urn:taro:utexas.cah.01223 A Guide to the Uvalde, Texas Sheet Music Collection, 1852-1957 Original EAD encoding by Shelley Rowland according to TARO 2 EAD 2002 Editing Instructions. February 2009 Finding aid written in English. Descriptive Summary Uvalde, Texas Music Club Uvalde, Texas Sheet Music Collection 1852-1957 Materials are written in English. 2009-016 5 inches Dolph Briscoe Center for American History, The University of Texas at Austin Collection consists of sheet music used by the Music Club of Uvalde, Texas, including choral arrangements, voice solos, and piano duets. Scope and Contents

Collection consists of sheet music used by the Music Club of Uvalde, Texas, including choral arrangements, voice solos, and piano duets. Material is arranged alphabetically by title.

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Unrestricted access.

 Index Terms Subjects (Organizations) Uvalde Music Club -- Archives. Subjects Choruses, Secular. Choruses, Sacred. Popular music -- United States. Instrumental music. Songs with piano. Songs with piano (4 hands) Places Uvalde (Tex.) Preferred Citation

Uvalde, Texas Sheet Music Collection, 1852-1957, Dolph Briscoe Center for American History, The University of Texas at Austin.

 Detailed Description of the Papers Inventory: 2.325/P18 Sheet music, A-Z: 2.325/P18 Annie Laurie, four-part women’s chorus, Dudley Buck, 1886 2.325/P18 Around the Gypsy Fire, three-part women’s chorus, J. Brahms, arranged by Paul Ambrose, 1920 2.325/P18 Battle Hymn of the Republic, mixed chorus, arranged by Roy Ringwald, 1943 2.325/P18 Beautiful Dreamer, treble voices, Stephen Collins Foster, 1940 2.325/P18 Brothers, Sing On! (A Choral Salutation), Edward Grieg, 1935 2.325/P18 Collect of the National Federation of Music Clubs, three-part women’s chorus, 1945 2.325/P18 The Ditson Collection of Ten Christmas Carols and Hymns for Community Singing, 1916 2.325/P18 Elves in the Flower Bed, trio for women’s voices, 1940 2.325/P18 Fair Fidele, two-part women’s chorus, T. A. Arne, 1913 2.325/P18 Faust, Trio and Finale, Charles Gounod, 1930 2.325/P18 For Unto Us a Child Is Born [fragment], from “The Messiah,” George Frideric Handel, undated 2.325/P18 Four American Indian Songs, women’s chorus, C. W. Cadman, 1910 2.325/P18 Un Giorno in Venezia, three-part women’s chorus, Ethelbert Nevin, 1913 2.325/P18 Goin’ Home, from the symphony “From the New World,” Anton Dvorák, three-part women’s chorus, 1922 2.325/P18 Homing, mixed quartet, arranged by Clarence Lucas, 1925 2.325/P18 Housekeeper’s Tragedy, North Carolina folk song, three women’s voices, 1945 2.325/P18 Hymn of Freedom, mixed chorus, J. Meredith Tatton, 1941 2.325/P18 Listen to the Lambs, eight-part chorus, R. Nathaniel Dett, 1914 2.325/P18 The Long Day Closes, four-part song for mixed voices, Arthur Sullivan and Henry F. Chorley, 1909 2.325/P18 Mah Lindy Lou, three-part women’s chorus, Lily Strickland, 1922 2.325/P18 Morning, chorus for women’s voices, J. A Jahn and Mrs. R. T. Stiles, 1917 2.325/P18 Narcissus, trio for women’s voices, Ethelbert Nevin, 1920 2.325/P18 National Anthems of the Countries of North, Central, and South America, 2 volumes: scores and translated lyrics, 1936 2.325/P18 Old Man Noah, sea chantey, unison chorus, 1938 2.325/P18 A Perfect Day, three-part women’s chorus, Carrie Jacobs Bond, 1910 2.325/P18 The Rosary, four-part women’s chorus, Ethelbert Nevin, 1906 2.325/P18 Songs for