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TABLE OF CONTENTS


Descriptive Summary

Biographical Sketch

Scope and Contents

Restrictions

Index Terms

Administrative Information

Sources

Description of Series

Series I. Works, ca. 1920-1975, n.d.

Series II. Personal Papers, ca. 1930-1976, n.d.

Index

University of Texas, Harry Ransom Humanities Research Center

John Collier:

An Inventory of His Papers at the Harry Ransom Humanities Research Center



Descriptive Summary

CreatorCollier, John, 1901-
TitleJohn Collier Papers
Dates: ca. 1920-1976
AbstractThe papers of John Collier represent his transition from a poet to writer of novels, short stories, and screenplays. The bulk of the papers are manuscripts covering several genres, although a substantial amount of correspondence is also included.
RLIN Record #TXRC99-A5
Extent5 boxes, 1 galley folder (2.10 linear feet)
LanguageEnglish.
RepositoryHarry Ransom Humanities Research Center, University of Texas at Austin

Biographical Sketch

John Collier, a writer of various genres, was born in London on May 3, 1901. He obtained a private education, and began writing poetry at age nineteen, and was first published in 1920. During the early 1930s he concentrated on writing novels and short stories. One of Collier's most popular works from this period was His Monkey Wife, first published in 1930. In this short novel, Collier covers the controversial topic of conjugal love between a man and a chimpanzee. Collier became best known as a writer of fantasy, and though largely unpopular in his native country, gained significant popularity in the United States.

In 1935 Collier moved from England to Hollywood where he began writing screenplays. He would remain an active screenwriter for the next thirty years, as well as do substantial writing for television. Some of Collier's screenplays include Elephant Boy (1937), I Am a Camera (1955), and The War Lord (1965). Collier devoted much effort during the late 1960s to the transformation of Milton's Paradise Lost into a screenplay. However, despite being published in book form, his hopes of turning the screenplay into a film were never realized. Collier's other published works include Gemini (poetry collection, 1931), Tom's A-Cold (novel, 1933), Defy the Foul Fiend (novel, 1934), Presenting Moonshine (short story collection, 1941), Fancies and Goodnights (short story collection, 1951), Pictures in the Fire (short story collection, 1958), The John Collier Reader (short story collection, 1972), and The Best of John Collier (short story collection, 1975).

Collier died of a stroke in Pacific Palisades, California on April 6, 1980. For the most part, his work has been ignored by scholars, but still holds wide appeal among readers of fantasy.

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Scope and Contents

The papers of John Collier, ca. 1920-1976, represent Collier's transition from a poet to writer of novels, short stories, and screenplays. The bulk of the papers are manuscripts covering several genres. A substantial amount of correspondence is also included in the papers. The papers are divided into two series: I. Works, ca. 1920-1975, n.d. (4.8 boxes), and II. Personal Papers, ca. 1930-1976, n.d. (0.2 boxes).

The Works Series is subdivided by genre: Novels, Poems, Reviews, Screenplays, and Short Stories, the majority of which fall into the latter two categories. Of specific interest within the Screenplays subseries is an original screenplay for The African Queen, on which Collier was a collaborator, which was not used for the final film. However, the bulk of the Screenplays subseries deals with Collier's adaptation of John Milton's Paradise Lost. Some correspondence documenting Collier's ongoing negotiations with agents and collaborators concerning the adaptation are also included in the Paradise Lost group. A large percentage of this correspondence is with Howard Hausman, Martin Poll, and Jan Stussy, ca. 1967-1970. In addition to the correspondence, there are multiple holograph an typescript drafts of the adaptation. Manuscripts for fifteen short stories, most of which date from 1955-1958 are also present. Among the short stories best represented is Asking For It, of which there are multiple drafts. The Novel subseries contains holograph manuscripts by Collier, including an original of His Monkey Wife, probably his best known novel. The Poems subseries includes both holograph manuscripts and typescripts of what became the published book Gemini. The small Reviews subseries contains reviews by Collier of other novels, as well as a scrapbook of newspaper reviews of his own work, Presenting Moonshine.

