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TABLE OF CONTENTS


Descriptive Summary

Biographical Sketch

Scope and Content

Organization

Restrictions

Index Terms

Related Material

Administrative Information

Description of Series

Oversized Materials

Southwest Collection/Special Collections Library, Texas Tech University

Mary Jeanne van Appledorn:

An Inventory of her Collection, 1912-2009, at the Southwest Collection/Special Collections Library



Descriptive Summary

CreatorTexas Tech University. Music Department
Title:Mary Jeanne van Appledorn Collection,
Dates:1912-2009
Abstract:The collection contains materials from Mary Jeanne van Appledorn, a well noted professor of music at Texas Tech University.
Collection #U 333.1
Quantity:18 boxes manuscripts (18.0 linear feet) and 45 boxes miscellaneous formats (23 linear feet)
LanguageEnglish
Repository:Southwest Collection/Special Collections Library, Texas Tech University

Biographical Sketch

Mary Jeanne van Appledorn was born October 2, 1927 in Holland, Michigan, to John and Elizabeth van Appledorn. Neither of her parents were professional musicians; her father was, however, organist of the Ninth Street Christian Reformed Church and active in music circles in Holland. As a child, van Appledorn studied piano, as did her older sister Ruth. Following the death of her father in 1944, she and her mother moved to Topeka, Kansas (where her sister was a music teacher at Alma College) for van Appledorn's senior year of high school. Van Appledorn graduated from Topeka High School in 1945 as valedictorian.

Van Appledorn studied both piano and theory at the University of Rochester's prestigious Eastman School of Music in Rochester, New York. Van Appledorn earned the George Eastman Honorary Scholarship each year, and in 1948 received her Bachelor of Music with Distinction (piano); she studied under Cecile Straub Genhart. Van Appledorn received her Master of Music Degree (theory) from the Eastman School of Music in 1950; from 1948 she was a Teaching Fellow of the Eastman School of Music. In the fall of 1950 Van Appledorn accepted a position at Texas Technological College (now Texas Tech University). She received her Ph.D. (music) from the Eastman School of Music in 1966, and was awarded a Graduate Fellowship from 1961-1962. She was also awarded the Delta Kappa Gamma International Scholarship from 1959-1960; one of three awards granted to outstanding women for furthering and completing the doctorate degree. Dr. van Appledorn's dissertation for this degree is titled A Stylistic Study of Claude Debussy's Opera Pelleas et Melisande (completed in 1965).

During her studies at Eastman, Dr. van Appledorn received training in composition from renowned composers Bernard Rogers and Alan Hovhaness.

In 1982 Dr. van Appledorn was one of nine faculty members of Texas Tech University to receive a faculty development leave, during which she studied computer-synthesized sound techniques at the Studio for Experimental Music, Massachusetts Institute of Technology, Dr. Barry Vercoe, professor.

As an educator, Dr. van Appledorn taught at Texas Tech University from 1950-2008. Dr. van Appledorn taught a wide range of courses during this time, from undergraduate music theory to graduate composition courses. Dr. van Appledorn served as chairman of the Division of Music Literature and Theory (1950-1968) in the school of music, and played an important role in the development of the curriculum of the undergraduate and graduate music degrees, alongside Chairman of the School of Music, Gene Hemmle.

Dr. van Appledorn also served as chairman of the Graduate Studies Committee of the Department of Music. She founded and served as chairman of the annual Symposium of Contemporary Music at Texas Tech (1951-1981), and obtained the commission of many new works by renowned composers such as Dr. Howard Hanson (Streams in the Desert, 1969). In 1989 she was named a Paul Whitfield Horn Professor of Texas Tech University.

