TABLE OF CONTENTS
Descriptive Summary
Biographical Note
Scope and Contents
Restrictions
Index Terms
Administrative Information
Source
Description of Series
Correspondence, 1936-1977
Productions, 1938-1976
Scripts, 1936-1970
Programs, 1923-1978
Playbills, 1939-1978.
Serials, 1961-1984
Audiotapes, 1974
Sheet Music, 1862-1951
Sound Recordings, 1945-1970
General, 1931-1976
Posters, 1933-1971
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Cheryl Crawford Collection
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Creator: |
Crawford, Cheryl |
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Title: |
Cheryl Crawford Collection |
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Date: |
1862-1981 |
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Abstract: |
Cheryl Crawford worked as a theatre producer for five decades, primarily on Broadway, producing musicals that included Brigadoon, Porgy and Bess, and Yentl, and four Tennessee Williams plays. She was also a founding member of both the Group Theatre and the Actors Studio. Her collection includes correspondence, production materials, scripts, programs, playbills, audio tapes, posters, and sound recordings, as well as her personal collection of sheet music. |
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Identification: |
1978-002 |
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Quantity: |
25 boxes; 11.4 linear feet |
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Repository: |
Special Collections, University of Houston Libraries
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Producer and director Cheryl Crawford was born Sept. 24, 1902 in Akron, Ohio to Louella E. (Parker) and Robert K. Crawford. Crawford died on Oct. 7, 1986 in New York City.
Although involved in at least one high school dramatic production, Crawford began her formal acting career while at Smith College, when she became involved with Smith College Dramatic Association. While a student, she produced Shakuntala, a Native American drama. During the summer of 1924 Crawford was associated with the Provincetown Players of Cape Cod. In 1925 she graduated from Smith College, cum laude.
Following graduation, Crawford attended a school managed by the Theatre Guild in New York City. She worked with the Theatre Guild until 1930, working first as a secretary and a third assistant manager. Later she worked as a casting director and general assistant on Theatre Guild productions.
In 1930 Crawford left the Theatre Guild to form the Group Theatre, sharing the responsibilities as director of the group with Harold Clurman and Lee Strasberg. During this period she directed Big Night (1933), Till the Day I Die (1935), and Weep for the Virgins (1935) as well as assisting with the direction of the first production by the Group Theatre, The House of Connelly (1931). She left the Group Theatre in 1937 to begin directing on her own.
Between 1937 and her death in 1986 Crawford was involved in the production of more than 100 shows. From 1937 through 1945 Crawford worked primarily on Broadway. While working at the Maplewood Theatre in New Jersey, 1940-1942, she produced different shows on a weekly basis and worked with such stars as Tallulah Bankhead, Ingrid Bergman, Gloria Swanson in productions such as The Time of Your Life and Charley's Aunt.
In 1946 Crawford formed the American Repertory Theatre with Eva Le Gallienne and Margaret Webster. In 1947 Crawford united with Robert Lewis and Elia Kazan to form the Actors Studio. Crawford served as both a member of the board of directors and as an executive producer during the Actors Studio Theatre, which ran during 1963 and 1964.
Crawford was active as a producer for fifty-five years, co-producing So Long on Lonely Street in 1986. During that time she produced musicals such as Brigadoon, Porgy and Bess, Paint Your Wagon, and Celebration. Crawford also produced four Tennessee Williams plays, among them Sweet Bird of Youth, in which Paul Newman starred, and Period of Adjustment. Some of the highlights from productions during the last decades of her life include Yentl, Mother Courage and Her Children, and Do You Turn Somersaults.
Crawford's awards include an honorary Doctor of Literature from Smith College, awarded in 1962, and an Antoinette Perry (Tony) Award in 1951 for Tennessee William's The Rose Tattoo. She was named Woman of the Year in 1959. In 1964 she was awarded an Achievement Medal from Brandeis University.
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The Cheryl Crawford Collection documents her career in theatre from almost the beginning through the years immediately preceding the sale of her collection to the University of Houston. Items date between 1862 and 1981, with the bulk of the items dated 1940 through 1978. There are 3,335 items in the collection.
The collection includes correspondence, production materials, scripts, programs, playbills, audio tapes, posters, sheet music, sound recordings, clippings, budgets, tax returns, legal agreements, contracts, audits, reviews, speeches, and miscellaneous items such as postcards and receipts.
The series are arranged as follows: Correspondence, Productions, Scripts, Programs, Playbills, Serials, Audio Tapes, Sheet Music, Sound Recordings, a General series for miscellaneous items, and Posters. The finding aid includes a complete container listing. Item listings of correspondence, production materials, playbills, programs, and general items are available upon request.
Some printed items have been removed from the collection and incorporated into the library's cataloged holdings. These materials include books and some sheet music. The materials which have been removed from the collection and cataloged are available for use.
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Access Restrictions
Open for research.
Use Restrictions
Special Collections owns the physical items in our collections, but copyright normally belongs to the creator of the materials or their heirs. The researcher has full responsibility for determining copyright status, locating copyright holders, and abiding by current copyright laws when publishing or displaying copies of Special Collections material in print or electronic form. For more information, consult the appropriate librarian.