The Personal Papers Series is minuscule compared to the Works series. Contained in this series are an announcement of a poetry award given to Collier, a contract concerning the publication of Defy the Foul Fiend, and a very small amount of outgoing correspondence to John Beevers, Louis Golding, and Alannah Harper. Of particular note within this series is a notebook kept by Collier that records short story titles, information regarding dates of composition, length of writing time, payment received, and the publisher of the story. This record book also contains listed groupings of possible stories to be released as collections, notes for short stories, and some sketches.

The order of the collection appears to have been somewhat influenced by Bertram Rota Ltd., the dealer from which it was obtained. On the whole, this order has been maintained, though the Paradise Lost correspondence was put in chronological order during processing. Additionally, many of the items seem to have been labeled by the author and/or the dealer, and these were assumed largely reliable for the task of identification and description.

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Restrictions

Access

Open for research

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Index Terms

Correspondents
Barker, Lee
Subjects
Milton, John, 1608-1674 -- Paradise Lost
English literature -- 20th century
Document Types
Screenplays

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Administrative Information

Acquisition

Purchases, 1967-1976, (R3732, R4786, R7297)

Processed by

Dale Sauter, 1999

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Sources

Benstock, Bernard, and Thomas F. Staley, eds. Dictionary of Literary Biography, Vol. 77. Detroit: Gale Research Company, 1989.

Contemporary Authors. New Revision Series, Vol. 10. Detroit: Gale Research Company, 1983.

Richardson, Betty. John Collier. Boston: Twayne, 1983.

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John Collier Papers--Folder List

 

Series I. Works, ca. 1920-1975, n.d.

