TABLE OF CONTENTS
Descriptive Summary
Biographical Sketch
Scope and Contents
Restrictions
Index Terms
Administrative Information
Sources
Description of Series
Series I. Works,
ca. 1920-1975, n.d.
Series II. Personal Papers,
ca. 1930-1976, n.d.
Index
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John Collier:
An Inventory of His Papers at the Harry Ransom Humanities
Research Center
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| Creator | Collier, John,
1901- |
| Title | John Collier Papers
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| Dates: | ca.
1920-1976 |
| Abstract | The papers of John
Collier represent his transition from a poet to writer of novels, short
stories, and screenplays. The bulk of the papers are manuscripts covering
several genres, although a substantial amount of correspondence is also
included. |
| RLIN Record # | TXRC99-A5 |
| Extent | 5 boxes, 1 galley folder
(2.10 linear feet) |
| Language | English. |
| Repository | Harry Ransom Humanities Research Center,
University of Texas at Austin |
John Collier, a writer of various genres, was born in London on May 3,
1901. He obtained a private education, and began writing poetry at age
nineteen, and was first published in 1920. During the early 1930s he
concentrated on writing novels and short stories. One of Collier's most popular
works from this period was
His Monkey Wife, first published in 1930. In
this short novel, Collier covers the controversial topic of conjugal love
between a man and a chimpanzee. Collier became best known as a writer of
fantasy, and though largely unpopular in his native country, gained significant
popularity in the United States.
In 1935 Collier moved from England to Hollywood where he began writing
screenplays. He would remain an active screenwriter for the next thirty years,
as well as do substantial writing for television. Some of Collier's screenplays
include
Elephant Boy (1937),
I Am a Camera (1955), and
The War Lord (1965). Collier devoted much
effort during the late 1960s to the transformation of Milton's
Paradise Lost into a screenplay. However,
despite being published in book form, his hopes of turning the screenplay into
a film were never realized. Collier's other published works include
Gemini (poetry collection, 1931),
Tom's A-Cold (novel, 1933),
Defy the Foul Fiend (novel, 1934),
Presenting Moonshine (short story
collection, 1941),
Fancies and Goodnights (short story
collection, 1951),
Pictures in the Fire (short story
collection, 1958),
The John Collier Reader (short story
collection, 1972), and
The Best of John Collier (short story
collection, 1975).
Collier died of a stroke in Pacific Palisades, California on April 6,
1980. For the most part, his work has been ignored by scholars, but still holds
wide appeal among readers of fantasy.
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The papers of John Collier, ca. 1920-1976, represent Collier's
transition from a poet to writer of novels, short stories, and screenplays. The
bulk of the papers are manuscripts covering several genres. A substantial
amount of correspondence is also included in the papers. The papers are divided
into two series: I. Works, ca. 1920-1975, n.d. (4.8 boxes), and II. Personal
Papers, ca. 1930-1976, n.d. (0.2 boxes).
The Works Series is subdivided by genre: Novels, Poems, Reviews,
Screenplays, and Short Stories, the majority of which fall into the latter two
categories. Of specific interest within the Screenplays subseries is an
original screenplay for
The African Queen, on which Collier was a
collaborator, which was not used for the final film. However, the bulk of the
Screenplays subseries deals with Collier's adaptation of John Milton's
Paradise Lost. Some correspondence
documenting Collier's ongoing negotiations with agents and collaborators
concerning the adaptation are also included in the
Paradise Lost group. A large percentage of
this correspondence is with Howard Hausman, Martin Poll, and Jan Stussy, ca.
1967-1970. In addition to the correspondence, there are multiple holograph an
typescript drafts of the adaptation. Manuscripts for fifteen short stories,
most of which date from 1955-1958 are also present. Among the short stories
best represented is
Asking For It, of which there are multiple
drafts. The Novel subseries contains holograph manuscripts by Collier,
including an original of
His Monkey Wife, probably his best known
novel. The Poems subseries includes both holograph manuscripts and typescripts
of what became the published book
Gemini. The small Reviews subseries contains
reviews by Collier of other novels, as well as a scrapbook of newspaper reviews
of his own work,
Presenting Moonshine.
The Personal Papers Series is minuscule compared to the Works series.
Contained in this series are an announcement of a poetry award given to
Collier, a contract concerning the publication of
Defy the Foul Fiend, and a very small amount
of outgoing correspondence to John Beevers, Louis Golding, and Alannah Harper.
Of particular note within this series is a notebook kept by Collier that
records short story titles, information regarding dates of composition, length
of writing time, payment received, and the publisher of the story. This record
book also contains listed groupings of possible stories to be released as
collections, notes for short stories, and some sketches.
