TABLE OF CONTENTS
Descriptive Summary
Biographical Sketch
Scope and Contents
Arrangement
Restrictions
Index Terms
Administrative Information
Description of Series
Series I. Works, 1925-1982, n.d. (53 boxes, 2 oversize boxes, 2 galley
folders)
Series II. Correspondence, 1880-1980, n.d. (10 boxes)
Series III. Williams Family, 1892-1969, n.d. (4 boxes, 2 galley folders, 8
scrapbooks)
Series IV. Works by Others, 1940-1993, n.d. (9 boxes, 3 card
files)
Series I. Works, 1925-1982, n.d.
Series II. Correspondence, 1880-1980, n.d.
Series III. Williams Family, 1892-1969, n.d.
Series IV. Works by Others, 1940-1993, n.d.
Index
|
Tennessee Williams:
An Inventory of His Collection at the Harry Ransom Humanities Research Center
[Part 1]
| | |
|
|
| Creator | Williams, Tennessee, 1911-1983 |
| Title | Tennessee Williams Collection |
| Dates: | 1880-1993 (bulk 1930s-1970s) |
| Abstract | These materials document the family,
life, and work of the American playwright, born Thomas Lanier Williams. The collection
contains numerous manuscript drafts, including those for his best known plays The Glass Menagerie (1944) and A
Streetcar Named Desire (1947). Also included are large amounts of newspaper
clippings, correspondence, and photographs. |
| RLIN Record # | TXRC99-A14 |
| Extent | 76 boxes, 4 galley folders, 2 oversize
boxes, 3 card files (31.5 linear feet) |
| Languages | English, Finnish, and Czech. |
| Repository | Harry Ransom Humanities Research Center, University of Texas at
Austin |
Tennessee Williams (born Thomas Lanier Williams, III, on March 26, 1911, in Columbus,
Mississippi) established himself as one of America's greatest dramatists during the
1940s and 1950s. He first gained commercial and critical success with the 1945 Broadway
production of The Glass Menagerie, and, in 1947, achieved
even greater success with his Pulitzer Prize winning play A
Streetcar Named Desire.
Williams spent his early life in Mississippi and Tennessee living with his mother,
sister, and maternal grandparents. His father, usually away on business as a traveling
salesman, moved the family to St. Louis, Missouri, in 1918 after taking a management
position with a shoe company. Williams spent the next twenty years developing his
writing skills while living at home and at various times attending three different
universities.
After graduating from the University of Iowa in 1938, Williams began writing under the
name "Tennessee" and struggled to make a living. Moving
from New Orleans to New York to California, and taking numerous trips to other
locations, he began a pattern of restlessness that he maintained throughout his life. In
1939, Williams gained the services of a literary agent, Audrey Wood, who helped him
focus his poetic skills and ability to write dialogue into full theatrical works.
Following his success with The Glass Menagerie and A Streetcar Named Desire, Williams continued turning out
plays as well as developing film adaptations of his work. He was a prolific writer,
constantly creating or revising scenes, and once stating,"No
play of mine is ever finished, even after production." His acclaim continued
through the 1950s and 1960s with works like Cat on a Hot Tin
Roof, Summer and Smoke, and Night of the
Iguana, but he also wrote a number of poorly received plays. Many people were
shocked by his themes of sex, violence, and mental illness; his struggles with
alcoholism, prescription drug addiction, and depression affected the quality of his
work.
By the 1970s, Williams was an icon of the American Theatre. The quality of his earlier
plays was well established and many enjoyed great success in revival. Although his later
work was often maligned, he continued to turn out plays until his death on February 25,
1983, in New York City.
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Typescript, composite and holograph manuscripts, correspondence, bibliographies,
clippings, scrapbooks, academic papers, business records, galley proofs, photographs,
and artworks document Tennessee Williams' life, work, family, and friends from 1880 to
1993. The Collection is organized into four series: I. Works, 1925-1982, n.d. (53 boxes,
2 oversize boxes, 2 galley folders), II. Correspondence, 1880-1980, n.d. (10 boxes),
III. Williams Family, 1892-1969, n.d. (4 boxes, 2 galley folders, 8 scrapbooks), and IV.
Works by Others, 1940-1993, n.d. (9 boxes, 3 card files).
The Works Series constitutes over two-thirds of the Williams Collection, followed by the
Correspondence, Works by Others, and Family Series in order of volume. While the dates
of the collection span from 1880 to 1993, the bulk range from the mid 1930s to the mid
1970s. The earliest item is a letter to Williams' grandmother, Rosina Otte Dakin, and
virtually all material dated prior to 1930 relates to Williams' family. Materials dated
after Williams' death in 1983 are largely biographical or concern productions of his
works.
The vast majority of the collection is in English, with five Finnish translations of
plays and one Czech translation. A small amount of Latin and Greek material is located
in Williams' college papers, and individual Spanish, French, Italian and German language
items are present in the Correspondence Series.
The accessions mentioned in the provenance note are incorporated into the four series of
the Williams Collection with the following exceptions: clippings, theatrical programs,
printed awards, certificates and two disbound scrapbooks are located in the Ransom
Center Vertical Files; published volumes have been separated and are cataloged as part
of the Ransom Center book collection; photographs, except for a small number attached to
works or correspondence, are located in the Ransom Center Photography Department; and
additional Williams materials are located in the Art Department and other manuscript
collections at the Ransom Center.
Later acquisitions of letters, manuscripts, theatrical production materials, and works
about Williams have been worked into the existing organization. All materials maintain
their original arrangement, if any existed, within their placement in each Series. All
notes, indexing, and previous cataloging information have been retained with each item,
as has information indicating the purchase or gift registration numbers of any material
other than the four initial acquisitions.
The papers are generally in good condition, although some brittle or torn leaves have
been placed in clear protective sleeves.
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| | |
Arrangement
|
| Due to size, this inventory has been divided into two separate units
which can be accessed by clicking on the highlighted text below: |
| |
| Tennessee Williams Collection--Series I.-IV. and Index of Correspondents [Part I] [This
page] |
| Tennessee Williams Collection--Index of Works [Part II] |
Return to the Table of Contents
Access
Open for research
Return to the Table of Contents
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| Correspondents |
| | Atkinson, Brooks, 1894- . |
| | Barnes, Margaret Fawcett, 1896-1980. |
| | Bentley, Eric, 1916- . |
| | Bigelow, Paul. |
| | Bowles, Paul. |
| | Brown, Andreas. |
| | Brownlow, Isabel Williams. |
| | Campbell, Sandy. |
| | Conkle, E.P. (Ellsworth Prouty). |
| | Conroy, Jack, 1899- . |
| | Crawford, Cheryl, 1902-1986. |
| | Cronyn, Hume. |
| | Dakin, Rosina Otte. |
| | Dakin, Walter Edwin. |
| | De Rochemont, Louis, 1899-1978. |
| | Dowling, Eddie. |
| | Evans, Oliver Wendell, 1915- . |
| | Freeman, Lucy. |
| | Glavin, William M. |
| | Hazan, Joseph. |
| | Holland, Willard. |
| | Isherwood, Christopher, 1904- . |
| | Jones, Margo. |
| | Kazan, Elia. |
| | Kazan, Molly Thatcher. |
| | Langner, Lawrence, 1890- . |
| | Laughlin, James. |
| | Liebling, William. |
| | MacGregor, Robert. |
| | Magnani, Anna. |
| | Maxwell, Gilbert. |
| | Mayorga, Margaret (Margaret Gardner). |
| | McClintic, Guthrie, 1893-1961. |
| | McCullers, Carson, 1917-1967. |
| | Merlo, Frank. |
| | Olivier, Laurence, 1907- . |
| | Porter, Katherine Anne, 1890-1980. |
| | Rodriguez Y Gonzalez, Pancho. |
| | Saher, Lilla van. |
| | Selznick, Irene Mayer, 1907- . |
| | Sykes, Buffie Johnson. |
| | Vaccaro, Marion Black. |
| | Wallach, Eli, 1915- . |
| | Williams, Cornelius Coffin. |
| | Williams, Dakin. |
| | Williams, Edwina Dakin. |
| | Williams, Rose Isabel. |
| | Willits, Malcolm. |
| | Windham, Don. |
| | Wood, Audrey, 1905- . |
| | York, Michael, 1939- . |
| Organizations |
| | Liebling-Wood. |
| | Warner Bros. Pictures. |
| Subjects |
| | American drama--20th century. |
| | Dramatists, American--20th century. |
| | Williams family. |
| Document Types |
| | Bibliographies. |
| | Biographies. |
| | Christmas cards. |
| | First drafts. |
| | Galley proofs. |
| | Journals. |
| | Legal instruments. |
| | Notebooks. |
| | Photographs. |
| | Playbills. |
| | Postcards. |
| | Scores. |
| | Scrapbooks. |
| | Scripts. |
| | Video recordings. |
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Purchases and gifts, 1963-1995
The Tennessee Williams collection was built from four major acquisitions in the 1960s
with smaller amounts of material added over the years. The nucleus of the collection
began with Williams' own papers, acquired by the Ransom Center from 1962 to 1969. These
materials included over 1,000 separately titled works, numerous clippings, and several
boxes of correspondence. In 1964, the Center expanded the collection with the purchase
of the correspondence between Williams and his agent, Audrey Wood. In 1965, the Center
acquired a large number of manuscripts, including William's first full-length play,
Candles to the Sun, from Williams' official
bibliographer, Andreas Brown. Brown's materials also included a complete run of
Williams' publications, and Brown's own correspondence, notes and drafts from his work
on Williams' bibliography.
The Williams family papers were also acquired in 1965 from Williams' mother, Edwina
Dakin Williams. These materials included original manuscripts and works of art by
Williams, over 700 letters, scrapbooks, personal memorabilia, and 650 photographs.
Stephen Mielke, 1998-1999
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| |
Series I. Works, 1925-1982, n.d. (53 boxes, 2 oversize boxes, 2 galley
folders)
|
| Series I. contains numerous drafts and copies of Williams' literary works
including theatrical and radio plays, television and motion picture scripts, short
stories, poetry, anthologies, reviews, journalistic essays, personal journals,
notes, and academic assignments. The majority of the works are in the form of
typed manuscripts, most being composite versions with numerous revisions. Many
include autograph emendations by Williams and others, such as his agent, Audrey
Wood, director Elia Kazan, or actors who used the scripts. Also present are loose
pages of unidentified dialogue, galley proofs for nine works, and a limited amount
of newspaper clippings, photographs, and correspondence. The bulk of the works
date from the late 1930s to the mid 1970s. |
| Works are arranged alphabetically by title, or by first line for untitled poems,
regardless of genre. The title "Eulogy for Laurette
Taylor" was assigned by a previous cataloger and is retained. Under each
title, materials maintain their original arrangement, be it chronological, reverse
chronological, or alphabetical, depending on their source. Select materials are
grouped together under the subject headings "College
papers,""Journals,""Notebooks,""Reviews,""Title pages," and "Unidentified works." These headings are located alphabetically among the
titles, except for "Unidentified works," which is
located at the end of the series. When known, titles for works contained within
the subject headings are supplied. |
| Many works have multiple titles or developed from earlier works with different
titles. When known, these works are supplied in the folder list with "or" notations and a listing of the related titles.
In most instances, early versions and/or variant titles of a single work are filed
together under the best known title, i.e., materials for The Gentleman Caller and Portrait of a Girl in
Glass are located with materials for The Glass
Menagerie. |
| To complicate matters, Williams would sometimes use the same title for unrelated
works. For example, The Fugitive Kind, one of
Williams' early plays, is also used as the name for the movie based on his play
Battle of Angels ( Battle
of Angels was also the basis for the later play Orpheus Descending). In this particular case, material related to the
movie The Fugitive Kind is listed separately after
material for the play The Fugitive Kind , and a
notation is made about the movie's origin. In another example, "These Scattered Idioms " listed as a part of the
compilation Where I Live is not the same work as
These Scattered Idioms listed under its own
title. |
| In many instances one title in the folder list represents different genres of the
same work, e.g., "Interval" is both a short
story and a play. Due to this and other difficulties in using conventional rules
for indicating titles with italics or quotation marks, quotation marks are used
for all titles in the container list and the index of works, regardless of the
genre, completeness, or publication status. The conventional rules are followed in
the remaining portions of the finding aid. |
| When a title represents a collections of poems or short stories, the title of each
work in the collection is also listed. Drafts of the works can be located under
their individual titles, the collection title, or both, depending on their
original arrangement. Similarly, several theatrical plays are located under joint
titles if the bulk of the manuscripts present are from the joint versions.