As a composer, van Appledorn has had a very successful career. She composed music in many genres, both instrumental and vocal. She received her first awards for composition (Mu Phi Epsilon National Composition Contests) for Set of Five (1951) for piano and Contrasts for Piano (1953). Other honors include the Premier Prix, Dijon, awards from the Texas Composers Guild and ASCAP, and other commissions from the Music Teachers National Association and National Intercollegiate Bands. Many of Dr. van Appledorn's compositions have been published by Carl Fischer, Oxford University Press, and E.C. Schirmer Music Company, among others. Numerous recordings of her compositions have been made by world-renowned musicians and ensembles, and her music has been performed in festivals and concerts both nationally and internationally.

Dr. van Appledorn has been included in a number of published biographies, not limited to: International Who's Who in Music, 10th, 11th and 12th editions, The World Who's Who of Women, ASCAP Biographical Dictionary, 4th edition, Bakers Biographical Dictionary, Scribner Music Library Dictionary of Composers, and the Grove's Dictionary of Music and Musicians.

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Scope and Content

This collection is divided up into five series: manuscript, books, recordings, artifacts, and oversize materials. It contains materials relating to the personal and professional life of Mary Jeanne van Appledorn.

The manuscript collection includes family photographs, personal and professional correspondence, class notes and materials from Eastman School of Music and Texas Tech University. Other materials in this series includes published works, programs of performances of her music, ASCAP correspondence and awards, information regarding the music curriculum development at Texas Tech University, minutes from the numerous committees she served on while at Texas Tech, materials used for her dissertation, material from various presentations made at conferences, and handwritten sketches and manuscripts of her compositions.

The book collection includes many books van Appledorn used as a student at the Eastman School of Music, Eastman School of Music yearbooks, and books she used as a professor at Texas Tech University.

The collection of recordings includes cassettes, CDs, reel to reels, records, video cassette tapes, and DVDs of her music, as well as other artists. The recordings vary from recordings of the composer at the piano, to professional CDs recorded by musicians and ensembles from around the world.

The artifacts collection includes plaques and awards given to van Appledorn throughout her career. The oversize materials contain scores and sketches of Dr. van Appledorn's compositions as well as scrapbooks, diplomas, and posters.

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Organization

The collection is organized alphabetically into five series: manuscripts, books, recordings, artifacts, and oversize materials. Due to the size of the inventory, this finding aid has been split up into four pages:
Manuscripts
Oversized
Audio/Visual Recordings
Memorabilia and Books

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Restrictions

Access Restrictions

Open for research

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Index Terms

The subject headings used by the Southwest Collection/Special Collections Library are derived from the Library of Congress and/or locally developed.
Subjects (Persons)
Hemmle, Gene
Van Appledorn, Mary Jeanne,1927-
Subjects (Organizations)
Lubbock Symphony Orchestra (Lubbock, Tex.)
Texas Association of College Teachers
Texas Music Educators Association
Texas Technological College. Dept. of Music--Faculty
Texas Technological College. Dept. of Music--Records and correspondence
Texas Tech University. College of Music--Faculty
Texas Tech University. College of Music--Records and correspondence
Texas Tech University. Dept. of Music--Faculty
Texas Tech University. Dept. of Music--Records and correspondence
Texas Tech University. School of Music--Faculty
Texas Tech University. School of Music--Records and correspondence
Places
Lubbock (Tex.)
Subjects
Band music
Carillon music
Composers--Texas
Harpsichord music--20th century
Masses--scores
Music
Music in universities and colleges--Texas--History
Native American flute music
Organ music
Percussion ensembles--Scores and parts
Piano music
String orchestra music--Scores and parts
Suites (Carillon)
Women composers--Texas--Lubbock

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Related Materials in the Southwest Collection/Special Collections Library:

Mary Jeanne van Appledorn Collection, 1956-2016

Mary Jeanne van Appledorn oral history interview [sound recording], 1976

Mary Jeanne van Appledorn oral history interview [sound recording], 2000

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Administrative Information

Preferred Citation

Mary Jeanne van Appledorn Collection, 1912-2009, Southwest Collection/Special Collections Library, Texas Tech University, Lubbock, Texas

