Donald Barthelme Literary Papers
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Creator: |
Barthelme,
Donald |
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Title: |
Donald Barthelme Literary
Papers
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Dates: |
1956-2001 |
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Abstract: |
Donald Barthelme was
an experimental short story writer and novelist who contributed frequently to
The New Yorker magazine in the 1960s, 1970s, and
1980s. He remains best known for his classic collection Sixty Stories. Barthelme served as director of the
Creative Writing Program at the University of Houston for many years. The
collection contains typescript drafts, galley proofs, and page proofs of
Barthelme's work, correspondence with fellow writers, and other materials
related to Barthelme's writing and teaching career. |
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Identification: |
2002-007 |
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Quantity: |
29 boxes |
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Language: |
Materials are written in
English. |
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Repository: |
Special Collections, University of Houston
Libraries |
Donald Barthelme was born in Philadelphia in 1931 to parents Donald
Barthelme Sr. and Helen (Bechtold) Barthelme. In 1932, the family moved to
Houston, where Donald Barthelme Sr. developed an architectural practice and
taught at the University of Houston and Rice University. Barthelme had four
younger siblings: Joan (born 1932), Peter (born 1938), Frederick (born 1943),
and Steven (born 1947).
Barthelme enrolled at the University of Houston in 1949, where he took
courses in journalism, literature, creative writing, and philosophy. He became
a reporter, critic, and editor for the school's newspaper,
The Cougar.
In July 1951, he left the University of Houston for a job at the
Houston Post, where he reviewed movies, plays, and
concerts. From July 1953 to December 1954 he served in Korea, writing for the
2nd Infantry Division's official publication. Following his return to Houston,
Barthelme took a public relations job at the University of Houston. There he
founded and became editor of the interdisciplinary journal
Forum. In 1961, Barthelme became acting director
of the Contemporary Arts Museum. The following year he moved to New York City
to edit a new journal of art and literature called Location.
In 1961, Barthelme's short story "The Darling Duckling at School"
(later renamed "Me and Mrs. Mandible") appeared in the journal
Contact. Inspired by Samuel Beckett, Barthelme
rejected the constraints of traditional plot, setting, and character
development in favor of verbal collages full of absurdity and wit. In 1963,
Barthelme published the story "L'lapse" in the New
Yorker, quickly becoming a regular contributor.
In 1964 Barthelme released his first collection of stories,
Come Back, Dr. Caligari. From that point on, he
stayed at the forefront of American literature for three decades. Barthelme
published nine more story collections, and 129 stories and "casuals" in the
New Yorker. Always innovative, he created "collage
stories" that combined images and text, and "dialogue stories" in which two
disembodied voices alternate in conversation. He also published three novels -
Snow White, The Dead
Father, and Paradise. In 1972 he released a
children's book, The Slightly Irregular Fire
Engine, winning the National Book Award for Children's Literature.
Barthelme remains best known for Sixty Stories, a 1981 anthology of
his finest work from the sixties and seventies. Sixty Stories was nnominated
for the National Book Critics Circle Award, the PEN/Faulkner Award for Fiction,
and the Los Angeles Times Book Prize in 1982.
Donald Barthelme taught creative writing at City College in New York
from 1974-75. In 1979, he was invited to teach in the Creative Writing Program
at the University of Houston. Initially he taught in Houston one semester a
year, while continuing to live in New York City. In 1983, Barthelme moved to
Houston to become a full-time professor. A beloved teacher, he eventually
became director of the Creative Writing Progam, a position he held until his
death.
This collection contains typescript drafts, galley proofs, and page
proofs of Donald Barthelme's novels, collected works, short stories, and other
writings, plus collages and collage stories created by Barthelme. One of the
richest aspects of the collection is the large set of letters and cards from
Barthelme's writing friends and colleagues. The collection also includes about
a dozen photographs of Barthelme. In addition, material related to Barthelme's
teaching career is incorporated, notably student works that Barthelme received
during his years in the Creative Writing Program at the University of
Houston.
Each series is prefaced by a detailed description.
Open for research.
Restrictions
Special Collections owns the physical items in our collections, but
copyright normally belongs to the creator of the materials or their heirs. The
researcher has full responsibility for determining copyright status, locating
copyright holders, and abiding by current copyright laws when publishing or
displaying copies of Special Collections material in print or electronic form.
For more information, consult the appropriate librarian.
Photocopy decisions will be made by Special Collections staff on a
case-by-case basis. Patrons are responsible for obtaining permission to publish
from copyright holders.
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Terms are either Library of Congress Subject Headings or taken from
local sources. |
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Angell, Roger |
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Barth, John, 1930- |
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Barthelme,
Donald |
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Beattie, Ann |
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Hijuelos, Oscar |
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Lowry, Beverly. |
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Paley, Grace |
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Percy, Walker, 1916-1990 |
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Powell, Padgett |
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Authors, American--20th
century |
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Experimental fiction, American |
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Postmodernism (Literature)--United States |
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Correspondence |
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Typescripts |
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Page proofs |
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Galley proofs |
Donald Barthelme Literary Papers, Courtesy of Special Collections,
University of Houston Libraries
This collection was acquired in 2002 from Marion Barthelme.
A few miscellaneous items already owned by the University of Houston
Libraries were added to the collection. Typescripts of the short stories "City
Life," "City Life II," and "A Dream" were purchased from Joseph the Provider
Books in the 1980s. Four typescripts of Donald Barthelme's
Paris Review interview, one proof sheet of the
interview introduction, and letters from George Plimpton and J.D. O'Hara were
also purchased from Joseph the Provider Books in the 1980s. A speech on writers
delivered at University of Houston in 1974 was purchased from Detering Book
Gallery in 1979. The non-fiction piece "Woman is an imaginary being" was
transferred from the Donald Barthelme Forum
Collection. The Houston Chronicle article "Donald
Barthelme: Serious Writer at Play" was donated by Michael Berryhill in
2005.
Julie Grob, 2005
Detailed Description of the Collection
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Works by Barthelme
[1959]-1990 |
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Novels and Collected Works, 1970-1990 |
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This series traces the preparatory stages for Barthelme's
published works, which were primarily collections of short stories or novels.