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Terms are either Library of Congress Subject Headings or taken from local sources. |
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Subjects (Persons) |
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Crawford, Cheryl, 1902-1986 |
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Kazan, Elia |
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Martin, Mary, 1913- |
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Wilder, Thornton, 1897-1975 |
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Williams, Tennessee, 1911-1983 |
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Subjects (Organizations) |
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Group Theatre (U.S.) |
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Actors Studio (New York, N.Y.) |
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Subjects |
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Theatrical producers and directors -- United States |
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Cheryl Crawford Collection, Courtesy of Special Collections, University of Houston Libraries.
The collection was purchased from Cheryl Crawford in 1978.
Original processing: 1985
Reprocessing: Andrea Bean, August 1994
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Notable Women in the American Theatre: A Biographical Dictionary. New York, New York: Greenwood Press, 1989. 173-176. |
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| box |
folder |
| 1 |
1-53 |
Correspondence, 1936-1977 |
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There are 438 items in this series. The correspondence is arranged alphabetically by correspondent. Letters received and sent have been kept together, as that is the arrangement used by Crawford. Letters date from 1936 to 1977, with the bulk of the material dated 1950 through 1961. |
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In some cases, the only correspondence with a particular person are the carbon copies saved by Crawford. People to which carbon copies of letters sent are all that were kept are: Judy Garland, Oscar Hammerstein, Burgess Meredith, Marilyn Monroe, Shelley Winters, and Audrey Wood. Major correspondents include Mary Martin and Richard Halliday, Marc Blitzstein, Tennessee Williams, and Thornton Wilder. A complete listing of letters sent and received is available. |
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This series does not include correspondence related to specific productions which has been filed with other materials related to that production. Additional correspondence related to a particular production is located with other records of the production. There also is some correspondence in the General series, placed with related items such as the Diary of Anne Frank lawsuit file. |
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There is little personal correspondence, as most items relate directly to activities in the theatre. |
| Box |
Folder |
| 1 |
1 |
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Letter from Jane Alexander, 1976. Extent 1 item |
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2 |
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Letter from Judith Alexander, undated. Extent 2 items |
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3 |
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Telegram from James Baldwin, 1964. Extent 1 item |
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4 |
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Letter from Tallulah Bankhead to Kieran Tunney, 1965. Extent 2 items |
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5 |
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Letters from Vicki Baum, telegram and carbon copies of letters to Vicki Baum, additional materials, 1944. Extent 12 items |
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5a |
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Letters from Vicki Baum, telegram and carbon copies of letters to Vicki Baum, additional materials, 1944-1945. Extent 11 items |
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6 |
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Letters from Marc Blitzstein, carbon copies of letters to Marc Blitzstein, additional materials, 1949-1960. Extent 35 items |
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7 |
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Letter from Marlon Brando, 1953. Extent 1 item |
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7 |
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Letter from Bertoldt Brecht to Roth, additional item, 1950. Extent 2 items |
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9 |
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Letter from Gower Champion, 1968. Extent 1 item |
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10 |
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Letter from Paddy Chayefsky, 1961. Extent 1 item |
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11 |
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Letter from Agnes de Mille, 1976. Extent 3 item |
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12 |
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David Diamond, undated. Extent 1 item |
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13 |
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Letters from Lehman Engel, carbon copies of letters to Lehman Engel, 1965-1967. Extent 27 items |
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14 |
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Letters from Lynn Fontanne, 1975. Extent 2 items |
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15 |
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Carbon copies of letters to Pamela Frankau, 1955. Extent 2 items |
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16 |
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Carbon copies of letters to Judy Garland, 1961. Extent 3 items |
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17 |
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Letter from Paul Green, 1975. Extent 1 item |
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18 |
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Carbon copies of letters to Oscar Hammerstein, 1954-1955. Extent 2 items |
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19 |
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Letters from Julie Harris, 1974-1976. Extent 2 items |
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20 |
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Letters from Helen Hayes, 1973-1974. Extent 3 items |
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21 |
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Letter from Elia Kazan, carbon copies of letters to Elia Kazan, additional materials., 1950-1957. Extent 20 items |
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21a |
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Letters from Elia Kazan, letter from Elia Kazan to Lee Strasberg, carbon copies of letters to Elia Kazan, additional materials, 1958-1975. Extent 43 items |
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22 |
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Letters from Ephraim Kishon, carbon copies of letters to Ephraim Kishon, 1961. Extent 6 items |
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23 |
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Letter from Eva La Gallienne, undated. Extent 1 item |
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24 |
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Letter from Cloris Leachman, 1977. Extent 1 item |
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25 |
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Letter from Lotta Lenya, 1976. Extent 1 item |
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26 |
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Letters from Alan Lerner, carbon copies of letters to Alan Lerner, 1951. Extent 3 items |
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27 |
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Letters from Carson McCullers, letter from Carson McCullers to Otto Frank, carbon copies of letters to Carson McCullers, additional materials, 1952-1961. Extent 11 items |
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28 |
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Letter from Anna Magnani (photocopy), 1962. Extent 1 item |
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29 |
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Letters from Mary Martin and Richard Halliday, carbon copies of letters to Mary Martin and Richard Halliday, additional materials, 1945-1963. Extent 53 items |
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29a |
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Letters from Mary Martin and Richard Halliday, additional materials, 1972-1977. Extent 13 items |
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30 |
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Carbon copy of letter to Burgess Meredith, 1964. Extent 1 item |
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31 |
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Carbon copies of letters to Marilyn Monroe, 1955-1961. Extent 7 items |
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32 |
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Letter from Michael Moriarty, 1974. Extent 1 item. |
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33 |
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Carbon copy of letter to Henry Lee Munson, 1960. Extent 1 item |
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34 |
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Letter from Paul Newman, carbon copies of letters to Paul Newman, 1960-1962. Extent 3 items |
