TABLE OF CONTENTS
Descriptive Summary
Scope and Contents
Restrictions
Index Terms
Administrative Information
Description of Series
Series I. Works, 1949-1952, 11 boxes
Series II. Correspondence, 1940-1952, 5 folders
Series III. Photographs, 1949-1951, 2 boxes
Series IV. Personal Papers, 1939-1951, 1 box
Series I. Works,
1949-1952
Series II. Correspondence,
1940-1952
Series III. Photographs,
1949-1951
Series IV. Personal Papers,
1939-1951
Index
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Richard Llewellyn:
An Inventory of His Papers at the Harry Ransom Center
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Creator |
Llewellyn,
Richard |
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Title |
Richard Llewellyn Papers
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Dates: |
1939-1952 (bulk 1949-1952) |
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Abstract: |
These papers consist of manuscripts, a small amount of
correspondence, photographs, and other materials primarily at mid-career of
Llewellyn. The novel
How Green Was My Valley, the work for
which Llewellyn is best known, is not represented in the collection. Numerous
photographs depict places Llewellyn traveled, particularly Italy. |
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ID |
TXRC97-A2 |
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Extent |
14 boxes (5.83 linear
feet) |
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Language |
English. |
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Repository |
Harry Ransom Center,
University of Texas at Austin |
Richard Llewellyn was born Richard Herbert Vivian Lloyd in 1906 in St. David's, Pembrokeshire, Wales, and was raised in Wales and educated in England. He entered the workforce at sixteen, washing dishes at the Claridges
Hotel in London, but soon progressed to more responsible positions in Italian
hotels. In 1924, he joined the British army, serving for six years in India and
Hong Kong. After leaving the service, he returned to England where he held a
series of odd jobs, including a stint as a miner in South Wales and as a
playwright. By 1938, he was working for Twentieth Century-Fox, a position that
he left to complete his first novel,
How Green Was My Valley, which was published
in 1939.
Written over a period of twelve years,
How Green Was My Valley, the story of a
Welsh mining family, was a critical and commercial success, and later was made
into an Oscar-winning film. The success of the novel made Llewellyn an instant
celebrity, and gave him the opportunity to travel widely and lecture in the
United States, Europe, and Latin America.
A second novel,
None But the Lonely Heart, was published
mistakenly when Llewellyn joined the Welsh Guard at the beginning of World War
II and left the unfinished manuscript with his publisher. This book, based on
the London underworld, also had a strong following, and was also made into a
movie. Almost thirty years later, when the novel was republished, Llewellyn
added over one hundred pages to its conclusion.
Llewellyn attained the rank of captain as a Welsh Guard in World War II,
but returned to writing after the Allied victory. He served as a reporter at
the Nuremberg trials, and also turned his hand to screenwriting. Llewellyn
traveled to the U.S. in 1946, where he was employed as a screenwriter for MGM.
Although he wrote a number of screenplays and screen treatments over the next
six years, none appear to have been produced. During that time, a third novel,
A Few Flowers for Shiner (1950), drew on his
knowledge of Italy, and described the war-torn country through the eyes of
British soldiers.
Llewellyn's sojourn in the United States, where he married for the first
time, inspired his fourth novel,
A Flame for Doubting Thomas (1953), which
again described a lower-class subculture; this time, he focused his attention
on carnival life on a California pier. A first draft of the novel was
completely rewritten, and it went through many changes before it was published
to luke-warm reviews.
For the next thirty years, Llewellyn published novels on almost an
annual or biannual basis. He returned to the Morgan family so beloved in
How Green Was My Valley, and wrote a number
of sequels following the life of its protagonist, Huw Morgan. He wrote a series
of spy novels, as well as juvenile historical works. His novels remained
popular throughout his life, although none reached the level of critical and
commercial success of his first.
Llewellyn led a peripatetic existence, living in the U.S., Israel, Latin
America, Africa, Italy, France, Switzerland; he often drew from his experiences
in these countries when he wrote. Llewellyn married twice: his first wife was
Nona Sonstenby, whom he married in 1952 and divorced in 1968, and his second
wife was Susan Heimann, whom he married in 1974. He died November 30, 1983.
