Mary Jeanne van Appledorn was born October 2, 1927 in Holland,
Michigan, to John and Elizabeth van Appledorn. Neither of her parents were
professional musicians; her father was, however, organist of the Ninth Street
Christian Reformed Church and active in music circles in Holland. As a child,
van Appledorn studied piano, as did her older sister Ruth. Following the death
of her father in 1944, she and her mother moved to Topeka, Kansas (where her
sister was a music teacher at Alma College) for van Appledorn's senior
year of high school. Van Appledorn graduated from Topeka High School in 1945
as valedictorian.
Van Appledorn studied both piano and theory at the University of
Rochester's prestigious Eastman School of Music in Rochester, New York.
Van Appledorn earned the George Eastman Honorary Scholarship each year, and in
1948 received her Bachelor of Music with Distinction (piano); she studied under
Cecile Straub Genhart. Van Appledorn received her Master of Music Degree
(theory) from the Eastman School of Music in 1950; from 1948 she was a Teaching
Fellow of the Eastman School of Music. In the fall of 1950 Van Appledorn
accepted a position at Texas Technological College (now Texas Tech University).
She received her Ph.D. (music) from the Eastman School of Music in 1966, and
was awarded a Graduate Fellowship from 1961-1962. She was also awarded the
Delta Kappa Gamma International Scholarship from 1959-1960; one of three awards
granted to outstanding women for furthering and completing the doctorate
degree. Dr. van Appledorn's dissertation for this degree is titled A
Stylistic Study of Claude Debussy's Opera Pelleas et Melisande
(completed in 1965).
During her studies at Eastman, Dr. van Appledorn received training in
composition from renowned composers Bernard Rogers and Alan Hovhaness.
In 1982 Dr. van Appledorn was one of nine faculty members of Texas
Tech University to receive a faculty development leave, during which she
studied computer-synthesized sound techniques at the Studio for Experimental
Music, Massachusetts Institute of Technology, Dr. Barry Vercoe, professor.
As an educator, Dr. van Appledorn taught at Texas Tech University from
1950-2008. Dr. van Appledorn taught a wide range of courses during this time,
from undergraduate music theory to graduate composition courses. Dr. van
Appledorn served as chairman of the Division of Music Literature and Theory
(1950-1968) in the school of music, and played an important role in the
development of the curriculum of the undergraduate and graduate music degrees,
alongside Chairman of the School of Music, Gene Hemmle.
Dr. van Appledorn also served as chairman of the Graduate Studies
Committee of the Department of Music. She founded and served as chairman of the
annual Symposium of Contemporary Music at Texas Tech (1951-1981), and obtained
the commission of many new works by renowned composers such as Dr. Howard
Hanson (Streams in the Desert, 1969). In 1989 she was named a Paul Whitfield
Horn Professor of Texas Tech University.
As a composer, van Appledorn has had a very successful career. She
composed music in many genres, both instrumental and vocal. She received her
first awards for composition (Mu Phi Epsilon National Composition Contests) for
Set of Five (1951) for piano and Contrasts for Piano (1953). Other honors
include the Premier Prix, Dijon, awards from the Texas Composers Guild and
ASCAP, and other commissions from the Music Teachers National Association and
National Intercollegiate Bands. Many of Dr. van Appledorn's compositions
have been published by Carl Fischer, Oxford University Press, and E.C. Schirmer
Music Company, among others. Numerous recordings of her compositions have been
made by world-renowned musicians and ensembles, and her music has been
performed in festivals and concerts both nationally and internationally.
Dr. van Appledorn has been included in a number of published
biographies, not limited to: International Who's Who in Music, 10th,
11th and 12th editions, The World Who's Who of Women, ASCAP Biographical
Dictionary, 4th edition, Bakers Biographical Dictionary, Scribner Music Library
Dictionary of Composers, and the Grove's Dictionary of Music and
Musicians.
This collection is divided up into five series: manuscript, books,
recordings, artifacts, and oversize materials. It contains materials relating
to the personal and professional life of Mary Jeanne van Appledorn.
The manuscript collection includes family photographs, personal and
professional correspondence, class notes and materials from Eastman School of
Music and Texas Tech University. Other materials in this series includes
published works, programs of performances of her music, ASCAP correspondence
and awards, information regarding the music curriculum development at Texas
Tech University, minutes from the numerous committees she served on while at
Texas Tech, materials used for her dissertation, material from various
presentations made at conferences, and handwritten sketches and manuscripts of
her compositions.
The book collection includes many books van Appledorn used as a
student at the Eastman School of Music, Eastman School of Music yearbooks, and
books she used as a professor at Texas Tech University.
The collection of recordings includes cassettes, CDs, reel to reels,
records, video cassette tapes, and DVDs of her music, as well as other artists.
The recordings vary from recordings of the composer at the piano, to
professional CDs recorded by musicians and ensembles from around the world.
The artifacts collection includes plaques and awards given to van
Appledorn throughout her career. The oversize materials contain scores and
sketches of Dr. van Appledorn's compositions as well as scrapbooks,
diplomas, and posters.
Mary Jeanne van Appledorn Records, 1912-2009, Southwest Collection/Special
Collections Library, Texas Tech University, Lubbock, Texas
| | | | | | | | | | | | | |
| |
Manuscripts
|
| box | item |
| 1 | 1 | | Adler, Samuel: Workbook for the Study of Orchestration,
1982 |
| 2 | | Advance Concert Bands,
1987-1988 |
| 3 | | Allegro Music Club of Lubbock: Handbook and Articles,
1974-1975 |
| 4 | | All-University Conference on the Advancement of Women in
Higher Education,
1999 |
| 5 | | All-University Conference on Women: Program (2 copies),