Specifically, Something Unspoken and Suddenly Last Summer are located together under the
title Garden District. Also, The Mutilated and The Latter Days of the
Celebrated Soubrette (also titled The Gnädiges
Fräulein) are located under Slapstick Tragedy
. An unrelated poem titled "The
Mutilated" is filed under its own title. |
| The volume of material under each title varies greatly. Some works contain
multiple copies and versions of manuscripts, others have little more than a title
page. Many of the poems are single drafts on single sheets. The works that are
most represented, with several boxes of material each, include Camino Real, Cat on a Hot Tin
Roof, The Glass Menagerie, The Milk Train Doesn't Stop Here Anymore, and Summer and Smoke. |
| All works by Williams present in the collection are indexed at the end of the
finding aid. |
Return to the Table of Contents
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| |
Series II. Correspondence, 1880-1980, n.d. (10 boxes)
|
| The Correspondence Series contains letters, telegrams, postcards, and Christmas
cards organized into three subseries: A. Outgoing, B. Incoming, and C.
Third-party. Outgoing correspondence is in alphabetical order by recipient.
Incoming and Third-party is alphabetical by author. All correspondence, including
that found in other parts of the collection, is indexed by author, except for
outgoing mail from Tennessee Williams, which is indexed by recipient. |
| Most of the correspondence is typed. Photo and carbon copies are found in large
numbers, with carbons comprising all of the incoming correspondence from William's
agents, Liebling-Wood. Liebling-Wood correspondence is present in greater amounts
than any other in the series and is found in each of the subseries. Related
correspondence is also filed separately under Audrey Wood and Bill Liebling.
Topics include the development and production of his works and personal messages
to friends and family. Many letters include both personal and professional
information. |
| Some correspondence includes works by Williams--mostly short poems or materials
related to theatrical productions. These are indicated in the Correspondence
Series folder list, and include references to and from related materials in the
Works Series. |
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| |
Series III. Williams Family, 1892-1969, n.d. (4 boxes, 2 galley folders, 8
scrapbooks)
|
| The majority of the materials in the Family Series were created or collected by
Williams' mother, Edwina. The series is organized into three subseries: A. Works,
B. Correspondence and C. Scrapbooks, with Works comprising the largest volume of
materials. |
| The bulk of the Works Subseries consists of drafts and proofs of Edwina Williams'
book Remember Me to Tom, written with Lucy Freeman.
Other works include two short essays by Edwina Williams, typing exercises by
Williams' sister, Rose, and an undated map drawn by his brother, Dakin. Several
notebooks contain entries by Rose Williams and other family members regarding
travel and expenses, and one folder contains genealogical information on the Dakin
family. |
| Post cards, typed letters, and handwritten letters of Williams' father, Cornelius,
mother, sister, brother, and aunt Ella Williams, are found in Subseries B, with
the majority belonging to Edwina Williams. The correspondence is arranged under
each name as incoming by author or outgoing by recipient, then by date. Authors
are listed in the Index of Correspondents. |
| The letters are largely between the family members listed above. Communications
between these family members and Tennessee Williams are located in Series II.
Correspondence. |
| Subseries C. contains eight scrapbooks created by Edwina Williams. Books one
through five contain clippings and correspondence, dating from the mid 1930s to
the late 1950s, documenting Tennessee Williams' theatrical and literary
activities. Scrapbooks six through eight date from 1900 to 1907, and contain
letters, mementos and writings relating to Edwina Williams' social activities.
These scrapbooks were acquired with the Williams Family materials in 1965. Two
other scrapbooks were received with the original 1962 acquisition of Williams'
materials and are located with the Williams Vertical Files materials. They contain
clippings about Tennessee Williams, his works, and his family from the mid 1930s
to the mid 1950s. |
Return to the Table of Contents
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| |
Series IV. Works by Others, 1940-1993, n.d. (9 boxes, 3 card
files)
|
| Series IV consists largely of biographical and scholarly monographs and short
drafts about Tennessee Williams, along with a smaller number of poems and works of
fiction. The works are in alphabetical order by author, with unidentified
materials filed at the end. |
| The bulk of the series consists of materials created or collected by Andreas Brown
during the 1960s while working on a comprehensive bibliography of Williams' works.
Brown maintained extensive correspondence files with literary dealers, fellow
Williams researchers, friends, family, and colleagues of Williams, as well as
Williams himself. The correspondence is indexed by author and is included in the
Index of Correspondents. In addition to the correspondence are Brown's notes for
and drafts of the bibliography, and two short articles he wrote about Williams. |
| Richard F. Leavitt's book The World of Tennessee Williams
is represented by several galley proofs, black and white photographs, and
correspondence with Williams and others. Included with the correspondence are
several pages of handwritten and typed answers Williams wrote in response to
questions Leavitt asked about his life, work, and friends. Other materials
included in the series are a composite draft of Gilbert Maxwell's book Tennessee Williams and Friends, and the transcript for
a 1993 Williams documentary (film and video tape from the documentary is located
in the Ransom Center Film Department). Of special note is Max Marlin's musical
score for the 1947 production of A Streetcar Named Desire,
and a mimeo copy of Carson McCullers' The Dual
Angel signed "from Carson and
Reeves". |
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| |
Series I. Works, 1925-1982, n.d.
|
| box | folder |
| 1 | 1 | | A-Ac, n.d. |
| 2 | | "The Accent of a Coming Foot,"n.d. |
| 3 | | "Act of Love,"n.d. |
| 4 | | "Adam and Eve on a Ferry,"n.d. |
| 5 | | Ae-Am, 1936, n.d. |
| 6 | | "Alice at the Country Club,"n.d. |
| 7 | | "An Allergy to Pink,"n.d. |
| 8 | | "American Blues,"n.d. |
| 9 | | "American Gothic,"1936, n.d. |
| 10 | | An-Ar, 1941-1958, n.d. |
| 11 | | "Androgyne, Mon Amour," 1975? |
| 12 | | "The Angel in the Alcove," 1943, n.d. (basis
for "Vieux Carré") (contains early draft of
"A Streetcar Named Desire" on
verso) |
| 13 | | "The Angels of Fructification," 1942, n.d.
|
| 14 | | "Apt. F, 3rd Flo. So.," n.d. |
| 15 | | As-Az, 1935-1948, n.d. |
| 16 | | "Ate Toadstools but Didn't Quite Die,"
n.d. |
| 17 | | "Auto-Da-Fe," n.d. |
| 18 | | "Autumn Sunlight," ca. 1935 |
| 19 | | Ba, 1942 |
| | | "Baby Doll" (or "Hide and Seek,""The Long Stay Cut Short,""Tiger by the Tail,""The Unsatisfactory Supper,""Whipmaster") |
| box | folder |
| 2 | 1-2 | | | Draft fragments, n.d. |
| 3-4 | | | Full script, n.d. |
| 5 | | | "Hide and Seek" scripts, n.d. |
| 6 | | | "Hide and Seek" / "Whipmaster" scripts, ca. 1954 |
| 7 | | | "The Long Stay Cut Short" fragments,
n.d. |
| 8 | | | Revisions, n.d. |
| 9 | | | "Tiger by the Tail" script,
n.d. |
| | | "The Battle of Angels" (or "The Broken Tower,""The Fugitive Kind" [Screenplay], "Orpheus Descending,""The Snakeskin Jacket,""Te Moraturi Salutamus") |
| box | folder |
| 3 | 1-2 | | | Draft fragments, n.d. (see also oversize box 1) |
| 3 | | | Full script, 1939 |
| 4 | | | Full script, 1941 |
| 5 | | | New outline, n.d. |
| 6 | | | "Te Moraturi Salutamus,"n.d. |
| 7 | | Be, 1941, n.d. |
| 8 | | "The Beaded Bag," n.d. (or "A Story of Hope and Despair") |
| 9 | | "The Beanstalk Country,"n.d. |
| 10 | | "Beauty Is the Word,"1930, 1962 |
| 11 | | "The Beetle of the Sun," 1942, n.d. (or
"Chaplinesque,""The Funniest Pair of Lovers,""The Ghost of a Man and a Cat,""He Will Go Back to the Sun") |
| box | folder |
| 4 | 1 | | "Beginning and End of a Story,"n.d. |
| 2 | | Bi-Bl, ca. 1926-1941, n.d. |
| 3 | | "The Big Game,"n.d. |
| 4 | | "The Big Time Operators,"n.d. |
| 5 | | "Blood of the Wolf,"1941, n.d. |
| 6 | | "Blue Mountain Blues," 1942, n.d. (or "Blue Mountain Ballads") |
| 7 | | "The Blue Ornament,"n.d. |
| 8 | | "Blue Roses," 1935 (or "The Fur-lined Coat,""Story of an Angel") |
| 9 | | Bo-By, 1938, n.d. |
| 10 | | "The Bottle of Brass," ca. 1935, n.d. (or
"Escape") |
| 11 | | Ca, 1917-1942, n.d. |
| 12 | | "Cairo, Shanghai, Bombay!,"n.d. |
| | | "Camino Real" (or "An American Mortgage,""A Match,""The Rich and Eventful Death of Oliver Winemiller,""Sixteen Blocks on the Camino Real,""Ten Blocks on the Camino Real,""Three Brass Balls and a Gypsy,""Three Yellow Balls and a Gypsy,""The Time,""A Work for the Plastic Theatre") |
| box | folder |
| 5 | 1-3 | | | Composite scripts, 1952, n.d. |
| 4-6 | | | Draft fragments, n.d. |
| box | folder |
| 6 | 1-2 | | | Draft fragments, n.d. |
| 3-7 | | | Draft scripts, 1952, n.d. |
| 8-9 | | | Early drafts, n.d. |
| box | folder |
| 7 | 1 | | | Early draft fragments, n.d. |
| 2 | | | Notes and dialogue, 1953, n.d. |
| 3 | | | Revisions, n.d. |
| 4-5 | | | Television scripts, 1963, n.d. |
| 6 | | | Tentative budget, 1951 |
| | | | "Ten Blocks on the Camino Real" |
| box | folder |
| 7 | 7 | | | | Early draft with notes, 1949 |
| 8 | | | | Forward, 1946 |
| 9-10 | | | | Typescript drafts, 1950-1951, n.d. |
| | | "Candles to the Sun" (or "The Lamp") |
| box | folder |
| 8 | 1-2 | | | Draft fragments, ca. 1936, n.d. |
| 3 | | | Draft script, ca. 1936 |
| | | "Cat on a Hot Tin Roof" (or "A Place of Stone,""The Stone Palace,""The Richest Earth This Side of the River
Nile") |
| | | | Act I |
| box | folder |
| 8 | 4-5 | | | | Draft fragments, n.d. |
| 6 | | | | Revisions, n.d. |
| | | | Act II |
| box | folder |
| 8 | 7 | | | | Draft fragments, n.d. |
| 8 | | | | Revisions |
| | | | Act III |
| box | folder |
| 8 | 9 | | | | Draft fragments, n.d. |
| box | folder |
| 9 | 1 | | | | Draft fragments, n.d. |
| 2 | | | | Revisions, n.d. |
| 3-5 | | | Acting scripts, ca. 1955, n.d. |
| 6-7 | | | Composite drafts, n.d. |
| 8 | | | Draft fragments, n.d. |
| 9 | | | Production schedule, 1955 |
| 10 | | | Finnish script, n.d. |
| 11 | | | Notes and dialogue, n.d. |
| box | folder |
| 10 | 1 | | | Revisions, n.d. |
| 2 | | "The Cataract,"1942, n.d. |
| 3 | | Ce-Cl, 1941, n.d. |
| 4 | | "The Chart,"1945, n.d. |
| 5 | | "The Chronicle of a Demise,"n.d. |
| 6 | | "The Cinder Hill,"1941-1945, n.d. |
| | | "Clothes for a Summer Hotel" |
| box | folder |
| 10 | 7 | | | Mimeo first draft, 1979 |
| 8 | | | Mimeo second draft, 1979 |
| 9 | | | Mimeo revisions, 1979 |
| 10 | | Co-Cu, 1945-1954, n.d. |
| 11 | | "Cold Stream,"n.d. |
| 12 | | College papers, 1930-1938, n.d. (see also oversize box 1) |
| box | folder |
| 11 | 1-2 | | College papers, 1930-1938, n.d. |
| 3 | | "The Coming of Something to the Widow Holly,"
n.d. (or "The Men from the Polar
Star") |
| 4 | | "Confessional,"n.d. |
| 5 | | "Corduroy Pants," n.d. (or "A Pack of Cigarettes") |
| 6 | | "Cortege,"1943, n.d. |
| 7 | | "Counsel,"1949, n.d. |
| 8 | | "Crazy Night,"n.d. |
| 9 | | "Curtains for the Gentleman,"1936, n.d. |
| 10 | | Da-De, 1925-1942, n.d. |
| 11 | | "Dago Hill,"n.d. |
| 12 | | "Daisy Lanier...,"n.d. |
| 13 | | "The Dangerous Painters,"1942-1943, n.d. |
| 14 | | "Dark Arm, Hanging Over the Edge of Infinity,"1941-1942, n.d. |
| 15 | | "The Dark Room,"1938, n.d. |
| 16 | | "Daughter of Revolution," 1943, n.d. (or
"A Daughter of the American
Revolution") |
| 17 | | "Death Is High,"1950, n.d. |
| box | folder |
| 12 | 1 | | "Death of a God,"n.d. |
| 2 | | "Definitions and Verbs," n.d. (or "Definition of Verbs,""Interior,""The Pink Bedroom,""Verbs") |
| 3 | | "Desire and the Black Masseur,"1942-1946, n.d. |
| 4 | | Di-Dz, 1935-1942, n.d. |
| 5 | | "Dinwiddie's Inconvenience,"1942 |
| 6 | | "Dolores Sleeps Under the Roses,"n.d. |
| 7 | | "Dos Ranchos," 1940 (or "New Mexican Mural,""La Puella Perdida,""A Chant for My Former
Companions") |
| 8 | | "Dragon Country,"1942 |
| 9 | | Ea-Ez, 1937-1946, n.d. |
| 10 | | "Escape," n.d. (or "Quicksilver,""The Lake,""Summer at the Lake") |
| 11 | | Eulogy of Laurette Taylor, n.d. |
| 12 | | "Every Twenty Minutes: A Satire," n.d.
