Adrienne Kennedy:
An Inventory of Her Papers at the Harry Ransom Center
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Creator |
Kennedy, Adrienne,
1931- |
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Title |
Adrienne Kennedy Papers
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Dates: |
ca.
1954-1992 |
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Abstract |
The papers document
Kennedy's evolution from an aspiring writer to a successful playwright, and
include manuscripts for plays, short stories, memoirs, and novels, though film
and television projects are also present. The papers also contain
correspondence, manuscripts and publications about Kennedy, production
materials from her plays, and sound and video recordings. |
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RLIN Record # |
TXRC94-A15 |
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Extent |
9 boxes, 4 oversize folders
(3.75 linear feet) |
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Language |
English. |
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Repository |
Harry Ransom Center,
University of Texas at Austin |
Playwright and educator Adrienne Kennedy, the daughter of Cornell
Wallace Hawkins and Etta Haugabook Hawkins, was born on September 13, 1931, in
Pittsburgh, PA. Kennedy grew up in Cleveland, OH, where her parents moved four
years after her birth. She received her B.A. from Ohio State University in
1952, and married Joseph C. Kennedy on May 15, 1953, with whom she had two
sons, Joseph Jr. and Adam. After moving to New York, Kennedy studied creative
writing at Columbia University (1954-1956), American Theatre Wing (1958), and
later with Edward Albee at Circle-in-the-Square School (1962). She has also
taught creative writing at Yale University, Princeton University, the
University of California at Berkeley, and the University of California at
Davis.
Kennedy is an African-American dramatist whose early works utilize a
surrealist perspective. Though she has mentioned Tennessee Williams and
Federico García Lorca as two of her favorite playwrights, at least one critic
has noted a kinship with Jean Cocteau in certain of her works. Her richly
symbolic plays deal with racial, sexual, and religious themes, and are often
"disarmingly autobiographical." Kennedy calls her
plays "states of mind," written while images
"fiercely pound in (her) head." Frequently the
characters and images that appear in her plays are drawn from the mythical and
historical past, or from her own memories and dreams. The landscape of her
plays has been peopled by figures as unlikely as Queen Victoria, Leonardo da
Vinci, Jesus Christ, Shakespeare, Chaucer, Galileo, Beethoven, Charlie Chaplin,
Bette Davis, Shelley Winters, and even rats (in
A Rat's Mass, inspired by a particularly
vivid dream). Powerful African and African-American figures in her work include
Patrice Lumumba, Malcolm X, and sniper James Essex.
Kennedy's best known play,
Funnyhouse of a Negro, was begun in 1961
while traveling in Africa, and was the first of her plays to be produced. It
opened off-Broadway in 1964 with great success and won an Obie Award. During
the next several years, Kennedy was the recipient of numerous fellowships and
grants (Guggenheim, Rockefeller, National Endowment for the Arts, etc.),
writing a number of plays, most of which were professionally produced in major
theaters in the United States and Europe. Among her plays are
The Owl Answers (1963),
A Rat's Mass (1966),
The Lennon Play: in His Own Write (1967), Lesson in
a Dead Language (1968),
A Beast's Story (1969),
An Evening with Dead Essex (1973), and
A Movie Star Has to Star in Black and White (1976).
Her more recent plays include
She Talks to Beethoven (1989) and
Ohio State Murders (1990). She has also
written children's plays (
Black Children's Day and
A Lancashire Lad, both 1980), a novella (
Deadly Triplets, 1990), and a memoir (
People Who Led to My Plays, 1987).
Two collections of her plays,
Adrienne Kennedy in One Act (1988) and
The Alexander Plays (1992), have been
published.
The papers of Adrienne Kennedy, ca. 1954-1992, document her evolution
from an aspiring writer to a successful playwright. The collection has been
arranged into two series, Works, ca. 1954-1992 (6.5 boxes) and Career Papers,
ca. 1963-1992 (2.5 boxes). The dominant Works series consists of Kennedy's
manuscripts for plays, short stories, memoirs, and novels, though film and
television projects are also present. The Career Papers contribute to further
knowledge of and understanding of Kennedy and her work through award
certificates, biographical data, contracts, correspondence, manuscripts and
publications about Adrienne Kennedy, production materials from her plays,
publicity, reviews, royalty statements, and sound and video recordings.
All of Kennedy's plays are represented in this collection, from her Obie
Award winning
Funnyhouse of a Negro (1964) to her most
recent production,
Ohio State Murders (1992). Additionally,
manuscripts for several unproduced or incomplete plays are present:
"Letters,""Starring Galileo,""Film Festival,""Manhattan Mystery Comedy," and an untitled
play about George Jackson. Manuscripts dating from Kennedy's beginnings as a
writer in the 1950s include the plays The
"Pale Blue Flowers,""The Tiger and the Tomboy," and
"The Virgin Maggie." There are also several
short story and novel manuscripts from this early period, plus two short
stories from the 1960s. Other writings in the collection include the memoir
People Who Led to My Plays and film
treatments and screenplays (one of which is about Robert Johnson), as well as
television ideas and proposals. The works exist as notebooks, holograph and
typed notes, outlines, proposals, and drafts of manuscripts, playscripts, a
film treatment, and screenplays, as well as galleys, page proofs, and
photocopies of publications.