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35 |
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Carbon copy of letter to Mike Nichols and Elaine May, 1961. Extent 1 item |
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36 |
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Letters from Clifford Odets, carbon copies of letters to Clifford Odets, 1936-1961. Extent 6 items |
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37 |
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Letters from Laurence Olivier, carbon copies of letters to Laurence Olivier, 1953-1977. Extent 5 items |
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38 |
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Letter from Alan J. Pakula, 1959. Extent 1 item |
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39 |
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Letters to Lynn Riggs (photocopies), 1936. Extent 8 items |
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40 |
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Letter from Samantha Rowe Rau, 1958. Extent 1 item. |
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41 |
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Carbon copies of letters to Lee Strasberg, card from Lee Strasberg, 1961-1963. Extent 3 items |
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42 |
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Letter from Franchot Tone, 1953. Extent 1 item. |
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43 |
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Letter from Eli Wallach, 1954. Extent 1 item |
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44 |
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Carbon copy of letter to Robert Wallston, 1961. Extent 1 item |
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45 |
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Letter from Margaret Webster, 1937-1972. Extent 11 items |
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46 |
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Letter from Helen Weigel (photocopy), 1968. Extent 1 item |
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47 |
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Letter from Kurt Weill, 1937. Extent 1 item |
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48 |
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Letter from Orson Welles, telegram and carbon copies of letters to Orson Welles, additional materials, 1960-1961. Extent 10 items |
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49 |
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Letters from Thornton Wilder, carbon copies of letters to Thornton and Isobel Wilder, 1946-1975. Extent 24 items |
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50 |
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Letters and photocopies of letters from Tennessee Williams, carbon copies of letters to Tennessee Williams, 1948-1954. Extent 29 items |
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50a |
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Letters and photocopies of letters from Tennessee Williams, carbon copies of letters to Tennessee Williams, 1956-1976. Extent 27 items |
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51 |
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Carbon copy of letter to Shelley Winters, 1967. Extent 1 item |
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52 |
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Carbon copies of letters to Audrey Wood, 1948-1953. Extent 6 items |
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53 |
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Carbon copies of letters to Ceciley Youmans and John Patrick, additional materials, 1954-1955. Extent 22 items |
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Productions, 1938-1976 |
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Production materials are arranged alphabetically by the title of the production. Within each production, materials are arranged chronologically, although in some cases where the amount of material warrants separation the materials are divided by category (i.e. legal, financial, etc.). The materials are dated 1938 to 1976, with the bulk of the materials dated 1944 through 1976. There are 2,060 items in this series. |
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Materials include legal agreements, contracts, financial records, insurance policies, costume descriptions, receipts, box office statements, and correspondence related to the productions. |
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Folder |
| 2 |
1 |
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Alice in Wonderland, 1947. Extent 8 items |
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2 |
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All the Living, 1938. Extent 1 item |
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3 |
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Another Sun, 1940. Extent 30 items |
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4 |
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The Big Hello, 1961-1962. Extent 34 items |
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Brigadoon, 1948-1951. Extent 8 items |
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6 |
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The Closing Door, 1949-1950. Extent 14 items |
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7 |
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Camille, 1961-1962. Extent 39 items |
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8 |
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Camille, 1962. Extent 21 items |
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9 |
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Camille, 1962. Extent 23 items |
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10 |
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Celebration. Broker Sales, 1969. Extent 16 items |
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11 |
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Celebration. Cash/Costumes, 1968-1969. Extent 173 items |
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12 |
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Celebration. Cash/Misc, 1968-1969. Extent 65 items |
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13 |
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Celebration. Cash/Props, 1968-1969. Extent 151 items |
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14 |
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Celebration. Financial Records, 1968-1969. Extent 17 items |
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15 |
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Celebration. Financial Records by Week, 1969. Extent 23 items |
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16 |
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Celebration. Financial Records by Week, 1969. Extent 12 items |
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17 |
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Celebration. Financial Records by Week, 1969. Extent 11 items |
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18 |
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Celebration. Financial Records by Week, 1969. Extent 20 items |
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19 |
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Celebration. Financial Records by Week, 1969. Extent 22 items |
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20 |
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Celebration. Financial Records by Week, 1969. Extent 19 items |
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21 |
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Celebration. Financial Records by Week, 1969. Extent 20 items |
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22 |
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Celebration. Financial Records by Week, 1969. Extent 20 items |
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23 |
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Celebration. Financial Records by Week, 1969. Extent 11 items |
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24 |
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Celebration. Financial Records by Week, 1969. Extent 17 items |
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25 |
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Celebration. Financial Records by Week, 1969. Extent 11 items |
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Folder |
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1 |
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The Closing Door, 1949-1950. Extent 23 items |
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2 |
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The Film of Memory, 1956-1957. Extent 41 items |
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3 |
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The Film of Memory, 1958-1967. Extent 58 items |
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4 |
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The Flowers of Virtue, 1941. Extent 19 items |
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5 |
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The Flowers of Virtue, 1942. Extent 39 items |
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6 |
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The Flowers of Virtue, 1942. Extent 8 items |
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7 |
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The Freaking Out of Stephanie Blake. Correspondence, 1967. Extent 47 items |
