TABLE OF CONTENTS
Descriptive Summary
Biographical Sketch
Scope and Contents
Arrangement
Restrictions
Index Terms
Related Material
Separated Material
Administrative Information
Sources
Description of Series
Series I. Works, 1878-1950
Series II. Correspondence, 1780-1963
Series III. Personal Papers, 1876-1950
Series IV. Charlotte Shaw Personal Papers and Household
Records, 1883-1943
Series V. Works by other Authors, 1757-1960
Series I. Works, 1878-1950
Series II. Correspondence, 1780-1963
Series III. Personal Papers, 1876-1950
Series IV. Charlotte Shaw Personal Papers and Household Records,
1883-1943
Series V. Works by other Authors, 1757-1960
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George Bernard Shaw:
An Inventory of His Collection at the Harry Ransom Humanities Research Center
[Part 1]
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| Creator: | Shaw, George Bernard, 1856-1950 |
| Title: | George Bernard Shaw Collection |
| Dates: | 1757-1963 (bulk 1875-1950) |
| Abstract: | Holograph manuscripts and typescripts of
working and finished versions of plays, essays, correspondence, and financial and legal
records are all represented in this collection. Diaries, scrapbooks, materials
accumulated by Shaw's wife, and drafts of articles and books written about the Nobel
Prize winning Irish journalist and playwright are also present. The bulk of the
materials reflect many of Shaw's most popular works, including Candida (1894), Pygmalion (1912), and Saint Joan (1923). |
| RLIN record #: | TXRC99-A3 |
| Extent: | 80 boxes (33.3 linear feet), 1 oversize
box, 13 galley folders, 10 oversize files, and 1 bound volume |
| Language: | English. |
| Repository: | Harry Ransom Humanities Research Center, University of Texas at
Austin |
Born in Dublin, Ireland, on July 26, 1856, George Bernard Shaw was the only son and
third and youngest child of George Carr and Lucinda Elizabeth Gurly Shaw. Though
descended from landed Irish gentry, Shaw's father was unable to sustain any more than a
facade of gentility. Shaw's official education consisted of being tutored by an uncle
and briefly attending Protestant and Catholic day schools. At fifteen Shaw began working
as a bookkeeper in a land agent's office which required him to go out among the poor to
collect rent, thus giving him an early familiarity with economic injustice. Outside of
work, books, theater, and art captured his attention, but it was music that pervaded his
home. His mother took singing lessons from a well known Dublin music teacher who
eventually moved into the Shaw household. When her teacher moved to London Shaw's mother
and two sisters followed. Shaw joined them the following year at the age of twenty
hoping to make a living by writing.
His first years in London, 1876-1884, were filled with frustration and poverty.
Depending on his mother's income as a music teacher and a pound a week sent by his
father from Dublin, Shaw spent his days in the British Museum reading room writing
novels and reading, and his evenings attending lectures and debates by the middle class
intelligentsia. He became a vegetarian, a socialist, a skillful orator, and developed
his first beginnings as a playwright. A driving force behind the Fabian Society, he
threw himself into committee work, wrote socialist pamphlets, and spoke to crowds
several times a week. Shaw began his journalism career as a book reviewer and art,
music, and drama critic, always downgrading the artificialities and hypocrisies he found
in those arts.
Shaw remained a boarder in his mother's home until 1889, leaving only when, at the age
of 42, he married Irish heiress and fellow Fabian Charlotte Payne-Townshend; the
marriage lasting until her death in 1943. Though Shaw experimented with drama from his
early twenties he did not see a play of his produced on stage until 1892 with Widowers' Houses, a dramatized socialist tract on
slumlordism. Shaw's writings were often controversial as in The
Philanderer (1898), a play about the "new
woman," and Mrs. Warren's Profession (1898),
depicting organized commercial prostitution. His plays were often comical as well and it
was not unusual to have serious themes in juxtaposition with a comedic plot. In almost
everything he wrote Shaw saw his mission as that of a reformer and felt people should be
able to hear important ideas discussed in the theater.
Shaw prefaced his plays with introductory essays dealing not only with the plays
themselves but with the themes suggested by the plays; these essays became well known on
their own. A Shaw innovation was to write stage directions and descriptions in narrative
style in the texts rather than in the usual directorial form. Before a cast was selected
for his plays, he would invite potential actors to come for readings and would read the
play in its entirety to them acting out the parts exactly as he meant them to be
performed. He also attended rehearsals where he gave helpful advice to actors having
difficulty with a role.
In addition to his plays, which he continued to write into his nineties, Shaw wrote
numerous essays on literary, economic, political, and social topics as well as essays,
introductions, and reviews of novelists and poets, and was a prolific letter writer. He
continued to be controversial when he spoke out on various issues as he was inclined to
tell the truth as he saw it and could be ruthlessly honest. Shaw received the Nobel
Prize for Literature in 1925 after the success of his play Saint
Joan, and the Academy Award for Best Screenplay for Pygmalion in 1938, later made into the musical My
Fair Lady (1956). George Bernard Shaw died on November 2, 1950.
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Holograph and typescripts of working and finished versions of plays and essays,
correspondence, financial records, and legal agreements are all represented in the
George Bernard Shaw collection, 1770-1963 (bulk 1875-1950). Diaries, scrapbooks,
materials accumulated by Shaw's wife, and drafts of articles and books written about
Shaw are also present. The collection is arranged alphabetically by title or author and
divided into five series: Series I. Works, 1878-1950 (31 boxes); Series II.
Correspondence, 1780-1963 (25 boxes); Series III. Personal Papers, 1876-1950 (7 boxes);
Series IV. Charlotte Shaw Personal Papers and Household Records, 1883-1943 (5 boxes);
and Series V. Third-Party Works, Legal Documents, and Financial Records, 1757-1960 (12
boxes). This collection was previously accessible through a card catalog, but has been
re-cataloged as part of a retrospective conversion project.
The Works Series contains material by Shaw in a variety of formats, including holograph
drafts, typescripts, galley and page proofs, filmscripts, pamphlets, articles, poems,
lectures, prefaces, and reviews. The Center holds a large number of Shaw's plays in
versions varying from drafts and fragments to rehearsal and directors' prompt copies.
Three novels are also represented in the collection.
The Correspondence Series contains letters to and from Shaw, and between people
associated with Shaw. Many of the letters to Shaw are from admirers, fundraising
agencies, publishers, theaters, and friends.
The Personal Papers Series contains a series of agreements with publishers and
producers, notes for and translations of a number of plays, as well as diaries,
scrapbooks, and incidental notes and lists created by Shaw or with his collaboration.
Financial records and additional legal documents are also included here.
The Charlotte Shaw Personal Papers and Household Records Series contains a few notes and
lists created by Shaw's wife and a small number of letters written by her, as well as a
great deal of business correspondence sent to her by various contractors and publishers
as well as a few personal letters from friends and acquaintances. Also included here are
household financial records and legal documents including a draft of Charlotte's Will
and two passports.
The Third-Party Works, Legal Documents, and Financial Records Series is made up of
notes, drafts, and proofs of essays, interviews, biographies, and plays written about
Shaw or sent to him with requests for reviews or comments. Many items have short notes
written by Shaw on the manuscripts.
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Arrangement
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| Due to size, this inventory has been divided into two separate units
which can be accessed by clicking on the highlighted text below: |
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| George Bernard Shaw Collection--Series I.-V.[Part I] [This Page] |
| George Bernard Shaw Collection--Indexes. [Part II] |
Return to the Table of Contents
Access
Open for research
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| Correspondents |
| | Achurch, Janet. |
| | Ashwell, Lena, 1871- . |
| | Barnes, Kenneth Ralph, Sir, 1878-1957. |
| | Bennett, Arnold, 1867-1931. |
| | Campbell, Patrick, Mrs., 1865-1940. |
| | Charrington, Charles. |
| | Cherry-Garrard, Apsley, 1886-1959. |
| | Cockerell, Sydney Carlyle, Sir, 1867-1962. |
| | Evans, Frederick Huston. |
| | Farleigh, John. |
| | Fifield, Arthur C. |
| | Forbes-Robertson, Johnston, Sir,
1853-1937. |
| | Granville-Barker, Harley, 1877-1946. |
| | Hamon, Augustin Frederic, 1862-1945. |
| | Hanley, T. Edward. |
| | Harris, Frank, 1855-1931. |
| | Henderson, Archibald, 1877-1963. |
| | Jones, Henry Arthur, 1851-1929. |
| | Limbert, Roy. |
| | Loewenstein, Fritz Erwin, 1901- . |
| | Mackworth, Margaret Haig Thomas,
Viscountess Rhondda, 1883- . |
| | Maxwell, William, 1873-1957. |
| | McCarthy, Lillah, 1875- . |
| | O'Malley, Ellen. |
| | Patch, Blanche Eliza, 1878- . |
| | Pearson, Hesketh, 1887-1964. |
| | Pease, Edward Reynolds, 1857- . |
| | Percy, Esmé, 1887-1957. |
| | Richards, Grant, 1872-1948. |
| | Rattray, R. J. |
| | Rehan, Ada, 1857-1916. |
| | Robins, Elizabeth, 1862-1952. |
| | Salt, Henry Stephens, 1851-1939. |
| | Shaw, Charlotte Frances Payne-Townshend. |
| | Shaw, Lucy Carr, 1853-1926. |
| | Trebitsch, Siegfried, 1869-1956. |
| | Tree, Viola, 1884- . |
| | Vedrenne, John Eugene, 1867-1930. |
| | Webb, Beatrice Potter, 1858-1943. |
| | Webb, Sidney, 1859-1947. |
| | Whelen, Frederick, 1867- . |
| | Winsten, Stephen. |
| Organizations |
| | Fabian Society (Great Britain). |
| | R. & R. Clark. |
| Subjects |
| | Authors, Irish--19th century. |
| | Drama--History and criticism. |
| | Dramatists, Irish--19th century. |
| | Dramatists, Irish--20th century. |
| | Fabianism, England. |
| | Novelists, English--20th century. |
| | Social classes--England. |
| | Speech and social status. |
| Document types |
| | Diaries. |
| | Forgeries. |
| | Galley proofs. |
| | Legal instruments. |
| | Postcards. |
| | Prompt books. |
| | Scrapbooks. |
| | Scripts. |
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Other materials associated with Shaw may be found in the following collections at the
Ransom Center:
- Archer, William
- Baring, Maurice, Hon.
- Bax, Clifford
- Beerbohm, Max, Sir
- Belloc, Hilaire
- Coburn, Al/Gernsheim
- Cockerell, Sydney Carlyle, Sir
- Conkle, E.P./TA
- Conrad, Joseph
-
Contempo
- Craig, Edward Gordon
- Croft-Cooke, R.
- Downing, Robert/TA
- Ervine, St. John Greer
- Garnett, Edward
- Garvin, J.L.
- Gernsheim, Helmut
- Graham, R.B.C.
- Granville-Barker, Harley
- Granville
- Grassner, John
- Greene, Graham
- Harris, Frank
- Jonathan Cape
- Joyce, James
- Knopf, Alfred A.
- Lawrence, Frieda
- Lawrence, Thomas Edward
- Lehmann, John
- Lowndes, Marie Adelaide Belloc
- Lucas, Edward Verrall
- Mackenzie, Compton, Sir
- MacNamara, Brinsley
- Marriott, Raymond B.
- Masefield, John
- Moeller P.
- Morley, Christopher Darlinton
- Morrell, Ottoline Violet Anne Cavendish Bentinck, Lady
- O'Casey, Sean
- Owen, Peter
- Palmer, Herbert Edward
- Patmore, Derek
- PEN
- Priestley, John Boynton
- Richards, Grant
- Roché, HP/Lake
- Rodgers, William Robert
- Russell, Bertrand Russell
- Scott-James, Rolfe Arnold
- Sitwell, Osbert, Sir
- Smith, Ernest Bramah
- Story Family (Stark Library)
- Tarkington, Booth
- Terry, Ellen, Dame
- Tomlinson, Henry Major
- Traubel, Horace (Stark Library)
- Trevelyan, George Macaulay
- Wells, Herbert George
- Wilde, Oscar
- Winsten, Clare--Art Collection
- Wise, Thomas James
- Yeats, William Butler
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Available elsewhere in the Ransom Center is a collection of 871 photographs in the
Literary Files of the Photography Collection. This collection includes portraits of Shaw
as well as photographs taken by Shaw and provide an excellent overview of Shaw as both
dramatist and man. The photographs are contained in 8 boxes and 4 albums and an item
level description is available as part of the Center's Visual Materials database. Also
available are a large number of Scrap Books containing a range of materials including
theater programs for Shaw's various plays, newspaper clippings, reviews, journal
articles about Shaw and his work, and a collection of information about the actress
Ellen O'Malley. There are 315 items located in the Art Collection including prints,
sketches, paintings, etchings and sculptures of and by Shaw. Other art items pertaining
to Shaw can also be found in the Clare Winsten/Bernard Shaw Art Collection.