The correspondence, 1963-1992, generally concerns Kennedy's career as a
playwright, writer, and educator, though some correspondence is of a more
personal nature. Significant correspondents include Edward Albee, Imamu Amiri
Baraka, Gwendolyn Brooks, Ed Bullins, Joseph Chaikin, Ossie Davis, Ruby Dee,
Gerald Freedman, Nikki Giovanni, Elizabeth Hardwick, James Earl Jones, Michael
Kahn, Elia Kazan, Galt MacDermot, Theodore Mann, William Marshall, Mike
Nichols, Joseph Papp, Harold Pinter, Ishmael Reed, Jerome Robbins, John Selby,
Victor Spinetti, Fay Weldon, Edgar White, Audrey Wood, and others.
Documentation of various productions of Ms. Kennedy's plays, 1963-1992,
is also present in the form of brochures, cast lists, clippings, contact lists,
drawings, flyers, musical scores, photographs, posters, programs, publicity,
rehearsal schedules, reviews, scripts, sound and video recordings, tickets,
etc.
Beyond the study of Adrienne Kennedy, her work, and the production of
her plays, the papers provide insight into broader topics such as
African-American writers, 20th century drama, surrealism, racial identity and
conflict, autobiography, and cultural influences on literary works.
Access
Open for research
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Correspondents |
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Albee, Edward, 1928-
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Baraka, Imanu Amiri, 1934-
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Brooks, Gwendolyn, 1917-
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Bullins, Ed. |
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Chaikin, Joseph, 1935-
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Davis, Ossie. |
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Dee, Ruby. |
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Freedman,
Gerald. |
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Giovanni, Nikki. |
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Hardwick,
Elizabeth. |
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Jones, James
Earl. |
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Kahn, Michael. |
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Kazan, Elia. |
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MacDermot, Galt. |
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Mann, Theodore. |
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Marshall, William, 1924-
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Nichols, Mike. |
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Papp, Joseph. |
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Pinter, Harold, 1930-
. |
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Reed, Ishmael, 1938-
. |
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Robbins, Jerome. |
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Selby, John. |
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Spinetti,
Victor. |
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Taylor, Cecil, 1933-
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Weldon, Fay. |
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White, Edgar, 1947-
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Wood, Audrey, 1905-
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Subjects |
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African American
authors. |
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African American
women--Drama. |
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African Americans--Race
identity. |
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American drama--20th
century. |
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American drama--Afro-American
authors. |
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American drama--Women
authors. |
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Autobiography--Afro-American
authors. |
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Dramatists, American--20th
century. |
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Influence (Literary,
artistic, etc.). |
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Jackson, George,
1941-1971. |
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Johnson, Robert, d. 1938-
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Race relations. |
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Surrealism. |
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Women--drama. |
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Document Types |
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First drafts. |
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Galley proofs. |
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Photographs. |
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Scores. |
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Screenplays. |
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Scripts. |
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Sound
recordings. |
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Video
recordings. |
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For other collections at the HRC which contain Kennedy materials,
see the Gerard Malanga Collection, which includes 22 letters from Kennedy to
Malanga, 1962-1965, and a typescript draft of
Funnyhouse of a Negro. |
Purchase (R12641), 1992
Joan Sibley, 1994
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Bryant-Jackson, Paul K. and Lois More Overbeck.
Intersecting Boundaries: The Theatre of Adrienne
Kennedy. Minneapolis: University of Minnesota Press, 1992. |
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Kennedy, Adrienne.
People Who Led to My Plays. New York:
Alfred A. Knopf, 1987. |
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Wilkerson, Margaret B.