The material related to a single work may include typescripts, page layouts,
galley proofs, page proofs, dust jackets, and other formats. Materials are
arranged in order of their production, beginning with typescripts and ending
with dust jackets. Some of the short story collections include bound volumes
which collected typescripts, photocopied drafts, and the printed pages of
previously published stories together. Prior to 1975, Barthelme rarely kept
early drafts of his work. |
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Amateurs,
1976 |
| Box |
Folder |
| 1 |
1 |
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Copyedited typescript, photocopied, and printed pages,
with corrections (bound) |
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2 |
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Title page layout |
| Box |
| 24 |
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Galley proofs, with corrections |
| Box |
Folder |
| 29 |
1 |
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Page proof, partial |
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City Life,
1970 |
| Box |
Folder |
| 1 |
4 |
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Carbon copy of typescript and printed pages, with
corrections |
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5 |
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Copyedited typescript and printed pages, with
corrections (bound) |
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6 |
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Paste up |
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7 |
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Page proofs, author's, photocopied, with
corrections |
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8 |
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Page proofs, printer's, with artwork |
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The Dead Father,
1975 |
| Box |
Folder |
| 1 |
10 |
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Early typescript, photocopied |
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11 |
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Typescript with corrections, with note
(bound) |
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12-13 |
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Typescript, photocopied, with corrections |
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14 |
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Layout pages, with partial photocopied
typescript |
| Box |
Folder |
| 2 |
1-2 |
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Copyedited typescript, photocopied, with
corrections |
| Box |
| 24 |
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Page proofs, uncut |
| Box |
Folder |
| 2 |
3 |
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Dust jacket |
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Forty Stories,
1987 |
| Box |
Folder |
| 2 |
4 |
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Table of contents |
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5-7 |
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Typescript, photocopied, and printed pages, with
corrections |
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8-9 |
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Typescript, photocopied, and printed pages, with
additions and corrections |
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10 |
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Typescript, photocopied, and printed pages |
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11 |
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Dust jacket |
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Great Days,
1979 |
| Box |
Folder |
| 2 |
12 |
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Copyedited typescript, photocopied, and printed pages,
with corrections; with layout and dust jacket (bound) |
| Box |
| 24 |
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Galley proofs |
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Galley proofs |
| Box |
| 2 |
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Dust jacket |
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Guilty Pleasures,
1974 |
| Box |
Folder |
| 2 |
14 |
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Copyedited printed, typescript, and photocopied pages
with corrections; with title page layout (bound) |
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15 |
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Galley proofs, photocopied |
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16 |
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Camera-ready copy for Delta Edition |
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17 |
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Camera-ready copy for Delta Edition |
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The King,
1990 |
| Box |
Folder |
| 3 |
1 |
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Earlier typescript |
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2 |
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Earlier typescript |
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3-4 |
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Various typescripts and partial
typescripts |
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5 |
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Later typescript |
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6 |
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Copyedited typescript, photocopied, with corrections
by Frederick Barthelme, with letter from Frederick Barthelme to Kathy Banks of
Harper & Row, August 27, 1989 |
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7-8 |
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Final typescript in black folder (two) |
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9 |
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Typescript for readings |
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10 |
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Woodcuts for art research? (photocopies) |
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11 |
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Layout with original artwork |
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12 |
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Artwork (photocopies) |
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13 |
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Galley proof, photocopies, with note |
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Overnight to Many Distant
Cities,
1983 |
| Box |
Folder |
| 3 |
14 |
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Typescript, including photocopies, with corrections
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15 |
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Typescript, photocopied, and printed pages, with
corrections [mostly from Sixty Stories and
Overnight to Many Distant Cities] |
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Paradise, 1986 |
| Box |
Folder |
| 4 |
1 |
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Typescript pages, with note from Donald
Barthelme |
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2-3 |
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Early typescript |
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3-5 |
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Early typescript, photocopied, with
corrections |
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6-7 |
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Early typescript, photocopied |
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8-9 |
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Early typescript, photocopied, with new
dedication |
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10-11 |
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Final typescript |
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12 |
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Corrections for typesetter |
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13 |
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Corrections for typesetter |
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14-15 |
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Copyedited typescript |
| Box |
Folder |
| 5 |
1 |
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Galley proofs, author's |
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2 |
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Galley proofs, printer's |
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3 |
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Galley proof |
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4-5 |
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Page proof, author's |
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4-5 |
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Page proof, author's |
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6-7 |
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Page proof, printer's, 5/21/86 |
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8-9 |
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Page proof, printer's, 5/21/86 |
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10-11 |
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Page proof, printer's, 6/26/86 |
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12 |
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Page proof, final |
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13 |
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Dust jacket |
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Presents,
1980 |
| Box |
Folder |
| 5 |
14 |
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Page proofs, with corrections |
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Sadness,
1972 |
| Box |
Folder |
| 5 |
15 |
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Dust jacket |
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Sam's Bar,
1987 |
| Box |
Folder |
| 6 |
1 |
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Typescript draft, photocopied |
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2 |
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Typescript draft, alternate, photocopied |
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3 |
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Introduction, storyboards, and loose pages, with
correspondence from Seymour Chwast |
| Box |
Folder |
| 29 |
2 |
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Draft with inserted text |
| Box |
Folder |
| 6 |
4 |
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Page proofs, with corrections |
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Sixty Stories,
1981 |
| Box |
Folder |
| 6 |
5-8 |
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Copyedited typescript, photocopied, and printed pages,
1981 |
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9-11 |
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Galley proofs, author's |
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12-14 |
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Galley proofs, printer's |
| Box |
Folder |
| 7 |
1-2 |
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Page proofs |
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3-4 |
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Page proofs |
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5-6 |
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Page proofs, author's |
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7 |
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Page proofs, printer's, 4/13/81 |
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8-9 |
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Page proofs, printer's, 5/27/81 |