The order of the collection appears to have been somewhat influenced by
Bertram Rota Ltd., the dealer from which it was obtained. On the whole, this
order has been maintained, though the
Paradise Lost correspondence was put in
chronological order during processing. Additionally, many of the items seem to
have been labeled by the author and/or the dealer, and these were assumed
largely reliable for the task of identification and description.
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Access
Open for research
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| Correspondents |
| | Barker, Lee |
| Subjects |
| | Milton, John, 1608-1674 --
Paradise Lost |
| | English literature -- 20th
century |
| Document Types |
| | Screenplays |
Return to the Table of Contents
Purchases, 1967-1976, (R3732, R4786, R7297)
Dale Sauter, 1999
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Benstock, Bernard, and Thomas F. Staley, eds.
Dictionary of Literary Biography, Vol.
77. Detroit: Gale Research Company, 1989.
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| |
Contemporary Authors. New Revision
Series, Vol. 10. Detroit: Gale Research Company, 1983.
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Richardson, Betty.
John Collier. Boston: Twayne,
1983.
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Series I. Works,
ca. 1920-1975, n.d.
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| | | Subseries A. Novels,
1937?, n.d. |
| box | folder |
| 1 | 1 | | | Easy Go Grange, holograph original manuscript of first
chapter of an unfinished novel with corrections,
1937?, 35p |
| 2-3 | | | His Monkey Wife, holograph
manuscript,
n.d., 285p |
| | | Subseries B. Poems,
ca. 1925-1926, n.d. |
| | | | Gemini |
| box | folder |
| 1 | 4 | | | | Typescript original of two poems,
ca. 1925-1926, 3p |
| | | | | "Three Men in One Room," composite
holograph and typescript, much amended, with later revisions for print,
n.d., 13p |
| | | | | "The Apology," introduction,
holograph manuscript,
n.d., 5p |
| | | Subseries C. Reviews,
1941?, n.d. |
| box | folder |
| 1 | 5 | | | Reviews of
Presenting Moonshine, scrapbook,
1941? |
| 6 | | | Review of
The Search by C. P. Snow and four
other novels,
n.d., 5p |
| | | Subseries D. Screenplays,
ca. 1937-1975, n.d. |
| box | folder |
| 1 | 7 | | | African Queen, original screenplay typescript,
11 April 1947, 130p |
| 8 | | | Ballet Story, typescript,
n.d., 21p |
| box | folder |
| 2 | 1 | | | Evening Primrose, first draft typescript,
1937?, 85p |
| | | | Finding Ernie |
| box | folder |
| 2 | 2 | | | | Holograph manuscript, record of steps and
disagreements during development from verbal description of story outline to
complete screenplay, with corrections,
1972, 1973?, 7p |
| 3 | | | | Composite holograph and typescript, first draft
script, used for working copy, with corrections,
n.d., 175p |
| 4 | | | | Composite holograph and typescript with corrections,
n.d., 176p |
| 5 | | | | Typescript, first material after starting on screen
version,
1970, 116p |
| 6 | | | | Typescript, final fourth [?] material with
corrections,
4 July 1971, 119p |
| 7 | | | | Typescript, third uncut version,
July 28, 1971, 148p |
| box | folder |
| 3 | 1 | | | | Typescript, final fifth material, October
1971, 122p |
| 2 | | | For Elissa, typescript,
1953?, 129p |
| 3 | | | The Leaning Tower of East Side Plaza, typescript with
corrections,
n.d., 38p |
| 4 | | | Mary, holograph manuscript, original screenplay, with
corrections,
n.d., 104p |
| | | | Paradise Lost |
| | | | | Correspondence,
ca. 1967-1975, n.d. |
| box | folder |
| 3 | 5 | | | | | Fragments,
n.d. |
| 6 | | | | | 1967-1969 |
| 7 | | | | | 1970, 1975 |
| 8 | | | | First presentation of concept of film, typescript with
corrections,
18 January 1967, 15p |
| 9 | | | | First outline of possible adaptation for motion
picture, typescript,
June-July 1967, 34 p |
| 10 | | | | Rough outline of principal sequence, typescript with
corrections,
1967?, 34p |
| 11 | | | | Layout of first half of screenplay containing
arguments pro & con for certain aspects of the work, holograph manuscript
with corrections,
1967?, 70p |
| 12 | | | | 'A Second Beginning,' holograph manuscript, with
corrections,
13 November 1967, 29p |
| box | folder |
| 4 | 1 | | | | Working copy, typescript with corrections,
n.d., 130p |
| 2 | | | | Draft of last scenes, holograph manuscript with
corrections,
n.d., 58p |