"Adrienne Kennedy", in
The Dictionary of Literary Biography, Volume 38:
Afro-American Writers after 1955. Detroit: Gale, 1985. |
Series Descriptions
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Series I. Works, ca. 1954-1992 (6.5 boxes) |
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Manuscripts of works by Adrienne Kennedy date from her earliest
experiments with writing in the early 1950s to her most recent publications of
the 1990s. These manuscripts consist predominately of plays, though short
stories, novels, a novella, memoirs, film treatments and screenplays, and ideas
and proposals for television are also present. Materials include holograph
notebooks, holograph and typed notes, outlines, proposals, and drafts of
manuscripts, playscripts, a film treatment, and screenplays, as well as
galleys, page proofs, and occasional photocopies of items which appeared in
various journals. |
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Among the earliest (and as yet unpublished) items in the collection
are manuscripts for a play,
"The Pale Blue Flowers," and notes and/or
drafts for two untitled novels. The
"Virgin Maggie," another early work,
exists in both novel and play versions. Other early manuscripts include the
novel
"Ben Halfin," several short stories, a
play
"The Tiger and the Tomboy," and a writing
exercise listing words from a favorite childhood story,
"Blondine." |
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All of Kennedy's major works to date are represented in the
collection:
Funnyhouse of a Negro (including a
screenplay version),
The Owl Answers, A Rat's Mass, The Lennon Play: In His Own Write, Lesson in a Dead Language, Sun, A Beast's Story, Boats, An Evening with Dead Essex, A Movie Star Has to Star in Black and White,
A Lancashire Lad, Black Children's Day, Diary of Lights, People Who Led to My Plays, She Talks to Beethoven, Deadly Triplets, Ohio State Murders, The Film Club, The Dramatic Circle. Several as yet
unproduced or incomplete plays are also included, among them
"Letters,""Starring Galileo,""Film Festival,""Manhattan Mystery Comedy," and an
untitled play about Soledad prisoner George Jackson. Other works represented
are short stories (
"Milena's Wedding" and
"Stones"), the memoir
People Who Led to My Plays (including
what appear to be earlier versions of this work), film treatments and
screenplays (one of which is about blues musician Robert Johnson), as well as
television ideas and proposals (
"Adventures of M. Kaiser V" and
"Because of the King of France"). |
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The manuscripts, frequently a mix of holograph and typed pages, are
often heavily revised. Some, such as the manuscripts for
An Evening with Dead Essex and the play
about George Jackson, also include extensive paste-up clippings as part of the
text. |
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The manuscripts are arranged alphabetically by title, with untitled
manuscripts located at the end of the series. For each title, identifying
information has been supplied in brackets to indicate the genre and date of
first production (if a play) or publication. Terms and dates used to describe
the individual manuscripts have been derived from Ms. Kennedy's own
descriptions, variously supplied in a hand list which came with the collection,
on manila envelopes which contained the manuscripts, or on the manuscripts
themselves. |
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Series II. Career Papers, ca. 1963-1992 (2.5 boxes, 4 oversize folders) |
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The remainder of the papers in this collection include award
certificates, biographical data, contracts, correspondence, manuscripts and
publications about Adrienne Kennedy, production materials from her plays,
publicity, reviews, royalty statements, and sound and video recordings, dating
from about 1963 through 1992. Most of the materials in this series were found
in largely unorganized folders marked "Clippings,""Correspondence,""Letters,""Miscellaneous," or
"Publicity." They have been arranged into the
following subseries: Awards & Honors, 1963-1990; Biographical Information,
nd; Contracts, 1963-1991; Correspondence, 1963-1992; Financial Information,
1969-1992; Lectures, Readings & Workshops, 1977-1990; Production Materials,
1963-1992; Publications, 1968-1992; Writers' Organizations, 1963-1976; and
Writings about Adrienne Kennedy, 1966-1992. Only one folder of material
represents each of these categories, with the exception of the following
described subseries. |
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The Correspondence subseries is contained in six folders and has
been arranged alphabetically by author. Significant correspondents include
Edward Albee, Imamu Amiri Baraka, Gwendolyn Brooks, Ed Bullins, Joseph Chaikin,
Ossie Davis, Ruby Dee, Gerald Freedman, Nikki Giovanni, Elizabeth Hardwick,
James Earl Jones, Michael Kahn, Elia Kazan, Galt MacDermot, Theodore Mann,
William Marshall, Mike Nichols, Joseph Papp, Harold Pinter, Ishmael Reed,
Jerome Robbins, John Selby, Victor Spinetti, Fay Weldon, Edgar White, Audrey
Wood, and others. Much of the correspondence concerns various productions of
Kennedy's plays or publication of her work, though some letters are more
personal in nature. An index of all correspondents appears at the end of this
inventory. |
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The Production Materials, occupying one box, consist of all
materials other than manuscripts or correspondence that concern various
productions of Ms. Kennedy's plays. Included are such items as brochures, cast
lists, clippings, contact lists, drawings, flyers, musical scores, photographs,
posters, programs, publicity, rehearsal schedules, reviews, scripts, sound and
video recordings, tickets, etc. These are organized alphabetically by the name
of the play. For each play, the materials have been arranged chronologically
insofar as possible.
Funnyhouse of a Negro is the most fully
documented play in this subseries, with several productions from 1963 to 1986
represented. The only play for which audio and sound recordings exist in this
collection is
The Owl Answers, as directed by Rhonda
Ross in 1991. The materials for
A Rat's Mass also include a music score
by Cecil Taylor for a 1976 production. Only two plays are represented by
production photographs,
Funnyhouse of a Negro and
Sun.
