TABLE OF CONTENTS
Descriptive Summary
Biographical Sketch
Scope and Contents
Organization
Restrictions
Index Terms
Related Material
Administrative Information
Description of Series
Manuscript Collection
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Sandra Scofield:
An Inventory of Her Papers, 1958-2005 and undated, at the
Southwest Collection/Special Collections Library
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Creator |
Scofield, Sandra
Jean |
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Title: |
Sandra Scofield Papers,
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Dates: |
1958-2005 and undated |
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Abstract: |
The collection
contains literary and research materials compiled by Sandra Scofield dated from
1958. |
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Collection # |
R18.1 |
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Quantity: |
6 boxes (6.0 linear
feet) |
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Language |
English |
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Repository: |
Southwest Collection/Special Collections
Library, Texas Tech University |
Sandra Scofield was born to Edith Aileen Hambleton in Wichita Falls,
Texas, in 1943. Her mother later married Dean Hupp, with whom she had a second
daughter, Karen, who lives in Connecticut. As a child, Scofield lived primarily
in Wichita Falls, with a brief stay in Ohio near the Hupp family. The family
moved to Odessa in 1955, and Scofield remained in Wichita Falls, living with
the sisters at the Academy of Mary Immaculate for seventh and eighth grades.
The next two years she spent at Our Lady of Victory Academy in Ft. Worth. She
graduated from Odessa High School in 1960 and studied at Odessa Junior College
and the University of Texas. She left UT in 1963, all work for a B.A. in Speech
completed except for one course, and spent the year in New York City and
Mexico; the following summer she completed her degree. Scofield attended
Northern Illinois University (1967-68), studying theatre, but did not complete
a thesis. She spent a year at Cornell University on an acting fellowship in
1968-69. At the University of Oregon she received an M.A. (1977) and Ph.D.
(1979), focusing on reading and language education. Scofield traveled in Europe
and extensively in Mexico in the early sixties. She lived in California and
Oregon with her first husband, Allen Scofield, an Oregon native and Vietnam
veteran (Coast Guard). Their daughter, Jessica, was born in 1973. The Scofields were
amicably divorced in 1974. Scofield, who had been working in educational
research, went to Montana to assist the state Office of Public Instruction with
a special project. In July 1975 she married Bill Ferguson, of Helena, Montana,
the state English Supervisor. In November of that year, Allen Scofield died
following a car accident. Ferguson adopted Jessica Scofield, who is now an
artist, and the family moved to Eugene,Oregon and subsequently to Ashland.
After Ferguson's retirement from teaching high school English, the family
returned to his home state, Montana, and settled in Missoula. Scofield has
remained close to her aunt, Mae Perkins of Lubbock, and so has visited Lubbock
numerous times for over thirty years. Scofield taught in public schools and
colleges, but stopped working in 1983 to write full time. Her first novel was
Gringa, based on her observations and
experiences in 1960's Mexico. Since then she has published six more novels and
a memoir, in addition to numerous book reviews, scholarly publications, and
short stories. She occasionally teaches writing in summer workshops, visits MFA
programs, has mentored individual writers, and has written a book for writers,
The Scene Book to be published by Penguin
in 2007. She is currently (2006-07) organizing letters written to her close
friend Mary Economidy in the 1960s, and completing writing projects. Her awards
include a National Endowment for the Arts Fellowship (1991);
Beyond Deserving was a 1991 finalist for a
National Book Award; and
A Chance to See Egypt received the Best
Fiction award from the Texas Institute of Letters in 1997.
A list of her publications includes:
- Scofield, Sandra.
Gringa. Sag Harbor, NY: Permanent
Press, 1989.
- Scofield, Sandra.
Beyond Deserving. Sag Harbor, NY:
Permanent Press, 1991.
- Scofield, Sandra.
Walking Dunes. Sag Harbor, NY:
Permanent Press, 1992.
- Scofield, Sandra.
More Than Allies. Sag Harbor, NY:
Permanent Press, 1993.
- Scofield, Sandra.
