TABLE OF CONTENTS
Descriptive Summary
Scope and Contents
Restrictions
Administrative Information
Description of Series
Series I. Works
Series II. Correspondence,
1959-1998
Series III. Diaries,
1957-1992
Series IV. Career-Related and Personal
|
Brian Moore:
A Preliminary Inventory of His Papers at the Harry Ransom
Humanities Research Center
| | |
|
|
| Creator: | Moore, Brian,
1921-1999 |
| Title | Brian Moore Papers
|
| Dates: | 1935-1998 |
| Abstract: | The collection consists of typescript drafts, proofs, and
contracts for many novels published since 1962. |
| Extent | 35 boxes, 2 galleys (14.7
linear feet) |
| Language | English. |
| Repository: | Harry Ransom Humanities Research Center,
University of Texas at Austin |
Although Irish-born Canadian novelist Brian Moore lived in California
for more than thirty years, he considered himself a Canadian writer and
retained his Canadian citizenship. Because his formative years in Northern
Ireland had a profound effect on him, many of Moore's works center on
Catholicism and Irish themes. The Ransom Center's collection of Moore papers
consists of typescript drafts, proofs, and contracts for many of his novels
published since 1962 including
An Answer from Limbo, Black Robe, Cold Heaven, The Color of Blood, The Doctor's Wife, The Great Victorian Collection, Lies of Silence, The Magician's Wife, The Mangan Inheritance, No Other Life, and
The Statement. A brief stay in California in
1965 to write the script for Alfred Hitchcock's
"Torn Curtain" led to permanent residence in
Malibu where Moore wrote additional screenplays as well as novels. Screenplays
well-represented in this collection are
"Black Robe," filmed in 1991,
"Control,""Gabrielle Chanel," and
"Strangers." Moore also wrote articles for
newspapers and magazines including
Travel and Leisure, House and Garden, and
The New York Times among others, as well as
book reviews. These are included, as are texts of various talks, readings, and
lectures given in academic and literary settings.
Moore's correspondence spans nearly forty years from 1959-1998,
particularly the 1980s and 1990s. Some outgoing correspondence is present, but
primarily the collection consists of incoming letters from publishers, editors,
agents, fans, critics, friends, other writers, movie directors, and actors.
This portion of the collection was poorly organized when received, with only a
few packets labeled by year which provided evidence of Moore's original order.
To preserve that order and facilitate use, the remaining correspondence has
also been arranged by year.
Unique to the Ransom Center's collection is a complete set of diaries
from 1957-1992 listing Moore's notes to himself, work logs, summaries of
correspondence and telephone calls, possible book titles, details of book
contracts and royalties, and appointments. The collection also includes
personal papers regarding education and employment from 1943-1960 and
photographs. Career-related material is represented by awards, contracts,
interviews, and participation in public events.
The collection is organized into four series: Series I. Works, with
subseries A. Novels, B. Plays, Screenplays, and Adaptations, and C. Other
Writings; Series II. Correspondence; Series III. Diaries; and Series IV.
Career-Related and Personal. Two books received with the manuscript material
have been transferred to the Ransom Center Library. The collection is in good
physical condition and is open for research.
This collection was acquired by the Ransom Center through the dealer
Ralph Sipper after Moore's death in January 1999. Moore's papers were organized
by the dealer prior to sale and bear both Moore's and the dealer's
identifications. These have been relied upon in the arrangement and description
of the collection. Additional Moore collection material is held in the Special
Collections Library of the University of Calgary.
