Descriptive Summary
Texas Tech University. Music Department
Mary Jeanne van Appledorn Records,
1912-2009
The collection
contains materials from Mary Jeanne van Appledorn, a well noted professor of music at Texas
Tech University.
U 333.1
Southwest Collection/Special Collections
Library, Texas Tech University
18 boxes manuscripts (18.0 linear feet)
and 45 boxes miscellaneous formats (23 linear feet)
English
Biographical Sketch
Mary Jeanne van Appledorn was born October 2, 1927 in Holland,
Michigan, to John and Elizabeth van Appledorn. Neither of her parents were
professional musicians; her father was, however, organist of the Ninth Street
Christian Reformed Church and active in music circles in Holland. As a child,
van Appledorn studied piano, as did her older sister Ruth. Following the death
of her father in 1944, she and her mother moved to Topeka, Kansas (where her
sister was a music teacher at Alma College) for van Appledorn's senior
year of high school. Van Appledorn graduated from Topeka High School in 1945
as valedictorian.
Van Appledorn studied both piano and theory at the University of
Rochester's prestigious Eastman School of Music in Rochester, New York.
Van Appledorn earned the George Eastman Honorary Scholarship each year, and in
1948 received her Bachelor of Music with Distinction (piano); she studied under
Cecile Straub Genhart. Van Appledorn received her Master of Music Degree
(theory) from the Eastman School of Music in 1950; from 1948 she was a Teaching
Fellow of the Eastman School of Music. In the fall of 1950 Van Appledorn
accepted a position at Texas Technological College (now Texas Tech University).
She received her Ph.D. (music) from the Eastman School of Music in 1966, and
was awarded a Graduate Fellowship from 1961-1962. She was also awarded the
Delta Kappa Gamma International Scholarship from 1959-1960; one of three awards
granted to outstanding women for furthering and completing the doctorate
degree. Dr. van Appledorn's dissertation for this degree is titled A
Stylistic Study of Claude Debussy's Opera Pelleas et Melisande
(completed in 1965).
During her studies at Eastman, Dr. van Appledorn received training in
composition from renowned composers Bernard Rogers and Alan Hovhaness.
In 1982 Dr. van Appledorn was one of nine faculty members of Texas
Tech University to receive a faculty development leave, during which she
studied computer-synthesized sound techniques at the Studio for Experimental
Music, Massachusetts Institute of Technology, Dr. Barry Vercoe, professor.
As an educator, Dr. van Appledorn taught at Texas Tech University from
1950-2008. Dr. van Appledorn taught a wide range of courses during this time,
from undergraduate music theory to graduate composition courses. Dr. van
Appledorn served as chairman of the Division of Music Literature and Theory
(1950-1968) in the school of music, and played an important role in the
development of the curriculum of the undergraduate and graduate music degrees,
alongside Chairman of the School of Music, Gene Hemmle.
Dr. van Appledorn also served as chairman of the Graduate Studies
Committee of the Department of Music. She founded and served as chairman of the
annual Symposium of Contemporary Music at Texas Tech (1951-1981), and obtained
the commission of many new works by renowned composers such as Dr. Howard
Hanson (Streams in the Desert, 1969). In 1989 she was named a Paul Whitfield
Horn Professor of Texas Tech University.
As a composer, van Appledorn has had a very successful career. She
composed music in many genres, both instrumental and vocal. She received her
first awards for composition (Mu Phi Epsilon National Composition Contests) for
Set of Five (1951) for piano and Contrasts for Piano (1953). Other honors
include the Premier Prix, Dijon, awards from the Texas Composers Guild and
ASCAP, and other commissions from the Music Teachers National Association and
National Intercollegiate Bands. Many of Dr. van Appledorn's compositions
have been published by Carl Fischer, Oxford University Press, and E.C. Schirmer
Music Company, among others. Numerous recordings of her compositions have been
made by world-renowned musicians and ensembles, and her music has been
performed in festivals and concerts both nationally and internationally.
