Descriptive Summary
Bowles, Paul, 1910-
Paul Bowles Collection
1897-1995
TXRC99-A15
11 boxes (4.58 linear
feet), 5 oversize boxes, 4 galley folders
Handwritten and typescript manuscripts
of short stories, essays, and novels, correspondence, and musical compositions
make up the bulk of the collection.
Harry Ransom Humanities Research Center,
University of Texas at Austin
English
Biographical Sketch
Paul Frederic Bowles, born December 30, 1910, in New York City, was
the only child of Claude Dietz and Rena Winnewisser Bowles. Bowles began
writing short stories and composing music as a child, and he was only a
teenager when his surrealist poetry was published in the magazine
Transition. Bowles
briefly attended the University of Virginia but dropped out in 1929 and moved
to Paris where he met and became friends with Gertrude Stein. This began over
forty years of nearly constant traveling for Bowles, who once said of himself
that he was addicted to movement. He returned to the University of Virginia in
the spring of 1930, but left again after one semester to study music, first
under Aaron Copland in Berlin (1930-32) and then with Virgil Thomson in Paris
(1933-34). During these years he also made his first visit, at Stein's
suggestion, to Tangier, Morocco. In 1937, Bowles met author and playwright Jane
Auer; they were married the following year. The Bowleses eventually settled in
Tangier, although both traveled often throughout North Africa, Europe, Latin
America, and the United States. At one point Paul even owned Taprobane, an
island off the coast of Sri Lanka.
Paul Bowles became a celebrated composer during the 1940s, providing
the musical scores for such noted plays as
My Heart's in the Highlands
(1940),
South Pacific (1943),
and
The Glass Menagerie
(1945). He also composed a number of scores for ballets, including
Yankee Clipper. At the
same time, Bowles wrote travel books on America, Mexico, France, India, and
North Africa. From 1942-45, he worked as a music critic for the
New York Herald-Tribune.
He made translations from French and Spanish for
View, and his
translation of Jean-Paul Sartre's
Huis Clos was published
as
No Exit in 1946. After
reading his wife's
Two Serious Ladies
(1943), Bowles was inspired to write fiction. He contributed short stories to
Harper's Bazaar,
View,
Mademoiselle, and
Partisan Review.
Bowles's first novel,
The Sheltering Sky
(1949), was a best-seller, and it remains his most critically acclaimed
work. Over the next decade, Bowles wrote three more novels and developed a
reputation as an existential novelist.
In 1956, he began translating Moroccan literature. In the 1960s and
1970s, Bowles primarily translated Moghrebi novels, short stories, and folk
tales in collaboration with Mohammed Mrabet. He also returned to writing
poetry. In 1970, he founded the literary magazine
Antaeus with Daniel
Halpern.
Jane Bowles's mental and physical health deteriorated after she
suffered a stroke in 1957, and she spent the final years of her life in a
hospital in Spain before dying in 1973. During those years, Paul Bowles ceased
to write fiction. In the years since his wife's death, Paul Bowles has remained
in Morocco; he received two NEH fellowships and began writing fiction and
composing again. Bowles died in Tangier on November 19, 1999. More information
about Paul Bowles may be found in his autobiography
Without Stopping
(Putnam, 1972).
Scope and Contents
Holograph and typescript manuscripts of short stories, essays, and
novels, correspondence, and musical compositions make up the bulk of the Paul
Bowles Collection, 1897-1995. The collection is organized into four series:
Series I. Works, 1923-1976 (6 document cases and 5 oversize boxes); Series II.
Correspondence, 1897-1995 (3 boxes); Series III. Personal Papers, 1942-1958 (1
box); and Series IV. Works by other Authors, 1935-1991 (1 box). This collection
was previously accessible through a card catalog, but has been re-cataloged as
part of a retrospective conversion project.
The Works Series is divided into literary and musical works. Among the
literary works are a number of notebooks with drafts of numerous short stories
and essays in them, as well as three typescripts of
The Sheltering Sky, and
several fables and stories translated by Bowles, including
A Hundred Camels in the
Courtyard,
M'hashish, and
The Hyena. Musical
materials include several sonatas for various instruments, Congo, the Picnic
Cantata, and music written to accompany works by Jane Bowles and Tennessee
Williams. Both the translation of Federico Lorca's
Yerma which Bowles
adapted as the libretto for an opera, and the musical score for this opera are
also present. All works are listed by title in the Index of Literary Works and
Index of Musical Works at the end of this finding aid.
