TABLE OF CONTENTS
Descriptive Summary
Biographical Sketch
Scope and Contents
Restrictions
Index Terms
Administrative Information
Sources
Description of Series
Series I. Works,
1956-1997, n.d.
Series II. Correspondence,
1968-1995, n.d.
Series III. Contracts and Royalty Statements,
1956-1997, n.d.
Series IV. Subject Files,
1962-1997, n.d.
Index
|
Anthony Burgess:
An Inventory of His Papers at the Harry Ransom Humanities
Research Center
| | |
|
|
| Creator | Burgess, Anthony,
1917-1993 |
| Title | Anthony Burgess Papers
|
| Dates: | 1956-1997 (bulk
1970s-1980s) |
| Abstract: | The papers of this English novelist
includes typed and holograph manuscripts, sheet music, correspondence,
clippings, contracts and legal documents, appointment books, magazines, and
photographs. |
| RLIN Record # | TXRC00-A18 |
| Extent | 136 boxes, 2 galley
folders, 15 oversize boxes, 1 oversize folder (57.12 linear feet) |
| Language | English. |
| Repository: | Harry Ransom Humanities Research Center,
University of Texas at Austin |
Anthony Burgess was born John Anthony Burgess Wilson on February 25,
1917, in Manchester, England. His mother and young sister died of influenza in
1919, leaving Burgess to a blue collar upbringing by his father--a cashier and
piano player--an aunt, and later a stepmother. As a child, Burgess was made
keenly aware of his Irish Catholic heritage and his education at the parochial
Xaverian College instilled an interest in theological themes of good and evil,
free will, and social authority which appeared in much of his writing years
later.
Burgess entered Manchester University in 1936 with the intention of
studying music. Poor grades in physics blocked his acceptance into the Music
Department, so he chose instead to focus on composition and language in
Manchester's English Department. After graduating with a bachelor's degree in
1940, he entered the Royal Army Medical Corps, later transferring to the
Education Corps. In 1942 he married Llewela Isherwood Jones, whom he first met
when both were students at Manchester.
Burgess remained in the Army until 1946, serving in Gibraltar. After the
war, he held teaching positions with Birmingham University, the Ministry of
Education, and Banbury Grammar School. In 1954 he accepted a position with the
Colonial Office teaching in Malaya and later Brunei.
While in Malaya, Burgess published his first novels,
Time for a Tiger, The Enemy in the Blanket, and
Beds in the East, using the pseudonym
"Anthony Burgess" to avoid any repercussions from
the Colonial Office. These works were republished as the compilation
The Long Day Wanes: A Malayan Trilogy
(Norton, 1965) and again as
Malayan Trilogy (Penguin, 1972).
In 1959 Burgess was sent back to England and released from the Colonial
Office after being diagnosed with terminal cancer. Troubled by the thought of
leaving his wife without income, he wrote five novels in the next year and a
total of eleven by 1964. These include
The Doctor Is Sick, The Wanting Seed, A Clockwork Orange, Honey for the Bears, and
Nothing Like the Sun. He also produced two
works,
One Hand Clapping and
Inside Mr. Enderby, under the pseudonym
Joseph Kell.
During the following years, Burgess continued to prove his doctors'
prognoses wrong and claimed to write 2,000 words of fair copy per day. He
supplemented the income from his novels with literary reviews and essays for
numerous newspapers and magazines. He also produced non-fiction books on
English literature, linguistics, and the works of James Joyce, D.H. Lawrence,
and William Shakespeare.
In 1968 Llewela died after years of poor health. Later that year Burgess
discovered he had a four-year-old son by Liana Macellari, who he soon married.
The three moved to Malta to avoid high British income taxes, and later to Italy
and then Monaco. From 1969 to 1973 Burgess held a series of visiting instructor
positions at the University of North Carolina, Columbia, Princeton, and City
College in New York.
By 1970 Burgess was well known in Britain and Europe for his satirical
style and linguistic inventiveness. In 1971 his notoriety grew in America with
the release of the movie version of
A Clockwork Orange. He continued to write
throughout the next two decades, publishing over 30 novels including
MF (1971),
Napoleon Symphony (1974),
Beard's Roman Women (1976),
Earthly Powers (1980),
The End of the World News (1983),
The Kingdom of the Wicked (1985), and
Any Old Iron (1989). He also edited
literature text books, produced several translations, wrote screenplays for
film and television, and continued with his "first
love," music composition. Over the course of his life, Burgess wrote
pieces ranging from small chamber works to symphonies, primarily as a means of
relaxation and amusement.
By the early 1990s Burgess had written more than 60 books, over 150
musical compositions, and continued to publish articles and reviews worldwide.
He died in 1993 at age 76, thirty-four years after receiving his one-year
terminal diagnosis.
Return to the Table of Contents
Typed and holograph manuscripts, sheet music, correspondence, clippings,
financial statements, contracts and legal documents, appointment books, notes,
magazines, and photographs document the life and work of Anthony Burgess from
1956 to 1997, with the bulk of the materials dating from the 1970s through the
1980s, his most productive years. The papers are organized into four series: I.
Works, 1956-1993, n.d. (67 boxes, 2 galley folders, 14 oversize boxes); II.
Correspondence, 1968-1995, n.d. (15 boxes); III. Contracts and Royalty
Statements, 1956-1997, n.d. (11 boxes); and IV. Subject Files, 1962-1997, n.d.
(40 boxes, 1 oversize box, 1 oversize folder).
The earliest materials consist mainly of copies of contracts for
Burgess's early novels, and a small number of photographs sent by friends and
former acquaintances. The material dated after Burgess's death in 1993 is
primarily correspondence to and from his wife, Liana, and a few newspaper
clippings.
The bulk of the papers comprise manuscript materials found in the Works
series. Most of these materials are fair copy typescripts or photocopies of
various drafts of novels, articles, reviews, and musical works. While there are
no manuscripts for Burgess's earliest works, including
A Clockwork Orange, and very little for his
Enderby books, several of his later works such as
Earthy Powers, A Dead Man in Deptford, You've Had Your Time, Mozart and the Wolf Gang, and
Kingdom of the Wicked are well
represented.
Correspondence is found throughout the papers, but is concentrated in
the Correspondence series. Letters in Series IV. Subject Files relate to
specific topics. Correspondence in the Works series primarily documents the
development of the particular piece to which it relates, as does correspondence
in Series III. Contracts and Royalty Statements.