Opal on Dry Ground. New York:
Villard Books, 1994.
- Scofield, Sandra.
A Chance to See Egypt. New York:
HarperCollins, 1996.
- Scofield, Sandra.
Plain Seeing. New York: Cliff Street
Books, 1997.
- Scofield, Sandra.
Occasions of Sin: a Memoir. New
York: Norton, 2004.
Return to the Table of Contents
The collection has a variety of materials detailing the literary and
scholarly works of Sandra Scofield. They include manuscripts of draft copies,
published and unpublished works, short stories, poems, reviews, final copies,
revisions, research material, photographs, workshop and conference materials,
and academic work and teaching materials. While preparing these papers for
shipment, Scofield wrote notes on several boxes and folders and wrote brief
histories of each book’s creation and publication. Notes on boxes and folders
were photocopied and added to the collection.
Return to the Table of Contents
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Organization |
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The collection is organized into the following series:
- Literary Production
- Correspondence
- Printed Material
- Academic Material
- Early Work
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Return to the Table of Contents
Access Restrictions
Open for research
Return to the Table of Contents
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The subject headings used by the Southwest Collection/Special
Collections Library are derived from the Library of Congress and/or locally
developed. |
|
Subjects (Persons) |
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Scofield, Sandra, 1943- |
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Scofield, Sandra, 1943-
--Archives |
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Scofield, Sandra, 1943-
--Correspondence |
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Scofield, Sandra, 1943-
--Manuscripts |
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Subjects |
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Women and literature--United
States |
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Novelists, American--20th
Century |
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Texas, West--Fiction |
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Oregon--Fiction |
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Mothers and daughters |
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Mothers and daughters--Fiction |
Return to the Table of Contents
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For related materials located in the Southwest Collection/Special
Collections Library, see the following collections: |
|
|
- Pattiann Rogers Papers
- Max Crawford Papers
- David James Duncan Papers
- Annick Smith Papers
- Gretel Ehrlich Papers
|
Return to the Table of Contents
Sandra Scofield Papers, 1958-2005 and undated, Southwest
Collection/Special Collections Library, Texas Tech University, Lubbock,
Texas
Purchase, 2005
Diane Warner and Michelle Roberts, 2006
Return to the Table of Contents
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Manuscript Collection |
| box |
folder |
| 1 |
1 |
|
Brief biography,
2005 |
|
|
|
Literary Production, |
| box |
folder |
| 1 |
2 |
|
|
Natural Allies; photocopy of
manuscript box,
2005 |
|
3 |
|
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More Than Allies/Natural Allies/Wives
and Other Women; writing and publishing history explained by Scofield,
2005 |
|
4 |
|
|
Wives and Other Women; business
correspondence and contract,
undated |
|
5 |
|
|
Natural Allies; typescript:
t.p.-11.29,
undated |
|
6 |
|
|
Natural Allies; typescript: p.
12[1]–12.5,
undated |
|
7 |
|
|
Natural Allies; typescript: p.