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The Richard Llewellyn Papers comprise fourteen boxes of manuscripts,
correspondence, photographs, slides, negatives, personal effects, financial
papers, clippings, and other printed materials, dating 1939-1952 (bulk
1949-1952). Covering a brief period of Llewellyn's prolific life, the vast
majority date from Llewellyn's post-war years in the United States, where he
worked as a screenwriter for Metro-Goldwyn-Mayer. Llewellyn's popularity as a
novelist and his work for stage and screen at that time is well documented in
this collection, which covers his writing, his lecture tours, his travels in
Europe and Latin America, and his private life.
The collection is organized in four series: I. Works, 1949-1952; II.
Correspondence, 1940-1952; III. Photographs, 1949-1951, and IV. Personal
Papers, 1939-1951. By far the largest series in the collection is Works, which
contains manuscripts for four books, including an unpublished novel, short
stories and articles, and scripts for stage, screen, and television. Many of
these manuscripts are in incomplete states, but others, such as those for the
novel
A Flame for Doubting Thomas and the play
"Plainsong," follow the creative process from
initial handwritten manuscript to final typescript. The vast majority of the
manuscripts date from 1952, and show the range of Llewellyn's interests at the
time, from Argentina to post World War II Italy to children's stories to
historical fiction. Complementing the Works series is a series of letters from
his literary agent and publisher making reference to manuscripts upon which he
was working.
Besides writing, Llewellyn led an active life as a lecturer, traveling
around the United States; the collection contains routine correspondence about
these travels, as well as itineraries, schedules, and train ticket stubs from
the time. Also present is financial and legal documentation pertaining to his
stay in America, such as letters of reference, salary stubs, and a tax form.
Additionally, materials relating to Llewellyn's travels in the early 1950s,
including a large group of photographs, pamphlets and maps acquired up by the
author, and correspondence from local friends and acquaintances document his
visits to Italy, Latin America, and other places.
Llewellyn's personal life during these years is documented as well.
Correspondence with family and friends is scattered throughout Series II,
highlighted with letters from his fiancée Nona Sonstenby, his father William
Llewellyn Lloyd, and an unidentified lady friend in Italy. Also present are
many personal papers, such as Llewellyn's birth certificate, military records,
and financial papers.
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Access
Open for research
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Correspondents |
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Bernheimer, Earle
J. |
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Carre, Mathilde Belard,
called La Chatte, 1908- . |
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Fielding,
Loraine. |
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Haggard, Edith. |
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Hardy, Galston. |
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Jacob, Naomi Ellington,
1889-1964. |
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Molina Campos, Florencio,
1891-1959. |
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Sonstenby, Nona, 1922-
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Curtis Brown
Ltd. |
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Michael Joseph
Ltd. |
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Subjects |
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subject Silone,
Ignazio, 1900-1978. |
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Authors, Welsh--20th
century. |
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Screenwriters. |
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Document Types |
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Birth
certificates. |
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Christmas cards. |
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Drawings. |
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Love letters. |
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Maps. |
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Negatives. |
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Photographs. |
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Scripts. |
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Slides. |
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Purchases, 1973 (R5971) & 1976 (R7293)
Jennifer Peters, 1997
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Series I. Works, 1949-1952, 11 boxes |
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Eleven boxes of manuscripts comprise Series I, the largest of the
four series in the collection. Containing manuscripts for books, short stories,
articles, and play, television, and film scripts, the series has been arranged
into three subseries--the first contains materials relating to Llewellyn's
books, the second contains short stories and articles, and the third covers
scripts of all kinds, whether film, play, or television. All titles are
arranged alphabetically within each subseries. |
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Most of the works in this series are in the form of annotated
typescripts, corrected with stapled manuscript fragments, which are enhanced by
the occasional presence of autograph manuscripts. Of particular note in each
subseries are Llewellyn's talented sketches, drawn on the verso of manuscript
