<?xml version="1.0" encoding="utf-8" standalone="no"?>

<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "ead.dtd">
<ead relatedencoding="MARC21">
   <eadheader langencoding="iso639-2b" audience="internal" findaidstatus="edited-full-draft" id="a0" repositoryencoding="iso15511" countryencoding="iso3166-1" scriptencoding="iso15924" dateencoding="iso8601">
      <eadid countrycode="us" mainagencycode="TxU-Hu" encodinganalog="852$a">urn:taro:utexas.hrc.00108</eadid>
      <filedesc>
         <titlestmt>
            <titleproper>Harold Pinter: </titleproper>
            <subtitle>An Inventory of His Collection at the Harry Ransom Humanities
        Research Center</subtitle>
            <author>Katherine Mosley</author>
         </titlestmt>
         <publicationstmt>
            <publisher>University of Texas at Austin</publisher>
            <date era="ce" calendar="gregorian">1999</date>
         </publicationstmt>
      </filedesc>
      <profiledesc>
         <creation>Text converted and initial EAD tagging provided by Apex Data
      Services, 
      <date era="ce" calendar="gregorian">September 2000.</date>
         </creation>
         <langusage>Finding aid written in <language>English</language>
         </langusage>
      </profiledesc>
      <revisiondesc>
         <change>
            <date>Tue Jul 22 15:08:51 CDT 2003</date>
            <item>urn:taro:utexas.hrc.00108 converted from EAD 1.0 to 2002 by v1to02.xsl (20030505).</item>
         </change>
      </revisiondesc>
   </eadheader>
   <archdesc level="collection">
      <did id="a1">
         <head>Descriptive Summary</head>
         <origination label="Creator:">
            <persname encodinganalog="100" source="lcnaf">Pinter, Harold,
        1930-</persname>
         </origination>
         <unittitle label="Title:" encodinganalog="245">Harold Pinter Collection 
      <unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1960-1980</unitdate>
         </unittitle>
         <unitid countrycode="us" repositorycode="TxU-HU" encodinganalog="099" label="RLIN Record ID:">TXRC99-A23</unitid>
         <physdesc label="Extent:" encodinganalog="300$a">2 boxes (.83 linear
      feet)</physdesc>
         <abstract label="Abstract:" encodinganalog="520$a">This collection consists
      primarily of scripts of Pinter's radio plays, stage plays, and
      screenplays.</abstract>
         <repository label="Repository:">
            <corpname>
               <subarea>Harry Ransom Humanities Research Center, </subarea>
        University of Texas at Austin</corpname>
         </repository>
         <langmaterial label="Language">
            <language langcode="eng">English.</language>
         </langmaterial>
      </did>
      <bioghist id="a2" encodinganalog="545">
         <head>Biographical Sketch</head>
         <p>One of England's most important playwrights, Harold Pinter was born in
      Hackney, near the East End of London, on October 10, 1930. The son of tailor
      Hyman <emph render="doublequote">Jack</emph> Pinter and Frances Mann Pinter, he grew
      up in a working class environment. While attending Hackney Downs Grammar
      School, he became interested in acting and participated in school productions,
      and he also began writing essays and poetry. In 1948 Pinter was admitted to the
      Royal Academy of Dramatic Art, but he left after two terms. From then until
      1958 he worked as an actor, using the name David Baron from 1954 to 1958. He
      acted in BBC radio programs, attended the Central School of Speech and Drama
      (1951), toured Ireland with Anew McMaster's Shakespearean repertory company for
      18 months, and then worked in various other repertory companies, including
      Donald Wolfit's Shakespearean company.</p>
         <p>During that time, Pinter continued to write poetry and short prose
      pieces; his poetry was first published in 
    <title render="italic" linktype="simple">Poetry London </title>in 1950 under the pseudonym
    Harold Pinta. In 1957 Pinter was asked to write a play for the drama department
    at Bristol University, and in four days he wrote 
    <title render="italic" linktype="simple">The Room, </title>which was very well received and
    was entered in the 
    <title render="italic" linktype="simple">Sunday Times </title>student drama festival. A
    favorable review of that play led Michael Codron to produce Pinter's next play,
    
    <title render="italic" linktype="simple">The Birthday Party, </title>which was not successful
    and closed after a week's time. However, his second full-length play, 
    <title render="italic" linktype="simple">The Caretaker </title>(1960), received critical
    acclaim. A prolific writer, Pinter went on to write numerous radio plays,
    television plays, and short plays, as well as full-length plays, for the stage.