16.11–16.12,
undated |
|
8 |
|
|
More Than Allies; notes, note
cards, review,
undated |
|
9 |
|
|
More than Allies; reviews and
publicity material,
undated |
|
10 |
|
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Gringa; notebook and research
material,
undated |
|
11 |
|
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Gringa; business correspondence,
undated |
|
12 |
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“A Cow does not stand still”; 1968, Gringa,
undated |
|
13 |
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“An essay pass: March 1968”; 2003, based on Mexico
material,
undated |
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14 |
|
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Gringa;
NYTimes 23 April 1989, book
review, photocopy,
undated |
|
15 |
|
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Gringa (Real Collisions);
synopsis and business correspondence with Permanent Press,
undated |
|
16 |
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Real Collisions (Gringa); novel
proposal,
undated |
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17 |
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Real Collisions; 1st version,
pt. 1, photocopy of manuscript box,
undated |
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18 |
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Real Collisions; 1st version,
pt. 1, t.p.–150, typescript,
undated |
|
19 |
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|
Real Collisions; 1st version,
pt. 1, p. 151–300, typescript,
undated |
|
20 |
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Real Collisions; 1st version,
pt. 1, p. 301–406, typescript,
undated |
|
21 |
|
|
Real Collisions; 1st version,
pt. 2, p. 407–550, typescript,
undated |
|
22 |
|
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Real Collisions; 1st version,
pt. 2, p. 551–700, typescript,
undated |
|
23 |
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Real Collisions; 1st version,
pt. 2, p. 701–850, typescript,
undate |
|
24 |
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Real Collisions; 1st version,
pt. 2, p. 851–1000, typescript,
undated |
|
25 |
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Real Collisions; 1st version,
pt. 2, p. 1001–1082, typescript,
undated |
|
26 |
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Real Collisions; 2nd version,
photocopy of manuscript box,
undated |
|
27 |
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Real Collisions; 2nd version,
[pt.1] t.p.–149, typescript,
undated |
|
28 |
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Real Collisions; 2nd version,
[pt. 1], p. 150–274, typescript,
undated |
|
29 |
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Real Collisions; 2nd version,
[pt. 1], p. 275–400, typescript,
undated |
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30 |
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Real Collisions; 2nd version,
pt.2, photocopy of manuscript box,
2005 |
|
31 |
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Real Collisions; 2nd version,
pt. 2, p. 401–550, typescript,
undated |
|
32 |
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Real Collisions; 2nd version,
pt. 2, p. 551–624, typescript,
undated |
|
33 |
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Gringa; Reviews
undated |
| box |
folder |
| 2 |
1 |
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Beyond Deserving; photocopy of
folder front and inside pockets,
undated |
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2 |
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Beyond Deserving; tentative
outline, The Twelfth Step, typescript with corrections,
undated |
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3 |
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Beyond Deserving; chapters 1-2,
typescript with corrections,
undated |
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4 |
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Beyond Deserving; chapter 3,
typescript with corrections,
undated |
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5 |
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Beyond Deserving; chapter 5-9,
typescript with corrections,
undated |
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6 |
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Beyond Deserving; chapter 17-18,
typescript with corrections,
undated |
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7 |
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Beyond Deserving; p. 1-12,
typescript with corrections,
undated |
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8 |
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Beyond Deserving; p. 3-18,
typescript with corrections,
undated |
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9 |
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Beyond Deserving; 10 p.,
typescript with corrections,
undated |
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10 |
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Beyond Deserving; 2 p., writing
competition announcement, typescript with corrections,
undated |
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11 |
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Beyond Deserving; 37 p.,
typescript with corrections,
undated |
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12 |