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8 |
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The Freaking Out of Stephanie Blake. Correspondence, 1967. Extent 30 items |
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9 |
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The Freaking Out of Stephanie Blake. Legal, 1967. Extent 22 items |
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10 |
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Happy End, 1963-1964. Extent 47 items |
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11 |
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Happy End, 1964-1965. Extent 44 items |
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Folder |
| 4 |
1 |
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Hold Back the Dawn, 1958-1959. Extent 50 items |
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2 |
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Hold Back the Dawn, 1960-1961. Extent 71 items |
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3 |
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Hold Back the Dawn, 1961. Extent 16 items |
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4 |
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The Honeys, 1955. Extent 41 items |
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5 |
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Jennie, 1963. Extent 51 items |
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6 |
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Judith Hearne, 1957-1958. Extent 12 items |
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7 |
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Love Life. Costumes, 1948-1949. Extent 24 items |
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8 |
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The Love Suicide at Schofield Barracks, 1971-1972. Extent 20 items |
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9 |
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Mister Johnson, 1957-1963. Extent 13 items |
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10 |
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New Person, 1966. Extent 7 items |
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11 |
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Peer Gynt, 1946-1951. Extent 70 items |
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12 |
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Perfect Marriage, 1944-1945. Extent 20 items |
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13 |
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Period of Adjustment, 1960-1961. Extent 19 items |
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14 |
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The Rape of the Fair Country. Correspondence, 1965-1966. Extent 42 items |
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15 |
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The Rape of the Fair Country. Expenses, 1965-1966. Extent 30 items |
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16 |
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The Rape of the Fair Country. Legal, 1965-1966. Extent 11 items |
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17 |
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The Rape of the Fair Country. Operating Budget, 1965-1966. Extent 8 items |
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18 |
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The Rape of the Fair Country. Recordings, 1965-1966. Extent 7 items |
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19 |
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Regina, 1951. Extent 3 items |
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Folder |
| 5 |
1 |
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Shadow of a Gunman, 1955-1959. Extent 44 items |
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2 |
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Shadow of a Gunman. Contracts, 1958. Extent 56 items |
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3 |
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Shadow of a Gunman. Financial Records, 1958. Extent 41 items |
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4 |
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Shadow of a Gunman. Production Records, 1958. Extent 23 items |
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5 |
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Yentl. Contracts, 1975. Extent 10 items |
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6 |
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Yentl. Correspondence, 1975-1976. Extent 10 items |
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7 |
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Yentl. Financing, 1975. Extent 3 items |
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8 |
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Yentl. Reviews, 1974-1975. Extent 41 items |
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9 |
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Yentl. Reviews, 1975. Extent 39 items |
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10 |
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Yentl. Reviews, 1975. Extent 16 items |
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11 |
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Yentl. Royalties, 1975-1976. Extent 34 items |
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12 |
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Yentl. Statements, 1975-1976. Extent 94 items |
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1-5 |
Scripts, 1936-1970 |
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There are five full-length scripts in this series. They include two plays by Clifford Odets, The Nursery and Paradise Lost, the musical Johnny Johnson, written by Paul Green, Sweet Bird of Youth, written by Tennesee Williams, and The Trojan Women, written by F. G. Yerby. |
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Folder |
| 6 |
1 |
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Johnny Johnson, [1936]. 110 pages |
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2 |
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The Nursery, 1953. 30 pages |
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3 |
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Paradise Lost, undated. 145 pages |
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4 |
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Sweet Bird of Youth, 1956 |
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5 |
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The Trojan Women, 1970. 91 pages |
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| 6-8 |
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Programs, 1923-1978 |
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These materials date from 1923 through 1978, with the bulk of the material dated 1948 through 1978. There are 275 programs in this series. |
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The programs have been separated into two sub-series; plays in which Crawford was involved in some fashion and plays in which she was not involved. Both sub-series are arranged alphabetically by title of the performance. Plays in which Crawford was not involved are further divided into American and British productions. The British programs include a few playbills produced in London for British productions. |
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There are no programs in this series which date after 1951 for productions in which Crawford was involved. Those interested in programs for Crawford productions dated after 1951 should check the Playbills series. |
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Folder |
| 6 |
6 |
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Crawford, 1923-1951. Extent 32 items |
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7 |
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A through D, 1935-1978. Extent 24 items |
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8 |
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F through H, 1973-1978. Extent 11 items |
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9 |
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J through P, 1940-1978. Extent 19 items |
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10 |
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R through W, 1972-1978. Extent 22 items |
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1 |
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British, A-Be, 1948-1971. Extent 17 items |
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2 |
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British, Be-Co, 1948-1971. Extent 15 items |
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3 |
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British, Co-Gi, 1948-1970. Extent 17 items |
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4 |
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British, Gr-In, 1948-1970. Extent 13 items |
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5 |
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British, Ir-Le, 1948-1973. Extent 12 items |
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6 |
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British, Li-My, 1948-1973. Extent 18 items |
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7 |
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British, Na-Qu, 1948-1977. Extent 15 items |
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| 8 |
1 |
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British, R-Ro, 1958-1973. Extent 17 items |