The majority of the Burgess material is in English, but there are large
amounts of materials in foreign languages including Italian, French, Swedish,
Polish, German, Spanish, Portuguese, and Malay.
Return to the Table of Contents
Access
Open for research
Return to the Table of Contents
| | |
|
|
| |
| Correspondents |
| | Aggeler, Geoff,
1939- |
| | Birkett, Michael, Baron,
1929- |
| | Bottrall, Ronald,
1906- |
| | Burroughs, William S.,
1914- |
| | Caroline, Princess of
Monaco, 1957- |
| | Greene, Graham,
1904- |
| | Joannon, Pierre |
| | Jong, Erica |
| | Kollek, Teddy,
1911- |
| | Kubrick, Stanley |
| | Labella,
Vincenzo |
| | Lasky, Melvin J. |
| | Menuhin, Yehudi,
1916- |
| | Rudiakov, Michael,
1934- |
| | Snow, C.P. (Charles Percy),
1905- |
| | Snowdon, Anthony
Armstrong-Jones, Earl of, 1930- |
| | Waugh, Auberon |
| | Wouk, Herman,
1915- |
| | York, Michael |
| Organizations |
| | Alfred A. Knopf,
Inc. |
| | Artellus, Ltd. |
| | The Atlantic
Monthly |
| | British Broadcasting
Corporation |
| | British Council |
| | Bromberg's
(Firm) |
| | Century Hutchinson
Publishing Group, Ltd. |
| | City University of New
York. City College |
| | Deborah Rogers,
Ltd. |
| | Hayakawa
Publishing |
| | Heinemann (Firm) |
| | Hutchinson Publishing
Group, Ltd. |
| | The Independent |
| | Laurence Pollinger,
Ltd. |
| | Liepman (Firm) |
| | Little, Brown and
Company |
| | Longman (Firm) |
| | Lysandra Films |
| | The New York
Times |
| | The Observer,
London |
| | PEN
(Organization) |
| | Penguin Books,
Ltd. |
| | Phillips, Nizer, Benjamin,
Krim & Ballon |
| | Rizzoli Editore |
| | Royal Shakespeare
Company |
| | The Sunday Times |
| | University of Notre Dame.
Sophomore Literary Festival |
| | W.W. Norton &
Company |
| Subjects |
| | Authors, English--20th
century |
| | Music--20th century |
| Document Types |
| | Christmas cards |
| | Photographs |
| | Postcards |
| | Scripts |
| | Sheet music |
Return to the Table of Contents
Gift 1995 (G13507); Purchase, 1997 (R13998), 1999 (R14404)
Stephen Mielke, Dell Hollingsworth, 1999-2000
Return to the Table of Contents
| | |
| |
| |
Little Wilson and Big God. Burgess,
Anthony. (New York: Weidenfeld & Nicolson, 1986).
|
| |
You've Had Your Time. Burgess, Anthony.
(London: Heinemann, 1990).
|
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series I. Works,
1956-1997, n.d. (67 boxes, 2 galley folders, 14 oversize boxes)
|
| The Works Series documents Burgess's literary and musical activities
with manuscripts and small amounts of correspondence. There are few examples of
holograph manuscripts, one exception being a desk calendar containing a draft
of
Byrne in Burgess's hand. The majority of
materials are fair copy typescripts and photocopies containing relatively
little emendation or correction. |
| Materials are divided into four subseries reflecting Burgess's own
organization: A. Extended, B. Articles and Reviews, C. Introductions, and D.
Music. Some works, such as
1789, Blooms of Dublin, Oberon, and
The Eve of St. Venus, have materials
located in both Subseries A. and Subseries D., as well as in Series IV. Subject
Files. |
| | | Subseries A. Extended Works,
1956-97, n.d. (53 boxes) |
| | This subseries consists of various manuscript forms of novels,
academic works, short stories, biographies, children's books, translations, and
radio, television and film scripts. Arrangement is alphabetical by title, and
includes over ninety separate works, some unfinished or unpublished. Materials
for foreign, alternate, or working titles are included under the main title and
several short stories are listed together under the heading
"Short Stories." |
| | There is little manuscript material for works before 1970--the
earliest item is original artwork for the dust jacket of the 1956 novel
Time for a Tiger. Large numbers of
Italian translation typescripts are present for
A Dead Man in Deptford, Earthly Powers, The End of the World News, Kingdom of the Wicked, The Long Day Wanes, and
Man of Nazareth, as well as for
several folders of unidentified works. Small amounts of Italian, French,
Spanish, German, and Swedish typescripts are found throughout the
subseries. |
| | Among the motion picture scripts are an unused submission Burgess
wrote for the James Bond film
The Spy Who Loved Me and
correspondence, production information, and typescript drafts of the
Neanderthal "Ulam" language that Burgess helped
develop for the film
Quest for Fire. |
| | Incomplete manuscript fragments for
Oberon, Kingdom of the Wicked and
Homage to QWERT YUIOP are located in
Series III. Contracts and Royalty Statements. |
| | | | Abba Abba |
| box | folder |
| 1 | 1 | | | | "Belli's Blasphemous Bible,"
typescript,
n.d. |
| 2 | | | | Belli translations,
n.d. |
| 3 | | | | Photocopy typescript,
1976 |
| 4 | | | | Photocopy typescript,
n.d. |
| 5 | | | | Typescript fragments,