pages. Although unidentified, they appear to refer to characters in a
manuscript, or are studies of female nudes. |
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Manuscripts for four novels by Llewellyn--
A Few Flowers for Shiner, A Flame for Doubting Thomas, None But the Lonely Heart, and an
unpublished novel set in Venice--are present in subseries A. While the
subseries contains multiple drafts of
A Flame for Doubting Thomas and
Llewellyn's unpublished novel, the manuscripts for
A Few Flowers for Shiner and
None But the Lonely Heart are less
complete. Two manuscript versions of
A Few Flowers for Shiner are present,
the first consisting of handwritten pages, arranged partially by chapter by the
book dealer from whom the collection was purchased. This autograph manuscript
is incomplete, but contains the earliest drafts for the novel. A complete
typescript, heavily annotated, complements this first draft. The subseries
contains multiple drafts of
A Flame for Doubting Thomas, starting
with the first complete typescript that was rejected by Llewellyn's publisher
and completely reworked, through a final version. A series of heavily annotated
manuscripts has been sorted by the book dealer into groups detailing the
novel's many revisions. Alternately, the subseries contains only one version of
None But the Lonely Heart, a bound
carbon typescript, highlighted by a 1943 letter from Llewellyn to the publisher
Robert Lusty sending him the manuscript. Three incomplete and partially
unorganized versions of Llewellyn's untitled novel, possibly titled
"Checkmate in Venice," are also present in
this subseries. |
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Subseries B contains manuscripts of short stories and articles
written by Llewellyn, many of which are in the form of carbon typescripts. Many
of these articles refer to Llewellyn's tour of Latin America and, particularly,
Argentina, in the early 1950s. The subseries is highlighted by a number of
untitled stories and articles, most of which are heavily annotated and
unfinished, and cover a broad range of subjects. |
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A final subseries, Scripts, contains stage plays, screenplays,
television scripts, and adaptations, reflecting Llewellyn's work in Hollywood
and for the English stage, dating from 1950-1952. As in subseries B, many of
these titles are unfinished, and some progressed only as far as a story line,
such as
"David,""Two-Timer," and
"Widow's Mite." Others are more complete,
such as
"Beau Brummel" and
"Plainsong." Of particular note is the
large number of historical screenplays upon which Llewellyn worked, including
ones on Beau Brummel, John Brown, and the artists' model Jane Avril. It appears
as though only one of these was successfully produced--the script for
"The Quiet Man," a 1952 Republic Pictures
movie, directed by John Ford, is present. Llewellyn is not listed in the film's
credits, but it appears that he worked on the first draft of the script, which
was later reworked and credited to screenwriter Frank Nugent. |
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Series II. Correspondence, 1940-1952, 5 folders |
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This series contains primarily incoming letters to Llewellyn. Three
folders of correspondence are arranged alphabetically by last name, and a
folder of unidentified correspondence has been arranged by first name. An
additional folder of Christmas cards, highlighted only by some of Llewellyn's
own cards, is also present. |
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Much of this correspondence consists of single exchanges pertaining
to Llewellyn's lecture tours in the early 1950s, and are interesting in that
they reflect his busy schedule and popularity at the time. More important,
however, are the particularly rich groups of letters from women with whom
Llewellyn was involved, including a series from his first wife, Nona Sonstenby,
and collections of correspondence from his agent and publisher, many of which
relate to manuscripts found in Series I. Also present is an earlier set of
letters from Llewellyn's father, William Llewellyn Lloyd, written during World
War II; they document Llewellyn's family life, about which he was intensely
private. |
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Of particular note in this series are the group of letters from
Edith Haggard, Nona Sonstenby, and an unidentified Italian woman known only
as"Mussia." Each of these women had a personal
relationship with Llewellyn, and the letters reflect that warmth and intimacy.
Edith Haggard worked at the Curtis Brown Agency, with which Llewellyn was
affiliated. Nona Sonstenby was Llewellyn's first wife; these letters date from
their engagement, and are scattered throughout with annotated newspaper
clippings. The letters from Mussia indicate a close relationship, but it is
unclear who she is or how Llewellyn knew her. Photographs in Series III show
that they spent time together on Llewellyn's visits to Italy. |
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A large group of letters from the Curtis Brown Agency contains
routine information about various plays and books upon which Llewellyn was
working, as well as a series of letters from 1952 relating to the manuscript of
A Flame for Doubting Thomas, in which
President Alan Collins makes specific recommendations and suggestions for
improving the novel. (Series I contains the manuscripts to which Collins
refers.) Similarly, correspondence from the publisher Michael Joseph Ltd.
contains editing suggestion for
A Few Flowers for Shiner and
A Flame for Doubting Thomas.