|
| 13 | | "Everyman," n.d. (or "The Legend") |
| 14 | | "The Eye That Saw Death,"n.d. |
| 15 | | "The Eyes," 1949 (or "The Eyes Are the Last to Go Out") |
| 16 | | Fa-Fe, 1936-1937, n.d. (see also oversize box 2) |
| 17 | | "Facts about Me,"ca. 1947-1953 |
| 18 | | "Faint as a Leaf Shadow,"1949, n.d. |
| box | folder |
| 13 | 1 | | "The Fat Man's Wife,"n.d. |
| 2 | | "Fate and the Fishpools,"n.d. |
| 3 | | Fi-Fl, 1935, 1937-1948, n.d. |
| 4 | | "The Field of Blue Children,"n.d. |
| 5 | | "Floor Show Every Saturday Night," 1945 (or
"Dancing Every Saturday Night,""A Hot Time in the Old Town") |
| 6 | | "Flowers,"n.d. |
| 7 | | Fo-Fr, 1936-1948, n.d. |
| 8 | | "For My Grandmother Rosina Maria Francesca von
Albertzart-Otte Dakin (or Rose),"n.d. |
| 9 | | "Four Leaf Clover,"1941 |
| 10 | | "Frosted Glass Coffin,"n.d. |
| | | "The Fugitive Kind" (or "Cathedral Bells,""City of Dreadful Nights,""Clash by Night,""Herman Never Loses") |
| box | folder |
| 13 | 11-14 | | | Draft scripts, ca. 1937 |
| box | folder |
| 14 | 1 | | | Draft scripts, ca. 1937 |
| 2 | | | Typescripts, 1938 |
| | | "The Fugitive Kind" [Screenplay] (or "The Battle of Angels,""The Broken Tower,""Orpheus Descending") |
| box | folder |
| 14 | 3 | | | Composite draft, n.d. |
| 4 | | | Cutting continuity, 1960 |
| 5 | | | Dialogue transcript, 1960 |
| 6 | | G, 1939-1945, n.d. |
| | | "Garden District" (or "Something Unspoken" (or "A Few in the Town"), "Suddenly Last Summer" (or "Cabeza de
Lobo,""Composition in the 12-Tone Scale,""Tell Sad Stories of the Deaths of
Queens...")) |
| box | folder |
| 14 | 7 | | | Incomplete typescript, n.d. |
| 8 | | | "Something Unspoken," 1945, 1951, n.d.
(see also galley files) |
| | | | "Suddenly Last Summer" |
| box | folder |
| 14 | 9 | | | | Draft fragments, n.d. |
| box | folder |
| 15 | 1 | | | | Early drafts, n.d. |
| 2 | | | | Incomplete draft, n.d. |
| 3 | | | | Finnish script, n.d. |
| 4 | | | | Motion picture script, n.d. |
| 5 | | "The Garden of Emiel Kroger,"1951, n.d. |
| 6 | | "Gift of an Apple,"n.d. |
| 7 | | "Girl from Joe's,"n.d. |
| | | "The Glass Menagerie" (or "Carolers, Our Candle!,""The Front Porch Girl,""The Gentleman Caller,""If You Breathe, It Breaks!,""Portrait of a Girl in Glass,""The Pretty Trap,""The Spring Offensive,""Third Floor South") |
| box | folder |
| 15 | 8 | | | Complete typescript, n.d. |
| 9 | | | Composite typescript, 1948 |
| 10 | | | Finnish typescript, n.d. |
| 11 | | | Motion picture typescript fragments, 1947-1949, n.d. |
| box | folder |
| 16 | 1 | | | Motion picture script, n.d. |
| 2 | | | Notes and dialogue, 1949-1950, n.d. |
| 3 | | | Summary typescript, n.d. |
| 4 | | | Television script, 1963 |
| 5-6 | | | Typescript fragments, 1943, n.d. |
| 7 | | | "Carolers, Our Candle!,"1943 |
| 8 | | | "The Front Porch Girl,"n.d. |
| | | | "The Gentleman Caller" |
| box | folder |
| 16 | 9 | | | | General description, n.d. |
| 10 | | | | Early drafts, n.d. |
| box | folder |
| 17 | 1-3 | | | | Draft fragments, n.d. |
| 4 | | | | Motion picture treatment, 1943, n.d. |
| 5 | | | | Notes and dialogue, n.d. |
| 6 | | | "If You Breath, It Breaks!,"n.d. |
| 7 | | | "Portrait of a Girl in Glass,"1941-1943, n.d. |
| 8 | | | "The Pretty Trap,"n.d. |
| 9 | | | "The Spring Offensive,"n.d. |
| 10 | | | "Third Floor South,"n.d. |
| 11 | | "Goat Song," n.d. (contains elements of
"Baby Doll" and "Battle of Angels") |
| 12 | | "God in the Free Ward,"1934, n.d. |
| 13 | | "Gods Passed this Way,"1949, n.d. |
| 14 | | "Gold Tooth Blues,"n.d. |
| 15 | | "The Goths,"1949, n.d. |
| box | folder |
| 18 | 1 | | "Grenada to West Plains,"n.d. |
| 2 | | "A Guest at the Gables,"1937, n.d. |
| 3 | | "Gunner Jack,"n.d. |
| 4 | | Ha-He, 1938-1941, n.d. |
| 5 | | "Hard Candy," 1949-1953, n.d. (contains
"Three Players of a Summer Game,""Two on a Party,""The Resemblance Between a Violin Case and a Coffin,""Hard Candy,""Rubio Y Morena,""The Mattress by the Tomato Patch,""The Coming of Something to the Widow Holly,""The Vine,""The Mysteries of the Joy Rio") |
| 6 | | "The Harp of Wales,"1945, n.d. |
| 7 | | "Heavenly," n.d. (or "The Out of Town Date") |
| 8 | | "Heavenly Grass," n.d. (or "The Miracles at Granny's,""The Song of the Turned-Out
People") |
| 9 | | "Hello from Bertha,"n.d. |
| 10 | | "Hello Moon,"n.d. |
| 11 | | "Her Head on the Pillow,"n.d. |
| 12 | | Hi-Hy, 1932-1955, n.d. |
| 13 | | "His Father's House,"n.d. |
| 14 | | "His Mark on You,"1939, n.d. |
| 15 | | "The Holy Family,"n.d. |
| 16 | | "Home Remedy,"1954 |
| | | "A House Not Meant to Stand," (or "The Dancie Monie,""Some Trouble at the Moose
Lodge") |
| box | folder |
| 18 | 17-18 | | | Typescript drafts, 1975?-1982, n.d. |
| box | folder |
| 19 | 1-7 | | | Typescript drafts, 1975-1982, n.d. |
| box | folder |
| 20 | 1 | | "House of Vines,"n.d. |
| 2 | | "How doth my love lie...,"n.d. |
| 3-4 | | I, 1938-1942, n.d |
| 5 | | "I Never Get Dressed Till after Dark on Sundays,"n.d. |
| | | "I Rise in Flames Cried the Phoenix" |
| box | folder |
| 20 | 6 | | | Autograph and typescript drafts, 1955, n.d. |
| 7 | | | Play script, 1941 |
| 8 | | | Proof sheet, n.d. |
| 9 | | "I Want to Go Away,"n.d. |
| 10 | | "I want to go down to the sea...,"n.d. |
| 11 | | Ia-Im, 1937-1944, n.d. |
| 12 | | "The Important Thing,"n.d. |
| 13 | | In, 1938-1959, n.d. |
| 14 | | "In Memory of an Aristocrat," n.d. (or "Disturbance at the Spring Display,""This was Irene") |
| 15 | | "In Our Profession,"n.d. |
| 16 | | "In Spain There Was Revolution,"ca. 1936 |
| box |
| 21 | | | "In the Bar of a Tokyo Hotel" |
| 1 | | | Composite drafts, 1969, n.d. |
| 2 | | | Typescript draft, 1968, n.d. |
| 3 | | "In the Winter of Cities," n.d. (or "Poems, Early and Late") |
| 4 | | "Inheritors,"1936 |
| 5 | | "The Interior of the Pocket,"1948-1949, n.d. |
| 6 | | "Interval,"1938 |
| 7 | | "The Inventory,"n.d. |
| 8 | | Io-Iz, 1936-1953, n.d. |
| 9 | | "Ironweed,"n.d. |
| 10 | | "Ishtar,"n.d. |
| 11 | | "The Island Is Memorable to Us,"1950, n.d. |
| 12 | | J, 1941-1942, n.d. |
| 13 | | "The Jockeys at Hialeah,"1945, n.d. |
| 14 | | "Joe Clay's Fiddle," 1937-1941, n.d. (or
"The Fiddle") |
| 15-16 | | Journals, 1940-1943 |
| box | folder |
| 22 | 1 | | Journals, 1940-1943 |
| 2 | | "Jungle,"n.d. |
| 3 | | "Katharsis,"n.d. |
| 4 | | "The Kewpie Doll," n.d. (or "April Is the Cruelest Month") |
| 5 | | "The Killer Chicken and the Closet Queen,"
n.d. |
| | | "Kingdom of Earth" (or "Myra, My Brother's Wife,""The Seven Descents of Myrtle,""Spiritchel Gates,""Woman") |
| 6 | | | Drafts and galleys, 1942, n.d. (see also galley
files) |
| 7 | | | First draft, 1967 |
| 8 | | | Playscript, 1975 |
| 9 | | | "The Seven Descents of Myrtle,"n.d. |
| 10 | | "The Knightly Quest,"n.d |
| 11 | | "Knowledge,"1940 |
| 12 | | La, 1940, n.d. |
| 13 | | "Lady Anemone," 1944, n.d. (or "Tall,""A Tall Man,""Tall Men,""Yes, Tall, Inseparably...") |
| box | folder |
| 23 | 1 | | "The Lady from the Village of Fallin,"n.d. |
| 2 | | "The Lady of Larkspur Lotion,"n.d. |
| 3 | | "The Lake Trip,"n.d. |
| 4 | | "Lament for the Moths,"1942 |
| 5 | | "The Last of My Solid Gold Watches,"
1943-1958 (see also galley files) |
| 6 | | "The Last Verse,"n.d. |
| 7 | | "Laughter,"n.d. |
| 8 | | Le-Li, 1936-1940, n.d. |
| 9 | | "Life Boat Drill,"n.d. |
| 10 | | "Lily and La Vie!,
" n.d. (or "The Chain Cigarette,""One of Piccasso's Blues") |
| 11 | | "Little Eva's Dilemma," n.d. (contains "Der Trachedy uff Hamlut und
Ahphelia") |
| 12 | | "Little Horse,"n.d. |
| 13 | | "A Liturgy of Roses,"1945, n.d. |
| 14 | | Lo-Lz, 1937-ca. 1942, n.d. |
| 15 | | "The Long Goodbye,"n.d. |
| 16 | | "A Long Road with Pines,"n.d. |
| 17 | | "Lord Byron's Love Letter," n.d. (or "...and Last Farewell") |
| 18 | | "The Lost Girl,"n.d. |
| 19 | | "Love Only,"n.d. |
| | | "A Lovely Sunday for Creve Coeur" (or "Combination Forgotten,""Companions,""Creve Coeur,""An Inspirational Message from a
Parrot") |
| box | folder |
| 23 | 20 | | | "Combination Forgotten,"n.d. |
| box | folder |
| 24 | 1 | | | Mimeo and typescript, 1978 |
| 2 | | | Mimeo script, 1979 |
| 3 | | Ma, n.d. |
| 4 | | "The Magic Tower," n.d. (or "State of Enchantment") |
| 5 | | "The Malediction," 1941, n.d. (or "Nitchevo") |
| 6 | | "The Man in the Dining Car,"n.d. |
| 7 | | "The Man Korngold,"1942 |
| 8 | | "The Mark of the Makhi,"n.d. |
| 9 | | "Marriage Is a Private Affair,"1943 |