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10-11 |
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Page proofs, printer's, 6/10/81 |
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12 |
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Dust jacket |
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Snow White,
1967 |
| Box |
Folder |
| 7 |
13 |
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Copyedited typescript with corrections
(bound) |
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Unspeakable Practices, Unnatural
Acts,
1968 |
| Box |
Folder |
| 7 |
14 |
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Copyedited photocopied and printed pages, with
correspondence from Jane Bierhorst |
| Box |
| 25 |
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Page proofs |
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Page proofs, author's, with corrections |
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Short Stories, [1959]-1987 |
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This series includes short stories in manuscript or typescript
form. Barthelme rarely kept early drafts of his work, so many of these stories
are in a finished or nearly finished stage and show minimal editing by the
author. Some galley proofs, tear sheets, and paste ups are also included. |
| Box |
Folder |
| 8 |
1 |
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The Abduction from the Seraglio,
1977 |
| Box |
Folder |
| 29 |
3 |
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Adventure, undated |
| Box |
Folder |
| 8 |
2 |
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Affection,
1983 |
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The Agreement,
1974 |
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3 |
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Typescript, photocopied |
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4 |
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Tear sheet, photocopied |
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5 |
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Alice, undated |
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6 |
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Among the Beanwoods/The Beanwoods[unpublished],
undated |
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The Apology,
1978 |
| Box |
Folder |
| 8 |
7 |
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Typescripts |
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8 |
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Tear sheet |
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9 |
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Aria,
1979 |
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10 |
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The Art of Baseball, undated |
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The Author,
1987 |
| Box |
Folder |
| 8 |
11 |
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Typescripts |
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12 |
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Tear sheet |
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13 |
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The Balloon,
1965 |
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Basil from her Garden,
1985 |
| Box |
Folder |
| 8 |
14 |
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Typescripts |
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15 |
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Galley proof |
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16 |
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Tear sheet |
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17 |
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Bishop,
1980 |
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Bluebeard,
1986 |
| Box |
Folder |
| 8 |
18 |
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Typescripts |
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19 |
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Tear sheet |
| Box |
Folder |
| 29 |
4 |
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Page proof |
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Brain Damage, undated |
| Box |
Folder |
| 8 |
20 |
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Typescript |
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21 |
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Paste up |
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22 |
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Captain Blood,
[1979] |
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23 |
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The Captured Woman,
1976 |
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24 |
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The Catechist,
[1971] |
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Chablis,
1983 |
| Box |
Folder |
| 8 |
25 |
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Typescript, photocopy |
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26 |
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Tear sheet |
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Challenge,
1981 |
| Box |
Folder |
| 8 |
27 |
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Typescripts |
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28 |
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Galley proof |
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29 |
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Tear sheet |
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30 |
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City Life, undated |
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31 |
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City Life II,
1969 |
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A City of Churches, undated |
| Box |
Folder |
| 8 |
32 |
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Typescript |
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33 |
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Paste up |
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Concerning the Bodyguard,
1978 |
| Box |
Folder |
| 8 |
34 |
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Typescripts |
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35 |
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Tear sheet |
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Construction,
1985 |
| Box |
Folder |
| 8 |
36 |
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Typescripts |
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37 |
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Galley proof |
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Conversations with Goethe,
1980 |
| Box |
Folder |
| 8 |
38 |
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Typescripts |
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39 |
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Tear sheet |
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40 |
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Cornell, undated |
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Cortes and Montezuma,
1977 |
| Box |
Folder |
| 8 |
41 |
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Typescripts |
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42 |
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Paste up |
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43 |
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The Crisis,
1977 |
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44 |
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Critique de la Vie Quotidienne, undated |
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The Dassaud Prize,
1976 |
| Box |
Folder |
| 29 |
5 |
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Page proof |
| Box |
Folder |
| 8 |
45 |
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Tear sheet |
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46 |
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Daumier, undated |
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47 |
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Departures,
[1971] |
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48 |
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The Director, undated |
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49 |
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The Discovery, undated |
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50 |
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The Dolt, undated |
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50 |
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The Dolt, undated |
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51 |
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A Dream,
1973 |
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52 |
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Edward and Pia, undated |
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52 |
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Edward and Pia, undated |
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53 |
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Edwards, Amelia, photocopied, undated |
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54 |
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The Emperor,
1980 |
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55 |
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Eugenie Grandet,
1968 |
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56 |
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The Explanation, undated |
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57 |
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The Extremely Large Cheese (carbon copy),
undated |
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58 |
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The Falling Dog, undated |
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59 |
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The Farewell Party, undated |
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60 |
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A Few Moments of Sleeping and Waking,
undated |
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A Film,
1970 |
| Box |
Folder |
| 8 |
61 |
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Typescript |
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62 |
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Tear sheet |
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63 |
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The Fireman, undated |
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64 |
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Florence Green is 81, undated |
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65 |
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Flying to America, undated |
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66 |
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The Foolfarm Report, undated |
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67 |
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Game, undated |
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68 |
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The Genius, undated |
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69 |
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Grandmother's House,
1979 |
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70 |
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Great Days, undated |
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The Great Debate,
1976 |
| Box |
Folder |
| 8 |
71 |