Acquisition

Collection accession #(s):
2000-0225-B, 2000-0311-C, 2000-0340-A, 2000-0357-B, 2005-0201-B, 2008-0116-B, 2008-0140-B

Gifts, 2000-2008

Processed by

Amanda Cox, 2009, and Heather Darnell, 2010

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Collection Inventory

Oversized Materials

boxitem
11Architectonics: Sketches; Architecure Pictures, Magazine; Original composition sketches; Composition contest advertisements; Various articles; Newsletters; Drafts of Chord/Scale Structure, 1989?
2Atmospheres for Trombone Ensemble; Full Set of 12 Parts and Score; Correspondence and Contract with publisher, Thompson Edition, Inc.(2002); Final Copy of Score and Parts; 1993
3Ayre for Strings, Viola da Gamba Consort, Clarinet or Saxophone Choir; String Orchestra Score; Copy of Score and Parts from Publisher, Southern Music Company, Corrected and Bowed Parts, Ready to Copy (1994); Handwritten Score and Copy, 1989
4Ayre String Orchestra Score and Parts, 1989
5Ayre for Viola da Gamba Consort, Full Score and Six Parts, 1989
boxitem
21 Ayre Music in Six Parts for Strings, Commissioned by Texas Music Teachers Assocition (59 Copies – various parts), 1989
2Azaleas for Flute, Baritone Voice and Piano, To Kyung Wook Shin and Michael Stoune, Score/Parts (5 Copies), 1980
3Blow, Blow Thou Winter Wind for Mixed Chorus, To Dr. Gene L. Hemmle and The Texas Tech Choir, Full Score, 1951
4Burlesca for Piano, Brass and Snare Drum; Full Score (2 Copies); Dark Full Score, 1951
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31Cacophony for Wind Ensemble, Commissioned by Women Band Directors National Association; Sketches; Full Score; Letter from Dr. van Appledorn, 1980
2Cacophony for Wind Ensemble, Full Score 1980
3Cacophony for Wind Ensemble, Full Parts (Excluding: E-flat Clarinet, Alto Clarinet, E-Flat Contra-Alto Clarinet, Contra Bassoon, and Percussion), 1980
4Cacophony for Wind Ensemble, Percussion Score and Parts, (See Oversize 8), 1980
5 Cantata: “Rising Night After Night” for Chorus, Soloists and Orchestra ; Sketches; Pencil Score with Edits (See Oversize 7), 1978
6Cantata: “Rising Night After Night” for Chorus, Soloists and Orchestra; Bound Copy of Score; Loose Pages of Score; Copies of Libretto (See Oversize 7), 1978
7Caprice for Carillon, Original Score (handwritten) and copy, December 9, 1987
8Celestial Clockwork for Carillon, Commissioned by and Inscribed to Dr. Judson D. Maynard; Full Score (2 copies); Letters from Publisher (American Carillon Music Editions); Publishing Contract (January 18, 1985), 1983
9Cellano Rhapsody for Violoncello and Piano, Inscribed to Salvatore Silipigni, Duquesne University; Full Scores (4 Copies); Sets of Parts (3 Piano Copies and 4 Cello Copies), 1947
10Chants and Timbre; Sketches, Unfinished, undated
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41A Choreographic Overture for Band, To William Francis McBeth; Full Score (2 Copies), 1957
2A Choreographic Overture for Band; Full Set of Parts, 1957
3A Choreographic Overture for Band; Full Score and Full Set of Parts, 1957
4Communique, Song Cycle Based on the Poems of Everett A. Gillis, Inscribed to Judith Klinger; Full Score (3 Copies), 1960
5Concerto for Guitar; Sketches; Score Fragment, 2007
6Concerto for Trumpet and Orchestra; Sketches; Score Fragment unknown
7Concerto for Trumpet; Orchestration edited by Mark Rogers unknown
8Concerto for Trumpet and Band; Full Score unknown
9Concerto for Trumpet and Band; Score with Edits 1961