| 10 | | "The Marvelous Children,"n.d. |
| 11 | | "The Mattress by the Tomato Patch,"1943, n.d. |
| 12 | | Me-Mi, 1927, n.d. |
| | | "Me, Vashya!" (or "Death is the Drummer,""The Tears of Christ,""I, Vaslev") |
| box | folder |
| 24 | 13 | | | "Death Is the Drummer,"n.d. |
| 14 | | | Draft fragments, n.d. |
| box | folder |
| 25 | 1 | | | Photocopy manuscript, 1937 |
| 2 | | | Velobound typescript, n.d. |
| 3 | | "The Mercury," 1945 (or "The Photo-Finish of a Shooting Star,""A Travelogue of Stars that
Fall") |
| 4 | | "Middle West,"n.d. |
| 5 | | "Military Honors," n.d. (or "A Military Funeral") |
| | | "The Milk Train Doesn't Stop Here Anymore"
(or "The Chanting of the Koran,""Goforth,""The Mother of the Wine") |
| box | folder |
| 25 | 6-8 | | | American version, n.d. |
| box | folder |
| 26 | 1 | | | American version, n.d. |
| 2-3 | | | British version, 1963 |
| 4 | | | Draft fragments, n.d. |
| 5-6 | | | Early printed versions, 1962, n.d. |
| box | folder |
| 27 | 1 | | | Early typescript drafts, n.d. |
| 2 | | | First rough draft, 1958-1959 |
| 3 | | | "The Mother of Wine,"1963-1968 |
| 4-5 | | | Printed script with inserts, n.d. |
| 6-7 | | | Revised American edition, 1963 |
| box | folder |
| 28 | 1 | | | Revised American edition, 1963 |
| 2 | | | Revisions, n.d. |
| 3-4 | | | Spoleto Italy version, n.d. |
| 5 | | "The Minstrel Jack,"1941 |
| 6 | | "Miss Jelkes Recital,"n.d. |
| 7 | | Mo, 1941-1961, n.d. (see also oversize box 2) |
| box | folder |
| 29 | 1 | | "A Moment in a Room,"n.d. |
| 2 | | "Moony's Kids Don't Cry," 1932-1935, n.d. (or
"Hot Milk at Three in the Morning,""Ride a Cock Horse") (also in "Three Plays by Tennessee Williams") |
| 3 | | Mr-My, 1936-1941, n.d. |
| 4 | | "Las Muchachas," n.d. (or "The Lost Girl" and "Las Palomas") |
| 5 | | "My Escape,"n.d. |
| 6 | | "My Grandmother's favorite color...,"1953, n.d. |
| 7 | | "My Little One Whose Tongue Is Dumb,"n.d. |
| 8 | | N, 1937-1949, n.d. |
| 9 | | "Night Before Sailing," n.d.(or "Ditches") |
| 10 | | "A Night in Madrid," n.d. |
| | | "Night of the Iguana" (or "Southern Cross") |
| box | folder |
| 29 | 11 | | | Composite drafts, n.d. |
| 12 | | | Draft fragments, 1948, n.d. |
| 13-14 | | | Printed playscripts, 1960-1962 |
| box | folder |
| 30 | 1 | | | Printed playscripts, 1960-1962 |
| 2 | | | Re-writes, 1961 |
| 3 | | | Typescript drafts, 1946-1960, n.d. |
| 4 | | "Nirvana,"n.d. |
| | | "Not About Nightingales" (or "Hell,""The Rest is Silence") |
| box | folder |
| 30 | 5-7 | | | Draft fragments, 1937, n.d. |
| 8 | | | "Hell,"n.d. |
| 9 | | | Notes, n.d. |
| 10 | | | Typescript draft, 1938 |
| | | Notebooks, 1931-1946, n.d. |
| box | folder |
| 31 | 1 | | | Unidentified poetry, play, and prose fragments |
| 2 | | | Early draft of dinner scene from "The
Glass Menagerie,"letter to Jay Laughlin at New Directions:
unidentified poem fragments |
| 3 | | | Unidentified fragments |
| 4 | | | "The Life of a Sitting Target: Chapter X,""Envoi,""Desertion,""The Harp of Wales,""Storm Clouds Over the Wheat,""The Island is Memorable to Us,""Compromise,""Short Stories for Volume,""The Accent of a Coming Foot,""The Interior of the Pocket," unidentified
fragment |
| 5 | | | Drafts for the poems "No word we
spoke...,""The Reredos at Saint Chapelle...,""White Sisters" |
| 6 | | O-Om, 1937-1941, n.d. |
| 7 | | "Oak Leaves,"n.d. |
| 8 | | "Observe His Heart,"n.d. |
| 9 | | "An Old Lady Falls with Two Books,"n.d. |
| 10 | | "Old Men with Sticks,"1949, n.d. (or "The Ancients Are
Walking,""Ancients Walking,""India Has No Jewel,""The Time of Ancients") |
| 11 | | On-Oz, 1941-1943, n.d. |
| 12 | | "On Summer Evenings,"n.d. |
| 13 | | "One Arm,"1942-1945, n.d. |
| 14 | | "One Arm and Other Stories,"1948 (see also galley files) |
| | | "Orpheus Descending" (or "The Battle of Angels,""Bone of a Bird,""The Dismembering Furies,""The Fugitive Kind,""The Gala Opening of the Confectionery,""The Memory of an Orchard,""Something Wild in the Country") |
| box | folder |
| 32 | 1-4 | | | Draft typescripts, 1953-1954, n.d. |
| 5 | | | Forward, n.d. |
| 6 | | | Notes and dialogue, n.d. (see also oversize box
2) |
| 7 | | | Poetry, 1951, n.d. |
| 8 | | | Prologue, 1959 |
| 9 | | | Typescrpt fragments, n.d. |
| box | folder |
| 33 | 1-3 | | | Typescrpt fragments, n.d. |
| | | "Out-Cry" (or "The
Two Character Play") |
| box | folder |
| 33 | 4 | | | Bangkok version, 1971 |
| 5 | | | Notes and typescript fragments, n.d. |
| 6 | | | Typescript draft, 1970 (see also oversize box
2) |
| box | folder |
| 34 | 1 | | | Typescript draft, 1971 (see also oversize box
2) |
| 2 | | | "Two Character Play" notes to director,
n.d. |
| 3 | | Pa-Pe, 1937-1940, n.d. |
| 4 | | "Las Palomas,"n.d. |
| 5 | | "A Panic Renaissance in the Lobos Mountains,"n.d. |
| 6 | | "The Paper Lantern,"1943, n.d. (or "The Spinning
Song") |
| 7 | | "Part of a Hero,"n.d. |
| 8 | | "The Pearl of Greater Price,"n.d. |
| | | "A Perfect Analysis Given by a Parrot,"n.d. (or "Side Light on a
Convention") |
| box | folder |
| 34 | 9 | | | Typescript draft, n.d. |
| 10 | | | "Side Light on a Convention,"n.d. |
| | | "Period of Adjustment" |
| box | folder |
| 34 | 11 | | | Draft fragments, n.d. |
| 12 | | | Galley proofs, n.d. (see also galley files) |
| 13 | | | Mimeo script, n.d. |
| 14-15 | | | Typescript drafts, 1958 |
| box | folder |
| 35 | 1 | | | Typescript drafts, 1958 |
| 2 | | Ph-Po, 1940-1955, n.d. |
| 3 | | "Pieces of My Youth,"n.d. |
| 4 | | "The Pink Bedroom,"ca. 1932-1935, n.d. |
| 5 | | "Poem for K.,"1940, n.d. |
| 6 | | "Poems,"1941-1943 |
| folder |
| 7 | | | "Portrait of a Madonna", n.d.
(or "The Leafless Block") |
| box | folder |
| 35 | 8 | | Pr-Pu, 1943, n.d. |
| 9 | | "Preface to Action,"n.d. |
| 10 | | "A Preface to Browning's `My Last Duchess',"n.d. |
| 11 | | "The Privet Hedge,"1940 |
| 12 | | "The Prodigal Race,"n.d. |
| 13 | | "Quest,"n.d. |
| 14 | | R, 1938-1948, n.d. |
| 15 | | "The Radiant Guest,"n.d. |
| 16 | | "A Recluse and His Guest,"n.d. |
| | | "The Red Devil Battery Sign" |
| | | | Mimeo script |
| box | folder |
| 36 | 1 | | | | January 1974 |
| 2 | | | | February 1974 |
| 3 | | | | November 1974 |
| 4 | | | | March 1975 |
| | | | | Summer 1975 |
| box | folder |
| 36 | 5 | | | | | Version 1 |
| 6 | | | | | Version 2 |
| box | folder |
| 37 | 1 | | | | September 1976 |
| | | | Photocopy script |
| box | folder |
| 37 | 2 | | | | First draft (revised), 1973 |
| 3 | | | | Revisions, September 1976 |
| 4 | | "The Red Part of the Flag,"n.d. (or "Establissements de Saint
Louis,""Fountain,""Red Silk for the Street") |
| 5 | | "Reflections in a Golden Eye,"n.d. (or "This
Book") |
| | | | Introduction and critique |
| box | folder |
| 37 | 6 | | "Remember Me as One of Your Lovers,"1938, n.d. |
| 7 | | "The Resemblance between a Violin-Case and a Coffin,"1949, n.d. |
| 8 | | Reviews, n.d. |
| 9 | | "The Road,"1938, n.d. |
| 10 | | "The Road: Sunrise,"n.d. |
| | | "The Roman Spring of Mrs. Stone," (or "Moon of Pause") |
| box | folder |
| 37 | 11-12 | | | Draft fragments, n.d. |
| box | folder |
| 38 | 1 | | | Motion picture script, n.d. |
| 2 | | | Typescript draft, n.d. |
| | | "The Rose Tattoo" (or "The Ashes,""Flesh Farewell,""An Old Man on the Road,""The Rose,""The Rose Immaculate,""Stornello,""The Two,""The Widow of the Rose,""A Wild Thing in the House") |
| box | folder |
| 38 | 3 | | | Notes and dialogue, 1949, n.d. |
| 4 | | | Stornello outline, 1949 |
| | | | First typescript draft, January, 1950 |
| box | folder |
| 38 | 5 | | | | Composite |
| 6 | | | | Fragments |
| 7-8 | | | | Photocopy |
| | | | Kitchen sink draft, January and March 1950, n.d. |
| box | folder |
| 38 | 9 | | | | Composite |
| 10 | | | | Typescript |
| box | folder |
| 39 | 1 | | | | Revised |
| 2 | | | | Re-writes |
| 3 | | | Second draft, April 1950 |
| 4 | | | Fourth draft, October 1950 |
| 5 | | | Composite drafts, n.d. |
| 6-8 | | | Draft fragments, n.d. |
| 9 | | | Finnish translation, n.d. |
| | | | Motion picture script |
| box | folder |
| 40 | 1 | | | | First temporary yellow, n.d. |
| 2 | | | | Objections, 1954 |
| 3 | | | | Revisions, 1954, n.d. |
| 4 | | | | Typescript draft, n.d. |
| 5 | | | Radio script, n.d. |
| 6 | | | Television script, 1963 |
| 7 | | "Rubio y Morena,"1948, n.d. |
| 8 | | Sa-Se, 1936, n.d |
| 9 | | "Sacre de Printemps,"n.d. |
| 10 | | "San Sebastion de Sodoma,"n.d. |
| 11 | | "Sand,"n.d. |