    
    <title render="italic" linktype="simple">A Slight Ache </title>(1959), which had been
    commissioned by the BBC and was later adapted for the stage, gained him the
    attention of a broader public. From then on, his reputation grew until he
    became known as one of the most influential and important dramatists of
    post-war England, responsible for the creation of two new dramatic terms,
    <emph render="doublequote">Pinteresque</emph> (defining his unique style) and
    <emph render="doublequote">Pinter pause</emph> (referring to his use of meaningful
    silences). 
    <title render="italic" linktype="simple">The Homecoming </title>(1965) is widely considered
    Pinter's best and most important play, but his other full-length plays, such as
    
    <title render="italic" linktype="simple">Old Times </title>(1971) and 
    <title render="italic" linktype="simple">Betrayal </title>(1978), have also been significant.
    In addition to his stage and radio plays, Pinter has written screenplays,
    including 
    <title render="italic" linktype="simple">The Servant </title>(1962), 
    <title render="italic" linktype="simple">Accident </title>(1967), 
    <title render="italic" linktype="simple">The Go-Between </title>(1971), 
    <title render="italic" linktype="simple">The French Lieutenant's Woman </title>(1981), 
    <title render="italic" linktype="simple">Turtle Diary </title>(1985), 
    <title render="italic" linktype="simple">The Trial </title>(1989), and 
    <title render="italic" linktype="simple">The Handmaid's Tale </title>(1990), among others.
    Pinter did not abandon his interest in poetry; besides publishing several
    volumes of poetry, he has also edited anthologies of poetry, including 
    <title render="italic" linktype="simple">Ninety-Nine Poems in Translation </title>(1994).</p>
         <p>Pinter is an accomplished director and has directed productions of his
      own plays and others; he served as Associate Director at the National Theatre
      from 1973 until 1983.</p>
         <p>Pinter has been married twice: first to actress Vivien Merchant
      (1956-80), with whom he had one son, and second to author Lady Antonia Fraser
      (1980-).</p>
      </bioghist>
      <bibliography>
         <head>Sources</head>
         <p>More information about Harold Pinter and his work may be found in the
        following sources:</p>
         <bibref linktype="simple">
            <title render="italic" linktype="simple">Contemporary Authors, New Revision Series,
          </title>
            <imprint>volume 65, (Detroit: Gale Research Co.,
        1981-)</imprint>
         </bibref>
         <bibref linktype="simple">
            <title render="italic" linktype="simple">Dictionary of Literary Biography,
          </title>
            <imprint>volume 13, (Detroit, Mich.: Gale Research Co.,
        1982)</imprint>
         </bibref>
         <bibref linktype="simple">
            <title render="italic" linktype="simple">International Dictionary of Theatre,
          </title>
            <imprint>volume 2 (Chicago: St. James Press,
        1992-96).</imprint>
         </bibref>
      </bibliography>
      <scopecontent id="a3" encodinganalog="520">
         <head>Scope and Contents</head>
         <p>The Harold Pinter collection consists primarily of scripts of his radio
      plays, stage plays, and screenplays, dating from 1960 to 1980. In addition,
      there is one holograph letter from Pinter to Jacob Schwartz and one holograph
      and two typed letters to Schwartz' wife, Anita Sharp Bolster.</p>
         <p>The scripts are all mimeograph or photocopy typescripts without any
      holograph notes, with the exception of 
    <title render="italic" linktype="simple">The Last Tycoon, </title>which has annotations by an
    unknown person, and 
    <title render="italic" linktype="simple">The Lover, </title>with a few annotations probably
    made by the costume designer. Material relating to the first New York
    production of 
    <title render="italic" linktype="simple">The Birthday Party </title>in 1967 includes review
    clippings, a reprint of a full-page advertisement from the 
    <title render="italic" linktype="simple">New York Times, </title>a letter from a fan to
    reviewer Henry Hewes, and notes about the play by unknown persons. Scripts for
    other New York productions include those for the Eastside Playhouse's
    productions of 
    <title render="italic" linktype="simple">The Basement </title>and 
    <title render="italic" linktype="simple">The Tea Party, </title>and Cherry Lane Theatre's
    production of 
    <title render="italic" linktype="simple">The Lover. </title>With Joseph Losey and Barbara
    Bray, Pinter wrote a screenplay adaptation of Proust's 
    <title render="italic" linktype="simple">A la recherche du temps perdu </title>which was
    never filmed but was published as 
    <title render="italic" linktype="simple">The Proust Screenplay </title>in 1977; two
    typescripts of that work are present. 
