TABLE OF CONTENTS
Descriptive Summary
Biographical Sketch
Scope and Contents
Restrictions
Index Terms
Administrative Information
Sources
Description of Series
Series I. Correspondence,
1960-1966
Series II. Works,
1932-1975
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Robin Maugham:
An Inventory of His Collection at the Harry Ransom Humanities
Research Center
| | |
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| Creator | Maugham, Robin,
1916-1981 |
| Title | Robin Maugham Collection
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| Dates: | 1932-1975 |
| Abstract: | The bulk of the material in this
collection comprises holograph and typed versions of Maugham's early writings,
non-fiction, novels, plays, screenplays, and short stories. |
| RLIN Record ID | TXRC94-A7 |
| Extent | 13 boxes (5.5 linear
feet) |
| Language | English. |
| Repository | Harry Ransom Humanities Research Center
University of Texas at Austin |
Robin Maugham was an author of short stories, novels, non-fiction,
plays, and screenplays; an officer in World War II; a barrister-at-law; and 2nd
Viscount Maugham of Hartfield. His success was not without struggle. In the
preface to his first autobiography,
Escape from the Shadows, Maugham describes
the three shadows of his life: his uncle William Somerset Maugham, his father
Viscount Frederic Herbert Maugham, and the guilt he experienced due to the
"strict upper-middle class moral convictions" that
declared his homosexual desires to be perverse.
The youngest child and only son of Helen Mary and Frederic Herbert
Maugham was born on May 17, 1916, as Robert Cecil Romer Maugham. His three
sisters were Diana Maugham Marr-Johnson, Kate Mary Maugham Bruce, and Honor
Maugham Earl. Maugham describes his childhood as lonely, with the exception of
an imaginary friend, Tommy. Throughout his autobiographical works, Maugham
speaks frankly about the troubles he experienced because of his attraction to
men.
He spent most of his youth in boarding schools, beginning with Highfield
School, Eton, and Trinity Hall, Cambridge. Both sides of his family practiced
law, and Maugham was urged to follow the family tradition. His interest in law
was less than enthusiastic; he found writing, painting, and music more
pleasurable. He left Cambridge in 1937, signed up for the Inns of Court
Regiment and became a judge's marshal. In April 1939, Maugham became the
private secretary to the Director of the National Service Campaign. As part of
this assignment, Maugham worked with Winston Churchill, creating a relationship
that lasted until just before Churchill's death. When war was declared in
September 1939, Maugham entered as a trooper in the Inns of Court Regiment.
Maugham served in World War II from 1939 to 1945, first with the 8th
Army in North Africa and later with the Middle East Intelligence Centre. During
a 1942 battle he was hit in the head with a shell fragment. This caused him to
have blackouts, but the severity was never enough to have the shrapnel removed.
However, due to this injury he was released from duty in 1945 and was unable to
resume his law practice.
Maugham's short story,
The 1946 Ms, had been published by the War
Facts Press in 1943 and was his first published work.
Convoy, a journal bridging the gap between
military and civilian life during World War II, was created by and edited by
Maugham for seven issues beginning in 1944. When his father died in 1958,
Maugham became the 2nd Viscount Maugham of Hartfield. In 1960 he gained a seat
in the House of Lords.
After his first published work in 1943, Maugham wrote novels, short
stories, plays, travel books, dramatic works, a biography of his family, two
autobiographies, and film scripts. His writing has been compared to that of his
uncle in their use of "exotic locales," though Robin
is much more frank in his writing regarding sexuality and sexual guilt,
particularly in his first autobiography. Writer, editor, and journalist Peter
Burton met Maugham in 1968 and helped with the revision and rewriting of
several works including
Escape from the Shadows, The Last Encounter, The Barrier, The Dividing Line, Lovers in Exile, The Black Tent, as well as several articles
and reviews. Burton worked as a writer and editor for
Gay News from 1972 to 1982. During this
time, he also worked with Maugham on many projects and compiled Maugham's
bibliography. Burton discusses the many aspects of their relationship in
Parallel Lives.
By 1981, Maugham's health had deteriorated. Diabetes and his abuse of
alcohol, in addition to other physical problems, ended his life two months shy
of his 65th birthday, on March 13, 1981.