Return to the Table of Contents
Access
Open for research
Return to the Table of Contents
Purchase, 2000 (Reg. no. 14701)
Liz Murray, 2001
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series I. Works
|
| | | Subseries A. Novels |
| box | folder |
| 1 | 1-2 | | | An Answer from Limbo, carbon
typescript |
| | | | Black Robe |
| 3 | | | | Corrected photocopy |
| 4 | | | | Setting copy (Dutton,
1985) |
| box | folder |
| 2 | 1 | | | Cold Heaven, corrected
photocopy |
| | | | The Color of Blood |
| 2 | | | | Research material and notes |
| 3 | | | | Original typescript to p. 128, heavily
corrected |
| 4 | | | | Rejected pages for first draft |
| 5 | | | | Part II, corrected typescript |
| 6 | | | | Photocopy of original typescript to p.260 with
additional corrections |
| box | folder |
| 3 | 1 | | | | Photocopy, cont'd |
| 2 | | | | Final draft sent to typist,
October 1986 |
| 3-4 | | | | Final typescript, original copy |
| 5 | | | | Final typescript, photocopy |
| box | folder |
| 4 | 1 | | | | Correspondence and contracts,
1986-1993 |
| | | | The Doctor's Wife |
| 2 | | | | Sheet used to try out titles,
February 1976 |
| 3-4 | | | | Final edited typescript |
| 5-6 | | | | Setting copy (Farrar, Straus, Giroux,
1976) |
| box | folder |
| 5 | 1 | | | | Proofs,
June 8, 1976 |
| 2 | | | | Proofs,
June 21, 1976 |
| 3-6 | | | Ganae, various drafts |
| | | | The Great Victorian
Collection |
| box | folder |
| 6 | 1 | | | | Uncorrected typescript, photocopy |
| | | | | Galleys [removed to galley files] |
| | | | Lies of Silence |
| 2 | | | | Uncorrected typescript, photocopy |
| 3 | | | | Correspondence and contracts,
1989-1994 |
| | | | The Magician's Wife |
| 4 | | | | Uncorrected typescript |
| box | folder |
| 7 | 1-2 | | | | Typesetter's copy |
| 3 | | | | Correspondence,
1997-1998 |
| 4-5 | | | The Mangan Inheritance, corrected
typescript,
October 10, 1977 |
| | | | No Other Life |
| 6 | | | | Corrected typescript |
| box | folder |
| 8 | 1 | | | | Corrected typescript,
January 1992 |
| 2-3 | | | | Second last draft before N. Scotia final
draft |
| 4-5 | | | | Uncorrected typescript |
| 6 | | | | Typeset copy with correspondence,
1992 |
| box | folder |
| 9 | 1-2 | | | | Correspondence |
| | | | The Statement |
| 3-4 | | | | First draft,
August 19, 1994-March 25, 1998 |
| 5-6 | | | | First draft of first part |
| 7 | | | | Setting copy (Dutton,
1996) |
| box | folder |
| 10 | 1 | | | | Setting copy, cont'd |
| 2 | | | | Correspondence,
1995-1997 |
| 3 | | | | Publicity and articles |
| 4 | | | Untitled novel with character "Nora
O'Neill" |
| | | Subseries B. Plays, Screenplays, and
Adaptations |
| 5 | | | The Apartment Hunter, screenplay
by Jack Weinstein and Robert Resnikoff adapted from BM's short
story |
| | | | Black Robe, screenplay |
| 6 | | | | Film notes |
| 7 | | | | Original first draft,
July 13, 1985 |
| box | folder |
| 11 | 1 | | | | Draft,
July 15, 1985 |
| 2 | | | | Third draft,
October 1985 |
| 3 | | | | Feature version,
February 1986 |
| 4 | | | | Feature version, second draft,
April 4, 1986 |
| 5-6 | | | | Drafts,
December 1986 |
| 7 | | | | Sixth draft,
January 1987 |
| box | folder |
| 12 | 1 | | | | Sixth draft,
January 1987, (revised) |
| 2 | | | | Draft,
April 1987 |
| 3 | | | | Draft,
August 23, 1990 |
| 4 | | | | Draft,
nd |
| 5 | | | | Draft segments used for cut and paste
editing |
| 6 | | | | Preliminary press package, draft,