1999 |
| 6 | | Alpha Chi Omega: Membership Certificate,
1954 |
| 7 | | American Music Center (AMC),
1981-1983 |
| 8 | | The American Music Center: Newsletter,
1990 |
| 9 | | The American Music Center: Newsletter,
1991 |
| 10 | | American Music Festival: New York City Ballet,
1988 |
| 11 | | American Society of University Composers (ASUC),
1980-1982 |
| 12 | | American Society of University Composers:
Correspondence,
undated |
| 13 | | American Women Composers, Incorporated: Materials and
Letters,
1977-1979 |
| 14 | | American Women Composers, Incorporated,
1980-1982 |
| 15 | | Announcements,
1985 |
| 16 | | Annual Faculty Reports,
1989-1994 |
| 17 | | Annual Faculty Reports,
1992-2002 |
| 18 | | Annual Faculty Reports,
2003-2007 |
| 19 | | Annual Faculty Reviews,
1972-2007 |
| 20 | | Annual Faculty Reviews,
1978-1981 |
| 21 | | Annual Faculty Reviews,
1980-1982 |
| 22 | | Another Rationale—A Choice, Not an Echo?,
undated |
| 23 | | Applications for Approval of Course Change,
1968 |
| 24 | | Application for Approval of Course Change:
Computer-Synthesized Sound Techniques,
1983 |
| 25 | | Application to the Standard Awards Panel,
1992-1993 |
| 26 | | Articles,
1961-2001 and undated |
| 27 | | ASCAP,
1979-1981 |
| 28 | | ASCAP: Application to the Standard Awards Panel,
1993-1999 |
| 29 | | ASCAP: Correspondence,
1995-2007 |
| 30 | | ASCAP: Membership Information,
1974 |
| 31 | | ASCAP: Programs,
1989 |
| 32 | | ASCAP: Report Materials,
1983 |
| 33 | | ASCAP: Report Materials,
1983-1992 |
| 34 | | ASCAP: Report Materials,
1984-1991 |
| 35 | | ASCAP: Report Materials,
1992-1995 |
| 36 | | ASCAP: Report Materials,
Summer 2006 |
| 37 | | ASCAP: Report Materials,
Fall 2006 |
| 38 | | ASCAP: Report Materials,
Spring 2007 |
| 39 | | ASCAP: Report Materials: Articles,
1995-2006 |
| 40 | | ASCAP: Report Materials: Correspondence,
1983-1986 |
| 41 | | ASCAP: Report Materials: Correspondence,
1987-1989 |
| box | item |
| 2 | 1 | | ASCAP: Report Materials: Correspondence,
1990-1993 |
| 2 | | ASCAP: Report Materials: Correspondence,
1994-2005 |
| 3 | | ASCAP: Report Materials: Newspaper Articles,
1995-2005 and undated |
| 4 | | ASCAP: Report Materials: Notes,
1999 |
| 5 | | ASCAP: Report Materials: Performance Calendars,
1996-2008 |
| 6 | | ASCAP: Report Materials: Performance Lists,
1985-1988 |
| 7 | | ASCAP: Report Materials: Programs,
1972-1985 |
| 8 | | ASCAP: Report Materials: Programs,
1986-1988 |
| 9 | | ASCAP: Report Materials: Programs,
1989 |
| 10 | | ASCAP: Report Materials: Programs,
1990-2005 |
| 11 | | ASCAP: Report Materials: Programs,
1994-1995 |
| 12 | | ASCAP: Report Materials: Programs,
1996-2000 |
| 13 | | ASCAP: Report Materials: Programs,
2001-2002 |
| 14 | | ASCAP: Report Materials: Programs (1 of 2),
2003-2004 |
| 15 | | ASCAP: Report Materials: Programs (2 of 2),
2003-2004 |
| 16 | | ASCAP: Report Materials: Programs,
2003-2005 and undated |
| 17 | | ASCAP: Report Materials: Programs,
2006-2008 and undated |
| 18 | | ASCAP: Report Materials: Radio Programs,
1985-1986 |
| 19 | | ASCAP: Report Materials: Radio Programs,
1995 |
| 20 | | ASCAP: Report Materials: Radio Broadcasts and Recent
Recording Releases,
2006-2007 |
| 21 | | ASCAP: Reviewed Materials,
1989-1991 |
| 22 | | ASCAP: Rules and Regulations,
1987 and undated |
| 23 | | ASCAP: Special Awards: Guidelines and Procedures,
1989 and undated |
| 24 | | ASCAP: Writer Performance Statement,
1993-1994 |
| 25 | | ASCAPlus Awards Applications,
1999-2007 |
| 26 | | Awards,
1982-2000 and undated |
| 27 | | Awards and Certificates,
1994-2000 and undated |
| 28 | | Awards,
1997-1999 and undated |
| 29 | | Ayre, Music in Six Parts for Strings: Score (2 copies),
1989 |
| 30 | | Azaleas: Full Scores (3 copies),
1980 |
| 31 | | Azaleas: Score (9 copies),
1980 |
| 32 | | Bécquer Symposium,
2002 |
| 33 | | Belmont, Massachusetts: Minuetta Kessler,
1982-1983 and undated |
| 34 | | Biographies and Vitas,
1979-2005 |
| box | item |
| 3 | 1 | | Braubach, Marian: Five Contemporary Women Composers:
Selected Piano Compositions,
1996 |
| 2 | | Bravura: School of Music Newsletter,
1998 |
| 3 | | Bulletin of Texas Technological College: Music at Tech,
1960 |
| 4 | | Burlesca for Piano, Brass and Snare Drum: Score,
1951 |
| 5 | | Calendar,
1984 |
| 6 | | Calendar,
2008 |
| 7 | | Cantata: Rising Night After Night (100 slides),
undated |
| 8 | | Cantata: Rising Night After Night: Correspondence,
1977-1990 |
| 9 | | Cantata: Rising Night After Night: Correspondence,
1979-1980 |
| 10 | | Cantata: Rising Night After Night: Libretto,
1971-1980 |
| 11 | | Cantata: Rising Night After Night: Libretto,
1976 |
| 12 | | Cantata: Rising Night After Night: Score (3 copies),
1978 |
| 13 | | Carillons,
1978-2001 |
| 14 | | Carl Fischer: Correspondence: LUX, Cacophony and Trumpet
Concerto,
1983 |
| 15 | | Catalog Material for Graduate Bulletin,
undated |
| 16 | | Catalogues: Sheet Music and Recordings,
undated |
| 17 | | Cellano Rhapsody: Score (3 copies) and Cello Part (2
copies),
1948 |
| 18 | | Cellano Rhapsody: Score (4 copies) and Parts (4 copies):
Sisra Publications,
1997 |
| 19 | | Charles Ives: Center for American Music,
undated |
| 20 | | Checklist of Course Requirements Forms,
undated |
| 21 | | A Choreographic Overture for Band: Set of Parts,
undated |
| 22 | | Class Book Requests,
2001-2002 |
| 23 | | Class Materials: Advanced Orchestration,
1974 |
| 24 | | Class Materials: Graduate Entrance Exams,
undated |
| 25 | | Class Materials: Miscellaneous,
undated |
| 26 | | Class Materials: Music Literature,
1972 |
| 27 | | Class Materials: Scores (1 of 2),
undated |
| 28 | | Class Materials: Scores (2 of 2),
undated |
| 29 | | Class Materials: Styles,
undated |
| 30 | | Collegium Musicum, Series V Programs,
1959-1960 |
| 31 | | Comments on the General Education Guidelines,
1986 |
| 32 | | Communique, Song Cycle: Score,
1960 |
| 33 | | Composers Concert: Posters,
2003 |
| 34 | | Composers Concert: Program Notes,
2000 and undated |
| 35 | | Composers Concert: Programs,
1981 |
| 36 | | Composers Concert: Programs,
2002-2008 |
| 37 | | Composers Concert: Stage Setup Materials,
1996-2008 |
| 38 | | Composers’ Forum Network News,
1993 |
| 39 | | Composers Group of New York City,
1954 |
| 40 | | Composer’s Guild Award,
1994 |