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The six folders of the Publications subseries are organized
alphabetically by the title of the published work and contain book catalogs,
book jackets, publicity, reviews, photocopies of title pages, etc., for several
of Ms. Kennedy's works. The recent autobiographical
People Who Led to My Plays is the most
fully documented publication in this subseries. |
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Writings about Adrienne Kennedy, 1966-1992, includes manuscripts and
photocopies of published articles, interviews, papers, and one thesis
concerning Kennedy and her work. These works are arranged alphabetically by
author in eleven folders. |
Adrienne Kennedy Papers--Folder List
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Series I. Works,
ca. 1954-1992 |
| box |
folder |
| 1 |
1 |
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Adrienne Kennedy in One Act
[collection of plays including
Funnyhouse of a Negro, The Owl Answers, The Owl Answers, A Lesson in a Dead Language, A Rat's Mass, Sun, A Movie Star Has to Star in Black and White,
Electra, and
Orestes 1988]. Page proofs,
1988 |
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2 |
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Adventures of M. Kaiser V [television proposal,
1972]. Typed proposal,
nd |
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3 |
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The Alexander Plays [collection of
plays
The Film Club, The Ohio State Murders, and
She Talks to Beethoven, 1992]. Galleys,
nd |
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A Beast's Story [play,
1969] |
| box |
folder |
| 1 |
4 |
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Holograph and typed 1st draft,
nd |
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5 |
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New York Shakespeare Festival script,
[1969] |
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6 |
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Because of the King of France [television idea,
nd]. Typed outline,
nd |
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7 |
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Ben Halfin [novel,
1956]. Typed draft, incomplete,
nd |
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8 |
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Black Children's Day [play,
1980]. Reproduced script,
1988 |
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9 |
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[Blondine] [writing exercise,
1955]. Holograph list of words from fairy tale
"Blondine" and notes for a story,
1955 |
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10 |
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Boats [play,
1969]. 1st completed holograph draft,
nd |
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Cities in Bezique. See A Beast's Story and The Owl
Answers |
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Deadly Triplets [novella
Deadly Triplets and journal
"Theater Journal," 1990] |
| box |
folder |
| 1 |
11 |
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Original holograph and typed draft,
1985-87 |
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12-13 |
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1st typed copy,
1985-89 |
| box |
folder |
| 2 |
1 |
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Partial holograph and typed draft,
1985 |
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Galleys,
1989 |
| box |
folder |
| 2 |
2 |
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"Theater Journal" and Introduction
to Deadly Triplets,
1989 |
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3 |
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Deadly Triplets,
1991 |
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Diary of Lights [musical play,
1987] |
| box |
folder |
| 2 |
4 |
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Holograph and typed notes,
1974 |
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5 |
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Typed draft,
nd |
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The Dramatic Circle [radio play,
1991] |
| box |
folder |
| 2 |
6 |
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Holograph and typed notes,
1991 |
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7 |
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Setting copy,
nd |
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An Evening with Dead Essex [play,
1973] |
| box |
folder |
| 2 |
8-9 |
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Holograph and typed notes,
1973 |
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10 |
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1st complete holograph draft,
nd |
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11 |
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1st typed draft with paste-up clippings,
nd |
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12 |
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Working script,
nd |
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13 |
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Photocopy from
Yale Review, 1970s |
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The Film Club [monologue,
1990] |
| box |
folder |
| 2 |
14 |
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Holograph and typed draft,
1990 |
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Galleys--See
The Alexander Plays |
| box |
folder |
| 2 |
15 |
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Film Festival [musical,
1984]. Typed draft of book for an unproduced musical,
1984 |
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16 |
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Freddy Silver [screenplay,
1970]. Holograph draft,
nd |
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Funnyhouse of a Negro [play,
1962] |
| box |
folder |
| 2 |
17 |
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Holograph and typed draft of story that led to
Funnyhouse of a Negro, nd |
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18 |
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Holograph and typed notes and 1st draft,
1961 |
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19 |
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Photocopy of Danish translation
En negers komediehus from
Vindrosen, 1965 |
| box |
folder |
| 3 |
1-2 |
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Screenplay,
1970. Holograph and typed drafts,
nd |
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3 |
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A Lancashire Lad [play,