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There are two series in this collection: Correspondence, 1960-66, and
Works, 1932-75. The bulk of the material is in the works series, which contains
a sample of holograph and typed versions of Maugham's early writings,
non-fiction, novels, plays, screenplays, and short stories. Maugham's two
autobiographical works,
Escape from the Shadows (1972) and
Search for Nirvana (1975), are two of the
most extensively represented works in the collection. There is very little
personal correspondence or information beyond his writings that discuss his
military career, his tenure in the House of Lords, or his writing career. There
are additional Maugham materials in other HRHRC collections that do address
aspects of his personal life and writing career; however, they, too, are
limited.
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Access
Open for research
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| Correspondents |
| | Burton, Peter |
| | Davenport, John,
1904-1987 |
| | Therg,
Siridhamma |
| | Linders, Herman |
| Subjects |
| | Homosexuality--Personal
narratives |
| | Homosexuals--Fiction |
| | Gay
men--England--Biography |
| | Gay men--Fiction |
| | Gay men in
literature |
Return to the Table of Contents
Purchase, 1975-1977
Deborah Shelby, 1994
Return to the Table of Contents
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Series I. Correspondence,
1960-1966
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| This series consists of nineteen letters Maugham wrote to John
Davenport (possibly a critic) between 1960 and 1966. Maugham discusses his
works, the works of others, reviews that Davenport wrote, and health problems
both experienced. Other correspondence in the collection includes a few letters
from Siridhamma Therg and Herman Linders in the Works series in the religious
notes folder filed under
Search For Nirvana (3.7). These letters
have been kept with the notes because of their content. There are also a few
letters to Maugham's secretary, Jeanne Francis, in the folders for
Search for Nirvana (3.4) and
Escape from the Shadows (1.7). |
| box | folder |
| 1 | 1 | | Davenport, John,
1960-1966 |
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| |
Series II. Works,
1932-1975
|
| The works are arranged in five subseries: a small group of early
writings, followed by four genre groupings of non-fiction, novels, plays, and
screenplays. Within each subseries the titles are arranged alphabetically. The
arrangement of the collection as it was received has been maintained, although
it is not known if this was Maugham's filing system. |
| The Works series begins in 1932 with writings from Maugham's school
days. The collection also contains a typescript of his first published short
story,
The 1946 Ms (1943), as well as both
published and unpublished materials until 1975. Early drafts of Maugham's works
are in bound notebooks; much of the material is heavily annotated, especially
the typescripts. Some of the annotations and notes were likely written by Peter
Burton, particularly those in
Escape from the Shadows, The Last Encounter, The Barrier, and
The Black Tent. The bulk of the
materials are in the non-fiction and novels subseries. |
| | | Subseries A: Early Writings,
ca. 1932-38 |
| | The early writings are all handwritten, and date roughly from 1932
to 1938. Seven essays bear tutor's comments and grades, including:
"Competitions," an essay on Samuel
Pepys, and three essays entitled
"Sunday Questions." The final two essays
do not have titles, but one is dated 8 July 1932. Other materials in this
section are a story about a voyage to Vera Cruz, Mexico, titled
"Journey to Mexico," written around
1938, as well as two notebooks. |
| | One notebook contains press clippings from 1938, regarding
Maugham's academic achievements.
"Half Term. Charleston, March 9, 1938"
and fragments of the play
"Together" Act II, Scene 1 (pages 25-207
are missing) are also part of this notebook. The second notebook contains nine
pages of the
"Morality Play," with some pencil
sketches and caricatures. The play centers on a drunken undergraduate. |
| box | folder |
| 1 | 2 | | | Essays,
1932, nd |
| 3 | | | Journey to Mexico,
ca. 1938 |
| 4 | | | Notebook with clippings,
1938 |
| 5 | | | Notebook: Morality Play,
nd |
| | | Subseries B: Non-Fiction,
1962-1975 |
| | The titles in this subseries include
The Joyita Mystery, three articles
about William Somerset Maugham, and Maugham's two autobiographies,
Escape from the Shadows (1972) and
The Search For Nirvana (1975). The
preliminary notes, and handwritten and typed drafts of
Escape from the Shadows, differ
significantly from the published version. Information regarding his uncle, as
well as other corrections and deletions that appear in the various drafts, were
omitted in the final publication. |
| | The Joyita Mystery (1962) is
represented by the original holograph manuscript, typed pages, and clippings
concerning Maugham's research on the 70-ton vessel and the disappearance of her
crew. This book was the foundation for a screenplay of the same name. There is
an agency typescript of the screenplay in folder 11.9. |
| | Three articles about William Somerset Maugham were published in
the Sunday
Telegraph from January 16-30, 1966.
