TABLE OF CONTENTS
Descriptive Summary
Biographical Note
Scope and Contents
Arrangement
Restrictions
Index Terms
Related Material
Administrative Information
Description of Series
UNRESTRICTED MATERIALS
RESTRICTED MATERIALS
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A Guide to the Harry Atwood Film Collection,
1949-1995.
Harry Atwood is a graduate of the
University of Arizona from which he holds a Bachelors and a Masters in Music
and a film graduate from the University of Southern California in Los Angeles.
He has made over sixty films, but only calls thirty his own creations or
impressions. His focus has shifted from people to nature, because he says it
has so much more to say. His films have won blue ribbons from the American Film
Festival and Golden Eagle Awards for international non-theatrical events.
Return to the Table of Contents
Short films created by award-winning
documentary filmmaker Harry Atwood combine music and sounds of nature with
visual images to express his impressions of specific places or events. Films
include:
"The Great Unfenced" (1963), about a
cattle station in the outback of western Australia;
"Paths in the Wilderness" (1976),
concerning the missions of Padre Kino in southern Arizona and northern Mexico;
and
"High on the Wild" (1987), impressions of
the Alaska wilderness and its dramatic landscape. The collection also contains
Atwood's notes relating to each film and on-location photographs and sound
recordings.
Return to the Table of Contents
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Arrangement |
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The materials are listed by title of film or
event filmed. |
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The dates given for the films refer to the date of release;
filming itself usually occurred one year prior to the date listed. |
Return to the Table of Contents
Access Restriction
Restricted access to portions of this
collection; all copyright restrictions apply. Portions of this collection are
stored remotely. Advance notice is required for retrrieval. Contact repository
for retrieval.
Use Restrictions
Advance notice required for viewing
videocassettes. Tapes may be copied for research purposes for a fee.
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Subjects (Persons) |
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Atwood, Harry W., 1927-
--Archives. |
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Subjects |
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Alcoholism. |
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Architecture--Peru. |
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Architecture--Mexico. |
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Carnival--Brazil. |
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Dancing--Africa. |
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Graphic arts--United States. |
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Motion picture music--United
States. |
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Muczynski, Robert, 1929-,
composer. |
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Music--Africa. |
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Music--Brazil. |
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Painting--United States. |
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Ranch life--Arizona. |
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Ranch life--Australia. |
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Storms--Hawaii. |
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Volcanoes--Hawaii. |
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Volcanoes--Sicily (Italy) |
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The original master videotape versions of
Harry Atwood's films are located in the Consolidated Film Industries laboratory
in Los Angeles, California. |
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Harry Atwood Film Collection, 1949-1995,
Dolph Briscoe Center for American History, The University of Texas at Austin.
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I.
UNRESTRICTED MATERIALS |
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VIDEOS OF FILMS At Sid Richardson Hall:
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Harry Atwood Film Collection: |
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SEVENTEEN FILMS ON DIGITAL VIDEO DISCS
(DVD): |
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Volume 1: |
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Journey Through
Eden |
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The Back of Beyond |
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Adagio |
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Remembrance |
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Volume 2: |
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Paths in the
Wilderness |
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Fever |
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Fantasmas |
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Fire on the Sea |
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Volume 3: |
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The Great Unfenced |
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Yankee Painter |
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Cajititlan |
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Bellota |
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Volume 4: |
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Tiger by the Tail |
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Genesis |
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Mokum |
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Winter Light |
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Sagaland |
| Box |
| 3Y342 |
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1/2 inch VHS videocassettes: |
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*Adagio, impressions of Venice
in winter,
[from first master] (VHS from
2nd Master is best; see pg. 2). 1984 |
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American Realists, a survey of
realism in American painting from the 18th century into the 20th century,
1965 |
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Back of Beyond, life in the
Hebridean Islands off the west coast of Scotland,
1983 |
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Bellota, a month long roundup on