| 12 | | "Sea Shells,"n.d. |
| 13 | | "The Sea without Water,"n.d. |
| 14 | | "Season of Grapes,"n.d. |
| 15 | | "Sentiments for the Second Sunday,"n.d. |
| 16 | | Sh, 1936, n.d. |
| 17 | | "She that Comes Late to the Dance,"n.d. |
| box | folder |
| 41 | 1 | | "She Walks in Beauty,"n.d. |
| 2 | | "Show Me the Way to Go Home,"n.d. |
| 3 | | Si-Sn, 1946-1948, n.d. |
| 4 | | "The Siege,"1941, n.d. |
| 5 | | "The Sissy,"1929? |
| | | "Slapstick Tragedy" (or "The Gnädiges Fräulein,""The Latter Days of the Celebrated Soubrette,""The Mutilated") |
| box | folder |
| 41 | 6-7 | | | "The Latter Days of the Celebrated Soubrette,"1974-1978, n.d. |
| 8 | | | Mimeo rehearsal version, 1965 |
| 9 | | | "The Mutilated,"1964, n.d. |
| 10 | | | Premiere party guest list, 1966 |
| 11 | | "Small Craft Warning,"n.d. |
| box | folder |
| 42 | 1 | | So, 1935-1951, n.d. |
| 2 | | "The Soft City,"1948-1949, n.d. |
| 3 | | "Some Informal Thoughts on Success,"1947 (or "On a Streetcar Named
Success") |
| 4 | | "Something About Him,"n.d. (or "Mrs. Rose and the Grocery
Clerk") |
| 5 | | "Something by Tolstoi,"n.d. |
| 6 | | Sp, 1937-1942, n.d. (see also oversize box 1) |
| | | "Spring Storm," (or "April Is the Cruelest Month,""The Time of Roses") |
| box | folder |
| 42 | 7-8 | | | Draft fragments, n.d. |
| 9-12 | | | Draft typescripts, 1938, n.d. |
| box | folder |
| 43 | 1 | | "Square Pegs,"n.d. |
| 2 | | St, 1937-1943, n.d. |
| | | "Stairs to the Roof" (or "A Prayer for the Wild of Heart that Are Kept in Cages,""Episodes from the Life of a
Clerk") |
| box | folder |
| 43 | 3 | | | Draft fragments, ca. 1940, n.d. |
| 4 | | | Typescript drafts, 1941, n.d. |
| 5 | | "Stella for Star,"n.d. |
| 6 | | "The Stonecutter's Angels,"1941, n.d. |
| 7 | | "The Strangers,"1938? |
| 8 | | "The Strangest Kind of Romance,"n.d. |
| | | "A Streetcar Named Desire" (or "Electric Avenue,""Go, Said the Bird!,""Interior: Panic,""The Passion of a Moth,""The Poker Night,""The Primary Colors") |
| box | folder |
| 43 | 9 | | | Cuts required by Lord Chamberlain, n.d. |
| 10 | | | Czech translation, 1964 |
| 11 | | | Draft fragments, n.d. |
| 12 | | | "Electric Avenue,"n.d. |
| 13 | | | Finnish translation, n.d. |
| box | folder |
| 44 | 1 | | | "Go, Said the Bird!,"n.d. |
| 2 | | | Incomplete typescript draft, n.d. |
| 3 | | | "Interior: Panic,"1945-1946 |
| | | | Mimeo script |
| box | folder |
| 44 | 4 | | | | 1949 |
| 5 | | | | n.d. |
| | | | Motion picture |
| box | folder |
| 44 | 6 | | | | Mimeo script, 1950 |
| 7 | | | | Notes and draft fragment, n.d. |
| 8 | | | "The Passion of a Moth,"n.d. |
| 9 | | | "The Poker Night,"n.d. |
| 10 | | | "The Primary Colors,"n.d. |
| 11 | | | Typescript draft, n.d. |
| 12 | | | Vivien Leigh playscript, 1949 |
| box | folder |
| 45 | 1 | | Su-Sy, 1937-1942, n.d |
| 2 | | "Sub Terra,"1937, n.d. |
| | | "Summer and Smoke" (or "The Bird Girl in his Arms,""A Chart of Anatomy,""The Eccentricities of a Nightingale,""Fiddler's Green,""The Room is Cold,""Scenes of a Magic Lantern,""The Sun that Warms the Dark,""World of Light and Shadow") |
| box | folder |
| 45 | 3 | | | First reading version, 1946 |
| 4 | | | Revisions, 1946, n.d. |
| 5 | | | Typescript draft, 1947 |
| 6 | | | Revisions, 1947 |
| 7 | | | Prompt copy, 1948 |
| | | | Rome Version |
| box | folder |
| 45 | 8 | | | | Typescript draft, 1948 |
| 9 | | | | Mimeo script, 1948 |
| 10 | | | Radio script, 1949 |
| 11 | | | Motion picture script, 1960, n.d. |
| box | folder |
| 46 | 1 | | | "The Bird Girl in His Arms,"n.d. |
| 2-4 | | | Draft fragments, n.d. |
| 5 | | | "The Eccentricities of a Nightingale,"n.d. |
| 6 | | | "Fiddler's Green,"n.d. |
| 7 | | | Incomplete typescript, n.d. |
| 8 | | | Notes and dialogue, n.d. |
| 9 | | | "The Room Is Cold,"n.d. |
| box | folder |
| 47 | 1 | | "Summer at the Lake,"n.d. (or "Escape,""The Lake") "The
Summer Belvedere" |
| 2 | | | Draft fragments, 1943, n.d. |
| 3 | | | Galley proofs, 1944 (see also galley files) |
| 4 | | "Summer: Manhattan,"1940, n.d. |
| 5 | | "Summer Notes and Some Ain't!,"n.d. |
| 6 | | "The Swan,"1939, n.d. |
| | | "Sweet Bird of Youth" (or "The Enemy: Time,""The Puppets of the Levantine") |
| box | folder |
| 47 | 7 | | | "The Enemy: Time,"1956 |
| 8 | | | First draft, 1956 |
| 9-11 | | | Draft fragments, 1958 |
| 12 | | | Galley proofs, 1958 (see also galley files) |
| box | folder |
| 48 | 1 | | | Revised typescript draft, 1958 |
| 2 | | | Revisions, 1958 |
| 3 | | | Typescript draft, 1958 |
| 4 | | | Mimeo script, n.d. |
| 5 | | | "The Puppets of the Levantine,"n.d. |
| 6 | | | Sketch for long play, n.d. |
| 7 | | "A System of Wheels,"1947, n.d. |
| 8 | | Ta, n.d. |
| 9 | | "A Tale of Two Writers,"n.d. |
| 10 | | "Talisman Roses,"n.d. |
| 11 | | "Talk to Me Like the Rain,"n.d. |
| box | folder |
| 49 | 1 | | Te, 1939-1943, n.d. |
| 2 | | "Ten Minute Stop,"1936, n.d. |
| 3 | | "Testa Dell' Effebo,"1948 |
| 4 | | Th, 1938-1952, n.d. |
| 5 | | "That Red Headed Woman of Mine,"n.d. |
| 6 | | "There Was Light,"n.d. |
| 7 | | "These Are the Stairs You Got to Watch,"n.d. |
| 8 | | "These Scattered Idioms,"n.d. |
| 9 | | "This Is (An Entertainment),"1974 |
| 10 | | "This Is the Peaceable Kingdom,"1978 (or "Good Luck
God") |
| 11 | | "This Property Is Condemned,"1958, n.d. (or "House by the Railroad,""Morning With Martial Music,""This Is My Crazy Doll") (also in "Three Plays by Tennessee Williams") |
| 12 | | "This Spring,"n.d. |
| 13 | | "This Year's Debutante,"n.d. |
| 14 | | "Those Who Ignore the Appropriate Time of Their
Going,"1955, n.d. (or "Doom's Partner,""In the Winter of Cities,""Often Toward Morning,""Queen's Gambit Declined,""Stains of a Tender Outrage") |
| 15 | | "Three Players of a Summer Game,"1951-1952, n.d. |
| box | folder |
| 50 | 1 | | "Three Players of a Summer Game,"1951-1952, n.d. |
| 2 | | "Three Plays by Tennessee Williams,"1958 |
| 3 | | "Three Works for the Lyric Theatre,"ca. 1981 |
| 4 | | Ti-Tw, n.d. |
| 5 | | "Till One or the Other Gits Back,"n.d. |
| 6 | | "The Timeless World of a Play,"n.d. |
| 7 | | Title pages, n.d. |
| 8 | | "Towns become jewels...,"1941 |
| 9 | | "The Treadmill,"n.d. |
| 10 | | "Tuesday's Child,"1948 (or Frère Jacques) |
| 11 | | "Twenty-seven Wagons Full of Cotton,"n.d. (or "Now Eros Shake My
Soul") |
| 12 | | "The Twister,"n.d. |
| 13 | | "Two on a Party,"1951-1952, n.d. (see also galley files) |
| 14 | | U, n.d. |
| 15 | | "Unemployment,"1941 |
| 16 | | "Useless,"n.d. |
| box | folder |
| 51 | 1 | | V, n.d. |
| 2 | | "The Valediction,"n.d. |
| 3 | | "Venite Adoremus,"n.d. |
| | | "Vieux Carré" (or "Dead Planet, the Moon") |
| box | folder |
| 51 | 4 | | | Poem, 1939, n.d. |
| 5 | | | Typescript drafts, 1939, n.d. |
| 6 | | "The Vine,"1939-1944? (or "Time of the
Locust") |
| 7 | | Wa-We, 1938-1941, n.d. |
| 8 | | "We Have Not Long to Love,"n.d. (or "I Have Not Long to
Love") |
| 9 | | "The Weight of a Stone,"n.d. |
| 10 | | Wh, 1939-1943, n.d. |
| 11 | | "When will the sleeping tiger stir...,"1940 |
| 12 | | "Where I Live,"n.d. (or "Experiments of the Sixties,""Finally Something New,""These Scattered Idioms,""What is `Success' in the
Theatre") |
| 13 | | "Which Is My Little Boy,"n.d. |
| 14 | | "Why Did Desdemona Love the Moor?,"1939, n.d. (or "The
Bitch") |
| 15 | | "Why Do You Smoke So Much Lily?,"1935, n.d. |
| 16 | | Wi-Wo, 1941, n.d. |
| box | folder |
| 52 | 1 | | "Will Mr. Merriwether Return from Memphis?,"1969, n.d. |
| 2 | | "Will You Believe?,"n.d. |
| 3 | | "Woman Key,"n.d. |
| 4 | | "Woman of the Hills,"n.d. |
| 5 | | "The World I Live In,"1957, n.d. (or "A Do-It-Yourself
Interview") |
| 6 | | "World of Lights and Shadows,"n.d. |
| 7 | | "Writers Abroad,"1950 |
| 8 | | Y-Z, 1938-1944, n.d. |
| 9 | | "The Yellow Bird,"1941-1946, n.d. (or "Bobo,""The Bitch") (see also galley
files) |
| | | "You Touched Me" |
| box | folder |
| 52 | 10 | | | Dialogue sketches, n.d. |
| 11 | | | Draft fragments, 1944, n.d. |
| 12 | | | Forward, 1944, n.d. |
| 13 | | | Notes, 1944, n.d. |
| 14 | | | Typescript drafts, 1949, n.d. |
| box | folder |
| 53 | 1 | | | Typescript drafts, 1949, n.d. |
| | | Unidentified works |
| box | folder |
| 53 | 2 | | | Autograph notes, n.d. |
| 3-6 | | | Draft fragments, ca. 1932-1944, n.d. |
| 7 | | | Journalistic article fragments, 1945-1955, n.d. |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series II. Correspondence, 1880-1980, n.d.