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2 |
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British, Ro-So, 1948-1970. Extent 13 items |
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3 |
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British, Sq-Ti, 1958-1973. Extent 12 items |
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4 |
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British, Ti-Wo, 1948-1973. Extent 18 items |
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Playbills, 1939-1978. |
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This series has been separated into two sub-series; playbills for productions in which Crawford was involved, and playbills for productions in which she was not involved. All items are arranged alphabetically by the title of the production. The bulk of the materials are dated 1973-1978. There are 123 items in this series. |
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Playbills are commercially produced programs for theatrical productions, generally produced in larger cities with strong theatrical encalves such as New York and London. The playbills include features on various performers, articles on fashion, and other stories related to the theater and of interest to theatregoers. |
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The playbills for non-Crawford productions have been separated American and miscellaneous productions. The collection includes 11 playbills for Crawford productions, including The Rose Tattoo, for which Crawford won a Tony Award. |
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A complete listing of playbills is available upon request. |
| Box |
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| 9 |
1 |
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Crawford, 1939-1978. Extent 11 items |
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2 |
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A-Ca, 1955-1977. Extent 13 items |
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3 |
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Ca-Da, 1955-1978. Extent 11 items |
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4 |
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Da-Ev, 1974-1978. Extent 11 items |
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5 |
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Fi-He, 1973-1978. Extent 16 items |
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| 10 |
1 |
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Hi-L, 1940-1978. Extent 13 items |
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2 |
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M-Mu, 1940-1978. Extent 11 items |
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3 |
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N-Ro, 1954-1978. Extent 14 items |
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4 |
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Ro-Th, 1954-1978. Extent 14 items |
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5 |
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Th-Wo, 1955-1975. Extent 9 items |
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folder |
| 11 |
1-12 |
Serials, 1961-1984 |
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There are several serials relating to the stage which are included in Crawford's papers. The magazines are arranged chronologically. There are 12 items in this series, including several issues of Show Business Illustrated, one issue of Motion Picture, and one issue of Rona Barrett Looks At. The bulk of the material is dated 1961. |
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Folder |
| 11 |
1 |
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Show Business Illustrated, 1961. Extent 1 item |
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2 |
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Show Business Illustrated, 1961. Extent 1 item |
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3 |
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Show Business Illustrated, 1961. Extent 1 item |
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4 |
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Show Business Illustrated, 1961. Extent 1 item |
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5 |
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Show Business Illustrated, 1961. Extent 1 item |
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6 |
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Show Business Illustrated, 1961. Extent 1 item |
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7 |
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Show Business Illustrated, 1961. Extent 1 item |
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8 |
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Show Business Illustrated, 1962. Extent 1 item |
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9 |
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Show Business Illustrated, 1962. Extent 1 item |
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10 |
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Show Business Illustrated, 1962. Extent 1 item |
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11 |
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Motion Picture, 1974. Extent 1 item |
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12 |
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Rona Barrett Looks At. 1981. Extent 1 item |
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| 12 |
1-8 |
Audiotapes, 1974 |
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This series has 8 items and includes interviews and recordings on audiotape. Included are two seven-inch reel-to-reel tapes; No For An Answer, and The Cradle Will Rock. There are also six three-inch reel-to-reel tapes and one cassette tape. The quality of these materials may vary. Only one tape has a date noted on the item. |
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Please give the staff at least 24 hours advance notice if interested in using these materials in order to reserve equipment for the patron's use. The department is planning on transferring the reels to cassette tape for easier use by patrons. |
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Folder |
| 12 |
1 |
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Actors Studio (2 tapes). Cheryl Crawford on 3 inch reel, undated |
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2 |
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Group Theatre Discussion. Harold Clurman and Cheryl Crawford on 3 inch reel, undated |
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3 |
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Janet Flanner. Flanner discusses her life in Paris on cassette tape, undated |
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4 |
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No For An Answer. Marc Blitzstein on 7 inch reel, undated |
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5 |
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One Touch of Venus. Lotta Lenya discusses One Touch of Venus and Kurt Weill on 3 inch reel, undated |
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6 |
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One Touch of Venus. Agnes de Mille discusses One Touch of Venus on 3 inch reel, undated |
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7 |
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One Touch of Venus, Brigadoon. Cheryl Crawford on 3 inch reel, undated |
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8 |
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The Cradle Will Rock. Marc Blitzstein on 7 inch reel, undated |
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| 13-15 |
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Sheet Music, 1862-1951 |
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The sheet music collection includes 128 items. The series has been arranged into two sub-series to separate the oversize items. Both sub-series are arranged alphabetically by title, with the oversize items following the standard items. The majority of the series is dated between 1920 and 1940. |
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There is a manuscript of "Johnny's Song," written by Kurt Weill with a note dedicating the song to Crawford. The manuscript and accompanying note are housed separately from the series in an oversized box. |
| Box |
Folder |
| 13 |
1 |
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A Night of Love, 1925 |
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2 |
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A Room with a View, 1928 |
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3 |
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Amorita, 1920 |
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4 |
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At Sundown (Love is Calling Me Home), 1927 |
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5 |
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Auf Wiedersehen, My Dear, 1932 |
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6 |
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Away Down South in Heaven, 1927 |
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7 |
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Body and Soul, 1941 |
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8 |
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Bright was the Day, 1946 |
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9 |
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Broadway Rose, 1920 |
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10 |