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Typescripts |
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72 |
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Tear sheet |
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73 |
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Heroes,
1980 |
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How I Write My Songs,
1978 |
| Box |
Folder |
| 8 |
74 |
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Typescripts |
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75 |
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Tear sheet |
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I Bought a Little City, undated |
| Box |
Folder |
| 8 |
76 |
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Typescript |
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77 |
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Tear sheet |
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The Inauguration |
| Box |
Folder |
| 8 |
78 |
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Tear sheet, undated |
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January,
1987 |
| Box |
Folder |
| 8 |
79 |
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Typescript |
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80 |
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Galley proof |
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81 |
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Jaws, undated |
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82 |
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Kierkegaard Unfair to Schlegel, undated |
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The King of Jazz,
1976 |
| Box |
Folder |
| 8 |
83 |
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Typescripts |
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84 |
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Paste up |
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85 |
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Kissing the President,
1983 |
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86 |
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The Leap,
1978 |
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87 |
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Letters to the Editore, undated |
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88 |
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Lightning,
1982 |
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89 |
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A Man, undated |
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Man's Face, undated |
| Box |
Folder |
| 8 |
90 |
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Tear sheet |
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91 |
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Manual for Sons,
1975 |
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92 |
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Margins, undated |
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93 |
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Marie, Marie, Hold on Tight, undated |
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Momma,
1978 |
| Box |
Folder |
| 8 |
94 |
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Typescripts |
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95 |
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Tear sheet |
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Monumental Folly (with Edward Sorel),
undated |
| Box |
Folder |
| 8 |
96 |
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Tear sheet |
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More Zero,
1986 |
| Box |
Folder |
| 8 |
97 |
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Typescripts |
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98 |
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Tear sheet |
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Morning,
1978 |
| Box |
Folder |
| 8 |
99 |
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Typescripts |
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100 |
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Tear sheet |
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101 |
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The Mothball Fleet,
1971 |
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Natural History, undated |
| Box |
Folder |
| 9 |
1 |
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Tear sheet |
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2 |
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The New Member,
[1974] |
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The New Music,
1978 |
| Box |
Folder |
| 9 |
3 |
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Typescripts |
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4 |
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Tear sheet |
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5 |
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The New Owner, undated |
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6 |
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Newsletter, undated |
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7 |
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A Note on Angels, undated |
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8 |
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Nothing: A Preliminary Account,
1973 |
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9 |
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One Hundred Ten West Sixty-First Street,
1973 |
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On the Deck,
1986 |
| Box |
Folder |
| 9 |
10 |
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Typescript |
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11 |
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Galley proofs |
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12 |
|
On the Steps of the Conservatory,
1977 |
|
|
|
Opening,
1984 |
| Box |
Folder |
| 9 |
13 |
|
|
Typescripts |
|
14 |
|
|
Galley proof |
|
15 |
|
|
Tear sheet |
|
|
|
Our Work and Why We Do It,
1973 |
| Box |
Folder |
| 9 |
16 |
|
|
Typescript |
|
17 |
|
|
Tear sheet |
|
18 |
|
Overnight to Many Different Cities,
1980 |
|
19 |
|
Pages from the Annual Report,
[1959] |
|
20 |
|
|
Typescript |
|
21 |
|
|
Galley proof |
|
|
|
Paradise (Before the Egg Broke), undated |
| Box |
Folder |
| 9 |
22 |
|
|
Galley proof, with note |
|
23 |
|
Paraguay, undated |
|
24 |
|
The Party, undated |
|
25 |
|
Pepperoni,
1980 |
|
26 |
|
Perpetua,
[1971] |
|
27 |
|
The Phantom of the Opera's Friend, undated |
|
28 |
|
Philadelphia, undated |
|
29 |
|
The Photographs,
1974 |
|
30 |
|
The Piano Player, undated |
|
31 |
|
The Policemen's Ball, undated |
|
32 |
|
Pool [unpublished], undated |
|
33 |
|
Presents, undated |
|
34 |
|
The Question Part,
1977 |
|
35 |
|
Rebecca, undated |
|
36 |
|
Recitative [unpublished?], undated |
|
37 |
|
Report, undated |
|
38 |
|
Return,
[1984] |
|
39 |
|
The Rise of Capitalism,
1970 |
|
40 |
|
Rough Draft [unpublished?], undated |
|
|
|
Sakrete,
1983 |
| Box |
Folder |
| 9 |
41 |
|
|
Typescript |
|
42 |
|
|
Galley proof |
|
43 |
|
The School, undated |
|
44 |
|
Sentence, undated |
|
45 |
|
A Shower of Gold,
1963 |
|
|
|
Simon,
1984 |
| Box |
Folder |
| 9 |
46 |
|
|
Typescripts |
|
47 |
|
|
Galley proof |
|
48 |
|
|
Tear sheet |
|
|
|
Sindbad,
1984 |
| Box |
Folder |
| 9 |
49 |
|
|
Typescripts |
|
50 |
|
|
Galley proof |
|
51 |
|
Snap Snap,
1965 |
|
52 |
|
Some of Us Had Been Threatening Our Friend Colby,
[1973] |
|
|
|
The Story Thus Far, undated |
| Box |
Folder |
| 9 |
53 |
|
|
Tear sheet |
|
54 |
|
Subpoena, undated |
|
|
|
Swallowing,
[1972] |
| Box |
Folder |
| 9 |
55 |
|
|
Tear sheet |
|
56 |
|
Tales of the Swedish Army,
1977 |
|
57 |
|
The Teachings of Don B.: A Yankee Way of
Knowledge |
|
|
|
|
Typescript, (carbon copy), undated |
| Box |
Folder |
| 29 |
6 |
|
|
Tear sheet,
1973 |
| Box |
Folder |
| 9 |
58 |
|
The Temptation of St. Anthony, undated |
|
59 |
|
Terminus, undated |
|
60 |
|
Thailand, undated |
|
61 |
|
That Cosmopolitan Girl, undated |
|
62 |
|
This Newspaper Here,
1965 |
|
|
|
Three Great Meals,
1987 |
| Box |
Folder |
| 9 |
63 |
|
|
Typescripts |
|
64 |
|
|
Galley proof |
|
65 |
|
|
Tear sheet |
|
65 |
|
Tickets, undated |
|
|
|
To London and Rome, undated |
| Box |
Folder |
| 9 |
67 |
|
|
Paste up |
|
68 |
|
Untitled ("Benjamin Ziff..."), undated |
|
69 |
|
Views of My Father Weeping, undated |
|
|
|
Visitors,
1981 |
| Box |
Folder |
| 9 |
70 |
|
|
Typescript |
|
71 |
|
|
Galley proof |
|
72 |
|
Wasteland! |
|
73 |
|
We Hope You'll Be Very Happy Here |
|
|
|
Well We All Had Our Willie and Wade Records...,
undated |
| Box |
Folder |
| 9 |
74 |
|
|
Typescript |
|
75 |
|
|
Galley proof |
| Box |
Folder |
| 29 |
7 |
|
|
Page proof |
| Box |
Folder |
| 9 |
76 |
|
|
Tear sheet |
|
|
|
What To Do Next,
1973 |
| Box |
Folder |
| 9 |
77 |
|
|
Tear sheet |
|
78 |
|
The Work of Art in the Age of Mechanical Report,
undated |
|
79 |
|
The Wound,
1973 |
|
80 |
|
Wrack
1972 |
|
81 |
|
You are as Brave as Vincent Van Gogh (photocopy),
1977 |
|
82 |
|
You are Cordially Invited [unpublished],
undated |
|
83 |
|
The Zombies,
1977 |
|
|
|
Fragments, undated |
| Box |
Folder |
| 9 |
84 |
|
|
"...canned goods..." |
|
85 |
|
|
The Donkey Prince |
|
86 |
|
|
Elise has cancer... |
|
87 |
|
|
Hamlet's Ghost... |
|
88 |
|
|
In a country under the sea... |
|
89 |
|
|
Just before he died, Heidegger... |
|
90 |
|
|
Moving |
|
91 |
|
|
The skeleton in the closet... |
|
92 |
|
|
Tell me everything... |
|
93 |
|
|
Then I dreamed...magic show... |
|
94 |
|
|
Untitled Collage Story |
|
95 |
|
|
Untitled |
|
96 |
|
|
Varieties of Outcry [collage story] |
|
97 |
|
|
Well C.T. got back here... |
|
98 |
|
|
The World Almanac and Book of Facts,
1977 |
|
99 |
|
|
You must take my course... |
|
100 |
|
Fragments, miscellaneous, undated |
|
101 |
|
Fragments, Tear sheets,
1978 |
| Box |
Folder |
| 29 |
8 |
|
Proofs, The New Yorker,
1964-1987 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Plays, 1974-1999 |
|
Typescripts and other materials related to plays by Donald
Barthelme or adapted from his work. |
|
|
|
The Conservatory,
undated |
| Box |
Folder |
| 10 |
1 |
|
|
Typescript, photocopied |
|
|
|
The Emerald [teleplay],
[1981] |
| Box |
Folder |
| 10 |
2 |
|
|
Typescript |
|
3 |
|
|
Typescript with letter from Harrison Starr |
|
|
|
The Emerald, adaptation by
Adam Greenfield,
1999 |
| Box |
Folder |
| 10 |
4 |
|
|
Typescript, photocopied, in folder |
|
|
|
Friends of the Family,
undated |
| Box |
Folder |
| 10 |
5 |
|
|
Typescript, photocopied |
|
|
|
Great Days,
[1983] |
| Box |
Folder |
| 10 |
6 |
|
|
Typescript |
|
7 |
|
|
Typescript, photocopied (American Place
Theatre) |
|
8 |
|
|
Typescript, photocopied (American Place Theatre), with
corrections, in folder |
|
9 |
|
|
Typescript, photocopied |
| Box |
| 29 |
|
|
|
Set design |
| Box |
Folder |
| 10 |
10 |
|
|
Programs; layout for program,
1983 |
|
|
|
Snow White, A Play with
Music,
1974 |
| Box |
Folder |
| 10 |
11 |
|
|
Copyedited typescript, with corrections (bound)
|
|
|
|
Straws in the Wind,
1975 |
| Box |
Folder |
| 10 |
12 |
|
|
Program |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Poetry, undated |
|
Two fragments of poems by Barthelme. |
|
|
|
Fragments, undated |
| Box |
Folder |
| 10 |
13 |
|
|
Harder than whale meat... |
|
14 |
|
|
Peter Hope... |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Non-Fiction, 1972-1988 |
|
A variety of non-fiction material is gathered in this series. Most
of it is essays written for publication, such as the pieces published
anonymously in the "Notes and Comments" section of The
New Yorker. Some pieces not for publication are also found in this
series, such as introductions delivered for other writers and eulogies.
