TABLE OF CONTENTS
Descriptive Summary
Scope and Contents
Restrictions
Index Terms
Administrative Information
Description of Series
Inventory:
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A Guide to the Uvalde, Texas Sheet Music Collection,
1852-1957
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Creator: |
Uvalde, Texas Music
Club |
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Title: |
Uvalde, Texas Sheet Music
Collection |
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Dates: |
1852-1957 |
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Abstract: |
Collection consists of
sheet music used by the Music Club of Uvalde, Texas, including choral
arrangements, voice solos, and piano duets. |
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Accession No.: |
2009-016 |
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Extent: |
5 inches |
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Language: |
Materials
are written in English. |
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Repository: |
Dolph Briscoe Center for American History,
The University of Texas at Austin |
Collection consists of sheet music used
by the Music Club of Uvalde, Texas, including choral arrangements, voice solos,
and piano duets. Material is arranged alphabetically by title.
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Access Restrictions
Unrestricted access.
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Subjects (Organizations) |
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Uvalde Music Club -- Archives. |
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Subjects |
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Choruses, Secular. |
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Choruses, Sacred. |
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Popular music -- United
States. |
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Instrumental music. |
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Songs with piano. |
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Songs with piano (4
hands) |
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Places |
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Uvalde (Tex.) |
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Uvalde, Texas Sheet Music Collection,
1852-1957, Dolph Briscoe Center for American History, The University of Texas
at Austin.
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Inventory: |
| box |
| 2.325/P18 |
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Sheet music, A-Z: |
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Annie Laurie, four-part women’s chorus, Dudley Buck,
1886 |
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Around the Gypsy Fire, three-part women’s chorus, J.
Brahms, arranged by Paul Ambrose,
1920 |
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Battle Hymn of the Republic, mixed chorus, arranged by
Roy Ringwald,
1943 |
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Beautiful Dreamer, treble voices, Stephen Collins
Foster,
1940 |
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Brothers, Sing On! (A Choral Salutation), Edward Grieg,
1935 |
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Collect of the National Federation of Music Clubs,
three-part women’s chorus,
1945 |
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The Ditson Collection of Ten Christmas Carols and Hymns
for Community Singing,
1916 |
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Elves in the Flower Bed, trio for women’s voices,
1940 |
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Fair Fidele, two-part women’s chorus, T. A. Arne,
1913 |
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Faust, Trio and Finale, Charles Gounod,
1930 |
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For Unto Us a Child Is Born [fragment], from “The
Messiah,” George Frideric Handel,
undated |
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Four American Indian Songs, women’s chorus, C. W.
Cadman,
1910 |
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Un Giorno in Venezia, three-part women’s chorus,
Ethelbert Nevin,
1913 |
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Goin’ Home, from the symphony “From the New World,”
Anton Dvorák, three-part women’s chorus,
1922 |
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Homing, mixed quartet, arranged by Clarence Lucas,
1925 |
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Housekeeper’s Tragedy, North Carolina folk song, three
women’s voices,
1945 |
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Hymn of Freedom, mixed chorus, J. Meredith Tatton,
1941 |
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Listen to the Lambs, eight-part chorus, R. Nathaniel
Dett,
1914 |
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The Long Day Closes, four-part song for mixed voices,
Arthur Sullivan and Henry F. Chorley,
1909 |
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Mah Lindy Lou, three-part women’s chorus, Lily
Strickland,
1922 |
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Morning, chorus for women’s voices, J. A Jahn and Mrs.
R. T. Stiles,
1917 |
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Narcissus, trio for women’s voices, Ethelbert Nevin,
1920 |
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National Anthems of the Countries of North, Central, and
South America, 2 volumes: scores and translated lyrics,
1936 |
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Old Man Noah, sea chantey, unison chorus,
1938 |
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A Perfect Day, three-part women’s chorus, Carrie Jacobs
Bond,
1910 |
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The Rosary, four-part women’s chorus, Ethelbert Nevin,
1906 |
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Songs for Fun, Fischer Edition Choruses, Book Four,
1931 |
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Songs for Fun, Fischer Edition Choruses, Book Five,
1931 |
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We Praise Thy Glorious Name, W. R. Waghorne,
1936 |
| box |
| 2.325/V47f |
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Large format sheet music, A-Z: |
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L’amerò, sarò costante, from “Il Rè Pastore,” violin or
flute solo, Wolfgang Amadeus Mozart, arranged by Carl Deis,
1946 |
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The Angel (Der Engel), duet, Anton Rubinstein,
undated |
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Angelus, from the comic opera “Sweethearts,” duet,
Victor Herbert,
1913 |
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The Barber of Seville, Ouverture, piano duet, G.