n.d. |
| | | | A.D. |
| 6 | | | | Notes and descriptions,
n.d. |
| 7 | | | | Narrative typescript,
ca. 1983 |
| 8 | | | | Photocopy narrative holograph script,
n.d. |
| 9 | | | | Photocopy motion picture typescript,
n.d. |
| box | folder |
| 2 | 1 | | | | Photocopy motion picture typescript,
n.d. |
| 2 | | | An American Organ, photocopy book,
n.d. |
| 3 | | | Amundsen, typescript film
treatment,
n.d. |
| | | | Any Old Iron |
| 4 | | | | Typescript draft fragments,
n.d. |
| 5 | | | | Typescript emendations,
n.d. |
| 6 | | | | Page proofs,
n.d. |
| 7-8 | | | | Page proofs with corrections,
n.d. |
| 9-10 | | | | Printer's proofs,
n.d. |
| 11 | | | | Research and publicity materials,
n.d. |
| box | folder |
| 3 | 1 | | | Art to Come, typescript draft,
n.d. |
| | | | Atilla |
| 2 | | | | Motion picture treatment,
n.d. |
| 3 | | | | Motion picture typescript,
n.d. |
| 4 | | | | Photocopy motion picture typescript,
1985 |
| 5 | | | | "Hun," typescript draft,
1985 |
| 6 | | | | "Hun," photocopy typescript draft,
n.d. |
| 7-8 | | | | Research materials,
n.d. |
| | | | Beard's Roman Women |
| box | folder |
| 4 | 1 | | | | Typescript draft fragments,
n.d. |
| 2 | | | | "Rome in the Rain," photocopy
typescript,
n.d. |
| 3 | | | | Page proofs,
n.d. |
| 4 | | | | 35mm color slides,
1976 |
| 5 | | | | Photocopy Italian translation typescript fragments,
n.d. |
| 6 | | | The Black Prince, motion picture
typescript,
n.d. |
| | | | Blooms of Dublin |
| 7 | | | | Typescript drafts,
n.d. |
| 8 | | | | Photocopy typescript draft,
n.d. |
| 9 | | | | Page proofs with corrections,
1986 |
| 10-11 | | | | Photocopy playscripts,
1985, n.d. |
| box | folder |
| 5 | 1 | | | | BBC production, photocopy playscripts,
n.d. |
| 2-3 | | | | Center Stage production, mimeo playscripts,
1986, n.d. |
| 4 | | | | Photocopy Italian translation typescript,
n.d. |
| | | | Byrne |
| 5 | | | | Holograph manuscript,
n.d. |
| 6 | | | | Typescript draft,
n.d. |
| 7 | | | | Draft fragments,
n.d. |
| box | folder |
| 6 | 1-2 | | | | Photocopy typescripts,
n.d. |
| 3 | | | | Proofs,
1997, n.d. |
| | | | Carmen |
| 4 | | | | Typescript draft,
n.d. |
| 5 | | | | Typescript printer's copy,
n.d. |
| 6 | | | | Research materials,
n.d. |
| | | | The Cavalier of the
Rose |
| 7 | | | | Typescript draft,
n.d. |
| 8 | | | | Research materials,
n.d. |
| 9 | | | A Change of Heads, photocopy
typescript,
n.d. |
| | | | Chatsky |
| 10 | | | | Typescript draft,
n.d. |
| box | folder |
| 7 | 1 | | | | Typescript draft fragments,
n.d. |
| 2 | | | | Photocopy typescripts,
1992-93 |
| 3 | | | | Bound playscript,
n.d. |
| 4 | | | | Correspondence,
1991-93, n.d. |
| 5 | | | The Childhood of Christ, photocopy
television typescripts,
1985, n.d. |
| 6 | | | A Clockwork Testament, Italian
translation typescript fragments,
n.d. |
| 7 | | | The Complete Enderby, page proofs,
1993 |
| | | | Cyrano de Bergerac |
| box | folder |
| 8 | 1 | | | | Holograph incomplete playscript,
n.d. |
| 2-3 | | | | Typescript drafts,
1989?, n.d. |
| 4-6 | | | | Photocopy typescript drafts,
n.d. |
| 7 | | | | Notes,
n.d. |
| | | | | Gateway Theatre production |
| box | folder |
| 9 | 1 | | | | | Playscript,
ca. 1992 |
| 2 | | | | | Correspondence,
1992-93 |
| 3 | | | | | Publicity materials,
1992 |
| | | | | Globe Playhouse production |
| 4 | | | | | Playscript,
n.d. |
| 5 | | | | | Publicity materials,
1974-76 |
| 6 | | | | Royal Shakespeare company production, playscript with
corrections,
1983 |
| | | | Cyrus the Great |
| | | | | Mimeo motion picture typescripts |
| 7 | | | | | First draft,
ca. 1976 |
| 8 | | | | | Second draft,
1977 |
| 9 | | | | Research materials,
1976, n.d. |
| box | folder |
| 10 | 1 | | | Dawn Chorus, motion picture
typescript drafts,
n.d. |
| | | | A Dead Man in Deptford |
| 2 | | | | Typescript,
n.d. |
| 3 | | | | Photocopy typescript,
n.d. |
| 4 | | | | Draft fragments,
1994, n.d. |
| | | | | Italian translation |
| 5-6 | | | | | Photocopy typescripts and printouts with
corrections,
1994, n.d. |
| 7 | | | | | Corrected proofs,
n.d. |
| box | folder |
| 11 | 1 | | | Devil of a State, motion picture
outline,
1976, nd |
| | | | The Devil's Mode |
| 2-3 | | | | Composite draft,
n.d. |
| 4 | | | | Mimeo typescript fragment,
n.d. |
| 5 | | | | Publicity materials,
n.d. |
| | | | The Dirty Tricks of
Bertoldo |
| | | | | Italian motion picture |
| 6 | | | | | Script,
n.d. |
| 7 | | | | | English subtitle list,
n.d. |
| 8 | | | | English translation typescript drafts,
1984 |
| | | | The Doctor Is Sick |
| 9-10 | | | | Motion picture typescript and photocopy,
n.d |
| 11 | | | Don't Let Them Get Away With It,
photocopy typescript draft,
n.d. |
| | | | Earthly Powers |
| box | folder |
| 12 | 1 | | | | "The Prince of the Powers of the
Air," outline,
n.d. |
| 2 | | | | "Eagles in My Life," early
typescript draft,
n.d. |
| 3 | | | | Incomplete photocopy typescript,