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Beyond Deserving; “fishing,”
handwritten on yellow paper,
undated |
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13 |
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Beyond Deserving; notes and
research material,
undated |
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14 |
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Beyond Deserving; notes and
drafts, typescript and handwritten,
undated |
|
15 |
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Beyond Deserving; chart,
undated |
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16 |
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Beyond Deserving; reviews,
photocopy of envelope,
undated |
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17 |
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Walking Dunes; photocopy of
folder,
undated |
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18 |
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Walking Dunes; writing history
explained by Scofield, typescript, 2005,
undated |
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19 |
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“Walking Dunes: a story”; typescript,
undated |
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20 |
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Walking Dunes; story notes,
typescript,
undated |
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21 |
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Walking Dunes; handwritten
notes,
undated |
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22 |
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Walking Dunes; research
material, library notes done in Odessa, Texas,
undated |
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23 |
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Walking Dunes; research
material, "The Heiress: a play in two acts" by Ruth and Augustus Goetz,
undated |
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24 |
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Walking Dunes; typescript with
corrections, [21] p.,
undated |
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25 |
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Walking Dunes; draft pages,
undated |
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26 |
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Walking Dunes; draft April 1990,
part one, 18 p.,
undated |
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27 |
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Walking Dunes; draft chapters
1-12, typescript with corrections,
undated |
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28 |
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Walking Dunes; draft chapters
6-11, typescript with corrections,
undated |
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29 |
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Walking Dunes; draft pages
“David went in …,” typescript with corrections,
undated |
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30 |
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Walking Dunes; draft pages “To
avoid …,” typescript with corrections,
undated |
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31 |
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Walking Dunes; draft chapter 14,
typescript with corrections,
undated |
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32 |
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Walking Dunes; draft chapter 17,
typescript with corrections,
undated |
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33 |
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Walking Dunes; draft chapter 21,
typescript with corrections,
undated |
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34 |
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Walking Dunes; business
correspondence with SMU Press and readers’ report, with mailing envelope,
undated |
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35 |
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Walking Dunes; Reviews,
undated |
|
36 |
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Opal on Dry Ground; photocopy of
manuscript box,
undated |
|
37 |
|
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Folder for
Opal on Dry Ground,
undated |
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38 |
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Opal on Dry Ground; writing
history explained by Scofield, typescript with handwritten addition, 2005,
undated |
|
39 |
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Opal on Dry Land; screenplay
outline May 1992, typescript with corrections,
undated |
|
40 |
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Opal on Dry Land; business
correspondence, letter from Emma Sweeney, agent, 8 April 1992,
undated |
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41 |
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Opal on Dry Ground; research
material,
undated |
|
42 |
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Opal on Dry Ground; handwritten
note cards,
undated |
|
43 |
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Opal on Dry Ground; notes-chart,
undated |
|
44 |
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Opal on Dry Ground; typescript
with corrections,
undated |
|
45 |