a large cattle ranch in southern Arizona,
1969 |
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Cajititlan, life in a Mestizo
village in Jalisco, Mexico,
1965 |
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Charles Burchfield, 1966 |
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The Clowns Never Laugh, 1967 |
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Fantasmas, remains of the Inca
Empire in an awesome setting, the Andes of Peru,
1978 |
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**Fever, Carnival in Bahia,
Brazil,
(best VHS is from
extra 3/4″; see pg. 3) 1977 |
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Fire on the Sea, the people (and
volcanoes) of the islands of Sicily and Stromboli,
1980 |
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Genesis, forces of nature filmed
on the islands of Maui and Hawaii: sea, tropical storm and eruption of the
volcano, Kilauea,
1985 |
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The Great Unfenced, a cattle
station on the Great Western Desert of Australia,
1963 |
| Box |
| 3Y343 |
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High on the Wild, some
impressions of Alaska, sea life, glaciers, etc.,
1987 |
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John Marin, the great oils and
watercolors of the brilliant American painter,
1968 |
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Journey Through Eden, tribal
music and dance, landscape and animals of East Africa,
1975 |
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Mokum, Amsterdam in autumn,
impressions of a beautiful, unique and lively city,
1990 |
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Paths in the Wilderness, Padre
Kino and his missions in Sonora, Mexico, and southern Arizona,
1976 |
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Remembrance, filmed in
Copenhagen, Denmark,
1992 |
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Sagaland, some impressions of
Iceland, Europe's greatest waterfalls, glacier and fantastic landscapes,
1989 |
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Tiger by the Tail, a 72-year-old
alcoholic's road to recovery,
1970 |
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Winter Light, some impressions
of Norway from Oslo to Bergen,
1991 |
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Yankee Painter, the drawings,
watercolors and oils of Winslow Homer,
1964 |
| Box |
| 2.325/J3 (05301740) |
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Summer Odyssey, filmed in Europe
and Russia,
1972At the Library Storage Facility:
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Bridge to the East, filmed in
the Orient,
1973 |
| Box |
| 95-171/1 (04750024) |
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*Adagio, [Best
VHS copy from better second master] 1984, |
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Charles Burchfield 1966/
Masterpiece of Spanish Painting, 1961 |
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Terra Sancta Revisited, filmed
in Israel,
[revised version] 1968 |
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| 3W117 |
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Journey Thru Eden/
**Fever, filmed in East Africa
and Brazil [extra VHS copy;
best VHS copy of
Fever] At Sid Richardson Hall:
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Television interviews of Harry Atwood,
January 1969, March 1981, February
1983 |
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| 3Y341 |
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3/4 inch videocassette sub-masters: |
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(can be used for making VHS dubs for general use. Best
quality VHS or 3/4″ cassette dubs should be made from one inch Sub-Masters or
one inch Masters). |
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*Adagio, [from first master] (3/4″ from
2nd Master is best;
see pg. 4) 1984 |
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Back of Beyond, 1983 |
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Bellota, 1969 |
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Cajititlan, 1965 |
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Fantasmas, 1978 |
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**Fever, (Extra 3/4 inch cassette is best; see
below). 1977 |
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Fire on the Sea, 1980 |
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Genesis, 1985 |
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The Great Unfenced, 1963 |
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High on the Wild, 1987 |
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Journey Through Eden, 1975 |
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Mokum, 1990 |
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Paths in the Wilderness, 1976 |
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Remembrance, 1993 |
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Sagaland, 1989 |
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Tiger by the Tail, 1970 |
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Winter Light, 1991 |
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| 3W117 |
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Journey Through Eden, Africa,
1975/
**Fever, Brazil,
[extra 3/4
inch cassette, best 3/4 inch of
Fever] 1977 |
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| 2.325/J3 (05301740) |
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Summer Odyssey, Europe/Russia,
1972At the Library Storage Facility:
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Bridge to the East, Asia,
1973 |
| Box |
| 95-171/1 (04750024) |
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*Adagio, [best 3/4
inch cassette from better second master] 1984 |
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Charles Burchfield,Masterpiece of Spanish Painting, 1966/1961 |
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Terra Sancta Revisited [revised
version of a film photographed in Israel in
] 1966 |
| Box |
| 3Y189.4 |
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American Painter series: At Sid Richardson Hall:
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American Realists, parts I and
II,
1965 |
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Charles Burchfield, 1966 |
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The Clowns Never Laugh, 1967 |
