Havana,
1963 |
| | | E. TV Rights |
| Box | Folder |
| 96 | 16 | | | Bayerische Rundfunk, correspondence and contracts re:
rights to
A Burnt-Out Case,
1988-1989 |
| 17 | | | British Lion Films Limited, correspondence and
contracts re: rights to
The Third Man,
1958-1961 |
| 18 | | | Canadian Broadcasting Corporation, correspondence and
contracts re: rights to
"When Greek Meets Greek," 1961 |
| 19 | | | Lorimar Studios, correspondence and contracts re:
rights to
A Burnt-Out Case,
1990 |
| 20 | | | National Talent Association, correspondence and
contracts re: rights to
The Power and the Glory,
1940-1986 |
| 21 | | | RAI - RadioTelevisione Italiana, correspondence and
contracts re: rights to
The Heart of the Matter and
Stamboul Train,
1977-1981 |
| 22 | | | Thames Television International Ltd., correspondence
and contracts re: rights to
Monsignor Quixote and various
short stories,
1973-1984 |
| 23 | | | Trinity Church, correspondence re: rights to
"A Visit to Morin," 1990 |
| 24 | | | Weingarten, Arthur, correspondence and contracts re:
rights to
The Third Man and
Stamboul Train,
1989 |
| 25 | | | Whitney, Scott, correspondence re: rights to
A Drive in the Country,
1982 |
Return to the Table of Contents
Names in bold appear in the RLIN
record.
- Allen, Walter Ernest, 1911- --42.7
- Allott, Kenneth--42.7
- American Academy--42.8
- Amy, Ernest Francis, 1883- --42.8
- Asquith, Cynthia, Lady, 1887-1960--42.7
- Bell, Adrian, 1902-1980--42.7
- Benson, Theodora, Hon., 1906- --42.7
- The Bodley Head--42.7, 42.8
- Bono, Peter--42.7
- Books and Bookmen--42.8
- Bowen, Elizabeth, 1899-1973--42.7
- Bunyard, Edward A. (Edward Ashdown)--42.7
-
Burns, Tom (Thomas
F.)--42.9
- Carter, John, 1905-1975--42.8
- Cohen, Davis--42.8
- Cooke, Alistair, 1908- --42.7
- The Cresset Press, Ltd.--45.8
- Crossley-Holland, Kevin--42.10
-
The Daily Telegraph--42.7, 42.8
- Davis, T.E. (Titus Elwood), 1851- --42.7
- Dayrell-Browning, Marion--45.8
- De la Mare, Walter, 1873-1956--45.8
-
The Economist--42.8
- Ford, Ford Maddox, 1873-1939--42.7
-
The Frankfurter--42.8
- Glade, William--42.8
- Glenville, Peter, 1913-1996--42.7
- Goolden, Barbara, 1900- --47.1
- Graham Greene Productions--45.8
- Greene, Marian R.--45.8
- Greene, R. N.--42.11
- Greene, Raymond, 1901- --47.1
-
Greene, Vivienne
Dayrell-Browning--42.7, 42.12-45.2, 45.9
- Hampson, John, 1901- --42.7
- Harman, H.W.--45.8
- Harrison, Tom--42.7
-
Hayward, John,
1905-1965--45.3
- Karbok, Lamina--42.7
- Macaulay, Rose, Dame--42.7
- Malraux, André, 1901-1976--42.8
- Matthew, David--42.7
- Moré, Marcel--45.4
- Morris Motor, Ltd.--45.8
- Mortimer, Raymond, 1895-1980--42.7
- Morton, J.B. (John Bingham), 1893-1979--42.7
- Muggeridge, Malcolm, 1903- --42.7
- Munnich, Ferenc--42.8
-
The New Statesman--42.8
- Nickolson, Harold George, Sir--42.7
- O'Malley, -- --45.8
- Peters, A.D.--42.8
-
Picture Post--42.8
- Prokosch, Frederic, 1908- --42.7
- Ramington, John--42.8
- Read, Herbert Edward, Sir, 1893-1968--42.7
- Richey, Michael--45.5
- Roberts, F. Warren--42.8
- Robinson, Lennox, 1886-1958--42.7