    <title render="italic" linktype="simple">Voices in the Air, </title>a BBC Radio Third
    Programme which included Pinter's 
    <title render="doublequote" linktype="simple">That's All</title> and 
    <title render="doublequote" linktype="simple">Applicant,</title> is represented by a complete
    script containing short plays and music by such other authors as David Climie,
    Donald Cotton, John Betjeman, Michael Flanders ( 
    <title render="italic" linktype="simple">Trunk Call</title>), Antony Hopkins, Paul McDowell,
    N. F. Simpson ( 
    <title render="italic" linktype="simple">Gladly Otherwise</title>), Piers Stephens, Donald
    Swann, and Sandy Wilson.</p>
      </scopecontent>
      <relatedmaterial>
         <head>Related Materials</head>
         <p>Other materials at the HRHRC by or relating to Harold Pinter may be
        found in the David Hare, London Magazine, New Departures, Peter Owen, and Tom
        Stoppard collections.</p>
      </relatedmaterial>
      <acqinfo id="a19" encodinganalog="541">
         <head>Acquisition</head>
         <p>Purchases, 1969, 1981, 1995 (R4957, R9261, R13540)</p>
      </acqinfo>
      <accessrestrict id="a14" encodinganalog="506">
         <head>Access</head>
         <p>Open for research</p>
      </accessrestrict>
      <processinfo id="a20" encodinganalog="583">
         <head>Processed by</head>
         <p>Katherine Mosley, 1999</p>
      </processinfo>
      <controlaccess id="a12">
         <head>Index Terms</head>
         <controlaccess>
            <head>Correspondents</head>
            <persname encodinganalog="700" source="lcnaf">Argabright, Betty
        L.</persname>
            <persname encodinganalog="700" source="lcnaf">Bolster, Anita
        Sharp</persname>
            <persname encodinganalog="700" source="lcnaf">Hewes, Henry</persname>
            <persname encodinganalog="700" source="lcnaf">Schwartz, Jacob</persname>
         </controlaccess>
         <controlaccess>
            <head>Subjects</head>
            <subject encodinganalog="650" source="lcsh">Dramatists, English</subject>
            <subject encodinganalog="650" source="lcsh">Poets, English</subject>
            <subject encodinganalog="650" source="lcsh">Screenwriters--England</subject>
         </controlaccess>
         <controlaccess>
            <head>Document Types</head>
            <genreform encodinganalog="655" source="aat">Screenplays</genreform>
            <genreform encodinganalog="655" source="aat">Scripts</genreform>
         </controlaccess>
      </controlaccess>
      <dsc type="in-depth" id="aer">
         <head>Harold Pinter Collection--Folder List</head>
         <c01>
            <did>
               <container type="box">1</container>
               <container type="folder">1</container>
               <unittitle>Letters to Jacob Schwartz and Anita Sharp Bolster, 
          <unitdate era="ce" calendar="gregorian">1960, 1962, 1968</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container type="box">1</container>
               <container type="folder">2</container>
               <unittitle>
                  <title render="italic" linktype="simple">Accident </title>(screenplay adaptation of the
          novel by Nicholas Mosley) 'Dialogue and Continuity Release Script,' bound
          typescript, 
          <unitdate era="ce" calendar="gregorian">nd</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container type="box">1</container>
               <container type="folder">3</container>
               <unittitle>
                  <title render="italic" linktype="simple">The Basement, </title>bound typescript, 
          <unitdate era="ce" calendar="gregorian">[1968]</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container/>
               <unittitle>
                  <title render="italic" linktype="simple">The Birthday Party</title>
               </unittitle>
            </did>
            <c02>
               <did>
                  <container type="box">1</container>
                  <container type="folder">4</container>
                  <unittitle>Bound typescript, 
            <unitdate era="ce" calendar="gregorian">[1967]</unitdate>
                  </unittitle>
               </did>
            </c02>
            <c02>
               <did>
                  <container type="box">1</container>
                  <container type="folder">5</container>
                  <unittitle>Review clippings, advertisement*, notes by unknown
            persons, letter from Betty L. Argabright to reviewer Henry Hewes, 
            <unitdate era="ce" calendar="gregorian">1967</unitdate>
                  </unittitle>
                  <physdesc>(*removed to oversize flat files)</physdesc>
               </did>
            </c02>
         </c01>
         <c01>
            <did>
               <container type="box">1</container>