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Other correspondents of note in this series include French spy
Mathilde Carré, aspiring screenwriter Loraine Fielding, writer Naomi Jacob, a
sketch by Florencio Molina Campos, as well as former military companions of
Llewellyn's, friends in Latin America, writing associates; also present are
materials relating to Llewellyn's tax problems in England. |
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Series III. Photographs, 1949-1951, 2 boxes |
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Two document boxes of photographs document Llewellyn's travels,
1949-1951, and the people with whom he was associated. Almost all of the
photographs were unlabeled and none were organized before cataloging; they have
been sorted by the archivist into two groups, People and Places. The
photographs relate particularly to Llewellyn's visits to Italy. Multiple
photographs of his Italian friend Mussia are present, as well as a series of
snapshots from Rome and Venice. A large number of prints remain unidentified,
but it also appears that Llewellyn took photographs of his trips to Latin
America, Spain, and the United States. Also present are a large group of slides
and negatives that relate to the photographs in the series. |
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Series IV. Personal Papers, 1939-1951, 1 box |
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This final series contains papers relating to Llewellyn's life, from
personal documentation to paycheck stubs. Many files document his work in the
United States, including with a file containing Llewellyn's application for an
immigration visa to the United States in 1946. Additionally, his paystubs from
California are present, as well as copies of itineraries and engagements around
the U.S. from 1946-1951. The series also contains a collection of works by
other writers; these consist mainly of short storylines and story drafts, but
is highlighted by a carbon typescript of Ignazio Silone's
Fontamara. A copy of Llewellyn's birth
certificate is present, as well as his Officer's Record Service, showing his
service during World War II. Additionally, the series contains materials saved
by Llewellyn, including a series of pamphlets written by Argentine President
Juan Peron. |
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Series I. Works,
1949-1952 |
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Subseries A. Books, 1949-1952 |
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A Few Flowers for Shiner |
| box |
folder |
| 1 |
1 |
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Holograph draft, incomplete, with holograph
corrections & inserts,
nd |
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2-5 |
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Corrected typescript,
March 1949 |
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A Flame for Doubting Thomas |
| box |
folder |
| 2 |
1 |
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Holograph draft, early version, incomplete, with
holograph corrections and annotations,
nd |
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2-4 |
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'Amended draft' typescript,
nd |
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5 |
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Corrected typescript, revised version,
nd, 1 of 4 |
| box |
folder |
| 3 |
1-3 |
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Corrected typescript, revised version,
nd, 2-4 of 4 |
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4-5 |
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Typescript, carbon, intermediate version,
nd |
| box |
folder |
| 4 |
1-2 |
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Working draft pages, group I. Holograph, typescript,
& carbon pages, heavily annotated & with inserts,
nd |
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3-5 |
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Working draft pages, group II. Holograph, typescript,
& carbon pages, heavily annotated & with inserts,
nd, 1-3 of 4 |
| box |
folder |
| 5 |
1 |
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Working draft pages, group II. Holograph, typescript,
& carbon pages, heavily annotated & with inserts,
nd, 4 of 4 |
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2-3 |
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Working draft pages, group III. Holograph, typescript,
& carbon pages, heavily annotated & with inserts,
nd |
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4-5 |
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Typescript, final version,
1952, 1-2 of 3 |
| box |
folder |
| 6 |
1 |
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Typescript, final version,
1952, 3 of 3 |
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2 |
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None But the Lonely Heart,
typescript, carbon, with a few corrections, bound,
1943 |
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Unpublished novel set in Venice |
| box |
folder |
| 6 |
3-4 |
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Set I, holograph and typescript draft pages, heavily
corrected,
nd, 1-2 of 3 |
| box |
folder |
| 7 |
1 |
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Set I, holograph and typescript draft pages, heavily
corrected,
nd, 3 of 3 |
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2-3 |
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Set II, holograph and typescript draft pages, heavily
corrected,
nd |
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4-5 |
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Set III, holograph and typescript draft pages, heavily
corrected,
nd |
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Subseries B. Short Stories and Articles, 1952 |
| box |
folder |
| 8 |
1 |
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Armchair Travelogue, corrected typescript,
nd |
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2 |
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Epilogue on 57th, carbon typescript, 2 copies,
nd |
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3 |
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Flower Face, carbon typescript,
nd |
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4 |
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The Guru's Shoes, carbon typescript, 2 copies,
nd |
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5 |