10Concerto for Trumpet and Band; Score 1977
11Concerto for Trumpet and Band; Score 1986
boxitem
51Concerto for Trumpet, Cadenza by Robert Birch; Sketches; Copies of Cadenza in Score, 1960
2Concerto for Trumpet and Band; Full Score (2 Copies); First Movement of Score; Piano Obligato Part; Manuscript Wire Bound Score with Notes, Miscellaneous Notes on Back Cover; Poster in a Foreign Language; Article; Sketches and Notes; Lists of Part Requirments, 1960
3Concerto for Trumpet and Band; Parts, 1960
4Concerto for Trumpet and Orchestra; Parts, 1960
5Concerto for Trumpet and Piano, Prepared by Mark Rogers; Posters from Performance in USSR (1986); Proof of Score; Copies of Manuscript Score; Trumpet Parts, 1960
6Concerto Brevis for Piano and Orchestra; Full Score (3 Copies); Piano Score, 1954
7Contrasts for Piano; Manuscript with Notes; Manuscript for Publisher; Contract; Published Score, 1947
8Cornucopia for Solo Trumpet; Manuscript of Part and 2 Copies; 2 Copies of Part from Publisher, 1988
9Cycles of Moons and Tides for Symphonic Band; Full Score; 6 Copies, 1995
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61Cycles of Moons and Tides for Band; Work Revisions; Score, 1995
2Cycles of Moons and Tides for Band; Work Revisions of Parts, 1995
3Cycles of Moons and Tides for Band; Performing Parts (No Percussion), 1995
4Cycles of Moons and Tides for Band; Full Score, 1995
5Danza Incantations de Espana, Vocal Octet, Ballet; Piano and Percussion Score; Full Score (2 Copies); 1979
6Dearest Thou Now, O Soul for Women’s Chorus and Organ; Copy of Published Score from Manuscript; Published Score (2 Copies), 1975
7Elegy for Pepe (1964-77) for Piano; Work Revisions; Manuscript Score (2 Copies), 1982
8Fantasia for Piano, Inscribed to Eugenio Zapata; Sketches, Work Score; Manuscript Score and Copy of First Page, 2004
9Festive Bells for Carillon, Inscribed to Dr. C. Roy Wilson; Work Scores; Manuscript Score, 2005
10Festive Fanfare and Postlude for 12 Trumpets and Percussion; Correspondence to/from Office of the Provost; Set of Parts (4 Copies); Full Score, 2001
11Five Psalms for Trumpet, Tenor Voice, and Piano; Sketches, Notes, Copies of Psalms; Manuscript Score; Bound Copies of Manuscript Score (2); Proofs of Score from Publisher; Published Score and Part, 1998
12Four Duos for Alto Saxophones; Manuscript Score and Copy; Contract from Publisher; Overhead Transparency Score, 1984
13Four Duos for Viola and Cello; Manuscript Score; Copies of Manuscript Score (3); Published Score (2), 1985
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71Fraulein Else, Opera for Television and/or Electronic Performance, Kim Smith, Libretto; Copy of Libretto; Bound Copy of Libretto; Correspondence; Notes; Sketches, 1986
2Freedom of Youth for Speaker and Synthesizer; Documents; Copies of Score (5); Manuscript Working Score, 1986
3Galilean Galaxies for Flute, Bassoon and Piano; Magazine Article with Notes; Sketches; Manuscript Score with Edits; Manuscript Score; Copies of Manuscript Score (3); Publishing Contract; Proofs of Published Score and Parts; Published Score (2 Copies); Published Parts, 1998
4Gestures for Clarinet Quartet; Correspondence and Information from United States Naval Academy Band Clarinet Quartet; Sketches/Notes; Copy of Manuscript Parts; Manuscript Score; Copies of Manuscript Score (3); Correspondence and Proofs from Publisher; Published Score and Parts, 1999
5Hebraic Poem for Flute, Clarinet, Viola and Piano; Manuscript Score; Manuscript Viola Part, 1957