The Correspondence Series, made up of mostly personal communications,
is organized into three subseries: Subseries A. Outgoing Correspondence,
1931-1995; Subseries B. Incoming Correspondence, 1928-1969; and Subseries C.
Third-party Correspondence, 1897-1967. Outgoing correspondence includes letters
from Bowles to family, friends, and acquaintances, Jane Bowles, James Purdy,
Tennessee Williams, and others. Incoming Correspondence includes letters from
Lawrence Ferlinghetti, Allen Ginsberg, Brion Gysin, Alan Sillitoe, Virgil
Thomson, as well as others. Third-party correspondence is made up of letters
between people associated with Bowles, and generally regarding him or his work.
Also included in this subseries is a letter, dated 1897, to Edward Green from
his Petersham, Massachusetts parish, accepting his resignation. All
correspondents are listed in the Index of Correspondence at the end of this
finding aid.
The small Personal Papers series contains financial papers, including
bank statements, cancelled checks, and income tax returns, a few legal
documents, including identity papers and memoranda of agreement, as well as
assorted notes and lists.
The Works by other Authors Series contains holograph and typescript
manuscripts by Andreas Brown, Oliver Evans, Charles Henri Ford, as well as
other friends and acquaintances of Bowles. All authors and titles are listed in
the Index of Works by other Authors at the end of this finding aid.
Elsewhere in the Ransom Center are a number of books and music scores
from Paul Bowles personal library, recordings of Bowles's music, and ten
Vertical Files of printed works by Bowles containing critical commentary of
Bowles's literary and musical work, newspaper clippings, theatre programs, book
jackets, and other items associated with Bowles's work and career. The Literary
Files of the Photography Collection hold over 500 photographs of and by Bowles,
his family, friends, and landscape images. Of particular note is the
rediscovered music for the
Glass Menagerie, located
in the Audrey Wood Collection.
Acquisition:
Purchase and gifts, 1967-1997
Access:
Open for research
Processed by:
Chelsea S. Jones and Dell Hollingsworth, 1999
Other materials associated with Bowles may be found in the collection
of Jane Bowles's biographer, Millicent Dillon, and the other following
collections at the Ransom Center:
- Bowles, Jane
- Connolly, Cyril
- Cranston, Maurice
- Dillon, Millicent
- Ford, Charles Henri
-
Genesis West
-
Harper's
- Isherwood, Christopher
- Jones, Elizabeth
- Lehmann, John
-
London Magazine
- Owen, Peter
- Palmer, Herbert
- Purdy, James
- Stein, Gertrude
- Williams, Tennessee
- Wood, Audrey
See also the Authorized Paul Bowles Website at:
http://www.PaulBowles.org.
Index Terms
Correspondents
Bowles, Jane Auer,
1917-1973
Ferlinghetti,
Lawrence
Ford, Charles
Henri
Ginsberg, Allen,
1926-
Gysin, Brion
Purdy, james
Sillitoe, Alan
Thomson, Virgil,
1896-
Toklas, Alice
B.
Williams, Tennessee,
1911-1983
Subjects
Americans--Morocco
Authors, American--20th
century
Composers--United
States
Places
Tangier (Morocco)--Travel
and description
Document Types
Galley proofs
Juvenilia
Sound
recordings
Paul Bowles Collection--Folder List
Series I. Works,
1923-1976
Subseries A. Literary Works,
1923-1963
1
1
A-L; Untitled
1
2
Untitled article about Fez, typescripts with author
revisions,
nd,
32pp
1
3
All Parrots Speak, typescripts with author revisions,
nd,
27pp
1
4
A Friend of the World, typescripts with author
revisions,
nd,
26pp
1
5
He of the Assembly, typescripts with author revisions,
nd,
34pp
1
6
The Hours After Noon,
typescripts with author revisions,
1949-1959,
204pp
1
7
How Many Midnights, typescripts with author revisions,
nd,
24pp
1
8
A Hundred Camels in the Courtyard, typescripts with
author emendations,
1960-1962,
51pp
1
9
The Hyena, typescripts with author emendations,
1962,
10pp
1
10
Juvenilia, holograph notebook with colored drawings,
nd,
175pp
1
11
The Lemon by
Mohammed Mrabet, translated by Bowles, typescripts with emendations by Bowles,
nd,
159pp
1
12
A Life Full of Holes,
typescripts with author emendations,
nd,
344pp
2
1
Love with a Few Hairs
by Mohammed Mrabet, translated by Bowles, typescript with Bowles'
revisions,
nd,
137pp
2
2
M-S
2
3
M'hashish, by Mohammed Mrabet, translated by Bowles,
typescripts with translator's revisions,
nd,
53pp
2
4
Next to Nothing, typescripts with author emendations,
1958,
23pp
2
5-6
Notebooks, holograph drafts of various
works
3
1-9
Notebooks, cont.