| 41 | | Composer’s Guild: Contest Winners List,
1987 |
| 42 | | Composition Contest Announcements,
1991-1994 |
| 43 | | Composition Contest Information,
1979-1983 |
| 44 | | Composition Contest Information,
2004-2005 |
| 45 | | Composition List,
1947-2000 |
| 46 | | Composition List,
1948-1987 |
| 47 | | Composition List,
1977 |
| 48 | | Composition Lists,
1980-2008 |
| 49 | | Computer Discs,
1994-2001 |
| box | item |
| 4 | 1 | | Concerto for Piano and Orchestra: Orchestra Parts,
undated |
| 2 | | Concerto for Piano and Orchestra: Outline and Analysis,
undated |
| 3 | | Concerto for Trumpet: Article and Original by Tolley,
Richard and van Appledorn, Mary Jeanne,
1985 |
| 4 | | Concerto for Trumpet: Correspondence, Drafts and Score,
1977-1986 and undated |
| 5 | | Concerto for Trumpet: Score and Trumpet Part,
1983 |
| 6 | | Concerto for Trumpet: Orchestral Parts,
undated |
| 7 | | Concerto for Trumpet and Band, arranged by Mark Rogers:
Full Score,
1992 |
| 8 | | Concerto for Trumpet: Trumpet Part,
1960 |
| 9 | | Concerto for Trumpet and Band, arranged by Mark Rogers:
Set of Parts (1 of 2),
1992 |
| 10 | | Concerto for Trumpet and Band, arranged by Mark Rogers:
Set of Parts (2 of 2),
1992 |
| 11 | | Concerto for Trumpet and Band, Piano Reduction: Score,
1977 |
| 12 | | Concerto for Trumpet and Band: Second Proof,
1988 |
| 13 | | Concerto for Trumpet and Band: Set of Parts (1 of 3),
1977 |
| 14 | | Concerto for Trumpet and Band: Set of Parts (2 of 3),
1977 |
| 15 | | Concerto for Trumpet and Band: Set of Parts (3 of 3),
1977 |
| 16 | | Concerto for Trumpet and Piano: Score (3 copies),
1977 |
| 17 | | Concerto for Trumpet and Piano: Score,
undated |
| 18 | | Concerto for Trumpet and Orchestra, First Movement:
Orchestral Parts (incomplete),
undated |
| 19 | | Conductor Addresses,
undated |
| 20 | | Contemporary Recording Studios,
undated |
| 21 | | Contract: Scribner Music Library,
1960-1961 |
| 22 | | Contracts,
1984-2008 |
| 23 | | Contrasts for Piano: Score,
1946 |
| 24 | | Correspondence (1 photo),
1953-1985 and undated |
| 25 | | Correspondence (1 photo),
1959-1969 and undated |
| 26 | | Correspondence,
1968-1992 |
| 27 | | Correspondence,
1970-2007 and undated |
| 28 | | Correspondence,
1971-1972 |
| 29 | | Correspondence,
1972-1988 |
| 30 | | Correspondence,
1973-1974 |
| 31 | | Correspondence,
1973-1984 |
| box | item |
| 5 | 1 | | Correspondence,
1975-1976 |
| 2 | | Correspondence,
1977-1978 |
| 3 | | Correspondence,
1979-1980 |
| 4 | | Correspondence,
1980-1984 and undated |
| 5 | | Correspondence,
1981 |
| 6 | | Correspondence,
1983-1984 |
| 7 | | Correspondence,
1985 |
| 8 | | Correspondence (1 of 2),
1986 |
| 9 | | Correspondence (2 of 2),
1986 |
| 10 | | Correspondence (1 of 3),
1987 |
| 11 | | Correspondence (2 of 3),
1987 |
| 12 | | Correspondence (3 of 3),
1987 |
| 13 | | Correspondence (1 photo),
1987-1991 |
| 14 | | Correspondence: Postcards,
1987-1994 and undated |
| 15 | | Correspondence (1 of 2),
1988 |
| 16 | | Correspondence (2 of 2),
1988 |
| 17 | | Correspondence,
1989-1990 |
| 18 | | Correspondence,
1990 |
| 19 | | Correspondence,
1991-1992 |
| 20 | | Correspondence (1 photo),
1992 |
| box | item |
| 6 | 1 | | Correspondence,
1993-1994 |
| 2 | | Correspondence,
1993-1997 and undated |
| 3 | | Correspondence,
1993-2007 and undated |
| 4 | | Correspondence (1 of 2),
1995-1996 |
| 5 | | Correspondence (2 of 2),
1995-1996 |
| 6 | | Correspondence,
1995-2008 and undated |
| 7 | | Correspondence (1 of 2),
1997-1998 |
| 8 | | Correspondence (2 of 2),
1997-1998 |
| 9 | | Correspondence (1 of 2),
1999-2000 |
| 10 | | Correspondence (2 of 2),
1999-2000 |
| 11 | | Correspondence (1 of 2) [2 CDs],
2001-2002 |
| 12 | | Correspondence (2 of 2),
2001-2002 |
| 13 | | Correspondence,
2003-2004 |
| 14 | | Correspondence,
2005-2006 |
| 15 | | Correspondence,
2007-2009 |
| 16 | | Crutchfield Catalogue,
1986-1987 |
| 17 | | Curriculum Vita,
1973 |
| 18 | | Curriculum Vita,
1974 |
| 19 | | Curriculum Vita,
1985-1990 |
| 20 | | Curriculum Vita,
2000 |
| 21 | | Curriculum Vita,
undated |
| 22 | | Cycles of Moons and Tides for Symphonic Band: Score,
1995 |
| 23 | | Cycles of Moons and Tides for Symphonic Band: Set of
Parts [originals] (1 of 2),
1995 |
| 24 | | Cycles of Moons and Tides for Symphonic Band: Set of
Parts [originals] (2 of 2),
1995 |
| 25 | | Cycles of Moons and Tides for Symphonic Band: Set of
Parts (copies),
1995 |
| 26 | | Dallin, Leon: Techniques of Twentieth Century
Composition,
1957 |
| 27 | | Danza Impresión de Espana: Full Score,
1979 |
| 28 | | Danza Impresión de Espana: Scores,
1979 |
| box | item |
| 7 | 1 | | Darest Thou Now, O Soul: Score,
1975 |
| 2 | | de Gaetano, Robert: Concerto Brevis Promotion Posters,
1976 |
| 3 | | Debussy, Claude: Album of Claude Debussy Masterpieces
for Piano Solo,
1935 |
| 4 | | Debussy, Claude: La Damoiselle Élue,
undated |
| 5 | | Debussy, Claude: Preludes…1er Livre,
undated |
| 6 | | Delta Kappa Gamma: Membership Certificate,
1958 |
| 7 | | Department of Music: Alumni Newsletter,
1969 |
| 8 | | Department of Music: Graduate Curriculum,
1968-1970 and undated |
| 9 | | Departmental Review Materials,
1952-1979 |
| 10 | | Department of Music: Questionnaire for Entering Music
Students,
undated |
| 11 | | Departmental Recital Application Form,
undated |
| 12 | | Directory of Music Faculties and Colleges and
Universities, U.S. and Canada,
1972-1974 |
| 13 | | Dissertation: A Stylistic Study of Claude
Debussy’s Opera Pelléas et Mélisande (1 of 2),
1966 |
| 14 | | Dissertation: A Stylistic Study of Claude
Debussy’s Opera Pelléas et Mélisande (2 of 2),
1966 |
| 15 | | Dissertation Abstract,
1966 |
| 16 | | Dissertation Abstract,
1967 |
| 17 | | Dissertation: Abstracts from University Microfilms,
Incorporated,
1967 |
| 18 | | Dissertation: Articles, Journals, and Libretto,
1962 |
| 19 | | Dissertation: Claude Debussy’s Pelléas et
Mélisande, Score for Voice and Piano, with Notes,
undated |
| 20 | | Dissertation: Notes, Abstracts, Bibliography,
undated |
| 21 | | Dissertation: Outline,
1958 |
| 22 | | Dissertation: Outline,
undated |
| 23 | | Dissertation: Outline and Periodical Bibliography,
undated |
| 24 | | Dissertation: Programs,
1950-1962 |
| 25 | | Dissertation: Reference Materials and Notes,
1953 and undated |