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By the Way (I'm Still in Love with You), 1929 |
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11 |
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By the Sapphire Sea, 1922 |
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12 |
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Carnegie Hall, 1947 |
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13 |
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Chiquita, 1928 |
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14 |
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Come Back, Little Genie, undated |
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15 |
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Crazy Words Crazy Tune Vo-Do-De-o, 1927 |
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16 |
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Egyptian Moon, 1920 |
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17 |
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Everything is Peaches Down in Georgia, 1918 |
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18 |
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Feather Your Nest, 1920 |
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19 |
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Fighting on the Home Front, Wins, 1943 |
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20 |
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Fit as a Fiddle, 1932 |
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21 |
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Four Walls, 1927 |
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22 |
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Get Out and Get Under the Moon, 1928 |
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23 |
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Gondoliera Veneziana, 1925 |
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24 |
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Good-Bye (Addio), 1905 |
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25 |
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Here's to All Your Dreams, undated. Extent 2 copies |
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26 |
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Here's to Your Illusions, 1951 |
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27 |
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How Could We Be Wrong, 1933 |
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28 |
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Hypnotized, 1935 |
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29 |
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I Love No One But You, 1927 |
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30 |
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I Saw No Shadow, 1946 |
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31 |
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I Still See Elisa, 1951 |
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32 |
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I Wanna Go Where You Go, 1925 |
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33 |
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I Want to Meander in the Meadow, 1929 |
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34 |
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I'll Follow My Secret Heart, 1935 |
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35 |
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I'm Beginning to See the Light, 1944 |
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36 |
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(I'm Tellin' the Bird, Tellin' the Bees) How I Love You, 1926 |
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37 |
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I've Got Me, 1948 |
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38 |
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If I Only Had You Back Again, 1926 |
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39 |
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If Love Were All, 1929 |
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40 |
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In a Little Garden (You Made Paradise), 1926 |
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41 |
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Jealous, 1924 |
| Box |
| Oversize |
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Johnny's Song, undated. Extent 2 items |
| Box |
Folder |
| 13 |
42 |
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Just a Memory, 1927 |
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43 |
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Just a Night for Meditation, 1928 |
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44 |
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Just Like a Melody out of the Sky, 1928 |
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45 |
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Kiss Me, 1929 |
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46 |
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Laughing at Life, 1930 |
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47 |
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Lazy Day, 1932 |
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48 |
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Little Log Cabin of Dreams, 1927 |
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49 |
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Little White Lies, 1930 |
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50 |
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Manhattan, 1925 |
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51 |
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Memories of France, 1928 |
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52 |
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Mighty Lak' a Rose, 1901 |
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53 |
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Mine, 1927 |
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54 |
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My Blackbirds Are Bluebirds Now, 1928 |
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55 |
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My Gypsy Rhapsody, 1933 |
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56 |
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Old Man Sunshine (Little Boy Bluebird), 1928 |
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57 |
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One Two Three, 1946 |
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58 |
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Op in Me Ansom, 1904 |
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59 |
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Out of the Dawn, 1928 |
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60 |
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Pilgrim's Sing, 1899 |
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61 |
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Poor Papa (He's Got Nothin' at All), 1926 |
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62 |
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Precious Little Thing Called Love, 1928 |
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63 |
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Puddin' Head Jones, 1933 |
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64 |
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Put Your Arms Where They Belong, 1926 |
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65 |
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Ramona, 1927 |
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66 |
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Sandy Jane, undated |
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67 |
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Say It Again, 1926 |
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68 |
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Sea Fever, 1914 |
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69 |
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Song of India, 1912 |
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70 |
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Sunday, 1926 |
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71 |
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Sweet Child (I'm Wild about You), 1925 |
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72 |
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Swingin' Down the Lane, 1923 |
| Box |
Folder |
| 14 |
1 |
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Tales from the Vienna Woods, 1941 |
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2 |
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Tell Me. 1919 |
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3 |
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That Old Black Magic. 1942 |
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4 |
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The Bells of St. Mary, 1927 |
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5 |
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The New Moon, 1928 |
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6 |
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The Song I Love, 1928 |
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7 |
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The Two of Us, 1926 |
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8 |