n.d. |
| 4 | | | | Bound photocopy typescript,
n.d. |
| 5-8 | | | | Page proofs,
1980 |
| 9 | | | | Galley proofs,
n.d. |
| box | folder |
| 13 | 1 | | | | Publicity materials,
1982-83, n.d. |
| 2-3 | | | | Bound television scripts,
1987 |
| | | | | Italian translation |
| 4-5 | | | | | Typescript,
n.d. |
| 6 | | | | | Paulini's typescript,
n.d. |
| box | folder |
| 14 | 1-4 | | | | | Paulini's typescript,
n.d. |
| 5-6 | | | | | Photocopy typescript,
n.d. |
| box | folder |
| 15 | 1-2 | | | | | Photocopy typescript,
n.d. |
| | | | The End of the World
News |
| 3 | | | | Research materials and notes,
n.d. |
| 4-5 | | | | Typescript draft,
n.d. |
| 6 | | | | Photocopy incomplete typescript,
n.d. |
| 7 | | | | French translation page proofs,
1978 |
| | | | | Italian translation |
| box | folder |
| 16 | 1 | | | | | Research materials and notes,
1985, n.d. |
| 2-4 | | | | | Page proofs,
n.d. |
| 5-6 | | | | | Corrected page proofs,
n.d. |
| box | folder |
| 17 | 1-3 | | | | | Photocopy Francesca's typescript with corrections,
n.d. |
| 4-6 | | | | | Liana's typescript,
1985 |
| box | folder |
| 18 | 1-2 | | | | | Liana's typescript draft fragments,
n.d. |
| 3-5 | | | | | Photocopy Liana's typescript with corrections,
n.d. |
| 6 | | | The End of Things, typescript
drafts,
1991, n.d. |
| box | folder |
| 19 | 1 | | | Enderby, "A Blast from the Smallest Room,"
mimeo motion picture script,
n.d. |
| 2 | | | Enderby Outside, typescript,
n.d. |
| | | | Enderby's Dark Lady |
| 3 | | | | Typescript,
n.d. |
| 4 | | | | Page proofs,
n.d. |
| | | | English Literature |
| 5 | | | | Outline,
n.d. |
| 6 | | | | Page proofs,
n.d. |
| 7 | | | | Photocopy book fragments,
n.d. |
| 8 | | | | Spanish translation photocopy typescript,
n.d. |
| box | folder |
| 20 | 1 | | | | Spanish translation photocopy typescript,
n.d. |
| | | | Ernest Hemingway and His
World |
| 2 | | | | Typescript draft,
n.d. |
| 3 | | | | Photocopy typescript,
n.d. |
| 4 | | | | Page proofs,
n.d. |
| 5 | | | | Printer's proofs,
n.d. |
| 6 | | | | Index,
1978 |
| 7 | | | "An Essay on Censorship," research
materials and drafts,
1989, n.d. |
| 8 | | | Eternal Life, motion picture
drafts,
1991, n.d. |
| | | | The Eve of St. Venus |
| 9-10 | | | | Playscripts |
| | | | | Italian translation |
| 11 | | | | | Typescript,
n.d. |
| box | folder |
| 21 | 1 | | | | | Typescript,
n.d. |
| 2 | | | | | Photocopy playscripts,
n.d. |
| | | | Flame into Being |
| 3-4 | | | | Typescript draft,
n.d. |
| 5-6 | | | | Photocopy typescripts,
n.d. |
| 7 | | | | Page proofs,
1985 |
| 8 | | | "Forty-Six," typescript draft,
n.d. |
| 9 | | | Freud, mimeo typescript,
n.d. |
| box | folder |
| 22 | 1 | | | Grace Under Pressure, television
script drafts, research materials, and correspondence,
1978, n.d. |
| 2 | | | Here Comes Everybody, photocopy
typescript draft fragment,
n.d. |
| | | | "Homage to QWERT YUIOP" |
| 3 | | | | Observer file,
n.d. |
| 4-6 | | | | Composite draft,
n.d. |
| box | folder |
| 23 | 1-3 | | | | Composite drafts,
n.d. |
| 4-5 | | | | Uncut signatures,
n.d. |
| box | folder |
| 24 | 1-5 | | | | Photocopy page proofs,
n.d. |
| 6 | | | International Literature Anthology,
photocopy book,
n.d. |
| box | folder |
| 25 | 1 | | | Joysprick, typescript draft,
n.d. |
| | | | The Kingdom of the
Wicked |
| 2-3 | | | | Typescript draft,
n.d. |
| 3-4 | | | | Photocopy typescript,
n.d. |
| box | folder |
| 26 | 1 | | | | Photocopy typescript,
n.d. |
| 2 | | | | Photocopy page proofs,
1984 |
| | | | | Italian translation |
| 3 | | | | | Incomplete typescript,
n.d. |
| 4 | | | | | Draft fragments,
1984, n.d. |
| 5 | | | | Motion picture typescript,
n.d. |
| 6 | | | The Land Where the Ice Cream Grows,
composite manuscripts,
1982, n.d. |
| | | | The Life of Hopkins |
| 7-8 | | | | Italian translation page proofs,
1992 |
| box | folder |
| 27 | 1 | | | | Italian translation page proofs,
1992 |
| 2 | | | | Audio cassette tapes,
1992 |
| | | | Little Wilson and Big
God |
| 3 | | | | Photocopy typescript,
n.d. |
| 4-5 | | | | Photocopy second hand-corrected typescript,
n.d. |
| | | | The Long Day Wanes |
| | | | | Italian translation |
| box | folder |
| 28 | 1-2 | | | | | Composite draft book one,
n.d. |
| 3-4 | | | | | Composite draft book two,
n.d. |
| 5-6 | | | | | Composite draft book three,
n.d. |
| box | folder |
| 29 | 1-3 | | | | Page proofs,
n.d. |
| 4 | | | | Typescript television film treatment,
n.d. |
| | | | A Long Trip to Teatime |
| 5-6 | | | | Photocopy typescript drafts,
n.d. |
| 7-8 | | | | Photocopy book,
n.d. |
| 9 | | | Making It New: A Centennial Tribute to
Joyce and Stravinsky, typescript outline,
n.d. |
| | | | Man of Marble / Man of
Iron |
| box | folder |
| 30 | 1 | | | | Correspondence,
1981-82, n.d. |
| | | | | Research materials |
| | | | | | English translation |
| 2 | | | | | | Motion picture typescript,
