TABLE OF CONTENTS
Descriptive Summary
Scope and Contents
Restrictions
Administrative Information
Description of Series
Series I. Works
Series II. Personal
Series III. Works of Others
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Harry Segall:
A Preliminary Inventory of His Papers at the Harry Ransom
Humanities Research Center
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Creator |
Segall, Harry,
1897-1975 |
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Title |
Harry Segall Papers
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Dates: |
1933-1959 |
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Abstract: |
This collection contains stage plays,
screenplays, and television scripts, as well as photographs of Segall and his
family, scrapbooks, and works by others. |
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Extent |
15 boxes, 1 oversize box
(8.06 linear feet) |
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Language |
English. |
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Repository: |
Harry Ransom Humanities Research Center,
University of Texas at Austin |
This collection of works by playwright, screenwriter, and TV
scriptwriter Harry Segall spans his writing career from 1933-1959. Segall's
plays, including
Lost Horizons (1934), appeared on Broadway
in the mid-1930s. In 1933, Metro-Goldwyn-Mayer brought Segall to Hollywood as a
contract writer. In 1936 he moved to RKO Radio Pictures where he wrote
screenplays for films such as
Outcasts of Poker Flat, based on a story by
Bret Harte. During this time, Paramount Pictures and Universal Studios also
produced his screenplays. In 1941 Segall won an Academy Award for best original
story for the film
Here Comes Mr. Jordan, starring Robert
Montgomery, based on Segall's play
Heaven Can Wait. A 1978 film version of
Heaven Can Wait starred Warren Beatty. With
the advent of television, Segall turned his writing talents to this medium,
writing plots for TV series and "Playhouse 90."
The collection is arranged in three series: I. Works, II. Personal, and
III. Works of Others. In the first series, Segall's works are arranged
alphabetically in four subseries: Screenplays, Stage Plays, TV Scripts and Plot
Ideas, and Script Outlines. Segall's works range in format from rough notes to
final typescript copies. Segall wrote his handwritten scripts and revisions on
scraps of paper, frequently using the verso of bank deposit forms. These were
interspersed with larger pages of varying sizes to form paper clipped bundles.
In some cases, works written for the stage became screenplays, with title
changes occurring as the project evolved. Often several titles were considered
for the same work. Dates have been recorded in the folder list when provided on
the script. Some scripts were based on the works of others or were written in
collaboration. In general, the script outlines are typescripts ranging from a
few pages to forty pages in length. They are sometimes described as a comedy,
farce, or satire but not identified as a screenplay, stage play, or TV series.
A large amount of untitled holograph notes and typescript fragments exist.
These remain in the original order as received.
The second series, Personal, contains photographs of Segall and his
family. These photographs were not identified by name or place, except for one
bearing the name Mrs. I. Siegell. Four scrapbooks, and associated fragments,
contain newspaper clippings of Broadway and Hollywood projects with which
Segall was involved. His personal life and activities are not reported in these
books, with the exception of a newspaper announcement of his intention to marry
Martha Salonen in 1934.
The last series, Works of Others, contains stories and scripts by David
Dortort, Martha Salonen, Avery Segall, and Bela Tasek.
Several magazines received with the collection were transferred to the
HRHRC book collection.
In general, the collection is in good condition with the exception of
the scrapbooks which contain brittle pages and clippings. Some of Segall's
paper choices for his notes included newsprint quality paper which is becoming
brittle.
Return to the Table of Contents
Access
Open for research
Return to the Table of Contents
Gift No. 10487
Liz Murray, 1996
Return to the Table of Contents
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Series I. Works |
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Subseries A. Screenplays |
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Angel on My Shoulder (1946) |
| box |
folder |
| 1 |
1 |
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Script with holograph corrections,
Jan. 3, 1944 |
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2 |
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Revised script,
n.d. |
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3 |
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Script,
Feb. 6, 1944 |
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4 |
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Script,
Feb. 26, 1944 |
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5-6 |
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Blindfolded Lady, revised script
and holograph notes |
| box |
folder |
| 2 |
1 |
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But Beautiful, first draft,
July 2, 1941 |
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2 |
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Coast Guard, 2nd revised final
draft,
April 24, 1939 |
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3 |
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Don't Turn 'em Loose, script,
original story by Ferdinand Reyher,
1936 |
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Fountain of Youth |
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4-5 |
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Holograph and typescript notes |
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6-7 |
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Script with holograph revisions,
ca. 1951 |
| box |
folder |
| 3 |
1-2 |
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Script with holograph revisions |
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3 |
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Revised draft and treatment,
July 2, 1951 |
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4 |
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A Girl's Best Friend is Wall Street,
estimating script, third draft,
Oct. 2, 1940 |
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5 |
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Lavinia, typescript |
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6 |
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Let the Eagle Scream, estimating
script, second draft,
April 11, 1941 |
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7 |
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Mad About the Girl, screen story
with Allen Rivkin |
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8 |
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The Next Woman, holograph
notes |
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Outcasts of Poker Flat (1937) |
| box |
folder |
| 4 |
1 |
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Script, story by Bret Harte |
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2 |
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Script, second copy |
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3 |
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Final script, with John Twist,
Jan. 9, 1937 |
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4 |
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Park Bench, holograph
notes |
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5 |
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The Seeing Eye, second estimating
script, with Ron Ferguson,
Jan. 31, 1938, |
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6 |
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Something for the Boys,
typescript |
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The Son of Dr. Jekyll |
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7 |
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Second draft, with Mortimer Braus,
Sept. 1, 1950 |
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8 |
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Second draft, revised |
| box |
folder |
| 5 |
1-3 |
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Holograph and typescript revisions |
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4 |
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The Stork Club, 1944-45 [holograph and typed notes] |
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5 |
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Tomorrow We Change, script,
1938 |
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6 |
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The Unveiling of O'Keefe, script,
1950 |
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7-8 |
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Miscellaneous notes for scripts,
The Woman Who Came Back (re:
Lumberjack) and others |
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Subseries B. Stage Plays |
| box |
folder |
| 6 |
1 |
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Between Pictures |
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2 |
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Chronicle |