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The World is Your Balloon, undated |
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9 |
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Then I'll Be Happy, 1925 |
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10 |
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There But For You God, 1947 |
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11 |
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There's a Cabin in the Pines, 1933 |
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12 |
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This is a Changing World, 1946 |
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13 |
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Ting-a-ling, 1926 |
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14 |
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Together, 2 copies. 1928 |
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15 |
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Touch of Your Hand, 1933 |
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16 |
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Truly (I Love You), 1930 |
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17 |
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Twelve O'Clock Waltz, 1928 |
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18 |
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Under a Texas Moon, 1929 |
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19 |
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Unless Your Heart is Mine, 1934 |
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20 |
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What Do We Do on a Dewy-dew-dewy Day, 1927 |
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21 |
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When the Real Thing Comes Your Way, 1929 |
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22 |
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When Your Hair Has Turned to Silver, 1930 |
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23 |
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Whispering, 1920 |
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24 |
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Who Says There Ain't No Santa Claus, undated |
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25 |
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Who Wouldn't, 1926 |
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26 |
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Yankee Rose, 1926 |
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27 |
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You Want Lovin (But I Want Love), 1929 |
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28 |
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Ziguener, 1929 |
| Box |
Folder |
| 15 |
1 |
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Any Little Girl, That's a Nice Girl, is the Right Girl, 1910 |
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2 |
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Any Little Girl, That's a Nice Girl, is the Right Girl, 1910 |
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3 |
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Casey Jones the Brave Engineer, 1909 |
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4 |
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Cecile Waltz, 1914 |
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5 |
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Experiment, 1933 |
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6 |
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Good Man is Hard to Find, 1918 |
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7 |
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Isn't It Heavenly, 1933 |
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8 |
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It's a Long Long Way to Tipperary, 1912 |
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9 |
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It's Bad For Me, 1933 |
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10 |
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Little Brown Jug, 1869 |
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11 |
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Lorraine (My Beautiful Alsace Lorraine), 1917 |
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12 |
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Mediterranean Madness, 1933 |
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13 |
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Musical Gem, 1893 |
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14 |
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Nymph Errant, 1933 |
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15 |
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Physician, 1933 |
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16 |
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Put On Your Old Grey Bonnet, 1909 |
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17 |
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Sack Waltz, 1862 |
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18 |
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Secret Love, undated |
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19 |
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Somewhere a Voice is Calling, undated |
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20 |
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Till the Sands of the Desert Grow Cold, 1911 |
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21 |
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What's the Matter with Father, 1910 |
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22 |
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When Johnny Comes Marching Home, undated |
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23 |
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You Were There, 1935 |
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24 |
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Miscellaneous unidentified, undated |
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| box |
| 16-23 |
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Sound Recordings, 1945-1970 |
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This collection contains 44 titles, comprised of 90 discs. The recordings are arranged alphabetically by the title of the disc or discs. The materials are dated 1945-1970, with the bulk of the records dated 1962-1970. Most of the records are 33 1/3 rpm, although there are several 78 rpm. |
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Several of the recordings are musicals productions, including Brigadoon, Porgy and Bess, Camelot, and Johnny Johnson. There are also two interviews on record. |
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Please provide advance notice if interested in using the sound recordings. The staff will arrange for the appropriate equipment to be placed in the Reading Room. |
| Box |
Folder |
| 16 |
1 |
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Alice in Wonderland, undated |
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2 |
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Anyone Can Whistle, undated |
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3 |
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Ballads of the Civil War, 1960 |
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4 |
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Bentley on Brecht, 1962 |
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5 |
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Blackbirds of 1928, undated |
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6 |
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Brecht on Brecht, 1963 |
| Box |
Folder |
| 17 |
1 |
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Brigadoon, undated |
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2 |
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Cabaret, 1966 |
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3 |
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Camelot, 1960 |
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4 |
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Carousel, 1945 |
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5 |
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Celebration, 1969 |
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6 |
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Colette, undated |
| Box |
Folder |
| 18 |
1 |
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Company, 1970 |
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2 |
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Der Jasager, undated |
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3 |
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Hair, 1967 |
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4 |
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I Do! I Do! 1966 |
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5 |
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The Importance of Being Earnest, undated |
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6 |
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Jennie, undated |
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7 |
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Johnny Johnson, undated |
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8 |
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Juno, undated |
| Box |
Folder |
| 19 |
1 |
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London Show Hits, undated |