6I Hear America Singing for Voice and Piano; Full Scores (2 Copies), 1952
7Incantations for Oboe and Piano; Manuscript Score and Copies; Published Score and Oboe Part (2 Copies), 1998
8Incantations for Trumpet and Piano, Inscribed to Daniel Kiser; Full Score and Part, Published Edition; Handwritten Score, edited by Daniel Kiser, and Letter from Daniel Kiser; Score and Parts (2 Copies), Bound, 1992
9Introduction and Allegro, Inscribed to Kirsten Yon and Sigurd Øgaard; Handwritten Program Notes and Score; First Proof of Score from Editor, 2007
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81Jason’s Tune for Cornet and Piano, Melody by Jason Hamilton, Arranged by Mary Jeanne van Appledorn; 3 Full Scores (2 Handwritten, 1 Bound), December 19, 1992
2Legacy, for Bass Baritone Voice and Piano, Text by Kay Scully; 4 Full Scores (1 Handwritten, 3 Copies); Text (3 Copies); Handwritten Score with Edits; Card from Kay Scully, 1995
3Les Hommes Vides, for Unaccompanied SATB Chorus; Score and Program Notes (4 Copies); Handwritten Copies of Score (2 Copies) and Copies of Poem from Book (2); Copy of Score with Edits; Parts of Score with Edits, 1994
4Les Hommes Vides; Correspondance; Letters and Materials Concerning Copyright of T.S. Elliot Poem; List of Publishers and Addresses; Contracts between publishers and van Appledorn, 1994-1997
5Liquid Gold, Full Score, (Roll), 1982
6Liquid Gold for E-flat Alto Saxophone and Piano, for Dale Underwood; Multiple Copies of Score; Handwritten Manuscript of Score with Edits, 1982
7A Liszt Fantasie for Piano, to William Westney; Final Published Score; Handwritten Notes, Sketches, Manuscript; Manuscript Sketches; Manuscript Score; Copy of Manuscript, 1984
8Love Divine, All Loves Excelling for Chorus and Organ; Manuscript (original); 3 Copies of Full Score (1 Bound), 1988
9LUX: Lengend of Sankta Lucia for Band, Harp, Percussion and Handbells, Manuscript (Copy); First Page of Score (4 Copies); Program Notes/Percussion Setup (4 Copies), 1981
10LUX: Lengend of Sankta Lucia for Band, Harp, Percussion and Handbells; Set of Parts, 1981
11LUX: Lengend of Sankta Lucia for Band, Harp, Percussion and Handbells; Pencil Score; Articles/Information about Saint Lucia; Instrumentation Information; Program Notes; (See Oversize 8), 1981
boxitem
91March for Band; Full Score (2 Copies), undated
2Matrices for E-flat Alto Saxophone and Piano; Flier with Sample Score Page; Copy of Instructions to Performer; Sketch Fragment; Copies of Bound Score (2); Copy of Score with Notes; Full Score (3 Copies), 1979
3Meliora: Fanfare for Orchestra; Full Score (2 Copes); Set of Parts, 2000
4Meliora, Symphony for Winds and Percussion; Full Score (2 Copies); Sketches; Manuscript; First Proof (July 17, 2000)First Complete Proof (August 5, 2001); First Proof (January 30, 2002); Second Proof (June 4, 2003); Last Proof (August 2003), 2002
5Meliora, Symphony for Winds and Percussion; Full Score (2 Copies); Set of Parts with Corrections Written in by Composer, 2002
6The Memory of Splendid Music for Voice and Piano; Final Published Full Score; Copy of Text; Manuscript; Copy of Manuscript; Proofs with Notes and Edits by Composer, 2006
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101Miniatures for Trombone Quartet; Published Score and Parts; YWCA Women of Excellence Biography; Printouts from Publisher Website on Ordering Information; Correspondence and Contract from Publisher; Manuscript Score; Sketches; Notes; Copies of Parts from Manuscript; Card regarding composition of piece, 2000