- Russo, George--45.6
-
The Spectator--42.8
- Spence, -- [printer]--45.7
- Stevenson, R.--42.7
- Sutro, John--42.7
-
The Tablet--42.8
- Tickell, Terrard--42.7
- Time-Life, Inc.--42.8
-
The Times--42.8
-
The Times Literary Supplement--42.8
- Treach, Hilary--45.8
- Van der Post, Laurens--42.7
- Vista Productions--42.7
- Webster and Wilcox--42.7
- Westerling, Mrs.--42.8
- Wild, F. (Frank)--42.7
- Woodruff, Douglas, 1897- --42.7
- Wordsworth, T.J.--42.7
Return to the Table of Contents
- 1967 address at University of Edinburgh--1.1
- 1969 address upon receipt of Hamburg Shakespeare
Prize--1.1
- "Alas! Poor Maling"--1.1
- "The Assumption of Mary: The Mother of God"--1.1
- "Beauty"--1.1
- "A Birthday in October"--1.1
- Book of the Year review--1.1
-
Brighton Rock (novel)--1.2-4
-
Brighton Rock (screenplay)--1.5-6
-
A Burnt-Out Case--1.7-2.4
- "Café Royal: Preface"--2.5
-
Carving A Statue: A Play in Two
Acts--2.6-3.9
- "Chagrin in Three Parts"--2.5
-
Cheap in August--4.1
- "Chilé: The Dangerous Edge"--2.5
- "A Christmas Broadcast by Henry II"--2.5
- "The Clever Twist: A Melodrama in Three Acts"--2.5
-
The Collected Edition of the Works of Graham
Greene: Introduction--4.2
-
Collected Essays--4.3-5.2
-
Collected Stories--5.3-6.2
-
The Comedians (novel)--6.3-9.2, Galley Folder
1
-
The Comedians (screenplay)--9.6-11.1
- Commentary on The Stranger's Hand--2.5
-
The Complaisant Lover--11.1, Galley Folder
2
-
The Confidential Agent--11.3-7
-
Convoy to West Africa--11.8
- "The Country with Five Frontiers"--2.5
- "The Dangerous Edge"--12.1
- "Dear Dr. Falkenheim..."--12.1
- "Death of a Widow's Son"--12.1
- "The Destructors"--12.1
- "Dr. Crombie"--12.1
- "The Empty Chair"--12.2
-
The End of the Affair--12.3-4
-
England Made Me--12.5-7
- "Epitapth for a Play"--12.2
- "Fall of Diem Bien Phu"--12.2
- "Fanatic Arabia"--12.2
- "For a Homesickness"--12.2
- For Vivien: A Private Book--12.8
- "Go Slow at Clapham Junction"--12.2
- "Goa the Unique"--12.2
- "The Great Spectacular"--12.2
- Greetings to Russia on 40th anniversary of the
Revolution--12.2
-
A Gun for Sale--13.1-4, Galley Folder
3
-
The Heart of the Matter--13.5-8
-
The Heart of the Matter
(dramatization)--13.9
-
The Honorary Consul--14.1-16.6
- "The Horror Comic"--12.2
-
A House of Reputation: A Play in Three
Acts--13.10
-
The Human Factor--17.1-18.4
- "A Hundred Years from Picadilly"--12.2
-
An Impossible Woman: The Memories of
Dottoressa Moor of Capri--19.2-3
- "An Incident in Sinai"--19.1
- Indo-Chinese Diary--9.1
-
In Search of a Character: Two African
Journals--19.4-8
- Introduction to
-
Diplomat by Gunnar Hagglof--19.8
-
Father Six by Monsignor Olichon--19.8
-
Fils de la rizière by Jean Leroy--19.8
-
God Protect Me from My Friends by Gavin
Maxwell--19.8
- Luciano d'Alessandro's book of photos of
Capri--19.8
-
Les oeuvres choisis (Selected Works by
Greene)--19.8
-
Papa Doc by Bernard Diederich--19.8
-
Parades End by Ford Maddox Ford--19.8
-
Pavilions by the Sea by Tom
Laughton--19.8
-
Qui Perd Gagne (Loser Takes All by
Greene)--19.8
-
Reminiscences of Nice by Dr.