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John Marin, 1968 |
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Yankee Painter, 1964 |
| Box |
| 96-054/1 (04913901) |
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PAPERS, ETC. At the Library Storage Facility:
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Journals,
[Atwood's thoughts
on filming, editing and sound, his films] 1960-1994 |
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Filming abroad correspondence,
[letters from
abroad concerning filming experiences] 1960-1992 |
| Box |
| 96-308/1 (04991847) |
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Addenda to journal and filming abroad
correspondence: |
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Scrapbooks: |
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Early life, early films, drawings |
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Extra correspondence, notes, clippings, mementos
concerning films |
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Photostats of location photos |
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Film reviews |
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Narrative scripts |
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Ownership, sales and distribution records of films
from 1960s into the 1970s |
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Additional location photos |
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ACT Award Night,
June 5, 1976 |
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Lists: |
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Labs holding video masters |
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Labs holding film originals |
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Former distributors of films |
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Music and recordings used in some of the
films |
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Film awards |
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Quotes concerning films |
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Location materials [dates refer to year of
filming]: |
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Editing and music notes: |
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Remembrance, Copenhagen,
1992 |
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Camera notes: |
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A Portrait of Europe, 1959 |
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The Aged Land, Greece,
1960 |
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A Portrait of Mexico, 1961 |
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The Great Unfenced, Australia,
1962 |
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Cajititlan, Mexico,
1964 |
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Terra Sancta, Israel,
1966 |
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Summer Odyssey, Europe, Russia,
1971 |
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Bridge to the East, South
Pacific, Orient,
1972 |
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Journey Through Eden, East
Africa,
1973 |
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Fever, Rio and Bahia Brazil,
1976 |
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Fantasmas, Peru,
1977 |
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Fire on the Sea, Sicily,
Stromboli,
1978 |
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The Back of Beyond, Scotland,
1982 |
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Adagio, Venice, Italy,
1983 |
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Genesis, Hawaii,
1985 |
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High on the Wild, Alaska,
1986 |
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Sagaland, Iceland,
1988 |
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Mokum, Amsterdam,
1989 |
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Winter Light, Norway,
1991 |
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Remembrance, Copenhagen,
1992 |
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"Lago Cajititlan," photocopy of
background material on village of Cajititlan, Mexico, for film script,
ca. 1960 |
| Box |
| 3W117 |
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Library of Congress card catalog cards describing 20 of
Harry Atwood's films At Sid Richardson Hall:
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The Atwood DVD Film Collection,
brochures |
| Box |
| 96-308/2 (04991698) |
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PHOTOGRAPHS: |
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Photographic slides, color: |
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Mexico, filming with Connie Helmericks,
summer, 1957 |
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Photographic prints, color: |
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The Hebrides, Scotland, photographs by N. Shelton and
Steve Burns,
1982 |
| Box |
| 96-308/2 (0491698) |
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Greece,
1960 |
| Box |
| 96-308/2 (04991698) |
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Australia,
1962 |
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Early photographs,
1950s |
| Box |
| 3S49.3 |
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Photographs from Atwood's twenty filming
trips: At Sid Richardson Hall:
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249 35mm slides |
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1,104 35mm negatives |
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225 color and black & white photographic
prints |
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Newspaper photographs |
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Brochures for all films |
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Atwood art film catalog |
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Act Award night,
[celluloid strip in cardboard
cylinder] 1976 |
| Box |
| 95-273/2 (04913923) |
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Brochures: At the Library Storage Facility:
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A Portrait of Mexico |
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De Grazia |
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The Last Wagon |
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Terra Sancta |