1980]. Photocopy of typed draft,
1979-80 |
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The Lennon Play: In His Own Write
[play,
1967] |
| box |
folder |
| 3 |
4 |
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Holograph and typed draft,
1966 |
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5 |
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Holograph and typed 1st draft,
1966 |
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Lesson in a Dead Language [play,
1968] |
| box |
folder |
| 3 |
6 |
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Holograph and typed notes that led to
Lesson in a Dead Language, 1964 |
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7 |
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Holograph 1st draft,
1964 |
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8-9 |
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Letters [play,
1969]. Holograph drafts,
1969 |
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10 |
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Manhattan Mystery Comedy ["cartoon" play,
nd]. Holograph draft,
nd |
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11 |
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Milena's Wedding [short story,
1960]. Photocopy of typed draft,
nd |
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A Movie Star Has to Star in Black and White
[play,
1976] |
| box |
folder |
| 3 |
12 |
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Holograph and typed notes,
1976 |
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13 |
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Holograph and typed notes and rough draft,
nd |
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14 |
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Holograph and typed draft,
nd |
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15 |
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New York Shakespeare Festival reproduced script,
[1976] |
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16 |
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Photocopy of text as published in
Wordplays 3, [1984] |
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17 |
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My Poems and Stories [7 short stories including
"Chapter,""Terribly in Love,""A Soul's First Love, Balon,""Lydia's Beloved," and 3 untitled
stories, plus 1 play,
"The Tiger and the Tomboy,"1950s; "Chapter" may be part of work The
Virgin Maggie]. Typed drafts,
1950s |
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Ohio State Murders [play,
1990] |
| box |
folder |
| 3 |
18 |
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Holograph and typed notes,
1990 |
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19 |
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Holograph and typed original draft,
1990 |
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Galleys--See
The Alexander Plays |
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The Owl Answers [play,
1963] |
| box |
folder |
| 4 |
1 |
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Holograph draft of story that led to The Owl Answers,
1960 |
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2 |
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Holograph and typed draft of part of a story that became
The Owl Answers,
1960 |
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3 |
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Holograph and typed notes to 1st draft,
1962 |
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4 |
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New York Shakespeare Festival reproduced script,
[1969] |
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The Pale Blue Flowers [play,
1954-55] |
| box |
folder |
| 4 |
5-6 |
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Holograph notebooks,
1954 |
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7 |
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Holograph and typed early notes and drafts,
1954-55 |
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8 |
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Typed 1st completed draft,
1954-55 |
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People Who Led to My Plays [memoir,
1987; see also Sketches, which may be an early
version]. |
| box |
folder |
| 4 |
9-11 |
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Holograph notes,
1985 |
| box |
folder |
| 5 |
1-3 |
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Photocopy of typed draft,
1985-86 |
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4-5 |
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Incomplete Knopf proof,
1986 |
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6 |
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Proofs,
1987 |
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7 |
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Working script,
1988 |
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A Rat's Mass [play,
1966] |
| box |
folder |
| 6 |
1 |
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Holograph and typed notes, 1st and 2nd drafts,
1963 |
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2 |
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Holograph and typed notes and part of 1st draft,
1963 |
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3 |
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Reproduced working script,
nd |
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Robert Johnson [film treatment,
1983] |
| box |
folder |
| 6 |
4 |
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Photocopy of typed film treatment, incomplete,
nd |
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5 |
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Photocopy of typed film treatment,
1983 |
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She Talks to Beethoven [play,
1989] |
| box |
folder |
| 6 |
6 |
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1st typed draft,
1987 |
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7 |
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Holograph partial draft,
1989 |
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Galleys--See
The Alexander Plays |
| box |
folder |
| 6 |
8 |
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Sketches-People in Theatre [memoir,
1981; see also
People Who Led to My Plays]. Typed
draft,
1981 |
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9 |
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"Sketches: People I Have Met in the
Theater" [memoir,
1986; see also
People Who Led to My Plays].
