Texas Archival Resources Online

TABLE OF CONTENTS


Descriptive Summary

Scope and Contents

Restrictions

Administrative Information

Description of Series

Series I. Works

Series II. Correspondence, 1959-1998

Series III. Diaries, 1957-1992

Series IV. Career-Related and Personal

University of Texas, Harry Ransom Humanities Research Center

Brian Moore:

A Preliminary Inventory of His Papers at the Harry Ransom Humanities Research Center



Descriptive Summary

Creator: Moore, Brian, 1921-1999
TitleBrian Moore Papers
Dates: 1935-1998
Abstract:The collection consists of typescript drafts, proofs, and contracts for many novels published since 1962.
Extent35 boxes, 2 galleys (14.7 linear feet)
LanguageEnglish.
Repository: Harry Ransom Humanities Research Center, University of Texas at Austin

Scope and Contents

Although Irish-born Canadian novelist Brian Moore lived in California for more than thirty years, he considered himself a Canadian writer and retained his Canadian citizenship. Because his formative years in Northern Ireland had a profound effect on him, many of Moore's works center on Catholicism and Irish themes. The Ransom Center's collection of Moore papers consists of typescript drafts, proofs, and contracts for many of his novels published since 1962 including An Answer from Limbo, Black Robe, Cold Heaven, The Color of Blood, The Doctor's Wife, The Great Victorian Collection, Lies of Silence, The Magician's Wife, The Mangan Inheritance, No Other Life, and The Statement. A brief stay in California in 1965 to write the script for Alfred Hitchcock's "Torn Curtain" led to permanent residence in Malibu where Moore wrote additional screenplays as well as novels. Screenplays well-represented in this collection are "Black Robe," filmed in 1991, "Control,""Gabrielle Chanel," and "Strangers." Moore also wrote articles for newspapers and magazines including Travel and Leisure, House and Garden, and The New York Times among others, as well as book reviews. These are included, as are texts of various talks, readings, and lectures given in academic and literary settings.

Moore's correspondence spans nearly forty years from 1959-1998, particularly the 1980s and 1990s. Some outgoing correspondence is present, but primarily the collection consists of incoming letters from publishers, editors, agents, fans, critics, friends, other writers, movie directors, and actors. This portion of the collection was poorly organized when received, with only a few packets labeled by year which provided evidence of Moore's original order. To preserve that order and facilitate use, the remaining correspondence has also been arranged by year.

Unique to the Ransom Center's collection is a complete set of diaries from 1957-1992 listing Moore's notes to himself, work logs, summaries of correspondence and telephone calls, possible book titles, details of book contracts and royalties, and appointments. The collection also includes personal papers regarding education and employment from 1943-1960 and photographs. Career-related material is represented by awards, contracts, interviews, and participation in public events.

The collection is organized into four series: Series I. Works, with subseries A. Novels, B. Plays, Screenplays, and Adaptations, and C. Other Writings; Series II. Correspondence; Series III. Diaries; and Series IV. Career-Related and Personal. Two books received with the manuscript material have been transferred to the Ransom Center Library. The collection is in good physical condition and is open for research.

This collection was acquired by the Ransom Center through the dealer Ralph Sipper after Moore's death in January 1999. Moore's papers were organized by the dealer prior to sale and bear both Moore's and the dealer's identifications. These have been relied upon in the arrangement and description of the collection. Additional Moore collection material is held in the Special Collections Library of the University of Calgary.