Oct. 18, 1990 |
| 7 | | | | French translation |
| box | folder |
| 13 | 1 | | | Black Robe, TV script with
paddlers scene missing, second draft,
September 1985 |
| | | | Catholics, play |
| 2 | | | | Script, heavily revised |
| 3 | | | | Script, revised
November 1, 1981 |
| 4 | | | The Closing Ritual, photocopy
playscript with notes and correspondence,
March 1979 |
| 5 | | | The Color of Blood, screenplay,
first rough draft,
April 1988 |
| | | | Control |
| 6 | | | | Comments |
| 7 | | | | Notes |
| 8 | | | | Draft,
April 2, 1986 |
| box | folder |
| 14 | 1 | | | | Second rewrite,
June 1986 |
| 2 | | | | Third rewrite,
July 15, 1986 |
| 3 | | | | Draft,
Sept. 25, 1986 |
| 4 | | | | Final edited version,
October 1986 |
| | | | Gabrielle Chanel,
screenplay |
| 5 | | | | Photocopy of
"Chanel" by Edmonde Charles-Roux
from which adaptation was made |
| 6 | | | | First draft, BM's copy |
| box | folder |
| 15 | 1 | | | | First draft, associated material |
| 2 | | | | Second draft, BM's copy |
| 3 | | | | Second draft with notes |
| 4-5 | | | | Third draft,
February 1988 |
| 6 | | | | Fourth draft,
March 1, 1988 |
| box | folder |
| 16 | 1 | | | | Fourth draft, revised |
| 2 | | | | First French version |
| 3 | | | | French version, draft segments |
| 4-5 | | | | Pages from several drafts |
| | | | Interview, screenplay |
| 6 | | | | Draft, first version |
| box | folder |
| 17 | 1 | | | | Draft,
nd |
| 2-3 | | | | Drafts, revised
January 1985 |
| 4 | | | | "Eye of the Spider," first draft
revised
January 7, 1987 |
| 5 | | | A Moment of Love, screenplay by
Derek Mahon based on BM's
"The Feast of Lupercal," March 1984 |
| | | | No Other Life |
| 6 | | | | Screenplay, first draft,
January 14, 1994 |
| 7 | | | | Film collaboration with Constantin Costa Gavras,
1994-1995 |
| 8 | | | | Film proposal for documentary on BM |
| 9 | | | Old Money, screen treatment, Jane
Fonda project,
1985 |
| | | | The Sight, screenplay |
| box | folder |
| 18 | 1 | | | | First draft |
| 2 | | | | Drafts, with contract and correspondence |
| 3 | | | | Mankiewicz's notes |
| 4 | | | The Slave, uncorrected photocopy
screenplay, from novel by Isaac B. Singer |
| | | | Strangers, screenplay |
| 5 | | | | Edited typescript photocopy of novel by Rosie
Thomas |
| 6 | | | | First draft |
| 7 | | | | Draft, with corrections |
| box | folder |
| 19 | 1-2 | | | | Drafts,
December 1986 |
| 3 | | | | Revision,
December 15, 1986 |
| 4 | | | | Revision,
January 1986 [also marked 1987] |
| 5 | | | | Draft,
April 1987 |
| 6 | | | | Revision,
May 1987 |
| 7 | | | Uncle T, screenplay by Gerald
Wexler based on short story by BM, with Moore's corrections |
| 8 | | | Untitled screenplay based on BM's novel
The Great Victorian Collection,
with corrections |
| box | folder |
| 20 | 1 | | | Untitled, unfilmed screenplay by Brian Friel based on
BM's
"The Lonely Passion of Judith
Hearne" with Moore's notes |
| 2 | | | Untitled film script based on BM's novel
"The Revolution Script," revised
second draft,
July 1972 |
| | | Subseries C. Other Writings |
| | | | Articles and contributions |
| 3 | | | | Notebook containing early article drafts plus original
holograph draft of story which became
"Judith Hearne," ca. 1946 |
| 4 | | | | "Roman Holiday," ca. 1946 |
| 5 | | | | "A Drive up Highway 1,"Travel and Leisure, drafts,
correspondence, and associated material,
December 1984 |
