urn:taro:utexas.cah.02681 A Guide to the Bo Svensson Peacock and Duke Records Collection, [ca. 1960s-1990s] Original EAD encoding by Lauren Algee according to TARO 2 EAD 2002 Editing Instructions. June 2011 Finding aid written in English. Descriptive Summary Svensson, Bo Bo Svensson Peacock and Duke Records Collection [ca. 1960s-1990s] Materials are written in English. 2009-074 81 ft. Dolph Briscoe Center for American History, The University of Texas at Austin Assembled by collector Bo Svensson, audio and video recordings, printed material, legal papers, studio records, and correspondence compose the Bo Svensson Peacock and Duke Records Collection, [ca. 1960s-1990s], documenting Houston, Texas, music in the mid to late 20th century, particularly the work of Don Robey's Peacock Records and Duke Records and producer Richard Ames. Historical Note

Bo Svensson was an avid collector of Texas music recordings and related material, particularly of the Duke and Peacock record labels and Richard Ames.

Founded by Don D. Robey (1903-1975) in Houston, Texas, in 1949, Peacock Records eventually became the most successful black-owned music label of its day. In 1952, Robey gained control of Duke Records, based in Memphis, Tennessee, expanding his recording empire. The labels primarily consisted of blues and R&B artists, including Peacock's biggest hit-maker Bobby "Blue" Bland. During his decades-long career, Robey developed a reputation for stealing songwriting credits from his artists and conducting ruthless business negotiations.

A contemporary of Robey, Richard Ames co-owned the Houston-based Tantara Records with his younger brother, Steve Ames. He also produced and managed several bands in the mid-1960s, including The Moving Sidewalks and Neal Ford and the Fanatics.

Source:

Himes, Geoffrey. "R&B Robber Baron & Duke Recordings." The Washington Post, January 22, 1993.

Scope and Contents

Assembled by collector Bo Svensson, audio and video recordings, printed material, legal papers, studio records, and correspondence compose the Bo Svensson Peacock and Duke Records Collection, [ca. 1960s-1990s], documenting Houston, Texas, music in the mid to late 20th century, particularly the work of Don Robey's Peacock Records and Duke Records and producer Richard Ames. Approximately sixty-one linear feet of LP and 78-rpm phonodiscs, videocassettes, audiocassettes, and reel-to-reel tape record the work of country, blues, R&B, rock, Tejano, and gospel musicians who worked with Robey, Ames, and others. Contracts, correspondence, studio paperwork, and recording logs chronicle the business and recording processes of the Duke and Peacock labels and others. Additionally, the collection contains music magazines and journals and promotional material for record labels and artists.

 Access Restrictions

Use of audio material by appointment only; please contact sound archivist for more information.

 Index Terms Subjects (Persons) Ames, Richard Robey, Don D., 1903-1975 Svensson, Bo -- Archives Subjects (Organizations) Peacock Records, Inc. -- Archives Duke Records, Inc. -- Archives Subjects Blues (Music) -- Texas -- Houston -- History -- 20th century -- Sources Rhythm and blues music -- Texas -- Houston -- 20th century -- Sources Record labels -- Texas -- History -- 20th century -- Sources Music -- Texas -- Gulf Coast -- History -- 20th century -- Sources Places Houston -- Texas -- History -- 20th century -- Sources Preferred Citation

Bo Svensson Peacock and Duke Records Collection, [ca. 1960s-1990s], Dolph Briscoe Center for American History, The University of Texas at Austin.

 Processing Information

Basic processing and cataloging of this collection was supported with funds from the National Historical Publications and Records Commission (NHPRC) for the Briscoe Center’s “History Revealed: Bringing Collections to Light project,” 2009-2011.

 Detailed Description of the Papers Inventory: Sound Archives Unprocessed materials, [ca. 1960s-1990s]