Return to the Table of Contents


Restrictions

Access

Open for research

Return to the Table of Contents


Administrative Information

Acquisition

Purchase, 2000 (Reg. no. 14701)

Processed by

Liz Murray, 2001

Return to the Table of Contents


Brian Moore Papers--Folder List

 

Series I. Works

Subseries A. Novels
boxfolder
11-2An Answer from Limbo, carbon typescript
Black Robe
3Corrected photocopy
4Setting copy (Dutton, 1985)
boxfolder
21Cold Heaven, corrected photocopy
The Color of Blood
2Research material and notes
3Original typescript to p. 128, heavily corrected
4Rejected pages for first draft
5Part II, corrected typescript
6Photocopy of original typescript to p.260 with additional corrections
boxfolder
31Photocopy, cont'd
2Final draft sent to typist, October 1986
3-4Final typescript, original copy
5Final typescript, photocopy
boxfolder
41Correspondence and contracts, 1986-1993
The Doctor's Wife
2Sheet used to try out titles, February 1976
3-4Final edited typescript
5-6Setting copy (Farrar, Straus, Giroux, 1976)
boxfolder
51Proofs, June 8, 1976
2Proofs, June 21, 1976
3-6Ganae, various drafts
The Great Victorian Collection
boxfolder
61Uncorrected typescript, photocopy
Galleys
[removed to galley files]
Lies of Silence
2Uncorrected typescript, photocopy
3Correspondence and contracts, 1989-1994
The Magician's Wife
4Uncorrected typescript
boxfolder
71-2Typesetter's copy
3Correspondence, 1997-1998
4-5The Mangan Inheritance, corrected typescript, October 10, 1977
No Other Life
6Corrected typescript
boxfolder
81Corrected typescript, January 1992
2-3Second last draft before N. Scotia final draft
4-5Uncorrected typescript
6Typeset copy with correspondence, 1992
boxfolder
91-2Correspondence
The Statement
3-4First draft, August 19, 1994-March 25, 1998
5-6First draft of first part
7Setting copy (Dutton, 1996)
boxfolder
101Setting copy, cont'd
2Correspondence, 1995-1997
3Publicity and articles
4Untitled novel with character "Nora O'Neill"
Subseries B. Plays, Screenplays, and Adaptations
5The Apartment Hunter, screenplay by Jack Weinstein and Robert Resnikoff adapted from BM's short story
Black Robe, screenplay
6Film notes
7Original first draft, July 13, 1985
boxfolder
111Draft, July 15, 1985
2Third draft, October 1985
3Feature version, February 1986
4Feature version, second draft, April 4, 1986
5-6Drafts, December 1986
7Sixth draft, January 1987
boxfolder
121Sixth draft, January 1987,
(revised)
2Draft, April 1987
3Draft, August 23, 1990
4Draft, nd
5Draft segments used for cut and paste editing
6Preliminary press package, draft, Oct. 18, 1990
7French translation
boxfolder
131Black Robe, TV script with paddlers scene missing, second draft, September 1985
Catholics, play
2Script, heavily revised
3Script, revised November 1, 1981
4The Closing Ritual, photocopy playscript with notes and correspondence, March 1979
5The Color of Blood, screenplay, first rough draft, April 1988
Control
6Comments
7Notes
8Draft, April 2, 1986
boxfolder
141Second rewrite, June 1986
2Third rewrite, July 15, 1986
3Draft, Sept. 25, 1986
4Final edited version, October 1986
Gabrielle Chanel, screenplay
5Photocopy of "Chanel" by Edmonde Charles-Roux from which adaptation was made
6First draft, BM's copy
boxfolder
151First draft, associated material
2Second draft, BM's copy
3Second draft with notes
4-5Third draft, February 1988
6Fourth draft, March 1, 1988
boxfolder
161Fourth draft, revised
2First French version
3French version, draft segments
4-5Pages from several drafts
Interview, screenplay
6Draft, first version
boxfolder
171Draft, nd
2-3Drafts, revised January 1985
4"Eye of the Spider," first draft revised January 7, 1987
5A Moment of Love, screenplay by Derek Mahon based on BM's "The Feast of Lupercal," March 1984
No Other Life
6Screenplay, first draft, January 14, 1994
7Film collaboration with Constantin Costa Gavras, 1994-1995
8Film proposal for documentary on BM
9Old Money, screen treatment, Jane Fonda project, 1985
The Sight, screenplay
boxfolder
181First draft
2Drafts, with contract and correspondence
3Mankiewicz's notes
4The Slave, uncorrected photocopy screenplay, from novel by Isaac B. Singer
Strangers, screenplay
5Edited typescript photocopy of novel by Rosie Thomas
6First draft
7Draft, with corrections
boxfolder
191-2Drafts, December 1986
3Revision, December 15, 1986
4Revision, January 1986
[also marked 1987]
5Draft, April 1987
6Revision, May 1987
7Uncle T, screenplay by Gerald Wexler based on short story by BM, with Moore's corrections
8Untitled screenplay based on BM's novel The Great Victorian Collection, with corrections
boxfolder
201Untitled, unfilmed screenplay by Brian Friel based on BM's "The Lonely Passion of Judith Hearne" with Moore's notes
2Untitled film script based on BM's novel "The Revolution Script," revised second draft, July 1972
Subseries C. Other Writings
Articles and contributions
3Notebook containing early article drafts plus original holograph draft of story which became "Judith Hearne," ca. 1946
4"Roman Holiday," ca. 1946
5"A Drive up Highway 1,"Travel and Leisure, drafts, correspondence, and associated material, December 1984
6"County Cork,"Travel and Leisure, July 1985
7"Point Zero,"House and Garden, 1985
8Ventana wilderness article, July 1986
9"The Sophisticated Traveller,"The New York Times, October 1987
10Piece on Donegal for "32 Counties," a collection of photographs by Donovan Wylie, December 1988
11Piece for the Adam International Review, Nov. 1989
(written while in Dublin hospital in August 1977)
12"A vocation," short story contribution for the Verbal Arts Centre project, 1998
13Piece for Montreal Magazine about BM's arrival in Canada, nd.
14-16Book reviews
Notes
boxfolder
211For play, "Maam Cross"
2On "A Mother" from "Dubliners"
3"Touvier"
4On trip to Ireland, nd
(holograph notebook)
5Reading from "The Magician's Wife"
6Speeches
7Stories, unpublished: "A Bed in America" later used in Hitchcock film "Torn Curtain," and "A Matter of Faith"
Talks
8At University of Michigan, nd.
9"Imagination and Experience," draft for Edinburgh Book Festival, 1991, and published as a chapbook of the Harbourfront Reading Series, Toronto, 1997
10"The Writer as Exile," with notes and fragments, with "The Novelists Voice"
11On subject of becoming a writer
12Unidentified fragments and notes