The holograph copies of the articles reflect Robin's first impressions of his
uncle, family history, Somerset's relationships with his siblings, particularly
Robin's father, and reminiscences of events that Somerset shared with
Robin. |
| | After publishing
Escape from the Shadows, Maugham
decided that there was enough information about his life that had not been
expressed to begin working on
The Search for Nirvana. While the
first autobiography provides basic information about the chronology of his
life, the second focuses more on his emotional and spiritual development. Peter
Burton's assistance with
The Search For Nirvana is identifiable
at several points. Work on this volume began in 1973, as documented in the
holograph outline which dates from February and March of that year. Materials
from which Maugham drew in writing his second autobiography, including articles
he had written in the previous decade, clippings about people who influenced
his life (Noel Coward, La Marquis de St. Innocent, Somerset Maugham, Guy
Burgess, and Glubb Pasha), and clippings and notes on philosophical, political,
and religious subjects are filed here, as are drafts of other works Maugham was
writing at the time, such as
The Link. Correspondence with Herman
Lindars (1973) and Siridhamma Therg (1973-4) is filed with the religious
notes. |
| | | | Escape from the Shadows (1972) |
| box | folder |
| 1 | 6 | | | | Preliminary notes |
| 7 | | | | Additional material |
| 8 | | | | Holograph section 1 |
| 9 | | | | Rough typescript, bound volume 1 |
| box | folder |
| 2 | 1 | | | | Rough typescript, bound volume 2 |
| 2 | | | | List of corrections |
| 3-4 | | | | Corrected bound volumes 1 and 2 |
| | | | The Joyita Mystery (1962) |
| box | folder |
| 2 | 5-6 | | | | Original manuscript |
| 7 | | | Maugham, William Somerset, three holograph articles
about Somerset, published in the Sunday
Telegraph, 1966 |
| | | | The Search for Nirvana (1975) |
| box | folder |
| 2 | 8 | | | | Outline, holograph bound volume |
| box | folder |
| 3 | 1 | | | | Books 1 and 2, holograph (notes for
The Link) |
| 2-3 | | | | Bound notebooks, holograph (dictated 1974) also
contains
"Ahmed Story" in #2 |
| 4 | | | | Clippings of Maugham articles,
1965-1973 |
| | | | | Notes |
| box | folder |
| 3 | 5 | | | | | Philosophical |
| 6 | | | | | Political clippings,
1973-1974 |
| 7 | | | | | Religious |
| 8 | | | | Stories in Nirvana, bound notebook |
| 9 | | | | Typescript with annotations |
| | | Subseries C: Novels,
1968-1974 |
| | The Barrier, The Last Encounter, The Link, The Second Window, and
The Sign are all represented in this
subseries by notes, notebooks containing holograph drafts, annotated
typescripts, agency typescripts, and miscellaneous loose pages.