| 3 | | | | Final screenplay, typescript with corrections,
30 September 1968?, 143p |
| 4 | | | | Draft of fall sequence, typescript with corrections,
n.d., 11p |
| 5 | | | | Uncut version, typescript,
n.d., 164p |
| 6 | | | | Final version prepared for publication, typescript
with corrections,
May 5, 1972, 142p |
| 7 | | | | Introduction to published version |
| | | | | | Typescript with corrections,
n.d., 10p |
| | | | | | Composite holograph and typescript with corrections,
14 October 1972, 16p |
| | | | | | Typescript with corrections,
n.d., 10p |
| | | | | | Early version, holograph manuscript with
corrections,
n.d., 2p |
| box | folder |
| 4 | 8 | | | | Foreword written for use in connection with the
screenplay |
| | | | | | Typescript with corrections,
n.d., 4p |
| | | | | | Typescript,
n.d., 4p |
| box | folder |
| 4 | 9 | | | | Notes on certain aspects of the production |
| | | | | | Holograph manuscript, with corrections,
n.d., 9p |
| | | | | | Typescript,
n.d., 10p |
| box | folder |
| 4 | 10 | | | | Notes and comments on the projected screenplay,
typescript with corrections,
n.d., 89p |
| 11 | | | | Notes and fragments,
n.d., 13p |
| box | folder |
| 5 | 1 | | | Pictures in the Fire, typescript of short story version,
1937?, 28p; three typescript drafts for screenplay,
n.d, 27p, 50p, 35p |
| 2 | | | Time Stands Still, outline, typescript with corrections,
10 January 1951, 67p |
| 3 | | | Wet Saturday, typescript with corrections,
n.d., 25p |
| | | Subseries E. Short Stories,
ca. 1920-1975, n.d. |
| box | folder |
| 5 | 4 | | | Alien Corn, typescript with corrections,
ca. 1958-1959, 18p |
| 5 | | | Asking for It (original version titled Characters More
Important Than Plot) |
| | | | | Typescript with corrections,
1958-1959, 16p |
| | | | | Holograph manuscript with corrections,
1975?, 13p |
| | | | The Chaser -- see folder 5.21 |
| box | folder |
| 5 | 6 | | | Cupid Paid, holograph manuscript, with corrections,
ca. 1920-1923, 12p |
| 7 | | | A Dog's a Dog, with two alternative drafts numbered I
& II, holograph manuscript with corrections,
February or March 1956?, 13p |
| 8 | | | Don't Call Me, I'll Call You, holograph manuscript with
corrections,
n.d., 16p |
| 9 | | | Eyes and No Nose, typescript with corrections,
4 February 1967, 42p |
| | | | Great Possibilities -- see folder 5.21 |
| folder | box |
| 10 | 5 | | | Mademoiselle Kiki, original holograph manuscript with
corrections,
1938?, 12p |
| box | folder |
| 5 | 11 | | | Man Overboard, original holograph manuscript with
corrections,
ca. 1957-1958, 30p |
| | | | The Mask and the Maiden -- see folder 5.13 |
| box | folder |
| 5 | 12 | | | A Matter of Taste, original holograph manuscript with
corrections,
December 1955 or January 1956?, 8p |
| 13 | | | The Naked Truth in Viridian Springs, Arizona (published
title, The Mask and the Maiden), holograph manuscript, with corrections,
March 1956?, 26p |
| 14 | | | None So Blind, original holograph manuscript with
corrections,
December 1955?, 15p |
| | | | Pictures in the Fire -- see folder 5.1 |
| box | folder |
| 5 | 15 | | | Reindeer on the Way, original holograph manuscript with
corrections,
1937?, 42p |
| 16 | | | Son of Kiki, incomplete holograph manuscript with
corrections,
n.d., 2p |
| 17 | | | The Tender Age, original holograph manuscript, with
corrections,
November 1955?, 6p |
| | | | Think No Evil, galley proofs with corrections,
21 November 1957 - early summer 1958,
12p (removed to galley folder) |
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Series II. Personal Papers,
ca. 1930-1976, n.d.
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| box | folder |
| 5 | 18 | | Award, pages from
This Quarter, announcing winner of
poetry award,
193? |
| 19 | | Contract, memorandum of agreement with Collier re
"Defy the Foul Fiend," 21 June 1934, 2p |
| 20 | | Outgoing correspondence,
1935, n.d. |
| 21 | | Short story record book, holograph entries in bound
notebook, ca. 1937-1976; also includes information on account with Matson,
lists for collections of short stories, notes for short stories, and some
sketches |
Return to the Table of Contents
- Barker, Lee (Doubleday & Co., Inc.)--3.6
- Hausman, Howard (William Morris Agency, Inc.)--3.6-7
- Krasner, Jack (J. H. Cohen & Co.)--3.6
- Poll, Martin (Marpol Productions, Inc.)--3.6-7
- Stussy, Jan, 1921- (UCLA)--3.5
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