Photocopy of text from unidentified publication [
"from Al Young, Ishmael Reed's Quilt,
1986"] |
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Starring Galileo [libretto for a musical cartoon,
1971-72] |
| box |
folder |
| 6 |
10 |
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Holograph notebook,
1971-72 |
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11 |
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Holograph draft,
nd |
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12 |
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Holograph and typed 1st and 2nd drafts,
1971-72 |
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13 |
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Stones [story,
1965]. Holograph draft,
1965 |
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Sun: A Poem for Malcolm X Inspired by His
Murder [play,
1968] |
| box |
folder |
| 6 |
14 |
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Holograph and typed notes and 1st draft,
1969 |
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15 |
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Photocopy as published in
Scripts 1, [1971] |
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The Virgin Maggie [novel,
1955-57; play
1957] |
| box |
folder |
| 6 |
16 |
|
|
Holograph notes for novel,
1955 |
|
17 |
|
|
Holograph and typed notes and draft,
1955 |
|
18 |
|
|
Holograph and typed notes and draft,
1956 |
|
19-21 |
|
|
Holograph and typed draft, incomplete,
1955-57 |
|
|
|
|
Typed draft--See My Early Poems and Stories (
"Chapter") |
| box |
folder |
| 7 |
1 |
|
|
Typed playscript, incomplete,
1957 |
|
|
|
Untitled Works,
1954-72 |
| box |
folder |
| 7 |
2 |
|
|
Typed draft of novel about New York,
1954-55 |
|
3 |
|
|
Typed draft of novel about New York,
1957 |
|
4 |
|
|
Typed outline for novel about Cleveland,
1956-57 |
|
5 |
|
|
Holograph notes for novel about Cleveland,
nd |
|
6 |
|
|
Holograph and typed notes with clippings for a play
about George Jackson,
1972 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Series II. Career Papers,
ca. 1963-1992 |
| box |
folder |
| 7 |
7 |
|
Awards & Honors,
1963-90, nd, certificates and clippings |
|
8 |
|
Biographical Information,
nd |
|
9 |
|
Contracts,
1963-91 |
|
|
|
Correspondence,
1963-92 |
| box |
folder |
| 7 |
10 |
|
|
A-C |
|
11 |
|
|
D-K |
|
12 |
|
|
M-R |
|
13 |
|
|
S-W |
|
14 |
|
|
Unidentified |
|
15 |
|
|
Invitations,
1964-74, nd |
|
|
|
Financial Information,
1969-92 |
| box |
folder |
| 7 |
16 |
|
|
Royalty statements |
|
|
|
Lectures, Readings, & Workshops,
1977-90 |
| box |
folder |
| 7 |
17 |
|
|
Clippings and publicity |
|
18 |
|
|
Videotape of AK live at Brown University,
Oct. 1, 1987 |
|
|
|
Production Materials,
1963-92 |
| box |
folder |
| 8 |
1 |
|
|
A Beast's Story,
nd |
|
2 |
|
|
Black Children's Day,
1980-88 |
|
3 |
|
|
Cities in Bezique [A Beast's Story, The Owl Answers],
1968-69 |
|
4 |
|
|
Diary of Lights,
1987, nd |
|
5 |
|
|
The Dramatic Circle,
1991 |
|
6 |
|
|
Electra and Orestes,
1981 |
|
7 |
|
|
An Evening with Dead Essex,
1973-74 |
|
8 |
|
|
Funnyhouse of a Negro,
1963-86, nd |
|
9 |
|
|
A Lancashire Lad,
1980 |
|
10 |
|
|
The Lennon Play: In His Own Write,
1967-89 |
|
11 |
|
|
Lesson in a Dead Language,
1971 |
|
12 |
|
|
A Movie Star Has to Star in Black and White,
1976-85 |
|
13 |
|
|
Ohio State Murders,
1990-92 |
|
14 |
|
|
The Owl Answers,
1963-91 |
|
15 |
|
|
|
Audio cassette,
1991, directed by Rhonda Ross |
|
16 |
|
|
|
Videotape,
1991, directed by Rhonda Ross |
|
17 |
|
|
A Rat's Mass,
1966-76 |
|
18 |
|
|
She Talks to Beethoven,
1989-91 |
|
19 |
|
|
Solo Voyages [excerpts from The Owl Answers, A Rat's
Mass, A Movie Star Has to Star in Black and White],
1985 |
|
20 |
|
|
Sun: A Poem for Malcolm X Inspired by His Murder,
nd |
|
|
|
Publications,
1968-92 |
| box |
folder |
| 9 |
1 |
|
|
Adrienne Kennedy in One Act,
1988-91 |
|
2 |
|
|
The Alexander Plays,
1992 |
|
3 |
|
|
Deadly Triplets,
1990 |
|
4 |
|
|
The Lennon Play: In His Own Write,
1968 |
|
5 |
|
|
People Who Led To My Plays,
1987-92 |
|
6 |
|
|
Miscellaneous,
nd |
|
7 |
|
Writers' Organizations,
1963-76 |
|
|
|
Writings about AK,
1966-92, nd |
| box |
folder |
| 9 |
8 |
|
|
Blanchard, Ruth Lucyle. [excerpt of paper about
"Ohio State Murders"]
1992 |
|
9 |
|
|
Diamond, Elin.
"An Interview with Adrienne
Kennedy," 1989 |
|
10 |
|
|
Friedman, Paula.
"The Colonizing Power of Symbols: Adrienne
Kennedy's Plays,"nd |
|
11 |
|
|
Jackson, Paul K. & Lois More Overbeck. [
"Adrienne Kennedy: An Interview"],
1990 |
|
12 |
|
|
Lasker, David.
"Adrienne Kennedy's Funnyhouse of a Negro: The Dream-Play as Form," 1974 |
|
13 |
|
|
Lehman, Lisa. A Growth of Images,
1977 |
|
14 |
|
|
Ogunbiyi, Yemi. [Interview with Adrienne Kennedy],
1975 |
|
15 |
|
|
Shafzin, Nick.
