TABLE OF CONTENTS
John L. Spivak:
An Inventory of His Papers at the Harry Ransom Humanities Research Center
John Louis Spivak was born on June 13, 1897, and grew up in New Haven, Connecticut. After a series of factory jobs, Spivak began a career in journalism as a police reporter with the New Haven Union. His antipathy for the patriotic hysteria of the late 1910s, coupled with an interest in socialism, politicized Spivak, who used his investigative skills to expose corruption and venality in American business and government. By 1919, Spivak was working as a freelance reporter for the American Socialist Party's paper, The Call, where he covered labor unrest in the West Virginia mines, going so far as to personally ask the White House to investigate the murders of unionizers and the Sacco-Vanzetti murder trial.
Throughout the 1920s and 1930s Spivak travelled around the country and the world investigating corruption and inequality. He successfully proved that a New York police commissioner's "evidence" that labor unions were receiving funds from the U.S.S.R. were forged. He also investigated living conditions in Georgia prison camps and chain gangs, which he revealed in a book of fiction titled Georgia Nigger. This book caused a sensation, and is credited with curtailing the chain gang system in the South.
In the 1930s Spivak investigated the rise of fascism. He was particularly interested in fascist infiltration in the United States, and worked with several anti-fascist and Jewish groups to expose German and Japanese propagandists and spies. His 1934 book Plotting America's Pogroms investigated Nazi groups in the United States, and he continued his reports with Europe Under the Terror (1936), which interviewed members of the anti-Nazi underground in Rome, Vienna, Berlin, Warsaw, and Prague. Spivak exposed a group of fascist sympathizers who were trying to foment a revolution in Mexico in order to divert American attention from Germany and Japan. His 1940 book, The Shrine of the Silver Dollar, led to the downfall of the anti-Semitic broadcaster, Father Charles Coughlin. Spivak's many exposés led the crusader and muckraker Lincoln Steffens to name him"the best of us."
Spivak retired from journalism in the 1960s and published an autobiography, A Man in His Time, in 1967. However, two years later, he became consumer affairs editor at a Pennsylvania newspaper, where he exposed a corrupt magazine sales scheme, which led to a new state consumer protection law. Spivak died September 30, 1981, in Philadelphia.
Although he had a long and productive career as a journalist, this collection reflects Spivak's work on only one book. The two boxes of reports, correspondence, creative works, and scrapbook material, 1929-48 (bulk 1929-33), document the publication of John L. Spivak's book, Georgia Nigger. The material is arranged in three series. The first, entitled Documentation of Georgia Prison Conditions (2 folders, 1929-31), includes reports and correspondence taken from Georgia state prison records. Spivak used these in the appendix of Georgia Nigger to document the conditions he fictionalized. Of particular interest are disciplinary and whipping reports, death notices of inmates, and written appeals from prisoners to the Prison Commissioner of Georgia, along with his responses. Much of the material is duplicated by photostats.
The second series, Georgia Nigger (9 folders), contains Spivak's notes, drafts, and prepublication materials associated with the publication of this book in 1932. Spivak's earliest attempts to expose the prison conditions were in the form of notes on prison conditions and African-Americans, cut into strips with handwritten categorizations like "camp,""migration,""torture," and "peonage." Two folders in this series contain these notes, as well as other research findings about African-Americans in the South. Four folders contain Spivak's first draft of the book, which is heavily corrected and modified. Materials originally paperclipped together by Spivak have been kept together in mylar sleeves. Many of these contain the paper strips found in his earliest notes, and illustrate how Spivak's historical and sociological research became a book of fiction. The series also contains two later drafts of Georgia Nigger, also annotated, as well as prepublication materials, including American and English edition dust jackets, and galley proofs.
The final series, Reaction to Georgia Nigger (7 folders), is made up of press releases, book reviews, newspaper articles, orrespondence, and lecture announcements that show how the book was received in the United States and abroad. Georgia Nigger set off a storm of controversy when it was first released, as is illustrated by the many book reviews and newspaper articles found in the series. Of particular interest is the correspondence (2 folders), since the book attracted mail from sympathetic persons and organizations, and from angry Southerners. Much of the correspondence centers around the National Association for the Advancement of Colored People and the American Civil Liberties Union, both of which distributed copies of the book, and condemned the prison conditions that Spivak described. Correspondents of note include Will W. Alexander, Roger Nash Baldwin, Countee Cullen, Michael Gold, Walter White, George Foster Peabody, John Cowper Powys, and Mary Heaton Vorse. Scattered throughout the series in articles and correspondence is evidence of Spivak's efforts to halt the extradition of Robert E. Burns, author of I Was a Fugitive from a Georgia Chain Gang.
A strength of the Spivak collection derives from its illustration of the creative process. Series II traces Georgia Nigger from the author's earliest notes to the galleys for the book. The collection also reflects conditions and movements in the United States in the early 1930s, particularly in the progressive community.
Associated materials complement the Spivak collection. Of particular note are 43 prints and negatives taken by Spivak documenting Georgia prison conditions and African-American life in the state. These were separated from the collection when it was first purchased, and can be found in the Ransom Center's Photography Collection.
Open for research
Jennifer B. Patterson, 1993