The Barrier, A Victorian Novel (1973)
contains five sonnets by John Betjeman, the typescripts of which are annotated,
possibly in Betjeman's hand. There are several versions of this manuscript as
well as versions of the screenplay by the same name, which was produced in 1971
(see files in the Screenplays subseries). Both Maugham and Burton made
annotations in the various versions of this novel. |
| | An annotated printer's copy of
The Last Encounter (1972) is
identified as the author's corrected manuscript. This story is based on the
journals of General Charles George Gordon, Governor-General of Sudan, who was
killed in Khartoum in 1885. Maugham, with the help of Burton, uses Gordon's
last journal to show a different side of the famous general, who is unsure of
his destiny and sexual emotions. |
| | Notes and drafts represent what was originally titled
The Quilt, but was published in 1969
as
The Link. This Victorian novel is a
fictitious reconstruction of the Tichborne inheritance case of the 1850s. See
also Suberies B: Non-Fiction,
Search for Nirvana (3.1) for
additional notes on
The Link. |
| | Files for
The Second Window (1968) contain
background material, notes, nine holograph notebooks, and a printers copy. The
story is based on a man in prison who has betrayed his friends, and expresses
feelings of guilt for his betrayal. This novel is heavily annotated, with
extensive passages deleted concerning the main character's homosexuality. |
| | Published in 1974,
The Sign was previously titled
The Dove and
A.D. 20. Set in Roman-occupied
Palestine, the main character is a young visionary who believes he is the
Messiah. A carbon copy of the first draft and a typescript with annotations by
Maugham and Burton, as well as material in the Plays subseries, represent this
work. |
| | Maugham showed an early version of
The Wrong People to his uncle, who
told him not to publish the work under his own name because
"they" would get him. Ignoring his uncle's advice,
Maugham published this erotic homosexual thriller in 1970. This work is
represented by notes, annotated typescripts, and an agency typescript in two
volumes. |
| | | | The Barrier, A Victorian Novel (1973) |
| box | folder |
| 3 | 10 | | | | Rough notes for a novel,
"The Kashmir Story" |
| box | folder |
| 4 | 1 | | | | Bound notebook, pages 1-21 |
| 2-5 | | | | Typescripts with annotations, 2 copies |
| 6 | | | | Sonnets by John Betjeman |
| 7-8 | | | | Author and publisher's copy |
| 9 | | | | Miscellaneous pages |
| box | folder |
| 5 | 1 | | | The Last Encounter, printer's copy
(1972) |
| | | | The Link (1969) |
| box | folder |
| 5 | 2 | | | | Notes |
| 3-6 | | | | Parts 1-4, bound notebooks |
| | | | The Second Window (1968) |
| box | folder |
| 5 | 7 | | | | Background material,
[1966] |
| 8 | | | | Notes |
| 9 | | | | Bound notebooks 1 and 4 |
| box | folder |
| 6 | 1-7 | | | | Bound notebooks 2 through 9 |
| box | folder |
| 7 | 1-4 | | | | Printer's copy |
| | | | The Sign, previously titled
"A.D. 20" and
"The Dove" (1974) |
| box | folder |
| 7 | 5-6 | | | | 1st carbon copy |
| 7-8 | | | | Typescript with annotations |
| box | folder |
| 8 | 1 | | | | Agency typescript |
| | | | The Wrong People (1970) |
| box | folder |
| 8 | 2 | | | | Notes |
| 3-4 | | | | Typescript with annotations |
| 5-6 | | | | Agency typescript, volumes 1 & 2 |
| | | Subseries D: Plays, Produced from 1948-69 |
| | A.D. 20, The Claimant, Home Waters, Nijinsky, The Servant, and
Winter in Ischia, are represented by
notebooks, bound volumes containing holograph drafts, and typescripts.
A.D. 20, written in 1969, was never
produced. This two act play provided Maugham with material he used to create
the published novel,
The Sign (see also Novels subseries).
First produced in 1962, the three act play
The Claimant is represented by a
holograph volume and an agency typescript. Holograph drafts of
He Must Return and Act II of
Home Waters are bound together.
He Must Return was produced in 1945 at
the Chanticleer Theatre Club. |
| | A collaboration with Romola Nijinsky created the three act play,
Nijinsky, as documented by bound
volumes containing holograph drafts, notebooks, and a typescript. The notebook
for Act II contains notes possibly written by William Lawrence, a friend and
photographer who provided photographs for
Search For Nirvana. The Servant was produced in 1966 and
is represented by an annotated agency typescript. This production is different
from the 1958 production as is reflected by the deletions and the change in
dialog. Possibly Maugham's best known work,
The Servant is based on a London
writer who had been a military officer, and his male servant who destroys
people by using their weaknesses. |
| | Another three act play,
Winter in Ischia, was produced in
1964. The bound volume containing a holograph draft of this play also contains
a version of the short story,
"Le Pere Auguste," which was later
published in
The Black Tent and Other Stories.