"In Her Own Words: Award-winning Playwright
Adrienne Kennedy," 1988 |
|
16 |
|
|
Sollors, Werner.
"Owls, Rats, and Other Beasts in the
American Funnyhouse: Adrienne Kennedy's Autobiography and Drama," 1990. |
|
17 |
|
|
Thomas, Cathy.
"The Daughter and Her Journey of
Self-Definition in the Familial Plays of Adrienne Kennedy," honors
thesis,
1985 |
|
18 |
|
|
Miscellaneous,
1966-70, nd |
- Alder, Kurt Herbert (San Francisco Opera)--7.10
- Agena, Kathleen (Creative Artists Public Service Program)--7.10
- Albee, Edward, 1928- --7.9 (Pisces Productions); 7.10 (Theater
1964)
- Ardery, Ben B., Jr.--7.10
- Arkin, Alan--7.10
- Ash, Alan--7.10
- Atkinson, Clinton (Lucille Lortel)--7.10
- Atlee, Howard (Howard Atlee Associates)--7.10
- Axelrod, Elliot (William Morris Agency)--7.10
- Babbidge, Homer D. (Yale University. Timothy Dwight College)--7.10
- Balch, Marston (National Theatre Conference)--7.10
- Ball, David (The Guthrie Theater)--7.10
- Baraka, Imamu Amiri, 1934- (Congress of Afrikan People)--7.10
- Barr, Richard (Theater 1964)--7.10
- Barrios Herrero, Olga, 1958- --7.10
- Ben-Zvi, Linda (The Samuel Beckett Society)--7.10
- Bentley, Paul (Margaret Ramsay Ltd.)--7.10
- Bill, Mary (Great Lakes Theatre Festival)--7.10
- Blassingame, John W., 1940- (Yale University)--7.10
- Blau, Herbert (The Repertory Theater of Lincoln Center,
Inc.)--7.10
- Bond, Edward--7.10
- Bowen, William G. (Princeton University)--7.10
- Bridson, D. G. (British Broadcasting Corporation)--7.10
- Brooks, Gwendolyn, 1917- --7.10
- Brustein, Robert Sanford, 1927- (Yale Repertory Theatre)--7.10
- Bullins, Ed--7.10
- Cahill, Elizabeth (Who's Who in America)--7.10
- Carlisle, Henry, 1926- (PEN American Center)--7.10
- Chaikin, Joseph, 1935- (Performing Artservices, Inc.)--7.10
- Chambers, Henry, Jr. (Yale University)--7.10
- Channing, Susan R. (Massachusetts Arts And Humanities Foundation,
Inc.)--7.10
- Christ, Carol T. (University of California, Berkeley)--7.10
-
Class Magazine--7.10
- Cochran, Terry (University of Minnesota)--1.12
- Cummings, Scott T. (Theatre Three)--7.10
- Dash, Robert (Noonday Press)--1.7 [on verso of manuscript page]
- Davis, Ossie--7.11
- Dee, Ruby--7.11
- Dempster, Curt (The Ensemble Studio Theatre)--7.11
- Doares, Juanita S. (New York Public Library. Library & Museum
of the Performing Arts)--7.11
- Domoff, Dan [AK to Domoff]--9.14
- Fernandez, Isabelle (Creative Artists Public Service
Program)--7.11
- Fielding, Claude E. (Crawley & de Reya)--7.11
- Flanagan, William--7.11
- Fleischer, Mary (Marymount Manhattan College)--7.11
- Freedman, Gerald (Great Lakes Theater Festival)--7.11
- Freeman, Lisa (University of Minnesota)--7.11
- Gardner, Bonnie Milne (Ohio Wesleyan)--7.11
- Gillis, Jeanne--7.11
- Giovanni, Nikki--7.11
- Grey, Joel--7.11
- Hanks, Nancy, 1927-1983 (National Council on the Arts)--7.11
- Hardwick, Elizabeth (PEN American Center)--7.11
- Harvey, Helen--7.11
- Heyman, Susan--7.11
- [Hoffman], Dustin, 1937- --7.11
- Hovious, Jeanlee M. (University of Minnesota)--7.11
- Howard, Camille Cole--8.12
- Hunzinger, Stefani (S. Fischer Verlag)--7.11
- Jackson, Caroline B. (Oberlin College. Theater and Dance
Program)--7.11
- Jackson, Paul K.--9.11
- Jones, Barbara Rice (PEN American Center)--7.11
- Jones, Derek--7.11
- Jones, James Earl--7.11
- Kahan, Robert (Samuel French, Inc.)--7.11
- Kahn, Michael (The Shakespeare Theatre at the Folger)--7.11
- Kaye, Phyllis Johnson (The O'Neill Theater Center)--7.11
- Kazan, Elia--7.11
- Kiely, Robert (Harvard University. Adams House)--7.11