| 26 | | Dissertation: Typed Rough Draft (1 of 2),
undated |
| 27 | | Dissertation: Typed Rough Draft (2 of 2),
undated |
| box | item |
| 8 | 1 | | Doctor of Musical Arts: Program Information,
2000 |
| 2 | | Dcotor of Philosophy: Final Examination Materials,
1983-1993 |
| 3 | | Duluth Bicentennial Material (10 photos),
1976 |
| 4 | | Eastman School of Music, Class Notes, Composer
Summaries,
1949 |
| 5 | | Eastman School of Music, Class Notes, Acoustics,
undated |
| 6 | | Eastman School of Music, Class Notes, Theory Pedagogy,
1949 |
| 7 | | Eastman School of Music, Contemporary Styles, Outline
Summary,
undated |
| 8 | | Eastman School of Music: Diplomas,
1948-1966 |
| 9 | | Eastman School of Music, Mechanics of Thesis Writing,
1964 |
| 10 | | Eastman School of Music, Notes, Acoustics,
1945-1950 |
| 11 | | Eastman School of Music, Notes and Assignments (1 of 6),
1958-1961 and undated |
| 12 | | Eastman School of Music, Notes and Assignments (2 of 6),
1958-1961 and undated |
| 13 | | Eastman School of Music, Notes and Assignments (3 of 6),
1958-1961 and undated |
| 14 | | Eastman School of Music, Notes and Assignments (4 of 6),
1958-1961 and undated |
| 15 | | Eastman School of Music, Notes and Assignments (5 of 6),
1958-1961 and undated |
| 16 | | Eastman School of Music, Notes and Assignments (6 of 6),
1958-1961 and undated |
| 17 | | Eastman School of Music: Notes, Music Literature,
undated |
| 18 | | Eastman School of Music: Notes, Musical Survey Course,
undated |
| 19 | | Eastman School of Music: Notes, Theory 422-423 (History
of Theory),
1960 |
| 20 | | Eastman School of Music: Programs,
1947-1950 |
| 21 | | Eastman School of Music: Scholarship Awards,
1945-1948 |
| 22 | | Eastman School of Music: Score,
1950 |
| 23 | | Eastman School of Music: Theory 101-102, Notes,
undated |
| 24 | | Eastman School of Music: Theory Research, 291, 292,
1955-1956 |
| 25 | | Elegy for Pepe (1964-1977),
1979 |
| 26 | | Faculty Development Leave: Application and Materials,
1978 |
| 27 | | Faculty Development Leave: Massachusetts Institute of
Technology,
1980-1982 |
| 28 | | Faculty Development Leave: Schedule,
1982 |
| 29 | | Faculty Senate: Meeting Minutes,
1982 |
| 30 | | Faculty Workload Reports,
1978-2005 |
| 31 | | Festival of Texas Composers: Programs,
1979 |
| 32 | | Festive Fanfare: Score,
undated |
| box | item |
| 9 | 1 | | Fine Arts Doctoral Committee: Meeting Minutes,
1982-2000 |
| 2 | | First National Congress on Women in Music,
1981 |
| 3 | | Five Psalms: Score,
undated |
| 4 | | Florida State University: Festival of New Music,
1996 |
| 5 | | Foldes, Andor: “Beethoven’s Kiss”,
undated |
| 6 | | Four Duos for Viola and Cello: Score,
1986 |
| 7 | | Four Duos for Viola and Cello (Published Version): Score
(5 copies),
1986 |
| 8 | | Freedom of Youth: Score,
1986 |
| 9 | | Freedom of Youth: Publications and Correspondance,
1986 |
| 10 | | Freshman Theory: Schedule, November 4-8,
undated |
| 11 | | Galilean Galaxies: Score and Parts: Sisra Publications,
2000 |
| 12 | | Galilean Galaxies: Spiral Bound Score (7 copies),
1998 |
| 13 | | Gaudeamus Foundation-Centre of Contemporary Music:
Newsletters,
1991-1993 |
| 14 | | Gestures for Clarinet Quartet (Published Edition): Score
(2 copies) and Parts,
1999 |
| 15 | | Gestures for Clarinet Quartet: Score (2 copies) and
Parts (2 copies),
1999 |
| | | Gillis, Everett A.: “This is America”,
undated |
| 17 | | Graduate Council (1 of 2),
1970-1973 |
| 18 | | Graduate Council (2 of 2),
1970-1973 |
| 19 | | Graduate Faculty Application Form (2 copies),
1989 |
| 20 | | Graduate Music Degree: Information and Requirements,
1983-1985 and undated |
| 21 | | Graduate Program Review Committee,
1971-1972 |
| 22 | | Graduate Review Committee: History Review,
1970-1972 |
| 23 | | Graduate School: Admissions Forms,
undated |
| 24 | | Graduate Studies Committee: Department of Music,
1969-1973 |
| 25 | | Graduate Studies Committee: Department of Music,
1973-1974 |
| 26 | | Graduate Studies Committee: Department of Music,
1982-1983 |
| 27 | | Graduate Studies Committee: Department of Music,
1979-2000 |
| 28 | | Guggenheim Memorial Foundation: Fellowship Application,
1992-1993 |
| 29 | | Hanson, Howard: Contact Information,
undated |
| 30 | | Harbach, Barbara (1 photo),
1988-1990 |
| 31 | | Hemmle, Gene: Interview Abstract,
1973 |
| 32 | | Hildegard Publishing Company,
1998-1999 |
| 33 | | Hildegard Publishing Company Catalog,
2000-2001 |
| 34 | | Horn Professor: Memorandums,
1997 |
| 35 | | Horn Professor Nomination: Annual Faculty Reviews,
1972-1987 |
| 36 | | Horn Professor Nomination: Articles,
1952-1986 |
| 37 | | Horn Professor Nomination: Article,
1982 |
| 38 | | Horn Professor Nomination: Articles,
1985 |
| 39 | | Horn Professor Nomination: Articles,
1987-1991 and undated |
| box | item |
| 10 | 1 | | Horn Professor Nomination: Composer Biography,
1987 |
| 2 | | Horn Professor Nomination: Composer Biographies,
undated |
| 3 | | Horn Professor Nomination: Contact Information for
Letters of Reference,
undated |
| 4 | | Horn Professor Nomination: Curriculum Vita,
1985 |
| 5 | | Horn Professor Nomination: Faculty Reviews Information,
1980-1987 |
| 6 | | Horn Professor Nomination: Letters About Compositions,
1973-1987 and undated |
| 7 | | Horn Professor Nomination: Letters of Recommendation,
1987 and undated |
| 8 | | Horn Professor Nomination: Programs,
1951-1981 |
| 9 | | Horn Professor Nomination: Programs,
1982-April 1987 |
| 10 | | Horn Professor Nomination: Programs,
May 1987-October 1987 and undated |
| 11 | | Horn Professor Nomination: References,
1987 and undated |
| 12 | | Horn Professor Nomination: Vitae and Faculty Reviews
(Empty Notebook),
1987 |
| 13 | | Horn Professor: Operating Policy and Procedure,
1987 |
| 14 | | Horn Professor Presentation: Awards and Honors, Letters
of Support,
1987 |
| 15 | | Horn Professor Presentation: Composition,
1987 |
| 16 | | Horn Professor Presentation: Newspaper Clippings,
1987 |
| box | item |
| 11 | 1 | | Horn Professor Presentation: Programs,
1987 |
| 2 | | Horn Professor Presentation: Symposium of Contemporary
Music,
1987 |
| 3 | | I Hear America Singing: Score,
1952 |
| 4 | | I Hear America Singing: Score (4 copies),
1952 |
| 5 | | In Quest of the Roman Numeral: A Comment Concerning the
CMP Workshop at Eastman,