| 6 | | | | "County Cork,"Travel and Leisure, July 1985 |
| 7 | | | | "Point Zero,"House and Garden, 1985 |
| 8 | | | | Ventana wilderness article,
July 1986 |
| 9 | | | | "The Sophisticated Traveller,"The New York Times, October 1987 |
| 10 | | | | Piece on Donegal for
"32 Counties," a collection of
photographs by Donovan Wylie,
December 1988 |
| 11 | | | | Piece for the
Adam International Review, Nov. 1989 (written while in Dublin hospital in August
1977) |
| 12 | | | | "A vocation," short story
contribution for the Verbal Arts Centre project,
1998 |
| 13 | | | | Piece for
Montreal Magazine about BM's
arrival in Canada,
nd. |
| 14-16 | | | Book reviews |
| | | | Notes |
| box | folder |
| 21 | 1 | | | | For play,
"Maam Cross" |
| 2 | | | | On
"A Mother" from
"Dubliners" |
| 3 | | | | "Touvier" |
| 4 | | | | On trip to Ireland,
nd (holograph notebook) |
| 5 | | | Reading from
"The Magician's Wife" |
| 6 | | | Speeches |
| 7 | | | Stories, unpublished:
"A Bed in America" later used in
Hitchcock film
"Torn Curtain," and
"A Matter of Faith" |
| | | | Talks |
| 8 | | | | At University of Michigan,
nd. |
| 9 | | | | "Imagination and Experience,"
draft for Edinburgh Book Festival, 1991, and published as a chapbook of the
Harbourfront Reading Series, Toronto, 1997 |
| 10 | | | | "The Writer as Exile," with notes
and fragments, with
"The Novelists Voice" |
| 11 | | | | On subject of becoming a writer |
| 12 | | | Unidentified fragments and notes |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series II. Correspondence,
1959-1998
|
| box | folder |
| 21 | 13 | | File of notable literary correspondents [compiled by
dealer?] |
| 14 | | 1959-1979 |
| box | folder |
| 22 | 1 | | 1980-1984 |
| 2-3 | | 1985 |
| 4-5 | | 1986 |
| box | folder |
| 23 | 1-2 | | 1987 |
| 3-5 | | 1988 |
| box | folder |
| 24 | 1 | | 1989 |
| 2-3 | | 1990 |
| 4-5 | | 1991 |
| box | folder |
| 25 | 1 | | 1991 cont'd |
| 2-3 | | 1992 |
| 4 | | 1993 |
| 5 | | 1994 |
| 6 | | 1995-1998 |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series III. Diaries,
1957-1992
|
| box | folder |
| 26 | 1-5 | | 1957-1961 |
| box | folder |
| 27 | 1-5 | | 1962-1966 |
| box | folder |
| 28 | 1-5 | | 1967-1971 |
| box | folder |
| 29 | 1-5 | | 1972-1976 |
| box | folder |
| 30 | 1-4 | | 1977-1980 |
| box | folder |
| 31 | 1-4 | | 1981-1984 |
| box | folder |
| 32 | 1-4 | | 1985-1988 |
| box | folder |
| 33 | 1-4 | | 1989-1992 |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series IV. Career-Related and Personal
|
| box | folder |
| 34 | 1 | | Holograph "Commonplace Album"
with calligraphed notation of aphorisms and quotations from celebrated
authors |
| 2 | | Awards and grants, including first prize in verse speaking
(1935) and best screenplay for
"Black Robe" in 1991 and
1992 |
| 3 | | Collection contents written in brief form on paper
bag |
| 4-6 | | Contracts, various titles |
| 7 | | Contracts,
Cold Heaven |
| 8 | | Contracts,
Cold Heaven, Marshall Productions,
1984-1989 |
| 9 | | Instructional material for readings course on BM, Joan
Lingard, and Seamus Heaney |
| box | folder |
| 35 | 1 | | Interviews |
| 2 | | Minutes of the Tenth General Assembly of Aosdána on
April 20, 1989 |
| 3 | | Personal papers, regarding education and employment,
1943-1960 |
| 4 | | Photographs |
| 5 | | Public events,
1997-1999 |
| 6 | | Travel receipts for trip to Ireland,
September 1985 |
Return to the Table of Contents
|