Material is primarily in the form of typescripts, galley proofs, and tear
sheets. |
|
|
|
Amphigorey, Also by Edward
Gorey,
1983 |
| Box |
Folder |
| 10 |
15 |
|
|
Typescript |
|
16 |
|
|
Galley Proof |
|
17 |
|
As Grace Paley Faces Jail with Three Other Writers,
undated |
|
|
|
Being Bad [Robert Rauschenberg], undated |
| Box |
Folder |
| 10 |
18 |
|
|
Typescript |
|
19 |
|
|
Galley proof |
|
20 |
|
Rossellen Brown's Fiction, undated |
|
21 |
|
The Case of the Vanishing Product, photocopy,
undated |
|
22 |
|
Donald Barthelme on Superman
III,
1983 |
|
23 |
|
Eulogies, 1978-1979 and undated |
|
24 |
|
Exquisite Creatures, undated |
|
25 |
|
Introductions and Blurbs, undated |
|
|
|
Jim Love Up to Now: An
Introduction,
1980 |
| Box |
Folder |
| 10 |
26 |
|
|
Typescript |
|
27 |
|
|
Galley proof |
|
|
|
Most Wonderful Trick [John Hawkes],
1984 |
| Box |
Folder |
| 10 |
28 |
|
|
Clipping |
|
|
|
Notes and Comment [New Yorker] |
| Box |
Folder |
| 10 |
29 |
|
|
Typescripts, undated |
|
30 |
|
|
Galley proofs,
1978 |
| Box |
Folder |
| 29 |
9 |
|
|
Page proofs |
| Box |
Folder |
| 10 |
31 |
|
|
Tear sheets, 1976-1978 and undated |
|
32 |
|
|
Photocopies, undated |
|
|
|
Not-Knowing, undated |
| Box |
Folder |
| 10 |
33 |
|
|
Typescripts |
|
34 |
|
|
Photocopies |
| Box |
| 25 |
|
|
|
Galley proofs |
| Box |
Folder |
| 10 |
35 |
|
An Objection [Letter to the Editor], undated |
|
36 |
|
On Houston and Making a Difference |
|
|
|
On Our Street,
1983 |
| Box |
Folder |
| 10 |
37 |
|
|
Galley proof |
|
38 |
|
On the Level of Desire |
|
|
|
|
Typescript, undated |
| Box |
Folder |
| 29 |
10 |
|
|
Galley proofs, photocopy,
1987 |
| Box |
Folder |
| 10 |
39 |
|
Real Fakes [Letter to the Editor],
1973 |
|
40 |
|
Remarks, 1972-1981 and undated |
|
|
|
The Short-Story Contest [New York
Times],
1976 |
| Box |
Folder |
| 10 |
41 |
|
|
Tear sheet |
|
42 |
|
Slow Slow Slow, undated |
|
43 |
|
[Speech on writers delivered at the University of
Houston], 1974 |
|
44 |
|
Synergy,
1977 |
|
|
|
[Kurt Vonnegut], [Esquire],
1985 |
| Box |
Folder |
| 10 |
45 |
|
|
Tear sheet |
|
46 |
|
Woman is an imaginary being, undated |
|
47 |
|
Fragments on writing, undated |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Related Artwork and Collage Stories, [1970]-1988 |
|
This series includes the artwork and "collage stories" that
Barthelme created by gluing engravings, woodcuts, and pieces of clip art to
posterboard or other backgrounds. Some loose collage pieces have been reglued
to their backgrounds using reversible wheat starch paste. |
| Box |
Folder |
| 10 |
48 |
|
At the Tolstoy Museum, paste up,
[1970] |
| Box |
| 27 |
|
|
The Educational Experience [collage story] |
|
|
|
The Emerald,
[1979] |
| Box |
| 28 |
|
|
The Inauguration [collage story] |
| Box |
Folder |
| 29 |
11 |
|
The Rook's Progress [with Jim Love], preliminary
section, photocopy,
[ca. 1988] |
| Box |
| 28 |
|
|
The Show [collage story],
[1970] |
|
|
|
The Slightly Irregular Fire Engine [children's
book] |
| Box |
Folder |
| 26 |
1-15 |
|
|
Layout with artwork,
[c1971] |
| Box |
| 28 |
|
|
The Story Thus Far [collage story] |
| Box |
| 27 |
|
|
Fragments |
|
|
|
|
My grandfather faints..., undated |
|
|
|
|
Untitled, undated |
| Box |
Folder |
| 10 |
49 |
|
Artwork by Donald Barthelme, 1977-1988 and
undated |
|
50 |
|
Artwork by Others, 1980 and undated |
| Box |
Folder |
| 29 |
12 |
|
Drawing of Donald Barthelme,
1974 |
|
13 |
|
Engravings and Collage Sources, undated |
| Box |
Folder |
| 10 |
51 |
|
Loose Collage Pieces, undated |
| Box |
Folder |
| 29 |
14 |
|
Transfer Lettering, undated |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Correspondence,
1958-1997 |
|
Correspondence written to Donald Barthelme has been arranged
alphabetically by the last name of the sender. Whenever a single correspondent
had six or more letters in the collection, a separate folder was created. There
is one folder of correspondence from Donald Barthelme to others. |
| Box |
Folder |
| 11 |
1 |
|
Roger Angell, 1977-1987 and undated |
|
2 |
|
A, 1975-1987 and undated |
|
3 |
|
John Barth, 1969-1986 and undated |
|
4 |
|
Donald Barthelme, 1971-1989 and undated |
|
5 |
|
Ann Beattie, 1980-1988 and undated |
|
6 |
|
Kay Boyle,
1981-1985 |
|
7 |
|
Karen Braziller, 1978-1985 and undated |
|
8 |
|
B, 1972-1986 and undated |
|
9 |
|
Kenneth Cavander,
1979-1980 |
|
10 |
|
Arthur A. Cohen, 1978-1986 and undated |
|
11 |
|
Maggie Curran,
1978-1980 |
|
12 |
|
Maggie Curran,
1981-1987 |
|
13 |
|
C,
1972-1988 |
|
14 |
|
Arthur C. Danto,
1984-1986 |
|
15 |
|
Da-Di, 1965-1988 and undated |
|
16 |
|
Do-Dz
1979-1989 |
|
16 |
|
E, 1978-1988 and undated |
|
18 |
|
June Fortress,
1975-1980 |
|
19 |
|
Marianne Frisch, 1979-1982 and undated |
|
20 |
|
F, 1975-1983 and undated |
|
21 |
|
David Gates, 1976-1980 and undated |
|
22 |
|
Philip Graham,
1978-1982 |
|
23 |
|
G, 1974-1988 and undated |
|
24 |
|
Shelby Hearon, 1977-1982 and undated |
|
25 |
|
Oscar Hijuelos, 1981-1985 and undated |
|
26 |
|
Ha-He,1976-1988 and undated |
|
27 |
|
Hi-Hz, 1974-1988 and undated |
|
28 |
|
I-J, 1966-1984 and undated |
|
29 |
|
Anna Kolyszko,
1981-1984 |
|
30 |
|
K, 1975-1989 and undated |
|
31 |
|
Jim Love, 1979-1987 and undated |
|
32 |
|
Beverly Lowry, 1978-1981 and undated |
|
33 |
|
L, 1975-1997 and undated |
| Box |
Folder |
| 12 |
1 |
|
Larry McCaffery,
1979-1981 |
|
2 |
|
Margaret Mills,
1978-1986 |
|
3 |
|
Mc-Ma, 1974-1988 and undated |
|
4 |
|
Me-Mz, 1975-1987 and undated |
|
5 |
|
Cameron and Donna Northouse, 1979-1988 and
undated |
|
6 |
|
J.D. O'Hara, 1980-1981 and undated |
|
7 |
|
Stathis Orphanos,
1979-1983 |
|
8 |
|
N-O, 1974-1985 and undated |
|
9 |
|
Grace Paley, undated |
|
10 |
|
Walker Percy,
1965-1987 |
|
11 |
|
James Pickering,
1981-1987 |
|
12 |
|
Padgett Powell, 1982-1988 and undated |
|
13 |
|
P, 1973-1989 and undated |
|
14 |
|
Q-R, 1974-1988 and undated |
|
15 |
|
Ralph B. Sipper,
1978-1980 |
|
16 |
|
Roger Straus, 1974-1982 and undated |
|
17 |
|
Sa-Sm, 1977-1986 and undated |
|
18 |
|
So-Sz, 1969-1987 and undated |
|
19 |
|
Marshall Terry, 1979-1981 and undated |
|
20 |
|
T,
1974-1987 |
|
21 |
|
U-V, 1974-1988 and undated |
|
22 |
|
Wa-Wh, 1958-1986 and undated |
|
23 |
|
Wi-Wz, 1976-1990 and undated |
|
24 |
|
Herb Yellin, 1978-1979 and undated |
|
25 |
|
X-Y-Z,
1978-1988 |
|
26 |
|
From Large Group, 1979-1982 and undated |
|
27 |
|
First Names Only, A-M, 1976-1988 and undated |
|
28 |
|
First Names Only, N-Z, 1978-1985 and undated |
|
29 |
|
Inclusions to Letters |
|
30 |
|
Unidentified, 1968-1987 and undated |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Material about Barthelme and his Works,
1964-2001 |
|
Interviews and Biographical Articles, 1972-2001 |
|
An interview with Barthelme was published in the Summer 1981 issue
of the Paris Review as part of its well known
series of interviews with writers. J.D. O'Hara taped the initial conversation
with Barthelme, transcribed the tape, and sent the transcript to Barthelme.