The Ransom Center also holds 285 Vertical File folders of newspaper clippings and other
printed matter having to do with Shaw's life and career, and a small number of personal
items which belonged to Shaw located in the Personal Effects Collection. These include a
letter opener, several items of clothing, a lock of hair, a weather gauge, and a
thermometer.
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Purchases and gifts, 1958-1990
A large portion of the Ransom Center's G.B. Shaw Collection was included in the 1958
purchase of part of T.E. Hanley's collection of modern art and literature. Hanley held
the largest private collection of Shaw's works and it's transfer to the University of
Texas, along with other Hanley material, forms one of the cornerstones of the Ransom
Center holdings. In the folder list, and indices, items that were not acquired as part
of the Hanley Collection are indicated with an asterisk (*).
Sally M. Nichols & Chelsea Jones, 1999
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Dictionary of Literary Biography, v. 10 (Detroit,
Michigan: Gale Research Co., 1982).
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Dictionary of Literary Biography, v. 57 (Detroit,
Michigan: Gale Research Co., 1987).
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Holroyd, Michael. Bernard Shaw, 4 vols. (New York:
Random House, 1988).
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Pearson, Hesketh. Bernard Shaw, His Life and Personality
(London: Methuen & Co. 1961).
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Series I. Works, 1878-1950
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| The Works Series contains manuscript materials, including drafts, prompt books,
and screenplay adaptations, for forty-one of Shaw's plays; particularly
well-represented are Androcles and the Lion (1916),
The Apple Cart (1930), Arms and the Man (1898), Buoyant Billions
(1947), Caesar and Cleopatra (1901), Fanny's First Play (1914), Getting Married (1911), Great Catherine
(1919), John Bull's Other Island (1907),
Misalliance (1914), Pygmalion (1916), Saint Joan (1924),
The Showing up of Blanco Posnet (1911), and
Too True to Be Good (1932). |
| Essays, poems, novels, and diaries are also represented in the collection. The
three novels present are Immaturity (composed 1879,
published 1931), Love Among the Artists
(1887-1888), and An Unsocial Socialist
(1884). Stanley Rypin's unpublished transcriptions of Shaw's shorthand
personal diaries may be of particular interest to scholars. In addition, there are
hundreds of articles, notes, prefaces to works of other authors, reviews, prepared
lectures, and fragmentary comments, varying in length from a scrap of paper to
several pages. |
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Series II. Correspondence, 1780-1963
|
| Over 4,000 business and personal letters are found in the Correspondence Series
which is divided into three subseries: A. Outgoing Correspondence, 1875-1950 (15.5
boxes); B. Incoming Correspondence, 1875-1950 (8 boxes); and C. Third-party
Correspondence, 1780-1963 (1.5 boxes). Individual authors and recipients can be
identified in the Index of Correspondents at the end of this finding aid. |
| Outgoing Correspondence contains a great deal of personal correspondence from Shaw
to friends and acquaintances spanning the better part of Shaw's life. Of
particular note are letters written to fellow writers Charles Charrington, Harley
Granville-Barker, Archibald Henderson, William Maxwell, Grant Richards, Siegfried
Trebitsch, John Vedrenne, and Frederick Whelen, as well as to translator Janet
Achurch, actress Lena Ashwell, his secretary Blanche Patch, and others. He also
carried on extensive correspondence with his printer, R. & R. Clark. |
| Incoming Correspondence contains significantly less personal material, being made
up of a great many requests for autographs, speaking engagements, money,
clarification of his political or social position, arguments with those positions,
and similar items. Other correspondents ask for permission to perform Shaw's plays
or report on the financial state of approved performances. Almost all of these
letters to Shaw have a written or typed response from Shaw which was later
transcribed and sent by Shaw's personal secretary. A number of letters to Shaw are
in German and French and this is indicated in the Index of Correspondents.
Personal letters to Shaw in this section include letters from Frank Harris, Roy
Limbert, Margaret Mackworth, Lucy Shaw, Sidney Webb, and others. |
| The Third-Party Correspondence subseries is made up of some personal but primarily
business letters written between people associated with Shaw including Arthur
Fifield, Archibald Henderson, Blanche Patch, R. & R. Clark, Lucy Shaw, and
others. This subseries also includes letters between Townshend family members from
as early as 1780. |
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Series III. Personal Papers, 1876-1950
|
| The Personal Papers Series is made up of documents which Shaw had some part in
creating but which are not considered "works."These include legal agreements, translations of Shaw's works which
Shaw approved or edited, day books, financial records, and other items. This
series is divided into six subseries: A. Agreements, Notes, and Translations for
Works by Shaw, 1895-1940 (4 boxes); B. Applications, Memberships, and
Subscriptions, 1898-1950 (.5 box); C. Diaries and Scrapbooks, 1876-1928 (1.5 box);
D. Financial Records, 1885-1950 (.33 box); E. Legal Documents, 1907-1950 (.33
box); and F. Lists and Notes, 1879-1949 (.33 box). |
| The Agreements, Notes, and Translations for Works by Shaw subseries contains
memoranda of agreement with publishers, translators, and other concerned parties
for specific plays, including Arms and the Man, Candida,
and The Devil's Disciple. Also included
here are translations in French and Italian of several of Shaw's plays, notes by
Shaw about translations, rough drafts of agreements, and a few financial
arrangements for specific plays. |
| The remaining subseries contain completed applications and pre-printed forms for a
variety of organizations. Additionally, day books, notebooks, and three scrapbooks
for the Serenade Club are present, as are receipts forroyalty payments, canceled
checks and records and correspondence regarding the leasing of Shaw's apartments
between 1940 and 1949. Copies of Shaw's last will and testament and general
licensing and publishing agreements between 1907 and 1950 are included as well as
fragments and lists pertaining to a wide variety of topics. |
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Series IV. Charlotte Shaw Personal Papers and Household
Records, 1883-1943
|
| The Charlotte Shaw Series is composed of works, letters, and records of Charlotte
Frances Payne-Townshend Shaw primarily from her years as Shaw's wife. This series
is arranged into four subseries: A. Works, Notes, and Lists, 1890-1938 (.5 box);
B. Correspondence, 1883-1943 (3.5 boxes); C. Financial Records, 1885-1942 (1 box);
and D. Legal Documents, 1901-1935 (1 folder). |
| The Works, Notes and Lists subseries contains a few items by Charlotte Shaw,
including an essay on servants and a two volume summary of Tertium organum by Ouspensky. Items in this subseries are listed in
the Index of Works by other Authors. |
| The Correspondence subseries is divided into two sections: Outgoing, 1899-1943,
and Incoming, 1883-1943. Outgoing includes a small amount of personal
correspondence with T.E. Lawrence, Margaret Mackworth, and Dorothy Walker, as well
as others. Incoming Correspondence is made up of a great deal of business
correspondence with utility companies, contractors, and publishers regarding
bills, payments, and statements. There are also a few personal letters from
friends and fellow Fabians. Personal letters to Charlotte have been included in
the Index of Correspondents at the end of this finding aid. |
| The Financial Records Subseries contains canceled checks, receipts for payment and
meticulous household expense books for 1885-1939, including wages paid to servants
and the price of groceries. |
| Legal Records is a small subseries containing a draft of Charlotte Shaw's will,
two passports, and agreements regarding the rights of some of Shaw's literary
works. |
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Series V. Works by other Authors, 1757-1960
|
| The Third-Party Works, Legal Documents, and Financial Records Series contains 12
boxes of materials written by other authors. Some items have notes or comments by
Shaw on them. In addition to creative manuscripts, there are also early legal
documents written by members of the Townshend family. The most extensive materials
in this series are the manuscripts for Stephen Winsten's biography of Shaw, Jesting Apostle: The Life of Bernard Shaw,followed by
the notes and manuscripts of R.F. Rattray's Bernard Shaw: A
Chronicle, as well as two reviews of Shaw's works and philosophy. Also
included are works by Augustin Hamon, Tullah Hanley, Archibald Henderson, Hesketh
Pearson, and others. Individual authors and titles can be identified in the Index
of Works by other Authors at the end of this finding aid. |
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Series I. Works, 1878-1950
|
| box | folder |
| 1 | 1 | | Unidentified fragments |
| | | Untitled articles, notes, poems, and talks |
| | | | Appeal to non-member subscribers to Fabian Society publications,
nd,
3pp * |
| | | | Contribution to Writers at Work symposium, nd,
1p * |
| | | | "Hello, pilgrim!...," poem, nd,
1p * |
| | | | "I write nothing but treatises (in one form or
another) and plays...," article, 1926,
3pp * |
| | | | "One London group incident should be
recorded...," article, nd,
1p |
| | | | "The only recipe for artificial ententes I know of
is...," article, 1919,
1p * |
| | | | Pre-election talk for recording, 1929,
4pp |
| | | | "The revolutionaries of the Commune...,"
note, 1929,
1p |
| box | folder |
| 1 | 2 | | Achievements of Fabian Socialism, nd,
1p |
| 3 | | Address to America, 1931,
14pp * |
| 4 | | The Admirable Bashville (1909), play |
| | | | Typescript draft with revisions and notes, nd,
5pp |
| | | | Printed play with revisions, bound, 1901,
pp281-349 |
| box | folder |
| 1 | 5 | | Adv-Andre |
| | | | "The adventures of Frank Harris," letter,
1915,
3pp |
| | | | "Aerial Football: The New Game," article,
1907, holograph draft with revisions, 11pp; incomplete page
proofs, 4pp |
| box | folder |
| 1 | 5 | | | Albert Hall Demonstration, pamphlet, 1912,
1p |
| | | | "Almroth Wright," see folder 18.3
* |
| | | | The American German case against Germany, article,
1916,
13pp |
| | | | American Shaw Society, statement, 1946,
1p |
| | | | Andre Gide's "Back from the
U.S.S.R.," blurb, 1937,
1p |
| | | Androcles and the Lion (1916), play |
| box | folder |
| 1 | 6 | | | Holograph/shorthand draft, bound, 1912,
78pp |
| 7 | | | Typescript draft with revisions, notes, and additions, bound,
1912,
58pp |
| 8 | | | Rough proof copy with acting notes in hand of Lillah McCarthy,
1913,
46pp |
| | | | Rehearsal issue, holograph notes, bound, 1913, 5pp;
page proof of half title and covers, 1913 |
| | | | Stage designs, 2 pencil sketches, nd,
1p [missing] |
| | | | Word count, nd,
1p |
| box | folder |
| 2 | 1 | | Annajanska, The Bolshevik Empress (1919), playlet |
| | | | Holograph/shorthand draft, 1917,
8pp |
| | | | Rough proof with corrections and emendations, nd,
17pp |