Dr. van Appledorn has been included in a number of published
biographies, not limited to: International Who's Who in Music, 10th,
11th and 12th editions, The World Who's Who of Women, ASCAP Biographical
Dictionary, 4th edition, Bakers Biographical Dictionary, Scribner Music Library
Dictionary of Composers, and the Grove's Dictionary of Music and
Musicians.
Scope and Content
This collection is divided up into five series: manuscript, books,
recordings, artifacts, and oversize materials. It contains materials relating
to the personal and professional life of Mary Jeanne van Appledorn.
The manuscript collection includes family photographs, personal and
professional correspondence, class notes and materials from Eastman School of
Music and Texas Tech University. Other materials in this series includes
published works, programs of performances of her music, ASCAP correspondence
and awards, information regarding the music curriculum development at Texas
Tech University, minutes from the numerous committees she served on while at
Texas Tech, materials used for her dissertation, material from various
presentations made at conferences, and handwritten sketches and manuscripts of
her compositions.
The book collection includes many books van Appledorn used as a
student at the Eastman School of Music, Eastman School of Music yearbooks, and
books she used as a professor at Texas Tech University.
The collection of recordings includes cassettes, CDs, reel to reels,
records, video cassette tapes, and DVDs of her music, as well as other artists.
The recordings vary from recordings of the composer at the piano, to
professional CDs recorded by musicians and ensembles from around the world.
The artifacts collection includes plaques and awards given to van
Appledorn throughout her career. The oversize materials contain scores and
sketches of Dr. van Appledorn's compositions as well as scrapbooks,
diplomas, and posters.
Organization
The collection is organized alphabetically into five series: manuscripts, books,
recordings, artifacts, and oversize materials. Due to the size of the
inventory, this finding aid has been split up into four pages:
Manuscripts
Oversized
Audio/Visual Recordings
Memorabilia and Books
Index Terms
The subject headings used by the Southwest Collection/Special
Collections Library are derived from the Library of Congress and/or locally
developed.
Subjects (Persons)
Hemmle, Gene
Van Appledorn, Mary Jeanne,1927-
Subjects (Organizations)
Lubbock Symphony
Orchestra (Lubbock, Tex.)
Texas Association of
College Teachers
Texas Music Educators
Association
Texas Technological
College. Dept. of Music--Faculty
Texas Technological
College. Dept. of Music--Records and correspondence
Texas Tech University.
College of Music--Faculty
Texas Tech University.
College of Music--Records and correspondence
Texas Tech University.
Dept. of Music--Faculty
Texas Tech University.
Dept. of Music--Records and correspondence
Texas Tech University.
School of Music--Faculty
Texas Tech University.
School of Music--Records and correspondence
Places
Lubbock (Tex.)
Subjects
Band music
Carillon music
Composers--Texas
Harpsichord music--20th
century
Masses--scores
Music
Music in universities and
colleges--Texas--History
Native American flute
music
Organ music
Percussion
ensembles--Scores and parts
Piano music
String orchestra
music--Scores and parts
Suites (Carillon)
Women
composers--Texas--Lubbock
Acquisition
Collection accession #(s):
2000-0225-B, 2000-0311-C, 2000-0340-A,
2000-0357-B, 2005-0201-B, 2008-0116-B, 2008-0140-B
Gift, 2009
Access Restrictions
Open for research
Preferred Citation
Mary Jeanne van Appledorn Records, 1912-2009, Southwest Collection/Special
Collections Library, Texas Tech University, Lubbock, Texas
Related Materials in the Southwest Collection/Special Collections
Library:
Music Records, 1937-2006 and undated
Music Records, 1945-1987 and undated,
Music Records, 1945-1996 and undated,
Processed by
Amanda Cox, 2009, and Heather Darnell, 2010
Collection Inventory
Oversized Materials
1
1
Architectonics: Sketches; Architecure Pictures,
Magazine; Original composition sketches; Composition contest advertisements;
Various articles; Newsletters; Drafts of Chord/Scale Structure,
1989?
