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TABLE OF CONTENTS


Descriptive Summary

Scope and Contents

Restrictions

Administrative Information

Description of Series

Series I. Works

Series II. Personal

Series III. Works of Others

University of Texas, Harry Ransom Humanities Research Center

Harry Segall:

A Preliminary Inventory of His Papers at the Harry Ransom Humanities Research Center



Descriptive Summary

CreatorSegall, Harry, 1897-1975
TitleHarry Segall Papers
Dates: 1933-1959
Abstract:This collection contains stage plays, screenplays, and television scripts, as well as photographs of Segall and his family, scrapbooks, and works by others.
Extent15 boxes, 1 oversize box (8.06 linear feet)
LanguageEnglish.
Repository: Harry Ransom Humanities Research Center, University of Texas at Austin

Scope and Contents

This collection of works by playwright, screenwriter, and TV scriptwriter Harry Segall spans his writing career from 1933-1959. Segall's plays, including Lost Horizons (1934), appeared on Broadway in the mid-1930s. In 1933, Metro-Goldwyn-Mayer brought Segall to Hollywood as a contract writer. In 1936 he moved to RKO Radio Pictures where he wrote screenplays for films such as Outcasts of Poker Flat, based on a story by Bret Harte. During this time, Paramount Pictures and Universal Studios also produced his screenplays. In 1941 Segall won an Academy Award for best original story for the film Here Comes Mr. Jordan, starring Robert Montgomery, based on Segall's play Heaven Can Wait. A 1978 film version of Heaven Can Wait starred Warren Beatty. With the advent of television, Segall turned his writing talents to this medium, writing plots for TV series and "Playhouse 90."

The collection is arranged in three series: I. Works, II. Personal, and III. Works of Others. In the first series, Segall's works are arranged alphabetically in four subseries: Screenplays, Stage Plays, TV Scripts and Plot Ideas, and Script Outlines. Segall's works range in format from rough notes to final typescript copies. Segall wrote his handwritten scripts and revisions on scraps of paper, frequently using the verso of bank deposit forms. These were interspersed with larger pages of varying sizes to form paper clipped bundles. In some cases, works written for the stage became screenplays, with title changes occurring as the project evolved. Often several titles were considered for the same work. Dates have been recorded in the folder list when provided on the script. Some scripts were based on the works of others or were written in collaboration. In general, the script outlines are typescripts ranging from a few pages to forty pages in length. They are sometimes described as a comedy, farce, or satire but not identified as a screenplay, stage play, or TV series. A large amount of untitled holograph notes and typescript fragments exist. These remain in the original order as received.

The second series, Personal, contains photographs of Segall and his family. These photographs were not identified by name or place, except for one bearing the name Mrs. I. Siegell. Four scrapbooks, and associated fragments, contain newspaper clippings of Broadway and Hollywood projects with which Segall was involved. His personal life and activities are not reported in these books, with the exception of a newspaper announcement of his intention to marry Martha Salonen in 1934.

The last series, Works of Others, contains stories and scripts by David Dortort, Martha Salonen, Avery Segall, and Bela Tasek.

Several magazines received with the collection were transferred to the HRHRC book collection.

In general, the collection is in good condition with the exception of the scrapbooks which contain brittle pages and clippings. Some of Segall's paper choices for his notes included newsprint quality paper which is becoming brittle.

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Restrictions

Access

Open for research

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Administrative Information

Acquisition

Gift No. 10487

Processed by

Liz Murray, 1996

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Harry Segall Papers--Folder List

 