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2 |
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Lost in the Stars, 1949 |
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3 |
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Man of La Mancha, undated |
| Box |
Folder |
| 20 |
1 |
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Marc Blitzstein, 1956 |
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2 |
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No for an Answer, undated |
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3 |
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Oh! What a Lovely War, 1969 |
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4 |
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On a Clear Day You Can See Forever, 1965 |
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5 |
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110° in the Shade, 1963 |
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6 |
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O Say Can You See, 1962 |
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7 |
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Porgy and Bess, undated |
| Box |
Folder |
| 21 |
1 |
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The Prince and the Pauper, 1963 |
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2 |
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Regina, 1953 |
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3 |
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Riverwind, 1963 |
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4 |
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Roberta, undated |
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5 |
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Saint Louis Woman, 1946 |
| Box |
Folder |
| 22 |
1 |
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Songs of the Civil War, 1963 |
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2 |
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Strange Interlude, 1963 |
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3 |
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Sweet Charity (Movie), 1970 |
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4 |
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Sweet Charity (Stage), 1970 |
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5 |
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Street Scene, undated |
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6 |
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Tryout, undated |
| Box |
Folder |
| 23 |
1 |
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Various Noel Coward Songs, undated |
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2 |
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Wake Up and Dream, undated |
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3 |
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Zorba, 1968 |
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| 24 |
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General, 1931-1976 |
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There are twenty folders in this series, which is arranged alphabetically by folder title. The materials in this series are dated 1931 through 1976, with the bulk of the materials dated 1942 through 1974. There are 219 items in this series. |
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Included are papers related to the Actors Studio which include programs, membership lists, and minutes, the Group Theatre, the American Reperatory Theatre, the Crawshank Company, and the lawsuit in which Crawford was engaged regarding The Diary of Anne Frank. There are clippings and papers discussing Tennessee Williams. There are also miscellaneous financial statements. |
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There are several clippings and pages from Variety magazine. These are dated 1955-1968, and include several pages of the "Golden Jubilee" issue celebrating 50 years of American theater. These items are housed separately in an oversized box. |
| Box |
Folder |
| 24 |
1 |
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Actors Studio, 1968-1972. Extent 5 items |
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2 |
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Actors Studio, 1973. Extent 15 items |
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3 |
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Actors Studio, 1974-1976. Extent 10 items |
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4 |
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American National Theatre Academy, 1949-1951. Extent 12 items |
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5 |
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American Repertory Theatre, undated. Extent 2 items |
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6 |
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Articles, Crawford, 1940-1964. Extent 6 items |
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7 |
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Articles, Miscellaneous, 1961-1976. Extent 6 items |
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8 |
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Bijou Theatre, 1958-1959. Extent 28 items |
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9 |
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Chandler, Richard, 1968. Extent 1 item |
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10 |
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Crawshenk Company, 1959-1960. Extent 10 items |
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11 |
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Diary of Anne Frank Lawsuit, 1955-1958. Extent 12 items |
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12 |
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Financial Matters, 1943-1973. Extent 13 items |
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13 |
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Financial Statements, undated. Extent 4 items |
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14 |
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Group Theatre, 1931-1941. Extent 12 items |
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15 |
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New Theatre, 1935. Extent 1 item |
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16 |
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Playwriting, 1937. Extent 5 items |
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17 |
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Props, 1957. Extent 7 items |
|
18 |
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Reviews, 1947-1956. Extent 19 items |
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19 |
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Soviet Theater, 1945. Extent 5 items |
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20 |
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Theatrical Protective Union, 1970. Extent 1 item |
| Box |
| Oversize |
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Variety Reviews, 1955-1968. Extent 6 items |
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Variety Reviews, 1956. Extent 4 items |
| Box |
Folder |
| 24 |
21 |
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Wildberg, John, 1942-1948. Extent 19 items |
|
22 |
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Williams, Tennessee, 1951-1975. Extent 16 items |
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| box |
| 25 |
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Posters, 1933-1971 |
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This series is arranged alphabetically and includes 24 posters used to advertise various productions in which Crawford was involved. |
| Box |
| 25 |
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Brigadoon, 1947 |
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Celebration, [1969] |
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Colette, 1970 |
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Family Portrait, 1939 |
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Flahooley, 1951 |
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Jennie, 1963 |
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Love Life, 1948 |
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The Love Suicide at Schofield Barracks, [1972] |
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Marathon, [1933] |
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Men in White, 1933 |
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Mother Courage and her Children, 1963 |
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Oh Men! Oh Women! 1953 |
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One Touch of Venus, 1943 |
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Paint Your Wagon, 1951 |
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Porgy and Bess, 1942 |
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Regina, 1949 |
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The Rivalry, 1959 |
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The Rose Tattoo, 1951 |
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Shadow of a Gunman, 1958 |
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Strange Interlude, 1963 |
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Sweet Bird of Youth, 1959 |
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The Tempest, 1945 |
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Three Sisters, 1963] |
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The Web and the Rock, undated |
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