Subseries A. Novels, 1937?, n.d.
boxfolder
11Easy Go Grange, holograph original manuscript of first chapter of an unfinished novel with corrections, 1937?,
35p
2-3His Monkey Wife, holograph manuscript, n.d.,
285p
Subseries B. Poems, ca. 1925-1926, n.d.
Gemini
boxfolder
14Typescript original of two poems, ca. 1925-1926,
3p
"Three Men in One Room," composite holograph and typescript, much amended, with later revisions for print, n.d.,
13p
"The Apology," introduction, holograph manuscript, n.d.,
5p
Subseries C. Reviews, 1941?, n.d.
boxfolder
15Reviews of Presenting Moonshine, scrapbook, 1941?
6Review of The Search by C. P. Snow and four other novels, n.d.,
5p
Subseries D. Screenplays, ca. 1937-1975, n.d.
boxfolder
17African Queen, original screenplay typescript, 11 April 1947,
130p
8Ballet Story, typescript, n.d.,
21p
boxfolder
21Evening Primrose, first draft typescript, 1937?,
85p
Finding Ernie
boxfolder
22Holograph manuscript, record of steps and disagreements during development from verbal description of story outline to complete screenplay, with corrections, 1972, 1973?,
7p
3Composite holograph and typescript, first draft script, used for working copy, with corrections, n.d.,
175p
4Composite holograph and typescript with corrections, n.d.,
176p
5Typescript, first material after starting on screen version, 1970,
116p
6Typescript, final fourth [?] material with corrections, 4 July 1971,
119p
7Typescript, third uncut version, July 28, 1971,
148p
boxfolder
31Typescript, final fifth material, October 1971,
122p
2For Elissa, typescript, 1953?,
129p
3The Leaning Tower of East Side Plaza, typescript with corrections, n.d.,
38p
4Mary, holograph manuscript, original screenplay, with corrections, n.d.,
104p
Paradise Lost
Correspondence, ca. 1967-1975, n.d.
boxfolder
35 Fragments, n.d.
6 1967-1969
7 1970, 1975
8First presentation of concept of film, typescript with corrections, 18 January 1967,
15p
9First outline of possible adaptation for motion picture, typescript, June-July 1967,
34 p
10Rough outline of principal sequence, typescript with corrections, 1967?,
34p
11Layout of first half of screenplay containing arguments pro & con for certain aspects of the work, holograph manuscript with corrections, 1967?,
70p
12'A Second Beginning,' holograph manuscript, with corrections, 13 November 1967,
29p
boxfolder
41Working copy, typescript with corrections, n.d.,
130p
2Draft of last scenes, holograph manuscript with corrections, n.d.,
58p
3Final screenplay, typescript with corrections, 30 September 1968?,
143p
4Draft of fall sequence, typescript with corrections, n.d.,
11p
5Uncut version, typescript, n.d.,
164p
6Final version prepared for publication, typescript with corrections, May 5, 1972,
142p
7Introduction to published version
Typescript with corrections, n.d.,
10p
Composite holograph and typescript with corrections, 14 October 1972,
16p
Typescript with corrections, n.d.,
10p
Early version, holograph manuscript with corrections, n.d.,
2p
boxfolder
48Foreword written for use in connection with the screenplay
Typescript with corrections, n.d.,
4p
Typescript, n.d.,
4p
boxfolder
49Notes on certain aspects of the production
Holograph manuscript, with corrections, n.d.,
9p
Typescript, n.d.,
10p
boxfolder
410Notes and comments on the projected screenplay, typescript with corrections, n.d.,
89p
11Notes and fragments, n.d.,
13p
boxfolder
51Pictures in the Fire, typescript of short story version, 1937?, 28p; three typescript drafts for screenplay, n.d,
27p, 50p, 35p
2Time Stands Still, outline, typescript with corrections, 10 January 1951,
67p
3Wet Saturday, typescript with corrections, n.d.,
25p
Subseries E. Short Stories, ca. 1920-1975, n.d.
boxfolder
54Alien Corn, typescript with corrections, ca. 1958-1959,
18p
5Asking for It (original version titled Characters More Important Than Plot)
Typescript with corrections, 1958-1959,
16p
Holograph manuscript with corrections, 1975?,
13p
The Chaser -- see folder 5.21
boxfolder
56Cupid Paid, holograph manuscript, with corrections, ca. 1920-1923,
12p
7A Dog's a Dog, with two alternative drafts numbered I & II, holograph manuscript with corrections, February or March 1956?,
13p
8Don't Call Me, I'll Call You, holograph manuscript with corrections, n.d.,
16p
9Eyes and No Nose, typescript with corrections, 4 February 1967,
42p
Great Possibilities -- see folder 5.21
folderbox
105Mademoiselle Kiki, original holograph manuscript with corrections, 1938?,
12p
boxfolder
511Man Overboard, original holograph manuscript with corrections, ca. 1957-1958,
30p
The Mask and the Maiden -- see folder 5.13
boxfolder
512A Matter of Taste, original holograph manuscript with corrections, December 1955 or January 1956?,
8p
13The Naked Truth in Viridian Springs, Arizona (published title, The Mask and the Maiden), holograph manuscript, with corrections, March 1956?,
26p
14None So Blind, original holograph manuscript with corrections, December 1955?,
15p
Pictures in the Fire -- see folder 5.1
boxfolder
515Reindeer on the Way, original holograph manuscript with corrections, 1937?,
42p
16Son of Kiki, incomplete holograph manuscript with corrections, n.d.,
2p
17The Tender Age, original holograph manuscript, with corrections, November 1955?,
6p
Think No Evil, galley proofs with corrections, 21 November 1957 - early summer 1958,
12p (removed to galley folder)

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Series II. Personal Papers, ca. 1930-1976, n.d.

boxfolder
518Award, pages from This Quarter, announcing winner of poetry award, 193?
19Contract, memorandum of agreement with Collier re "Defy the Foul Fiend," 21 June 1934,
2p
20Outgoing correspondence, 1935, n.d.
21Short story record book, holograph entries in bound notebook, ca. 1937-1976; also includes information on account with Matson, lists for collections of short stories, notes for short stories, and some sketches

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 John Collier Papers--Index of Correspondents 

  • Barker, Lee (Doubleday & Co., Inc.)--3.6
  • Hausman, Howard (William Morris Agency, Inc.)--3.6-7
  • Krasner, Jack (J. H. Cohen & Co.)--3.6
  • Poll, Martin (Marpol Productions, Inc.)--3.6-7
  • Stussy, Jan, 1921- (UCLA)--3.5

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