|
| | | Subseries A. Outgoing, 1928-1980, n.d. |
| box | folder |
| 54 | 1 | | | A-B, 1948-1964, n.d. |
| 2 | | | Barnes, Clive, 1975 |
| 3 | | | Barnes, William, 1975 |
| 4 | | | Bretzfelder, Anne, 1940 |
| 5 | | | Brown, Andreas, 1962-1963, n.d. (see also galley
files) |
| 6 | | | C-D, 1940-1954, n.d. |
| 7 | | | Dakin, Rosina Otte, 1936-1939, n.d. |
| 8 | | | Dakin, Walter Edwin, 1930-1952, n.d. |
| 9 | | | Evans, Oliver Wendell, 1948-1967, n.d. |
| 10 | | | F-H, 1937-1983, n.d. |
| 11 | | | Hazan, Joseph, 1940-1962, n.d. |
| 12 | | | Isherwood, Christopher, n.d. |
| 13 | | | Jennings, Anne, n.d. |
| 14 | | | Jones, Margo, 1943-1950, n.d. |
| 15 | | | K-L, 1940-1958, n.d. |
| 16 | | | Liebling-Wood, 1939-1954, n.d. |
| box | folder |
| 55 | 1-6 | | | Liebling-Wood, 1939-1954, n.d. |
| box | folder |
| 56 | 1 | | | M, 1933-1965, n.d. |
| 2 | | | Meacham, Anne, 1971-1980 |
| 3 | | | N-P, 1938-1943, n.d. |
| 4 | | | Persons, Gene, 1976 |
| 5 | | | R, n.d. |
| 6 | | | Rodriguez y Gonzalez, Pancho, 1947-1952, n.d. |
| 7 | | | S, 1934-1951, n.d. |
| 8 | | | Saher, Lilla van, 1954-1962 |
| 9 | | | Sykes, Buffie Johnson, 1951 |
| 10 | | | T-W, 1931-1964, n.d. |
| 11 | | | Williams, Cornelius Coffin, 1928-1948 |
| 12-14 | | | Williams, Edwina Dakin, 1928-1963, n.d. |
| 15 | | | Williams, Edwina Dakin and Rosina Otte Dakin, 1939,
n.d. |
| 16 | | | Williams, Edwina Dakin and Walter Edwin Dakin, 1951-1954,
n.d. |
| 17 | | | Williams, Edwina Dakin and Cornelius Coffin Williams,
1928-1940, n.d. |
| 18 | | | Windham, Donald, 1943-1944, n.d. |
| box | folder |
| 57 | 1 | | | Wood, Audrey, 1939-1952, n.d. |
| 2 | | | Y-Z, 1931-1972, n.d. |
| 3 | | | Unidentified correspondence, 1939-1974, n.d. |
| | | Subseries B. Incoming, 1922-1970, n.d. |
| box | folder |
| 57 | 4 | | | A-B, 1933-1958, n.d. |
| 5 | | | Bigelow, Paul, 1941-1951, n.d. |
| 6 | | | Brown, Andreas, 1962-1964, n.d. |
| 7 | | | Brownlow, Isabel Williams, 1936-1937 |
| 8 | | | C-D, 1928-1964, n.d. |
| 9 | | | Dakin, Walter Edwin, 1939-1943 |
| 10 | | | E-G, 1943-1954, n.d. |
| 11 | | | H-K, 1939-1955, n.d. |
| 12 | | | Kazan, Elia, 1952-1955, n.d. |
| 13 | | | L, 1933-1953, n.d. |
| box | folder |
| 58 | 1 | | | Laughlin, James, 1947-1955, n.d. |
| 2-7 | | | Liebling-Wood, 1939-1954 |
| box | folder |
| 59 | 1-3 | | | Liebling-Wood, 1939-1954 |
| 4 | | | Lyndon, Andrew J., 1942-1943 |
| 5 | | | M, 1935-1962, n.d. |
| 6 | | | N-O, 1932-1969, n.d. |
| 7 | | | Olivier, Lawrence, n.d. |
| 8 | | | P-R, 1928-1955, n.d. |
| 9 | | | S-T, 1941-1970, n.d. |
| box | folder |
| 60 | 1 | | | U-W, 1929-1962, n.d. |
| 2 | | | Williams, Edwina Dakin, 1938-1943, n.d. |
| 3 | | | Williams, Rose Isabel, ca. 1922-1933 |
| 4 | | | Windam, Donald, 1942-1943, n.d. |
| 5 | | | Wood, Audrey, 1939-1964, n.d. |
| 6 | | | Y-Z, 1934-1952 |
| 7 | | | Unidentified correspondence, 1939-1955, n.d. |
| | | Subseries C. Third-party correspondence, 1880-1976, n.d. |
| box | folder |
| 60 | 8 | | | A, 1937-1966, n.d. |
| 9 | | | Atkinson, Justin Brooks, 1967 |
| 10 | | | B, 1943-1965 |
| 11 | | | Brownlow, Isabel Williams, 1936-1938, n.d. |
| 12 | | | C-D, 1924-1957, n.d. |
| 13 | | | Dakin, Walter Edwin, 1905-1954, n.d. |
| box | folder |
| 61 | 1 | | | Dakin, Walter Edwin, 1905-1954, n.d. |
| 2 | | | De Rochemont, Louis, 1960-1966, n.d. |
| 3 | | | De Rochemont, Virginia Shaler, 1960-1966 |
| 4 | | | F, 1900-1905 |
| 5 | | | Feldman, Charles K., 1945-1948, n.d. |
| 6 | | | G-I, 1906-1963, n.d. |
| 7 | | | J-L, 1934-1963, n.d. |
| 8 | | | Liebling-Wood, 1940-1954 |
| 9 | | | M-N, 1880-1963, n.d. |
| box | folder |
| 62 | 1 | | | O-S, 1897-1965 |
| 2 | | | Saher, Lilla van, 1958-1964, n.d. |
| 3 | | | T-V, 1925-1964 |
| | | | Vaccaro, Marion Black |
| box | folder |
| 62 | 4 | | | | General, 1960-1965, n.d. |
| 5 | | | | "Orpheus Descending,"1957-1964, n.d. |
| 6-7 | | | | "The Roman Spring of Mrs. Stone,"1958-1961, n.d. |
| 8 | | | W, 1920-1965 |
| box | folder |
| 63 | 1 | | | Wood, Audrey, 1945-1966 |
| 2 | | | Unidentified correspondence, 1926-1976, n.d. |
| 3-5 | | | Envelopes and folders |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series III. Williams Family, 1892-1969, n.d.
|
| | | Subseries A. Works, 1892-1962, n.d. |
| box |
| 64 | | | | Williams, Edwina Dakin |
| 1 | | | | A-Z, n.d. |
| | | | | "Remember Me To Tom" (or "My Son Tom,""Tribute to Tom") |
| box | folder |
| 64 | 2 | | | | | Draft fragment, n.d. |
| 3-5 | | | | | Early composite draft, n.d. |
| 6-7 | | | | | Early revised composite draft, n.d. |
| 8 | | | | | Intermediate composite draft, n.d. |
| box | folder |
| 65 | 1-2 | | | | | Intermediate composite draft, n.d. |
| 3-5 | | | | | Typescript draft with printers marks, 1962 |
| 6 | | | | | Photocopy manuscript, 1962 |
| box | folder |
| 66 | 1 | | | | | Photocopy manuscript, 1962 |
| 2 | | | | | Galley proofs, 1962 (see also galley
files) |
| 3 | | | | | Publisher's agreement, 1962 |
| 4 | | | Williams, Rose Isabel, 1926, n.d. |
| 5 | | | Williams, Walter Dakin, n.d. |
| 6 | | | Genealogical information, n.d. |
| 7 | | | Notebooks, 1892-1935, n.d. |
| | | Subseries B. Correspondence, 1922-1969, n.d. |
| box | folder |
| 66 | 8 | | | Williams, Cornelius Coffin, 1937-1950 |
| | | | Williams, Edwina Dakin |
| | | | | Outgoing |
| box | folder |
| 66 | 9 | | | | | A-Z, 1928-1969, n.d. |
| 10-12 | | | | | Dakin, Rosina Otte, 1936-1940, n.d. |
| box | folder |
| 67 | 1 | | | | | Dakin, Rosina Otte, 1936-1940, n.d. |
| 2 | | | | | Dakin, Walter Edwin, 1933-1948, n.d. |
| 3 | | | | Incoming, 1928-1940, n.d. |
| 4 | | | Williams, Ella, 1936-1939, n.d. |
| | | | Williams, Rose Isabell |
| | | | | Outgoing |
| box | folder |
| 67 | 5 | | | | | A-Z, 1926-1937, n.d. |
| 6 | | | | | Dakin, Rosina Otte, 1926-1936 |
| 7 | | | | | Williams, Edwina Dakin, 1922-1937 |
| | | | Williams, Walter Dakin |
| | | | | Outgoing |
| box | folder |
| 67 | 8 | | | | | A-Z, 1933-1962 |
| 9 | | | | | Williams, Edwina Dakin, 1936-1963 |
| | | Subseries C. Scrapbooks, 1900-1950s |
| box | folder |
| 67 | 10 | | | Separation sheet and copies of old catalog slips for the
scrapbooks |
| | | | Scrapbook 1, 1947-1948 |
| | | | Scrapbook 2, 1950s |
| | | | Scrapbook 3, 1955 |
| | | | Scrapbook 4, 1945 |
| | | | Scrapbook 5, 1936, n.d. |
| | | | Scrapbook 6, 1900-1901 |
| | | | Scrapbook 7, 1902-1905 |
| | | | Scrapbook 8, 1905-1907 |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series IV. Works by Others, 1940-1993, n.d.