1
2
Atmospheres for Trombone Ensemble; Full Set of 12 Parts
and Score; Correspondence and Contract with publisher, Thompson Edition,
Inc.(2002); Final Copy of Score and Parts;
1993
1
3
Ayre for Strings, Viola da Gamba Consort, Clarinet or
Saxophone Choir; String Orchestra Score; Copy of Score and Parts from
Publisher, Southern Music Company, Corrected and Bowed Parts, Ready to Copy
(1994); Handwritten Score and Copy,
1989
1
4
Ayre String Orchestra Score and Parts,
1989
1
5
Ayre for Viola da Gamba Consort, Full Score and Six
Parts,
1989
2
1
Ayre Music in Six Parts for Strings, Commissioned by
Texas Music Teachers Assocition (59 Copies – various parts),
1989
2
2
Azaleas for Flute, Baritone Voice and Piano, To Kyung
Wook Shin and Michael Stoune, Score/Parts (5 Copies),
1980
2
3
Blow, Blow Thou Winter Wind for Mixed Chorus, To Dr.
Gene L. Hemmle and The Texas Tech Choir, Full Score,
1951
2
4
Burlesca for Piano, Brass and Snare Drum; Full Score (2
Copies); Dark Full Score,
1951
3
1
Cacophony for Wind Ensemble, Commissioned by Women Band
Directors National Association; Sketches; Full Score; Letter from Dr. van
Appledorn,
1980
3
2
Cacophony for Wind Ensemble, Full Score
1980
3
3
Cacophony for Wind Ensemble, Full Parts (Excluding:
E-flat Clarinet, Alto Clarinet, E-Flat Contra-Alto Clarinet, Contra Bassoon,
and Percussion),
1980
3
4
Cacophony for Wind Ensemble, Percussion Score and Parts,
(See Oversize 8),
1980
3
5
Cantata: “Rising Night After Night” for
Chorus, Soloists and Orchestra ; Sketches; Pencil Score with Edits (See
Oversize 7),
1978
3
6
Cantata: “Rising Night After Night” for
Chorus, Soloists and Orchestra; Bound Copy of Score; Loose Pages of Score;
Copies of Libretto (See Oversize 7),
1978
3
7
Caprice for Carillon, Original Score (handwritten) and
copy,
December 9, 1987
3
8
Celestial Clockwork for Carillon, Commissioned by and
Inscribed to Dr. Judson D. Maynard; Full Score (2 copies); Letters from
Publisher (American Carillon Music Editions); Publishing Contract (January 18,
1985),
1983
3
9
Cellano Rhapsody for Violoncello and Piano, Inscribed
to Salvatore Silipigni, Duquesne University; Full Scores (4 Copies); Sets of
Parts (3 Piano Copies and 4 Cello Copies),
1947
3
10
Chants and Timbre; Sketches, Unfinished,
undated
4
1
A Choreographic Overture for Band, To William Francis
McBeth; Full Score (2 Copies),
1957
4
2
A Choreographic Overture for Band; Full Set of Parts,
1957
4
3
A Choreographic Overture for Band; Full Score and Full
Set of Parts,
1957
4
4
Communique, Song Cycle Based on the Poems of Everett
A. Gillis, Inscribed to Judith Klinger; Full Score (3 Copies),
1960
4
5
Concerto for Guitar; Sketches; Score Fragment,
2007
4
6
Concerto for Trumpet and Orchestra; Sketches; Score
Fragment
unknown
4
7
Concerto for Trumpet; Orchestration edited by Mark
Rogers
unknown
4
8
Concerto for Trumpet and Band; Full Score
unknown
4
9
Concerto for Trumpet and Band; Score with Edits
1961
4
10
Concerto for Trumpet and Band; Score
1977
4
11
Concerto for Trumpet and Band; Score
1986
5
1
Concerto for Trumpet, Cadenza by Robert Birch;
Sketches; Copies of Cadenza in Score,
1960
5
2
Concerto for Trumpet and Band; Full Score (2 Copies);
First Movement of Score; Piano Obligato Part; Manuscript Wire Bound Score with
Notes, Miscellaneous Notes on Back Cover; Poster in a Foreign Language;