4
1-10
Notebooks, cont.
5
1
Notebooks, cont.
5
2-5
The Sheltering Sky,
three typescripts with author emendations and revisions,
1948,
820pp
The Story of Omar the Truckdriver, typescripts with
author revisions,
nd,
23pp
6
1
T-Z
6
Tangier, typescript and galley proofs with author
revisions,
1957,
22pp (removed to galley folder 1)
6
2
Their Heads Are Green
and Their Hands Are Blue, typescript with author emendations,
1963,
110pp (3 sets of galleys removed to galley folders 2-4,
73pp each)
6
3
The Time of
Friendship, typescripts with author revisions,
ca. 1961,
183pp
6
4-5
Up above the World,
typescripts with author revisions,
nd,
441pp
6
6
The Wind at Beni Midar, typescripts with author
revisions,
1962,
38pp
6
7
Yerma, by
Federico Garcia Lorca, translated by Bowles, typescript with notes and cover
letter,
1948-1955,
78pp
6
Subseries B. Musical Works,
1930-1976
6
A-D; Unidentified and Untitled
(removed to oversize box 1)
6
E-M
(removed to oversize box 2)
6
N-Sonata for Flute and Piano
(removed to oversize box 3)
6
Sonata for Oboe and Clarinet-Z
(removed to oversize box 4)
6
Oversize scores
(removed to oversize box 5)
Series II. Correspondence,
1897-1995
Subseries A. Outgoing,
1931-1995
7
1
A-Z; Unidentified
7
2-4
Bowles, Claude and Rena,
1931-1966
7
5
Bowles, Jane Auer,
1951-1965
7
6
Briatte, Robert,
1984-1995
7
7
Brown, Andreas,
1965-1967
7
8
Burns, Daniel,
1931-1949
7
9
Collins, Jack,
1982-1991
7
10
Comer, Suzanne,
1985-1986
7
11
Johnson, Buffie,
1982-1986
7
12
Layachi, Larbi,
1965-1966
8
1
Lish, Gordon,
1962-1964
8
2
Martin, John,
1968-1969
8
3
Rappaport, H.A.,
1954-1957
8
4-5
Redon, Joel,
1982-1987
8
6
Williams, Tennessee,
1958-1959
8
Subseries B. Incoming,
1928-1969
8
7
A-L; Unidentified
8
8
Bacon, Francis,
1958-1959
8
9
Bowles, Jane Auer,
nd
8
10
Burroughs, William,
1958-1968
8
11
Ferlinghetti, Lawrence,
1961-1962
8
12
Ford, Charles Henri,
1960-1968
8
13
Ginsberg, Allen,
1961-1962
8
14
Gyson, Brion,
1960-1964
8
15
M-Z
9
1
Matson and Dugan (firm),
1942-1943
9
2
Purdy, James,
1958-1969
9
3
Sath, T.,
1958
9
4
Sillitoe, Alan,
1961-1964
9
5
Sillitoe, Ruth,
1961-1965
9
6
Sontag, Susan,
1965
9
7
Tennent, T.,
1958
9
8
Thomson, Virgil,
1955-1963
9
9
Toklas, Alice B.,
1949-1960
9
10
Transition,
1928
9
11
U.S. Library of Congress,
1958-1959
9
12
William Morris Agency Inc.,
1950-1958
9
13
Williams, Tennessee,
1954-1958
9
14
Wilson, Angus,
1963-1965
9
15
Yacoubi, Ahmed,
1958
9
Subseries C. Third-Party,
1897-1987
9
16
A-P; Unidentified
9
17
Flint, Emma L.,
1922-1924
9
18
Green, J. Louise Barker,
1924
9
19
R-Z
Series III. Personal Papers,
1942-1958
9
Financial documents
9
20
Bank statements and cancelled checks,
1944-1958
10
1-2
Bank statements (cont.)