| | | | Page proofs with revisions and notes in hand of Lillah McCarthy,
1917,
17pp |
| | | | Third proof with correction, 1919,
20pp |
| box | folder |
| 2 | 2 | | "Annie Besant and the 'Secret Doctrine,'"
article, nd,
1p |
| 3 | | "Another 'Shakespeare' Sonnet,"1913,
1p |
| | | Answers to questionnaires on |
| box | folder |
| 2 | 4 | | | Armaments, 1935,
6pp * |
| | | | Aspects of the War, 1941,
1p |
| box | folder |
| 2 | 5 | | | Attlee's Views on Russia and America, 1948,
6pp |
| 6 | | | "Back to Methuselah," Part I,
1930,
6pp |
| | | | Belief in God, 1931,
1p |
| box | folder |
| 2 | 7 | | | Children of Celebrities, 1936,
5pp |
| | | | Cinema, 1929,
1p * |
| box | folder |
| 2 | 8 | | | Current Political Affairs, 1934, typescript, 6pp;
photocopy, 4pp * |
| 9 | | | Dickens, 1912,
1p |
| 10 | | | Dictators, 1938,
4pp |
| | | | "Dr. Charles Funk's statement...,"1945,
1p |
| | | | Education, nd,
3pp * |
| | | | "Foreign Trade Versus Home Production,"1930,
1p * |
| | | | From Louise Morgan (three), 1944, 1946,
8pp |
| | | | Germany and Hitler, 1938,
1p |
| | | | Getting Married, nd,
8pp |
| box | folder |
| 2 | 11 | | | Henry Agard Wallace, 1948,
5pp |
| | | | His Life and Career, 1938,
1p * |
| | | | Hospital Sweepstakes, 1937,
1p * |
| box | folder |
| 2 | 12 | | | Human Sterilization, 1934,
1p |
| 13 | | | "Huntley Carter's questions...,"1910,
1p |
| | | | The Immediate Future of Socialism, 1909,
5pp * |
| | | | India, Ceylon, and Japan, 1936,
6pp * |
| | | | International Federations, nd,
1p |
| box | folder |
| 2 | 14 | | | The Jewish Problem, nd,
7pp |
| 15 | | | Lend-Lease and other War Situations, 1941,
2pp |
| | | | Life, George Moore, and other Matters, 1929,
4pp |
| box | folder |
| 2 | 16 | | | Marxism, 1934,
6pp |
| 17 | | | "Mrs. [Margaret] Cole's questionnaire..."1948,
6pp |
| | | | Personal Details, 1937,
2pp |
| | | | Politics and Economics, 1945,
8pp * |
| | | | The Pope, nd,
4pp * |
| | | | Post-War Political Situation, nd,
7pp * |
| box | folder |
| 2 | 18 | | | Post-World War II World, 1944,
5pp |
| 19 | | | Preface to The Apple Cart, 1930,
1p |
| | | | Private Enterprise, 1941,
2pp |
| | | | Radio Broadcasting, 1947,
1p |
| | | | Rights of Women, 1943,
2pp |
| | | | Russia and Stalin, nd,
3pp |
| box | folder |
| 2 | 20 | | | Socialism, nd,
12pp * |
| | | | Soviet Union, 1934,
1p * |
| | | | The State of England, nd,
2pp * |
| | | | The Unwanted Child, nd,
4pp * |
| | | | Various topics, nd,
1p |
| | | | Vegetarianism, 1946,
2pp * |
| | | | The War Loan, 1915,
11pp * |
| | | | Widowers' Houses, 1930,
2pp |
| | | | Will Women Be Compelled to Marry or Work?, nd,
15pp * |
| box | folder |
| 2 | 21 | | Anti-Vivisection pamphlet, nd,
3pp |
| box | folder |
| 3 | 1 | | Appeal for Irish Prayers Instead of Presents, 1950,
1p |
| | | The Apple Cart (1930), play; see also Folders 2.19, 27.5 * |
| box | folder |
| 3 | 2 | | | Holograph/shorthand draft with revisions, 1928,
89pp |
| 3 | | | Typescript fragments with revisions and notes, 1929,
4pp |
| | | | First proof with corrections and revisions, 1929 |
| box | folder |
| 3 | 4 | | | Second proof with corrections and revisions; inscription to Floryan
Sobienowski, 1929 |
| 5 | | | Second proof with revisions and corrections, 1929 * |
| | | | Rough proof with inscription to Signor Cesare Castelli, 1929
* |
| | | | Preface, two first proofs with emendations and corrections,
1930,
31pp and 29pp |
| | | Arms and the Man (1898), play |
| box | folder |
| 3 | 6 | | | Typescript production copy with additions and revisions,
1894,
76pp |
| 7 | | | Duplicated production copy, nd,
68pp |
| box | folder |
| 4 | 1 | | | Second page proofs with corrections and notes,
1930-1931,
80pp * |
| | | | Dresses, typescript, nd,
1p |
| | | | Instructions to producer, typescript, nd,
2pp |
| | | | Notes for the play, holograph and shorthand draft,
1894(?),
7pp |
| | | | Production copy fragment, photocopy with note, nd,
1p |
| box | folder |
| 4 | 2 | | | Rehearsal notes, holograph draft, nd, 1p; nd,
67pp |
| 3 | | | Synoposis of part of Act I, holograph fragment/shorthand,
nd,
2pp |
| 4 | | Arms and the Man (1932), screenplay |
| | | | Film script, typescript fragments with revisions and note,
nd,
2pp |
| | | | Notes for film production, holograph draft, nd,
2pp |
| box | folder |
| 4 | 5 | | "Arms and the Man on the Screen," article,
typescript with emendations, nd,
2pp * |
| 6 | | Article for Time and Tide, 1945,
2pp |
| 7 | | Article in Royal Academy of Dramatic Art pamphlet, 1941,
1p |
| | | Augustus Does His Bit (1917), playlet, nd,
26pp |
| | | An Author's Apology, 1939,
4pp |
| | | Autobiographical notes |
| | | | "My First Appearance in Print,"nd,
1p |
| | | | On His Entry Into Socialist Movement, nd,
1p |
| box | folder |
| 4 | 8 | | "Ayot," poem, 1917,
8pp |
| 9 | | Back to Methuselah (1921), play |
| | | | Additional lines, typescript with corrections and emendations,
nd,
2pp * |
| | | | Textual corrections, nd,
2pp |
| | | | Rehearsal notes, 1923-1924,
22pp * |
| | | | Broadcast: Connective tissue, typescript with revisions,
1934,
3pp |
| | | | Postscript, galley proofs, 1944,
5pp * |
| box | folder |
| 4 | 10 | | "The Barrel-Organ Question,"1893,
6pp |
| 11 | | Barry Sullivan, Shakespeare and Shaw |
| | | | Typescript with emendations, 1947,
6pp |
| | | | Typescript with emendations, 1947,
7pp * |
| | | | Galley proofs with corrections and additions, 19471, 2pp [removed to
Galley Folder 1] |
| | | | Page proofs with corrections and emendations, 1947,
5pp |
| box | folder |
| 4 | 12 | | Bas-Br |
| | | | Basic & Spelling, 1944,
7pp * |
| | | | Bernard Shaw on |
| | | | | The American Authors' Authority, photocopy with corrections,
nd, 4pp; photocopy with corrections and note, nd,
4pp |
| | | | | The Early History of His Most Popular Comedy [You Never Can
Tell], 1913,
9pp |
| | | | | His First Talkie, 1931,
3pp * |
| | | | | Joe Louis' "Miracle,"nd,
2pp * |
| | | | | Temperance, nd, 1p; galley proof, 1947,
1p; proof sheet, nd, 1p |
| | | | Bernard Shaw's Denial: "King Magnus Not
Based On Any Living Person," holograph/shorthand draft, 1929,
1p; typescript, 1929, 1p |
| | | | Birth of the Newcastle Program, nd,
1p |
| | | | Bloody Sunday in Trafalgar Square |
| | | | | Holograph and typescript/shorthand draft, nd,
4pp |
| | | | | Conclusion, holograph/shorthand draft, nd,
1p |
| | | | Brawling in the Theatre, nd,
1p * |
| | | | British Communism, nd,
3pp |
| | | | Broadcasts |
| | | | | Before Departure from Capetown, 1932,
22pp |
| | | | | On National Theatre before "The Dark
Lady,"1938,
3pp |
| | | | | To Sixth Form Scholars, holograph/shorthand draft, 1937,
6pp; typescript, 9pp; typescript radio script, 7pp |
| | | Buoyant Billions (1947), play |
| box | folder |
| 5 | 1 | | | Holograph/shorthand draft fragment, nd, 1p; typescript
fragment with revisions, nd, 6pp |
| 2 | | | First proof with revisions and inserts, 1946 |
| | | | Galley proofs with revisions, 1947, 3pp [removed to
Galley Folder 2] |
| | | | Second galley proof with corrections and emendations, 1947,
16pp [removed to Galley Folder 2] |
| box | folder |
| 5 | 3 | | | First rehearsal copy with corrections, revisions, and notes,
1947,
44pp |
| | | | Additional matter, first galley proof with corrections, emendations,
and additions, 1947, 5pp [removed to Galley Folder
2] |
| | | | An Adventure and a Discussion by a Fellow of the Royal Society of
Literature, galley proof of first rehearsal copy, 1947, 23pp
[removed to Galley Folder 2] * |
| | | | A Comedy of No Manners, two revised rehearsal copies with
corrections and emendations, 1948,
60pp each |
| | | | An Intentionally Unfinished Comedy, first rehearsal copy,
1947,
44pp * |
| | | | Preface |
| | | | | First galley proofs with revisions and note, 1947,
1p [removed to Galley Files] |
| | | | | Galley proofs with corrections, emendations, and additions,
1947, 2pp [removed to Galley Folder 2] |
| | | | | Two galley proofs with notes, corrections, emendations, and
deletions, 1949, 1p each [removed to Galley Folder
2] |
| | | | | Galley proof with emendations, corrections, and note, 1949,
1p [removed to Galley Folder 2] |
| box | folder |
| 5 | 4 | | Business Maxims for the Playwright, nd,
4pp |
| | | Caesar and Cleopatra (1901), play |
| box | folder |
| 5 | 5 | | | Holograph and typescript fragment, nd,
1p * |
| 6 | | | Typescript, prompt copy, with emendations, nd,
142pp * |
| 7 | | | Caesar prologue-cuts, holograph, 1925,
1p * |
| 8 | | | Exclamations & Interruptions for Extra Ladies &
Gentlemen with Cues, 1906,
17pp |
| 9 | | | General notes to play and note to Act I, typescripts,
nd,
7pp |
| | | | Notes for the play, holograph with drawing, 1898,
8pp |
| | | | Notes on historical background of the play, typescript,
nd,
1p |
| | | | Prologue |
| | | | | Holograph and typescript, nd,
5pp * |
| | | | | Prologue ("For Barry Jackson's
production"), typescript, 1911,
5pp * |
| | | | | For Poland, typescript, nd,
5pp * |
| | | | | Polish version, typescript, 1928,
6pp |
| box | folder |
| 5 | 10 | | Caesar and Cleopatra (1945), screenplay, final shooting script, photocopy with
emendations, 1944,
200pp * |
| box | folder |
| 6 | 1 | | Candida (1898), play, notes for correction in text, nd,
4pp |
| | | Captain Brassbound's Conversion (1901), play |
| box | folder |
| 6 | 2 | | | Rehearsal copy with emendations of stage directions, additional
directions, and diagrams, 1907,
94pp |
| 3 | | | Speech from Act II, nd,
1p |
| | | | Stage directions for sailors, Act II, III, nd,
3pp * |
| box | folder |
| 6 | 4 | | | Chanty for Act III, holograph/music and lyrics, nd, 1p;
holograph words and musical notation, nd, 1p |
| 5 | | | Part books for five minor characters, nd * |
| 6 | | | Rehearsal notes, 1912,
42pp |
| | | "The Case against Chesterton,"nd, 1p [removed to Galley Folder 3] |
| box | folder |
| 6 | 7 | | "The Case against Vivisection,"1927,
16pp |
| 8 | | "The Cassone," notes for play,
1889,
6pp |
| 9 | | Censorship |
| | | | "As a Police Duty,"1928,
10pp |
| | | | Censorship, nd,
1p |
| | | | "The Censorship,"nd,
7pp |
| | | | "Imaginary Statement by a British Matron,"1909,
4pp * |
| | | | Of plays, nd,
1p |
| | | | Of theatres and picture houses, nd,
2pp |
| | | | "Of the Stage in England,"1899,
20pp * |
| box | folder |
| 6 | 10 | | Ch-Cz |
| | | | "The Charing Cross Parliament, Session
1887,"
4pp |
| | | | "The Cinema as a Moral Leveler,"1914,
5pp |
| | | | "Colossal Labor Saving: an open letter from
Bernard Shaw," early proof with corrections and note, 1947,
4pp; two final proofs with corrections and note, 1947,
4pp each |
| | | | "Comment on General Principles (Education),"nd
2pp * |
| | | | Common Sense about the War, nd,
2pp * |
| | | | "Communism Defined by Shaw,"nd,
4pp |
| | | | "Conclusion of Society of Authors Rules,"nd,
1p |
| | | | "Confessions of a Benevolent and Highminded Shark,"1905,
3pp * |
| | | | "Controversy on All Fronts,"nd,
2pp * |
| | | | "Conversation Pieces,"nd,
2pp * |
| | | | "Cultural Internationalism,"1926,
2pp * |
| | | | "Cymbeline Refinished," printed pamphlet,
1937, 20pp; A Variation, proof for Standard Edition,
1945, 20pp*; see also folders 14.5-6 |
| | | The Dark Lady of the Sonnets (1914), play |
| box | folder |
| 7 | 1 | | | Typescript with extensive revisions, 1910, 20pp. Bound
with this: revised conclusion of the play, nd, 2pp; preface,
typescript and carbon copy with revisions, nd, 38pp |
| 2 | | | Rough proof with corrections, emendations, and notes,
1910,
15pp |
| | | | New ending, holograph draft with revisions, 1910,