There is also an agency typescript for this play. |
| | | | A.D. 20 (produced in
1969) |
| box | folder |
| 9 | 1 | | | | Bound notebook |
| 2 | | | | Typescript |
| | | | The Claimant (produced in
1962) |
| box | folder |
| 9 | 3 | | | | Bound notebook |
| 4 | | | | Typescript |
| 5 | | | Home Waters, Act III, and
"He Must Return" bound
notebook |
| | | | Nijinsky |
| box | folder |
| 9 | 6 | | | | Act II, bound notebook
[1973] |
| 7 | | | | Act III, bound notebook |
| 8 | | | | Notebook 1 |
| box | folder |
| 10 | 1-2 | | | | Notebooks 2-3 |
| 3 | | | | Typescript |
| 4 | | | The Servant (produced in 1966)
typescript |
| | | | Winter in Ischia (produced in
1964) |
| box | folder |
| 10 | 5 | | | | Bound notebook |
| 6 | | | | Typescript |
| | | Subseries E: Screenplays,
1954-1971 |
| | The Barrier, The Carrier, The Joyita Mystery, Speaker's Corner, The Tainted Breeze, Treatment for a Film Story,and
The Two Wise Virgins of Hove are
represented by original holograph and typed manuscripts with annotations.
Notes, a bound volume containing a holograph draft, typescripts with
annotations, and a revised filmscript document the changes in
The Barrier, which had several working
titles, including
"Love in Kashmir,""The Weathercock," and
"The Tainted Breeze." Notes for
Escape from the Shadows also appear in
folder 11.1. |
| | The Carrier is a screenplay Maugham
adapted from the stage play by Philip King, titled
"How Are You, Johnnie?"The Speaker's Corner is a screenplay
based on three stories by Maugham, including
"Broken Cellophane, ""The Prodigal Son," and
"The Man Who Could Hypnotize
Racehorses." Maugham worked with Rodney Ackland on the adaptation. |
| | There are three copies of
The Tainted Breeze, which is a film
outline that developed into
The Barrier. Treatment for a Film Story,
(provisionally titled
"Bangles"), was a first draft of what
eventually became the novel,
The Green Shade. Broadcast by
Independent Television in 1960,
The Two Wise Virgins of Hove is
represented by an agency typescript. |
| | | | The Barrier (1970-71) |
| box | folder |
| 10 | 7 | | | | Notes |
| box | folder |
| 11 | 1 | | | | Original manuscript, bound notebook (notes for
Escape from the
Shadows) |
| 2 | | | | Original typescript |
| 3-5 | | | | Typescript with annotations, 3 copies |
| 6 | | | | Revised filmscript |
| 7 | | | The Carrier, revised script,
1969 |
| 8 | | | The Joyita Mystery, agency
typescript,
1962 |
| | | | Speakers' Corner, ca. 1954 |
| box | folder |
| 12 | 1 | | | | Holograph notes |
| 2 | | | | The Hypnotist, typescript,
screenplay by Rodney Ackland,
nd |
| 3 | | | | Agency typescript |
| 4 | | | The Tainted Breeze, a film
outline, 3 copies,
nd |
| 5 | | | Treatment for a Film Story,
provisional title
"Bangles," nd |
| 6 | | | The Two Wise Virgins of Hove,
teleplay produced in 1960 |
| | | Subseries F: Short Stories,
1943-1974 |
| | Holograph drafts, typescripts, and agency typescripts represent
The 1946 MS, The Guide, The Last Gauguin, Le Pere Auguste, Testament: Cairo 1898, and
The Black Tent and Other Stories.
There are carbon copy typescripts of Maugham's first published short
story,
The 1946 MS, as well as
Le Pere Auguste and
The Guide. Revisions on the typescript
for
The Guide are likely in Burton's hand.
Testament: Cairo 1898 was originally
part of Maugham's novel
The Last Encounter, however, the
publisher removed this section because it was thought there was too much
emphasis on the main character's homosexuality. Maugham gave credit to Burton
for suggesting it be collected with other stories to produce
The Black Tent and Other Stories.
Burton wrote the introduction and edited this volume of short stories
and his annotations appear throughout both copies of the typescripts. |
| box | folder |
| 12 | 7 | | | The 1946 MS |
| 8 | | | The Guide, typescript,
1974 |
| 9 | | | The Last Gauguin, holograph
draft |
| 10 | | | Le Pere Auguste, typescript,
1974 |
| 11 | | | Testament: Cairo 1898,
typescript,
1974 |
| | | | The Black Tent and Other
Stories |
| box | folder |
| 12 | 12 | | | | Introduction by Peter Burton |
| 13-14 | | | | Typescript p. 1-250 |
| box | folder |
| 13 | 1 | | | | Typescript p. 251-311 |
| 2-3 | | | | Agent's typescript, volume 1 & 2 |
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