n.d. |
| 3 | | | | | | Man of Marble, photocopy
typescript,
1982 |
| 4 | | | | | | Man of Iron, photocopy
typescript,
1982 |
| | | | | | Polish typescript |
| 5 | | | | | | Man of Marble, n.d. |
| 6 | | | | | | Man of Iron, n.d. |
| | | | Man of Nazareth |
| | | | | "Christ the Tiger" |
| 7 | | | | | Photocopy Italian translation typescript,
n.d. |
| 8 | | | | | Page proofs,
1978 |
| | | | | "Jesus Christ and the Love
Game" |
| box | folder |
| 31 | 1-2 | | | | | Typescript draft,
1977 |
| 3-4 | | | | | Photocopy typescripts,
n.d. |
| box | folder |
| 32 | 1-2 | | | | | Photocopy typescripts,
n.d. |
| 3-5 | | | | | Italian translation composite draft,
n.d. |
| | | | | "Jesus of Nazareth" |
| box | folder |
| 33 | 1 | | | | | Television typescript draft,
1974 |
| 2-3 | | | | | Composite drafts,
n.d. |
| 4 | | | | | Final composite draft,
n.d. |
| 5 | | | | | Second episode mimeo typescript,
n.d. |
| 6 | | | | | Photocopy Italian translation composite drafts,
n.d. |
| | | | Marco Polo |
| box | folder |
| 34 | 1 | | | | Television typescript fragments,
1978, n.d. |
| 2-3 | | | | Photocopy television typescripts,
n.d. |
| | | | Meeting in Valladolid |
| 4-6 | | | | Radio playscripts,
1991 |
| box | folder |
| 35 | 1 | | | | Radio broadcast cassettes,
1991-92 |
| 2 | | | | Correspondence,
1988-92 |
| 3-4 | | | | Publicity materials,
1992 |
| 5 | | | Merlin, composite draft fragments,
n.d. |
| 6 | | | MF, Italian translation page proof
fragments,
n.d. |
| | | | A Mouthful of Air |
| 7-8 | | | | Typescript draft,
n.d. |
| box | folder |
| 36 | 1 | | | | Composite draft fragments,
1992, n.d. |
| 2-3 | | | | Photocopy typescript,
n.d. |
| 4 | | | | Photocopy corrected typescript,
n.d. |
| box | folder |
| 37 | 1-2 | | | | Photocopy corrected typescript,
n.d. |
| 3 | | | | Photocopy galley proofs,
n.d. |
| 4 | | | | Correspondence,
1990-93, n.d. |
| | | | Mozart and the Wolf
Gang |
| 5 | | | | Typescript drafts,
n.d. |
| 6 | | | | Printer's copy,
1991 |
| 7 | | | | Photocopy galley proofs,
n.d. |
| box | folder |
| 38 | 1 | | | | Photocopy galley proofs,
n.d. |
| 2 | | | | Photocopy galley proofs with corrections,
1991 |
| 3 | | | | Lecture notes,
1991 |
| 4 | | | | Correspondence,
1991-93 |
| 5 | | | | Dust jacket,
n.d. |
| 6 | | | Murder and Music, radio draft
scripts,
1991, n.d. |
| 7 | | | Murder to Music, television draft
scripts,
n.d. |
| 8 | | | "The Muse," photocopy published
short story,
1983 |
| | | | Napoleon Symphony |
| 9 | | | | "Napoleon Rising," photocopy
playscript,
n.d. |
| 10-11 | | | | Photocopy Italian translation typescript,
1981, n.d. |
| | | | New York |
| box | folder |
| 39 | 1 | | | | "The Eyes of New York," mimeo
typescript,
n.d. |
| 2 | | | | Photocopy page proofs,
n.d. |
| 3 | | | | Photocopy printer's proofs,
1976 |
| 4 | | | Nighttime in Sicily, photocopy
English translation typescript,
n.d. |
| 5 | | | 1984: A Personal View, typescript
drafts and publicity material,
1984, n.d. |
| | | | 1985 |
| 6 | | | | Typescript draft,
n.d. |
| 7 | | | | Photocopy typescript draft,
n.d. |
| box | folder |
| 40 | 1 | | | | Draft fragments,
n.d. |
| 2 | | | | Printer's copy,
n.d. |
| 3 | | | | Galley proofs,
n.d. |
| 4 | | | | Italian translation page proofs,
1979 |
| 5 | | | | Television typescript draft,
n.d. |
| 6 | | | | Photocopy television typescript,
n.d. |
| 7 | | | | Television production correspondence,
1979, n.d. |
| | | | Oberon Old and New |
| 8 | | | | Draft fragments,
n.d. |
| box | folder |
| 41 | 1 | | | | Page proof,
n.d. |
| 2 | | | | Printer's copy,
n.d. |
| 3 | | | | Italian translation photocopy draft fragment,
n.d. |
| | | | On Going to Bed |
| 4 | | | | Typescript drafts,
n.d. |
| 5 | | | | Photocopy typescript drafts,
n.d. |
| 6 | | | | Photocopy galley proofs,
n.d. |
| 7 | | | | Photocopy French translation typescripts and page
proofs,
n.d. |
| 8 | | | | Photocopy German translation typescript,
n.d. |
| 9 | | | | Photocopy Italian translation typescripts and page
proofs,
n.d. |
| box | folder |
| 42 | 1 | | | | Photocopy Swedish translation typescript,
n.d. |
| 2-3 | | | Onassis, Incomplete television
script drafts,
n.d. |
| 4 | | | One Hand Clapping, photocopy book,
n.d. |
| | | | The Pianoplayers |
| 5-6 | | | | Typescript drafts,
1982 |
| 7 | | | | Photocopy typescripts,
n.d. |
| box | folder |
| 43 | 1 | | | | Photocopy typescript,
n.d. |
| 2 | | | | Page proofs,
1986 |
| | | | Puma |
| 3 | | | | Typescript,
1976 |
| 4 | | | | Photocopy typescript,
1976 |
| 5 | | | | Incomplete motion picture typescript draft,
n.d. |
| 6 | | | | Mimeo motion picture script,
1976 |
| 7 | | | | Correspondence,
1977-1979 |
| | | | Quest for Fire |
| box | folder |
| 44 | 1 | | | | Motion picture typescript,
n.d. |
| 2 | | | | Vocabulary,
1980, n.d. |
| 3 | | | | Production information,
1981, n.d. |
| 4 | | | | Correspondence,
1980-1986, n.d. |