               <container type="folder">6</container>
               <unittitle>
                  <title render="italic" linktype="simple">The French Lieutenant's Woman
            </title>(screenplay adaptation of the novel by John Fowles), typescript, 
          <date era="ce" calendar="gregorian">3 Nov. 1979, </date>with revision pages, 
          <unitdate era="ce" calendar="gregorian">22 April 1980</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container type="box">1</container>
               <container type="folder">7</container>
               <unittitle>
                  <title render="italic" linktype="simple">The Last Tycoon </title>(screenplay adaptation
          of the novel by F. Scott Fitzgerald), bound typescript with holograph
          annotations by unknown person, 
          <date era="ce" calendar="gregorian">11 Aug. 1975, </date>with revision pages 16-23 
          <unitdate era="ce" calendar="gregorian">Oct. 1975</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container type="box">1</container>
               <container type="folder">8</container>
               <unittitle>
                  <title render="italic" linktype="simple">The Lover, </title>bound typescript, 
          <unitdate era="ce" calendar="gregorian">[1964]</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container type="box">1</container>
               <container type="folder">9</container>
               <unittitle>
                  <title render="italic" linktype="simple">A Night Out </title>(radio play), bound
          typescript, in Italian and English, 
          <unitdate era="ce" calendar="gregorian">[1961]</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container type="box">2</container>
               <container type="folder">1</container>
               <unittitle>
                  <title render="italic" linktype="simple">No-Man's Land, </title>bound typescript, 
          <unitdate era="ce" calendar="gregorian">nd</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container/>
               <unittitle>A la recherche du temps perdu [ 
          <title render="italic" linktype="simple">The Proust Screenplay</title>] (screenplay
          adaptation of the novel by Marcel Proust, with the collaboration of Joseph
          Losey and Barbara Bray)</unittitle>
            </did>
            <c02>
               <did>
                  <container type="box">2</container>
                  <container type="folder">2</container>
                  <unittitle>Bound typescript of French translation by Bray, 
            <unitdate era="ce" calendar="gregorian">nd</unitdate>
                  </unittitle>
               </did>
            </c02>
            <c02>
               <did>
                  <container type="box">2</container>
                  <container type="folder">3</container>
                  <unittitle>Bound typescript, 
            <unitdate era="ce" calendar="gregorian">[1972]</unitdate>
                  </unittitle>
               </did>
            </c02>
         </c01>
         <c01>
            <did>
               <container type="box">2</container>
               <container type="folder">4</container>
               <unittitle>
                  <title render="italic" linktype="simple">The Servant </title>(screenplay adaptation of
          the book by Robin Maugham), dialogue/continuity typescript, 
          <unitdate era="ce" calendar="gregorian">[1963]</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container type="box">2</container>
               <container type="folder">5</container>
               <unittitle>
                  <title render="italic" linktype="simple">Silence, </title>bound typescript, 
          <unitdate era="ce" calendar="gregorian">[1969]</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container type="box">2</container>
               <container type="folder">6</container>
               <unittitle>
                  <title render="italic" linktype="simple">Tea Party, </title>bound typescript, 
          <unitdate era="ce" calendar="gregorian">[1968]</unitdate>
               </unittitle>
            </did>
         </c01>
         <c01>
            <did>
               <container type="box">2</container>
               <container type="folder">7</container>
               <unittitle>
                  <title render="italic" linktype="simple">Voices in the Air </title>(BBC Radio Third
          Programme, devised and produced by Douglas Cleverdon, with two short dialogues,
          
          <title render="doublequote" linktype="simple">That's All</title> and 
          <title render="doublequote" linktype="simple">Applicant,</title> by Pinter), typescript, 
          <unitdate era="ce" calendar="gregorian">[1960]</unitdate>
               </unittitle>
            </did>
         </c01>
      </dsc>
   </archdesc>
</ead>