June 1969 |
| 6 | | Incantations for Oboe and Piano: Score and Part,
1998 |
| 7 | | Incantations for Oboe and Piano: Score (Manuscript
Version),
1998 |
| 8 | | Incantations for Trumpet and Piano: Score (2 copies) and
Part (2 copies),
1991 |
| 9 | | Inoue Chamber Ensemble,
1988-1989 |
| 10 | | Inoue Chamber Ensemble: Programs,
1995 |
| 11 | | International Alliance for Women in Music,
1997 |
| 12 | | International Biographical Inclusions,
1980-1993 |
| 13 | | International Carillon Festival,
1980 |
| 14 | | International Clarinet Association Clarinetfest:
Programs,
1997 and 2000 |
| 15 | | International Double Reed Society 29th Annual
Conference: Program,
2000 |
| 16 | | International League of Women Composers (ILWC),
1980-1982 |
| 17 | | International League of Women Composers Newsletter,
1987-1988 |
| 18 | | International League of Women Composers: Journal,
1991 |
| 19 | | International Trumpet Guild: Membership Directory,
1986 |
| 20 | | International Who’s Who in Music and
Musicians’ Directory,
1984-1993 |
| 21 | | The Instrumentalist,
1989 |
| 22 | | Introduction and Allegro: Publishing Information,
2008 |
| 23 | | Keyboard, Singing and Dictation Manual, Printed Version
(1 of 2),
1967 |
| 24 | | Keyboard, Singing and Dictation Manual, Printed Version
(2 of 2),
1967 |
| 25 | | Keyboard, Singing and Dictation Manual, Typewritten
Version,
1967 |
| 26 | | Keyboard, Singing and Dictation Manual,
1968 |
| 27 | | KTXT-FM: Program Schedule,
undated |
| 28 | | League/ISCM National Composers Competition,
undated |
| 29 | | Lenormand, Rene: A Study of Twentieth-Century Harmony,
undated |
| 30 | | Les Hommes Vidés:score (2 copies) ,
1994 |
| 31 | | Letters of Recommendation,
2000-2007 and Undated |
| 32 | | Library of Congress, Serge Koussevitzky Music
foundation: Application Materials,
1989 |
| 33 | | Living Music:Newsletter,
1986-1998 |
| 34 | | Lubbock Music Club,
1950-1951 |
| 35 | | Lubbock Symphony Orchestra, Newspaper Clipping and
Programs,
1951-1952 |
| 36 | | Lux: Legand of Sankta Lucia, Background Information,
1979 |
| box | item |
| 12 | 1 | | Magazine Clippings,
1956-2005 |
| 2 | | Manhattanville Music Curriculum Program Projects,
Summary Reports (1 of 2),
1968-1970 |
| 3 | | Manhattanville Music Curriculum Program Project,
Summary Reports (2 of 2),
1968-1970 |
| 4 | | Manhattanville Music Curriculum Project,
1970 |
| 5 | | Manhattanville Music Curriculum Project,
undated |
| 6 | | A Manual for Thesis Writing at Texas Technological
College,
1956 |
| 7 | | Map of Texas and Trip Route,
undated |
| 8 | | Massachusetts Institute of Technology: Experimental
Music Studio Manual,
1982 |
| 9 | | Massachusetts Institute of Technology: Techniques of
Computer Sound Synthesis (1 of 2),
1982 |
| 10 | | Massachusetts Institue od Technology: Techniques of
Computer Sound Synthesis (2 of 2),
1982 |
| 11 | | Master of Music Theory: Revised Description,
undated |
| 12 | | Master’s Thesis: An Analysis of Claude
Debussy’s Suite Pour Le Piano,
1950 |
| 13 | | Maynard, Judson,
1976-1978 |
| 14 | | Maynard, Judson: Concert Programs,
1988 |
| 15 | | The Mechanics of Thesis Writing, Eastman School of
Music ,
1959 |
| 16 | | Membership Cards,
1991-2007 |
| 17 | | Memos to Music Faculty,
1968-1970 |
| 18 | | Method of Formal Analysis for Musical Composition,
undated |
| 19 | | Mihály, Hajdu: Two Concert Studies for Harp,
1983 |
| 20 | | Miniature Scores,
undated |
| 21 | | Mirror of Death Musical Life,
1967-1968 |
| 22 | | Missa Brevis for Mixed Chorus, Piano, Organ, and
Timpani: Score,
undated |
| 23 | | Missa Brevis for Trumpet and Organ or Voice and Organ:
Score (5 copies),
1987 |
| 24 | | Missa Brevis for Voice and Organ or Trumpet and Organ:
Score (3 copies) ,
1988 |
| 25 | | Missa Brevis: Score,
1988 |
| 26 | | Mitsopoulou, Evangelia, Correspondence,
2002-2003 |
| 27 | | Mu Phi Epsilon,
1952-1991 |
| 28 | | Mu Phi Epsilon:Membership Certificate and Award,
1947-1953 |
| 29 | | Mu Phi Epsilon:Membership Directory,
2006 |
| 30 | | Mu Phi Epsilon, Publications,
1959 |
| 31 | | Music 2000:Final Exam,
undated |
| 32 | | Music 2000, instrumentation, Assignments and Class
Notes,
1984-1994 |
| 33 | | Music 4301, Advanced Orchestration, Class notes,
2001 |
| 34 | | Music 4301-012:Test Materials,
1999-2001 and undated |
| 35 | | Music 7000, Assignments,
undated |
| 36 | | Music Building Committee: Music Theory Description of
Classes,
1968 and undated |
| 37 | | Music Catalogues,
1983-2002 and undated |
| 38 | | Music Composition Syllabus,
2004 |
| 39 | | Music Composition, syllabus,
undated |
| 40 | | Music Composition 5312, class notes,
1995-2003 |
| 41 | | Music Composition 5312: Class notes,
1997 and undated |
| 42 | | Music Composition 5312, Class notes,
2004-2007 and undated |
| 43 | | Music Composition 5312: Compositions for study: Adam,
Adolphe-Mendelssohn, Felix,
undated |
| 44 | | Music Composition 5312: Compositioins for study;
Mihaly, Hajda- Stravinsky, Igor,
undated |
| box | item |
| 13 | 1 | | Music Composition 5312: Composition for Study;
Tchaikovsky, Peter-Webern, Anton,
undated |
| 2 | | Music Composition 5312: compositions for Study; unknown
composer,
undated |
| 3 | | Music Composition 5312: Holst, Gustave, The Planets,
scores and notes,
1997 and undated |
| 4 | | Music Composition 5312: Molenaar Edition Wormerveer
Holland,
1997 |
| 5 | | Music Composition 5312: Orchestration, Copies from
Books (1 of 2),
undated |
| 6 | | Music Composition 5312: Orchestration, Copies from
Books (2 of 2),
undated |
| 7 | | Music Composition 5312: Reduction Projects (1 of 2),
undated |
| 8 | | Music Composition 5312: Reduction Projects (2 of 2),
undated |
| 9 | | Music Composition 5312: Reduction Assignments,
undated |
| 10 | | Music Composition 5312: Scoring Projects (1 of 2),
undated |
| 11 | | Music Composition 5312: Scoring Projects (2 of 2),
undated |
| 12 | | Music Composition 5312: Syllabi,
1996-2007 and undated |
| 13 | | Music Composition 5312: Test Materials,
1996-2005 |
| 14 | | Music Composition 5312: Test Materials,
2006-2007 and undated |
| 15 | | The Music Connoisseur,
1996 |
| 16 | | Music Contest,
1940-1950 |
| 17 | | Music Contest (copies),
1940-1950 |
| 18 | | Music Department Faculty:Meeting Minutes and
Information,
1996 and undated |
| 19 | | Music Executive Committee (1 of 2),