Rossini,
undated |
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Barcarolle, for soprano and alto, Francis Thomé,
1907 |
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Capriccio in E, piano solo, Domenico Scarlatti, edited
by Max Vogrich,
1901 |
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Dance of the Hours, from “La Gioconda,” piano duet, A.
Ponchielli,
1908 |
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Danse Ondulante, piano duet, Frances Terry,
1923 |
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Entreat Me Not to Leave Thee (Song of Ruth), voice solo,
Charles Gounod,
undated |
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Fackeltanz No. 1, Torch-Dance, piano duet, G. Meyerbeer,
1905 |
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The Gipsies, duet for soprano and mezzo-soprano,
Johannes Brahms, arranged by Mme. P. Viardot,
1883 |
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Gipsy Rondo, piano duet, Joseph Hayden,
1889 |
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Golliwogg’s Cake Walk, piano solo, Claude Debussy,
1908 |
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Hungarian March (Rakoczy), from “The Damnation of Faust”
by Hector Berlioz, piano duet,
1898 |
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I’ll See You Again, from “Bitter Sweet,” duet, Noël
Coward,
1929 |
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In Dreams I’ve Heard the Seraphs Fair, soprano and alto
duet, Camille Saint-Saëns,
undated |
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In My Garden, duet for soprano and alto, Idabelle
Firestone and Lester O’Keefe,
1949 |
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Iphigénie en Aulide, piano duet, Alcest Gluck,
undated |
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Love Is Like a Firefly, from the comedy-opera “The
Firefly,” voice solo, Rudolf Frimi,
1940 |
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Lover, Come Back to Me!, voice solo, Sigmund Romberg and
Oscar Hammerstein II,
1957 |
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Madame Butterfly’s Song, Act II, One Fine Day, voice
solo, G. Puccini,
1904 |
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Mignon, Ouverture, piano duet, Ambroise Thomas,
1905 |
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My Heart Stood Still, from “A Connecticut Yankee,” duet,
Lorenz Hart and Richard Rogers,
1957 |
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Norma, “Deh! Con te, con te li prendi,” soprano duet,
Vincenzo Bellini,
1911 |
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O Lovely Peace, from “Judas Maccabæus,” duet for soprano
and alto, George Frideric Handel,
undated |
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O Savior, Hear Me!, violin solo, adapted from Gluck by
Dudley Buck,
1908 |
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O Thou Sublime Sweet Evening Star, piano duet, R.
Wagner, arranged by Preston Ware Orem,
1900 |
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Of the Knights So Brave, duet, Friedrich von Flotow,
1852 |
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Oh, That We Two Were Maying, soprano and alto duet,
Ethelbert Nevin,
1902 |
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One Word, soprano and tenor duet, Otto Nicolai,
1871 |
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Pagoda Bells, voice solo, Kathleen Lockhart Manning,
1931 |
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Polonaise in C# Minor, Opus 26, No. 1, F. Chopin,
undated |
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Rondo Scherzando, Op. 81, piano duet, Heinrich
Marschner,
1905 |
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The Stars and Stripes Forever, piano duet, John Philip
Sousa,
1897 |
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A Summer Night, soprano duet, Benjamin Godard,
1893 |
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Texas Bluebonnet Song, Julia D. Owen,
1922 |
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To a Water Lily, Edward MacDowell,
undated |
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La Vierge à la Crèche, duet or chorus for soprano and
alto, César Franck,
1909 |
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Wiener Walzer, piano duet, C. Gurlitt,
1905 |
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Your Song, violin solo, Marjorie Elliott,
1940 |
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