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Holiday article, carbon
typescript, 2 copies,
1952 |
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6 |
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The Princess and the Bullfrog, carbon typescript, 2
copies,
1952 |
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7 |
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Untitled article on Buenos Aires, corrected typescript;
includes some miscellaneous pages,
nd |
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8 |
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Untitled article on politics, holograph and typescript
manuscript pages, incomplete and unfinished fragments,
nd |
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9 |
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Untitled article on post-World War II Italy, carbon
typescript,
nd |
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10 |
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Untitled article on religion, holograph manuscript
fragments, incomplete and unfinished,
nd |
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11 |
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Untitled short story, corrected typescript,
nd |
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12 |
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Untitled story pages, holograph manuscript fragments,
incomplete and unfinished,
nd |
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Subseries C. Scripts, 1952 |
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Beau Brummel |
| box |
folder |
| 8 |
13 |
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Storyline, typescript, with annotations,
nd |
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14-15 |
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Working draft pages, holograph and typescript
manuscript, heavily corrected,
1952 |
| box |
folder |
| 9 |
1-2 |
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Working draft pages, holograph and typescript
manuscript, heavily corrected,
1952 |
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3 |
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City Lily, carbon typescript,
nd |
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4 |
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David, typescript with annotations and 2 carbon copies,
1952 |
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5 |
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Hans Brinker, typescript, with some carbon pages,
heavily corrected,
nd |
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6 |
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The Iron Mask, carbon typescript, 2 copies,
1952 |
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7 |
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Jane, duplicated typescript,
nd |
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Jane
April |
| box |
folder |
| 9 |
8 |
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Synopsis, holograph, typescript & carbon
manuscript pages, in fragments,
nd |
| box |
folder |
| 10 |
1 |
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Working draft pages, holograph and typescript
manuscript, heavily corrected,
nd |
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Plainsong |
| box |
folder |
| 10 |
2 |
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Early draft pages, holograph manuscript fragments,
heavily corrected,
nd |
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3 |
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Revised draft, typescript & carbon copy,
incomplete, with corrections,
nd |
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4 |
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'Rough draft,' corrected typescript,
nd |
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5 |
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Final Agency typescript, duplicated typescript inscribed
by the author,
1952 |
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6-7 |
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Final Agency typescript, duplicated typescripts,
1952 |
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The Quiet Man |
| box |
folder |
| 11 |
1 |
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'First draft,' duplicated typescript,
nd |
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2 |
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'Shooting script,' duplicated typescript,
1951 |
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3 |
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Questions & Suggestions, carbon typescript,
nd |
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4 |
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Sugarbun, carbon typescript,
nd |
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5 |
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Two-Timer, typescript, early version, with extensive
corrections; typescript, later version, incorporating revisions; carbon
typescript,
nd |
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6 |
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Unidentified character list,
nd |
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Untitled story about John Brown |
| box |
folder |
| 11 |
7 |
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Early draft pages, typescript and carbon copy draft
pages, incomplete and in fragments, heavily corrected,
nd |
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8 |
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Later draft pages, revised typescript, with
corrections & inserts,
nd |
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9 |
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Up Ferguson's Way, holograph manuscript; typescript,
heavily corrected; carbon typescript,
1952 |
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10 |
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Widow's Mite, 2 typescripts, with corrections; 3 carbon
typescripts,
nd |
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Series II. Correspondence,
1940-1952 |
| box |
folder |
| 11 |
11 |
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A-G,
1946-1952 |
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12 |
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H-Q,
1940-1952 |
| box |
folder |
| 12 |
1 |
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R-Y,
1946-1952 |
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2 |