Article; Sketches and Notes; Lists of Part Requirments,
1960
5
3
Concerto for Trumpet and Band; Parts,
1960
5
4
Concerto for Trumpet and Orchestra; Parts,
1960
5
5
Concerto for Trumpet and Piano, Prepared by Mark
Rogers; Posters from Performance in USSR (1986); Proof of Score; Copies of
Manuscript Score; Trumpet Parts,
1960
5
6
Concerto Brevis for Piano and Orchestra; Full Score (3
Copies); Piano Score,
1954
5
7
Contrasts for Piano; Manuscript with Notes; Manuscript
for Publisher; Contract; Published Score,
1947
5
8
Cornucopia for Solo Trumpet; Manuscript of Part and 2
Copies; 2 Copies of Part from Publisher,
1988
5
9
Cycles of Moons and Tides for Symphonic Band; Full
Score; 6 Copies,
1995
6
1
Cycles of Moons and Tides for Band; Work Revisions;
Score,
1995
6
2
Cycles of Moons and Tides for Band; Work Revisions of
Parts,
1995
6
3
Cycles of Moons and Tides for Band; Performing Parts
(No Percussion),
1995
6
4
Cycles of Moons and Tides for Band; Full Score,
1995
6
5
Danza Incantations de Espana, Vocal Octet, Ballet;
Piano and Percussion Score; Full Score (2 Copies);
1979
6
6
Dearest Thou Now, O Soul for Women’s Chorus and
Organ; Copy of Published Score from Manuscript; Published Score (2 Copies),
1975
6
7
Elegy for Pepe (1964-77) for Piano; Work Revisions;
Manuscript Score (2 Copies),
1982
6
8
Fantasia for Piano, Inscribed to Eugenio Zapata;
Sketches, Work Score; Manuscript Score and Copy of First Page,
2004
6
9
Festive Bells for Carillon, Inscribed to Dr. C. Roy
Wilson; Work Scores; Manuscript Score,
2005
6
10
Festive Fanfare and Postlude for 12 Trumpets and
Percussion; Correspondence to/from Office of the Provost; Set of Parts (4
Copies); Full Score,
2001
6
11
Five Psalms for Trumpet, Tenor Voice, and Piano;
Sketches, Notes, Copies of Psalms; Manuscript Score; Bound Copies of Manuscript
Score (2); Proofs of Score from Publisher; Published Score and Part,
1998
6
12
Four Duos for Alto Saxophones; Manuscript Score and
Copy; Contract from Publisher; Overhead Transparency Score,
1984
6
13
Four Duos for Viola and Cello; Manuscript Score;
Copies of Manuscript Score (3); Published Score (2),
1985
7
1
Fraulein Else, Opera for Television and/or Electronic
Performance, Kim Smith, Libretto; Copy of Libretto; Bound Copy of Libretto;
Correspondence; Notes; Sketches,
1986
7
2
Freedom of Youth for Speaker and Synthesizer;
Documents; Copies of Score (5); Manuscript Working Score,
1986
7
3
Galilean Galaxies for Flute, Bassoon and Piano;
Magazine Article with Notes; Sketches; Manuscript Score with Edits; Manuscript
Score; Copies of Manuscript Score (3); Publishing Contract; Proofs of Published
Score and Parts; Published Score (2 Copies); Published Parts,
1998
7
4
Gestures for Clarinet Quartet; Correspondence and
Information from United States Naval Academy Band Clarinet Quartet;
Sketches/Notes; Copy of Manuscript Parts; Manuscript Score; Copies of
Manuscript Score (3); Correspondence and Proofs from Publisher; Published Score
and Parts,
1999
7
5
Hebraic Poem for Flute, Clarinet, Viola and Piano;
Manuscript Score; Manuscript Viola Part,
1957
7
6
I Hear America Singing for Voice and Piano; Full
Scores (2 Copies),
1952
7
7
Incantations for Oboe and Piano; Manuscript Score and
Copies; Published Score and Oboe Part (2 Copies),
1998
7
8
Incantations for Trumpet and Piano, Inscribed to