1970-1973 |
| 20 | | Music Executive Committee (2 of 2),
1970-1973 |
| 21 | | Music Executive Council,
1969-1971 |
| 22 | | Music Executive Council,
1970-1973 |
| 23 | | Music Executive Council, Memos and Meeting Minutes,
1968-1970 |
| 24 | | Music Faculty Directory,
undated |
| box | item |
| 14 | 1 | | Music Graduate Committee (1 of 2),
1971-1973 |
| 2 | | Music Graduate Committee (2 of 2),
1971-1973 |
| 3 | | Music History and Literature Curriculum,
undated |
| 4 | | Music in Texas Studies,
1965 and undated |
| 5 | | Music of Enchantment: Orchestral Parts,
1997 |
| 6 | | Music Theory: Syllabi,
undated |
| 7 | | Music Theory 131: Class Schedule,
undated |
| 8 | | Music Library Committee: Meeting Minutes and
Information,
1993-1994 |
| 9 | | Music Theory 131: Test Materials,
1968-1969 and undated |
| 10 | | Music Theory 143 Section 1: Dictation Final,
undated |
| 11 | | Music Theory 333-1: Test Materials,
1980-1982 |
| 12 | | Music Theory 333 and 334: Test Materials and Notes,
1973-1986 and undated |
| 13 | | Music Theory 3303: Form, Analysis and Synthesis, Class
Notes,
2003-2004 |
| 14 | | Music Theory 3303: Form, Analysis and Synthesis,
Composition, Beethoven- Schumann,
Undated |
| 15 | | Music Theory 3303: Form, Analysis and Synthesis, Scores
and Notes,
undated |
| 16 | | Music Theory 3303: Form, Analysis, and Synthesis,
Syllabi,
undated |
| 17 | | Music Theory 3303: Form, Analysis and Synthesis, Test
Materials (1 of 2),
1981-1989 and undated |
| 18 | | Music Theory 3303: Form, Analysis and Synthesis, Test
Material (2 of 2),
1981-1989 and undated |
| 19 | | Music Theory 3308: Contemporary Techniques, Syllabus,
1995 |
| 20 | | Music Theory 4301-012, Syllabus,
undated |
| 21 | | Music Theory 4305, Modal Counterpoint, Syllabus, Class
notes, Exams and Assignments,
1996 |
| 22 | | Music Theory 4307, Tonal Counterpoint, Syllabus, Class
Notes and Assignments,
1991 |
| 23 | | Music Theory 5301 and 5302 (styles): Test Materials (1
of 2),
1980-1985 and undated |
| 24 | | Music Theory 5301 and 5302 (styles): Test Materials (2
of 2),
1980-1985 and undated |
| 25 | | Music Theory 5303: Class Materials,
undated |
| 26 | | Music Theory 5303: Class Notes,
1993-2000 |
| 27 | | Music Theory 5303: Class Notes,
2001-2005 |
| 28 | | Music Theory 5303: Class Notes,
2006-2007 |
| 29 | | Music Theory 5303: Compositions, Anonymous- Haydn,
Franz Joseph,
undated |
| box | item |
| 15 | 1 | | Music Theory 5303: Compositions, Anonymous and Multiple
Composers,
undated |
| 2 | | Music Theory 5303: Compositions, Josquin Desprez,
undated |
| 3 | | Music Theory 5303: Syllabi,
1990-2007 |
| 4 | | Music Theory 5303: Syntheses Assignments,
undated |
| 5 | | Music Theory 5303: Test Materials,
1983-1988 |
| 6 | | Music Theory 5303: Test Materials,
1989-1995 |
| 7 | | Music Theory 5303: Test Materials,
1996-2000 |
| 8 | | Music Theory 5303: Test Materials,
2001-2007 |
| 9 | | Music Theory 5303: Test Materials,
undated |
| 10 | | Music Theory 5303 and 5304: Burkhart, Charles,
Anthology for Musical Analysis, Third Edition (1 of 3),
1979-2007 |
| 11 | | Music Theory 5303 and 5304: Burkhart, Charles,
Anthology for Musical Analysis, Third Edition (2 of 3),
1979-2007 |
| 12 | | Music Theory 5303 and 5304: Burkhart, Charles,
Anthology for Musical Analysis, Third Edition (3 of 3),
1979-2007 |
| 13 | | Music Theory 5304: Class Materials,
1975-1996 |
| 14 | | Music Theory 5304: Class Notes,
1989-1998 |
| 15 | | Music Theory 5304: Class Notes,
2000-2003 |
| 16 | | Music Theory 5304: Class Notes,
2004-2008 |
| 17 | | Music Theory 5304: Compositions, Anonymous,
undated |
| 18 | | Music Theory 5304: Compositions; Babbitt,
Milton-Baltok, Bela,
undated |
| 19 | | Music Theory 5304: Compositions; Beethoven, Ludwig
von-Griffes, Charles,
undated |
| box | item |
| 16 | 1 | | Music Theory 5304: Compositions; Hindemith, Paul-
Stevens, Halsey,
undated |
| 2 | | Music Theory 5304: Compositions; Stravinsky, Igor-
Wagner, Richard,
undated |
| 3 | | Music Theory 5304: Compositions; Webern, Anton,
undated |
| 4 | | Music Theory 5304: Syllabi,
1992-2008 |
| 5 | | Music Theory 5304: Test Materials,
1971-1986 |
| 6 | | Music Theory 5304: Test Materials,
1987-1995 |
| 7 | | Music Theory 5304: Test Materials,
1997-2004 |
| 8 | | Music Theory 5304: Test Materials,
1999-2001 |
| 9 | | Music Theory 5304: Test Materials,
undated |
| 10 | | Music Theory 5304: Test Materials,
undated |
| 11 | | Music Theory and Composition: Master of Music Degree
Plans,
2000 |
| 12 | | Music Theory Division: Meeting Minutes and Information,
1990-1997 and undated |
| 13 | | Musicology 202: History and Development of Spanish
Theater Music, Outline,
undated |
| 14 | | National Guild of Piano Teachers: Guild Syllabus,
1965 |
| 15 | | National Intercollegiate Band,
1979-1982 |
| 16 | | National Intercollegiate Band, Programs and Article,
1981-1984 |
| 17 | | New Composition Degrees: BM and MM,
1973 |
| 18 | | New Grove Dictionary of Music and Musicians,
Correspondence and Article,
1998-2001 |
| 19 | | New Grove Dictionary of Music and Musicians: van
Appledorn Article,
undated |
| 20 | | New York City Ballet, American Music Festival,
1988 |
| 21 | | New York City Ballet, American Music Festival,
1988 |
| 22 | | New York City Ballet, American Music Festival, Program,
1988 |
| 23 | | New York City Ballet, American Music Festival,
Programs,
1988 |
| 24 | | New York City Ballet, American Music Festival,
Programs, Correspondence and Articles,
1988 |
| 25 | | Newsletters,
1983-1984 |
| 26 | | Newsletter Articles,
1994-1995 |
| 27 | | Newsletter: Department of Art,
1987-1988 |
| 28 | | Newspaper Articles,
1959-1973 and undated |
| 29 | | Newspaper Articles,
1976-1996 and undated |
| 30 | | Newspaper Articles,
1980-1985 |
| 31 | | Newspaper Articles,
1995 and undated |
| 32 | | Newspaper Articles,
2000 and undated |
| 33 | | Newspaper Articles and Reviews,
1980-1992 and undated |
| 34 | | Newspaper Articles; Honors and Awards,
1973-1982 and undated |
| 35 | | Newspaper Articles; Performances,
undated |
| 36 | | Newspaper Articles; Personal Interest,
1966-1979 |
| box | item |
| 17 | 1 | | North Texas State University: School of Music Graduate
Admissions Exam,
undated |
| 2 | | Notes,
1986-2006 and undated |
| 3 | | Notes,
1991-1995 and undated |
| 4 | | Notes and Memos,