2pp * |
| | | | First galley proof for English review with corrections, 1910,
7pp [removed to Flat File 1] |
| | | | Preface, second proof with corrections, 1914,
32pp |
| | | | Introduction for radio broadcast of April 22, 1938, typescript with
extensive revisions,
5pp |
| box | folder |
| 7 | 3 | | Das Kapital and Marxism, 1947,
1p |
| | | "Days with Bernard Shaw" by Stephen Winsten,
comments, nd,
2pp |
| box | folder |
| 7 | 4 | | "Democracy Broadcast,"1929,
21pp |
| 5 | | Den-Deu |
| | | | The Denshawai Petition * |
| | | | Details from early history of Fabian Society, nd,
1p |
| | | | "Deutsche Musik,"1920,
3pp * |
| box | folder |
| 7 | 6 | | The Devil's Disciple (1901), play |
| | | | Costumes, nd,
1p |
| | | | Le Disciple du Diable, page proofs,
1919, 133pp [see box 58, folder 8] * |
| | | The Diary, 1885-1897, transcribed from the shorthand original by Stanley
Rypins |
| | | | Typescript with corrections,
1379pp |
| box | folder |
| 7 | 7-9 | | | | 1885-1887 * |
| box | folder |
| 8 | 1-2 | | | | 1887-1888 * |
| 3-6 | | | | 1889-1891 * |
| 7-10 | | | | 1892-1897 * |
| | | | Typescript with corrections,
1406pp |
| box | folder |
| 9 | 1-5 | | | | 1885-1888 * |
| 6-9 | | | | 1889-1891 * |
| box | folder |
| 10 | 1-4 | | | | 1892-1897 * |
| | | The Doctor's Dilemma (1911), play |
| box | folder |
| 10 | 5 | | | Carbon production copy with stage diagrams and production notations,
1906,
112pp |
| 6 | | | Page proofs, 1910,
107pp * |
| box | folder |
| 11 | 1 | | | Second page proof with corrections, 1910,
105pp * |
| | | | Preface |
| box | folder |
| 11 | 2 | | | | Holograph/shorthand draft fragment, nd,
1p |
| | | | | Insert on p. lxxxii, holograph draft, nd,
1p * |
| box | folder |
| 11 | 3 | | | | Holograph/shorthand draft, 1910,
14pp |
| 4 | | | | Carbon copy with revisions, inserts, additions, and note,
1911,
83pp |
| 5 | | | Rehearsal notes, holograph draft, 1913
[missing] |
| 6 | | | Program note, holograph/shorthand draft, 1915,
5pp * |
| | | | Postscript 1933, galley proof, 1934,
1p * |
| box | folder |
| 11 | 7 | | Draft Manifesto submitted to the British Section of the International
Socialist Bureau, 1915,
11pp * |
| | | Draft Memorial to Prime Minister Asquith to save Roger Casement from
hanging, nd,
2 versions, 3pp each |
| | | Draft Scheme of lectures, nd,
7pp * |
| | | "Dramatic Antiquities at Malvern," article,
1933,
2pp * |
| box | folder |
| 11 | 8 | | "A Dramatic Realist to His Critics,"nd,
19pp |
| 9 | | "The Drink Question,"nd,
13pp |
| 10 | | "Dublin Gaiety Theatre,"1946,
4pp |
| 11 | | "Duffin's Definitions Revised by Shaw,"nd,
7pp |
| | | Early Socialist agitation and meeting with Sidney Webb, nd,
2pp [removed to Galley Folder 3] |
| box | folder |
| 11 | 12 | | Einstein dinner, speech for, nd,
7pp |
| | | "Election prospects,"1949,
7pp |
| box | folder |
| 11 | 13 | | "The Emperor and the Little Girl,"
holograph/shorthand draft, 1916, 25pp; page proofs, 1917,
6pp |
| 14 | | "England's Interest in Ireland,"nd, typescript with emendations; carbon copy with emendations,
5pp each |
| | | Everybody's Political What's What? (1944) |
| box | folder |
| 11 | 15 | | | Typescript fragment with revisions, nd,
1p |
| | | | Incomplete typescript with revisions, nd,
17pp |
| box | folder |
| 12 | 1 | | | First page proof with corrections, 1943,
366pp |
| 2 | | | Blurb for jacket, galley proof with corrections, 1944,
1p |
| 3 | | | Page proofs with emendations, corrections and inserts,
1944,
380pp * |
| 4 | | | Page proofs for pp109-110, 1944 * |
| 5 | | Exhausted Arts, 1880,
9pp * |
| 6 | | Fabian essays, Jubilee edition, 1947 |
| | | | Early proof with corrections, revisions, and notes,
63pp |
| | | | Revised proof with minor corrections, 63pp; includes
photocopy |
| | | | Forepages, page proof with corrections and revisions,
63pp |
| box | folder |
| 12 | 7 | | Fabian executive report, nd,
90pp |
| 8 | | "Fabian Society,"1928,
20pp * |
| | | "Fabianism and the War," typescript,
1917, 13pp; photocopy, nd, 9pp |
| | | Fanny's First Play (1914), play |
| box | folder |
| 13 | 1 | | | Holograph/shorthand draft, 1910-1911,
145pp |
| 2 | | | Typescript of shorthand manuscript, 1911
65pp * |
| 3 | | | Early typescript draft with revisions and additions,
1911,
132pp |
| 4 | | | Rough proof, 1911,
81pp |
| | | | Second proof with corrections, 1911, pp151-184
* |
| | | | Second and third proofs with emendations and notations, 1911,
pp101-184 |
| | | | Incomplete third proof with corrections, 1911,
16pp |
| | | | Preface, second proof with corrections and emendations,
1914,
4pp |
| | | | Prologue, holograph draft with revisions, nd, 5pp;
first proof, 1916, 3pp |
| | | Farfetched Fables (1949), play |
| box | folder |
| 13 | 5 | | | Holograph/shorthand draft fragment, nd,
1p |
| | | | Carbon copy typescript with revisions, 1948,
38pp |
| | | | Galley proofs with corrections, note, emendations, and additions,
1949 [removed to Galley Folder 3] |
| box | folder |
| 13 | 6 | | | Page proof with corrections, note, and revisions, 1949,
72pp * |
| | | | Preface |
| | | | | Holograph/shorthand draft fragment, nd,
1p |
| | | | | Holograph/shorthand draft fragments, 1948,
1p |
| | | | | Holograph fragment, 1949,
1p |
| | | | | Incomplete galley proof, nd, 1p [removed to Galley
Folder 3] * |
| | | | | First galley proof with corrections, notes, and revisions,
1949, 13pp [removed to Galley Folder 3] |
| box | folder |
| 14 | 1 | | Fe-Fz |
| | | | "The Festival Habit,"1937,
4pp * |
| | | | "Financial Risks of Modern Scientific Warfare,"nd,
2pp |
| box | folder |
| 14 | 1 | | | "First Explain Why We Manifesto. Reasons,"nd,
3pp * |
| | | | "Follies, Fallacies and Facts,"1930,
1p * |
| | | | "For the Press,"nd,
1p * |
| | | | "For the Watts Review,"1945,
2pp |
| | | | "Foreword" (on the theatre),
nd,
3pp |
| | | | "A Forty Letter British Alphabet,"nd,
1p * |
| | | | "From Bernard Shaw," photocopy, nd,
1p; printed with notes, 1944,
4pp * |
| | | | "Front Bench Nonsense,"1948,
2pp * |
| | | | "The Future of Socialism - A Forecast,"nd,
2pp |
| box | folder |
| 14 | 2 | | G-Gener |
| | | | The G.B.S. Calendar, 1930,
52pp |
| | | | "G.B.S. on Snoring,"1950,
2pp |
| | | | General election, nd,
1p |
| box | folder |
| 14 | 3 | | Geneva (1945), play; see also folders 14.5-6 |
| | | | A note, nd,
2pp * |
| | | | Page proofs, nd, 1936,
63pp * |
| | | | Second rehearsal copy, 1938,
95pp |
| | | | Alteration, page 89, 1940 |
| | | | Act III |
| | | | | Galley proofs with corrections and revisions, 1945,
9pp [removed to Galley Folder 3] |
| | | | | Two galley proofs, nd, 8pp [removed to Galley Folder
3] * |
| | | | | Galley proof with note, 1945, 8pp [removed to Galley
Folder 3] |
| | | | Alternative ending, 1945,
1p * |
| | | | Preface |
| | | | | First galley proof with corrections, note, and revisions,
1945, 9pp [removed to Galley Folder 3] * |
| | | | | Galley proofs, 1945, 9pp [removed to Galley Folder
3] |
| | | | Items from printer which need correction, 1947,
1p |
| box | folder |
| 14 | 4 | | Geneva: A Fancied Page of History in Three Acts (1938), play, second rehearsal copy, 1938,
91pp * |
| | | Geneva, Cymbeline Refinished, and Good King Charles (1946), bound together |
| box | folder |
| 14 | 5 | | | Second proof with corrections, note, and emendations,
1946,
232pp |
| 6 | | | Third proof with emendations and corrections, 1946 |
| | | Getting Married (1911), play |
| box | folder |
| 14 | 7 | | | Typescript with extensive revisions and additions, nd,
139pp; preface, typescript with revisions and additions, nd,
62pp |
| 8 | | | Typescript with revisions, nd,
114pp |
| box | folder |
| 15 | 1 | | | Prompt copy with production notations, nd,
113pp |
| | | | Galley proofs with corrections and revisions, 1928, 5pp
[removed to Galley Folder 3] |
| | | | Galley proof with corrections, emendations, and note,
1934,
1p * |
| box | folder |
| 15 | 2 | | | Preface (male economic slavery and the rights of bachelors;
pathology and criminology of marriage), holograph with deletions and
inserts, nd,
33pp |
| 3 | | "Glimpse of Reality Program" (explanatory
note), 1927,
1p |
| | | Good King Charles (1946); see Folder 14.5-6 |
| box | folder |
| 15 | 4 | | "Granville-Barker. Some Particulars by Shaw,"1933, 1946,
7pp |
| | | Great Catherine (1919), play |
| box | folder |
| 15 | 5 | | | Holograph/shorthand draft, 1913,
58pp |
| 6 | | | Earliest typescript draft with revisions, 1913,
59pp |
| 7 | | | Typescript with additions and revisions, nd,
69pp |
| 8 | | | Typescript with revisions, additions, and stage diagrams, nd,
63pp; preface, holograph/shorthand draft fragment, nd,
2pp |
| 9 | | "The Great Danger Postscript,"nd,
4pp * |
| 10 | | The Guardsman by Molnar (rewrite of translation
of section of play by Robert Loraine); holograph, typescript and carbon copy;
typescript copy, nd, 14pp each; typescript and draft page of
Loraine version, nd, 11pp |
| box | folder |
| 16 | 1 | | "Hands Off the Poor Man's Motor Car,"1929, 4pp; clippings of article from The
Observer, 1929 December 15, 2pp |
| 2 | | "Henry Irving and Ellen Terry,"nd,
5pp * |
| | | His childhood reading, 1946,
1p |
| box | folder |
| 16 | 3 | | How He Lied to Her Husband (1907), play; see also 19.2-3 |
| | | | Carbon copy typescript with revisions and additions and insert,
1905,
26pp |
| | | | Holograph, 1930,
1p * |
| | | | Typescript prompt copy with production notations, nd,
22pp * |
| box | folder |
| 16 | 4 | | "How Ought the U.S.A. to Deal with the Expulsion of
William Randolph Hearst by the French Republic?"1930,
1p * |
| | | "How Shaw and Russell Met,"1921,
3pp |
| | | "How to Make a Play Both Readable and Actable,"nd
5pp |
| box | folder |
| 16 | 5 | | "The Idea of a National Theatre,"
holograph/forgery with emendations, 1929, 2pp; typescript,
3pp |
| | | Immaturity (1931), novel (composed 1879) |
| box | folder |
| 16 | 6 | | | First page proofs with corrections and emendations,
1928,
438pp |
| 7 | | | First page proofs, 1928,
438pp * |
| 8 | | | Preface, typescript fragment with emendations and note, 1921,
1p; second page proofs, 1929, 48pp |
| box | folder |
| 17 | 1 | | "The Impossibilities of Freedom," lecture
syllabus, 1925,
3pp |
| 2 | | In Good King Charles's Golden Days (1939), play |
| | | | First rehearsal copy with emendation and inscription,
1939,
76pp |
| | | | First rehearsal copy with emendations, 1939,
76pp |
| | | | Page proofs, nd,
73pp * |
| | | | Preface, galley proofs, 1939, 1945, 3pp [removed to
Galley Folder 4] * |
| box | folder |
| 17 | 3 | | In praise of Guy Fawkes, 1932,
1p * |
| | | The Inca of Perusalem (1919), playlet |
| box | folder |
| 17 | 4 | | | Typescript with revisions and additions, nd,
37pp |
| 5 | | | Typescript of rehearsal copy, nd,
27pp |
| 6 | | | Rough proof with emendations and note, 1915, 26pp; with
corrections and emendations, 1918, 26pp |
| 7 | | "Inscribed in Breeches Bible on Sending it to
Sotheby's to be Sold,"1947,
1p |
| | | The Intelligent Woman's Guide to Socialism and
Capitalism (1928), nonfiction |
| box | folder |
| 17 | 8-9 | | | First proof with corrections and revisions, 1928,
495pp * |
| 10-11 | | | Third page proofs with few corrections and emendations,
1928,
495pp * |
| box | folder |
| 18 | 1 | | | Author's note for popular edition, 1929,
5pp |
| | | | Corrections for, nd,
25pp |
| | | | Insertions, nd,
4pp |
| | | | Penguin Books edition, special preface, 1937,
4pp |
| | | | Two more corrections, nd,
1p |
| box | folder |
| 18 | 2 | | Inter-It |
| | | | "Interview on Irish Films,"1947,
1p |