Daniel Kiser; Full Score and Part, Published Edition; Handwritten Score, edited
by Daniel Kiser, and Letter from Daniel Kiser; Score and Parts (2 Copies),
Bound,
1992
7
9
Introduction and Allegro, Inscribed to Kirsten Yon and
Sigurd Øgaard; Handwritten Program Notes and Score; First Proof of Score
from Editor,
2007
8
1
Jason’s Tune for Cornet and Piano, Melody by
Jason Hamilton, Arranged by Mary Jeanne van Appledorn; 3 Full Scores (2
Handwritten, 1 Bound),
December 19, 1992
8
2
Legacy, for Bass Baritone Voice and Piano, Text by Kay
Scully; 4 Full Scores (1 Handwritten, 3 Copies); Text (3 Copies); Handwritten
Score with Edits; Card from Kay Scully,
1995
8
3
Les Hommes Vides, for Unaccompanied SATB Chorus; Score
and Program Notes (4 Copies); Handwritten Copies of Score (2 Copies) and Copies
of Poem from Book (2); Copy of Score with Edits; Parts of Score with Edits,
1994
8
4
Les Hommes Vides; Correspondance; Letters and
Materials Concerning Copyright of T.S. Elliot Poem; List of Publishers and
Addresses; Contracts between publishers and van Appledorn,
1994-1997
8
5
Liquid Gold, Full Score, (Roll),
1982
8
6
Liquid Gold for E-flat Alto Saxophone and Piano, for
Dale Underwood; Multiple Copies of Score; Handwritten Manuscript of Score with
Edits,
1982
8
7
A Liszt Fantasie for Piano, to William Westney; Final
Published Score; Handwritten Notes, Sketches, Manuscript; Manuscript Sketches;
Manuscript Score; Copy of Manuscript,
1984
8
8
Love Divine, All Loves Excelling for Chorus and Organ;
Manuscript (original); 3 Copies of Full Score (1 Bound),
1988
8
9
LUX: Lengend of Sankta Lucia for Band, Harp,
Percussion and Handbells, Manuscript (Copy); First Page of Score (4 Copies);
Program Notes/Percussion Setup (4 Copies),
1981
8
10
LUX: Lengend of Sankta Lucia for Band, Harp,
Percussion and Handbells; Set of Parts,
1981
8
11
LUX: Lengend of Sankta Lucia for Band, Harp,
Percussion and Handbells; Pencil Score; Articles/Information about Saint Lucia;
Instrumentation Information; Program Notes; (See Oversize 8),
1981
9
1
March for Band; Full Score (2 Copies),
undated
9
2
Matrices for E-flat Alto Saxophone and Piano; Flier
with Sample Score Page; Copy of Instructions to Performer; Sketch Fragment;
Copies of Bound Score (2); Copy of Score with Notes; Full Score (3 Copies),
1979
9
3
Meliora: Fanfare for Orchestra; Full Score (2 Copes);
Set of Parts,
2000
9
4
Meliora, Symphony for Winds and Percussion; Full Score
(2 Copies); Sketches; Manuscript; First Proof (July 17, 2000)First Complete
Proof (August 5, 2001); First Proof (January 30, 2002); Second Proof (June 4,
2003); Last Proof (August 2003),
2002
9
5
Meliora, Symphony for Winds and Percussion; Full Score
(2 Copies); Set of Parts with Corrections Written in by Composer,
2002
9
6
The Memory of Splendid Music for Voice and Piano;
Final Published Full Score; Copy of Text; Manuscript; Copy of Manuscript;
Proofs with Notes and Edits by Composer,
2006
10
1
Miniatures for Trombone Quartet; Published Score and
Parts; YWCA Women of Excellence Biography; Printouts from Publisher Website on
Ordering Information; Correspondence and Contract from Publisher; Manuscript
Score; Sketches; Notes; Copies of Parts from Manuscript; Card regarding
composition of piece,
2000
10
2
Mirrors for Flute, Clarinet and Piano; Program from
Premiere Performance; Manuscript of Full Score,
2004
10
3