| Box |
| 2.325/R51 |
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SOUND RECORDINGS [1/4 inch phonotapes and
audiocassettes]: At Sid Richardson Hall:
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Location recordings for films [phonotape]: |
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Fever, Brazil,
reels I and II 1976, |
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Copenhagen,
1992 |
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Journey Through Eden, East
Africa,
1973: |
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Tapes I-III |
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Tapes IV-VI |
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Tapes VII-IX |
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Tapes X-XI |
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Reels I and II |
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Fire on the Sea, Sicily and
Egypt,
October through November, 1978 |
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Sicily and Stromboli,
reels I and II 1978, |
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Venice, Italy,
1983 |
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Amsterdam,
1989 |
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Israel,
reels I and II 1966, |
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Peru,
1977 |
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Scotland,
reels I and II 1982, |
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Bellota Ranch, Arizona,
1967 |
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Cajititlan, Mexico,
1964 |
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South Pacific, Orient,
reels I and II 1972, |
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Europe, Russia,
reels I, II and III 1971, |
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Music scores, by Robert Muczynski: |
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The Great Unfenced, 1963 |
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Yankee Painter, 1964 |
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American Realists, 1965 |
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Charles Burchfield, 1966 |
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The Clowns Never Laugh, 1967 |
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Terra Sancta, 1968 |
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Bellota, 1969 |
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Journey Through Eden, 1975 |
| Box |
| 95-273/2 (04913923) |
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Cajititlan, 1965At the Library Storage Facility:
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Atwood's master piano recital broadcast,
1954 |
| Box |
| 2.325/R51 |
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Some interviews,
Tiger by the Tail, I-V 1970,At Sid Richardson Hall:
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Some sacred music,
Paths in the Wilderness, I-III 1976, |
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Music for Three Films, Robert Muczynski
[phonodisk] |
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Music of Robert Muczynski: Five Film Scores [compact
disc] |
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Music of Robert Muczynski: Two Orchestral Works, Two
Film Scores [compact disc] |
| Box |
| 3w118d |
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AUDIOCASSETTES: |
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Journal,
[Atwood reads
from his journal]: 1962-1992 |
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Introduction |
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Great Unfenced and
Yankee Painter/
Cajititlan and
Terra Sancta |
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Bellota,Tiger By The Tail,Summer Odyssey/
Bridge to the East,Journey Thru Eden
[beginning] |
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Journey Thru Eden
[conclusion],
Fever [beginning]/
Paths in the Wilderness,Fantasmas |
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Fire on the Sea,Back of Beyond/
Adagio,Genesis,High on the Wild |
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Sagaland,Mokum/
Winter Light,Remembrance |
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Filming abroad [Atwood reads from
letters]: |
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Australia,
June 19, July 8, 23, 30, August 14,
1962 |
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Greece,
Mexico,
[beginning] June-July 1960,July-August 1964 |
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Mexico,
[conclusion], Israel,
July-August 1964July-August
1966 |
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Russia/Europe,
June-July
1971 |
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The Orient/South Pacific,
July-August
1972 |
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East Africa,
July-August
1973 |
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Brazil,
March-April
1976 |
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Letter from Peru,
end of Brazil trip,
Sicily,
March 1976,October-November
1978 |
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Sicily/Egypt
Scotland,
November 1978,June-July
1982 |
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Location recordings on audiocassette [extra and more
complete copies]: |
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Mexico (
Cajititlan),
1964 |
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Israel [excerpts],
1966 |
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East Africa,
1973 |
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Brazil,
February and March 1976 |
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Sicily and Egypt [excerpts],
October-November
1978 |
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Scotland,
1982 |
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Venice,
December 1983 |
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Amsterdam,
October 1989 |
| Box |
| 95-273/2 (04913923) |
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Audio cassette, music from early films,
1960-1972At the Library Storage Facility:
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Return to the Table of Contents
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| Box |
| 2000-97/1 (07993190) |
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II.