Fun, Fischer Edition Choruses, Book Four, 1931 2.325/P18 Songs for Fun, Fischer Edition Choruses, Book Five, 1931 2.325/P18 We Praise Thy Glorious Name, W. R. Waghorne, 1936 2.325/V47f Large format sheet music, A-Z: 2.325/V47f L’amerò, sarò costante, from “Il Rè Pastore,” violin or flute solo, Wolfgang Amadeus Mozart, arranged by Carl Deis, 1946 2.325/V47f The Angel (Der Engel), duet, Anton Rubinstein, undated 2.325/V47f Angelus, from the comic opera “Sweethearts,” duet, Victor Herbert, 1913 2.325/V47f The Barber of Seville, Ouverture, piano duet, G. Rossini, undated 2.325/V47f Barcarolle, for soprano and alto, Francis Thomé, 1907 2.325/V47f Capriccio in E, piano solo, Domenico Scarlatti, edited by Max Vogrich, 1901 2.325/V47f Dance of the Hours, from “La Gioconda,” piano duet, A. Ponchielli, 1908 2.325/V47f Danse Ondulante, piano duet, Frances Terry, 1923 2.325/V47f Entreat Me Not to Leave Thee (Song of Ruth), voice solo, Charles Gounod, undated 2.325/V47f Fackeltanz No. 1, Torch-Dance, piano duet, G. Meyerbeer, 1905 2.325/V47f The Gipsies, duet for soprano and mezzo-soprano, Johannes Brahms, arranged by Mme. P. Viardot, 1883 2.325/V47f Gipsy Rondo, piano duet, Joseph Hayden, 1889 2.325/V47f Golliwogg’s Cake Walk, piano solo, Claude Debussy, 1908 2.325/V47f Hungarian March (Rakoczy), from “The Damnation of Faust” by Hector Berlioz, piano duet, 1898 2.325/V47f I’ll See You Again, from “Bitter Sweet,” duet, Noël Coward, 1929 2.325/V47f In Dreams I’ve Heard the Seraphs Fair, soprano and alto duet, Camille Saint-Saëns, undated 2.325/V47f In My Garden, duet for soprano and alto, Idabelle Firestone and Lester O’Keefe, 1949 2.325/V47f Iphigénie en Aulide, piano duet, Alcest Gluck, undated 2.325/V47f Love Is Like a Firefly, from the comedy-opera “The Firefly,” voice solo, Rudolf Frimi, 1940 2.325/V47f Lover, Come Back to Me!, voice solo, Sigmund Romberg and Oscar Hammerstein II, 1957 2.325/V47f Madame Butterfly’s Song, Act II, One Fine Day, voice solo, G. Puccini, 1904 2.325/V47f Mignon, Ouverture, piano duet, Ambroise Thomas, 1905 2.325/V47f My Heart Stood Still, from “A Connecticut Yankee,” duet, Lorenz Hart and Richard Rogers, 1957 2.325/V47f Norma, “Deh! Con te, con te li prendi,” soprano duet, Vincenzo Bellini, 1911 2.325/V47f O Lovely Peace, from “Judas Maccabæus,” duet for soprano and alto, George Frideric Handel, undated 2.325/V47f O Savior, Hear Me!, violin solo, adapted from Gluck by Dudley Buck, 1908 2.325/V47f O Thou Sublime Sweet Evening Star, piano duet, R. Wagner, arranged by Preston Ware Orem, 1900 2.325/V47f Of the Knights So Brave, duet, Friedrich von Flotow, 1852 2.325/V47f Oh, That We Two Were Maying, soprano and alto duet, Ethelbert Nevin, 1902 2.325/V47f One Word, soprano and tenor duet, Otto Nicolai, 1871 2.325/V47f Pagoda Bells, voice solo, Kathleen Lockhart Manning, 1931 2.325/V47f Polonaise in C# Minor, Opus 26, No. 1, F. Chopin, undated 2.325/V47f Rondo Scherzando, Op. 81, piano duet, Heinrich Marschner, 1905 2.325/V47f The Stars and Stripes Forever, piano duet, John Philip Sousa, 1897 2.325/V47f A Summer Night, soprano duet, Benjamin Godard, 1893 2.325/V47f Texas Bluebonnet Song, Julia D. Owen, 1922 2.325/V47f To a Water Lily, Edward MacDowell, undated 2.325/V47f La Vierge à la Crèche, duet or chorus for soprano and alto, César Franck, 1909 2.325/V47f Wiener Walzer, piano duet, C. Gurlitt, 1905 2.325/V47f Your Song, violin solo, Marjorie Elliott, 1940