Missa Brevis for Voice or Trumpet and Organ; 2 Copies
of Manuscript, (1 with notes by composer); Full Score (3 Copies); Copies of
Score with edits (2); Published Score; Score with Analysis; Notes; Letters from
Performers; Article from Lubbock Avalanche Journal,
1987
10
4
Missa Brevis for Brass Quintet; Full Score (3 Copies);
Set of Parts,
1987
10
5
Music of Enchantment for Native American Flute,
Strings, Percussion; Full Score, Manuscript,
1997
10
6
Music of Enchantment for Native American Flute, Piano
Reduction; Correspondence from James Pellerite; Manuscript Score; Proof of
Score from Publisher; Copy of Manuscript Part and Score; Copy of Manuscript
Score,
1997
10
7
Music of Enchantment for Native American Flute,
Strings and Percussion; Manuscript Parts (Copy of Native American Flute and
Percussion Parts),
1997
10
8
Musique for Trombone and Piano; Manuscript Sketches;
Manuscript Score and copies; Trombone Part (2 Copies),
2003
10
9
A Native American Mosaic for Native American Flute;
Manuscript Part and Copy, Copies of Published Parts; Correspondence between Dr.
van Appledorn and James Pellerite; Contract from Publisher,
1997
10
10
Octet for Bassoons; Manuscript Score with Edits; Full
Score, Manuscript; Copy of Parts,
2004
10
11
Paruassus, 15 Etudes for Euphonium in C;
Sketches/Notes; Manuscript Score, Bound Copy of Manuscript Score,
1990
10
12
Parquet Musique pour Clavecin; Copied Articles;
Manuscript Score; Copies of Manuscript Score (2); Source/Copies of Cover
Graphic,
1990
11
1
Passacaglia and Chorale for Orchestra; Copy of
Manuscript Score; Full Set of Orchestra Parts (See Oversize 8),
1973
11
2
Passacaglia and Chorale for Orchestra; Partial Set of
Orchestra Parts,
1973
11
3
Passacaglia and Chorale for Orchestra; Full Set of
Orchestra Parts,
1973
11
4
Passacaglia and Chorale for Orchestra; 2 Copies of
Full Score (1 Bound); Partial Copy of Orchestra Parts,
1973
11
5
Passacaglia and Chorale, Transcribed for Band by Mark
Heidel (1987); Manuscript Score; Copies of Manuscript Score (1 Bound); Copies
of Original Parts; Manuscript Corrected Version of Parts (See Oversize 8);
1973
11
6
Passages for Trombone and Piano; Notes/Sketches;
Manuscript Score; Copies of Manuscript Score (2); Correspondence and Contract
to/from Publisher; Proofs of Score from Publisher; Bound Copies of Published
Score (2); Final Published Score and Trombone Part,
1996
11
7
Passages II for Trombone and Percussion;
Sketches/Notes; Manuscript Score; Correspondance and Contract to/from
Publisher; Proof from Publisher; Copy of Manuscript Score; Copies of Published
Score (2),
1997
12
1
Passages III for Clarinet, Violoncello and Piano;
Letter Regarding Piece; Notes/Sketches; Score with Edits; Manuscript Score;
Copy of Manuscript Score; Published Score and Parts,
2003
12
2
Passages IV for Native American Flute and Strings
(unfinished); Partial Score with Sketches,
undated
12
3
Patterns for Horn Quintet; Correspondence to/from
Publisher; Contract; Published Score and Parts; Manuscript Score; 2 Copies of
Manuscript Score; Manuscript Parts,
1956
12
4
Patterns, Arranged for Euphonium and Tuba; Manuscript
Score; 3 Copies of Manuscript Score,
undated
12
5
Peter Quince at the Clavier for Women’s Chorus,
Narrator, Flute, Oboe, Horn and Piano; 2 Copies of Manuscript Score,
1958
12
6
Piano Pieces (6); Manuscripts with Edits; Published
Scores,
1960-1972