RESTRICTED MATERIALS |
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FOR PRESERVATION ONLY, not for Public
Use: |
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SEVENTEEN FILMS ON DIGITAL VIDEO DISCS (DVD): At the Library Storage Facility:
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Sub-masters: |
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3/4 in. cassettes, NTSC digital betacam sub-masters
(for DVD): |
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Sub-master #1: |
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Journey Through
Eden |
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The Back of Beyond |
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Adagio |
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Remembrance |
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Sub-master #2: |
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Paths in the
Wilderness |
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Fever |
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Fantasmas |
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Fire on the Sea |
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Sub-master #3: |
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The Great Unfenced |
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Yankee Painter |
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Cajititlan |
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Bellota |
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Sub-master #4: |
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Tiger by the Tail |
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Genesis |
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Mokum |
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Winter Light |
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Sagaland |
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DVDs: |
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Volume 1: |
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Journey Through
Eden |
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The Back of Beyond |
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Adagio |
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Remembrance |
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Volume 2: |
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Paths in the
Wilderness |
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Fever |
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Fantasmas |
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Fire on the Sea |
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Volume 3: |
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The Great Unfenced |
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Yankee Painter |
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Cajititlan |
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Bellota |
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Volume 4: |
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Tiger by the Tail |
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Genesis |
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Mokum |
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Winter Light |
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Sagaland |
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FOR PRESERVATION ONLY, not for
Public Use: (use only in case of broadcast or for making best quality 3/4 inch
and 1/2 inch videocassette dubs)(These are the
best quality other than the ones still retained
in studios in California.).(Most important to the
Collection).
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| Box |
| 94-310/1 (05298770) |
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One inch video sub-masters: |
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The Great Unfenced |
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Yankee Painter |
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American Realist |
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Cajititlan [condensed 29 minute
version] |
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Charles Burchfield and The Clowns Never
Laugh |
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John Marin |
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Bellota |
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Tiger by the Tail |
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FOR PRESERVATION ONLY, not for
Public Use: |
| Box |
| 94-310/2 (05298759) |
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Journey Through Eden |
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Paths in the
Wilderness |
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Fever |
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Fantasmas |
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Fire on the Sea |
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The Back of Beyond |
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Adagio [from first
master] |
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Genesis |
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FOR PRESERVATION ONLY, not for
Public Use: |
| Box |
| 94-310/3 (05299015) |
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High on the Wild |
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Sagaland |
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Mokum |
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Winter Light |
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Remembrance |
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FOR PRESERVATION ONLY, not for
Public Use: |
| Box |
| 95-304/1 (04913898) |
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Adagio, [copied from better second
master] 1984 |
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Terra Sancta
Revisited |
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FOR PRESERVATION ONLY, not for
Public Use: |
| Box |
| 97-037/3 (6196380) |
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Bridge to the East |
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FOR PRESERVATION ONLY, not for
Public Use: |
| Box |
| 97-037/4 (6196379) |
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Cajititlan [original 41 minute
version] |
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FOR PRESERVATION ONLY, not for
Public Use: |
| Box |
| 97-037/9 (6195059) |
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Summer Odyssey |
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FOR PRESERVATION ONLY, not for
Public Use: |
| Box |
| 94-082/1 (03120585) |
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16mm sound film prints: |
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Charles Burchfield, print #2,
1966 |
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Genesis, print #3 (7399),
1985 |
