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<ead relatedencoding="marc21">
	<eadheader audience="internal">
		<eadid countrycode="US" mainagencycode="TxU-TH" encodinganalog="852$a"
			>urn:taro:utexas.cah.02271</eadid>
		<filedesc>
			<titlestmt>
				<titleproper>A Guide to the Bob Johnston Collection, [ca. 1950s-1980s]</titleproper>
			</titlestmt>
		</filedesc>
		<profiledesc>
			<creation>Original EAD encoding by Laurel Rozema according to TARO 2 EAD 2002 Editing
				Instructions. <date>January 2011</date></creation>
			<langusage>Finding aid written in <language>English.</language></langusage>
		</profiledesc>
	</eadheader>
	<archdesc type="inventory" level="collection">
		<did>
			<head>Descriptive Summary</head>
			<origination label="Creator:">
				<persname encodinganalog="100">Johnston, Bob, 1932- </persname>
			</origination>
			<unittitle encodinganalog="245" label="Title:">Johnston, Bob, collection</unittitle>
			<unitdate type="inclusive" encodinganalog="245" label="Dates:">[ca.
				1950s-1980s]</unitdate>
			<!--Modify the language of material if appropriate and update 3 letter langcode in the upper-right table. 
				Add multiple languages with most commonly used listed first, if necessary. 
				Example: <language langcode="eng">English</language> and <language langcode="spa">Spanish.</language> -->
			<langmaterial label="Language:">Materials are written in <language langcode="eng"
					>English.</language></langmaterial>
			<unitid label="Accession No.:">92-082</unitid>
			<physdesc label="Extent:" encodinganalog="300$a">ca. 50 ft.</physdesc>
			<repository label="Repository:" encodinganalog="852$a">
				<extref href="http://www.cah.utexas.edu" show="new" actuate="onrequest">
					<corpname><subarea>Dolph Briscoe Center for American History, </subarea>The
						University of Texas at Austin</corpname></extref></repository>
			<abstract label="Abstract:" encodinganalog="520$a">Composed of classified files, audio
				and video recordings, publications, and artifacts, the Bob Johnston Collection, [ca.
				1950s-1980s], documents the music industry career of Johnston while a CBS staff
				producer in New York and Nashville as well as an independent producer. </abstract>
		</did>
		<bioghist encodinganalog="545">
			<head>Biographical Note</head>
			<p>Born Don W. Johnston in Hillsboro, Texas, in 1932, Robert “Bob” Johnston entered the
				music business in the 1950s as a songwriter and musician on demonstration records.
				As a staff producer for CBS Records in New York City, head of CBS in Nashville, and
				later as an independent producer, Johnston produced a string of gold and platinum
				albums, beginning in the mid-1960s. His major hits include Bob Dylan’s <title
					render="italic">Highway 61 Revisited</title> and <title render="italic"
					>Nashville Skyline</title>, Simon &#x0026; Garfunkel’s <title render="italic"
					>Sound of Silence</title> and <title render="italic">Parsley, Sage, Rosemary and
					Thyme</title>, Johnny Cash’s <title render="italic">At Folsom Prison</title> and
					<title render="italic">At San Quentin</title>, and Leonard Cohen’s <title
					render="italic">Songs from a Room</title> and <title render="italic">Songs of
					Love and Hate</title>. Furthermore, he has worked with Charlie Daniels, Willie
				Nelson, Aretha Franklin, Lindisfarne, and Jimmy Cliff, to name a few. Johnston has
				also penned a number of songs and film scores over the years, including music for
				Kris Kristofferson’s first film <title render="italic">Cisco Pike</title>, Robert
				Redford’s <title render="italic">Little Fauss and Big Halsy</title>, and <title
					render="italic">I Walk the Line</title>, starring Gregory Peck. In addition to
				his musical work, Johnston co-produced and narrated the documentary <title
					render="italic">The Other Side of Nashville</title>, a portrait of the Music
				City from an insider’s point of view. A founder of the World Children’s Corporation
				in 1975, Johnston has engaged in charitable work devoted to the welfare of homeless
				and underprivileged children.</p>
		</bioghist>
		<scopecontent encodinganalog="520">
			<!--This explains the collection. Include the title, dates, subjects, and material types in complete sentences.-->
			<head>Scope and Contents</head>
			<p>Composed of classified files, audio and video recordings, publications, and
				artifacts, the Bob Johnston Collection, [ca. 1950s-1980s], documents the music
				industry career of Johnston while a CBS staff producer in New York and Nashville as
				well as an independent producer. Organized alphabetically, the classified files for
				Johnston’s projects and work with specific artists and musicians consist of
				newspaper clippings, biographies, correspondence, travel schedules, proposed
				recording expenses, financial records, scrapbooks, and photographs. Example topics
				include a recording project in China, the World Children’s Corporation, and
				musicians, such as Jimmy Cliff, Johnny Cash at Folsom Prison, and the Bama Band.