12
7
Posters,
1995-2008
12
8
Potpourri for Carillon; Letter Requesting Piece;
Carillon Composition Contest Information; Notes and Copies of French Songs;
Manuscripts with Edits; Copies of Manuscript; Final Score,
1996
12
9
Postcards to John for Guitar; Articles;
Sketches/Manuscripts with Edits; Score with Edits by John Scott Ford; Partial
Manuscripts; Complete Copy of Manuscript; Correspondence to/from Publisher;
Publishing Contract; Proofs from Publisher; Published Score,
1993
12
10
Reeds Afire for Clarinet and Bassoon; Sketches/Notes;
Manuscript Score; Printed Copies of Score (4); Printed Copies of Parts (3);
Bound Copies of Score (2); Correspondence and Contract from Publisher,
1994
12
11
Rhapsody for Trumpet and Harp; Notes; Manuscript with
Edits; Manuscript Score; Copy of Manuscript Score; 2 Copies of Published Score
and Part,
1993
12
12
Rhapsody for Violin and Orchestra; Sketches/Notes;
Copies of Manuscript Violin Part (2); Score with Edits; Manuscript Score; Copy
of Manuscript Score; Bound Copy of Score,
1996
13
1
Rhapsody for Violin and Orchestra; Copies of String
Parts,
1996
13
2
Rhapsody for Violin and Orchestra; Copies of Wind and
Percussion Parts,
1996
13
3
Scenes from Pecos County for Piano; 2 Copies of
Published Score,
1972
13
4
Set of Five for Piano; Manuscript Score; 2 Copies of
Full Published Score; Toccata and Improvisation Published Scores,
1953
13
5
Shabat Shalom for Organ; Manuscript Score, Sketch;
Copy of Score; Published Score,
1992
13
6
Shakespeare Songs from “As You Like It”
for Mixed Chorus and Piano; Copies of Score from Manuscript (5); Correspondence
and Contract from Publisher; Published Score,
1953
13
7
Sketches and Working Notes; Fragments of Chamber Music
I; Sonic Beaches; Improvisation,
undated
13
8
Skybells for Carillon; Letter to Publisher; Sketches,
Manuscripts with Edits; Manuscript Score, Copy of Manuscript Score (2);
Handwritten Copy of Score; Printed Score; Proof from Publisher; Published Score
(in Compilation),
1991
13
9
Soliloquy for Native American Flute, Shakuhachi and
Piano; Letter from Performer with Notes; Copy of Manuscript with Edits;
Manuscript Score; Copy of Manuscript Score; Bound Copy of Manuscript Score,
2004
13
10
Sonata for Guitar; Manuscript Score; Copy of
Manuscript Score; Bound Copy of Manuscript Score,
2003
13
11
Sonatine for Bassett Horn and Piano; Manuscript Score;
Copy of Bassett Horn Part from Manuscript; Bound Copy of Manuscript Score;
Bound Copy of Bassett Horn Part,
1988
13
12
Sonatine for Clarinet and Piano; Copies of Clarinet
Part from Manuscript (4); Copy of Score; Bound Copy of Score,
1988
14
1
Songs Withouth Words for Two Sopranos and Piano;
Sketches/Notes; Manuscript Score; Copies of Manuscript Score (2); Proofs and
Contract from Publisher; Published Score,
1999
14
2
Sonic Mutation for Harp; Sketch; Manuscript Score
Edited by Gail Barber; Bound Copy of Manuscript Score; Published Score (3
Copies),
1987
14
3
Sonnet for Organ; Copy of Article; Copies of
Manuscript Score (2); Published Scores (2),
1959
14
4
Sound the Trumpet for Trumpet and Organ; Manuscript
Score; Copy of Manuscript Score and Trumpet Part; Contract and Correspondence
from Publisher; Proof from Publisher;
1994
14
5
Soundscapes for Bassoon and Strings; Sketches, Parts
of Score with Edits; Score with Edits; Manuscript Score; Bound Copy of