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Sagaland, 3rd positive print,
1989 |
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Fantasmas, print #3,
1978 |
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Winter Light, 1st positive trial,
1991 |
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High on the Wild, print #4,
1987 |
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Remembrance, print #3,
1993 |
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American Realists, part 1, XVIII-XIX
Centuries, print #4,
1965 |
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American Realists, part 2, XX
Centuries, extra print #1,
1965 |
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Paths in the Wilderness, print #4,
1976 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 94-082/2 (03120461) |
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Yankee Painter: The Work of Winslow
Homer, extra print,
1964 |
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The Great Unfenced, print #2
(revised),
1963 |
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Tiger by the Tail, extra print,
1970 |
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Fever, print #4,
1977 |
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Mokum: Amsterdam in Autumn, print
#2,
1990 |
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Bellota: A Story of Roundup, extra
print,
1969 |
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Adagio: Venice in Winter, print
#1,
1984 |
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Journey Through Eden, print #2,
1975 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 94-082/3 (03120596) |
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Fire on the Sea, print #2,
1980 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 95-304/1 (04913898) |
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Terra Sancta Revisited, 16mm color
sound print of original 1968 version |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 94-310/4 (05298748) |
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The Clowns Never Laugh [print
number 1,
] 1967 |
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John Marin [print number 1,
] 1968 |
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A Masterpiece of Spanish Printing
[print number 10,
] 1961 |
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Bridge of the East [print number
2,
] 1973 |
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Summer Odyssey [print number 4,
] 1972 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-261/1 (06195060) |
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Cajititlan, 16mm color, full
length 41 minute version,
1965 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 95-273/1 (04913912) |
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A Portrait of Mexico, 1961-1962 |
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De Grazia, 1967 |
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The Last Wagon, 1970 |
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The Aged Land, 1961 |
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Christmas of the Southwest,
revised,
b and w, sound 1955, |
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University of Symphony Orchestra, 1957 |
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The Kress Collection, revised,
color, sound 1957, |
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A Portrait of Europe, Kodachrome composite 1959, |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 94-124/2 (05228844) |
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EARLY FILMS: VARIOUS FORMATS |
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VIDEO VHS AND 3/4 INCH: : |
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A Portrait of Mexico, 1962 |
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The Aged Land, 1961 |
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Christmas Music of the Southwest, 1955 |
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The Great Unfenced, 1963 |
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Home movies,
[From 16mm
film] 1962-1992 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 95-273/2 (04913923) |
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Video VHS and 3/4 inch: |
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De Grazia |
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The Last Wagon |
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Terra Sancta |
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On one VHS and one 3/4 inch videocassette: |
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University of Symphony
Orchestra, 1957 |
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The Kress Collection, 1957 |
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A Portrait of Europe, 1960 |
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FOR PRESERVATION ONLY, not for
Public Use: |
| Box |
| 96-308/2 (04991698) |
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VHS videocassette
tape: |
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Transferred from 8mm film: |
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To Build A Fire, 1953 |
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The Telephone Call, 1954 |
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Audio cassette tapes: |
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Finished tracks: |
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To Build a Fire, 1953 |
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The Telephone Call, 1954 |
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3/4 inch videocassette
tape: |
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Transferred from 8mm film: |
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Outpost, 1949 |
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The Carabi Incident, 1951 |
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Through the Valley, 1946 |
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Family Album, 1941 |
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8mm film originals: |
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Outpost, 1949 |
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The Carabi Incident, 1951 |
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Through the Valley, 1946 |
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Two Original 1/4″ Phonotapes: |
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Atwood's Master's Recital, 1954 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 94-124/1 (05228414) |
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16mm film [originals]: |
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Adagio, H-586, A and B rolls,
ECO |
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Genesis, I-226, A and B rolls,
ECO |
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High on the Wild, A/WIND I.