| | | | Interview with Shaw, nd,
1p |
| | | | Introductory speech to a lecture by H. M. Walbrook on "The Women of Bernard Shaw's Plays,"nd,
3pp |
| | | | "Is Christianity a Failure?" see Folder 28.2
* |
| | | | Itineraries for travel in the South of France, nd,
14pp |
| | | Items for The Nation, galley proofs,
1907-1913, 11pp [removed to Galley Folder 6] * |
| box | folder |
| 18 | 3 | | "Jenner" and "Almroth
Wright;" see also folder 1.5 |
| | | | Two typescripts with revisions, 1923,
11p and 15pp * |
| | | | Two galley proofs of Almroth Wright, 1923, 3pp each
[removed to Galley Folder 4] * |
| | | | Galley proofs with corrections and emendations, nd,
6pp * |
| | | "Jitta's Atonement," translation of "Frau Gitta's Suhne" by Siegfried
Trebitsch |
| box | folder |
| 18 | 4 | | | Typescripts with revisions, 1921, 1922,
138pp |
| 5 | | | First page proofs with corrections, 1926,
64pp |
| | | John Bull's Other Island (1907), play |
| | | | Holograph draft with notes and extensive revisions in 5 bound
notebooks, 1904, 285pp [in slipcase shelved at end of
collection] * |
| box | folder |
| 18 | 6 | | | Typescript with emendations, notes, and additions,
1905,
113pp |
| 7 | | | Carbon copy with few corrections and emendations, nd,
113pp |
| | | | Second page proofs with corrections and note, 1930,
181pp |
| box | folder |
| 18 | 8 | | | Act II, speech for Patsy, nd,
1p |
| | | | Acting script for "Nora Reilly,"nd * |
| box | folder |
| 19 | 1 | | | Preface for Politicians, 1906,
3pp * |
| | | | Bound with How He Lied to Her Husband, Major
Barbara |
| box | folder |
| 19 | 2 | | | | Page proofs with corrections, emendations, and notes, 1930,
pp113-180 * |
| 3 | | | | First and second page proofs with emendations and corrections,
1930,
280pp * |
| 4 | | "The King and the Doctors,"1929,
10pp |
| 5 | | "The Last Spring of the Old Lion,"1914,
6pp |
| | | "The League of Nations" |
| box | folder |
| 19 | 6 | | | Holograph draft/forgery with deletions, nd, 8pp; with
few deletions and note, 1929, 3pp |
| 7 | | | Page proofs with corrections, revisions, and note, nd,
10pp |
| | | | Galley proofs for printed version, 1929, 4pp [removed
to Galley Folder 4] * |
| | | Letter to Chairman of the International Socialist Bureau (British
Section), 1915, galley proofs [removed to Galley Folder 4]
* |
| box | folder |
| 19 | 8 | | Letter to the Editor of The Nation, 1927,
5pp * |
| | | "The Life Force,"nd,
2pp |
| | | London Music in 1889-1950 as heard by Corno di
Bassetto(pseud.) (1937) |
| | | | Preface, galley proofs with notes and markings, nd,
12pp [removed to Galley Folder 4] * |
| | | | Blurb, nd
1p * |
| | | Love Among the Artists (1887-1888), novel, holograph fragment, nd,
2pp |
| box | folder |
| 20 | 1 | | Macbeth by William Shakespeare, scenes from Act
I, skit |
| | | | Holograph/shorthand draft, 1916,
2pp |
| | | | Typescript with corrections, nd,
2pp |
| | | | Typescripts with emendations and notes, and printed Shakespearean
sections pasted in, 1916,
7pp |
| box | folder |
| 20 | 2 | | The Madras House, end of Act III, conclusion for
Granville-Barker play, nd,
3pp |
| | | Major Barbara (1907), play; see also 19.2-3 |
| box | folder |
| 20 | 3 | | | Typescript of production copy with emendations, nd,
98pp |
| 4 | | | Carbon copy typescript of production copy, nd,
98pp |
| | | | Announcer's speeches, carbon copy typescript, nd,
1p |
| box | folder |
| 20 | 4 | | | Notes for the Brady production, holograph/shorthand draft,
1915,
3pp * |
| | | Major Barbara (1941), screenplay |
| box | folder |
| 20 | 5 | | | Typescript photocopy, 1940,
302pp * |
| | | | Galley proofs with revisions and notes, nd [removed to
Galley Folder 4] * |
| box | folder |
| 20 | 6 | | "The Making of Plays,"1933,
9pp |
| 7 | | Man and Superman (1903), play |
| | | | Holograph notes, nd,
2pp * |
| | | | Printed acting copy with corrections and emendations,
nd,
103pp |
| | | | Acting version, alterations for printer, typescript with revisions,
nd,
2pp |
| | | | Typescript fragment with emendations and stage diagrams,
nd,
1p |
| | | | Preface to Popular Edition, holograph/shorthand draft; typescript
with emendations and note, 1911,
2pp each |
| box | folder |
| 20 | 8 | | Marx, Capital (discussion), ch. XV,"The Factory,"1885,
8pp |
| 9 | | Masaryk (statement for Reuter's), 1948,
2pp |
| | | The Matter with Ireland, 1950,
1p |
| box | folder |
| 21 | 1 | | Memoranda for the Right Honorable Winston Churchill re article on Shaw,
1937,
6pp |
| 2 | | The Millionairess (1935), play, photocopied radio version in two parts,
1942,
47pp |
| 3 | | The Million-Heiress (1935), page proofs of title page dated July 16, 1935 and
July 24, 1935,
1p each |
| 4 | | Misalliance (1914), play |
| | | | Holograph/shorthand draft, 1909,
114pp |
| | | | Page proofs with corrections, 1914,
99pp |
| | | | Extra and final corrections, 1930,
1p * |
| | | | Discarded pages, typescript, nd,
3pp |
| box | folder |
| 21 | 5 | | "Model Proof for a Cultured Peer,"1909,
4pp |
| | | "Mollière et Moi,"nd,
1p |
| box | folder |
| 21 | 5 | | "Moral," written at end of "The Ideal of Citizenship," by Pericles,
1950,
1p * |
| | | "The Moral of the Plays,"nd,
1p * |
| | | "Motor Tour in the Pyrenees without Crossing into
Spain,"nd,
4pp |
| | | "Mrs. Besant's Passage through Fabian Socialism,"nd,
4pp |
| | | Mrs. Warren's Profession (1898), play, page proofs, 1897,
79pp |
| | | "My Dear Dorothy, A Practical System of Moral
Education for Females," holograph with revisions, 1878,
31pp; typescript, 1878, 14pp * |
| | | "My Dear Dorothea," uncorrected galley proofs,
nd, 12pp [removed to Galley Folder 4] * |
| | | "My Way with a Play," galley proofs, nd,
3pp [removed to Galley Folder 4] * |
| box | folder |
| 21 | 6 | | "Napoleon and Catherine," script,
nd,
119pp * |
| | | "The National Shakespeare Theatre and the New
Repertory Theatres," galley proof, 1909, 1p [removed to
Galley Folder 5] * |
| | | "The Need for Expert Opinion in Sexual Reform,"
speech |
| box | folder |
| 21 | 7 | | | Carbon copy typescript, nd,
10pp |
| | | | Galley proofs with corrections, emendations, and note, 1930
[removed to Galley Folder 5] |
| box | folder |
| 21 | 8 | | "The New Play," Act II, discard,
1948,
1p |
| | | Note or notes |
| box | folder |
| 21 | 9 | | | On D. Hayward's manuscript, nd,
1p |
| | | | On Dr. Rattray's syllabus, 1930,
2pp * |
| | | | On Edward Aveling for insertion in Hesketh Pearson's GBS, A Full Length Portrait, nd,
4pp |
| | | | On modern prizefighting, 1928,
17pp * |
| | | | On plays for the Malvern Festival, nd,
9pp * |
| box | folder |
| 21 | 10 | | | On proposed diploma in dramatic art, 1922,
4pp |
| 11 | | | On spelling reform, 1944,
1p * |
| | | | On the origin of Captain Brassbound's
Conversion, nd,
2pp |
| | | | To be incorporated in F. E. Loewenstein's article,"Mr. Bernard Shaw, Music Critic (1876-1894),"
holograph/shorthand draft, 1947-1948; 1948,
1p |
| | | | To be tipped in or inscribed in books auctioned by Sotheby &
Co., 1949,
3pp |
| | | | Written in his copy of the Cranach Press edition of Hamlet, nd,
3pp * |
| | | | Written to Charlotte Shaw re her foreword to 1914 edition of Eugène
Brieux's Damaged Goods, nd,
1p |
| | | "Notice Biographique: Augustin Hamon, Henriette
Hamon,"nd,
2pp |
| | | "Nudism at the Sexual Reform Congress,"1929,
4pp |
| | | "Ode to J.K.B.,"nd,
1p |
| box | folder |
| 22 | 1 | | O'Flaherty, V. C. (1919), playlet, typescript with revisions, 1915,
36pp; rough proof with corrections and emendations, nd
24pp |
| 2 | | On Soviet Russia, holograph/shorthand draft fragment, nd,
1p; typescript with revisions, nd,
2pp * |
| 3 | | On the Rocks (1933), play, 2pp; see also Folder 30.6 |
| 4 | | "Open Air Meetings,"1879,
10pp |
| | | "Orage,"nd,
2pp |
| | | "Our Liberal Converts,"nd,
6pp |
| | | Overruled, Trespassers Will Be Prosecuted (1916), play |
| box | folder |
| 22 | 5 | | | Holograph/shorthand draft, 1912, 44pp; holograph with
emendations, nd, 2pp |
| 6 | | | Typescript with revisions, 1912,
41pp |
| 7 | | "Partial Genealogy of George Bernard Shaw,"nd,
1p * |
| 8 | | "Passion, Poison, and Petrifaction,"holograph
draft with revisions and note, 1905, 41pp; typescript production
copy, nd, 20pp |
| | | "Peace Conference Hints" |
| box | folder |
| 22 | 9 | | | Chapters I-VI, page proofs with revisions and corrections,
1919,
106pp * |
| | | | Chapter VII, galley proofs with revisions and corrections,
1919, 4pp [removed to Galley Folder 5] * |
| box | folder |
| 22 | 10 | | "The Perfect Wagnerite" |
| | | | Additional chapter for the 1907 translation, typescript with
revisions, 1907,
7pp |
| | | | Additional chapter for the 1913 edition, typescript with revisions
and note, 1913,
11pp |
| | | | Preface to the third edition, holograph/shorthand draft, 1913,
2pp; typescript with revisions and note, nd,
4pp |
| | | | Preface to the first German edition, composite holograph early draft
and typescript with revisions, 1907, 7pp; typescript second
draft with emendations, 1907, 8pp |
| box | folder |
| 22 | 11 | | The Philanderer (1898), play |
| | | | Page proofs with few corrections and emendations, 1897,
85pp * |
| | | | Sobieniowski's adaptations, holograph and shorthand draft,
nd,
2pp |
| | | "The Play of Ideas," two sets of proofs,
nd, 2pp; 1950, 2pp [removed to Galley Folder 5]
* |
| box | folder |
| 23 | 1 | | Plays Pleasant (1898), collected works |
| | | | Preface, page proof with corrections and revisions,
1898,
14pp |
| | | | Twelve quires of sheets from copy of 1926 edition with corrections
and revisions, nd,
190pp |
| | | Plays Pleasant and Unpleasant (1898), collected works |
| box | folder |
| 23 | 2 | | | Discarded scraps from prefaces, holograph and typescript fragments
with revisions, 1898,
13pp |
| 3 | | | Second volume containing the four pleasant plays, second proof with
emendations and corrections, 1930,
305pp * |
| 4 | | "Playwrights and Amateurs," three offprints,
nd,
1p each |
| | | Poems |
| box | folder |
| 23 | 5 | | | "If I Could Truly Now Declare...,"1892,
2pp * |
| | | | On Belisarius, 1922,
1p |
| | | | Poems, 1921,
1p * |
| | | | "Rain, rain, rain, rain...,"nd,
4pp |
| | | | "To A.W.M.H.P.B.," (Albert W. Mazzini Horne
Pakenham Beatty), nd,
2pp * |
| | | | To Ellen Terry, "Ann Bullen...,"nd,
1p |
| | | | "Weep not for old George Bernard...,"nd,
1p |
| | | | "Would you by Gum....,"nd,
1p * |
| box | folder |
| 23 | 6 | | "The Political Situation,"1895,
58pp |
| 7 | | "Possible Peace Terms: The Republican Point of View,"nd,
10pp |
| | | "Practical Politics," ed. by Lloyd B. Hubenka,
galley proof/photocopy with corrections, 1976, 138pp [removed to
oversize file 2] * |
| box | folder |
| 23 | 8 | | "Precis Biographique,"nd,
5pp |
| | | Prefaces |
| box | folder |
| 23 | 9 | | | "Coburn's Irish Photographs,"1911,
10pp * |
| | | | Ellen Terry and Bernard Shaw correspondence |
| box | folder |
| 23 | 10 | | | | Preface, 1929,
1p * |
| 11 | | | | "To Be Attached to the Correspondence of Ellen
Terry and Bernard Shaw Should It Ever Be Published," rough
proof, 1929, 30pp; rough proof with extensive corrections,
1930, 30pp * |
| box | folder |
| 24 | 1 | | | Great Expectations by Charles Dickens, galley
proof, 1936, 16pp; first page proofs, nd, 15pp;
page proof, 1946, 23pp; final page proofs with editor's
postscript, nd, 21pp * |
| | | | Hard Times by Charles Dickens,
holograph/shorthand draft with deletions, 1911,
10pp |
| | | | International Government by Leonard Woolf,
introduction, galley proofs, nd, 4pp [removed to Galley Folder
4] * |
| | | | The Marketing of Literary Property by G.