- Kinsman, Clare D. (Contemporary Authors)--7.11
- Klein, Howard (The Rockefeller Foundation)--7.11
- Knowles, John H. (The Rockefeller Foundation)--7.11
- Kümmel, Britta (Danmarks Radio)--7.9
- Lennon, John, 1940- [AK to Lennon]--3.5
- McConathy, Dale--7.12
- MacDermot, Galt ("Hair: An American Tribal Love Rock
Musical")--7.12
- MacDonald, Sandy (Performance & Scripts)--7.12
- Mann, Theodore [recommendation letter to John Simon Guggenheim
Memorial Foundation]--7.12
- Marion, John Francis (Chilton Book Company)--7.12
- Marshall, William, 1924- --7.12
- Maschler, Tom, 1934- [AK to Maschler]--3.4
- Michalski, Kirsten (PEN American Center)--7.12
- Miles, Julia (The American Place Theatre)--7.12
- Moore, Honor, 1945- --7.12
- Morales, Donald M.--7.12
- Myers, Budd--7.12
- Nichols, Mike--7.12
- Oaks, Harold R. (Office for Advanced Drama Research. University of
Minnesota)--7.12
- Okpaku, Joseph (The Third Press)--7.12
- Overbeck, Lois More--9.11
- Papp, Joseph (New York Shakespeare Festival)--7.12
- Parish, Elizabeth (W. W. Norton & Company)--7.12
- Parone, Edward (Center Theatre Group)--7.12
- Pearlman, Leslie (Massachusetts Arts and Humanities Foundation,
Inc.)--7.12
- Peck, Seymour (The New York Times)--7.12
- Pennella, Florence (The Poughkeepsie Journal)--7.12
- Petchenik, Kenneth H. (Who's Who in America)--7.12
- Pinter, Harold, 1930- --7.12
- Rafalowicz, Mira (Performing Artservices, Inc.)--7.10
- Ramsay, Margaret (Margaret Ramsey Ltd.)--7.12
- Randolph, Leonard (National Council on the Arts)--7.12
- Reed, Ishmael, 1938- --7.12
- Rich, Frank (The New York Times)--7.12
- Richards, Lloyd (The O'Neill Theater Center)--7.12
- Richards, Stanley, 1918- --7.12
- Robbins, Jerome--7.12
- Robinson, Marc, 1962- (Theater)--7.12
- Rosenstone, Howard (William Morris Agency)--7.12
- Schechter, Joel, 1947- (Theater)--7.12
- Schneider, Alan (The Julliard School. Drama Division)--7.13
- Schultz, Michael (TFD Company, Ltd.)--7.13
- Selby, John--7.13
- Shanahan, Eileen [secretary to Elia Kazan]--7.11
- Sharpe, David--7.13
- Short, Bobby--7.13
- Snyder, Richard E.--7.9
- Sollors, Werner--7.13
- Spinetti, Victor--7.13
- Stanley, Alma--7.13
- Stein, Howard (Yale University. School of Drama; Columbia
University in the City of New York)--7.13
- Svendsen, Juris (School of Theater and Dance. Institute of the
Arts)--7.13
- Taylor, Elizabeth, 1932- --7.13
- Tenney, Margot (Hartman Regional Theatre)--7.13
- Topping, Tinka D. (The Hampton Day School)--7.13
- Tutton, Caroline M. (Longmans, Green & Co. Limited)--7.13
- Tynan, Kenneth, 1927- --7.12 (The National Theatre); 7.13
- Vinson, James, 1933- (St. James Press Ltd.)--7.13
- Wakeman, John (H. W. Wilson Company)--7.13
- Wallace, Lois (William Morris Agency)--7.13
- Watts, Richard (New York Post)--7.13
- Webster, Lu (William Morris Agency)--7.13
- Wegweiser, Roslyn (H. W. Wilson Company)--7.13
- Weintraub, Stanley, 1929- (Institute for the Arts and Humanistic
Studies. Pennsylvania State University)--7.13
- Weldon, Fay--7.13
- White, Edgar, 1947- [note written on
"Poem for Robeson"]--7.13
- Wilder, Clinton (Theater 1964)--7.10
- [Wilkerson], Margaret B. (Margaret Buford)--7.13
- Wilkins, Roger W., 1932- (Ford Foundation)--7.13
- Williams, Galen (Poets & Writers)--7.13
- Williams, Sam P. (New York Public Library. Library & Museum of
the Performing Arts)--7.13
- Willis, Winifred--7.13
- Wood, Audrey, 1905- (Ashley Famous Agency, Inc.)--7.13
- Woods, Alan (Ohio State University. Jerome Lawrence & Robert
E. Lee Theatre Research Institute)--7.13
- Wright, Thomas H. (Princeton University)--7.13
|