Barthelme heavily reworked the transcript to make an entirely different draft.
This series contains various drafts of the interview and some related
correspondence. See also the J.D. O'Hara folder in the Correspondence
series. |
|
|
|
The Paris
Review |
| Box |
Folder |
| 13 |
1 |
|
|
Typescript draft,
[ca. 1980-1981] |
|
2 |
|
|
Second typescript draft (photocopied), with editorial
notes by Ann Beattie,
[ca. 1980-1981] |
|
3 |
|
|
Third typescript draft (photocopied),
[ca. 1980-1981] |
|
4 |
|
|
Final typescript draft (photocopied), signed,
[ca. 1980-1981] |
|
5 |
|
|
Page proof, introduction to interview,
[ca. 1980-1981] |
|
6 |
|
|
Correspondence,
[ca. 1980-1981] |
|
7 |
|
Miscellaneous, 1972-2001 and undated |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Reviews, 1964-1990 |
|
Reviews of Barthelme's works, primarily from newspapers and
magazines. Reviews on acidic newsprint have been photocopied onto less acidic
paper. |
| Box |
Folder |
| 13 |
8 |
|
Amateurs,
1976-1977 |
|
9 |
|
City Life,
1970-1971 |
|
10 |
|
Come Back, Dr. Caligari,
1964 |
|
11 |
|
The Dead Father,
1975-1977 |
|
12 |
|
Forty Stories,
1987-1988 |
|
13 |
|
Great Days,
1978-1979 |
|
14 |
|
Great Days [play],
1983 |
|
15 |
|
Guilty Pleasures,
1974 |
|
16 |
|
The King,
1990 |
|
17 |
|
Other Works,
1970-1988 |
|
18 |
|
Overnight to Many Distant
Cities,
1983-1984 |
|
19 |
|
Paradise,
1986-1987 |
|
20 |
|
Sadness,
1972-1974 |
|
21 |
|
Sam's Bar,
1987 |
|
22 |
|
Sixty Stories,
1981, 1989 |
|
23 |
|
The Slightly Irregular Fire
Engine,
1972 |
|
24 |
|
Snow White,
1967 |
|
25 |
|
Unspeakable Practices, Unnatural
Acts,
1968-69 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Articles and Reviews, Foreign Language, 1969-1984 |
|
Reviews of Barthelme's work in languages other than English. |
| Box |
Folder |
| 13 |
26 |
|
Articles and Reviews, Foreign Language,
1969-1984 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Clippings, 1974-1989 |
|
Articles about Barthelme, the Houston/Texas writing scene, and
some of his friends. |
| Box |
Folder |
| 13 |
27 |
|
Donald Barthelme, 1974-1989 and undated |
|
28 |
|
Houston/Texas Writing Scene,
1984-1988 |
|
29 |
|
Mary Ann Hayes |
|
30 |
|
Jim Love,
1980 |
|
31 |
|
Grace Paley and the White House Eleven,
and undated 1978-1979 |
|
32 |
|
Susan Sontag,
1977-1980 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Criticism/Papers on Barthelme, 1975-1986 |
|
This series contains literary criticism and student papers about
Barthelme's work. |
| Box |
Folder |
| 13 |
33 |
|
Criticism/Papers on Barthelme, 1975-1986 and
undated |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Writing Career,
1972-1997 |
|
Creative Writing Program, University of Houston, [ca.
1980s-1988] |
|
This series contains materials related to Barthelme's teaching
career at the University of Houston, including some of the assignments he gave
his writing classes. The folder containing class enrollment and grades is
closed to the public for privacy reasons. |
| Box |
Folder |
| 14 |
1 |
|
Class Enrollment and Grades, 1981-1988
CLOSED |
|
2 |
|
Class Materials,
[ca. 1980s] |
|
4 |
|
Promotional Materials, Creative Writing Program and
Houston Reading Series,
[ca. 1980s] |
| Box |
| 27 |
|
|
Promotional flyer paste-ups,
1987-1988 |
| Box |
Folder |
| 14 |
5 |
|
Teaching Evaluations,
1988 |
|
6 |
|
University of Houston,
[ca. 1980s] |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Graduate Program in Writing, The City College of New York, [ca.