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Opal on Dry Ground; draft
chapter 28, typescript with corrections,
undated |
|
46 |
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Opal on Dry Ground; synopsis –
draft Aug. 1991,
undated |
|
47 |
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Opal on Dry Ground; drafts:
chapter 33; chapter 4; Christmas day, typescript with corrections,
undated |
|
48 |
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"Soda Lakes: a play in two acts"; play, spiral bound;
notes; characters and propositions; climaxes; scenario, Sept.1987; misc. pages;
scenario “Beats,"
undated |
|
49 |
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Opal on Dry Ground; screenplay,
typescript,
undated |
|
50 |
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Opal on Dry Ground; cover art;
interviews; reviews,
undated |
|
51 |
|
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Opal on Dry Ground; cover art,
(1 removed for flat storage),
undated |
|
52 |
|
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Opal on Dry Ground; reviews and
publicity material,
undated |
|
53 |
|
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A Chance to See Egypt; writing
history explained by Scofield, typescript, 2005,
undated |
|
54 |
|
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A Chance to See Egypt; short
story published in Ascent, photocopy with comments in ink,
undated |
|
55 |
|
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A Chance to See Egypt; draft p.
17-25, typescript with corrections,
undated |
|
56 |
|
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A Chance to See Egypt; draft,
chapter list, t.p., p. 203-217, 243-245, 249-252, 259-265, 267-282, typescript
with corrections,
undated |
|
57 |
|
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A Chance to See Egypt; draft,
misc. pages stapled as group, typescript with corrections,
undated |
|
58 |
|
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A Chance to See Egypt; notes and
research,
undated |
|
59 |
|
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A Chance to See Egypt; notes and
drafts,
undated |
|
60 |
|
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A Chance to See Egypt;
notes-charts,
undated |
|
61 |
|
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A Chance to See Egypt; research
material, El ojo del Lago 10.5 (Jan. 1984),
undated |
|
62 |
|
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A Chance to See Egypt; notes,
undated |
|
63 |
|
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A Chance to See Egypt;
photographs,
undated |
|
64 |
|
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While at the Arcadia”; Scofield note on relationship
to
A Chance to See Egypt, business
correspondence, handwritten draft, typed draft,
undated |
|
65 |
|
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“While at the Arcadia”; typescript,
undated |
|
66 |
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“While at the Arcadia”; typescript with corrections,
undated |
|
67 |
|
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A Chance to See Egypt; reviews,
undated |
|
68 |
|
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Plain Seeing; writing history
explained by Scofield, typescript, 2005,
undated |
|
69 |
|
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Plain Seeing; proposal,
typescript,
undated |
|
70 |
|
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Plain Seeing; drafts, typescript
with corrections,
undated |
|
71 |
|
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Plain Seeing; draft p. 9-11,
undated |
|
72 |
|
|
Plain Seeing; notes and charts,
undated |
|
73 |
|
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Plain Seeing; notebook, notes,
research materials, correspondence with agent, oversize notes removed for flat
storage,
undated |
|
74 |
|
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Plain Seeing; notes, charts,
undated |
|
75 |
|
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Plain Seeing; notes, research
material,
undated |
|
76 |
|
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Plain Seeing and
A Chance to See Egypt; reading
group guide, Cliff Street Books,
undated |
|
77 |
|
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Plain Seeing; reviews,
undated |
| box |
folder |
| 3 |
1 |
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Soda Lakes: eight stories about a Texas
family; unpublished manuscript, spiral bound, 212 p.,
undated |
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2 |
|
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Occasions of Sin; “Penny’s Gift”
20 p.,
undated |
|
3 |
|
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Occasions of Sin; “Legacy” p.
238-338,
undated |
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4 |
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Occasions of Sin; “Mother’s
Hair” 2 p.,
undated |
|
5 |
|
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Occasions of Sin: memoir;
typescript before editing, spiral bound, 139 p.,
undated |
|
6 |
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Occasions of Sin: a novel;
2000-2001, typescript, spiral bound, 237 p.,
undated |
|
7 |
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Occasions of Sin; drafts, notes,
correspondence, chart,
undated |
|
8 |
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Occasions of Sin; “Cutting My