10
3
Income tax returns,
1942-1946
10
4
Receipts and bills,
1944-1958
10
5
Legal documents,
1945-1958
10
6
Notes, holograph loose pages and spiral notebook,
nd
Series IV. Works by other Authors,
1935-1991
10
7
A-Z; Unidentified
10
8
Bowles, Rena
11
1
Brown, Andreas, notes for Paul Bowles bibliography,
holograph and typescript notes with emendations by Brown and Bowles,
nd
41pp
11
2
Cibeles Television,
Traces of Sand and
Water: The Lives of Jane and Paul Bowles, video tape,
1991
11
3
Evans, Oliver, Paul Bowles and the Natural Man,
typescript article,
nd
33pp
11
4
Ford, Charles Henri,
Denmark Vesey: A Lyric
Drama, typescript,
nd
64pp
11
5
Geiger, Milton,
Edwin Booth,
typescripts with author cuts and markings,
nd
95pp
11
6
Rodgers, Joe V., The Circular Valley, typescript,
nd
15pp
11
7
Assorted envelopes
Paul Bowles Collection--Index of Correspondents
Box and folder numbers are followed by a number in parentheses which
indicates the number of items by that person. A single item is indicated where
there is no number in parentheses following the box and folder number. Where
there is correspondence from Paul Bowles, the number in parentheses is followed
by the phrase from Bowles. So in the
example:
Williams, Tennessee, 1911-1983--8.6 (2 from Bowles), 9.13 (5)
there are 2 letters from Bowles in Box 8, folder 6 and 5 letters from
Williams in Box 9, folder 13.
- - , Edwin--8.7
- - , João--8.7
- - , Manolo--8.7
- - , Timothy--8.7
-
Ackroyd, Graham T.--7.1 (2 from Bowles)
-
Allah, R.R.--8.7
-
Allen, Mary E.--8.7
-
American Music Edition--8.7
-
American Unitarian
Association--9.16
-
Ashley-Steiner-Famous Artists, Inc.--8.7
(2)
-
Author's League of America--8.7
-
Bacon, Francis, 1909- --8.8 (4)
-
Barker Society, New York--9.16
-
Belli, Ashe, Gerry & Ellison--8.7
-
Bensadon, Ney--8.7
-
Bowles, Claude & Rena--7.2-4 (145 from
Bowles)
-
Bowles, Frederick T.--9.16 (2)
-
Bowles, Jane Auer, 1917-1973--7.5 (48 from
Bowles), 8.9 (16)
-
Bowles, Rena--8.7, 9.16
-
Boyle, Kay--9.16 (3)
-
Briatte, Robert--7.6 (84 from Bowles)
-
Briggs, Grace G.--9.16
-
Brown, Andreas--7.7 (26 from Bowles)
-
Burns, Daniel, fl. 1931--7.8 (16 from
Bowles)
-
Burroughs, Williams S., 1914- --8.10-11 (43 from
Bowles)
-
Cage, John--8.7 (2)
-
Capote, Truman, 1924- --8.7
-
Chappell & Co., Inc.--8.7
-
Charhardi, Driss ben Hamed-- 7.1 (8 from
Bowles)
-
Chaumont, Jane--8.7
-
Clarke, James L.--8.7
-
Collins, Jack--7.9 (17 from Bowles)
-
Comer, Suzanne--7.10 (4 from Bowles)
-
Copeland, Aaron--8.7
-
Cowley, Malcolm--9.16 (2)
-
Dain, Martin J.--8.7
-
Danser, Ulla E. Winnewisser--9.16
-
Denby, Edwin, 1903- --8.7
-
Doubleday and Company, Inc.--8.7
-
Driber, Tom, 1905-1976--9.16
-
Duchamp, Marcel, 1887-1968--9.16
-
Elkins, Gloria--8.7
-
Ellis, Albert--8.7
-
Evans, Oliver--7.1 (15 from Bowles)
-
Ferlinghetti, Lawrence--8.11 (11)
-
Fizdale, Robert--8.7
-
Flint, Emma Winnewisser--9.17 (6)
-
Ford, Charles Henri--8.12 (10), 9.16
-
Fuhs, Claire--8.7 (2)
-
Ginsberg, Allen, 1926- --8.13 (9)
-
Green, J. Louise Barker--9.18 (4)
-
Grosser, Maurice, 1903-1986--8.7
-
Groves, John Stuart--7.1 (3 from Bowles)
-
Guggenheim, Marguerite--See Guggenheim,
Peggy
-
Guggenheim, Peggy, 1898- --8.7 (2)
-
Gysin, Brion--8.14 (11)
-
Hamzo[?], Atallah--8.7
-
Harpsichord Music Society, New York--8.7
-
Heinemann (firm)--8.7
-
Holman, Libby--8.7
-
Holt, Rhinehart and Winston, Inc.--9.16
-
Horne, Mr.--7.1 (from Bowles)
-
Hutton, Barbara Woolworth--8.7
-
Isherwood, Christopher, 1904- --8.7
-
Johnson, Buffie--7.11 (50 from Bowles)
-
Jones, Margo--8.7
- Julius & Creasy (firm) --8.7
-
Laires, Fernando--8.7