1970s] |
|
One folder of material related to Barthelme's teaching career at
the City College of New York. |
| Box |
Folder |
| 14 |
7 |
|
Graduate Program in Writing, The City College of New
York,
[ca. 1970s] |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
PEN American, 1976-1989 |
|
Barthelme was a member of the writers' association PEN American
Center, serving as its vice president for the period 1977-1979. Most of the
material in this series relates to the planning of the 48th International PEN
Congress, which was held in New York City in 1986. Copies of papers that were
delivered on the topic of "The Writer's Imagination and the Imagination of the
State," are included. |
| Box |
Folder |
| 14 |
8 |
|
Awards, 1989 and undated |
|
9 |
|
48th International PEN Congress, Packets,
1986 |
|
10-11 |
|
48th International PEN Congress, Panelists' Papers,
1986 |
|
12 |
|
48th International PEN Congress, Report,
1987 |
|
13 |
|
PEN American Center,
1978-1987 |
|
14 |
|
PEN American Center, Printed Manner,
1976-1989 |
|
15 |
|
Planning Committee,
1988-1989 |
|
16 |
|
Planning Committee, Planning Survey Results,
1988 |
|
17 |
|
Program Committee, 48th International PEN Congress,
1983-1986 |
|
18 |
|
Program Committee, 48th International PEN Congress,
Correspondence,
1985 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Awards and Events, 1972-1984 |
|
Awards and certificates received by Barthelme, including the
National Book Award and the French Chevalier dans l'Ordre des Arts et des
Lettres, and related materials. |
| Box |
Folder |
| 14 |
19 |
|
American Academy and Institute of Arts and Letters,
1978-1983 |
| Box |
Folder |
| 29 |
15 |
|
Chevalier dans l'Ordre des Arts et des Lettres
certificate, with letter,
1989 |
| Box |
Folder |
| 14 |
20 |
|
Miscellaneous,
1980-1984 |
| Box |
Folder |
| 29 |
16 |
|
National Book Award for Children's Books,
1972 |
| Box |
Folder |
| 14 |
21 |
|
National Institute of Arts and Letters, Morton Dauwen
Zabel Award, 1972 |
|
|
|
Writers in Society Series, University of Houston
[U-matic videotape] |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Contracts, 1975-1997 |
| Box |
Folder |
| 14 |
22 |
|
Contracts,
1975-1997 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Royalties, 1978-1986 |
|
This folder contains royalty statements. |
| Box |
Folder |
| 14 |
23 |
|
Royalties,
1978-1986 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Miscellaneous, 1987 |
|
This folder contains only a single membership roster for the Texas
Institute of Letters. |
| Box |
Folder |
| 14 |
24 |
|
Miscellaneous,
1987 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Photographs,
1979-1988 |
|
Photographs of Donald Barthelme alone or with his wife or fellow
writers. Of special note is the photograph from the "Postmodernists Dinner"
arranged by Barthelme in 1983, which includes leading writers who were
described by critics as postmodern in style. |
| Box |
Folder |
| 18 |
23 |
|
John Barth,
1979 |
|
24 |
|
Donald and Marion Barthelme, undated |
|
25 |
|
Donald Barthelme, 1979 and undated |
|
26 |
|
Donald Barthelme,
[ca. 1980s] |
|
27 |
|
Donald Barthelme,
1988 |
| Box |
| 29 |
|
|
Donald Barthelme
1988 |
| Box |
Folder |
| 18 |
28 |
|
Donald Barthelme and John Barth, undated |
|
29 |
|
Donald Barthelme and Grace Paley,
1980 |
|
30 |
|
Donald Barthelme and George Plimpton,
1988 |
|
31 |
|
Miscellaneous, undated |
|
32 |
|
Postmodernists Dinner: Donald Barthelme, John Barth,
Robert Coover, Kurt Vonnegut, Walter Abish, William Gass, and others,
1983 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Miscellaneous,
1960-1989 |
|
Most notable in this series are biographical notes about Donald
Barthelme, and a photocopy of his appointment book from 1979. |
| Box |
Folder |
| 18 |
33 |
|
Art Openings, Promotional Materials,
1978-1987 |
|
34 |
|
Biographical Information,
1982-1987 |
|
35 |
|
Business Cards, Others', undated |
|
36 |
|
Cards, Various, undated |
|
37 |
|
Financial,
1973-1989 |
|
38 |
|
Houston Review Cover |
|
39 |
|
Magazine Clippings,
1979-1984 |
|
40 |
|
Memorial Services,
1978-1979 |
|
41 |
|
Miscellaneous, undated |
|
42 |
|
Notes and Addresses, undated |
|
43 |
|
Postcards, Blank, undated |
|
44 |
|
Printed Pamphlets, 1960-1983 and undated |
|
45 |
|
Transcript, University of Houston,
1977 |
|
46 |
|
Week-at-a-Glance appointment book, photocopy,
1979 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Students' Works,
1983-1989 |
|
Graduate Students, Creative Writing Program |
|
Works submitted to Barthelme by students in the Creative Writing
Program at the University of Houston. |
|
|
|
Elizabeth Ashton |
| Box |
Folder |
| 15 |
1 |
|
|
The Exorcist, undated |
|
2 |
|
|
Street Talk,
1984 |
|
3 |
|
|
The Triumph 10,
1983 |
|
|
|
[Glenn Blake] |
| Box |
Folder |
| 15 |
4-5 |
|
|
Chocolate Bay,
undated |
|
6 |
|
|
The Clearing, undated |
|
|
|
Michael Bond |
| Box |
Folder |
| 15 |
7-9 |
|
|
Leftovers |
|
|
|
|
Maureen Brown |
| Box |
Folder |
| 15 |
10 |
|
|
Pizza Kid, with note,
1983 |
|
|
|
[Kathleen] Cambor |
| Box |
Folder |
| 15 |
11-13 |
|
|
Anne, undated |
|
14 |
|
|
Stars,
1983 |
|
|
|
Vikram Chandra |
| Box |
Folder |
| 15 |
15-18 |
|
|
Red Earth and Pouring
Rain, undated |
|
|
|
[Thomas] Cobb |
| Box |
Folder |
| 15 |
19 |
|
|
Consider the Lilies of the Field,
1983 |
|
|
|
Kevin Cunningham |
| Box |
Folder |
| 15 |
20 |
|
|
Strange Attractors,
undated |
|
|
|
Tracy Daugherty |
| Box |
Folder |
| 16 |
1 |
|
|
Harrup, undated |
|
2 |
|
|
Harrup, alternate draft, with note,
undated |
|
3-4 |
|
|
Lowrider, with letter,
undated |
|
5 |
|
|
Observatory, undated |
|
6 |
|
|
Problem, undated |