Herbert Thring, galley proof with corrections, emendations, and note,
1932,
13pp |
| | | | Oscar Wilde: His Life and Confessions by
Frank Harris, page proofs of reprint edition, 1938,
43pp |
| | | | The School of Life by Charles T. Smith,
typescript with revisions, 1921,
3pp * |
| box | folder |
| 24 | 2 | | | Three Plays by Brieux, page proofs with
several emendations, 1909, 43pp; page proofs with corrections
and emendations, 1909, 43pp |
| | | | "Was Ich Der Deutschen Kultur Verdanke,"
preface for German edition of plays, holograph/shorthand draft and
typescript with revisions, 1910, 17pp; typescript with
emendations, 1910, 22pp * |
| | | Prefaces, incomplete galley proofs, 1891-1922, 13pp
[removed to Galley Folder 5] * |
| box | folder |
| 24 | 3 | | "Press Cuttings," rehearsal copy, typescript
with emendations, nd, 49pp; printed version with deletions and
emendations, 1909, 39pp |
| 4 | | "Property and rent: Fanny's First Poem,"1916,
4pp |
| | | Pygmalion (1916), play |
| box | folder |
| 24 | 5 | | | Typescript of printer's copy with note and revisions,
1912,
121pp |
| 6 | | | Act I, insert for page 4, nd,
1p |
| | | | Act II, stage description, nd,
1p |
| | | | Act III, typescript fragments, nd, 2pp; stage
description, nd, 1p |
| box | folder |
| 24 | 7 | | | The phonetic play, holograph/shorthand draft, 1912,
130pp |
| box | folder |
| 25 | 1 | | | A play in five acts, first page proofs, 1912,
83pp * |
| 2 | | | A romance in five acts, page proofs, 1914,
87pp * |
| 3 | | | Epilogue, first page proof with corrections and emendations,
1915,
15pp |
| | | | Preface, beginning, holograph/shorthand draft, nd, 1p;
page proofs with emendations, nd, 5pp |
| box | folder |
| 25 | 4 | | | Preface and epilogue, typescript of preface, nd, 5pp;
typescript of epilogue, nd, 15pp |
| 5 | | | Penguin edition, printed standard edition with inserts pasted in,
1939; printed book with corrections and additions on last
page, 1946, 160pp |
| | | Pygmalion (1938), screenplay |
| box | folder |
| 25 | 6 | | | Incomplete typescripts, 1938,
58pp * |
| 7 | | | A scenario, typescript with inscription, 1938,
141pp * |
| 8 | | | Scenario for British film, photocopy, 1938,
95pp * |
| 9 | | | Final page proofs with corrections and emendations,
1940,
119pp |
| 10 | | | Incomplete page proofs with notes and marks, 1941,
136pp * |
| box | folder |
| 26 | 1 | | "Quintessence of Ibsenism," insert,
nd,
1p |
| | | "Radio Music,"1946,
3pp |
| | | Reader's report for the Stage Society Play Reading Committee,
1924,
1p * |
| | | "Reborn Russia in Pictures,"1932,
13pp |
| | | "Redistribution of Income" |
| | | | First lecture, incomplete holograph draft with revisions,
1914, 13pp; carbon copy typescript with emendations,
1914, 31pp |
| | | | Prospectus for series of six lectures, typescript with emendtions,
1914,
4pp |
| box | folder |
| 26 | 2 | | Reply to Gordon Craig, 1930, holograph/shorthand draft,
4pp; carbon copy typescript, 7pp |
| | | Reply to Mr. Harold Cox, galley proof, 1913, 2pp [removed
to Galley Folder 5] * |
| | | Reviews |
| box | folder |
| 26 | 3 | | | A book on drama by Fordham Spence, 1911,
12pp |
| 4 | | | "Chesterton on Eugenics and Shaw on
Chesterton" (review of Eugenics and Other Evils
by G. K. Chesterton), 1922,
15pp * |
| 5 | | | "Chestertonism and the War" (review of
The Prussian Hath Said in His Heart by
Cecil Chesterton, and The Kaiser's War by
Austin Harrison), nd,
9pp * |
| 6 | | | "The Christian Wagnerite," by Corno di
Bassetto, pseud. (review of Parsifal and
Wagner's Christianity by David Irvine),
1899,
1p * |
| | | | "The Dean's Diary" (review of the diary of
Dean Inge) |
| | | | | Holograph/shorthand draft, nd,
8pp * |
| | | | | Galley proofs, nd, 3pp [removed to Galley Folder 3]
* |
| | | | Essay by Irving Fiske on Shaw's debt to William Blake,
1948,
1p |
| box | folder |
| 26 | 7 | | | The Foreign Policy of Sir Edward Grey, 1906-1915
by Gilbert Murray, for the New
Statesman, 1915,
18pp |
| 8 | | | The German War Book, galley proofs,
nd,
2pp * |
| 9 | | | "The History of a Happy Marriage" (review of
Beatrice Webb by Margaret Cole),
1945,
1p * |
| 10 | | | A History of Late Nineteenth Century Drama, 1850-1900
by Allardyce Nicoll * |
| | | | | Typescript with revisions and additions, 1946,
8pp |
| | | | | Galley proofs, 1946, 2pp [removed to Galley Folder
5] |
| | | | Hoodman Blind by Henry Arthur Jones,
nd,
12pp |
| | | | The Laurel and the Thorn, a study of G. F.
Wattsby Ronald Chapman, nd,
2pp * |
| | | | Military Leadership by Field-Marshal Viscount
Montgomery of Alamein, galley proof, nd, 1p [removed to Galley
Folder 5] |
| | | | "Old Bachelor Sam Butler," review of The Essential Samuel Butler, ed. by G.D.H. Cole,
1950,
4pp * |
| box | folder |
| 26 | 11 | | | Outspoken Essays, second series, by William
Ralph Inge, nd,
5pp |
| 12 | | | Rodin Art by Auguste Rodin, nd,
5pp |
| | | | Samuel Butler, A Memoir, by Henry Festing
Jones, two galley proofs with corrections and emendations, 1928,
4pp each [removed to Galley Folder 1] |
| | | | Samuel Butler: Author of Erewhon, by Henry
Festing Jones, galley proofs with corrections and emendations, nd,
4pp [removed to Galley Folder 1] |
| | | | What Is Coming by H. G. Wells,
nd,
12pp |
| box | folder |
| 26 | 13 | | "Revolution in the Theatre:" dialogue for St.
John Ervine, shorthand draft and photocopy with emendations, 1947,
7pp; typescript fragment with correction, 1947, 1p
* |
| 14 | | Rhyming Picture Guide to Ayot St. Lawrence, "The Ayot St. Lawrence Guide Book, "1947, typescript with corrections, 3pp; page proof with
emendations and photographs pasted in, 8pp |
| | | Royal Academy of Dramatic Art, 1929,
2pp |
| | | "Rules for Play Producers" |
| box | folder |
| 26 | 15 | | | Typescript with revisions, 1949,
8pp |
| | | | Galley proofs, nd, 4pp [removed to Galley Folder
5] |
| | | Saint Joan (1924), play |
| box | folder |
| 27 | 1 | | | Rough proof with corrections and emendations and note,
1923,
111pp |
| | | | Proof copy with revisions and notes, 1924,
111pp * |
| box | folder |
| 27 | 2 | | | Rough proof prompt copy with emendations and inscription,
1924,
111pp |
| 3 | | | Proof sheets, including preface, with few corrections,
1924,
154pp |
| | | | Rehearsal notes, holograph/shorthand draft, nd,
14pp * |
| box | folder |
| 27 | 4 | | | Holograph of scenario, 1934,
33pp * |
| 5 | | Saint Joan; a Chronicle Play and The Apple Cart; a
Political Extravaganza, four sample title pages with notes and
sketches, nd,
4pp * |
| box | folder |
| 28 | 1 | | "St. Martin's, Bernard Shaw and the Prayer Book,"nd,
5pp * |
| | | "The Sanity of Art," galley proof, 1907,
23pp [removed to Galley Folder 7] |
| box | folder |
| 28 | 2 | | "The Seamy Side of the Ring" and "Is Christianity a Failure?"1888,
4pp |
| 3 | | "Shakes Versus Shav: A Puppet Play" |
| | | | Typescript with revisions, nd,
5pp |
| | | | Typescript with revisions, nd,
5pp |
| | | | First proof with corrections and revisions, 1949,
10pp * |
| | | | Page proof with note, 1949,
10pp * |
| | | | Preface, holograph/shorthand draft, nd,
2pp * |
| box | folder |
| 28 | 4 | | "Shakespear and the Stratford-on-Avon Theatre, a Plea
for Reconstruction,"1923,
6pp |
| | | "Shall Roger Casement Hang?"nd,
6pp |
| | | "Shaw Has His Say," galley proofs with
corrections and note, 1940, 2pp [removed to Galley Folder
7] |
| box | folder |
| 28 | 4 | | Shaw on Vivisection, nd,
62pp * |
| | | Shaw on Vivisection, IX, "Looking
Backward," holograph/shorthand draft; typescript, both nd,
1p each |
| | | Shaw's Relations with Annie Besant, nd,
2pp |
| | | The Showing Up of Blanco Posnet (1911), play |
| box | folder |
| 28 | 5 | | | Holograph/shorthand drafts, nd, 6pp; 1909,
1p; 1909, 41pp |
| 6 | | | Typescript with corrections, emendations, and notes,
1909,
39pp |
| 7 | | | Typescript with revisions, notes, title page and initial stage
setting, nd,
65pp |
| 8 | | | Printed pages with corrections and notations, 1911,
33pp |
| | | | Note on Nation article, holograph
with emendations, nd,
1p |
| box | folder |
| 28 | 9 | | | Preface, holograph/shorthand draft, nd,
34pp |
| box | folder |
| 29 | 1 | | Short stories, scraps, and shavings, nd,
20pp * |
| | | "The Simple Truth of the Matter (Mr. Shaw's reply),"1935,
5pp * |
| | | "Sir Almroth Wright's Polemic,"nd,
8pp |
| box | folder |
| 29 | 2 | | The Six of Calais (1936), play |
| | | | First rough proof, 1934,
18pp |
| | | | First proof with corrections, 1934,
16pp |
| | | | Second rough proof with heavy corrections, additions, and insert,
1934,
16pp |
| | | | Les Bourgeois de Calais, holograph/shorthand draft,
1934,
8pp |
| | | | Preface, The Burgesses of Calais, typescript with emendations,
nd; typescript, 1934,
4pp each |
| | | | Preface, Les Bourgeois de Calais, holograph/shorthand draft,
1935,
2pp |
| | | | Irish translation by Cu Uladh, typescript with corrections,
1940,
20pp * |
| box | folder |
| 29 | 3 | | Sixteen Self Sketches (1949) |
| | | | Holograph/shorthand fragments, nd,
2pp |
| | | | Portions of chapters four and fourteen, typescript with revisions,
1949,
25pp * |
| | | | "Scraps and Sketches of Autobiography" |
| | | | | Two galley proofs, nd, 51pp [removed to Galley
Folder 8] * |
| | | | | First page proof with emendations, 1948,
134pp * |
| | | | Proof sheets with few corrections, typescript with emendations, and
shorthand addition, 1948,
134pp |
| box | folder |
| 29 | 4 | | "60 Years of Fabianism," discards,
1947,
6pp * |
| 5 | | "Socialism and the Family,"1886,
12pp |
| | | "Society of Authors Memoranda, continued,"nd,
1p |
| | | "Society of Authors Report of Agent Sub-Committee,"nd,
4pp |
| | | "Some Impressions" |
| | | | Galley proofs with corrections and emendations, 1944,
4pp [removed to Galley Folder 7] |
| | | | Page proofs with corrections, 1944,
13pp |
| | | "Some Observations from Experience,"1924,
2pp |
| box | folder |
| 29 | 6 | | "A Speculation on the Future of Anglo-American
Diplomacy,"nd,
6pp |
| 7 | | "Speech Proposing Prof. Einstein's Health at Banquet,
Savoy Hotel," notes, 1930,
5pp |
| 8 | | "Standing on My Head,"nd,
1p |
| | | Street corner agitation and the police, nd,
2pp |
| | | Suggested Note for New Statesman,nd,
1p |
| | | "Surprises from Russia" |
| box | folder |
| 29 | 9 | | | Holograph/shorthand draft, 1945,
6pp |
| 10 | | | Incomplete typescript with revisions, nd,
7pp |
| | | | Incomplete carbon copy with revisions, nd,
4pp * |
| | | | Galley proofs with corrections and revisions, nd, 3pp