| 5 | | | Samson & Delila, motion
picture typescript drafts and correspondence,
1992, n.d. |
| 6 | | | Schreber, photocopy motion picture
typescript,
n.d. |
| 7 | | | 1789, opera libretto typescript,
n.d. |
| | | | The Sexual Habits of the English Middle
Class |
| 8 | | | | Mimeo motion picture treatment,
n.d. |
| 9 | | | | Motion picture typescript draft,
n.d. |
| 10 | | | | Mimeo motion picture typescript,
n.d. |
| | | | Shah |
| 11 | | | | Television treatment and typescript drafts,
n.d. |
| 12 | | | | Research materials,
1973-80, n.d. |
| box | folder |
| 45 | 1 | | | Short Stories,
n.d.: "The Great Christmas Train Mystery,""Double Savior,""Packing My Typewriter,""The Hermit Seal,""Chance Would Be a Fine
Thing" |
| | | | Shakespeare and the Modern
Writer |
| 2 | | | | Photocopy corrected typescript draft,
1985 |
| 3 | | | | Correspondence,
1983-85 |
| 4 | | | The Spy Who Loved Me, typescript
draft,
n.d. |
| 5 | | | Stilwell, photocopy typescript
drafts,
n.d. |
| 6 | | | That Man Freud, mimeo television
typescript,
1977 |
| | | | They Wrote in English |
| 7 | | | | Typescript outline and introduction,
n.d. |
| 8 | | | | Typescript drafts,
n.d. |
| box | folder |
| 46 | 1 | | | | Typescript drafts,
n.d. |
| 2-3 | | | | Composite drafts,
n.d |
| 4-5 | | | | Photocopy typescript,
n.d. |
| box | folder |
| 47 | 1 | | | | Photocopy typescript,
n.d. |
| 2 | | | | Photocopy list of titles quoted,
n.d. |
| 3 | | | | Photocopy book,
n.d. |
| 4-5 | | | | Research materials,
n.d. |
| 6 | | | | Dust jacket,
n.d. |
| box | folder |
| 48 | 1 | | | This Man and Music, "Blest Pair of Sirens," mimeo
typescript draft,
n.d. |
| 2 | | | Time for a Tiger, dust jacket
artwork and correspondence,
1956 [R14404] |
| | | | Transvaal Episode |
| | | | | Motion picture typescript |
| 3 | | | | | Outline,
n.d. |
| 4 | | | | | Mimeo first draft,
n.d. |
| 5 | | | | | Second draft,
1984 |
| 6 | | | | | Fourth draft,
1984 |
| 7 | | | | | Mimeo final draft,
n.d. |
| 8 | | | Tremor of Intent, Italian
translation miscellaneous pages,
n.d. |
| 9 | | | Ulysses, Italian translation
typescript fragments,
n.d. |
| | | | Uncle Ludwig |
| 10 | | | | Motion picture typescript draft,
n.d. |
| 11 | | | | Mimeo motion picture typescript, second draft,
1979 |
| 12 | | | | Mimeo motion picture typescript,
1979 |
| 13 | | | | Correspondence,
1979-1982, n.d. |
| box | folder |
| 49 | 1 | | | Urgent Copy, photocopy book,
n.d. |
| | | | The Wanting Seed |
| 2 | | | | Photocopy typescript,
n.d. |
| 3 | | | | Italian translation fragments,
n.d. |
| 4-5 | | | Will, motion picture typescript,
1984 |
| 6 | | | Will and Testament, photocopy page
proofs and corrected pull,
1981, n.d. |
| | | | You've Had Your Time |
| 7-8 | | | | Typescript draft,
n.d. |
| 9 | | | | Typescript draft fragments,
n.d. |
| box | folder |
| 50 | 1 | | | | Photocopy typescript fragments,
n.d. |
| 2 | | | | Page proofs,
1991 |
| 3 | | | | Photocopy book,
n.d. |
| | | | Unidentified |
| 4 | | | | Miscellaneous pages,
n.d. |
| | | | | Outlines |
| 5 | | | | | Holograph,
n.d |
| 6 | | | | | Typescript,
1977-1984, n.d. |
| box | folder |
| 51 | 1-5 | | | | Italian translation fragments,
n.d. |
| box | folder |
| 52 | 1-4 | | | | Italian translation fragments,
n.d. |
| box | folder |
| 53 | 1-2 | | | | Italian translation fragments,
n.d. |
| | | Subseries B. Articles and Reviews,
1966-93, n.d. (14 boxes) |
| | Voluminous files of articles and reviews in Subseries B. give
evidence to Burgess's prolific writing during the later part of his life.
Burgess stated that as a novelist he had to produce book reviews and newspaper
and magazine articles to supplement his meager income.
The London Observer, The Independent, The New York Times, The Times Literary Supplement, The Irish Press, and
Svenska Dagbladet all solicited
Burgess heavily from the late 1970s to the early 1990s. Some articles appear in
more than one publication, and many were reproduced in French, German, Italian,
and other non-English publications. The majority of manuscripts in this series
are fair copy typescripts. Many are present in multiple formats and include
clippings of the printed works and photocopies. The small amount of
correspondence present is primarily incoming letters from publishers. |
| | These journalistic writings are arranged in three groups
reflecting Burgess's filing systems. First there is a group filed in
alphabetical order by the publication title, with major publications followed
by another alphabetical grouping of smaller publications. These date roughly
from the late 1970s to the mid 1980s. This is followed by materials stored in
binders and labeled I-IV and VII-XI. These are in rough chronological order and
date mostly from the early to late 1980s. Finally, there are several boxes of
articles that are indexed. These date from the mid 1980s to the early 1990s.