Manuscript Score; Bound Copy of Printed Score; Copy of Printed Score and Parts;
Published Score and Parts,
2003
14
6
Soundscapes for Bassoon and Strings; Copies of Parts;
Bound Copies of Printed Parts,
2003
14
7
Spirit Divine for SATB Chorus and Organ;
Correspondence from Publisher; Publishing Contract; Manuscript Score; Copy of
Manuscript Score; Bound Copy of Manuscript Score; Published Score (4 Copies),
1986
14
8
Suite for Carillon; Score (4 Copies),
1976
15
1
Symphony for Percussion Orchestra; Correspondence
to/from Publisher; Sketch; Manuscript Score,
2001
15
2
Symphony for Percussion Orchestra; Set of Parts,
2001
15
3
Symphony of Celebration for Orchestra; Manuscript
Score; Copy of Printed Score; Set of Printed Parts,
2003
15
4
Symphony of Celebration for Orchestra; Sketches,
2003
15
5
Tears for Mixed Chorus; Full Score (3 Copies),
1952
15
6
Terrestrial Music for Double Concerto for Violin,
Piano and Strings; Manuscript Score; Copies of Manuscript Score (2),
1992
15
7
Terrestrial Music for Double Concerto for Violin,
Piano and Strings; Reviews and News Articles (Japan),
1992
16
1
Terrestrial Music for Double Concerto for Violin,
Piano and Strings; Solo Parts; Score Edits,
1992
16
2
Terrestrial Music for Double Concerto for Violin,
Piano and Strings; Orchestra Parts,
1992
16
3
Three for Two for Flutes or Recorders; Pencil Flute
Score; Copies of Score,
1989
16
4
Tower Music for Carillon; Sketches; Manuscript Score;
Copy of Manuscript Score; Published Score,
1990
16
5
Trio Devienne for Flute, Bassoon and Piano; Sketches;
Manuscript Score; Copy of Manuscript Score,
2005
16
6
Trio Italiano for Trumpet, Horn and Bass Trombone;
Sketches; Manuscript Score; Copy of Manuscript Score; Set of Part;
Correspondence to/from Publisher,
1995
16
7
Two Shakespear Songs (from As You Like It)
1979
16
8
Under the Greenwood Tree for Chorus and Piano; Score,
1951
16
9
Uptown Blue for Piano Solo; Sketches in Spiral
Notebook; Manuscript Score; Copy of Manuscript Score; Bound Copies of
Manuscript Score (2),
undated
16
10
Variations on “Jerusalem the Golden” for
Organ; Contest Information; Correspondence to/from Publisher; Publishing
Contract; Proofs from Publisher; Scores with Edits; Manuscript Score and Copy;
Bound Copy of Manuscript Score,
1996
16
11
”We praise you Wheaton whose friend we
are,” for Unison Chorus and Organ (Unfinished); Score,
undated
16
12
West Texas Suite for Chorus, Band and Perucssion;
Bound Copy of Score; Copy of Poems,
1976
16
13
Windsongs for Brass Quintet (unfinished); Sketches and
Revision; Manuscript Score; Score with Edits; Copy of Manuscript Score (2); Set
of Parts,
1991
17
1
Cantata: “Rising Night After Night” for
Chorus, Soloists and Orchestra; Score; Chorus Parts; Sketches; Working Pages
(See Oversize 1),
1978
17
2
Cacophony for Wind Ensemble (1980), Revisions Copy
(See Oversize 1); LUX: Legend of Sankta Lucia for Band; Working Revisions; (See
Oversize 3); Passacaglia and Chorale for Band, Score; Passacaglia and Chorale
for Orchestra, Scores (2 Copies), (See Oversize 4),
1981
18
1
Scrapbook: Various Composer Newspaper Clippings
(copies in box 18),
1949-1955 and undated
18
2
Family Photo Album,
c. 1927-1945
18
3
Diploma: Bachelor of Music, Eastman School of Music,
University of Rochester,
1948
18
4
Diploma: Master of Music, Eastman School of Music,
University of Rochester,
1950