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Unidentified correspondents,
1947-1951 |
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3 |
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Christmas cards,
1950-1951 |
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Series III. Photographs,
1949-1951 |
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People |
| box |
folder |
| 12 |
4 |
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Llewellyn, Richard,
1950 |
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5 |
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'Mussia,'
1949-1951 |
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6 |
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General,
1950 |
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Places |
| box |
folder |
| 12 |
7-8 |
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Italy,
nd, 1-2 of 3 |
| box |
folder |
| 13 |
1 |
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Italy,
nd, 3 of 3 |
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2 |
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Shipboard,
nd |
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3 |
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United States [?],
nd |
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4 |
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Unidentified,
nd |
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5-6 |
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Slides & Negatives, 1-2 of 3,
nd |
| box |
folder |
| 14 |
1 |
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Slides & Negatives, 3 of 3,
nd |
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Series IV. Personal Papers,
1939-1951 |
| box |
folder |
| 14 |
2 |
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Birth certificate,
1946 |
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3 |
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Clippings,
1944-1951 |
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4 |
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Engagements and itineraries,
1946-1951 |
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5 |
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Immigration--U.S.,
1946 |
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6 |
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Officer's Record of Service,
1940-1945 |
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7 |
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Personal Property Records,
1946-1951 |
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8 |
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'Salary Stubs' and Cancelled Checks,
1945-1947 |
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9 |
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Saved Items,
1950 |
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Travel |
| box |
folder |
| 14 |
10 |
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General,
1946-1951 |
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11 |
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Italy,
1949 |
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12 |
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Latin America,
1948-1950 |
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13-14 |
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Works by Others,
1939-1951 |
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- Bank of America (Beverly Hills, Calif.)--14.5
- Beaupre, Enid (National Broadcasting Company)--11.11
- Bell & Howell Co.--11.11
- Bernheimer, Earle J.--11.11
- Bigone, Ruth--11.11
- Black, Robert E. (
St. Louis Star-Times)--11.11
- Cain, Dorothy--11.11
- California. Dept. of Industrial Relations. Division of Labor
Standards Enforcement--11.11
- Carre, Mathilde Belard, called La Chatte, 1908- --11.11
- Carroll College (Waukesha, Wis.)--11.11
- Childhouse, Arnold C.--11.11
- Champlain, Helene--11.11
- Child Study Institute (Toledo, Ohio)--11.11
- Curtis Brown Ltd.--11.11
- Curtis Circulation Company--11.11
- Davies, Mona Richards (Llangollen International Musical
Eisteddfod)--11.11
- Doyle, Marianne--11.11
- Edward Dryhurst Productions--11.11
- Elsevier, N.V.--11.11
- Equitable Investment Corporation--11.11
- Evans, Marguerite [T]aradoc--11.11
- Fielding, Loraine--11.11
- France. Consulat (Los Angeles, Calif.)--14.10
- Golenpaul, Dan--11.11
- Great Britain. High Court of Justice. King's Bench
Division--12.1
- Hadley, Herbert--14.5
- Haggard, Edith--11.12
- Haines, Francis (The Appaloosa Horse Club)--11.12
- Hardy, Galston (J. Walter Thompson Company)--11.12
- Hearl, Ann--11.12
- Hillcrest Motor Co. (Beverly Hills, Calif.)--11.12
-
Holiday--11.12
- Jablou, Rega--11.12
- Jacob, Naomi Ellington, 1889-1964--11.12
- Jones, John T. (Labor's Non-Partisan League)--11.12
- Jones, S. H.--11.12
- Jones, Ted--11.12
- Jongbloed, G. F. J.--11.12
- Kansas State College--11.12
- Kinsey, G. E.--11.12
- Komai, Gloria--11.12
- Lane, Wheaton J.--11.12
- Llewellyn Lloyd, William--11.12
- Los Angeles (Calif.). Police Dept.--14.5
- Macmillan Company--11.12, 14.5
- Mahon, Mark--11.12
- Martland, Cassie--11.12
- Metro-Goldwyn-Mayer--14.5
- Michael Joseph Ltd.--11.12
- Mild, Warren (University of Redlands)--11.12
- Molina Campos, Florencio, 1891-1959--11.12
- Morros, Boris (Federal Films)--11.12
- National Concert and Artists Corporation--11.12, 14.4
- Nestor, Gale--11.12
- O'Higgins, Patrick--11.12
- Ohly, William F. C. (Berkeley Galleries)--11.12
- Phil Berg-Bert Allenberg (Firm)--11.12, 14.5
- Phillips, Frances--11.12
- Powell, Emma--11.12
- Price, Robert (Otterbein College)--11.12
- Pullman Company--11.12
- Quick, Dorothy--11.12
- Rees, Olive A.--12.1
- Reese, Walter C.--12.1
- Rivero Haedo, Elsie--12.1
- Rivero Haedo, Mariano--12.1
- St. Leger-Barter, Phyllis--12.1
- Sanders, Alice G. (Otterbein College)--12.1
- Screen Writers' Guild--12.1
- Seidel, Ted V.--12.1
- Simmonds, Dorinne--12.1
- Smith, Anne--12.1
- Smith, Harrison--12.1
- Smith, Lawrence--12.1
- Smyth, Os (Australian Embassy in China)--12.1
- Snider, LaFern--12.1
- Sonstenby, Nona, 1922- --12.1
- Steinhauser, Wilhelm--12.1
- Stewart, Edna--14.4
- Stoiber, May Cornell (Unity Center of Practical
Christianity)--12.1
- Toft, Arthur--12.1
- Warren, Myrtle Lee--12.1
- Who's who in the theatre--12.1
- Williams, Ian Wynne--12.1
- Williams, Thomas J.--12.1
- Woman's Club of Richmond (Richmond, Ind.)--14.4
- Young, E.--12.1
- Youth Inc. (Nashville, Tenn.)--12.1
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