Return to the Table of Contents




 

Series II. Correspondence, 1959-1998

boxfolder
2113File of notable literary correspondents [compiled by dealer?]
14 1959-1979
boxfolder
221 1980-1984
2-3 1985
4-5 1986
boxfolder
231-2 1987
3-5 1988
boxfolder
241 1989
2-3 1990
4-5 1991
boxfolder
251 1991 cont'd
2-3 1992
4 1993
5 1994
6 1995-1998

Return to the Table of Contents




 

Series III. Diaries, 1957-1992

boxfolder
261-5 1957-1961
boxfolder
271-5 1962-1966
boxfolder
281-5 1967-1971
boxfolder
291-5 1972-1976
boxfolder
301-4 1977-1980
boxfolder
311-4 1981-1984
boxfolder
321-4 1985-1988
boxfolder
331-4 1989-1992

Return to the Table of Contents




 

Series IV. Career-Related and Personal

boxfolder
341Holograph "Commonplace Album" with calligraphed notation of aphorisms and quotations from celebrated authors
2Awards and grants, including first prize in verse speaking (1935) and best screenplay for "Black Robe" in 1991 and 1992
3Collection contents written in brief form on paper bag
4-6Contracts, various titles
7Contracts, Cold Heaven
8Contracts, Cold Heaven, Marshall Productions, 1984-1989
9Instructional material for readings course on BM, Joan Lingard, and Seamus Heaney
boxfolder
351Interviews
2Minutes of the Tenth General Assembly of Aosdána on April 20, 1989
3Personal papers, regarding education and employment, 1943-1960
4Photographs
5Public events, 1997-1999
6Travel receipts for trip to Ireland, September 1985

Return to the Table of Contents