|
| | | Brown, Andreas |
| | | | Bibliography |
| box | folder |
| 68 | 1 | | | | Introduction, n.d. |
| 2-3 | | | | Early composite draft, n.d. |
| | | | | A entries |
| box | folder |
| 68 | 4 | | | | | Early draft, n.d. |
| 5 | | | | | A2 draft, n.d. |
| 6 | | | | | B2 draft, n.d. |
| 7 | | | | | C draft, n.d. |
| 8 | | | | | C2 draft, n.d. |
| 9 | | | | | D1 draft, n.d. |
| box | folder |
| 69 | 1 | | | | | Late draft, n.d. |
| | | | | B entries |
| box | folder |
| 69 | 2 | | | | | Early draft, n.d. |
| 3 | | | | | A draft / B draft composite, n.d. |
| 4 | | | | | Late draft, n.d. |
| 5 | | | | D entries, n.d. |
| 6 | | | | E entries, n.d. |
| 7 | | | | File cards, n.d. |
| 8 | | | | Fragments, n.d. |
| | | | Correspondence |
| box | folder |
| 69 | 9 | | | | A-Z Book Service, 1961-1962 |
| | | | | Bibliographic requests |
| box | folder |
| 69 | 10 | | | | | Outgoing, 1961-1967, n.d. |
| 11-13 | | | | | Incoming, 1961-1967, n.d. |
| box | folder |
| 70 | 1-2 | | | | Book dealers, 1961-1965, n.d. |
| 3 | | | | Cohn, Lowell, 1962-1963, n.d. |
| 4 | | | | Conroy, Jack, 1962 |
| 5 | | | | Copyright, 1963-1964 |
| 6 | | | | Dearden, R. Rowland, 1961-1962, n.d. |
| 7 | | | | Eliot and college verse poems, 1955-1965, n.d. |
| 8 | | | | Foreign printings, 1962-1966, n.d. |
| 9-10 | | | | Freeman, Lucy, 1962-1966, n.d. |
| 11 | | | | Gotham Bookmart, 1961-1970, n.d. |
| box | folder |
| 71 | 1 | | | | Henry Wenning Rare Books, 1960-1966, n.d. |
| 2-3 | | | | House of Books (Margie Cohn), 1961-1966, n.d. |
| 4 | | | | Inactive "Book,"1961-1964 |
| 5 | | | | Magazines, 1961-1967, n.d. |
| 6 | | | | Maxwell, Gilbert, 1963-1965, n.d. |
| 7 | | | | Phoenix Book Shop, 1962-1965, n.d. |
| 8 | | | | Roman / Martin, 1963-1964 |
| 9 | | | | San Diego State College Foundation Grant, 1961-1963,
n.d. |
| box | folder |
| 72 | 1 | | | | Schwarts, Alan, 1962-1964, n.d. |
| 2-3 | | | | Texas, 1962-1967, n.d. |
| 4 | | | | Time magazine, n.d. |
| 5 | | | | Williams, Edwina Dakin, 1962-1967, n.d. |
| 6 | | | | Williams, George, 1964-1965, n.d. |
| 7 | | | | Williams, Tennessee, 1962-1965, n.d. |
| 8 | | | | Williams, Walter Dakin, 1962-1964, n.d. |
| 9 | | | | Windham / Merlo, 1962-1964 |
| 10 | | | | Wood, Audrey, 1962-1967, n.d. |
| 11 | | | | York, Michael, 1983 |
| box | folder |
| 73 | 1 | | | Errors in the published studies of Williams, ca. 1963 |
| | | | Notes |
| box | folder |
| 73 | 2 | | | | Contents of Williams' collection, n.d. |
| 3 | | | | Foreign editions, n.d. |
| 4-6 | | | | General, n.d. |
| 7 | | | | Life sequence of Williams, n.d. |
| 8 | | | | List of first published appearances, n.d. |
| 9 | | | | List of poems (with first lines), n.d. |
| 10 | | | | List of published poems, n.d. |
| 11 | | | | List of Williams' manuscripts, n.d. |
| 12 | | | | List of Williams' works, n.d. |
| 13 | | | | Notecards, n.d. ( see
card file boxes 1-3) |
| 14 | | | "Tennessee Williams by Another Name,"n.d. |
| box | folder |
| 74 | 1 | | Burks, Deborah G.: "Treatment Is Everything:
The Creation of Blanche and Stanley in Williams' 'Streetcar',"n.d. |
| 2 | | Candee, Marjorie Dent: "Enter the Hero: Eli
Wallach to have lead in Tennessee Williams' new play 'Camino Real',"1952 |
| 3 | | Choukri, Mohamed: "Tennessee Williams in
Tangier,"1970s |
| 4 | | Evans, Oliver: "The Dramatic Development of
Tennessee Williams,"n.d. |
| 5 | | Fox, Fred: "The Cara Williams Show: Cara on
a Hot Tin Roof,"1964 |
| 6 | | Frost, David: "Interview with Tennessee
Williams,"1970 |
| 7 | | Gravser, Bernard: Review of "The Rose
Tattoo,"n.d. |
| 8 | | Haige, Robert: "Lovely Weed,"n.d. |
| 9 | | Hewes, Henry: "Tennessee Williams: The Last
of Our Solid Gold Bohemians,"1953 |
| 10-12 | | International Cultural Programming: Transcript for documentary film
"Tennessee Williams: Orpheus of the American
Stage,"1993 |
| box | folder |
| 75 | 1 | | International Cultural Programming: Transcript for documentary film
"Tennessee Williams: Orpheus of the American
Stage,"1993 |
| 2 | | Johnstone, Monica Carolyn: "Tennessee
Williams and American Realism,"1987 |
| 3 | | Leavitt, Richard F.: "The World of Tennessee
Williams,"1975-1977, n.d. (see also oversize box 2) |
| 4 | | Marlin, Max: Musical score for "A Streetcar
Named Desire,"1947 (see also oversize box 2) |
| | | Maxwell, Gilbert |
| box | folder |
| 75 | 5 | | | "All on a Summer's Day,"n.d. |
| 6-8 | | | "Tennessee Williams and Friends,"n.d. |
| box | folder |
| 76 | 1-5 | | | "Tennessee Williams and Friends,"n.d. |
| 6 | | McCullers, Carson: "The Dual Angel,"
1951 ( "Incantation to Lucifer, ""Hymen, O Hymen, ""Love and the Rind of Time, ""The Dual Angel, ""Father, Upon Thy Image We are
Spanned") |
| 7 | | Rilke, Rainer Maria [unidentified translator]: "The Love and Death of the German Knight,"n.d. |
| 8 | | Susskind, David: "Open End: Backstage on
Broadway,"1960 |
| 9 | | Tanya, Kenneth: "Tennessee Williams,"1955 |
| 10 | | Weales, Gerald: "Tennessee Williams's Lost
Play,"1965 |
| 11 | | Unidentified, 1940-1947, n.d. |
Return to the Table of Contents
- A to Z Book Service--69.9, 71.2, 71.4
- A. Nash Company--60.8
- Aardvarks Booksellers--70.1
- Abconti--70.1
- Abraham's Magazine Service--71.5
- Abrams, David--60.8
- Abramson, Charles H.--61.5
- The Academy of Political Science (U.S.)--57.4
- Adams, Jim--57.4
- Adler, Stella--57.4
- Albert J. Phiebig, Publishers--70.1
- Alford, Walter--57.4
- Allen, Luther--57.4
- Allison, John--54.1
- American Academy of Arts and Sciences--60.8
- American Civil Liberties Union--57.4
-
American Literature--69.11
-
American Mercury--60.8
-
American Preface--57.4
- American Theatre Society--60.8
- Archer, William H.--57.4
- Aschenberg, Bridget--60.8, 72.10
- Atkinson, Brooks, 1894- --54.1, 57.4, 60.8
- Atlantic Book Service--70.1
- Attic Books--69.9
- Augenblick, Robert L.--62.4
- Austin Ethel--57.4
- The Author's League of America, Inc.--57.4
- Baker, Carlos, 1909-1987--71.4
- Bank of America (Santa Monica, CA)--57.4
- Bardelebeu, Erno--57.4
- Barlow, Anna Marie--57.4
- Barlow, William P., Jr.--71.4
- Barnes, Clive, 1927- --54.2
- Barnes, Margaret Fawcett, 1896-1980--60.1
- Barnes, William (Bill)--35.6, 54.3, 75.3
- Baugh, Stella G.--60.10
- Beaumont, Hugh (Binkie)--57.4
- Beaurline, L. A. (Lester A.)--69.11
- Becker, Olga--57.4
- Bell, Bill--57.4
- Belmore, Daisy, 1874-1954--57.4
- Bently, Eric, 1916- --54.1, 59.5
- Bergman, Rudolph--60.10
- Berle, Milton--57.10
- Berman Book Service--70.1
- Berry, Ellen--57.4
- Bertram Rota, Ltd.--69.11, 70.1, 71.4
- Bibliographical Society of America--69.11
- Bigelow, Paul--57.5
- Black, Claire--60.10
- Bloom, James--69.11
- Bob's Book Barn--71.9
- Bohan, James (Jim)--72.10
- Bolt, Grace--60.10
- Bookland--70.1, 71.9
- Book Service--70.1
- Books on File--70.1
- Boston Public Library--69.11
- Bowles, Jane Auer, 1917-1973--54.1
- Bowles, Paul--54.1, 57.4
- Bowman, Roy--60.10
- Brandeis University. Creative Arts Awards--60.10
- Bretzfelder, Anne--54.4
- The Brick Row Book Shop--71.1
- Brown, Andreas--54.5, 57.6, 69.9-13, 70.1-11, 71.1-9, 72.1-10, galley files
- Brown, Minette E.--57.4
- Brown, Phil--57.4
- Brown, Sheldon J. (Mrs.)--69.11
- Brownlow, Isabel Williams--57.7, 60.11
- Bruce Humphries, Publisher--69.11
- Büchergilde Gutenberg--69.11
- Cabot,? (Mrs.)--54.6
- Cam, Gilbert Arthur, 1906- --70.6
- Campbell, Sandy--54.6, 57.8
- Cannastra, Bill--57.8
- Canterbury Bookshop--71.4
- Carlson, Nione--57.8
- Carmel Valley Manor--69.11
- Carr, James F.--71.7
- Carra, Laurence--57.8
- Carson, Wm. G. B. (William Glasgow Bruce)--69.11
- Carter, Richard--57.8
- Case, Bertha--54.6, 54.16
- Cassell & Company, Ltd.--69.11
- Cassidy, Claudia--57.8
- Cerf, Bennett, 1898-1971--54.6
- Chapman, Clare--60.12
- Charbonnel, Avis Bliven, b. 1880--57.8
- Charles Rare Books--71.4
- Charles Wilson, Caterers--60.12
- Chase, Ilka, 1905-1978--60.12
- Chicago Book Mart--69.11
- Chittenden, Bess--60.12
- Chugg, Eliza--69.11
- Cinema Productions (Firm)--54.6, 57.8
- Citizen's Smoke Abatement League--57.8
- Clawson, Rex--57.8
- Cohn, Lowell--70.3
- Collins, Alan Copeland, 1902- --60.12
- Colton, Edward E.--57.8, 60.12
- Columbia University--57.8, 69.11
- Combs, Frank W.--60.12
- Conde Nast Publications, Inc.--69.11
- Conkle, E. P. (Ellsworth Prouty)--61.7, 69.11
- Conroy, Jack, 1899- --70.4
- Cornell, Katharine--54.6, 57.8
- Cornwall House, Publishers--57.8
- Cowan, Lester--57.8
- Cowl, J.--60.12
- Craig, Helen--57.8
- Crawford, Cheryl, 1902-1986--54.6, 57.8, 60.5, 60.12
- Cronyn, Hume--54.6, 57.8
- Crowdus, William W.--57.8
- Curtis, Elizabeth--57.8
- Dakin, Floy Wright--60.12
- Dakin, Rosina Otte--54.7, 56.15, 57.8, 60.12
- Dakin, Walter Edwin--54.6, 56.15, 60.12
- Dallas Athletic Club--57.8
- Dallas Public Library--69.11
- Daughters of the American Revolution. Jefferson Chapter (Saint Louis, Mo.)--60.12
- Davis, Louise--60.12
- Dawson's Book Shop--71.4, 72.2
- Daykin, James Henry--60.12
- Dearden, R. Rowland--70.6
- Delucia,? (Mrs.)--71.4
- Denton, Crahan, 1914-1966--57.8
- De Rochemont, Louis, 1899-1978--57.8, 60.12
- De Rochemont, Virginia Shaler--60.12
- Dodd, Mead & Co.--69.11
- Doubleday & Company--69.11
- Doud, Margery--60.12
- Dowling, Eddie--54.6, 57.8, 60.12, 69.11
- Drake, Claribel--60.12
- The Dramatists' Guild--57.8, 60.12
- Dramatists Play Service, Inc.--69.11
- Dreschler, Kort--57.8
- Driscoll, Emily--72.3
- The Dylan Thomas Fund--60.12
- Eden, B.--57.10
- Editorial SR, S. A.--73.3
- Edward Eberstadt & Sons--70.1
- Elizabeth, Queen, Consort of George VI, King of Great Britain, 1900- --57.10
- Engle, Paul--57.10
- Erve, Joan van de--62.3
-
Esquire--7.5
- Etter, Alfred, G.--69.11
- Evans, Oliver Wendell, 1915- --54.9, 57.10
- Falk, O. P. J.--57.10
- Faller, Preston F.--61.4
- Feldman, Charles K.--57.10, 61.5
- Fellini, Federico--54.10
- The Finnish-American Society--57.10
- Fischer Buchere--69.11
- Fitsgerald, Neil--54.10
- Fletcher, Allen--56.4
- Foote, Horton--57.10
- Franco Colombo, Inc.--69.11
- Franklin Book Programs--70.8
- Freeman, Lucy--54.10, 69.9-10, 72.3
- Friars Club--57.10
- G. C. Eleftheroudakis (Firm)--70.8
- G. P. Putnam's Sons--69.11
- Gale Agency, Inc.--57.10
- Gaynor Motors, Hollywood--57.10
- Gentry (?), Julia Mack--57.10
- Glavin, William M.--54.10, 57.10
- Glenville, Peter--54.10