|
7 |
|
|
Raphael's Blush, undated |
|
|
|
Lila Havens |
| Box |
Folder |
| 16 |
8 |
|
|
Noctimania, undated |
|
|
|
O[live] Hershey |
| Box |
Folder |
| 16 |
9 |
|
|
Science in the Modern World, with card,
undated |
|
|
|
Sabine Hilding |
| Box |
Folder |
| 16 |
10 |
|
|
Anna, undated |
|
11 |
|
|
Anna, alternate draft,
undated |
|
|
|
Robert Lunday |
| Box |
Folder |
| 16 |
12 |
|
|
The Amnesia Club, undated |
|
|
|
Elizabeth McBride |
| Box |
Folder |
| 16 |
13-14 |
|
|
Separations |
|
15-16 |
|
|
Sheila, Part I, with
cards,
1987 |
|
17-18 |
|
|
Sheila, Part I,
1987 |
|
|
|
Daniel C. Massey |
| Box |
Folder |
| 16 |
19 |
|
|
Local Terror |
|
|
|
[Virginia] "Ginger" [Moran] |
| Box |
Folder |
| 16 |
20 |
|
|
The Algebra of
Snow |
|
|
|
David Portz |
| Box |
Folder |
| 16 |
21 |
|
|
Hand Motions About the Neck,
1988 |
|
22 |
|
|
Short Stories,
1989 |
|
|
|
Padgett Powell |
| Box |
Folder |
| 16 |
23 |
|
|
Typical, with note to Marion, undated |
|
|
|
[Michael] "Mike" Ronan |
| Box |
Folder |
| 16 |
24 |
|
|
Dali Lama Dreams,
1986 |
|
|
|
Marilyn Stablein |
| Box |
Folder |
| 16 |
25 |
|
|
After the Trial, undated |
|
26 |
|
|
Circling the Buddha, undated |
|
|
|
Eleanor Totz |
| Box |
Folder |
| 16 |
27 |
|
|
Defiled, undated |
|
|
|
George Williams |
| Box |
Folder |
| 16 |
28 |
|
|
Airport, undated |
|
29 |
|
|
Bus, undated |
|
30 |
|
|
Deadly, undated |
|
31 |
|
|
Fame, undated |
|
32 |
|
|
Garden of Earthly Delights, with letter,
undated |
|
33 |
|
|
Ghost, undated |
|
34 |
|
|
Mule, with letter, undated |
| Box |
Folder |
| 17 |
1-3 |
|
|
Under a Green Sun,
undated |
|
|
|
Eric Miles Williamson |
| Box |
Folder |
| 17 |
4 |
|
|
The Pedestrian Wheel,
1988 |
|
|
|
Paul Yeager |
| Box |
Folder |
| 17 |
5 |
|
|
Red Hot Nights,
1988 |
|
6 |
|
|
Red Hot Nights, alternate
draft (photocopy), with letter,
1988 |
|
|
|
George? |
| Box |
Folder |
| 17 |
7-9 |
|
|
The History of
Luminescence |
|
|
|
[Polly] |
| Box |
Folder |
| 17 |
10 |
|
|
Roberta 1956, ch. 7, undated |
|
|
|
Unidentified |
| Box |
Folder |
| 17 |
11-12 |
|
|
Angel Corp.,
undated |
|
13 |
|
|
The Butterfly Effect,
undated |
|
14 |
|
|
The Heater Man, undated |
|
15 |
|
|
[L.A. Law teleplay], undated |
|
16 |
|
|
Rates of Exchange, undated |
|
17 |
|
|
Slam Dance, undated |
|
18 |
|
Fragments, undated |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
Undergraduate Students, 1984-1988 |
|
Works submitted to Barthelme by undergraduate students at the
University of Houston. |
| Box |
Folder |
| 17 |
19-20 |
|
Undergraduate students, 1984-1988 and
undated |
|
21 |
|
Fragments, undated |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Works by Others,
1975-1989 |
|
Primarily typescripts and photocopies of works by other writers. A
galley proof of William Gass' On Being Blue is
included in this series. |
|
|
|
Roger Angell |
| Box |
Folder |
| 18 |
1 |
|
|
Remarks,
1981 |
|
|
|
Ann Beattie |
| Box |
Folder |
| 18 |
2 |
|
|
Alex Katz (photocopy) with letter,
[1987] |
|
|
|
[Thomas] Benjamin |
| Box |
Folder |
| 18 |
3 |
|
|
"Free Advice to a Young Composer,"
1980 |
|
|
|
Arthur C. Danto |
| Box |
Folder |
| 18 |
4 |
|
|
Philosophizing Literature (two photocopies),
undated |
|
|
|
John Domini |
| Box |
Folder |
| 18 |
5 |
|
|
Eastertime Fogs (photocopy),
1988 |
|
6 |
|
|
Highway Trade (photocopy),
1988 |
|
7 |
|
|
The Rules of Dancing (photocopy),
1987 |
|
|
|
William Gass |
| Box |
| 25 |
|
|
|
On Being Blue, galley
proof,
1975 |
|
|
|
Albert Guérard |
| Box |
Folder |
| 18 |
8 |
|
|
"The View from the Persimmon Tree: Houston 1924-1972,"
The Touch of Time: Myth, Memory, and the Self, [1980] |
|
|
|
Kenneth Koch |
| Box |
Folder |
| 18 |
9 |
|
|
Youth, undated |
|
|
|
George Manner |
| Box |
Folder |
| 18 |
10 |
|
|
Placement of Things,
undated |
|
|
|
Gina Maranto |
| Box |
Folder |
| 18 |
11 |
|
|
Shadow Keepers, with
letter,
1989 |
|
|
|
Maurice Natanson |
| Box |
Folder |
| 18 |
12 |
|
|
The Ghost of Perception (photocopy) |
|
13 |
|
|
An Ordinary Evening in New Haven
(photocopy) |
|
14 |
|
|
The Sleep of Bad Faith |
|
|
|
Grace Paley |
| Box |
Folder |
| 18 |
15 |
|
|
Friends (photocopy), undated |
|
16 |
|
|
Photographing/In Another Country/Somewhere Else,
undated |
|
|
|
Gregory Blake Smith |
| Box |
Folder |
| 18 |
17 |
|
|
From The Flesh and the
Spirit,
[1988] |
|
|
|
Joy Williams |
| Box |
Folder |
| 18 |
18 |
|
|
(Concerning the Visiting Faculty Person), [spoof of
Barthelme's "Concerning the Bodyguard"], undated |
|
|
|
Robert Wren |
| Box |
Folder |
| 18 |
19 |
|
|
Harmattan Light, undated |
|
20 |
|
|
Love Among the Ruins, undated |
|
21 |
|
|
University, undated |
|
22 |
|
Dust Jackets,
1976-1981 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Partial Index of Correspondents |
|
|
|
Angell, Roger |
|
|
|
Apple, Max |
|
|
|
Banks, Russell,
1940- |
|
|
|
Barth, John,
1930- |
|
|
|
Barthelme, Donald,
1907-1996 |
|
|
|
Beattie, Ann |
|
|
|
Boyle, Kay,
1902-1992 |
|
|
|
Cheever, John |
|
|
|
Coover, Robert |
|
|
|
Dahl, Roald |
|
|
|
De Kooning, Elaine |
|
|
|
Fisher, M.F.K. (Mary Frances Kennedy),
1908-1992 |
|
|
|
Gates, David,
1947- |
|
|
|
Gill, Brendan,
1914-1997 |
|
|
|
Giroux, Robert |
|
|
|
Hannah, Barry |
|
|
|
Hess, Thomas B. |
|
|
|
Hijuelos, Oscar |
|
|
|
Johnson, B. S. (Bryan Stanley),
1933-1973 |
|
|
|
Lowry, Beverly |
|
|
|
Macdonald, Cynthia |
|
|
|
Oates, Joyce Carol,
1938- |
|
|
|
Paley, Grace |
|
|
|
Percy, Walker,
1916-1990 |
|
|
|
Powell, Padgett |
|
|
|
Pynchon, Thomas |
|
|
|
Shawn, William |
|
|
|
Sontag, Susan,
1933-2004 |
|
|
|
Tolstoy, Alexandra,
1884-1979 |
|
|
|
Updike, John |
|
|
|
Vonnegut, Kurt |
|
|
|
Williams, Joy,
1944- |
|