There is much overlap and duplication between these three arrangements and
further duplication found in the files for Burgess's published compilation of
articles,
Homage to QWERT YUIOP, located in
Subseries A., and in the "Magazines" section of the
Subject Files. |
| box | folder |
| 53 | 3-4 | | | The Atlantic Monthly, 1984-86 |
| 5 | | | Book of the Month Club, 1981 |
| 6-7 | | | Il Giornale, 1976-80 |
| box | folder |
| 54 | 1 | | | Inquiry, 1978-83 |
| 2-3 | | | The Irish Press, 1976-84, n.d. |
| 4-6 | | | The New York Times, 1966, 1975-85, n.d. |
| | | | The Observer |
| box | folder |
| 55 | 1 | | | | Articles,
1977-83 |
| 2 | | | | Correspondence,
1979-83 |
| | | | Saturday Review |
| 3 | | | | Articles,
1977-82 |
| 4 | | | | Correspondence,
1977-85 |
| 5 | | | The Spectator, 1976-82 |
| box | folder |
| 56 | 1-2 | | | A-C,
1976-87 |
| 3-5 | | | D-E,
1976-87 |
| box | folder |
| 57 | 1-2 | | | F-H,
1976-87 |
| 3-4 | | | I-L,
1979-87 |
| 5 | | | M-N,
1978-85 |
| box | folder |
| 58 | 1-2 | | | O-S,
1977-87 |
| 3-5 | | | T-Z,
1979-87 |
| box | folder |
| 59 | 1-3 | | | Volume I,
1986-88, n.d. |
| 4-6 | | | Volume II,
1986-88, n.d. |
| box | folder |
| 60 | 1 | | | Volume III,
1988-1989, n.d. |
| 2 | | | Volume IV,
1989-1990, n.d. |
| 3 | | | Volume VII,
1982-87, n.d |
| 4 | | | Volume VIII,
1978-91, n.d. |
| box | folder |
| 61 | 1 | | | Volume VIII,
1978-91, n.d. |
| 2-3 | | | Volume IX:
The Observer, 1983-87 |
| 4-5 | | | Volume X:
The Observer, 1977-81 |
| box | folder |
| 62 | 1-2 | | | Volume XI:
Times Literary Supplement, 1976-88 |
| | | | Indexed |
| 3-4 | | | | 1986-90 |
| 5 | | | | 1988-90 |
| box | folder |
| 63 | 1-3 | | | | 1988-90 |
| 4 | | | | 1990-91 |
| 5 | | | | 1991-92 |
| box | folder |
| 64 | 1-2 | | | | 1991-92 |
| 3 | | | | 1992 |
| 4 | | | | 1991-93 |
| 5 | | | | 1993 |
| box | folder |
| 65 | 1-2 | | | | 1993 |
| 3 | | | | Italian,
1981-1993 |
| 4 | | | | Spanish,
1982-1985 |
| 5 | | | | General,
1977-1993, n.d. |
| box | folder |
| 66 | 1-2 | | | | General,
1977-1993, n.d. |
| | | Subseries C. Introductions,
1978-93, n.d. (1 box) |
| | This is the smallest of the subseries contained in the Works
series and consists largely of typed drafts and photocopies of printed
introductions that Burgess wrote for works by other authors. Also included are
introductions for television and radio programs, and comments made at
conferences and other engagements. |
| | The first five introductions are arranged alphabetically by title
and include correspondence to and from authors or publishers of the works. The
remaining introductions are in rough chronological order and are listed in an
index located in the front of Box 66, Folder 8. |
| box | folder |
| 66 | 3 | | | Dubliners, 1984-86, n.d. |
| 4 | | | The Great Gatsby, 1991, n.d. |
| 5 | | | International Literature Anthology,
1991, n.d. |
| 6 | | | Joyce Images, 1993, n.d. |
| 7 | | | Titus Groom, n.d. |
| 8-9 | | | Indexed,
1978-93 |
| box | folder |
| 67 | 1-2 | | | Indexed,
1978-93 |
| | | Subseries D. Music,
1970-93 (13 oversize boxes) |
| | Music manuscripts in the Burgess papers are housed separately and
are described in Appendix A., pending further organization and description. |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series II. Correspondence,
1968-1995, n.d. (15 boxes)
|
| Series II. contains Burgess's personal and professional
correspondence from 1968 to 1995 with the bulk dating from the 1970s through
the 1980s. The original filing schemes have been maintained as have the
original file headings. Arrangement is either chronological or alphabetical.
There is much overlap in Burgess's organization within this series.
Correspondence from individuals or on specific topics can often be found in
more than one location. This is likely due to the period of time that the
correspondence covers. Between the late 1960s and the early 1990s, Burgess
moved from England to Malta to Italy and then Monaco, with extended stays in
the United States. The manner in which he maintained and used his
correspondence changed over the years and between locations. His wife Liana
also handled a great deal of his correspondence for him, and did not always
maintain the letters in the same arrangement as her husband. |
| The majority of the correspondence is incoming with a large amounts
of third party correspondence, especially between Liana and Burgess's literary
agents, Gabriele Pantucci and Deborah Rogers. Outgoing letters are usually
filed with related incoming correspondence. Requests for autographs and
commentary on his works make up the bulk of the Fans and Colleagues file. Files
titled "Friends and Writers" and
"Publishers" contain the most overlap, and along
with the "Deborah Rogers" file contain the most
correspondence directly related to Burgess's creative activities. |
| Correspondence with other authors, such as Erica Jong and Graham
Greene, frequently provides insight into their own works as well as Burgess's.
Authors often wrote Burgess in response to his published reviews of their works
or to comment on his latest novel. |
| Material found under the headings Volume I - Volume VI is likely
retired correspondence separated from active files. At the front of each of
these volumes is a typed index prepared by Liana Burgess. |
| Additional correspondence can be found throughout the Burgess
papers, particularly in the Contracts and Royalty Statements series. Incoming
correspondence is included in the index located at the end of this finding aid.
Outgoing, third party, and general fan mail is not included in the index. |
| | | Fans and colleagues |
| box | folder |
| 67 | 3 | | | 1976-80 |
| 4 | | | 1981 |
| 5 | | | 1982 |
| box | folder |