Romanoff--19.8
-
The Sign of Four by Conan Doyle--19.8
-
The Snailwatcher and Other Stories by Patricia
Highsmith--19.8
-
With All Faults by David Low--19.8
- "The Invisible Japanese Gentlemen"--19.1
-
It's a Battlefield--20.1-6
- John Hayward, book collector--19.1
- "The Joke that Went Wrong"--19.1
-
Journey Without Maps: The Mapless
Journey--20.9
-
The Lawless Road--21.2, bound volume
- "The Lines on the Palm"--21.1
-
The Little Horse Bus: A Tale of Startling
Adventure--21.3
-
The Little Steam Roller: A Story of Adventure,
Mystery, and Detection--21.4
-
The Little Train--21.5
-
The Living Room (script)--21.6-8
-
The Living Room (screenplay)--22.1-5
-
Lord Rochester's Monkey--22.6-23.3, Oversize
Folder 1-2, Galley Folder 4
- "The Lotos Land"--21.1
- Lucius--21.1
- "The Man Who Stole the Eiffel Tower"--23.5
-
The Man Within--23.6-24.1
- "May We Borrow Your Husband?"--23.5
-
The Ministry of Fear--24.2-6, Galley Folder
5
- "Mr. Cinderella"--23.5
- "Mr. Conway's Congress"--24.7
- "Moment of Truth"--24.8
- "Mortmain"--23.5
-
The Name of Action--25.1
- A Nation's Conscience--24.9
- "Never, Never Continued"--24.9
-
New Statesman Weekend Competition
2116--24.9
- "The Nightmare Republic"--24.9
- No Man's Land (unpublished film story)--25.2
- "Oh damn your morality..."--25.3
-
Orient Express--See Stamboul Train
- "The Other"--25.3
-
Our Man in Havana (novel)--25.4-26.1
-
Our Man in Havana (screenplay)--26.2-3
- "The Overnight Bag"--25.3
- "The Paradox"--26.4
- A Personal Forward--26.4
- "Pius XII: The Paradox of the Pope"--26.4
- "Places"--26.4
-
The Pleasure Dome--26.5
- "The Pleasure of Being Deported"--26.4
- "The Poet and the Gold"--26.4
-
The Potting Shed--26.6-8
-
The Power and the Glory--27.1-6
- "Prague, 1948"--26.4
-
Prologue to Pilgrimage--27.7
-
Prologue to The Past of Miss Silver by Joseph
Skvorecky--26.4
-
The Quiet American--28.1-2, Galley Folder
6
- "Reading at Night"--28.4
- "Regina vs. Sir James Barrie"--28.3
-
The Return of A.J. Raffles--28.5-13, Oversize
Folder 3
- "Return to Havana"--28.3
- "The Revenge"--28.3
- Review of
-
Desert Calling by Anne
Freemantle--29.1
-
Desert Lore by Henry de
Montberlant--29.1
-
Judgement on Deltchev by Eric
Ambler--29.1
-
The Loss of Eldorado by V.S.
Naipaul--29.1
-
Obscenity and the Law by Norman St.
John-Stevas--29.1
-
One for the Devil by Etienne
Leroux--29.1
-
Robert Louis Stevenson by James Pope
Hennessy--29.1
-
Sous le soleil de Satan by Georges
Bernanos--29.1
-
South-East Asia in Turmoil by Brian
Crozier--29.1
-
Stephen Crane by John Berryman--29.1
-
To Beg I am Ashamed- by Shiela
Cousins--29.1
-
The Week by Patricia Cockburn--29.1
- "The Revolver in the Corner Cupboard"--29.2
-
Rochester, A Restoration Portrait: Being the
Life of John Wilmot, Second Earl of Rochester--29.3-4
- The Root of All Evil--29.10
- "The Rude Mechanicals"--28.3
-
Rumour at Nightfall--29.11
-
Saint Joan--30.2-3
- "Secrets"--30.1
- "Security in Room 51"--30.1
-
Sense of Reality--30.4-31.3
- "A Shocking Accident"--30.1
- Solzhenitsyn's Nobel Speech--30.1
- "Song for Three Aging Voices"--30.1
-
A Sort of Life--31.4-33.5
- "A Spy's Bedside Book"--30.1
-
Stamboul Train--33.6-34.1
- "The Stranger's Land"--30.1
- Table talk--34.2
- "The Tenth Man"--34.3
-
The Third Man (script)--34.4-35.1
-
The Third Man (novel)--35.2-6
- "To Your Being A Hideous Way Off"--34.2
-
Travels with My Aunt--35.7-36.6, bound galley
proofs
- "Two Gentle People"--34.2
- "Two Reasons for Not Writing Verse to You"--34.2
-
Under the Garden: Blurb--34.2
- "The Virtue of Disloyalty"--34.2, Galley Folder 7
- "A Visit to Poland"--34.2
- Weekend Competition 1621--34.2
- Weekend Competition 1709--34.2
- Weekend Competition 1850--34.2
- "The Word Pterodactyl, or A Man of Extremes"--34.2
- "The Writer and the Cinema"--34.2
Return to the Table of Contents
|