R. |
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Alaska, R1-36, B49598,
July 29, 1986 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 94-124/2 (05228844) |
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High on the Wild, A and B rolls,
ECN, J-105 |
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Back of Beyond, A and B rolls,
Rev. 972' |
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High on the Wild, B/WIND, 35/32,
So213, D33532 |
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High on the Wild, work
print |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/1 (6196255) |
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Cajititlan, September 18, 1978 |
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Fantasmas, July 25, 1978 |
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Fire on the Sea |
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Fire on the Sea, May 13, 1980 |
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Fire on the Sea, May 9, 1980 |
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Christmas Music of the
Southwest |
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Portrait of Europe |
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Fever, July 28, 1977 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/2 (6196404) |
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Fever, July 28, 1977 |
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The Clowns Never Laugh, C-roll,
April 11, 1967 |
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The Clowns Never Laugh, A and B
roll,
April 11, 1967 |
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A Portrait of Europe, Roll I-C
titles |
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The Clowns Never Laugh, magnetic
track,
April 11, 1967 |
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Yankee Painter, C-roll |
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Fire on the Sea |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/3 (6196380) |
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Paths in the Wilderness, August 4, 1976 |
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Paths in the Wilderness, August 4, 1976 |
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Paths in the Wilderness,"B," wind August 4, 1976 |
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Paths in the Wilderness, August 4, 1976 |
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Fantasmas, September 5, 1978 |
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A Masterpiece of Spanish Painting,
original, C-roll |
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A Masterpiece of Spanish Painting,
master, C-roll |
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Aged Land, original |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/4 (6196379) |
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Bridge to the East, negative
#2 |
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Paths in the
Wilderness |
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Bridge to the East |
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Journey Thru Eden, Jack West
associates |
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Fantasmas, "B" Wind,
July 25, 1978 |
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Cajititlan |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/5 (6196390) |
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Cajititlan |
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Cajititlan, December 8, 1977 |
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Journey Thru Eden, Jack West
associates |
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Fever |
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Fantasmas |
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Portrait of Mexico |
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Christmas Music of the Southwest,
magnetic track |
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Christmas Music of the Southwest,
"B" wind |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/6 (6196266) |
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Fever, "B" wind |
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Journey Thru Eden, Jack West
associates |
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A Masterpiece of Spanish Painting,
original |
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Portrait of Europe,
original |
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Portrait of Europe, "B" wind
negative |
| Box |
| 97-037/7 (6196583) |
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Portrait of Mexico, "B" wind
negative |
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FOR PRESERVATION ONLY, not for Public
Use: |
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Portrait of Mexico |
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Tiger by the Tail |
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Terra Sancta, May 7, 1968 |
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Charles Burchfield, June 21, 1966 |
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Bellota, May 1, 1969 |
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Terra Sancta, May 9, 1968 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/8 (6196211) |
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Tiger by the Tail, December 21, 1971 |
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Tiger by the Tail,
recut |
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John Marin, March 12, 1968 |
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John Marin, June 7, 1968 |
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John Marin, March 14, 1968 |
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John Marin, August 6, 1968 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/9 (6195059) |
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The Clowns Never Laugh, April 19, 1967 |
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Charles Burchfield, Fifty Years of His
Art, June 21, 1966 |
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Charles Burchfield, Fifty Years of His
Art, June 23, 1966 |
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Tiger by the Tail, December 21, 1971 |
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Tiger by the Tail |
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Bellota, May 23, 1969 |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/10 (6196222) |
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A Masterpiece of Spanish
Painting |
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Aged Land, magnetic
track |
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Aged Land, original |
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John Marin, March 12, 1968 |
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The Last Wagon, February 2, 1971 |
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The Last Wagon, February 17, 1971 |
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A Masterpiece of Spanish Painting,
work print |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/11 (6195048) |
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Bridge to the East, Jack West
associates |
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Bridge to the East, Jack West
associates |
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The Great Unfenced, B-roll
original |
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The Great Unfenced,
inter-negative |
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The Great Unfenced, B wind,
negative |
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Bellota, May 16, 1969 |
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Aged Land, A wind
negative |
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FOR PRESERVATION ONLY, not for Public
Use: |
| Box |
| 97-037/12 (6196244) |
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Bridge to the East, Jack West
associates, B wind, magnetic track |
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The Great Unfenced, A and C
originals |
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Terra Sancta, final magnetic
track |
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A Portrait of Mexico, final
magnetic track,
May 24, 1976 |
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Christmas Music of the Southwest,
work print |
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ORIGINAL MATERIALS RESTRICTED. NEED
DONOR PERMISSION: |
| Box |
| 94-200/1 (05228822) |
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American Realists, GFL-075412,
1965 |
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Part 1: |
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A-C rolls |
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Mag. track |
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B-Wind, neg. track |
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Part 2: |
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A-B rolls |
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ORIGINAL MATERIALS RESTRICTED.
NEED DONOR PERMISSION: |
| Box |
| 94-200/2 (05228833) |
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C rolls |
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B-Wind, neg. track |
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Summer Odyssey, DEL-148017,
1972 |
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16 mm, A and B rolls |
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Neg. track |
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Mag. track |
Return to the Table of Contents
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