2Mirrors for Flute, Clarinet and Piano; Program from Premiere Performance; Manuscript of Full Score, 2004
3Missa Brevis for Voice or Trumpet and Organ; 2 Copies of Manuscript, (1 with notes by composer); Full Score (3 Copies); Copies of Score with edits (2); Published Score; Score with Analysis; Notes; Letters from Performers; Article from Lubbock Avalanche Journal, 1987
4Missa Brevis for Brass Quintet; Full Score (3 Copies); Set of Parts, 1987
5Music of Enchantment for Native American Flute, Strings, Percussion; Full Score, Manuscript, 1997
6Music of Enchantment for Native American Flute, Piano Reduction; Correspondence from James Pellerite; Manuscript Score; Proof of Score from Publisher; Copy of Manuscript Part and Score; Copy of Manuscript Score, 1997
7Music of Enchantment for Native American Flute, Strings and Percussion; Manuscript Parts (Copy of Native American Flute and Percussion Parts), 1997
8Musique for Trombone and Piano; Manuscript Sketches; Manuscript Score and copies; Trombone Part (2 Copies), 2003
9A Native American Mosaic for Native American Flute; Manuscript Part and Copy, Copies of Published Parts; Correspondence between Dr. van Appledorn and James Pellerite; Contract from Publisher, 1997
10Octet for Bassoons; Manuscript Score with Edits; Full Score, Manuscript; Copy of Parts, 2004
11Paruassus, 15 Etudes for Euphonium in C; Sketches/Notes; Manuscript Score, Bound Copy of Manuscript Score, 1990
12Parquet Musique pour Clavecin; Copied Articles; Manuscript Score; Copies of Manuscript Score (2); Source/Copies of Cover Graphic, 1990
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111Passacaglia and Chorale for Orchestra; Copy of Manuscript Score; Full Set of Orchestra Parts (See Oversize 8), 1973
2Passacaglia and Chorale for Orchestra; Partial Set of Orchestra Parts, 1973
3Passacaglia and Chorale for Orchestra; Full Set of Orchestra Parts, 1973
4Passacaglia and Chorale for Orchestra; 2 Copies of Full Score (1 Bound); Partial Copy of Orchestra Parts, 1973
5Passacaglia and Chorale, Transcribed for Band by Mark Heidel (1987); Manuscript Score; Copies of Manuscript Score (1 Bound); Copies of Original Parts; Manuscript Corrected Version of Parts (See Oversize 8); 1973
6Passages for Trombone and Piano; Notes/Sketches; Manuscript Score; Copies of Manuscript Score (2); Correspondence and Contract to/from Publisher; Proofs of Score from Publisher; Bound Copies of Published Score (2); Final Published Score and Trombone Part, 1996
7Passages II for Trombone and Percussion; Sketches/Notes; Manuscript Score; Correspondance and Contract to/from Publisher; Proof from Publisher; Copy of Manuscript Score; Copies of Published Score (2), 1997
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121Passages III for Clarinet, Violoncello and Piano; Letter Regarding Piece; Notes/Sketches; Score with Edits; Manuscript Score; Copy of Manuscript Score; Published Score and Parts, 2003
2Passages IV for Native American Flute and Strings (unfinished); Partial Score with Sketches, undated
3Patterns for Horn Quintet; Correspondence to/from Publisher; Contract; Published Score and Parts; Manuscript Score; 2 Copies of Manuscript Score; Manuscript Parts, 1956
4Patterns, Arranged for Euphonium and Tuba; Manuscript Score; 3 Copies of Manuscript Score, undated
5Peter Quince at the Clavier for Women’s Chorus, Narrator, Flute, Oboe, Horn and Piano; 2 Copies of Manuscript Score, 1958