Heart Out: on Being a Mother and Daughter,” and, “Aunt Opal’s Indiscretion.” A
proposal for companion books, Nov. 1993,
undated |
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9 |
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Occasions of Sin; photograph:
family portrait,
undated |
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10 |
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Occasions of Sin; reviews and
interviews,
undated |
|
11 |
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Occasions of Sin; publicity in
Speakeasy, Fall 2004,
undated |
|
12 |
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Occasions of Sin; publicity in
Poets and Writers July/August 2004,
undated |
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13 |
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Occasions of Sin; publicity and
reviews, Bookmarks July/Aug. 2004,
undated |
|
14 |
|
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Occasions of Sin; photocopy of
review from The Women’s Review of Books, May 2004 (journal removed for flat
storage),
undated |
|
15 |
|
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Occasions of Sin; publicity and
reviews,
undated |
|
16 |
|
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Occasions of Sin; reviews and
press clippings in envelope from Norton,
undated |
|
17 |
|
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Occasions of Sin; reviews,
undated |
|
18 |
|
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“Where the Light in the Kitchen Falls”; essays adapted
from address presented at Public Library of Des Moines, Iowa,
undated |
|
19 |
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“Flesh and Word: a reader learns to mother”; draft,
March 1994, typescript,
undated |
|
20 |
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“Sampling the necessary inventions of motherhood”;
book review,
Boston Sunday Globe July 7,
1996, photocopy,
undated |
|
21 |
|
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Flotsam – 1968,
undated |
|
22 |
|
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“Falling Oranges, a period piece”; story 1969,
typescript with corrections,
undated |
|
23 |
|
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“The Dancer”; story 1969,
undated |
|
24 |
|
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“Mary sighing”; story 1970 or 1971, typescript with
corrections,
undated |
|
25 |
|
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“The fall I started fifth grade …”; typescript,
undated |
|
26 |
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“After this morning’s waste of time …”; typescript,
undated |
|
27 |
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“The year I would turn thirty …”; typescript,
undated |
|
28 |
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“A Short Ride on the American Dream”; typescript with
corrections,
undated |
|
29 |
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“Buying Country Time/ 51st Day”; essay and magazine,
Win Peace and Freedom thru Nonviolent
Action, Oct. 11, 1973,
undated |
|
30 |
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“Small Craft Warnings”; typescript,
undated |
|
31 |
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“Catholic School”; typescript with corrections,
undated |
|
32 |
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“Deep Purple”; typescript,
undated |
|
33 |
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“Her breath caught …”; typescript,
undated |
|
34 |
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“Small Malady”; typescript,
undated |
|
35 |
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“Standoff at Lonesome Creek”; typescript,
undated |
|
36 |
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“The Stepmother” and “Odd One Out”; typescript,
undated |
|
37 |
|
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“Natalie Darling’s Nose”; typescript,
undated |
|
38 |
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“The Tin City Lonesomes”; typescript,
undated |
|
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Correspondence |
| box |
folder |
| 3 |
39 |
|
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Business and personal 1984-2004 and undated, James
Atlas, Martha Bergland, Stephen Dunn, Laura Furman, Ashbel Green, Emily
Johnson, Lisel Mueller, Marge Piercy, Richard Rodriguez, Rosa Shand, Margaret
D. Richard -, [SMU],
undated |
|
40 |
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Business, Permanent Press 1987-1992 and undated,
undated |
|
41 |
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Business and personal, 1990-1999 and undated, Rosemary
Ahern, Karen Anderson, Alida Becker, Carl Djressi (?), Eileen Drew, Larry
Duberstein, Stephen Dunn, Richard Elman, Shelby Hearon, Pam Houston, Judith
Lars, Susan Lutz, Michael Dorris, Neil McDowell, Rose Marie Morse, Judith
Reagan, Linny Stoval, Emma Sweeny, Diane Reverand, Sharon Oard Warner, Raymond
L. Williams, Juliet Wittman, Kimberly Witherspoon,
undated |
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42 |
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Business and Personal 1980-1989 and undated,
Mademoiselle,
Ploughshares,
Atlantic,
Antaeus,
The New Yorker, James Idema,
Cloverdale Press, Ellen Levine, Fran Ringold,
Minnesota Review,
Touchstone,
Missouri Review,
Redbook,