1999-2004 and undated |
| 5 | | Notes: scales and chords,
undated |
| 6 | | Olson, Kenneth: Resume,
1986 |
| 7 | | Opus One,
1979-1980 |
| 8 | | Opus One,
undated |
| 9 | | Opus One: Record Announcements,
1980 and undated |
| 10 | | Passacaglia and Chorale for Orchestra: Orchestral
Parts,
1973 |
| 11 | | Passacaglia and Chorale for Orchestra: Set of Parts,
1973 |
| 12 | | Passages III for Clarinet, Cello and Piano: Score,
undated |
| 13 | | Passages III for Clarinet, Violin, Cello and Piano:
Score and Parts,
2003 |
| 14 | | Patterns for Tuba and Euphonium: Score (3 copies),
1978 |
| 15 | | Paul Whitfield Horn Professor, Correspondence,
1989 |
| 16 | | Pellerite, James; Article and Programs,
1997 |
| 17 | | Periodicals Catalogued in the Sibley Music Library,
1958 |
| 18 | | Personal Notes,
1979 and undated |
| 19 | | Personal Notes,
1983 and undated |
| 20 | | Peter Quince at the Clavier: Full Score (2 copies),
1958 |
| 21 | | Ph. D. in fine Arts: Major Area Examination
(theory-composition),
1987 |
| 22 | | Ph. D. in Fine Arts: Qualifying Examination,
undated |
| 23 | | Phi Mu Alpha and Mu Phi Epsilon Banquet,
1991 |
| 24 | | Photographs (50),
1912-2003 |
| 25 | | Photographs (1),
undated |
| 26 | | Phi Kappa Lambda,
1997 |
| 27 | | Piano Concerto: Parts,
undated |
| 28 | | Planner,
1975 |
| 29 | | Planner,
1977 |
| 30 | | The Podium,
1982-1984 |
| 31 | | Postnikoff, Melissa: Graduate Lecture Recital Program
(1 photo),
1986 |
| 32 | | Prelude for Piano: Score (2 copies),
1948 |
| 33 | | Program Notes,
1984-2003 |
| 34 | | Programs,
1951-1972 and undated |
| 35 | | Programs,
1953-1977 |
| 36 | | Programs,
1959 |
| 37 | | Programs,
1959-1988 |
| 38 | | Programs,
1972-1988 |
| 39 | | Programs,
1976-2008 and undated |
| 40 | | Programs,
1978-1981 |
| 41 | | Programs,
1980-1984 |
| 42 | | Programs,
1980-1988 |
| box | item |
| 18 | 1 | | Programs,
1982-1985 |
| 2 | | Programs,
1990-1997 |
| 3 | | Programs,
1992-2000 |
| 4 | | Programs,
1999-2008 |
| 5 | | Programs and Posters,
1992-1996 and undated |
| 6 | | Programs; Lubbock, TX,
1950-1952 |
| 7 | | Programs; Other Artists,
1960 |
| 8 | | Publication List (2 copies),
1958-1977 |
| 9 | | Qualifying Examination Materials,
1974-1997 and undated |
| 10 | | Recent Performances,
1998 |
| 11 | | Record Album Cover,
1981 |
| 12 | | Record Sleeve Copies,
1979-1986 |
| 13 | | Record Sleeve Copies,
1981-1985 |
| 14 | | Recording Clinic,
undated |
| 15 | | Reeds Afire: B-flat clarinet part,
undated |
| 16 | | Report: How Contemporary Techniques May be Brought Into
Undergraduate Level College Curriculum,
undated |
| 17 | | Research Bibliographies,
undated |
| 18 | | Resume and Vita,
undated |
| 19 | | Rhapsody for Trumpet and Harp: Score (2 copies) aand
Part (2 copies),
1994 |
| 20 | | Rhapsody for Violin and Orchestra: Orchestral Parts (1
of 2),
undated |
| 21 | | Rhapsody for Violin and Orchestra: Orchestral Parts (2
of 2),
undated |
| 22 | | Rhapsody for Violin and Orchestra: Set of Parts
(copies) (1 of 2),
undated |
| 23 | | Rhapsody for Violin and Orchestra: Set of Parts (copies
) (2 of 2),
undated |
| 24 | | Rhapsody for Violin and Orchestra: Set of Parts (ready
for xerox) (1 of 2),
undated |
| 25 | | Rhapsody for Violin and Orchestra: Set of Parts (ready
for xerox) (2 of 2),
undated |
| 26 | | Robinson, Susan: Dissertation Proposal,
undated |
| 27 | | Russo, John: Correspondence and Letters of
Recommendation,
1992-1996 |
| 28 | | Schedules,
1999-2008 and undated |
| 29 | | Schirmer Guide to Schools of Music and Conservatories
Throughout the World, Texas Tech,
1988 |
| 30 | | School of Music Calandars,
1984-1989 |
| 31 | | School of Music, Publications,
1997-2008 |
| 32 | | School of Music: Strategic Plan,
2001 |
| 33 | | School of Music World Music Symposium, Abstract,
2001 |
| 34 | | Schubel, Max: Concerto for Trumpet Recording Project,
1983-1985 |
| 35 | | Schubel, Max: Correspondence,
1978-1980 |
| 36 | | Scrapbooks: Various Composer Newspaper Clippings
(copies), (1 of 2),
1949-1955 and undated |
| 37 | | Scrapbooks: Various Composer Newspaper Clippings
(copies), (2 of 2),
1949-1955 and undated |
| 38 | | Scrapbook from Rogers family, 1989-1999 (5 photos),
|
| 39 | | Seabird Studio: Burton Awards,
2000-2002 |
| 40 | | Secondary Piano Grade Requirements,
undated |
| 41 | | Set of Fire for Piano,
1952 |
| 42 | | Shake Hands With Your Future,
1984 |
| 43 | | Sky Bells: Score,
undated |
| 44 | | Society for New Music,
undated |
| 45 | | Society of Composers, Incorporated,
2002 |
| 46 | | Society of Composers, Incorporated: Newsletters,
1991-1993 |
| 47 | | Society of Composers, Inc., Region VIII New Music
Festival, Washington State University,
1992 |
| 48 | | Society News,
undated |
| 49 | | Sonata for Trumpet, First Movement: Score,
1960 |
| box | item |
| 19 | 1 | | Sonatine for Clarinet and Piano: Score and Clarinet
Part (2 copies),
1988 |
| 2 | | Songs Without Words: Score (5 copies),
2000 |
| 3 | | Sonic Mutation for Harp,
1986 |
| 4 | | Sonic Mutation for Harp: Score (7 copies),
1986 |
| 5 | | Sonnet for Organ: Score,
1958 |
| 6 | | Sonnet for Organ: Score,
undated |
| 7 | | Soundscapes for Bassoon and Strings: Score and Parts,
2002 |
| 8 | | South Plains Music Teachers’ Association:
Student Affiliate Teachers’ Guide, 1961,
|
| 9 | | Southwest Collection Documents,
2000 |
| 10 | | Southwestern Composers Journal (2 copies),
1954 |
| 11 | | Southwestern Composers Journal,
1955-1956 |
| 12 | | Space Reservation Request Forms,
2006-2008 |
| 13 | | Spirit Divine for Chorus and Organ: Score (3 copies),
1986 |
| 14 | | Student Data Sheets and Placement Tabs,
1981 and undated |
| 15 | | Summary of Post-College Activities,
1953 |
| 16 | | Symphony for Percussion Orchestra: Score (2 copies),
2000 |
| 17 | | Symphony for Percussion Orchestra: Score (incomplete),
undated |
| 18 | | Symposium of Contemporary Music, Correspondance and
Information,
1970 and undated |
| 19 | | Symposium of Contemporary Music, Programs,
1965-1982 |
| 20 | | Symposium of Contemporary Music , Programs (one photo),
1965-1983 |
| 21 | | Symposium of Contemporary Music: Programs,
1969-1981 |
| 22 | | Symposium Posters,
1981 |
| 23 | | Tau Beta Sigma: Membership Certificate,
1951 |
| 24 | | Tau Beta Sigma: Outstanding Service to Music Award,
1981 |
| 25 | | Teaching Schedules,