6Piano Pieces (6); Manuscripts with Edits; Published Scores, 1960-1972
7Posters, 1995-2008
8Potpourri for Carillon; Letter Requesting Piece; Carillon Composition Contest Information; Notes and Copies of French Songs; Manuscripts with Edits; Copies of Manuscript; Final Score, 1996
9Postcards to John for Guitar; Articles; Sketches/Manuscripts with Edits; Score with Edits by John Scott Ford; Partial Manuscripts; Complete Copy of Manuscript; Correspondence to/from Publisher; Publishing Contract; Proofs from Publisher; Published Score, 1993
10Reeds Afire for Clarinet and Bassoon; Sketches/Notes; Manuscript Score; Printed Copies of Score (4); Printed Copies of Parts (3); Bound Copies of Score (2); Correspondence and Contract from Publisher, 1994
11Rhapsody for Trumpet and Harp; Notes; Manuscript with Edits; Manuscript Score; Copy of Manuscript Score; 2 Copies of Published Score and Part, 1993
12Rhapsody for Violin and Orchestra; Sketches/Notes; Copies of Manuscript Violin Part (2); Score with Edits; Manuscript Score; Copy of Manuscript Score; Bound Copy of Score, 1996
boxitem
131Rhapsody for Violin and Orchestra; Copies of String Parts, 1996
2Rhapsody for Violin and Orchestra; Copies of Wind and Percussion Parts, 1996
3Scenes from Pecos County for Piano; 2 Copies of Published Score, 1972
4Set of Five for Piano; Manuscript Score; 2 Copies of Full Published Score; Toccata and Improvisation Published Scores, 1953
5Shabat Shalom for Organ; Manuscript Score, Sketch; Copy of Score; Published Score, 1992
6 Shakespeare Songs from “As You Like It” for Mixed Chorus and Piano; Copies of Score from Manuscript (5); Correspondence and Contract from Publisher; Published Score, 1953
7Sketches and Working Notes; Fragments of Chamber Music I; Sonic Beaches; Improvisation, undated
8Skybells for Carillon; Letter to Publisher; Sketches, Manuscripts with Edits; Manuscript Score, Copy of Manuscript Score (2); Handwritten Copy of Score; Printed Score; Proof from Publisher; Published Score (in Compilation), 1991
9Soliloquy for Native American Flute, Shakuhachi and Piano; Letter from Performer with Notes; Copy of Manuscript with Edits; Manuscript Score; Copy of Manuscript Score; Bound Copy of Manuscript Score, 2004
10Sonata for Guitar; Manuscript Score; Copy of Manuscript Score; Bound Copy of Manuscript Score, 2003
11Sonatine for Bassett Horn and Piano; Manuscript Score; Copy of Bassett Horn Part from Manuscript; Bound Copy of Manuscript Score; Bound Copy of Bassett Horn Part, 1988
12Sonatine for Clarinet and Piano; Copies of Clarinet Part from Manuscript (4); Copy of Score; Bound Copy of Score, 1988
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141Songs Withouth Words for Two Sopranos and Piano; Sketches/Notes; Manuscript Score; Copies of Manuscript Score (2); Proofs and Contract from Publisher; Published Score, 1999
2Sonic Mutation for Harp; Sketch; Manuscript Score Edited by Gail Barber; Bound Copy of Manuscript Score; Published Score (3 Copies), 1987
3Sonnet for Organ; Copy of Article; Copies of Manuscript Score (2); Published Scores (2), 1959
4Sound the Trumpet for Trumpet and Organ; Manuscript Score; Copy of Manuscript Score and Trumpet Part; Contract and Correspondence from Publisher; Proof from Publisher; 1994
5Soundscapes for Bassoon and Strings; Sketches, Parts of Score with Edits; Score with Edits; Manuscript Score; Bound Copy of Manuscript Score; Bound Copy of Printed Score; Copy of Printed Score and Parts; Published Score and Parts, 2003