-
Layachi, Larbi--See Charhardi, Driss ben
Hamed
-
Lehmann, John, 1907- --8.7
-
Liebling-Wood (firm)--8.7
-
Linze, Georges, 1900- --8.7
-
Lish, Gordon--8.1 (9 from Bowles)
-
Little Players (theatrical troupe)--8.7,
9.16
-
M.C.A. Artists, Ltd--8.15 (2)
-
Maitland, Robert--9.16
-
Mandy, Shaun--8.15
-
Marrey, Joe--8.15
-
Martin, John--8.2 (12 from Bowles)
-
Matson and Duggin (firm)--9.1 (3)
-
McCarthy, William--8.15
-
McLeod, Cecil R.--7.1 (from Bowles)
-
Moses Pariente, Bankers--8.15
- Paquieto--8.7 (3)
-
Parrish, Betsy--8.15
-
Perkins, Helvetia
-
Petersham, Massachusetts, First Congregational
Parish--9.16
-
Pollard, Jim, 1914- --8.15
-
Poller, Elizabeth--9.16 (3)
-
Purdy, James--7.1 (2 from Bowles), 9.2
(19)
-
Rappaport, H.A.--8.3 (5 from Bowles)
-
Redon, Joel--8.4-5 (82 from Bowles), 9.19
-
Reiner, Fritz, 1883-1963--8.15
-
Robbins, Jerome--8.15
-
Robert, Frank, fl. 1969--7.1 (from
Bowles)
-
Rorem, Ned, 1923--8.15
-
Ross, Guy Whittier Chadbourn, 1880-1965--9.19
(2)
-
Sager, Gordon--7.1 (from Bowles)
-
Saher, Lilla Van--7.1 (5 from Bowles), 9.19
(2)
-
Saroyan, William, 1908- --8.15
-
Sath, T.--9.3 (6)
-
Sillitoe, Alan--9.4 (16), 9.19
-
Sillitoe, Ruth--9.5 (4)
-
Slade, Ide--9.19 (2)
-
Smith, Oliver Lemuel, 1918-1994--8.15
-
Sontag, Susan, 1933- --9.6 (3)
-
Ta-, Frank--8.7
-
Tennent, T.--9.7 (3)
-
Thomson, Virgil, 1896- --9.8 (13), 9.19
(10)
-
Tiffany, Fannie Winnewisser--9.19
-
Toklas, Alice B.--9.9 (7)
-
Transition--9.10
-
Twentieth-Century-Fox Film
Corporation--9.19
-
U.S. Library of Congress--9.11 (5)
-
Van Vechten, Carl, 1880-1964--8.15
-
Vela, C.T.--8.15
-
Vidal, Gore, 1925- --8.15
-
William Heinemann, Ltd--See Heinemann
(firm)
-
Williams, Tennessee, 1911-1983--8.6 (2 from
Bowles), 9.13 (5)
-
Wilson, Angus--9.14 (3)
-
Winnewisser, August Frederick--9.19 (5)
-
Winnewisser, Frederick G.--9.19 (4)
-
Winnewisser, Henrietta Frances--9.19 (6)
-
Yacoubi, Ahmed--9.15 (2)
Paul Bowles Collection--Index of Literary Works
- Air to the Sea--1.1
- All Parrots Speak--1.3
- Autobiographical fragments and notes--1.1
- The Ball on Sidi Hasni--1.1
- Bluey; Pages from an Imaginary Diary--1.1
- A Chatting as of Unfetters--1.1
- A Friend of the World--1.4
- The Frozen Fields--1.1
- The Garden--1.1
- He of the Assembly--1.5
-
The Hours After
Noon--1.6
- How Many Midnights--1.7
- A Hundred Camels in the Courtyard--1.8
- The Hyena--1.9
- If I Should Open my Mouth--1.1
- In the Creuse--1.1
-
The
Lemon--1.11
- Letter from Tangier--1.1
-
A Life Full of
Holes--1.12
-
Love with a Few
Hairs--2.1
- M'hashish--2.3
- Next to Nothing--2.4
- The Night before Thinking--2.2
- Pages from Cold Point--2.2
- The Picture on the Calendar--2.2
- Post-Colonial Interlude in Tangier--2.2
- A Proposition--2.2
- Pulling the Nets--2.2
- The Rif, to Music: Ketama-Taza--2.2
-
The road is girded on both
sides...--1.1
- The Rolling Pebble--2.2
- Señor Ong and Señor Ha--2.2
-
The Sheltering
Sky--5.2-5
- The Spring--2.2
- The Story of Lahcen and Idir--2.2
- The Story of Omar the Truckdriver--5.6
- The Successor--2.2
- Tangier--6.1
- Taprobane--6.1
- Their Heads Are Blue and Their Hands Are Blue--6.2, Galley
2-4
-
The Time of
Friendship--6.3
- A Thousand Days to Mokhtar--6.1
- Untitled article on the Costa del Sol--1.1
- Untitled article on Fez--1.2
- Untitled collection of proverbs--1.1
- Untitled fragment re morality--1.1
- Untitled fragment, The only effort
worth making...--1.1
-
Up above the
World--6.4-5
- The Wind at Beni Midar--6.6
- Windows on the Past--6.1
-
Yallah!:
Introduction--6.1
-
Yerma--6.7
Paul Bowles Collection--Index of Musical Works