Northwest Review,Second Wave,
Dark Horse,
Kalliope,
undated |
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43 |
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Business and personal 1974-1975, Mary Jarrett, Grace
Ellis, Dianne Skafte (?),
undated |
|
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Literary Production |
| box |
folder |
| 3 |
44 |
|
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Jesse Jones Award,
undated |
|
45 |
|
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National Book Award Brochures, 1991,
undated |
|
46 |
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American Book Award Brochures, 1992,
undated |
|
47 |
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Literary Oregon, one hundred books, 1800-2000,
brochure,
undated |
|
48 |
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“Grudges”; Reviews,
undated |
|
49 |
|
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Reviews, by Sandra Scofield,
undated |
|
50 |
|
|
Misc., Review by Sandra Scofield and Reviews for
Sandra Scofield,
undated |
|
51 |
|
|
Interviews, photocopy of boxes,
undated |
|
|
|
Early Work |
| box |
folder |
| 4 |
1 |
|
|
Early work; photocopy of box,
undated |
|
2 |
|
|
"Maiden of the Western Star"; radio script, announcer,
undated |
|
3 |
|
|
"Maiden of the Western Star"; radio script, narrator,
undated |
|
4 |
|
|
"Maiden of the Western Star"; radio script, director’s
copy,
undated |
|
5 |
|
|
"Maiden of the Western Star"; radio script, engineer’s
copy,
undated |
|
6 |
|
|
"Maiden of the Western Star"; radio script, Melinda,
undated |
|
7 |
|
|
"Maiden of the Western Star"; radio script, partial
script,
undated |
|
8 |
|
|
“Richard” (1967); photocopy of file, three
manuscripts,
undated |
|
9 |
|
|
“Picadilly the Chickenbird,”
undated |
|
10 |
|
|
“The white wake of winter …” (1958),
undated |
|
11 |
|
|
Notes and story ideas,
undated |
|
12 |
|
|
“Red River Crossing, Carol” (1970); photocopy of
folder, story and draft,
undated |
|
|
|
Juvenilia |
| box |
folder |
| 4 |
13 |
|
|
“Hungry is the Harvest”; photocopy of folder,
typescript of story and poems, 1960,
undated |
|
14 |
|
|
“And the Dew was Damp”; 1959,
undated |
|
15 |
|
|
9th grade reading list in small spiral bound notebook,
undated |
|
16 |
|
|
Poems,
undated |
|
17 |
|
|
Poems, (age 16-19), photocopy of folder and
typescript,
undated |
|
18 |
|
|
Prose and poetry for appreciation, schoolwork, Our
Lady of Victory Academy, Ft. Worth,
undated |
|
19 |
|
|
Award of Merit,
undated |
|
|
|
Literary Production |
| box |
folder |
| 4 |
20 |
|
|
"Weekends, Dreaming”; novella, 1975, typescript,
undated |
|
21 |
|
|
“Sisters: a Play in Three Acts”; 1973, typescript,
undated |
|
22 |
|
|
From 1985 journal, loose pages,
undated |
|
23 |
|
|
Poetry; photocopy of folder, handwritten drafts,
typescript with corrections, business correspondence,
undated |
|
24 |
|
|
Story drafts; “To Speak the Unspeakable” and “What
Will Tya Think?” (draft and clean copy), business correspondence, photocopy of
file folder,
undated |
|
25 |
|
|
Loving Leo/Private Rites; draft pages, photocopy of
folder,
undated |
|
26 |
|
|
“Where the Light in the Kitchen Falls”; drafts,
photocopy of folder,
undated |
|
27 |
|
|
Workshop materials; note cards, outlines,
evaluations-Iowa Summer Writing Festival, chart, business correspondence,
research material, photocopy of folder,
undated |
|
|
|
Scholarly Production |
| box |
folder |
| 4 |
28 |
|
|
Beyond the Sentence: a guide for teachers of gifted
students, 1983-1984,
undated |
|
29 |
|
|
No More Fences: a resource teacher’s guide to teaching
writing, 1984,
undated |
|
30 |
|
|
Language Arts Guidelines for an Oral Language Based
Curriculum, a pilot version, 1976-77,
undated |
|
31 |
|
|
Functions and Contexts in the Classroom Discourse of
Mildly Retarded Secondary Students; Dissertation, U of Oregon, 1979,
undated |
|
32 |
|
|
Re: “A guide for teachers of gifted students writing
in the elementary grades,”
undated |
|
33 |
|
|
General Teacher Effectiveness; Eagle Point School
District 9 reading report, 1987, photocopy of envelope,
undated |
|
34 |
|
|
Document: Guidelines for Effective Teacher Behavior;
report, photocopy of folder,
undated |
|
35 |
|
|
Identification of disorders of language processing;
notes and lesson plans,
undated |
|
36 |
|
|
Academic résumé, Scofield,
undated |
|
37 |
|
|
Principal’s Operational Briefing, Dec. 1980,
“Turnarounds in Writing Instruction: Building Programs that Work,”
undated |
|
38 |
|
|
Curriculum Trends, May 1981, “Fostering Communicative
Competence in Children,”
undated |
|
39 |
|
|
Model for Teaching: Sept. 1976, Oct. 1976, Nov. 1976,
March 1977, Oct. 1977,
undated |
|
40 |
|
|
Professional Report, Nov. 1979, “Children and
Composition: Teaching from What We Know,”
undated |
|
41 |
|
|
OSSC Bulletin, “Principals Make a Difference: The Role
They Play in Quality Reading Programs” June 1979,
undated |
|
42 |
|
|
OSSC Bulletin, “Defining the Effective Teacher
Provocations for Reform in Teacher Education” Feb. 1978,
undated |
|
43 |
|
|
A Teacher’s Manual: Strategies in Communication, 1973,
undated |
|
|
|
Miscellaneous |
| box |
folder |
| 4 |
44 |
|
|
Photographs of marquee at Powell’s bookstore,
undated |
|
45 |
|
|
“Going Out” dining information for Austin, Texas, June
1961, 1962, 1963,
undated |
|
|
|
Journal and Book Publications |
| box |
folder |
| 5 |
1 |
|
|
ARX,
Nov.