6Soundscapes for Bassoon and Strings; Copies of Parts; Bound Copies of Printed Parts, 2003
7Spirit Divine for SATB Chorus and Organ; Correspondence from Publisher; Publishing Contract; Manuscript Score; Copy of Manuscript Score; Bound Copy of Manuscript Score; Published Score (4 Copies), 1986
8Suite for Carillon; Score (4 Copies), 1976
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151Symphony for Percussion Orchestra; Correspondence to/from Publisher; Sketch; Manuscript Score, 2001
2Symphony for Percussion Orchestra; Set of Parts, 2001
3Symphony of Celebration for Orchestra; Manuscript Score; Copy of Printed Score; Set of Printed Parts, 2003
4Symphony of Celebration for Orchestra; Sketches, 2003
5Tears for Mixed Chorus; Full Score (3 Copies), 1952
6Terrestrial Music for Double Concerto for Violin, Piano and Strings; Manuscript Score; Copies of Manuscript Score (2), 1992
7Terrestrial Music for Double Concerto for Violin, Piano and Strings; Reviews and News Articles (Japan), 1992
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161Terrestrial Music for Double Concerto for Violin, Piano and Strings; Solo Parts; Score Edits, 1992
2Terrestrial Music for Double Concerto for Violin, Piano and Strings; Orchestra Parts, 1992
3Three for Two for Flutes or Recorders; Pencil Flute Score; Copies of Score, 1989
4Tower Music for Carillon; Sketches; Manuscript Score; Copy of Manuscript Score; Published Score, 1990
5Trio Devienne for Flute, Bassoon and Piano; Sketches; Manuscript Score; Copy of Manuscript Score, 2005
6Trio Italiano for Trumpet, Horn and Bass Trombone; Sketches; Manuscript Score; Copy of Manuscript Score; Set of Part; Correspondence to/from Publisher, 1995
7Two Shakespear Songs (from As You Like It) 1979
8Under the Greenwood Tree for Chorus and Piano; Score, 1951
9Uptown Blue for Piano Solo; Sketches in Spiral Notebook; Manuscript Score; Copy of Manuscript Score; Bound Copies of Manuscript Score (2), undated
10Variations on “Jerusalem the Golden” for Organ; Contest Information; Correspondence to/from Publisher; Publishing Contract; Proofs from Publisher; Scores with Edits; Manuscript Score and Copy; Bound Copy of Manuscript Score, 1996
11”We praise you Wheaton whose friend we are,” for Unison Chorus and Organ (Unfinished); Score, undated
12West Texas Suite for Chorus, Band and Perucssion; Bound Copy of Score; Copy of Poems, 1976
13Windsongs for Brass Quintet (unfinished); Sketches and Revision; Manuscript Score; Score with Edits; Copy of Manuscript Score (2); Set of Parts, 1991
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171Cantata: “Rising Night After Night” for Chorus, Soloists and Orchestra; Score; Chorus Parts; Sketches; Working Pages (See Oversize 1), 1978
2 Cacophony for Wind Ensemble (1980), Revisions Copy (See Oversize 1); LUX: Legend of Sankta Lucia for Band; Working Revisions; (See Oversize 3); Passacaglia and Chorale for Band, Score; Passacaglia and Chorale for Orchestra, Scores (2 Copies), (See Oversize 4), 1981
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181Scrapbook: Various Composer Newspaper Clippings (copies in box 18), 1949-1955 and undated
2Family Photo Album, c. 1927-1945
3Diploma: Bachelor of Music, Eastman School of Music, University of Rochester, 1948
4Diploma: Master of Music, Eastman School of Music, University of Rochester, 1950

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