				Comprised of 45-rpm singles, LPs, 10- and 7-inch reels, audiocassettes, test discs,
				and 16mm films, the over 2300 audio and film recordings contain test pressings,
				studio master tapes, and commercial recordings produced by Johnston for classical,
				jazz, country, and pop musicians, such as Bob Dylan, Johnny Cash, Leonard Cohen,
				Tracy Nelson, Joe Ely, and Aretha Franklin. The publications contain sheet music and
				songbooks as well as books on music, literature, art, and general social science
				topics. Artifacts include framed gold and platinum records, music industry awards
				and plaques, and a signed Waterboys drumhead.</p>
		</scopecontent>
		<accessrestrict encodinganalog="506">
			<!-- Select the appropriate tag(s) and delete others. You may need to modify an existing 
				description or create a new one. The SAA Glossary defines access restrictions as such:
				"Access restrictions may be defined by a period of time or by a class of individual 
				allowed or denied access. They may be designed to protect national security (classification), 
				personal privacy, or to preserve materials." -->
			<head>Access Restrictions</head>
			<p>This collection is open for research use.</p>
			<p>Bob Johnston retains copyright to the collection.</p>
			<p>Use of audio material by appointment only; please contact sound archivist for more
				information.</p>
			<p>Use of video material by appointment only; please contact repository for more
				information.</p>
			<p>Use of artifacts by appointment only; please contact repository for more
				information.</p>
		</accessrestrict>
		<controlaccess>
			<head>Index Terms</head>
			<controlaccess>
				<head>Subjects (Persons)</head>
				<persname encodinganalog="600">Johnston, Bob, 1932- -- Archives.</persname>
				<persname encodinganalog="600">Dylan, Bob, 1941-.</persname>
				<persname encodinganalog="600">Cash, Johnny.</persname>
				<persname encodinganalog="600">Cohen, Leonard, 1934-.</persname>
				<persname encodinganalog="600">Franklin, Aretha.</persname>
			</controlaccess>
			<controlaccess>
				<head>Subjects (Organizations)</head>
				<corpname encodinganalog="610">CBS Records (Firm).</corpname>
				<corpname encodinganalog="610">Waterboys (Musical group).</corpname>
				<corpname encodinganalog="610">World Children’s Corporation.</corpname>
			</controlaccess>
			<controlaccess>
				<head>Subjects</head>
				<subject encodinganalog="650">Music -- United States -- 20th century.</subject>
				<subject encodinganalog="650">Popular music -- United States -- 20th
					century.</subject>
				<subject encodinganalog="650">Sound recording executives and producers -- United
					States.</subject>
				<subject encodinganalog="650">Sound recording industry -- United States.</subject>
			</controlaccess>
			<controlaccess>
				<head>Places</head>
				<geogname encodinganalog="651" source="lcnaf">Nashville (Tenn.) -- History -- 20th
					century -- Sources.</geogname>
			</controlaccess>
		</controlaccess>
		<prefercite encodinganalog="524">
			<head>Preferred Citation</head>
			<p>Bob Johnston Collection, [ca. 1950s-1980s], Dolph Briscoe Center for American
				History, The University of Texas at Austin.</p>
		</prefercite>
		<processinfo>
			<head>Processing Information</head>

				<p>Basic processing and cataloging of this collection was supported with funds from the National Historical Publications and Records Commission (NHPRC) for the Briscoe Center’s <emph render="doublequote">History Revealed: Bringing Collections to Light</emph> project, 2009-2011.</p>
			<p>This collection contains unprocessed materials.</p>
		</processinfo>
		<dsc type="in-depth">
			<head>Detailed Description of the Papers</head>
			<c01 level="series" id="ser1">
				<did>
					<unittitle>Inventory</unittitle>
				</did>
				<c02>
					<did>
						<container type="box">4Y356-4Y362; 4Y369-4Y374 </container>
						<unittitle>Unprocessed audio and video materials </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="box">4Y363-4Y366; 4Y375-4Y376 </container>
						<unittitle>Classified files, A-Z</unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="box">4Za168-4Za169; 2.325/OD6</container>
						<unittitle>Unprocessed papers </unittitle>
					</did>
				</c02>
				<c02>
					<did>
						<container type="box">3/East Wall</container>
						<unittitle>Unprocessed audio and video materials, artifacts, and
							publications</unittitle>
					</did>
				</c02>
			</c01>
		</dsc>
	</archdesc>
</ead>