Series I. Works

Subseries A. Screenplays
Angel on My Shoulder (1946)
boxfolder
11Script with holograph corrections, Jan. 3, 1944
2Revised script, n.d.
3Script, Feb. 6, 1944
4Script, Feb. 26, 1944
5-6Blindfolded Lady, revised script and holograph notes
boxfolder
21But Beautiful, first draft, July 2, 1941
2Coast Guard, 2nd revised final draft, April 24, 1939
3Don't Turn 'em Loose, script, original story by Ferdinand Reyher, 1936
Fountain of Youth
4-5Holograph and typescript notes
6-7Script with holograph revisions, ca. 1951
boxfolder
31-2Script with holograph revisions
3Revised draft and treatment, July 2, 1951
4A Girl's Best Friend is Wall Street, estimating script, third draft, Oct. 2, 1940
5Lavinia, typescript
6Let the Eagle Scream, estimating script, second draft, April 11, 1941
7Mad About the Girl, screen story with Allen Rivkin
8The Next Woman, holograph notes
Outcasts of Poker Flat (1937)
boxfolder
41Script, story by Bret Harte
2Script, second copy
3Final script, with John Twist, Jan. 9, 1937
4Park Bench, holograph notes
5The Seeing Eye, second estimating script, with Ron Ferguson, Jan. 31, 1938,
6Something for the Boys, typescript
The Son of Dr. Jekyll
7Second draft, with Mortimer Braus, Sept. 1, 1950
8Second draft, revised
boxfolder
51-3Holograph and typescript revisions
4The Stork Club, 1944-45
[holograph and typed notes]
5Tomorrow We Change, script, 1938
6The Unveiling of O'Keefe, script, 1950
7-8Miscellaneous notes for scripts, The Woman Who Came Back (re: Lumberjack) and others
Subseries B. Stage Plays
boxfolder
61Between Pictures
2Chronicle
3-4The Cockeyed Wench
5Fanny, 1944
6Floyd [assumed title], holograph notes
7The Great Urge
8Heaven Can Wait, revised version
9Here Comes Mr. Jordan, with holograph revisions
10I Return You Now, holograph notes
boxfolder
71Knock Wood, 1933
2Lost Horizons
3Love Now, Pay Later, typescript and holograph notes
4May We Come In, with holograph revisions, 1949
5Mother of Mine, working copy, 1948
6Mother of Mine, n.d.
7Now I Am Alone, holograph notes
boxfolder
81Rooftop, holograph notes
2The Sawdust Man, partial script
3-4Soloman, holograph notes
5-10The Stars Weep, 1946
(6 versions)
boxfolder
91-2Tailspin, holograph notes
3The Truth About Philip, story, 1950
4-8Welcome Back, various versions and holograph notes
9Windy, 1948
10Idea for a play, holograph notes. Possible titles: But Not For Love, Choose Your Mate, The Friendly Marriage
11Plays with Stella Douglas character, various titles, holograph notes
Subseries C. TV Scripts and Plot Ideas
boxfolder
101After Office Hours, holograph notes
2Jane and John Doe, 1959
3Wardrobe Mistress, Nov. 1956
4Notes for scripts, Playhouse 90
5-9Notes for scripts, various ideas
Subseries D. Script Outlines
boxfolder
111Alias Betty!
2Anna Looks Ahead
3Any Port in a Storm
4Curly, 6th draft, Feb. 25, 1943
5The Green Vault
6Hell Bent For Mr. Jordan, Feb. 3, 1942
7Hell Bent For Mr. Jordan, May 4, 1942
8The Impossible Wife
9The Kin From Limbo, 4 copies, 1944
10Lavinia
11The Lonely Husband
12Madam is Mistaken
13Nicky
14Nobody's Widow, first draft, Aug. 5, 1941
15The Sawdust Man
16The Smokey Years, May 16, 1940
17Spendthrift Wife, Feb. 1950
18Super Sleuth
2 copies
19Take Me As I Am, 1952
20The Unseen Juror
21Vigilantes, first draft, June 4, 1940
22The Wife Without a Chance
23Women Never Learn
24Yesterday's Husband
box
12-14Holograph notes, miscellaneous untitled fragments
boxfolder
151-3Holograph notes, miscellaneous untitled fragments

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Series II. Personal

boxfolder
154Photographs and negatives, HS and family
5Miscellaneous: Memo from Robert Sparks to HS, 12/4/39 re The Lone Wolf Strikes; the Dramatists' Guild contract agreement, Feb. 29, 1936 with newspaper clippings; The Billboard Index, 1933-34; magazine articles re: HS
Scrapbooks and clippings
[removed to Oversize Box 16]

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Series III. Works of Others

boxfolder
156Dortort, David. The Ox-Bow Incident, final script, June 28, 1955
Salonen, Martha.
7Manhattan Yen, typescript story
8Trouble in Massachusetts, play in three acts
9Segall, Avery, Oliver, typescript story
10Segall, Avery and Bela Tasek. Better Late Than Never, typescript radio play
11Untitled stage play, no author listed
box
16Oversize material

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