- Godkin, P.--57.10
- Goldberg, Kate--61.6
- Goldman, Milton--54.10
- Grand Hotel du Louvre, Paris--57.10
- Green, W. Morse--61.6
- Greenstreet Sydney--57.10
- Greive, Maria--72.2
- Gruber, Lee--57.10
- Groves, J. Stuart--54.10
- Guggenheim, Peggy, 1898- --54.10
- Guiles, Fred Lawrence--61.6
- H. W. Wilson Company--69.11
- Haas, R.--61.6
- Hack, Keith--54.10
- Hall, Robert S.--57.11
- Hansen, Franke--69.11
- Harford, Leroy--61.6
-
Harper's Bazar--69.11
- Harvard University. Library--69.11
- Havener, Felix V.--62.4
- Hazan, Joseph--54.11, 57.11, 69.11
- Hecht Book Shop--70.1
- Helburn, Theresa--61.6
- Henry W. Wenning Rare Books--69.11, 71.1, 72.6
- Her Majesty's Department of Inland Revenue--62.3
-
Herald-Tribune Book Section--54.10
- Highland Hospital--61.6
- Hines, Anne--61.6
- Hocter, Emmett F.--61.6
- Holland, Willard--42.7, 54.10, 57.11
- Hollifield, Joe--61.6
- Holt, Rinehart & Winston, Inc.--69.11
- Horizon Press, Inc.--61.6
- Horton, Mary B.--61.6
- Hotel Alcazar--61.6
- Hotel Belvedere Interlaken--57.11
- Houghton Mifflin & Co.--69.11
- House of Books, Ltd. (New York)--71.2, 72.2
- House of El Dieff, Inc.--70.1, 72.2
- Hunter, Mary--54.10, 57.11
- Hurley, Paul J.--71.1
- Hynds, Reed--54.10
- Inbody, R. M.--69.11
- Ingersoll, C. L.--61.6
- Intercontinental Theatre Arts Bureau--61.6
- The International Press Agency--57.11
- International Shoe Company--61.6
- Isherwood, Christopher, 1904- --54.12, 57.11
- Ivan Oblensky, Inc.--69.11
- J. S. Canner & Company, Inc.--71.5
- Jaffe, Eddie--57.11
- Jamison, Paul B.--61.7
- Jennings, Anne--54.13
- John Day Publishers--69.11
- Jones, Margo--54.14, 57.11, 61.7
- Jones, Richard Collins--72.3
- Kalem, Theodore E.--61.7
- Kaplan, Carolyn--69.11, 70.1, 71.4, 72.3
- Kaplan, Jack--70.5
- Kazan, Elia--2.8, 54.15, 55.4, 57.12, 61.7
- Kazan, Molly Thacher--54.15, 57.11
- Kelly, Alberta Metcalf--61.7
- Kenzac, Marcelle de Mme.--57.11
- Kerr, Walter--54.15, 57.11
- Kherdian, David--70.7, 72.3
- Kiernan, Kip--54.15
- Kingston Galleries, Inc.--72.3
- Kinsey, Alfred C.--57.11
- Kocher, Eric--57.11
- Kohler, Charlotte--38.3
- Kohn, Charles--57.11
- Kozlenko, William, 1908- --61.7
- Lambert, Sam--61.7
- The Lamb's Serviceman's Morale Corps--57.13
- Langner, Lawrence, 1890- --54.15, 57.13
- Langsdorf, Martel--69.11
- Lanier, Sidney--61.7
- The Larry Edmunds Bookshop--70.1
- Laughlin, James--31.2, 54.15, 58.1, 69.11
- Leavitt, Richard F.--75.3
- Lehmann, John--54.15
- Lerner, Max--54.15
- Levinson, Harry A.--72.3
- Lewis, Robert--54.15
- Liebling, William--57.13, 61.5
- Liebling-Wood--54.16, 55.1-6, 57.1, 58.2-7, 59.1-3, 60.5, 61.8, 63.1
- Lilly Library. Indiana University, Bloomington--69.11
- Lindsay, Howard--57.13
- Lippman, Alice D.--57.13, 61.7
- Livingston, Barbara B.--57.13
- Lord, B.--3.4
- Loving, Jane--57.13
- Losh, J. Horace--57.13
- Lucado, Virginia--61.7
- Ludwig, William--57.13
- Lundbergh, Holger--61.7
- Lyndon, Andrew J.--54.15, 59.4
- MCA Artists, Ltd.--59.5, 61.9, 72.10
- M. S. Cass Rare Books--71.5, 71.9
- Mabie, Edward Charles--56.1
- MacDonald & Co.--69.11
- Mace, Borden--61.9
- MacGregor, Robert--21.3, 59.5, 69.11
- Mack, Eleanor L.--59.5
- MacKellar,?--59.5
-
Mademoiselle--69.11
- Magnani, Anna--56.1, 59.5
-
The Manitoban--59.5
-
Manuscript--59.5
- Maresca, Salvatore--59.5
- Marie Amadeus, Sister--61.9
- Martin, John K.--69.11, 71.8
- Martin Secker & Warburg--69.11
- Martin, William A.--56.1
- Masse, Jordan--59.5
- Maxwell, Gilbert--56.1, 59.5, 61.9, 71.6
- Mayorga, Margaret (Margaret Gardner)--56.1, 61.9
- McCabe, Hazel--59.5
- McClintic, Guthrie, 1893-1961--56.1, 59.5, 61.9
- McConnell, Jack--59.5
- McCullers, Carson, 1917-1967--56.1, 59.5, 61.9
- McPherson,?--56.1
- Meachem, Anne--56.2
- Memory Shop--70.1
-
Memphis Commercial-Appeal--56.1
- Merlo, Frank--56.1, 61.9
- Merrick, David--59.5
- Merrick, James J.--59.5
- Metro-Goldwyn-Mayer--61.9
- Mielzinger, Jo--56.1, 59.5
- Mills, Carley--59.5
- Mills, Clark--59.5, 61.9
- Minter, Richard H.--69.11, 70.1
- Mintz, A. L.--59.5, 61.9
- Missouri Historical Society--61.9
- Monroe, Harriet--56.1
- Moor, Paul--59.5
- Moore, Virginia--59.5, 61.9
- Moultin, J.H.--61.9
- Myers, John Bernard--59.5
- National Broadcasting Company, Inc.--61.9
- National Foundation for Infant Paralysis--59.6
- National Institute of Arts and Letters (U.S.)--59.6
- Nelson, Benjamin--69.12
-
Neophyte--59.6
- New Dramatists Committee--56.3
- The New English Library, Ltd.--69.12
- New York Public Library--69.12
- Newberry Library--69.12
- Newton, Mary Leslie--61.9
- Norman, Ruth--59.6
- Norton, Samual P.--61.5
- Norvell, Lee R.--56.3
- Norwine, F. E.--61.9
- Office Artistique International--62.1
- Old Island Realty Service--59.6
- Olesen, Oscar E.--62.5
- Olivier, Laurence, 1907- --59.7
- Onorato, Ronald E.--59.6
- P. & H. Bliss--71.6
- Parker, Ward S.--69.12, 71.4
- Parrott, Tuscan--62.1
- Pasadena Playhouse--59.8, 62.1
- Peabody Bookstore--70.1
- Penguin Books, Ltd.--69.12, 70.1
- Perkins, Clifford C.--59.8
- Personal Book Service--71.9
- Persons, Gene--56.4
- Pfaff, Paul L.--72.2
- Phillips, Bill--62.1
- Phoenix Book Shop--70.1, 71.7, 72.6
- Pickering, Jack--56.3
- Pinto, Winokur & Pagano--62.5
- The Play House--59.8
- The Playwrights Company--59.8
-
Poetry--59.8
- Popular Fiction Publishing Company--59.8
- Porter, Katherine Anne, 1890-1980--59.8
- Prentice Hall, Inc.--69.12
- Presley, Delma Eugene--71.1
- Quaid, Marion--62.1
- Queen, Robert T.--69.12
- Quick, Dorothy--59.8
- R. R. Donnelley and Sons, Company--71.4
- Random House--69.12
- Rawls, Eugenia--59.8
- Ree, Gerry de la--71.9
- Reedmor Magazine Company--71.5
- Reich-Baxter, John--59.8
- Renfield, Harold Levin--59.8
- Reston, Rodney--71.9
- Rinehart & Company, Inc.--69.12
- Roadside Bookshop--71.9
- Roberts, F. W.--69.12, 70.7, 72.3
- Robinson, E. E.--62.1
- Robinson, Francis--59.8
- Rock, Lillian D.--59.8
- Rodan, H. Itta--59.8
- Rodriguez y Gonzalez, Pancho--56.6, 59.8, 62.1, 72.2, 72.6
- Romain, Paul--70.4, 71.9
- Roman, U. Grant--71.8-9
- Romero, Marcus--62.1
- Rood, John--56.5, 59.8
- Saher, Lilla van--56.8, 59.9, 62.2
- St. Just, Maria Britneva, Baroness--59.9, 62.1
- Sano, Seki, 1905-1966--62.1
-
The Saturday Review of Literature--59.9
- Sawyer, Eloise McLaran--62.1
- Scerri-Owen, Den L.--59.9
- Schauffler, Robert--62.1
- Schenkner, Joel W.--59.9
- Schramm, Wilbur Lang, 1907- --56.7
- Schwartz, Alan V.--72.1, 72.3
- Screen Writers' Guild--62.1
- Selznick, Irene Mayer, 1907- --56.7, 62.1
- Sexton, Lucretia Cromer--62.1
- Shapiro, Karl Jay, 1913- --56.7
- Sharkey, Thomas E.--27.2
- Sharp, Kelly--62.1
- Sillcox, Luise--56.7
- Simon & Schuster, Inc.--69.12
- Sivia, Harry--69.12
- Smith, Tony--56.7, 59.9
- Snow, Carmel--59.9
- Social Science Book Store--70.1
- Societa italiana degli autori ed editore--62.1
- Soldan High School (Saint Louis, Mo.)--69.12
- Soo-Do Publishing Company--70.7
- Southern Illinois University at Carbondale--69.12
- The Spanish Refugee Appeal--59.9
- Specialty Book Company--70.11
- Stage and Screen Foreign Press Club--59.9
- Stanford University--70.6
- State University of Iowa. Libraries--69.12
- Statsseminàriet på Emdrupborg--59.9
- Stechert-Hafner, Inc.--70.1
- Stefonovic, Aleksandor V.--72.3
- Stevens, Roger L.--62.1
- Store, Bernard--71.4
-
Story--56.7, 62.1
- Strand Palace Hotel--62.1
- Streetcar Company--56.7
- Stutzman, Ralph--62.1
- Sykes, Buffie Johnson--56.9, 60.12, 62.1
- TV-Time--59.9
- Targ, Anne--56.10, 59.9
- Targ, Bill--75.3
- Taylor, Mary C.--62.3
- Taylor, R. L.--59.9
-
The Tenth Muse--70.2
-
Theatre--59.9
-
Theatre Arts--59.9, 62.3
- The Theatre Guild, Inc.--59.9, 62.3
- Thomas, Margaret Tappan--62.3
-
Time Magazine--56.10
- Titus, Earl O.--38.3
- Turner, Jimmy--59.9
- Tynan, Kenneth--60.5
- United States. Department of Agriculture--56.10
- United States. Department of State--56.10
- United States. Department of the Treasury. War Finance Committee--60.1
- United States Information Agency--69.12, 70.8
- United States. Library of Congress. Manuscripts Division--60.1, 69.12, 70.5
- United States. Selective Service System--59.9
- University of Chicago. Library--69.12
- University of Iowa Association of New York--62.3
- University of Minnesota--69.12
- University of Mississippi--69.12
- University of Missouri--69.12
- University of Nebraska--69.12
- University of Texas at Austin. Humanities Research Center--71.7, 72.7
- University of Wisconsin. Libraries--69.12
- Vaccaro, Marion Black--60.1, 62.4
- Van Fleet, Jo, 1919- --60.1
- Villanova University--69.12
- Vinal, Harold--60.1
- Visconti, Luchino, 1906-1976--60.1
-
Voices: A Journal of Poetry--69.12
- Voort, Carl van der--62.3
- Voyages Press--72.2
- Wald, R. F.--71.9
- Wallach, Eli, 1915- --60.1
- Walker, Scott--60.1
- Walt Kidd Finance Company--60.1
- Walter H. Baker Company--69.13
- Walter J. Johnson, Inc.--71.5
- Walter R. Benjamin Autographs, Inc.--70.2
- Warner Bros. Pictures--60.1, 62.7
- Warner, Jack--60.1
- Washer, Ben--62.7
- Washington University (Saint Louis, Mo.). Libraries--69.3
- Watkins, Minnie--62.7
- Webb, Bob, 1929- --61.2
- Webb, Sam J.--60.1, 62.7
- Western University Club--60.1 Wexley, John--60.1
- Wharton, Carly--60.1
- White, H.A. (Mrs.)--62.7
- Wilke's Book Service--71.5
- William Morris Agency--62.7
- Williams, Cornelius Coffin--56.11, 60.1, 60.5, 66.8
- Williams, Dakin--56.10, 60.1, 67.8, 72.7, 72.8
- Williams, Edwina Dakin--56.12-17, 60.2, 60.5, 66.9-12, 67.1-3, 72.5
- Williams, Ella--60.1, 67.4
- Williams, George H.--72.3, 72.6
- Williams, Joyce--56.10
- Williams, Rose Isabel--56.10, 60.3, 67.5-7
- Willits, Malcolm--69.13, 70.2, 71.4
- Wilson, Margaret Fawcett see Barnes, Margaret
Fawcett, 1896-1980
- Wilson, Robert A.--62.7, 70.7, 71.1
- Wilson, William S.--62.7
- Windham, Don--56.18, 60.4, 72.9
- Wittenberg, Carrington & Farnsworth--62.7
- Wood, Audrey, 1905- --6.7, 57.1, 60.5, 60.12, 61.6, 63.1, 69.13, 72.10
- World Publishing Company--56.10, 62.7
- Yale University. Graduate School--71.5
- Yale University. Library--69.13
-
A Year Magazine--60.7
- York, Michael, 1939- --72.11
- Yoshikawa, Shoji--60.6
- Young Men's Christian Association of the City of New York--60.6
- Young, Stark, 1881-1963--60.6
- Zabel, Morten Dauwen, 1901-1964--57.2
- Zawadzki, Edward--60.6
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