[removed to Galley Folder 7] |
| box | folder |
| 30 | 1 | | "The Terry Letters,"1934,
2pp * |
| | | "That Realism Is the Goal of Fiction,"1888,
13pp * |
| | | "Theatre, Provincial and Amateur vs Fashionable and
Professional," holograph shorthand draft, 1916, 1p
[removed to Oversize File 3] |
| box | folder |
| 30 | 1 | | "Then and Now,"1927,
4pp |
| | | "This Year's Program,"1936,
2pp * |
| | | "To Introduce the Prefaces,"1933,
1p * |
| | | "To Tokyo on Buttermilk,"1942,
2pp * |
| | | Too True to Be Good: A Collection of Stage Sermons (1932), play |
| box | folder |
| 30 | 2 | | | Rough page proofs, 1931,
83pp * |
| | | | First page proofs with corrections and revisions, 1931,
83pp * |
| | | | Corrections, 1931,
5pp * |
| | | | Rough proof with addition at end and inscription, 1931,
83pp * |
| box | folder |
| 30 | 3 | | | Two rough proofs, 1931, with corrections and revisions;
with new pages 9 and 10 laid in,
83pp each * |
| 4 | | | Rough proof with notes an new pages tipped in, 1931,
83pp * |
| | | | Proof copy with notes and addition, 1931,
83pp * |
| box | folder |
| 30 | 5 | | | Typescript with emendations and note, 1932, 4pp; page
proofs with corrections and note, 1932, 2pp * |
| | | | Rough proof with few corrections and emendations, 1932,
83pp * |
| | | | Revised proof presentation copy to Blanche Patch, 1932,
83pp * |
| | | Too True to Be Good, Village Wooing, On the Rocks (1934), title page and table of contents, second proof with
corrections, 1933,
2pp * |
| box | folder |
| 30 | 6 | | "The Tragic Life and Adventures of Pakenham Beatty,"1896,
1p |
| 7 | | "The Trinity vs Jackson,"1912,
4pp |
| 8 | | "An Unfinished Novel,"nd,
52pp |
| | | An Unsocial Socialist (1884), novel, foreword, 1930,
2pp * |
| | | "Verses Written by George Bernard Shaw Dated 1887
March 21,"nd,
1p |
| | | A Village Wooing (1933), play, 18pp; see also Folder 30.6 |
| | | Visit to the Holbein Madonna at Darmstadt, 1889,
9pp |
| box | folder |
| 31 | 1 | | "The Voice," by George J. Lee (ghostwriter
G.B. Shaw), photostatic typescript, 1882-1883, 37pp; Shaw's
holograph/shorthand draft of a reminiscence of Lee, 1947, 2pp;
printed copy of "The Voice,"1871, 130pp |
| 2 | | Voice Training, nd,
3pp |
| | | "War Issues for Irishmen," galley proofs,
1918, 9pp [removed to Galley Folder 7] |
| | | "War Reputations," galley proofs, nd,
3pp [removed to Galley Folder 7] |
| | | "Was It Really Official? A Repudiation,"1915,
6pp |
| | | "What a Playwright Should Do with His First
Play," |
| | | | Galley proof and proof sheet, nd, 1p each [removed to
Galley Folder 7] * |
| | | "What about the Middle Class?"1912, page 11 |
| box | folder |
| 31 | 3 | | "What Else Could Mr. Asquith Have Done?"1915,
6pp |
| 4 | | "What I Really Wrote about the War," chapter
XV, Burning the Candle at Both Ends, nd,
2pp * |
| | | "What I Said in the Great War,"nd,
3pp |
| | | "What Indeed?"1931,
1p * |
| | | "What Is to Be Done with the Doctors?"nd,
87pp |
| box | folder |
| 31 | 5 | | "Who Jailed the Twelve," message to
Leningrad, Pravda, 1925,
2pp |
| 6 | | "Why Devolution Will Not Do,"nd,
6pp |
| 7 | | "Why She Would Not, a Little Comedy,"
play |
| | | | Holograph/shorthand draft, 1950,
11pp |
| | | | Typescript with emendations and notes, 1950,
16pp |
| | | | Deleted passage, typescript, nd,
3pp |
| | | | Page proofs, 1950,
14pp |
| | | Widower's Houses (1893), play, a scene, nd,
5pp |
| | | "Woman-Man in Petticoats," speech,
nd,
7pp |
| | | You Never Can Tell (1898), play, rehearsal notes, nd, 2pp; see also
Folder 4.10 * |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series II. Correspondence, 1780-1963
|
| | | Subseries A. Outgoing, 1875-1950 |
| box | folder |
| 32 | 1 | | | Unidentified dated |
| 2 | | | Unidentified, nd |
| 3 | | | Unidentified re murder of W. Whiteley |
| 4 | | | A |
| 5-6 | | | Achurch, Janet, 1889-1912 |
| 7 | | | Adams, Elbridge, 1929-1935 |
| 8 | | | Ashwell, Lena, 1898-1925 |
| box | folder |
| 33 | 1 | | | B-Be |
| 2 | | | Barnes, Kenneth Ralph, Sir, 1914-1950, nd |
| 3 | | | Bennett, Arnold, 1910-1930 |
| 4 | | | Birmingham, George A., 1911-1912 |
| 5 | | | Bl-Bz |
| 6 | | | Blumenfeld, Ralph David, 1904-1942 |
| box | folder |
| 34 | 1 | | | C-Cl |
| 2 | | | Champion, Henry Hyde, 1908-1950 |
| 3-6 | | | Charrington, Charles, 1889-1924 |
| box | folder |
| 35 | 1 | | | Charrington, Charles (cont.) |
| 2 | | | Cherry-Garrard, Apsley, 1917-1949, nd |
| 3 | | | Co-Cz |
| 4 | | | Cockerell, Sydney Carlyle, Sir, 1904-1950, nd |
| 5 | | | Collison, F., 1902-1912 |
| 6 | | | Cotterill, Erica, 1905-1912, nd |
| 7 | | | Craig, Edward Gordon, 1926-1930 |
| box | folder |
| 36 | 1 | | | D-Do |
| 2 | | | Dp-Dz |
| 3 | | | E |
| 4 | | | Edison Telephone Company, 1879-1880 |
| 5 | | | Edwards, Mrs. E. L., 1944 |
| 6 | | | Evans, Frederick, 1895-1922, nd |
| 7 | | | F |
| 8 | | | Farr, Florence, 1891-1909, nd |
| box | folder |
| 37 | 1 | | | G |
| | | | Granville-Barker, Harley |
| box | folder |
| 37 | 2 | | | | 1900-1908 |
| 3 | | | | 1909-1913 |
| 4 | | | | and Macarthy, Lillah, 1908-1943 |
| 5 | | | H-Ha |
| | | | Harris, Frank |
| box | folder |
| 37 | 6 | | | | 1900-1928 |
| box | folder |
| 38 | 1 | | | | 1900-1928 (typed copies) |
| 2 | | | | 1930-1932 |
| 3 | | | Harris, Helen O'Hara, 1921-1940 |
| 4 | | | Hb-Hz |
| 5 | | | Henderson, Archibald, 1905-1932 |
| 6 | | | Heys, Edwin T., 1905-1918 |
| 7 | | | I |
| 8 | | | Irving, Henry, Sir, 1896 |
| 9 | | | Irving, Laurence, 1900-1949 |
| 10 | | | J |
| box | folder |
| 39 | 1 | | | K |
| 2 | | | L-Le |
| 3 | | | Lee-Mathews, 1905-1923 |
| 4 | | | Lewis, Cecil, 1923-1937 |
| 5 | | | Lf-Lz |
| 6-7 | | | Limbert, Roy, 1930-1950 |
| box | folder |
| 40 | 1 | | | Little, James Stanley, 1889-1892 |
| 2 | | | Loewenstein, Fritz Erwin, 1936-1945 |
| 3 | | | Ma |
| 4 | | | Mackworth, Margaret, 1923-1935 |
| 5 | | | Magny, Jules, 1889-1901 |
| 6 | | | Maxwell, William, 1921-1950, nd |
| 7 | | | Mc |
| 8 | | | McCarthy, Lillah, 1905-1934, nd |
| box | folder |
| 41 | 1 | | | Mb-Mz |
| 2 | | | N |
| 3 | | | Newcomb, Bertha, 1896-1926 |
| 4 | | | Norman, C.H., 1907-1947 |
| 5 | | | O |
| 6 | | | O'Bolger, T.D., 1916 |
| 7 | | | P-Pe |
| box | folder |
| 42 | 1-2 | | | Patch, Blanche, 1920-1950, nd |
| 3 | | | Pearson, Hesketh, 1918-1950, nd |
| 4-5 | | | Pease, Edward Reynolds, 1893-1924 |
| box | folder |
| 43 | 1 | | | Ph-Pz |
| 2 | | | Phillimore, Mrs. R. C. |
| 3 | | | Pinero, Arthur Wing, 1906-1932 |
| 4 | | | Plunkett, Horace Curzon, Sir, 1917 |
| 5 | | | R-Rh |
| 6-7 | | | R. & R. Clark, 1915-1949 |
| 8 | | | Redford, G. A., 1898 |
| 9 | | | Reinheimer, Hermann, 1929 |
| box | folder |
| 44 | 1-2 | | | Richards, Grant, 1893-1934 |
| 3 | | | Ri-Rz |
| 4 | | | Rymer, H., 1948 |
| 5 | | | S-Sa |
| 6 | | | Salt, Henry, 1889-1928 |
| 7 | | | Sanders, William Stephen, 1911 |
| box | folder |
| 45 | 1 | | | Sb-Si |
| 2 | | | Shaw, Lucy Carr, 1875 |
| 3 | | | Siddons, 1935-1941 |
| 4 | | | Sj-Sz |
| 5 | | | The Star, nd |
| 6 | | | T |
| 7 | | | The Times, 1909-1950 |
| 8 | | | Topolski, Feliks, 1939-1946 |
| box | folder |
| 46 | 1 | | | Trebitsch, Siegfried, 1915-1950 |
| 2 | | | Tree, Viola, 1911-1921 |
| 3 | | | U-V |
| 4 | | | Vedrenne, John E., 1904-1927 |
| 5 | | | W-Wa |
| 6 | | | Walker, Emery, Sir, 1889-1932 and Walker, Mary Grace
Jones, 1885-1901 |
| 7 | | | Wb-Wh |
| 8 | | | Whelen, Frederick, 1893-1926 |
| box | folder |
| 47 | 1 | | | White, Arnold, 1879 |
| 2 | | | Whitehall Court, Ltd., 1938-1949 |
| 3 | | | Wi-Z |
| | | Subseries B. Incoming, 1875-1950 |
| box | folder |
| 47 | 4 | | | Unidentified authors |
| 5 | | | A-Al |
| 6 | | | Am-Az |
| 7 | | | B-Ba |
| box | folder |
| 48 | 1 | | | Bb-Be |
| 2 | | | Bf-Bo |
| 3 | | | Bp-Brw |
| 4 | | | Bry-Bz |
| 5 | | | C-Ca |
| 6 | | | Cb-Col |
| 7 | | | Com-Cz |
| box | folder |
| 49 | 1 | | | D-De |
| 2 | | | Di-Do |
| 3 | | | Dr-Dz |
| 4 | | | E |
| 5 | | | F-Fl |
| 6 | | | Fm-Fz |
| 7 | | | G-Gh |
| 8 | | | Gi-Go |
| box | folder |
| 50 | 1 | | | Gp-Gz |
| 2 | | | H-Ha |
| 3 | | | Harris, Frank, 1916-1924 |
| 4 | | | He-Hi |
| 5 | | | Ho-Hz |
| 6 | | | I |
| 7 | | | J |
| box | folder |
| 51 | 1 | | | K-Kh |
| 2 | | | Ki-Kz |
| 3 | | | L-La |
| 4 | | | Lb-Li |
| 5 | | | Ll-Lz |
| 6 | | | M-Ma |
| 7 | | | Mb-Mi |
| box | folder |
| 52 | 1 | | | Mj-Mz |
| 2 | | | N-Ne |
| 3 | | | Nf-Nz |
| 4 | | | O |
| 5 | | | P-Pa |
| 6 | | | Pb-Pe |
| 7 | | | Pease, Edward Reynolds, 1917 |
| 8 | | | Pf-Po |
| 9 | | | Pp-Q |
| box | folder |
| 53 | 1 | | | R-Re |
| 2 | | | R. & R. Clark, Ltd. |
| 3 | | | Rf-Rz |
| 4 | | | Ricketts, Charles E. |
| 5 | | | S-Sc |
| 6 | | | Se-Sh |
| 7 | | | Shaw, Lucinda Elizabeth Gurley, 1908 |
| 8 | | | Si-Sm |
| box | folder |
| 54 | 1 | | | Sn-Sq |
| 2 | | | Society of Authors, 1903-1930 |
| 3 | | | South African Trip Correspondence, 1932 |
| 4 | | | St-Sz |
| 5 | | | T |
| 6 | | | U-V |
| 7 | | | Vedrenne-Barker Performances, 1904-1911 |
| 8 | | | W-We |
| box | folder |
| 55 | 1 | | | Wh-Wil |
| 2 | | | Wim-Wiz |
| 3 | | | X-Z |
| | | Subseries C. Third-Party, 1780-1963 |
| box | folder |
| 55 | 4 | | | Unidentified |
| 5 | | | A-B |
| 6 | | | C |
| 7 | | | D-E |
| 8 | | | F-H |
| 9 | | | Henderson, Archibald, 1907-1954 |
| 10 | | | I-L |
| box | folder |
| 56 | 1 | | | M-P |
| 2 | | | Patche, Blanche, 1927-1963 |
| 3 | | | R-S |
| 4 | | | R. & R. Clark, Ltd, 1932-1947 |
| 5 | | | Shaw, Lucy Carr, 1882-1919 |
| 6 | | | T-V |
| 7 | | | Terry, Ellen, Dame, 1891-1902 |
| box | folder |
| 57 | 1 | | | Townshend Family |
| 2 | | | W-Z |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series III. Personal Papers, 1876-1950
|
| | | Subseries A. Agreements, Translations and Notes for Works by Shaw,
1895-1940 |
| box | folder |
| 57 | 3 | | | A-Z |
| | | | Arms and the Man |
| box | folder |
| 57 | 4 | | | | Agreements and notes, 1894-1932 |
| 5 | | | | French translation by H. Hamon, typescript, 1907 |
| 6 | | | Back to Methuselah, nd |
| | | | Caesar and Cleopatra |
| box | folder |
| 57 | 7 | | | | Agreements and notes, 1899-1906 |
| | | | | French translations |
| box | folder |
| 57 | 8 | | | | | The Prelude of Caesar &
Cleopatra translated by Henri de Gerardel, typescript,
nd |
| 9-10 | | | | | Page proofs with edits, 1910-1914 |
| box | folder |
| 58 | 1 | | | | | Page proofs, 1926 |
| 2 | | | | Italian translation, typescript, nd |
| | | | Candida |
| box | folder |
| 58 | 3 | | | | Agreements and notes, 1908-1936 |
| 4 | | | | French translation, two typescripts with edits, ca.