| 68 | 1-2 | | | 1982 |
| 3-5 | | | 1983 |
| box | folder |
| 69 | 1-3 | | | 1984 |
| 4-5 | | | 1985 |
| box | folder |
| 70 | 1 | | | 1986-87 |
| 2 | | | 1987 - Autobiography |
| 3 | | | 1988-91 |
| 4 | | | 1992-93 |
| 5 | | | n.d. |
| | | Friends and writers |
| box | folder |
| 71 | 1 | | | A-C,
1976-95 |
| 2 | | | D-N,
1973-92 |
| 3 | | | O-Z,
1976-93, n.d. |
| 4 | | | 70th birthday,
1987 |
| 5 | | | Unidentified,
1977-88, n.d. |
| 6 | | Invitations and greeting cards,
1973-1995, n.d. |
| box | folder |
| 72 | 1-2 | | Invitations and greeting cards,
1973-1995, n.d. |
| | | Lectures and festivals |
| 3 | | | 1976-79 |
| 4 | | | 1979-81 |
| box | folder |
| 73 | 1 | | | 1981-82 |
| 2 | | | 1982-83 |
| 3 | | | 1983 |
| 4 | | | 1984 |
| box | folder |
| 74 | 1-2 | | | 1985-86 |
| 3 | | | 1986-88 |
| 4 | | | 1990-91 |
| 5 | | | 1991-92 |
| box | folder |
| 75 | 1 | | | 1992 |
| 2 | | | n.d. |
| 3 | | Outgoing,
1976-92, n.d. |
| | | Publishers and producers |
| 4 | | | A,
1976-87 |
| 5 | | | B,
1977-88 |
| box | folder |
| 76 | 1 | | | C,
1977-88 |
| 2 | | | D,
1977-89 |
| 3 | | | E,
1978-88 |
| 4 | | | F,
1976-87 |
| 5 | | | G-H,
1973-90 |
| 6 | | | I-K,
1976-89 |
| box | folder |
| 77 | 1 | | | L,
1977-94 |
| 2 | | | M,
1976-88 |
| 3 | | | N-O,
1976-93 |
| 4 | | | P-Q,
1976-95 |
| 5 | | | R,
1976-88 |
| box | folder |
| 78 | 1 | | | S,
1976-93 |
| 2 | | | T-V,
1976-91 |
| 3 | | | W-Z,
1976-90 |
| 4 | | | South America,
1976-78 |
| | | Rogers, Deborah |
| 5 | | | 1968-73 |
| box | folder |
| 79 | 1 | | | 1974-76 |
| | | | Royalty statements |
| 2 | | | | 1968-69 |
| 3 | | | | 1970 |
| 4 | | | | 1971 |
| 5 | | | | 1972 |
| 6 | | | | 1973 |
| box | folder |
| 80 | 1 | | | | 1974 |
| 2 | | | | 1975-76 |
| | | Universities |
| 3 | | | A-B,
1969-88 |
| 4 | | | Ca-Ci,
1968-87 |
| 5 | | | Co,
1968-85 |
| box | folder |
| 81 | 1 | | | D-F,
1968-88 |
| 2 | | | G-L,
1969-87 |
| 3 | | | M-N,
1968-76 |
| 4 | | | O-P,
1968-85 |
| box | folder |
| 82 | 1 | | | Q-S,
1968-85 |
| 2 | | | T-U,
1969-82 |
| 3 | | | V-Z,
1968-85 |
| 4 | | Volume I,
1972-77, n.d. |
| 5 | | Volume II,
1975-80, n.d. |
| box | folder |
| 83 | 1 | | Volume II,
1975-80, n.d. |
| 2 | | Volume III,
1976-78, n.d |
| 3 | | Volume IV,
1978, n.d. |
| 4 | | Volume V,
1976-79, n.d. |
| 5-6 | | Volume VI,
1988-89, n.d. |
| box | folder |
| 84 | 1 | | Unidentified,
1976-89, n.d. |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series III. Contracts and Royalty Statements,
1956-1997, n.d. (11 boxes)
|
| Series III. consists of legal and business documents relating to the
publication and translation of Burgess's works throughout the world. Materials
are arranged alphabetically by title of work or by general headings, such as
"Children's Books." The bulk of the materials are
photocopies of contracts and financial statements from publishers. There is
also a 1964 contract between Burgess and his first wife Llewela. |
| There is some overlap with material found in other series. Contracts
for
Carmen, The Childhood of Christ, Dawn Chorus, The Dirty Tricks of Bartoldo, and
Flame Into Being are found in Series IV.
Subject Files. The "Publishers and Producers" and
"Deborah Rogers" files in the Correspondence series
also contain similar materials. |
| box | folder |
| 84 | 2 | | A.D., 1983 |
| 3 | | Abba Abba, 1976-95 |
| 4-5 | | Account ledgers,
1981-83 |
| 6 | | Attila, 1982-85, n.d. |
| 7 | | Beard's Roman Women, 1975-87 |
| box | folder |
| 85 | 1 | | Beard's Roman Women, 1975-87 |
| | | Children's Books |
| 2 | | | The Land Where the Ice Cream Grows,
1978-88 |
| 3 | | | A Long Trip to Teatime, 1975-86 |
| 4 | | A Clockwork Orange, 1966-95 |
| 5 | | Cyrano de Bergerac, 1971-95 |
| 6 | | Devil of a State &
Right to an Answer, 1958-87 |
| 7 | | The Doctor is Sick, 1960-97 |
| box | folder |
| 86 | 1-4 | | Earthly Powers, 1980-94 |
| 5 | | The End of the World News, 1982-87 |
| box | folder |
| 87 | 1 | | The End of the World News, 1982-87 |
| 2-4 | | Enderby, 1962-97 |
| 5 | | English literature,
1977-85 |
| box | folder |
| 88 | 1 | | Ernest Hemingway and His World, 1977-88, n.d. |
| 2 | | The Eve of St. Venus, 1963-88 |
| 3 | | General correspondence,
1976-95, n.d. |
| 4 | | The Grand Tour, 1985 |
| 5 | | Homage to QWERT YUIOP, 1984-87 |
| 6 | | Honey for the Bears, 1963-85 |
| | | Joyce |
| 7 | | | Blooms of Dublin, 1980-87 |
| box | folder |
| 89 | 1 | | | Here Comes Everybody, 1981-88 |
| 2 | | | Joysprick - The Language of Joyce,
1967-85 |
| 3 | | | A Shorter Finnegans Wake, 1975-88 |
| 4 | | | Ulysses - James Joyce, The Corrected Text,
1986 |
| 5-6 | | Kingdom of the Wicked, 1984-87 |
| 7 | | Language Made Plain, 1969-88 |
| box | folder |
| 90 | 1 | | Little Wilson and Big God, 1985-95 |
| 2-3 | | The Long Day Wanes, 1956-95 |
| 4 | | Make It New, ca. 1982 |
| 5 | | Malayan Trilogy Film,
1983-1987 |
| 6 | | Man of Nazareth, 1977-95 |
| box | folder |
| 91 | 1 | | Man of Nazareth, 1977-95 |
| 2 | | Maugham's Malaysian Stories, 1979-86 |
| 3 | | MF, 1968-87 |
| 4 | | Moses, 1976-81 |
| 5 | | The Muse, 1970-88 |
| 6 | | Napolean Symphony, 1968-87 |
| 7 | | Neologism, 1970 |
| 8 | | 1985,
1977-95 |
| box | folder |
| 92 | 1 | | 1984,
1983-1986 |
| 2 | | 99 Novels, 1983-85 |
| 3 | | Nothing Like the Sun, 1971-90 |
| 4 | | The Novel Now, 1965-85 |
| 5 | | Oberon, 1986-88 |
| 6 | | Oedipus the King, 1980-87 |
| 7 | | On Going to Bed, 1981-87 |
| 8 | | Onassis, 1977-78 |
| 9 | | One Hand Clapping, 1970-92, n.d. |
| box | folder |
| 93 | 1 | | Partnership Agreement, 1964 |
| 2 | | The Piano Players, 1983-95 |
| 3 | | Publisher contract lists,
1972, n.d. |
| 4 | | Der Rosenkavalier, 1981-87 |
| 5 | | Shah, 1980 |
| 6 | | Stilwell Company,
1980 |
| 7 | | That Man Freud, 1978-86, n.d. |
|
|