1967 |
|
2 |
|
|
ARX,
Dec.
1967 |
|
3 |
|
|
Ascent (14.1)
Sept.
1988 |
|
4 |
|
|
Body and Soul,
March
2004 |
|
5 |
|
|
Calyx,
uWinter
1986 |
|
6 |
|
|
Cosmopolitan,
Oct.
1977 |
|
7 |
|
|
Fair Lady,
Jan. 5,
1977 |
|
8 |
|
|
KSOR Guide to the Arts,
March
1980 |
|
9 |
|
|
KSOR Guide to the Arts,
Dec.
1985 |
|
10 |
|
|
KSOR Guide to the Arts,
Jan.
1988 |
|
11 |
|
|
Language Arts,
Sept.
1978 |
|
12 |
|
|
Left Bank, #5,
Dec.
1993 |
|
13 |
|
|
Missouri Review (8.3),
1985 |
|
14 |
|
|
Moving Out (9.2),
1981 |
|
15 |
|
|
Nimrod,
Fall/Winter
1985 |
|
16 |
|
|
Oregon English,
Spring
1981 |
|
17 |
|
|
Oxford Magazine, vol. 14,
2000 |
|
18 |
|
|
PlainsWoman,
Jan.
1984 |
|
19 |
|
|
Players,
Sept.
1970 |
|
20 |
|
|
Ploughshares (9.4),
1983 |
|
21 |
|
|
Professional Report,
Nov.
1979 |
|
22 |
|
|
Redbook,
Jan.
1974 |
|
23 |
|
|
Redbook,
May
1975 |
|
24 |
|
|
Redbook,
March
1976 |
|
25 |
|
|
Redbook,
May
1977 |
|
26 |
|
|
St. Anthony,
Sept.
1976 |
|
27 |
|
|
Texas Monthly,
May
1988 |
|
28 |
|
|
Touchstone (9.2) 1984,
1984 |
|
29 |
|
|
Touchstone (10.2),
1985 |
|
30 |
|
|
Touchstone (10.3),
1985 |
|
31 |
|
|
Towers,
May
1967 |
|
32 |
|
|
Vecko Revyn,
Aug. 18,
1976 |
|
33 |
|
|
The Writer,
March 1986 (entire
issue), Aug. 1999 (p. 7-9) |
|
34 |
|
|
13th Moon (3.2),
1977 |
|
35 |
|
|
13th Moon (6.1&2),
1982 |
|
36 |
|
|
“Intaglio,” p. 26-39 of campus journal from Northern
Illinois University,
1967 |
|
37 |
|
|
“The Vigil,” p. 32-36 of campus journal from Northern
Illinois University,
1962 |
|
38 |
|
|
“The Stage From Dallas” interview conducted by
Scofield, photocopy from
Players Magazine,
1967? |
|
39 |
|
|
The Writing Life: National Book Award Authors,
photocopy of “Writing from Love and Grief and Fear,”
undated |
|
40 |
|
|
Common Bonds: Stories by and About
Modern Texas Women, edited by Suzanne Comer. Dallas: Southern Methodist
U P,
1990 |
|
41 |
|
|
Wie Sand auf der Haut, by Sandra
Scofield. Düsseldorf: Econ Taschenbuch, 1994. Translation of
Walking Dunes,
1994 |
|
41 |
|
|
Der Sommer der Frauen, by Sandra
Scofield. Düsseldorf: ECON Taschenbuch, 1993. Translation of
Beyond Deserving,
1993 |
|
42 |
|
|
The Scene Book: A Primer for the Fiction
writer, spiral bound galley pages (209 p.),
undated |
|
|
|
Oversize |
| box |
folder |
| 6 |
Oversize |
|
|
Newspapers, book covers, brochures, map of Austin,
undated |
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|