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3-4 |
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The Cockeyed Wench |
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5 |
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Fanny, 1944 |
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6 |
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Floyd [assumed title], holograph
notes |
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7 |
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The Great Urge |
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8 |
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Heaven Can Wait, revised
version |
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9 |
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Here Comes Mr. Jordan, with
holograph revisions |
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10 |
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I Return You Now, holograph
notes |
| box |
folder |
| 7 |
1 |
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Knock Wood, 1933 |
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2 |
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Lost Horizons |
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3 |
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Love Now, Pay Later, typescript
and holograph notes |
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4 |
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May We Come In, with holograph
revisions,
1949 |
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5 |
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Mother of Mine, working copy,
1948 |
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6 |
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Mother of Mine, n.d. |
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7 |
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Now I Am Alone, holograph
notes |
| box |
folder |
| 8 |
1 |
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Rooftop, holograph
notes |
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2 |
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The Sawdust Man, partial
script |
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3-4 |
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Soloman, holograph
notes |
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5-10 |
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The Stars Weep, 1946 (6 versions) |
| box |
folder |
| 9 |
1-2 |
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Tailspin, holograph
notes |
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3 |
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The Truth About Philip, story,
1950 |
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4-8 |
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Welcome Back, various versions and
holograph notes |
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9 |
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Windy, 1948 |
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10 |
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Idea for a play, holograph notes. Possible titles:
But Not For Love, Choose Your Mate, The Friendly Marriage |
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11 |
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Plays with Stella Douglas character, various titles,
holograph notes |
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Subseries C. TV Scripts and Plot Ideas |
| box |
folder |
| 10 |
1 |
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After Office Hours, holograph
notes |
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2 |
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Jane and John Doe, 1959 |
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3 |
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Wardrobe Mistress, Nov. 1956 |
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4 |
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Notes for scripts, Playhouse 90 |
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5-9 |
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Notes for scripts, various ideas |
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Subseries D. Script Outlines |
| box |
folder |
| 11 |
1 |
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Alias Betty! |
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2 |
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Anna Looks Ahead |
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3 |
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Any Port in a Storm |
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4 |
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Curly, 6th draft,
Feb. 25, 1943 |
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5 |
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The Green Vault |
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6 |
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Hell Bent For Mr. Jordan, Feb. 3, 1942 |
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7 |
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Hell Bent For Mr. Jordan, May 4, 1942 |
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8 |
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The Impossible Wife |
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9 |
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The Kin From Limbo, 4 copies,
1944 |
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10 |
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Lavinia |
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11 |
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The Lonely Husband |
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12 |
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Madam is Mistaken |
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13 |
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Nicky |
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14 |
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Nobody's Widow, first draft,
Aug. 5, 1941 |
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15 |
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The Sawdust Man |
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16 |
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The Smokey Years, May 16, 1940 |
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17 |
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Spendthrift Wife, Feb. 1950 |
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18 |
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Super Sleuth 2 copies |
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19 |
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Take Me As I Am, 1952 |
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20 |
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The Unseen Juror |
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21 |
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Vigilantes, first draft,
June 4, 1940 |
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22 |
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The Wife Without a
Chance |
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23 |
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Women Never Learn |
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24 |
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Yesterday's Husband |
| box |
| 12-14 |
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Holograph notes, miscellaneous untitled
fragments |
| box |
folder |
| 15 |
1-3 |
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Holograph notes, miscellaneous untitled
fragments |
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Series II. Personal |
| box |
folder |
| 15 |
4 |
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Photographs and negatives, HS and family |
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Miscellaneous: Memo from Robert Sparks to HS, 12/4/39 re
The Lone Wolf Strikes; the
Dramatists' Guild contract agreement, Feb. 29, 1936 with newspaper clippings;
The Billboard Index, 1933-34;
magazine articles re: HS |
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Scrapbooks and clippings [removed to Oversize Box 16] |
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Series III. Works of Others |
| box |
folder |
| 15 |
6 |
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Dortort, David.
The Ox-Bow Incident, final script,
June 28, 1955 |
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Salonen, Martha. |
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7 |
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Manhattan Yen, typescript
story |
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8 |
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Trouble in Massachusetts, play in
three acts |
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9 |
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Segall, Avery,
Oliver, typescript story |
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10 |
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Segall, Avery and Bela Tasek.
Better Late Than Never, typescript
radio play |
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11 |
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Untitled stage play, no author listed |
| box |
| 16 |
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Oversize material |
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