- Oversize box 1
- Athéna
- Benedictus
- Blue mountain ballads
- El carbonero
- Concerto for two pianos, percussion and winds (drafts)
- Congo
- Cross country
- Dance
- Dance (not the same as above)
- The dancer
- Danger de mort
- Danza Mexicana
- David
- Untitled piano solo
- Untitled composition
- Unidentified musical scores
- Oversize box 2
- Edwin Booth: show music
- Four Spanish songs
- Her head on the pillow
- I heard the sea
- In the platinum forest
- In the summer house (incidental music)
- In the woods
- Iquitos
- Little suite (for two pianos)
- Love like wildfire
- Mediodia
- Mes de Mayo
- The milktrain (incidental music)
- Oversize box 3
- Night without sleep
- Nocturne for 2 pianos
- The old woman
- Pastorale, havanaise et divertissement
- Pastorela: piano score
- Pastorela: first suite
- Piano portraits
- Prelude for piano forte
- [UNK]Que te falta?
- Romantic suite
- Sayula
- Scènes d'Anabase
- Scènes d'Anabase: Ainsi parfois nos seuils
- Sonata for flute and piano
- Oversize box 4
- Sonata for oboe and clarinet
- Sonata for violin and pianoforte, no. 1
- Sonatatina fragmentaria
- Sonatina for piano
- Suite for small orchestra--See Pastorale, havanaise et
divertissement
- Summer and smoke (incidental music)
- Three (music for a poem)
- Three pastoral songs
- 12 American folk songs
- Two skies
- Two songs
- The wind remains: Te he de llevar
- Yankee clipper
- Yerma
- Oversize box 5
- Concerto for two pianos, percussion and winds (copy)
- A picnic cantata: sections I-III and VI-VII
- Sonata for two pianos
Paul Bowles Collection--Index of Works by other Authors
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Bowles, Rena. Diary, 1961-1965--10.8
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Bowles, Rena.
The night is long, the night is
dark...--10.8
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Brown, Andreas. Notes for Paul Bowles
Bibliography--11.1
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Desnos, Robert. Le Réveil--10.7
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Desnos, Robert. L'Epitaphe--10.7
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Evans, Oliver. Paul Bowles and the Natural
Man--11.2
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Ford, Charles Henri.
Denmark Vesey: A Lyric
Drama--11.3
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Geiger, Milton.
Edwin Booth--11.4
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Glanville-Hicks, Peggy. Sidi Amar in
Winter--10.7
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Gysin, Brion. Am I the One?--10.7
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Martin-Dominguez, Javier.
Traces of Sand and Water: The Lives of Jane
and Paul Bowles--11.5
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Rodgers, Joe V. The Circular
Valley--11.6
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Roditi, Eouard Lot's Wife: for Paul
Bowles--10.7
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Sender, Ramón. The Vulture--10.7
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Thomson, Virgil. Portrait of Paul Bowles
(music)--Oversize box 5
- Unidentified Author.
- Poems read at funeral of Henrietta F.
Winnewisser--10.7
- Prayers and remarks offered at funeral of Rev. Edward
Green--10.7
- Reading of Paul Bowles' character and fortune--10.7
- Untitled narrative--10.7
- Untitled poems in French--10.7
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Williams, Tennessee. Untitled story
fragment--10.7
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Yacoubi, Ahmed. Ink drawing--10.7