1908 |
| | | | Captain Brassbound's Conversion |
| box | folder |
| 58 | 5 | | | | Agreements and notes, 1902-1906 |
| 6 | | | | French translation, typescript, nd |
| | | | The Devil's Disciple |
| box | folder |
| 58 | 7 | | | | Agreements and notes, 1897-1940 |
| 8 | | | | French translation, two sets of page proofs,
1910-1919 |
| 9 | | | Dickens and Shaw, agreements and notes, 1936-1937 |
| 10 | | | The Doctor's Dilemma, agreements and
rehearsal notes, 1909-1938 |
| box | folder |
| 59 | 1 | | | Geneva, agreements and notes,
1905-1940 |
| 2 | | | Getting Married, agreements,
1908-1916 |
| 3 | | | Heartbreak House, agreements and French
translation typescript, 1920-1927 |
| 4 | | | Jitta's Atonement, agreements and notes,
1923-1933 |
| 5 | | | John Bull's other Island, notes,
1904 |
| 6 | | | Major Barbara, agreements and notes,
1915-1930 |
| 7 | | | Man and Superman, agreements and notes,
1903-1905 |
| 8 | | | The Man of Destiny, agreements, notes, and
French translation, typescript, 1896-1938 |
| 9 | | | Misalliance, rehearsal notes, nd |
| 10 | | | Mrs. Warren's Profession, agreements and
French translation by Augustin and Henriette Hamon, typescript and page
proofs, 1904-1912 |
| 11 | | | Overruled, rehearsal notes, includes speeches from Fanny's First
Play, 1912 |
| box | folder |
| 60 | 1 | | | The Philanderer, French translation by
Augustin and Henriette Hamon, typescript, nd |
| 2 | | | Plays Pleasant and Unpleasant, agreements and
notes, 1897-1902, and French translation, typescript and page
proofs, 1913 |
| 3 | | | Preface to Three Plays by Brieux, notes and
French translation by Augustin and Henriette Hamon, typescript, ca.
1909 |
| | | | Pygmalion |
| box | folder |
| 60 | 4 | | | | Agreements and rehearsal notes, 1913-1935 |
| 5 | | | | Italian translation by Antonio Agresti, typescripts,
1914 |
| | | | Saint Joan |
| box | folder |
| 60 | 6 | | | | German translation by Siegfried Trebitsch, printed with notes and
corrections, 1924 |
| 7 | | | | French translation by Augustin and Henriette Hamon, typescript
with revisions, 1925 |
| 8 | | | Tabletalk of G.B.S., agreements,
1924-1925 |
| 9 | | | Village Wooing, rehearsal notes,
1934 |
| box | folder |
| 61 | 1 | | | Widower's House, French translation by A.
Hamon, typescript, nd |
| | | | You Can Never Tell |
| box | folder |
| 61 | 2 | | | | Agreements and notes, 1897-1920 |
| 3 | | | | French translation by Augustin and Henriette Hamon, typescript,
nd |
| | | Subseries B. Applications, Memberships, and Subscriptions,
1898-1950 |
| box | folder |
| 61 | 4 | | | Applications for articles, 1905-1910, nominations for
membership, 1894, Royal Institute for International Affairs
membership card, 1949-1950, and subscription for the 'Perfect
Wagnerite,' 1898 |
| | | | Honorary degree to Shaw from Ceská Akademie Ved A Umeni, Prague,
1930 [removed to oversize folder 10] |
| | | Subseries C. Diaries and Scrapbooks, 1876-1928 |
| | | | Diary and Personal Account |
| box | folder |
| 61 | 5 | | | | 1885-1917 |
| 6 | | | | 1917-1928 |
| box | folder |
| 62 | 1 | | | Notebooks, 1876-1889 |
| | | | The Serenade Club Annuals |
| box | folder |
| 62 | 2 | | | | 1881 |
| 3 | | | | 1884 |
| 4 | | | | 1885 |
| | | Subseries D. Financial Records, 1885-1950 |
| box | folder |
| 63 | 1 | | | Receipts for royalty payments, canceled checks, and financial
summaries, 1885-1950 |
| 2 | | | R. & R. Clark, Ltd., invoices, 1909-1943 |
| 3 | | | Records and correspondence regarding the leasing of Shaw's
apartment, 1940-1949 |
| | | Subseries E. Legal Documents, 1907-1950 |
| box | folder |
| 63 | 4 | | | Last Will and Testament, 1948-1950 |
| 5 | | | Licensing and publishing agreements, 1907-1950 |
| | | | Agreement with Vedrenne, John E. and Harvey Granville-Baker,
1907 [removed to oversize folder 6] |
| box | folder |
| 63 | 6 | | | Licenses and notices from the Lord Chamberlain's Office, Great
Britain, 1897-1916 |
| | | Suberies F. Lists and Notes, 1879-1949 |
| box | folder |
| 63 | 7 | | | A-E |
| 8 | | | Exercises in shorthand, nd |
| 9 | | | F-N |
| box | folder |
| 64 | 1 | | | O-Z |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series IV. Charlotte Shaw Personal Papers and Household Records,
1883-1943
|
| | | Subseries A. Works, Notes, and Lists, 1890-1938 |
| box | folder |
| 64 | 2 | | | A-Z |
| 3 | | | Notes re servants |
| 4-5 | | | Summary of Tertium organum by
Ouspensky, typescript, 2 volumes, nd |
| | | Subseries B. Correspondence, 1883-1943 |
| | | | Outgoing, 1899-1942 |
| box | folder |
| 64 | 6 | | | | Unidentified; A-K |
| box | folder |
| 65 | 1 | | | | L-Z |
| 2 | | | | Lawrence, T.E, 1922-1935 |
| 3 | | | | Mackworth, Margaret Haig Thomas, 1926-1939 |
| 4 | | | | Walker, Dorothy, 1924-1942 |
| | | | Incoming, 1883-1943 |
| box | folder |
| 65 | 5 | | | | A-C |
| 6 | | | | Alliance Assurance Company, Ltd., 1905-1943 |
| box | folder |
| 66 | 1-2 | | | | Brentano's, 1911-1933 |
| 3 | | | | D-H |
| 4 | | | | Fifield, Arthur C., 1912-1922 |
| 5 | | | | Ford, H.W., 1912-1929 |
| 6 | | | | George Jackman & Sons, Ltd., 1909-1941 |
| 7 | | | | H. Durrant & Son, Builders, 1922-1930 |
| 8 | | | | H. Hurst, Builder, 1929-1937 |
| 9 | | | | I-N |
| 10 | | | | Incorporated Society of Authors, Playwrights and Composers,
1917-1942 |
| box | folder |
| 67 | 1 | | | | John M. Watkins, 1916-1938 |
| 2 | | | | Jonathan Cape, Ltd., 1921-1947 |
| 3 | | | | Kingston House, 1925-1933 |
| 4 | | | | The Northwest Power Company, 1937-1943 |
| 5 | | | | O-P |
| 6 | | | | R-S |
| 7 | | | | Sutton and Sons, 1922-1942 |
| 8 | | | | T-Z |
| box | folder |
| 68 | 1 | | | | W. Archer, Joiner, 1906-1930 |
| 2 | | | | W.H. Smith and Sons, 1910-1937 |
| | | Subseries C. Financial Records, 1885-1942 |
| box | folder |
| 68 | 3 | | | Checks, invoices and receipts, 1906-1942 |
| 4 | | | Account books (7), 1932-1939 |
| 5 | | | Household expense account books, 1906-1922 |
| 6 | | | Wages book, 1885-1923 |
| | | Subseries D. Legal Documents, 1901-1935 |
| box | folder |
| 69 | 1 | | | Agreements, passports, and will, 1901-1935 |
Return to the Table of Contents
| | | | | | | | | | | | | |
| |
Series V. Works by other Authors, 1757-1960
|
| box | folder |
| 69 | 2 | | Unidentified authors |
| 3 | | Unidentified author, The Book of the Cave, nd,
72pp |
| 4 | | A-B |
| 5 | | Bank, Alma von |
| 6 | | Bernauer, Rudolf and Leopold Jackson |
| 7 | | C |
| box | folder |
| 70 | 1 | | Cox, Philip |
| 2 | | D-E |
| 3 | | F |
| 4 | | G |
| 5 | | H |
| 6 | | Hamon, Augustin |
| 7-8 | | Hanley, Tullah Innes |
| box | folder |
| 71 | 1 | | Hanley, Tullah Innes, cont. |
| 2 | | Hardwicke, Cedric |
| 3-4 | | Henderson, Archibald |
| 5 | | I-K |
| box | folder |
| 72 | 1 | | Irvine, William |
| 2 | | Jackson, Holbrook |
| 3 | | L |
| 4 | | Langley, Noel |
| 5 | | Langston, Basil |
| 6 | | Lerner, Alan J. |
| box | folder |
| 73 | 1 | | Lerner, Alan J., cont. |
| 2 | | Lewis, Cecil |
| 3 | | Loewenstein, Fritz Erwin |
| 4 | | M |
| 5 | | Mitchell, Robert |
| 6 | | N-P |
| 7 | | Orage, Alfred Richard |
| 8 | | Payne-Townshend, Horace |
| 9 | | Payne-Townshend, Mary |
| box | folder |
| 74 | 1-5 | | Pearson, Hesketh |
| 6 | | Pease, Edward Reynolds |
| 7 | | Peddie, Robert Alexander |
| box | folder |
| 75 | 1-2 | | Peddie, Robert Alexander, cont. |
| 3 | | R |
| 4-7 | | Rattray, R.F. |
| box | folder |
| 76 | 1-4 | | Rattray, R.F., cont. |
| box | folder |
| 77 | 1 | | Riera, -- |
| 2 | | S |
| 3 | | Salt, Henry Stephens |
| 4 | | Spohn, Alice |
| 5 | | T |
| 6 | | Townshend, Chambre Corker |
| 7 | | Townshend Family |
| box | folder |
| 78 | 1 | | Townshend, Horatio |
| 2 | | U-Z |
| | | Winsten, Stephen |
| box | folder |
| 78 | 3 | | | Notes and untitled poem, 1949 |
| 4-5 | | | Days with Bernard Shaw, 4 holograph notebooks
with revisions, nd,
240pp |
| | | | Jesting Apostle: The Life of Bernard Shaw |
| box | folder |
| 78 | 6-7 | | | | Holograph draft in five notebooks, nd,
340pp |
| box | folder |
| 79 | 1 | | | | Holograph notebooks, cont. |
| 2 | | | | Typescript, with author revisions, nd,
336pp |
| 3 | | | | Typescript with author revisions, nd,
477pp |
| box | folder |
| 80 | 1 | | | | Typescript with author revisions, nd,
348pp |
| 2 | | | | Printer's copy with printer's markings, nd,
215pp |
| 3 | | | | Page proofs, 1956,
187pp |
| 4 | | | Notes on Shaw, holograph notebook, nd,
70pp |
| 5 | | | Salt and His Circle, two holograph notebooks,
1951,
150pp |
| 6 | | Uncataloged envelopes |
Return to the Table of Contents
|