1996-2008 and undated |
| 26 | | Teaching Schedules,
2005-2008 and undated |
| 27 | | Tears for Mixed Chorus: Score (2 copies),
1960 |
| 28 | | Test Materials: Form and Composition Mideterm,
Impressionism,
undated |
| 29 | | Texas Composers Catalog,
1974 |
| 30 | | Texas Federation of Music Clubs,
1980 |
| 31 | | Texas Symposium of Contemporary Music Award,
undated |
| 32 | | Texas Tech: Class Notes,
1947 and undated |
| 33 | | Texas Tech: Class Notes, Analytical Technique 201 and
202 (1 of 2),
1948-1949 |
| 34 | | Texas Tech: Class Notes, Analytical Technique 201 and
202 (2 of 2),
1948-1949 |
| 35 | | Texas Tech: Class Notes, Theory 147 (1 of 2),
undated |
| 36 | | Texas Tech: Class Notes, Theory 147 (2 of 2),
undated |
| 37 | | Texas Tech University: Code of Student Affairs and Rules
and Regulations,
1970-1971 |
| 38 | | Texas Tech University: Commencement Program,
1973 |
| box | item |
| 20 | 1 | | Texas Tech University: Concert Programs and Posters,
1992-2002 |
| 2 | | Texas Tech University: Correspondence and Contract,
1950 |
| 3 | | Texas Tech University: Doctoral Entrance Placement
Exams,
1985 and undated |
| 4 | | Texas Tech University: Doctoral Oral Exam Material,
1997 and undated |
| 5 | | Texas Tech University: Graduate Music Theory Test,
1984 and undated |
| 6 | | Texas Tech University: Lower Division Music Theory,
1969 |
| 7 | | Texas Tech University: Master of Music Oral Exam
Material,
undated |
| 8 | | Texas Tech University: MLT, MTH Budget,
1970-1973 |
| 9 | | Texas Tech University: Music Department, Newspaper
Articles,
1952-1982 and undated |
| 10 | | Texas Tech University: News and Publications,
1981-1982 |
| 11 | | Texas Tech University: Ph.D. in Fine Arts Major Area
Examination (theory-composition),
1986-1999 |
| 12 | | Texas Tech University: Ph. D. in Fine Arts: Music
Composition Exam,
1998 and undated |
| 13 | | Texas Tech University: Qualifying Examinations for Ph.
D. in Fine Arts (Music),
1979-1990 and undated |
| 14 | | Texas Tech University: Ph. D. in Fine Arts Qualifying
Exam: Music Theory,
1984-1986 and undated |
| 15 | | Texas Tech University: Policies and Salary,
1982 |
| 16 | | Texas Tech University: Student Handbook,
1970-1971 |
| 17 | | Texas Tech University: Tenure Policy,
1984 |
| 18 | | Texas Technological College: Graduate School Study,
1968 |
| 19 | | Texas Techsan,
November/December 2002 |
| 20 | | Theory 333: Form and Composition: Notes, Syllabus,
Assignments (1 of 2),
1960-1961 and undated |
| 21 | | Theory 333: Form and Composition: Notes, Syllabus,
Assignments (2 of 2),
1960-1961 and undated |
| 22 | | Theory Department Surveys,
1995 and undated |
| 23 | | Thesis/Dissertation Instructional Materials,
1980 and undated |
| 24 | | Thew, Warren: “Times and Seasons, Poems and
Drawings”,
1994 |
| 25 | | Third Movement,
1960 |
| 26 | | Three for Two: Score (3 copies),
1989 |
| 27 | | TMEA Convention Presentation: “Accidental
Benefits”,
1989-1990 |
| 28 | | Toland, Litchard: A Key to Notes,
1956 |
| 29 | | Topeka High School (2 photos),
1945-1986 |
| 30 | | Topeka High School: Alumni Directory,
2001 |
| 31 | | Transcripts,
1966 |
| 32 | | Trumpet Concerto, Second Movement: Orchestral Parts
(incomplete),
undated |
| 33 | | Twenty-fifth International Trombone Festival: Program,
1996 |
| 34 | | Twenty-seventh Symposium of Contemporary Music,
Correspondence and Information,
1977-1978 |
| 35 | | Twenty-Eighth Symposium of Contemporary Music,
Correspondence and Information,
1978-1979 |
| 36 | | Twenty-Ninth Symposium of Contemporary Music,
Correspondence and Information,
1979-1980 |
| 37 | | Thirtieth Symposium of Contemporary Music,
Correspondence and Information,
1980-1981 |
| box | item |
| 21 | 1 | | Thirty-First Symposium of Contemporary Music,
Correspondence and Information,
1981-1982 |
| 2 | | Two Shakespeare Songs: Score (19 copies),
1979 |
| 3 | | United States Copyright Law, Guide for Music Educators,
1978 |
| 4 | | University of Oklahoma: Correspondence,
1953 |
| 5 | | University of Rochester: Centennial Issue of the
Alumni-Alumnae Review (one photo),
1950 |
| 6 | | University of Rochester: Commencement Ceremony,
1966 |
| 7 | | van Appledorn, John and Elizabeth: Marriage License and
Memory Book,
1914-1944 |
| 8 | | van Appledorn, Mary Jeanne: Baby Book and Birth
Certificate,
1927 |
| 9 | | van Appledorn, Mary Jeanne: Website printouts,
1999 |
| 10 | | van Appledorn, Ruth,
1940-1951 and undated |
| 11 | | van Appledorn, Ruth: Correspondence (9 photos, 1
slide),
1964-1996 and undated |
| 12 | | van Appledorn, Ruth: Functional Piano for the College
Student,
undated |
| 13 | | van Appledorn, Ruth: Last Will and Testament,
1983 |
| 14 | | van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Book 1, Draft,
1992 |
| 15 | | van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Introduction and Lessons 1 and 2,
1991 |
| 16 | | van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 1, Proof,
1992 |
| 17 | | van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 2, Proof,
1992 |
| 18 | | van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 3, Proof,
1991 |
| 19 | | van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 4, Proof,
1991 |
| 20 | | van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 5, Proof,
1991 |
| 21 | | van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 6, Proof,
1991 |
| 22 | | Vaughan, Mary Ann, Educational Research,
1965-1969 |
| 23 | | Voice Division: Minutes of Meetings,
1968-1969 |
| 24 | | Wagner, Joseph: Workbook for Orchestration: A Practical
Handbook,
1959 |
| 25 | | Walt Whitman Music Library: List of Composers,
1991 |
| 26 | | Web Pages,
1995-1996 |
| 27 | | West Texas Suite: Full Score,
1976 |
| 28 | | Westney, William: Recital Photos,
undated |
| 29 | | Who’s Who and Directory Inclusions,
1949-2004 |
| 30 | | Who’s Who in America: Article,
2000 |
| 31 | | Who’s Who Inclusions,
1965-2006 |
| 32 | | Women and the Creative Field in Music,
undated |
| 33 | | Women Band Directors National Association,
1980 |
| 34 | | Women in American Music: A Bibliography: List on
Compositions for Inclusion,
undated |
| 35 | | Women’s Studies 4300: Syllabus,
undated |
| 36 | | Wm. C. Brown Book Company: Correspondence and Contract,
1965-1977 and undated |
| 37 | | YWCA Women of Excellence Award,
2003 |
